Full transcript
0:00Welcome to this final video in this
0:03series of the advanced book writing
0:05tools that I've been putting together
0:06and automations in N 8 N. I've gone
0:09through how to create a story dossier,
0:11how to create characters, world
0:12building, and your outline.
0:15In this step, we are taking the
0:18essentially the final steps before
0:19editing
0:21of generating the prose of your book.
0:24And
0:25to give you guys an idea of what this
0:28looks like, here's the previous one that
0:29I had. So, this is what it looked like.
0:32We would call a bunch of documents, do a
0:33couple preliminary steps, and then there
0:35would be four main steps that would
0:38happen for every chapter of the book.
0:41By contrast, let's look at this one.
0:44This is what it looks like now.
0:46So, similar in its opening, but then
0:49instead of four steps, we have all of
0:51these steps.
0:52All right. Now, don't freak out. A lot
0:54of these steps are really, really brief
0:56and don't use hardly any tokens at all.
0:59It's just the way in which we are
1:01approaching this is a little bit
1:03different, a little bit more precise.
1:05And it actually saves on tokens in a lot
1:07of cases because we're not throwing a
1:10whole bunch of context at it. We're
1:11throwing the right context at it. So,
1:14let's dive in and go step-by-step to
1:16what this automation does so you can
1:18build something similar for yourself or
1:19you can get it by joining even the
1:22the lower tier of my membership which I
1:26used to charge $67 a month for access to
1:31all of these.
1:32You can now get it for $9 a month. So.
1:35Anyway, let's go to the front. And this
1:37beginning part is mostly similar to what
1:40I used to have for this process.
1:42But we'd start here with a form
1:45submission. So, if you select execute
1:47workflow, what happens is it'll pull up
1:49this thing
1:51and
1:52ask for certain input. For instance,
1:54it'll say, "Which chapters do you want
1:56to generate today?" Because you don't
1:58want it to generate all of them at once
1:59in most cases because you're going to
2:02get little imperfections in there that
2:04kind of like get carried on throughout
2:07the book as it is you know, reads
2:09through that. And additionally, it's
2:11just a good job to kind of go a couple
2:13chapters at a time at most to make sure
2:16everything's okay before you move on and
2:18do the rest. But you can just say all of
2:21them here and it will do all of the
2:23chapters or you can just say something
2:25simple like chapter 1 through 3 or
2:28something like that, you know.
2:30You may have already written chapters 1
2:32through 3, in which case you could say
2:33chapters 4 through 5 or 6.
2:37And then the next thing you'd want to
2:39put here is what tense is this book
2:41written at. So, we're not talking about
2:43the POV character cuz that's something
2:44that was established in the previous
2:46automation that I showed you guys about
2:48how to make a good outline.
2:51Um
2:52in this case, we're establishing what is
2:53the general tense because we want that
2:55to be the same across the entire book.
2:57So, we don't want it determining for
2:59itself chapter by chapter what the tense
3:01is because what if it determines that
3:02one chapter should be first person and
3:05another chapter should be third person.
3:07We want it to be consistent even across
3:09the whole thing, which is why I have
3:10this be a manual input. And then if you
3:12have any author notes, any additional
3:14notes that you want to just point out,
3:16you can put that here if you want, but
3:17this is is not a required field. All
3:20right. So, once you've done that,
3:22we move on to collecting all of our
3:24things. Now, I've talked in the past
3:27about these these templates that I've
3:30created, the genre templates. We have
3:32them for a whole bunch of things like
3:33cozy mystery,
3:34vigilante justice crime thriller, urban
3:37fantasy.
3:38And there are these templates that come
3:40with this. And I've essentially built
3:42this advanced
3:44book automation system to work with
3:45these templates cuz they wouldn't it
3:48wouldn't work nearly as smoothly
3:50and get to
3:52create a book that is actually what a
3:54reader would want to read without doing
3:56that. Okay? So, these templates are
3:58integral part of this, but you don't
4:00have to use them. You can create your
4:01own. That's just a big part of this
4:04whole automation. All right. So, but in
4:06this one, we actually don't pull in any
4:08of those
4:09with one exception,
4:11which is the style guide. And you can
4:13have your own style guide here. You
4:15don't have to use one from the
4:16templates.
4:18The templates are created by analyzing
4:20text from other from actual best sellers
4:22in the genre.
