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I Wrote a Full Novel in 4 Days Using AI (Here's How)

The Nerdy Novelist · 4,162 words · 19 min read

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0:00The single biggest bottleneck for most

0:02authors is time. We have the ideas, we

0:04have the outlines, but turning that into

0:06a polished book is a marathon that can

0:08take years. What if I told you you could

0:10turn that marathon into a 4-day sprint?

0:12Hi guys, my name is Jason. I'm the nerdy

0:15novelist. I used to work for Kindle

0:16Prneer, one of the largest author

0:17training websites, which taught me a

0:19whole lot of things about the author

0:20process. And uh now I teach authors how

0:23to write with AI in order to get their

0:26ideas onto the page using it as a

0:28productivity tool without compromising

0:30your creativity or your ethics. And um I

0:34ran an experiment on my own novel. And

0:36in this video I'm going to show you how

0:38I used AI to create a genuinely clean,

0:41well-written first draft in just a few

0:42days. And why I believe this could allow

0:44me to publish a new book based on my own

0:46ideas every 2 weeks or so. Now, when I

0:48say I wrote a novel in four days, I need

0:50to be completely honest. I did cheat a

0:52little bit. Uh the foundation of the

0:54book, meaning the detailed outline, was

0:57something I had written a long time ago.

0:59So, I've had that in my back pocket for

1:00a while. Um this wasn't just a throwaway

1:03story. This was book five in one of my

1:05established fantasy series. It's

1:07actually this fantasy series right here.

1:10Uh this fantasy series is really

1:12important to me because this is the

1:14fantasy series that I burned out on. I

1:16wrote the first two books. Uh I was

1:18halfway through the third when I

1:20released the first two books and it

1:22absolutely tanked. Um and the reason was

1:25it was I had not targeted the genre very

1:27well and uh the cover that you see and

1:29the title uh that you see here is

1:31actually different than what I initially

1:33published. Um but I was expecting a lot

1:36from it. I was expecting to make a lot

1:37of money from it and it ended up doing

1:39worse than the previous series that I

1:41had published which was my first and so

1:44writing book five it's actually the

1:46first one I've completed in years and I

1:48used AI to do it and because it was book

1:51five in a series it was very important

1:52that it feel like my story and that it

1:55sounded like me. So that was a priority

1:59for me as I was going into this project.

2:01Now the engine behind this entire

2:03operation is an automation that I built

2:05in a tool called N8N. Think of it like a

2:07digital assembly line. You create a

2:09series of steps that take information

2:11from one place, process it and send it

2:13somewhere else all automatically. And

2:16for this project, its job was to feed

2:18the AI into a variety of different

2:20models u in different steps getting

2:23everything it needed to write one

2:25chapter at a time exactly to my

2:26specifications. And for every single

2:28chapter it wrote, it was given the

2:30detailed scene by scene outline, full

2:32character sheets for everyone involved,

2:33a worldbuing bible, and even samples of

2:35my writing from my previous four books

2:37to use as a stylistic guide. It was a

2:41massive amount of information, but it

2:43was necessary to ensure that Claude and

2:45the other models didn't just write a

2:47generic fantasy scene, but a scene that

2:48belonged in my universe and sounded like

2:51it came from me. I want to quickly show

2:53you what this automation looks like.

2:54It's the kind of thing that looks

2:55complicated at first glance, but the

2:57logic is pretty simple once you break it

2:59down. So, this is the automation right

3:02here. There are a number of steps here.

3:04The first few, you can see these are all

3:06just grabbing documents from Google

3:08Docs. Uh, I use Google Docs for all my

3:10automations. I find it's the simplest

3:12and easiest and, uh, most people have

3:14Google Docs, so they're able to do this.

3:16Um, but basically what happens is I just

3:19click a button uh, this one right here.

