Full transcript
0:00I'm going to show you how I made the
0:01following book trailer using a mix of AI
0:04tools. This was my very first attempt at
0:07putting together a book trailer type
0:08thing, at least using AI, and I'll let
0:10you decide how good it turned out.
0:15[Music]
0:26Heat. Heat.
0:34[Music]
0:36Heat.
0:46[Music]
0:50Heat.
0:54[Music]
1:26Okay. So, as you can see, that was a I
1:28think it was a pretty decent uh turnout
1:31for for my first attempt at least. So,
1:33in the rest of this video, I'm going to
1:34walk you through how I did this. And I
1:36used a a mix of AI tools and nonAI
1:39tools. So, let's start with the non AAI
1:41tools first so you can see what I used
1:44there, and then we'll run through some
1:46of the AI tools. Firstly, let's just
1:48talk editing. This is the editing tool
1:50that I use. This is Da Vinci Resolve,
1:52which is a pretty standard uh editing
1:55tool these days. The reason I use it is
1:57because it it is probably it has a free
2:00version that is probably the best free
2:03editing tool out there. There is a paid
2:06version as well if you need to go a
2:07little bit uh more extensive, but for a
2:09project like this, it was all I needed.
2:11So, I'll come back to this. But uh the
2:13second thing that I used that was not AI
2:16was actually this place right here. This
2:18is where I got the music. So, I did not
2:20use AI music for this one. Uh, as you
2:23might have been able to tell, I knew I
2:24wanted something that was a little bit
2:26more structured. Like, you might not
2:28know this, but movie trailers have a
2:30structure to their music that has like
2:33specific highs and lows at certain
2:35things. And I wanted something that had
2:36that. And that doesn't come, at least
2:40with my level of familiarity with AI
2:42music providers. um you'd probably need
2:46more extensive prompting knowledge and
2:48everything to get that level of nuance
2:50and uh and so I knew I could probably
2:53find something that was free online,
2:55royaltyfree and I did and this is where
2:58I found it. So Pixabay pixabay.com/music
3:02has some really great resources. I just
3:04spent a little time going through here,
3:06searching for things, uh, things like,
3:08uh, movie trailer music, epic,
3:10cinematic, you know, those kind of
3:12keywords, and eventually came across a
3:14track that I really, really liked. And
3:17if I could give you one thing that's
3:19kind of my secret sauce to having
3:21created this book trailer, it's actually
3:23starting with the music. I got the music
3:26before I had a script and before I had
3:28any of the other elements that I wanted.
3:30And the reason for that is because I
3:32wanted something that had the the uh the
3:34beats to it. Like um there's that moment
3:37when you first see Cthulhu, right? And
3:41it's kind of like it's kind of a reveal,
3:43right? I knew I wanted something that
3:45was reflected in the music. Um and a lot
3:48of the stuff I didn't come up with the
3:50ideas of including them until I had the
3:53music and the music was an inspiration
3:55for what the script and the pacing and
3:57everything should look like. Now, I did
3:59edit the music down. It started at uh it
4:02was a two-minute clip, and I knew I
4:04wanted mine about a minute. So, I had to
4:05edit out some of the the beats in there,
4:08but that's essentially how I started. I
4:11started with the music. I found a couple
4:12of key moments that I was like, "Yes, I
4:14want this shot to happen at this moment
4:16and this shot to happen at this moment."
4:18And then I kind of figured out from
4:19there what everything else should be.
4:22All right. The second nonI
4:25uh feature that I included was those
4:27title cards. I wanted something that was
4:28like really epic and cinematic and for
4:31that I came to Invato Elements and this
4:34isn't sponsored by Invato Elements or
4:36anything like that. Uh it's just what I
4:37used. It is uh it's relatively
4:40inexpensive to get a subscription to
4:42Invato Elements and when you have a
4:44subscription you get unlimited
4:45downloads. Um unfortunately it's not
4:48something that I need very often. So, I
4:50just got them one month of the
4:52subscription, and it's way cheaper if
4:54you get the full year, but I I knew I
4:58wasn't going to use it often enough to
5:00really warrant the yearly price. So, I
5:03just went with one month uh to go
5:06through and downloaded a few things. So,
5:08this probably cost me more per clip that
5:12I got than for most people. Um but that
5:16that's how it is. So, um, what I did is
5:18I just came here and I searched for book
5:20trailer templates inside of Invato
5:22Elements under video templates. Here I
5:24just put book trailer and then I made
5:27sure to sort by Da Vinci Resolve so that
5:29I made sure that these elements were
5:33um, compatible with the editing software
5:36that I'm using. And what I got uh, I
5:39ended up selecting this one right here.