4:23But I'd say probably nine times out of
4:2610 you actually in this case might want
4:28to use your own prose writing style if
4:30you have examples of that
4:32because it'll make it more your own. All
4:34right. So, we pull in the prose style
4:36here
4:37and this can be anything. It could be
4:39simply a samples of your writing. I
4:42usually like to run write my writing
4:44through a prompt that will actually
4:47create a style guide from it, which is
4:50essentially the AI determining how do
4:53you make your voice sound like this this
4:56text, you know, that kind of thing.
4:58All right. And then we pull in three
5:00important documents that we would have
5:03generated in the last three automations.
5:06One is your full character sheet. One is
5:07your full world building sheet. And one
5:10is your full outline. Notably absent
5:12here is the story dossier,
5:14which is the first automation that I
5:16walk you through in this advanced
5:18process.
5:19That one, you don't really need at this
5:21point because we've used that to develop
5:23the character sheet, the world building
5:24sheet, and the outline. And so, all of
5:26the details that would have been found
5:28in that story dossier are no longer
5:30really necessary because we have these
5:32three. So, we're not using that one.
5:34We're just using the character sheet,
5:35the world building sheet, and the
5:36outline. And then we do have to create
5:39our blank first draft doc. So, wherever
5:42you want this draft to go, you need to
5:44create a document for it to go. For
5:47example, I've got one here that I just
5:49call Cormac 1 first draft. All right.
5:52So, that's where this would go. And it
5:53would be blank to start. Now, if I've
5:56already written a couple of chapters,
5:57let's say I've written one chapter 1, 2,
5:59and 3,
6:00then those chapters would be in here,
6:03but I would still use the same document
6:06if I were to continue with chapter 4 and
6:08so on. Does that make sense?
6:10So, we pull in that document so we have
6:12a place for everything to go. And then
6:14these next couple of steps are important
6:15because what they do is they look
6:17through your outline and they parse
6:19everything out so that essentially makes
6:22a list of every chapter in the outline
6:24and parses them out so that we can run a
6:27loop on each one individually.
6:29So, that's what this one does here.
6:31It pulls in the outline. It says, "You
6:34are a parser given the above book
6:35outline text return a JSON array named
6:37chapters containing each chapter title
6:38exactly as it appears, one element per
6:40title, including those without numbers
6:42like prologue or epilogue. Make sure the
6:45chapter numbers are also present where
6:47listed. Do not include any additional
6:49keys. Only output valid JSON." And then
6:51I say, "In this specific instance, I
6:53only want you to do these chapters." And
6:55then it pulls in the the
6:58information that you entered into that
7:00beginner form.
7:02So, whatever you entered in there, it'll
7:04pull that in. So, if you said, "I only
7:05want to do chapters 4 and 5,"
7:08it'll say, "In this specific instance, I
7:09only want you to do these chapters,
7:11chapters 4 and 5." In which case, it'll
7:13only do those chapters. Okay?
7:15So, that's where we do there. And then
7:18it'll start to running this loop.
7:20There's a little bit of a code here to
7:22parse out the chapters.
7:24Here's what that looks like. I'm not a
7:26coder. I vibe coded this based just
7:29asking an LLM to tell me what to do.
7:32Basically, and where to put it. And I
7:33just followed instructions, but I am not
7:35a coder, so I actually do not know what
7:37this means. But it works, right? And so,
7:39from there we go into the loop. Okay? We
7:42start the loop. It'll say if we're
7:44starting from scratch, it'll say chapter
7:451. We'll get the last 2,000 words of the
7:48document assuming you have written some
7:50already. If you're starting with chapter
7:511, there won't be any words in this
7:53document. But if you're not starting
7:55with chapter 1, then
7:58we want to grab at least the last 2,000
8:00words to help it know where to start
8:02from. Does that make [snorts] sense?
8:04All right. So, from there, we have a
8:07couple of different things. I'm going to
8:08group these together. So, we'll start
8:09with these three right here.
8:12All right. These three are essentially
8:14going through the outline,
8:16the character sheet, and the world
8:18building sheet
8:19and only selecting those parts of the
8:22sheet that are necessary for this
8:25specific chapter. So, there are a lot of
8:28characters in the character sheet, but
8:30maybe only two of them are in this one
8:31scene.
