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Where I Personally Draw the Line with AI Writing...

The Nerdy Novelist · 2,459 words · 12 min read

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0:00I use AI in my books, a lot, and I'm not

0:03ashamed of it. I'm actually proud of it,

0:05but there is one [clears throat] line

0:06that I refuse to cross. Today, I want to

0:09show you exactly where I personally draw

0:11the line with AI in my own books, why I

0:14think the push-button create book

0:16strategy is a dead end, and how you can

0:19use AI without sacrificing your

0:21creativity or your ethics. Now, if

0:23you're scared AI is going to replace

0:25you, or you're afraid people will think

0:27you're cheating if you use it, stay with

0:29me. This is for you. Now, some quick

0:31context so you know where I'm coming

0:33from. I wrote 14 books the traditional

0:35way, but in chair, fingers on keyboard,

0:38every word typed by me, no AI, no

0:40shortcuts, just the grind. And in 2019,

0:44I burned out hard. I didn't fall out of

0:47love with storytelling. I still loved

0:49ideas and characters, worlds, plot

0:52twists, you name it. But the act of

0:53sitting down, staring at a blank page,

0:55and manually typing every sentence of

0:57prose felt like dragging a boulder up a

1:00hill every single day. And I started to

1:02dread it. I started to dread the part

1:04where I opened the document. Not the

1:06imagining, not the plotting, just the

1:09typing. So, here's the question that

1:11changed everything for me. If I still

1:13love stories, but I hate being a human

1:15typewriter, why am I trying to be a

1:17human typewriter? And that's when AI

1:19entered the picture for me, not as a

1:20gimmick, but as a way to un-burnout

1:23myself. So, here's my line. I do not

1:25believe, endorse, or teach the

1:28push-button create a book method. If

1:31your entire process is click a button,

1:33spit out 40,000 words, upload to Amazon,

1:35repeat, I think you're playing a

1:36short-term game that will not work. But

1:39I'm also not here to morally police you.

1:41If that's what you want to do, I'm not

1:42going to chase you around the internet

1:44with a pitchfork. I just believe very

1:45strongly that the person who uses AI as

1:48a tool, while keeping their own brain

1:50doing what humans do best, is going to

1:53absolutely outpace the person who tries

1:55to automate everything. So, here is the

1:57rule for my own books. Humans, me, own

2:01the decisions. I own the ideas, the

2:03themes, the plot, the world building,

2:06the character arcs, the emotional beats,

2:08the structure, everything. I decided

2:10what happens, why it happens, and what

2:12it means. And then AI owns as much of

2:15the labor as I'm willing to give it.

2:18Turning scene beats into sentences,

2:20trying different phrasings, generating a

2:21first draft of dialogue based on my

2:23outline, rearranging text, cleaning up,

2:26etc. I do not ask AI to think for me. I

2:30ask it to type for me. AI plus a human

2:33will always beat AI alone. That's my

2:36fundamental belief. A lot of authors

2:38talk as if the act of typing the first

2:40draft is this sacred mystical act. But,

2:44here's the funny part. Many professional

2:46authors have already told us that it is

2:48not. Chuck Palahniuk, hope I'm

2:50pronouncing that correctly, who wrote

2:52Fight Club, has talked about how the

2:54actual writing part is a tiny part of

2:56his life and the last step of of his

2:58process. He's drafting in notebooks.

3:00He's thinking while he walks the dog.

3:02The typing is almost an afterthought.

3:04Michael Crichton famously said, "Books

3:06aren't written, they're rewritten."

3:08Emphasizing that the rewriting process

3:10is the more important of the two

3:12processes. Jory Graham said that she

3:15spends 90% of her time in revision. And

3:18I will say as an AI writer, so do I.

3:20Book coach Lisa Poisso has said that

3:24writing your novel is actually the

3:25smallest part of creating a novel and

3:27that what you do with your first draft

3:29is what makes it blossom. So, let's just

3:31say the quiet part out loud. For many

3:33serious writers, the first draft is not

3:36the most creative step. Here's how I see

3:38it. The most creative is the planning

3:40and outlining stage. This is where you

3:42invent the world, the characters, the

3:44arcs, and the meaning. This requires the

3:46most thinking. The next most creative is

3:48probably the editing and the revision.

3:51This is where you shape and refine and

3:53cut and sharpen what you meant to say.

3:56The least creative part of the process,

3:58in my opinion, is that raw first draft.

4:00You have already decided what happens.