5:41Uh, so if we click on this, you can see
5:43it. Um, it's pretty much exactly what
5:47you saw in the trailer. Right now,
5:49these, it did take me a little bit of
5:51time to figure out how to do these cuz
5:53it's not just a simple drag and drop
5:56into Da Vinci Resolve, but the the
6:01elements did come with some instruction
6:02on how to put it together. So, it didn't
6:04take me too long to figure out how to
6:06upload this into Da Vinci Resolve and
6:07give it my own text and all of that. But
6:10eventually what we we end up with is um
6:14something like this where you know it
6:18has my script in it but it's essentially
6:20the exact same thing over and over
6:22again. I did occasionally play with
6:25where it starts and ends. Sometimes my
6:27title cards are a little bit faster or
6:30shorter. That's just all depending on
6:31what I needed from the title card at
6:34that particular point in the trailer.
6:37Okay, so those are pretty much that's
6:40all of the nonI elements there. Um, I
6:43will say the script was written by me. I
6:45did not use AI for the script at all. I
6:47didn't even think about doing it for
6:49some reason. Uh, but I will say I did
6:52find some inspiration from a friend of
6:54mine
6:55who is currently having his Kickstarter
6:58uh going. And when this goes out, there
7:00will be two more days to this t
7:02Kickstarter. I will link to it down
7:03below because uh Brian is an amazing
7:06author and he's not afraid to use AI
7:08where he needs it, although he does
7:10actually write his uh all of the books
7:12himself uh himself and uh it's an
7:16incredible Kickstarter. Lots of cool
7:18stuff and he's almost at $10,000
7:22um and with his $5,000 goal. So, you
7:25should definitely go support him and get
7:26him over that $10,000 mark if you can.
7:29uh because this is definitely a
7:30Kickstarter I would endorse. But uh you
7:33can see he's got this trailer here.
7:34Similar. We've got AI video. We've got
7:38uh cool text. I think he actually just
7:40used um iMovie on his Mac to create this
7:44text. I think they have some built-in
7:46templates. So that's even easier than
7:48what I did to get this text. But uh
7:50that's only if you have iMovie or a Mac
7:53computer of some kind. And um so I got a
7:56lot of inspiration from this because
7:57he's doing these AI videos as part of
8:01the whole trailer and I thought this was
8:04pretty cool. So I sort of took that idea
8:07and ran with it and used a similar
8:10format to what he was doing here with
8:11his text and use that to write my own
8:14script and make sure it applies to my
8:17video. All right, so let's actually get
8:18into the AI part of this process. what
8:20did I actually do with AI to get all of
8:23those AI videos and include them in the
8:25editing project? And the reality is I
8:28used multiple techniques because just
8:31like with large language models in your
8:34writing process, there's no
8:35oneizefits-all.
8:37There's some models that are good for
8:39some things and some that are good for
8:40others. And sometimes you have to kind
8:41of test between them to see what's good.
8:43And I'm certainly don't have a whole lot
8:45of experience with AI video. I do keep a
8:48breast of what's coming out by following
8:50other YouTubers out there. So, I have an
8:52idea of like which models are the best
8:55for this or that. Um, but I had a pretty
8:59simple process for creating these, but a
9:01couple of the shots required some
9:02additional techniques that I'll walk you
9:04through. But the main thing that I did
9:06for about 80% of the uh the video that
9:10you see in that trailer was done just
9:12here in MidJourney. So, uh I'll walk you
9:15through a little bit of what that looks
9:16like. So, first of all, I would start by
9:18generating an image. And I had a
9:21specific style that I was kind of going
9:23for. I really like the sort of
9:25unfinished
9:26uh painted style. Like, you can actually
9:29see the paint brushes. And uh this is
9:32one of the shots that ended up in the
9:34trailer. So, you can kind of see it's
9:36kind of rough around the edges. Uh
9:38there's visible paint brushes, visible
9:41brushes as part of the prompt, actually.
9:43Um, and so I would use the same style
9:46prompt for everything. It had fantasy
9:49illustration, digital illustration,
9:50video game concept art, visible brush
9:52strokes. That was part of my um my style
9:56info. And every single image that I
9:59prompted in MidJourney was using that
10:01style
10:03um with varying success. So in this
10:06case, I like this one. So I I came here
10:08and selected upscale subtle to get a
10:11higher quality image. and that would
10:13come up here and result in this one. So,
10:16here's the upscaled version. A little
10:18bit nicer. You uh you can kind of see
10:19more detail in the brush strokes and
10:22things, especially here around his hair.