8:32And then maybe there's like two or three
8:34others that are mentioned or indirectly
8:36related. What we want from this step
8:38here where it selects the characters is
8:40to go and select the information for
8:42those characters and output that
8:45information essentially verbatim. All
8:47right. So, these are very cheap models
8:49that I used to do this task because it's
8:51not it's not a thinking intensive task.
8:54We're just going to the document and
8:55selecting those the characters that we
8:57need. All right. So,
8:59the plot one, all this does, if we look
9:01at it, it says, "This task is all about
9:04selecting the exact plot of current
9:05chapter." Which is established here and
9:08here and here of what that current
9:11chapter is.
9:12To clarify, the current chapter is
9:13blank, whatever the loop is on at this
9:16point in time. Your task is to look at
9:18the outline and extract verbatim all of
9:20the information for this chapter. Which
9:22includes the summary of the plot, the
9:23POV, the levels, and the sliders.
9:25Reproduce that text exactly as it exists
9:27in the outline. Do not include any other
9:29chapters, just the current chapter. So,
9:32that is what this prompt does. And so,
9:33it'll essentially output just the part
9:35of the outline that we're working with
9:36at this time to kind of help give
9:38emphasis. And then we do the exact same
9:40thing with the character selector. Where
9:43in this case, we give it the current
9:44chapter and the and the full character
9:46sheet. Yeah. Where we ask it to say
9:49basically, "This task is all about
9:50selecting the exact characters that are
9:52actively in this chapter or mentioned."
9:55To clarify, the current chapter is
9:56blank. You also have the plot of the
9:59chapter, so you know what is happening
10:00in this chapter.
10:01Then it says, "Your task should follow
10:03these steps. First, carefully examine
10:04the plot of the chapter for this chapter
10:07and determine which characters are
10:08actively participating in the scene or
10:11chapter and which other characters might
10:12be mentioned or indirectly linked to the
10:14scene or chapter, even if not physically
10:17present in this chapter. For each of the
10:19characters who are actively in the
10:20scene, find their profile in the full
10:22character sheet. Reproduce the entire
10:24profile from the full character sheet
10:25verbatim of each character who is an
10:27active participant in the scene.
10:29Beneath the active characters in the
10:30scene, make a list of all the mentioned
10:32or indirectly linked characters with
10:33just a one to two sentence summary of
10:35who they are based on their profile in
10:37the full character sheet. You should not
10:38reproduce the full profile from the full
10:40character sheet for the these mentioned
10:42or indirectly linked characters. You
10:44should just provide a one to two
10:45sentence summary. So, we're pulling in
10:47the full profile for the characters that
10:49are actually in the scene and then just
10:51brief snippets of information uh one to
10:53two sentences about the ones that might
10:56be mentioned or indirectly related to
10:58the scene, right? And then I have some
11:00information about how to to format it
11:03and then that's that prompt. And then we
11:04do something very similar for world
11:06building, where it examines the world
11:07building sheet and only selects those
11:09things that are relevant to the scene.
11:11Make sense? All right, these next two
11:13are very very quick steps. Uh they take
11:18almost no tokens at all and they happen
11:21like literally in seconds. And that's
11:23the word count estimator. So, I used to
11:25have a standard word count for every
11:27chapter and I would just expect every
11:29chapter to be about the same length, but
11:32I realized that's not always the best
11:34way to go. Some chapters are longer,
11:35some are shorter. Uh for instance, in a
11:37climax, you might have a lot more
11:39shorter chapters to increase the feeling
11:42of speed and uh like you're really
11:45flying through that climax. Really makes
11:47makes it uh much more enjoyable for the
11:49reader in that section. So, I have it
11:52determine what the word count should be
11:55at this level when it's deciding what to
11:58write. So, in this one
12:00I have it look at the plot of the
12:02current chapter
12:04and I'll say, "Your task is to pick how
12:06many words this chapter should be. To
12:07clarify, the current chapter is this
12:09chapter.
12:10You also have the plot of the current
12:11chapter, so you know what is happening
12:12in this chapter. You also have the full
12:14outline to give you context of how this
12:15chapter fits with all other chapters.
12:17Your task is to follow these steps to
12:19analyze the genre of the story and to
12:21analyze the events of the chapter.
12:23Choose an appropriate word count for
12:25this chapter based on the events in the
12:26chapter, the standard for the genre and
12:28the pacing of the scene. The word count
12:29should never go lower than 1,000 words
12:31and never higher than 5,000 words.
12:33Output just the number of words and
12:34nothing else, not even the word words.