4:02Now you just need to turn those

4:04decisions into sentences. Now of course

4:06I realize there's a spectrum of how this

4:08works. Uh certain people don't enjoy

4:10outlining and so they just start writing

4:12and the writing ends up being kind of

4:14the outline, in which case that's a

4:15slightly different situation, but you

4:17get my drift. That is why I have zero

4:19ethical problems using AI on that first

4:21draft layer. I'm not outsourcing my

4:23creativity, I'm just outsourcing the

4:25typewriting part of it. Let me tell you

4:27how this looks practically. Today my

4:30process is number one, I do the

4:32thinking. I brainstorm ideas, I design

4:34the world, I outline the plot chapter by

4:36chapter, I map the character arcs, and I

4:38decide the emotional beats. Then number

4:40two, I let the AI do the heavy lifting

4:43on prose. I feed it my outline and my

4:45scene beats, I tell it the tone, the

4:47POV, the style, all of that, and it

4:49generates a draft of the scene. Number

4:51three, then I become an editor and

4:54director. I read what it gave me, keep

4:56what works, throw out what does not,

4:58rewrite parts, insert my own voice, add

5:01personal details, adjust pacing, etc.

5:03Now the first time I did this I actually

5:04felt kind of guilty. I remember

5:06thinking, am I cheating? Am I allowed to

5:08do this? But then I stepped back and

5:11looked at the result. In all honesty,

5:13the story was better. Why? Because my

5:16brain wasn't fried from manually

5:18cranking out every sentence. I had

5:20energy left for higher-level decisions.

5:23I could see structure problems more

5:24clearly. I could fix character

5:26motivations. I could layer in

5:29foreshadowing. These are the more

5:31important tasks for the human. AI

5:34removed my bottleneck, aka the labor,

5:37and gave me back my best access, which

5:39is my own mind, my creativity. Now

5:42another fear that people have is that

5:43using AI to write faster somehow deepens

5:46the art.

5:47I wrote this book in a month, that must

5:48mean it's low quality. I actually get

5:50this a lot in my comments despite the

5:52fact that authors have been writing

5:53books in a month for literally like

5:56centuries. So, no, speed by itself is

5:59not a problem. Speed is a problem if you

6:01are using it to avoid thinking. But,

6:04speed is a massive advantage if it lets

6:06you shorten your feedback loop. Think

6:07about it like this. If you write one

6:09book every 5 years, you get one major

6:12round of feedback every 5 years. If you

6:14can safely write and publish two, three,

6:17five, even 12 books in that same window,

6:20and each one is held to a real standard,

6:22you get dozens of feedback cycles, more

6:24reviews, more reader emails, more data

6:27on what resonates and what falls flat,

6:29more feedback from your editor. So, who

6:31do you think becomes the better writer

6:32faster? The person who gets one rep

6:35every 5 years or the person who gets 20

6:37reps in the same time? AI used well lets

6:40you move through the reps faster, not to

6:42skip the work, but to compress the time

6:45window that we're looking at. And I want

6:47to quickly pause here because this is

6:48exactly why I built StoryHack cuz if

6:51you're listening to this and thinking I

6:52want to do this ethically, I want to use

6:54AI, but I still want to be proud of my

6:56name on the cover, that is what

6:58StoryHack is for. StoryHack is the

7:01fastest and most affordable way to

7:03produce 12 or more books a year using AI

7:05without sacrificing your creativity or

7:08ethics. When you join, you get access to

7:10a brand new system that I am going to be

7:13announcing this week that I am excited

7:15to tell you about that will allow you to

7:17write good books every month as well as

7:19my complete step-by-step system to go

7:21from zero to 12 books or more a year,

7:23guides to publish on Amazon including in

7:26pretty much every genre you can think

7:28of, a bunch of automations to take hours

7:30off the grunt work as well as weekly

7:32live calls with me. You can try it with

7:35zero risk, there's a 7-day free trial so

7:36you can lock in the price before it goes

7:38up and you can cancel anytime. If that

7:40sounds like what you need, there will be

7:42a link below this video. All right,

7:43let's get back to the AI conversation.

7:45Now, a few months ago, you might have

7:47seen headlines about a Microsoft study

7:49that listed the 40 jobs most at risk or

7:51most exposed to AI, and writers,

7:55authors, editors, and teachers were all

7:57on it. The way a lot of people read that

7:59is, "Oh, these are the 40 jobs that are

8:02going to be replaced by AI." But, that

8:04is not what the study is actually

8:06saying. What it is is measuring how much

8:10of the tasks inside those jobs can be

8:12done with AI tools. How much is the job

8:14going to be affected by AI processes?