10:24Um, very nice image, I think. And then I
10:29just needed to get him to pull the sword
10:30out of the stone. Now, this is actually
10:32a good example of uh of a technique that
10:35I didn't use too often where I gave it a
10:37starting and an ending frame, but most
10:39of them I did not give it an ending
10:41frame. So, I'll get to that in a second.
10:42Let's find a different example of a
10:44video that I did. All right. So, here's
10:47one. So, I uh upscaled this image of
10:49Dracula's castle, and I wanted to do
10:52just a simple fly.
10:54Um, and so, um, down here it says
10:58animate image. You can do auto with low
11:00motion or high motion. You can do a loop
11:02with low motion or high motion. So, loop
11:04just means it'll come back to the
11:06starting image, which I didn't want in
11:07this case cuz I wanted it to kind of
11:09just go forward the whole time. So, I
11:12tried both low motion and high motion
11:14just to see what it gave me. In this
11:16case, you can see uh this is the high
11:19motion one. So, it does a little bit of
11:21a flyby. I think I selected this one on
11:23the right here as the one I wanted cuz I
11:25like how it kind of shifts perspective a
11:27little bit. It just looked a little bit
11:29more like what I was using. The low
11:31motion kind of just did a zoom in but
11:34not like a fly in. Uh not a dolly in.
11:37And we have like some leaves blowing or
11:39some snow.
11:40Not quite what I was looking for. Uh,
11:42but if I wanted something a little bit
11:43more subtle, I could do that. So, I
11:45would select the shot that I liked and
11:49then download that. Now, the problem
11:51with this is um, in this case, these
11:58images, these videos would usually be
12:01pretty low resolution. So, here's here's
12:04the one with the Arthur pulling the
12:05sword out.
12:07Um, first of all, this one did it in a
12:10kind of like uh uh the style of of an
12:14animated show that has um like a low a
12:18low frame count. So, it looks a little
12:20jerky, but intentionally.
12:23Um, but the thing is this is a pretty
12:25low resolution. If I recall, if we kind
12:28of look at the properties here,
12:32um, this was
12:36Yeah. So, it's it's essentially high
12:39definition 1936 by 1080. That's actually
12:42not bad, but I wanted it in 4K. So, I
12:45used a tool called Topaz Video
12:49that upscales everything. So, here
12:52here's Topaz Video. Um, you can see, um,
12:55on the left here is the original
12:57footage. On the right here is what it
12:58looks like upscaled. You can kind of see
13:00like here in this pile of leaves here,
13:03if we go to the original and then back
13:06to the upscale, you can see it's a
13:07little bit sharper, a little bit better.
13:10And so I would do this to upscale
13:12everything to 4K just so I had the
13:14highest quality image. And the result
13:18looked a little like this.
13:25So, as you can see, it's a little
13:26smoother. One of the things that Topaz
13:28Video did for me was it also increased
13:32the frame count. So, I had it go to 60
13:34frames per second. So, it got a little
13:37bit smoother there. So, all in all, not
13:40too bad. Now, I didn't end up using a
13:41lot. Like, I didn't use the whole clip.
13:44And you'll see a lot of these I only
13:45used just a sliver of a clip. But like I
13:47said, most of the videos that I used in
13:50this project were just midjourney
13:52animations that I upscaled in Topaz and
13:56then just stuck them into the project.
13:59That's really all it was. Now, there
14:01were a few that required a little bit
14:02extra fine-tuning. So, I'll get into
14:05what that looks like uh right now. So,
14:08first of all, let's take this shot. This
14:09is one of my favorite shots. This is a
14:12character of mine named Alice. Uh who um
14:16she's uh like this is
14:19the best visualization of her that I've
14:22seen. Uh you can even see a little bit
14:24of her attitude here as well. Um she
14:27like this is exactly her. This is a
14:29character that's been in my brain for
14:30over a decade and u I could not be
14:34happier with this artistic rendition of
14:36her. So, let me show you how I did this.
14:38And I did it using Nano Banana. So, the
14:41first thing I did is I actually have
14:42this concept art of this character that
14:44I commissioned years ago, like well
14:47before AI was a thing. You can see it's
14:49kind of rough, but you get a sense of
14:51um, you know, what she looks like and
14:54the style of her outfit and everything.