3:21It says execute workflow and it will run

3:23through this process and uh I

3:26specifically give it my outline, my

3:28characters, my world building, sample

3:31pros, a stylesheet based on that sample

3:33pros, a list of forbidden words that I

3:37don't want it to be using and so words

3:39that AI uses quite a bit. Uh as well as

3:43I I bring in the document where I want

3:46the finished text to go. So, if you're

3:50just starting on this project, this

3:52document will be one that you create and

3:54is blank when you start. But you'll need

3:56that. And the re the way I'm able to

3:58call all of these things is if you click

4:00on one of these, it has the document ID,

4:03which you can just get in the URL of

4:05whatever document you're doing. U you do

4:07also have to connect NADN to your Google

4:10Docs account. And this this overview is

4:13I'm not going to tell you how to set up

4:14NADN. We do have resources for that in

4:17my story hacker gold group. And I'll

4:19make more videos about uh n and

4:22everything. That's not really the

4:23purpose of this video. I'm just sort of

4:24showing you the workflow. So, we pull in

4:26all of these documents. And then I use

4:29this node. Uh it has a prompt here that

4:32says, "You are a parser. Given the above

4:34book outline text, return a JSON array

4:36named chapters containing each chapter

4:38title exactly as it appears, one element

4:40per title, including those without

4:42numbers like prologue or epilogue. Make

4:44sure the chapter numbers are also

4:46present where listed. do not include any

4:48additional keys only output valid JSON

4:50and sometimes I'll say actually I

4:52specifically want you to do these

4:54specific chapters not all of the

4:56chapters what that does is it then makes

4:58a list of chapters and from there they

5:01get parsed in this node right here and

5:04we start a loop so this this thing right

5:08here uh goes through each of those

5:10chapters that were listed in the

5:12previous step that were parsed out and

5:14it creates a loop that then goes goes

5:16chapter by chapter through each of them

5:18and writes the whole thing. So, in

5:21theory, you could give it an outline and

5:23let this go and it would go through your

5:25entire book and write the whole thing

5:26all at once in uh and yeah, I found that

5:29that took me about 2 hours for it to go

5:32through a 40 chapter outline and

5:34actually write all 40 chapters. That was

5:36expensive. I don't actually recommend

5:37doing it all at once like that, but it

5:39was uh you know, it was for science. Um,

5:43so then, um, if you're writing the first

5:45chapter, these two steps won't matter,

5:47but, uh, I like it to be able to read

5:49the previous 2,000 words or so. Uh, you

5:52could also change this to be three,

5:54four, 5,000 words, however many you

5:56want. Um, but I just like it to know

5:58basically what happened in the last

6:00chapter, so it can continue off of the

6:03end of that last chapter in a way that

6:05is uh that makes sense, that is

6:07seamless. Uh so we grab the last 2,000

6:09words of the chapter and then we run

6:11through these four steps uh four AI

6:16uh models different models for each of

6:18these except these last two are the

6:20same. Uh and once it goes through those

6:23four steps it then takes that chapter

6:25that it has written and it plops it into

6:28your document that you pulled in

6:30earlier. So we this note is just called

6:32add chapter to document. uh and then it

6:36goes to this and replays the loop. But

6:38on the next loop, it if you started with

6:40chapter one, it will go on to chapter

6:42two and so on. Uh so it's a very handy

6:46loop. Uh you can kind of just press

6:49execute and don't worry about it until

6:51it's finished the number of chapters you

6:52want. Uh but these four steps, there's

6:55four of them. There's um the first one

6:57is creating a scene brief. So I'll show

7:00you a little bit of what that prompt

7:01looks like. So, we pull in the outline,

7:03the characters, the world building, the

7:04previous chapter text, and then I have

7:06it create a scene brief to sort of spell

7:08out what should happen in this specific

7:10scene, and uh who are the characters

7:13involved, what are they doing, how are

7:15they, what's their mood in this

7:16particular chapter, what are they

7:18wearing in this particular chapter,

7:19because their physical appearance might

7:21be slightly different from one chapter

7:22to another. And this was actually useful

7:24because I had like a character that got

7:27injured in one chapter. And because I

7:30was doing the scene brief and it was

7:31able to look at the last 2,000 words, it

7:34knew that the character was injured um

7:37and it was also looking at the outline.

7:38So, it was able to derive from that that

7:40the character was injured and it was

7:41able to pass that information on into

7:43the next chapter it was writing. Had it

7:46not done that, um it would have just

7:48like he would have been injured in the

7:50previous chapter and in the next chapter

7:52he would have just been fine. Um, so,

7:55uh, it's important to be able to let it

7:58have that level of awareness of the

8:02chapter. So, it creates the scene brief,

8:04uh, to give it all of the details that

8:07it needs for that specific scene. And

8:10then we move on to the most important

8:12step, which is the first draft. Uh, by

8:14the way, the I'm using Sonnet 4.5 for

8:17the scene brief right now, but for the

8:19first draft, I'm using Opus 4.1. Um, it

8:23opus is an expensive model and I

8:25literally throw the entire kitchen sink

8:27at it in this particular prompt. So, it

8:29is this is not an this is an expensive

8:32step. It would cost me about 75 cents

8:34per chapter for just this step.