8:17So, writing, editing, research, customer

8:19communication, those are all things AI

8:22is good at helping with. So, those jobs

8:23are labeled high exposure. High exposure

8:26does not automatically mean it will be

8:29deleted that the job will disappear. It

8:31means this job will be forced to

8:33integrate AI deeply into the workflow.

8:35So, here's the part that most people

8:36miss. You are really only at risk if

8:40number one, you are in one of those high

8:42exposure jobs, and number two, you

8:45personally refuse to use AI. Because in

8:48a world where writers and authors can

8:50use AI to research faster, draft faster,

8:52and edit smarter, the person who proudly

8:55refuses the tool will get out competed

8:57by the person who learns to wield it

8:58well. We even have a person in my

9:00membership that got a huge raise because

9:03of what they've learned inside of the

9:04membership. The danger is not that your

9:07job might be on that list of affected

9:09jobs. The danger is being the human on

9:12that list who refuses to adapt. Now,

9:14let's hit the three big fears I hear

9:15from authors. Fear number one, it won't

9:18be my voice. Your voice does not come

9:21from which fingers hit which keys. It

9:24comes from your decisions, what you

9:26choose to talk about, and the

9:27experiences you draw from, the way you

9:30see the world, the patterns in that you

9:32repeat in revision. Also, author voice

9:34is not as important as character voice.

9:37Each character in your story should have

9:39a slightly different voice, all of which

9:41can be adjusted by AI. You keep your own

9:43fingerprint by owning the ideas and the

9:45outline, doing real revision passes

9:48where you read things out loud and

9:49change what does not sound like you,

9:52inserting your own personal stories,

9:55your opinions, your weirdness for lack

9:57of a better term, cuz AI can spit out

9:59bland prose, but it cannot live your

10:02life for you. Now, fear number two is

10:04that readers will think that I cheated.

10:07Most readers actually do not care how

10:08many hours you spent typing. They care

10:10whether the story moved them and whether

10:13the book was worth the time and money.

10:14If you deliver a great book that hits

10:16them emotionally, they are not going to

10:18boycott you because you used a tool to

10:20help you with your draft. I've said it

10:23before and I've said it again, it's only

10:25AI slop if it's bad. Fear number three

10:28is if I use AI, I will get lazy. Now,

10:31some people might, but let's be honest,

10:33most struggling authors are not exactly

10:35suffering from too much productivity

10:36right now. Most are stuck in the

10:38opposite trap, perfectionism, fear,

10:40endless tinkering, and not finishing. If

10:43AI is the thing that finally lets you

10:45finish a book and get it out and learn

10:47from readers and write the next one,

10:49that is not laziness, that is leverage.

10:51Integrity is not I suffered as much as

10:53possible. Integrity is I showed up, I

10:56did the real work, and I used every

10:58ethical tool available to do my best.

11:00So, how to figure out where your line

11:03is? Here's a simple exercise. Number

11:05one, write down everything you love

11:07about writing. Maybe that's

11:08brainstorming, discovery writing, world

11:11building, writing dialogue, whatever

11:13lights you up. Number two, write down

11:15everything you dread or avoid. Maybe

11:18that is drafting description, rewriting

11:20the same scene, fixing grammar,

11:22restructuring, or maybe the marketing.

11:24And step three, give the dread list to

11:27AI first. Start by offloading the parts

11:30that drain you the most. Keep the parts

11:31that energize you. The principle is

11:33simple. Humans should own meaning,

11:35taste, and decisions. AI should own as

11:37much labor as you are comfortable

11:39delegating. You do not have to go from

11:41zero to full AI first drafts overnight.

11:44Start with whatever

11:47brings you down, whatever part of the

11:48process is not your favorite. Then try

11:50having AI do those things. Keep what

11:53works, throw out what doesn't. Treat it

11:55like any other tool. You test, you

11:57adjust, then you create your own rules.

11:59So, here's my line one more time. I do

12:02not push button create book. I will use

12:04AI heavily for the labor parts of the

12:06writing so I can pour more of myself

12:08into the creative parts. AI is not the

12:11enemy. Stagnation is the enemy. You are

12:14not competing against AI. You are

12:15competing against authors who are using

12:17AI to become more prolific and more

12:20skilled while you argue about whether it

12:22is allowed. Your job is not to beat the

12:24machine. Your job is to become the kind

12:26of creator that the machine makes even

12:29more dangerous. Now, if this helped you,

12:31tell me in the comments where you

12:33currently draw the line with AI in your

12:35writing. And if you want a proven system

12:37to use AI ethically to write more and

12:39better books every year, check out Story

12:41Hacker in the description. Thanks for

12:42hanging out with me, and I'll see you in

12:44the next video.

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