14:56And I really wanted to take this exact
14:59concept art and create something that
15:00was a little bit more in the style of
15:02what I wanted for this video. So, a
15:04little bit more fleshed out, a little
15:05bit more realistic, but still with that
15:07kind of painted style. So, I took this
15:10concept art image and combined it with
15:14this image, which is in the artistic
15:16style that I was looking for. This is a
15:18midjourney image, and I just said, I'd
15:20like to reimagine the superhero
15:22character in the artistic painting style
15:24of the second image with an urban city
15:26background. And this is the image that
15:28it gave me, which was absolutely
15:30perfect. You can see it's got like the
15:33same pouches on her belt. Pretty much
15:36everything is exactly as it is in the
15:37concept art except it looks a little bit
15:39more like like a little less stylized
15:41and in the style that I'm looking for.
15:43Uh but still having that sort of
15:45illustrated style. But the cool thing
15:47about Nana Banana is that you can
15:49actually have it shift things without
15:52really affecting
15:54the background or anything like that.
15:56So, it's really good for creating a
15:58specific technique of AI video, which is
16:01using a start frame and an end frame
16:03that together you can kind of say, okay,
16:06the the the video starts here and it
16:08ends here and then it transitions
16:10between them. And because Nano Banana is
16:13able to create those things with only
16:15changing the things you want it to
16:17change, it becomes really good for this
16:19technique. So, what I did say, so it
16:21gave me this image and I said, great.
16:22Now, in the same style and location,
16:24show us what it would look like to zoom
16:26in on her face with the camera facing
16:28her straight on. And this is the image
16:30that it gave me there. Awesome. Uh, then
16:33I said, "Make her eyes glow blue." Here
16:34she is with glowing blue eyes. I didn't
16:36use this one in the end trailer, but I
16:37did get some cool shots out of this uh
16:40with her eyes glowing blue and then not
16:42glowing blue. And so, these are some
16:44just really cool images that I got out
16:47of Nana Banana. But you can see,
16:49especially if we sort of zoom in here,
16:50the resolution here is a little bit low.
16:53So once again, I needed to upscale these
16:56images. And to do that, I used a tool
16:58called Topaz Gigapixels. So this is also
17:02from Topaz,
17:04um, the same company that made that
17:05Topaz video upscaler. I would just pop
17:08the images into here and create an
17:10upscaled version of those. It did a
17:12tremendously great job. I also removed
17:15the watermark that came from using this
17:17in Gemini. I could have used Nana Banana
17:19on a different platform and not had this
17:20watermark here, but I just didn't. Uh I
17:24don't know why. So I just uh so I had to
17:26remove this watermark manually. Uh other
17:29than that, that uh that's all I did to
17:31it. Just upscale this image and this
17:33image and removed the watermark and was
17:36ready to go. So the next thing I did
17:38after that is I went to this platform
17:39called Korea. Now there are a lot of
17:42different platforms like this. There's
17:43another one called I think it's
17:44openart.ai.
17:47uh Korea.ai.
17:49These are video generation platforms
17:52that do a lot of different things and
17:54kind of like pull in the APIs from
17:56multiple image and video generators into
17:59one place. And I like that because it
18:02means I can experiment with different
18:04video uh options without having to
18:07subscribe to 50 different you know
18:09companies, right? So um the so that's
18:13the reason I came here. So here you can
18:16go to video and you can uh upload your
18:19start frame. If the model has the
18:22capability, you can also upload an end
18:24frame. And this is why when I was using
18:26these tools, I was not using Sora 2
18:29because I know I'm going to get people
18:30asking about like why didn't you use
18:32Sora 2? I also did not use Veo 3. Uh
18:36because those only have start uh start
18:38frame capability and for this specific
18:40shot, I needed it to go from a start
18:42frame to an end frame. Uh, there's also
18:45some good ones on here like Cling. Cling
18:472.5 is an excellent video model, but it
18:50also doesn't do an end frame. I did use
18:51it for one other shot that I'll get to
18:53later. Um, so the one that I ended up
18:56using for this shot was Cling 2.1,
19:00uh, which allows you to have a start
19:02frame and an end frame. So, here are
19:04some of the videos that I got out of
19:06that. Here's one with the glowing blue
19:07eyes. I thought was kind of cool. uh
19:09starts with the glowing blue eyes, then
19:11sort of dissipates and you see her face.