8:36Everything altogether was costing me

8:38about a dollar per chapter. U, but it's

8:40worth it to me because I get good pros

8:42out of Opus, better than than Sonet 4.5

8:45and a lot of any other model that I've

8:47tested. Um, so first I give it the style

8:50sheet and the style pros examples from

8:53my text. I also give it the prohibited

8:56words that I don't want it to use. I

8:57give it full context including the

8:59entire outline, the characters, and the

9:00world building. I give it the previous

9:022,000 words of text so it knows where to

9:04start off from. And I give it the scene

9:06brief that was generated in the previous

9:08step. I then go through a couple of

9:10instructions here on what to do and let

9:12it go. And then from there

9:16it writes the first chapter. Now, as we

9:19all know, if we've worked with AI a lot,

9:21there's all kinds of little AISMs and

9:23little quirks and cliches and uh things

9:26that are a little bit dull about uh AI

9:29writing. And while Opus 4.1 is very

9:32good, it's got better like scene

9:35cohesion and everything that I've seen

9:36from any other model, it still has some

9:39of those things in it. And so these next

9:40two steps are meant to polish that out a

9:43little bit just to make it a little bit

9:46better for when I then go through it.

9:50Um, so it would go through this

9:51improvement plan and then it would go

9:53through and using that improvement plan,

9:56it does a rewrite. The improvement plan

9:57looks something like this. It's uh I've

10:00got a list of things I wanted to look

10:01for. So like metaphors, identify any

10:04metaphors and instruct them to be

10:05removed. Adverbs. Identify any over

10:08reliance on adverbs. Dialogue tags.

10:10Identify dialogue tags that are not said

10:12or asked. Make suggestions for which

10:14ones should be changed to said or asked.

10:17Um, flag instances of passive voice. So,

10:19stuff like that. I'm just having it go

10:21through and polishing this up just a

10:23little bit so that I don't have to do it

10:26later. And so, it goes through and this

10:28step crucially does not do any rewrite

10:31rewrites. All it does is it highlights

10:34the problems and then in the next step

10:37I'm also not having it do a rewrite. I

10:40ask it to simply implement the suggested

10:43changes but do not in change anything

10:45else about the original chapter. Uh re

10:48reproduce the entire chapter with the

10:50suggested changes. I found that if you

10:52use the word rewrite it will rewrite the

10:54whole thing and it's often worse uh

10:57depending on which model you're using

10:59than the original draft. So instead of

11:01asking for a rewrite, I ask it to just

11:03implement the the changes and not change

11:05anything else. Um, so that's all this

11:08prompt does. And it so it goes through

11:10those and it reproduces the chapter at

11:12the end with all of those changes made

11:14and then adds that chapter to the

11:15document. And then it loops back around

11:17and starts on the next chapter and it

11:19continues to do that. So you could do

11:20this for the entire book all at once.

11:22Um, the reason I don't recommend that is

11:25because I found that uh if it got a

11:27little off on one chapter, and there

11:30were actually instances where it

11:31actually wrote the wrong chapter, I've

11:32since corrected that, but um that was an

11:35issue as I was going through this

11:37project. Um, if it does get a little

11:40off, like even if it's off by one degree

11:42in the next it might be off by two

11:44degrees and then three degrees and then

11:45it just gets worse and worse as it goes

11:48along. Uh, and so I find it's good to

11:51write um, you could go one chapter at a

11:54time and uh, and do that. Uh, that would

11:58take a while though and then you'd have

11:59to wait for the generation to happen in

12:01between each each chapter. So, I found

12:03the sweet spot for me was two to three

12:05chapters where I would have it generate

12:07all three uh while I'm doing something

12:09else and then I'll go through and revise

12:11those chapters and then after I've re

12:13revised those chapters, I have it do the

12:15next two or three chapters and I'll go

12:17to do something else and then I'll come

12:19back and revise those chapters and that

12:21way I was able to get through a bunch of

12:22different chapters all at once. Of

12:24course, every one of these chapters,

12:25especially the ones that I had to

12:26regenerate, came with a literal cost.