12:37Example,
12:382,500.
12:39Um so, that's exactly what we're doing
12:41here.
12:42Give me 20 seconds. People always ask me
12:44for the exact prompts I use to write my
12:46books with AI. So, I put them all into
12:48one prompt pack. Right now, my Story
12:50Hacker AI group is invite-only and
12:52closed to the public, but if you want in
12:55on what we're doing, join the waitlist
12:56using the link below and I'll send you
12:58the prompt pack for free as a thank you.
13:00Unlike some micro offers from tech bros
13:02on YouTube, these prompts are multiple
13:05hundreds of words long, refined from my
13:07own real book projects. So, click the
13:09link below, pop in your email and I'll
13:11send them to you today. So, once we have
13:13a word count estimate, all this one does
13:16here is it increases that estimate by
13:1925%. Usually because whatever you give
13:23it, the AI is usually unlikely to
13:25actually fill up the full word count and
13:27so with this one, I add an extra 25%
13:30just to stretch it a little bit further,
13:32so that it's more likely to get to that
13:34original estimate. Um just a little
13:36technique there. But anyway, let's move
13:38on to the next three and these are
13:40important because this is where we're
13:41going to essentially write our scene
13:43brief. This is the more detailed outline
13:45as well as all of the information and
13:47details that are needed to actually
13:49write this scene. All right, so let's
13:51start with the plot scene brief. I split
13:53this into three, plot, character and
13:54world building. For this one, uh we pull
13:57in all of the relevant context that we
14:00need so far, including the small section
14:03of the plot that we're we need to. I do
14:06pull in the full outline here as well,
14:08so we know how that small section of
14:10plot fits with the overall outline. I
14:13also pull in just the characters that
14:15were selected in previous step and just
14:16the world building that was selected in
14:18the previous step. I also pull in the
14:19last 2,000 words, so it knows where it
14:22left off in the previous chapter,
14:23assuming we're not starting with chapter
14:25one. And then here, I say, "Given the
14:27above outline, characters, world
14:29building information, your task is to
14:30flesh out a plot scene brief for this
14:32chapter. Make sure the chapter is
14:34clearly labeled with the words chat
14:36whatever the chapter name is. Do not
14:38name the chapter anything besides this.
14:39This plot scene brief should include the
14:41following." And then I have it uh um
14:44print out the plot verbatim from what it
14:46gets in the above info. I have it point
14:48out what the POV intent is. So, pull the
14:51viewpoint character from the current
14:52chapter to work on above. The tense
14:54should be and then this is where it
14:56pulls in the form that you filled out at
14:57the very beginning
14:59so that it knows what the tense should
15:00be. Word count, include this number from
15:02the word count above verbatim. Only
15:03include the number, nothing else.
15:05Because we've pulled that in already.
15:06And then the next thing it does is it
15:08outlines the beats and the blocking for
15:11the scene. Uh so, it's this is
15:13essentially your more detailed outline
15:15of the scene. And usually uh you might
15:18want to set this up so that you can
15:20review this beforehand, but I actually
15:22find that as long as my overall outline
15:25is more or less consistent, I find that
15:28this whole process, I don't really need
15:30to review the beats of the blocking. It
15:31does a good job of that for me. Uh and
15:33then I also make sure that the plot for
15:36this scene picks up appropriately after
15:38the end of the previous chapter text. Uh
15:40and then I also ask it to establish what
15:43the cliffhanger is going to be. And you
15:45can do cliffhangers well or badly. And
15:47so, as part of this prompt, I included a
15:50cliffhanger guide
15:52on what a good cliffhanger looks like
15:55and that's what that whole section is.
15:57And then I have it do some formatting of
15:59how uh how it outputs this whole thing
16:02and then I let that go.
16:04And then we move on to the character
16:07scene brief. This is the same sort of
16:08thing, but just for the characters. And
16:10my goal here with this step,
16:12so we pull in the plot, we pull in the
16:14full outline, we pull in just the
16:15characters that were selected here
16:18uh as well as the previous chapter text
16:20and then the slider rubric that I talk
16:22about in a previous video on characters.
16:26Um because every character has certain
16:27sliders
16:28and those sliders are going to change
16:30depending on the scene we're in. All
16:32right, so this prompt goes something
16:33like this, "Given the above outline and
16:34character information, your task is to
16:36flesh out a character scene brief for
16:37this chapter. Here's what your brief
16:39should include. Active characters,
16:41analyze the list of active characters
16:42from the character section above. For
16:44each one, make small modifications as
16:45needed for the specific scene, including
16:47removing removing future details." Okay?