19:14Um here's another one. This is the one
19:16that I ended up using in the trailer. Uh
19:19it's the full shot, though. You don't
19:20see the full shot in the trailer. Um
19:23this is one where I had it start from
19:25the glowing blue eyes one and then came
19:28to her full body shot. And there's like
19:31a weird thing going on with her eyes
19:32right there. Um so I tried that one a
19:35couple of different times. This one was
19:36better. I almost used this one in the uh
19:40in the final trailer, but I actually
19:42kind of liked the one without the
19:44glowing blue eyes. Uh so that's what I
19:46ended up using. This one was pretty
19:48decent as well, although this was a
19:50different AI model. Uh this was Haluo,
19:52which I've gotten some good results out
19:54of as well. Um so that's all I did. I
19:57just gave it the start frame, gave it
19:59the end frame. It was going at about 5
20:01seconds. These are all about 5-second
20:03clips, which is all I needed in this
20:04case. And that's all I did to create
20:06these images. I thought they turned out
20:08fantastically well. Uh would not be
20:11possible though without Google's nano
20:13banana model uh which is able to create
20:18you know two different uh images. One
20:21that I can use at the start frame and
20:22one at this the end frame that are
20:24similar enough that they do blend
20:27seamlessly with each other. So there was
20:29one more shot in the book trailer. Uh
20:33that was this one here where we're like
20:35um coming here and then flying backwards
20:39backwards backwards backwards and then
20:42the the name of my universe comes on and
20:45we have this cool aesthetic arch and
20:47things. So this image this one that you
20:50see right here was actually an image
20:53that I commissioned. Um the background
20:56of this image is actually an AI
20:57generated image. It's one that I
20:59developed a long time ago that is my
21:01ideal version of what Camelot looks
21:03Camelot looks like in my universe uh in
21:06my head. Uh so this was like I spent
21:10literally hours using AI to get this
21:13image just right. Uh and then I
21:15fine-tuned it. I tweaked a few things. I
21:17upscaled it. I did all sorts of things.
21:20Uh edited it in Photoshop. So, it's I
21:23put a lot more effort into this
21:24background image than I normally do with
21:26AI uh pictures.
21:29But then I actually gave it to an artist
21:31and said, "Can you make some additional
21:33uh assets, creative assets with this for
21:36marketing purposes?" And this is one of
21:38the images that he created. He added
21:39this arch thing here. He added the text.
21:42And overall, I just think it looks
21:44pretty good. So, what I wanted to do was
21:47have this shot where we kind of back up.
21:50And then as we back up, the the text
21:52sort of flies in just as you see here.
21:55Um, in this shot, this shot pretty much
21:58nailed exactly what I was looking for,
22:01right? Um, but I actually did this in
22:05reverse. So the way we worked with this
22:07is I had this image
22:10and then I went to use an AI model and
22:12asked it to actually go forward
22:16um flying above the letters through the
22:18arch and then towards the city. And I
22:20tried this with a variety of different
22:22models.
22:25This is also where I tried to use Sora
22:27and and Veil 3. And as you can see we
22:30got some errors here um because they
22:33didn't work. Um, I did also try some
22:36other models. This one was when 2.2 or 1
22:392.2. Um, kind of has this forward
22:42motion, but definitely not as dynamic as
22:44I wanted. I wanted to go like all the
22:46way through. Um, and I think was this
22:50the one? No. So, this one was cling 2.5.
22:54And as you can see, it has like some
22:55random letters that pop up. This was a
22:57good one uh if we just didn't have those
23:00random letters popping up.
23:03But I was encouraged by this one and I
23:06think one or two others of Cling 2.5.