12:29The Claude Opus model is not cheap and

12:31it's the best large language model for

12:33creative writing on the market right now

12:34in my opinion, but you pay for that

12:37quality and each chapter cost me on

12:39average about a dollar to generate as I

12:41mentioned. And so for a 40 chapter book,

12:43that's 40 bucks. Factoring in the

12:45handful of chapters I had to regenerate

12:47due to mistakes, the total cost for the

12:49raw first draft was probably closer to

12:5050 or 60. Now people might b at that,

12:53but let's put it in perspective. Would

12:55you pay 60 bucks to have a complete

12:5780,000word first draft of your novel

13:00appear on your computer tomorrow? Like I

13:02have worked with ghost writers and paid

13:04them four $5,000 for a good draft. Now

13:07granted, it is a little bit cleaner and

13:09I can expect more from a ghost rider and

13:11have to guide them a little less than I

13:13do with AI, but at the same time,

13:16[snorts] $40 versus $4,000 is a big

13:19thing for most people. Most people are

13:21not going to be hiring ghostriters,

13:23right? um you're either going to be

13:24writing it yourself or you're going to

13:26be using AI to do it. And so for me, $40

13:29is nothing. $40 is absolutely worth a

13:32clean first draft. And you're going to

13:33get a lot cleaner first draft using Opus

13:36than another model. I've tried this with

13:39uh using Sonet 4.5 for the actual pros

13:42generation, and it just isn't the same.