16:51This is the important thing is like we
16:53don't want information that's going to
16:55be relevant to a future scene to impact
16:57this scene accidentally. It's not as big
17:00of a problem as it used to be, but it's
17:01still a big problem, especially if
17:03you're writing in a genre like mystery,
17:05where you don't want to reveal ahead of
17:07time who is the murderer, right? Uh
17:10who's the person who done it? Because if
17:13you have that information in the
17:14character sheet, there's a good chance
17:16the AI will just pull from that and
17:18inadvertently give away the fact that
17:20that person is the one who done it,
17:23right? So, we want to essentially take
17:26these characters and remove any details
17:28of future stuff, right? So, that's the
17:31biggest thing that this prompt is doing
17:32is going through all of those characters
17:34that were extracted earlier and making
17:37sure that we're actually looking at them
17:39more in at this specific slice of time
17:43in this chapter. So, not their like
17:45overall profile, but like who are they
17:46in this exact moment? So, it that will
17:49include removing future details. It'll
17:51also include adjusting where their
17:53sliders are because their sliders slide,
17:57you know? Uh they have kind of a
17:58baseline where they're at for their
17:59sliders most of the time, but if the
18:02tension is extra high in the scene,
18:03certain things like stress, their stress
18:05slider, might be a little bit more
18:07intense, stuff like that. So, this is
18:10the step where we establish where those
18:12baselines are and how they differ from
18:15the baselines in this specific scene uh
18:18as well as like what are you know,
18:20they're wearing anything different in
18:21this scene? How's their physical appea-
18:23appearance? Are they are they, you know,
18:25did they just come out of a bath or have
18:28they been rolling through the mud a lot?
18:30You know, like maybe they've been on
18:31this adventure and they're super dirty,
18:33you know? Little details like that that
18:35are that differ from the norm and are
18:37only included in this in this slice of
18:39their life in this chapter. That's the
18:41kind of thing that we're trying to
18:42establish here, okay?
18:44So, that's what we do there. And then we
18:45do a pretty similar process for the
18:48world building sheets, looking through
18:49all of the different world building
18:50elements that are relevant to this scene
18:52and making sure there are no future
18:54details included in that as well, all
18:55right?
18:56Then we go through a couple of important
19:00steps here. Uh notably, we do a
19:02chronology check. So, it looks at
19:04everything that was just written across
19:06these three steps here and it says, "Is
19:08this chronology uh chronologically
19:11consistent both with itself and with the
19:14full outline?" So, it looks at the full
19:16outline, it looks at this and it says
19:18like, "Are there any problems here
19:19chronologically speaking?" And then it
19:21does a rewrite of the entire scene
19:24brief, so basically combining the
19:26outputs of these three into one here as
19:30well as uh making any corrections for
19:32the chronology check here.
19:34And then we finally have our full scene
19:36brief. Despite the fact that we've just
19:38spent a ton of time just creating the
19:40scene brief and everything we need for
19:42that, the next step is deceptively
19:44simple and that is just writing the
19:45first draft. The first draft is uh a
19:49very important step
19:51uh obviously, but there's actually not
19:53that much that goes into it now that
19:54we've done all this of this work on the
19:56scene brief.
19:57Essentially, what we do is we pull in
19:59the prose style sheet.
20:01We'll pull in the previous 2,000 words
20:03of the text so it knows where to where
20:04it left off, and then we'll pull in the
20:06full scene brief.
20:07From there, it says your task is to
20:10write the entire
20:12chapter name
20:13based on the scene brief and to cover it
20:14thoroughly from deep point of view
20:15writing the scene as if written by
20:16bestselling novelist and not rushing
20:18through the scene. And then we got a
20:19bunch more uh information here.
20:22And uh I uh also add at the bottom here,
20:25remember to use this tense
20:27uh and note the POV character in a scene
20:30brief above just to make sure it doesn't
20:32get that wrong.
20:33All right?
20:34So, that's the that's where it writes
20:37the first draft, which is an excellent
20:39step and exciting step.