23:08They was kind of doing exactly what I
23:10wanted, but sometimes just had little
23:11artifacts or some things that I didn't
23:13want. So, I just kept generating until I
23:16got what I was looking for. This was a
23:17different model here. This one was
23:18actually pretty good. This one was
23:20Seance Pro. It's a nice inexpensive
23:22video model. Um, and this one was almost
23:26there. I just wanted it to be an even
23:28more aggressive fly through to like
23:31really go towards the city. I also had
23:34like this weird little piece of text
23:36that it thought was part of the
23:37landscape that just sort of stayed
23:39there. Um, but then this is the one
23:42using cling 2.5 that pretty much knocked
23:45it out of the park for me. So, we fly
23:47over the text right into the city. You
23:49can kind of even see the 3D
23:53aspects of the city as you're flying
23:55over it. You can tell that it's treating
23:57it like the physics are are pretty
23:59accurate there. Uh and so it was
24:02absolutely perfect uh with this one. Uh
24:05I did go to Topaz Video and upscale it
24:08and increase the uh frame count so that
24:12I could even slow it down a little bit
24:14because this is actually going a little
24:16bit too fast here from what I wanted. So
24:18I slowed it down by half. Um so it was
24:21twice as long as it was. Then I took it
24:23back here into Da Vinci Resolve and
24:25reversed it. So instead of going forward
24:27like this, we ended up coming backwards
24:30like this. And it just looked perfect. I
24:33could not be happier with the results of
24:35this. And uh that's uh so those are
24:39really the the main techniques that I
24:40used. So to sum up, we got midjourney
24:43just using MidJourney's own video to
24:45create little clips that I could cut uh
24:47in here. Then using the start and end
24:50frame model with nano banana and uh
24:53cling. Cling is the one the model I
24:55eventually used. And then also doing uh
24:58start taking a starting image and doing
25:01this fly through thing and then just
25:03reversing it to make it work for what I
25:06wanted. And then all I did after that
25:08was just take all of these assets and
25:10just start placing them on the timeline
25:12where I wanted it to be here in uh with
25:15the in sync with the music. Really,
25:17that's really how I did it is like I I
25:19just took the things and tried to find
25:20the best places for certain key moments
25:23to sync up uh the music in particular
25:26for this flyth through scene. Uh I I had
25:29like a specific moment when I wanted the
25:32the text to come in. So I had uh that I
25:35did like slow it down in some places and
25:37speed it up in others just to make the
25:39timing just right. Um another key moment
25:43was this reveal here. So, we had the
25:45text here to battle the ultimate
25:47darkness and then it fades to black and
25:51then the the music also kind of goes a
25:54little bit softer and then we get this
25:58reveal of Cthulhu
26:00looking sinister
26:02and then the trailer really picks up
26:05again
26:06uh with a couple of rapid shots here.
26:09So, I kind of had an idea. And you can
26:11see I do cut forward right here in the
26:15um uh in the music because I went from
26:18like this is earlier in the music to
26:20this is later. So I kind of crossfade
26:22between them
26:24and um ultimately I think it turned out
26:28okay
26:31um from what you see here. And then I
26:34just kind of timed everything to the
26:35music. And that's really all it was.
26:37Really not a huge deal, honestly. Um,
26:41did take me a while. I I will say this
26:43probably took me a good
26:47uh probably 6 to 8 hours alto together,
26:50including creating all the footage and
26:53upscaling all the footage and finding
26:55the right video and everything. It also
26:57probably cost me somewhere in the realm
26:59of $50. Although some of those costs
27:01won't wouldn't be as bad if I did a lot
27:04of these in bulk. Uh because there were
27:07things like Invato Elements where I I
27:09paid 30 bucks for one month, but if I
27:12were to use Invato Elements all the
27:14time, it would not be as expensive. Uh,
27:18I essentially paid 30 bucks for this one
27:20text effect, which is not a good use of
27:22my money on Invato Elements, but I was
27:25in a hurry, so that's why I did that.
27:27The music was free. Uh, so all in all,
27:30I'm pretty pleased with this. I I
27:31actually was surprised at how much I
27:34really loved the end result of this
27:36whole thing. Um, by the way, uh, you can
27:39tell that this was probably not a actual
27:42single book trailer. I would use the
27:44same principles for a single book
27:45trailer, but this is more of a trailer
27:47for my entire universe and specifically
27:49a membership that I am launching like
27:52this week or next week. Um, like
27:55officially, it's been sort of in a soft
27:57launch format, but it's uh it's an
27:59official thing. If you are a fantasy
28:01reader, please go check it out. Um,
28:04there there's some really cool goodies
28:06in there. If you upgrade to the annual
28:07plan, I'm actually throwing in a uh
28:11one-on-one session that's really just
28:13for this upcoming week only just to get
28:16a couple of people through the door.
28:17This is the only way to get a one-on-one
28:19session with me right now. Like it I do
28:22not take one-on-one sessions. So, if you
28:24want a one-on-one session, then you can
28:26go ahead and join the group which is
28:28down below. Um but also, if you're a
28:31fantasy reader, there's lots of cool
28:32stuff there as well. Uh so, I hope hope
28:34that looks interesting to you. to go
28:36check it out and uh I will see you