13:44It's not as good. It's not bad. Uh, but

13:47you're going to be paying for it later

13:49with more time to clean up those drafts

13:51than if you used Opus. At least that's

13:54been my experience. By the way, if you'd

13:55like to learn more about how to use AI

13:57as an author-led productivity tool to

14:00write uh at least 12 books per year, if

14:02not more, and without compromising your

14:04creativity or ethics, go check out the

14:05Story Hacker Gold link down below. You

14:07can also get this exact model that I'm

14:10using uh to use on your own and uh

14:14implement into your own books. So, with

14:16the raw manuscript complete, it was time

14:18for the part of the process that most

14:20authors dread, and that's the first big

14:22edit. But this is also where the title

14:24of this video comes from, because the

14:25actual writing, the generation of the

14:27text only took a few hours of total

14:28processing time spread out over a day or

14:31so. And the human part of the work, the

14:33editing, only took me 4 days. Uh, I had

14:36a simple process. This was a 40 chapter

14:38book. And so, I set a goal of editing

14:40roughly 10 chapters a day. That didn't

14:42take me that long. Um, and it usually

14:45took me between two and two and a half,

14:47maybe three hours for some of the more

14:50complicated parts where the AI really

14:52messed up. But in that amount of time, I

14:54was able to get through 10 chapters and

14:57a lot of it was really good. And there

14:58are actually quite a few moments that I

15:01thought were actually excellent inside

15:03of the book. And and uh I can attribute

15:05this to Opus because Opus is the only

15:06one that does this sort of thing. For

15:08one, I had a moment when two of the

15:11characters were having this quiet

15:12philosophical debate between the merits

15:15of justice versus mercy. And I looked at

15:19the text that it gave me and it was

15:20actually a genuinely thoughtful

15:22philosophical debate. A lot of which was

15:25not provided by me, at least not beat

15:28forbeat, right? Uh I just said they they

15:31debate justice and mercy and this person

15:33has this view and this person has that

15:35view. But then when they came together

15:37um it it was actually a genuinely good

15:39conversation. There was another moment

15:41also when my main character uh she has

15:43this magical ability to uh mirror the

15:47abilities of others and she comes in uh

15:50into contact with this kind of

15:52Lovecraftian entity that's really

15:54horrifying

15:55and she tries to mirror its ability and

15:59it it just uh it just uh it it does not

16:03go well for her and she starts to

16:05transform into this mass of ugly things

16:07and it did this layered

16:10uh really strong showing instead of

16:13telling scene where it just described

16:17her transformation. And it also layered

16:19in like the uh the reactions of other

16:23characters around her because it was

16:25from one of their perspectives watching

16:27her make this transformation. And um and

16:31there are other characters who don't

16:32realize what's going on and they're just

16:34kind of like laughing until they figure

16:36out what's going on and then then they

16:38like start freaking out. And all of the

16:40reactions from each of the characters

16:41cuz there were villains there and allies

16:43there. They were all unique and separate

16:46to each other. Um and not just like the

16:48same reaction from each one. And so I

16:52got moments like that that I was just

16:53like flying through it. I was just like

16:55this is amazing. And then there were

16:57others that where it was not so good and

16:59I had to really uh tighten it up and

17:01spend more time on it. Uh and as I

17:04mentioned there were a couple of times

17:05one of the one of the problems that I

17:07noticed is that sometimes it would write

17:11the wrong chapter. Uh and that's because

17:13in the scene brief steps sometimes it

17:15would get the wrong one and so it would

17:17say okay we're writing this scene and in

17:19fact I wanted a scene that was like

17:21three chapters earlier. That seems to

17:23have been solved with a tweak of the

17:24prompt. But I haven't had a problem with

17:25it since. Uh, but that was something

17:27that happened that caused me to have to

17:29regenerate huge sections of the novel in

17:33order to get it right. And it was

17:35through that process that I figured out

17:36that going two or three chapters at a

17:38time might actually be better than

17:39trying to do uh huge sections at a time.

17:42So, the only real downside to that is

17:44that you you can't like edit 10 chapters

17:48at once because you have to edit a few

17:50then generate more then edit a few then

17:52generate more. And so you're going back

17:54and forth between

17:56um editing a text and then you have to

17:58go do something else for a while while

18:00it's generating the next few because it

18:02does take a little while. It's not like

18:04something where you're going to be um

18:08sitting around for just a few minutes

18:10and then you get the next chapter. Like

18:11it takes for for like three chapters it

18:14would probably take uh 15 20 minutes.

18:19Um, I'd say probably for each chapter it

18:21took about five minutes to go through

18:22all of those steps. [snorts] Um, that's

18:25my that's my rough estimate. Maybe maybe

18:27more. Uh, but yeah. So, I don't like to

18:31be constantly bouncing between things uh

18:33to try and multitask because humans

18:36actually can't multitask properly. So,

18:39uh, I, you know, if I'm going to be

18:41editing text, I'd like to just sit down

18:43and edit all 10 chapters, but that

18:45wasn't really ideal with the way this

18:48worked. But regardless, I was still able

18:50to get it done in four days. 10 chapters

18:52a day. Didn't take me that long overall.

18:55The only reason I couldn't do more was

18:56because I also like I film YouTube

18:58videos and I'm doing other marketing

19:00things and I'm uh administrating in my

19:03group and like all this stuff that I do

19:04in addition to this. Um, but this, you

19:08know, it it was totally doable. And I

19:09think anybody, even if you have a

19:11full-time job or something like that,

19:12you could probably, if you could spare

19:14an hour a day, you could get through

19:17this in a week or so. And if I were to

19:19factor in the cost, uh, the time cost of

19:22creating an outline,

19:24uh, as well as doing like secondary

19:26edits and, uh, formatting and

19:28publishing, I think this would probably

19:30take me about two weeks. Now, I have

19:33sent this manuscript over to a line

19:34editor just to do a second pass on it.

19:37Uh, if you don't have the budget for a

19:39line editor, then uh you would want to

19:42do at least two more passes, I think, on

19:44on it. So, that would take extra time.

19:47Um, but I already knew just from having

19:49read through it uh that I would probably

19:52glaze over a lot of the problems uh that

19:55were that were left in the manuscript.

19:57So, I wanted to get a uh objective third

20:00party to come in and and do a pass on

20:03it. Um, and that's just more for my own

20:06peace of mind that I know that the the

20:08text is going to be decent. So, if this

20:10process sounds exciting to you and you

20:12want to learn my entire framework for

20:13going from a blank page to a finished

20:15book in hand, including how to market

20:17it, you should check out my school

20:18group, Story Hacker Gold. And in there,

20:20we dive deep into how to use AI and

20:21other tools to enhance your process

20:23without ever compromising your

20:24creativity as an author. The group also

20:27includes weekly live calls with me, all

20:29of my ebooks and audiobooks for authors,

20:30and a community of writers who are all

20:32pushing the boundaries of what's

20:33possible. So, if that's interesting to

20:35you, the link is in the description and

20:37I will see you in the next

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