20:41But then, we're not done. Uh my priority
20:44with this whole automation is to make
20:46sure that chronological issues are as
20:48filtered out as possible
20:50so that you don't have to fix as many of
20:52them as you're going through. And so,
20:54for this next step, I actually pull in
20:55the last 20,000 words, assuming there
20:58are 20,000 words, in which case it'll if
21:00you haven't written 20,000 words yet,
21:02then it will go through and it will
21:05identify however many you have written,
21:08right? [clears throat] So, if you've
21:09written 10,000, it'll grab the 10,000.
21:10If you've written 50,000, it'll pull in
21:12the last 20,000 cuz I don't want to
21:14overdo this prompt too much, but I do
21:16want it to look back pretty extensively
21:18in its narrative
21:21uh what has happened in the last 20,000
21:22words or so. And then we do a second
21:24chronology check. This chronology check,
21:26however, is looking exclusively at the
21:29last 20,000 words and the chapter that
21:31was just written to make sure there are
21:32no little inconsistencies. For instance,
21:35uh one of the things that will often
21:37happen when you're writing uh with AI
21:38this way is it will pull up details like
21:41they're brand new.
21:43Um
21:43like a character will say something
21:46like, "Oh, I've got this special ability
21:48that lets me do this."
21:50And then
21:51five chapters later, it'll be they'll
21:53introduce it again and be like, "Oh, I
21:55have this special ability that lets me
21:56do this." forgetting that it had already
21:59introduced that thing five chapters
22:00earlier. That's the sort of thing we're
22:02looking for here with this chronology
22:04check where we want it to look for
22:06anything that is just off about the
22:08chrono- chronology of the chapters
22:11altogether. We're trying to smooth out
22:13any of those chronological problems as
22:15much as possible.
22:17The other major thing that I'm trying to
22:18catch in this automation is the style.
22:21Can we get it to the point where the
22:23style is as close to the style guide as
22:26possible cuz this is one of the best
22:28ways to improve on the default vanilla
22:31writing of these large language models
22:33is to give it your style and then with
22:35clear explanations of the kind of things
22:37you want to see in your style and then
22:40uh in- integrate that into the text.
22:42And we do that in the first draft stage
22:44here, but I want to do a second check to
22:47be extra sure that there aren't other
22:48ways that we can inject more of your
22:50style into this thing.
22:52So, this style checker looks at your
22:53prose style guide. It looks at the
22:55chapter that was written and then makes
22:57recommendations based on that. And then
22:59finally, we have a rewrite here. And
23:01this rewrite happens based on the
23:03feedback that it got from the chronology
23:05check number two and the style check
23:07here. It takes all of that information
23:09and rewrites uh the chapter to include a
23:12little bit more of that. And then
23:14finally, after all of that, it dumps the
23:17results here into the chapter
23:20document. And then it repeats the loop
23:23for the next chapter in the series that
23:25you want to write. And that is the full
23:27advanced outline to chapters.
23:29And uh it's pretty pretty intense, but
23:33pretty cool when you see the outputs. Uh
23:35when it comes to chronology and things
23:37like that, definitely the
23:40uh the issues have been severely
23:42reduced. Now, one thing you might notice
23:44that I didn't do here that I used to do
23:46in my previous version of this is I
23:47would ask it to find like problems with
23:50the prose, like line editing type stuff.
23:52And I'm not doing that this time around.
23:54The reason is I'm developing an entirely
23:56different automation to do that just
23:59focuses on line editing and reducing AI
24:02slopisms and things like that so it
24:04sounds very much like a really decent
24:09prose, right? That's the whole goal. So,
24:11that is essentially what I'll be talking
24:13about next when I do another automation,
24:16although I'm also exploring other tools
24:19like Claude Co-work, which I think might
24:21be able to do editing tasks like that a
24:23little bit more effectively because one
24:25of the problems with the line editing
24:27automations that I've worked with is
24:29that they can be a bit expensive to run
24:31cuz there's lots of different steps and
24:33you it requires smart LLMs to do it
24:36well.
24:37But we'll we'll see. This is still an
24:38emerging area. I'm still working on it.
24:40Hopefully, this has been interesting to
24:42you. If you want to get your hands on
24:43this automation, you could do so at my
24:44Story Hacker membership down below
24:47uh as usual.
24:49Um I try not to have too many
24:51uh sponsors and stuff like that other
24:52than my own work just because I'd like
24:54to be able to give something in exchange
24:56for money.
24:57Uh so, that membership, there is a lower
25:00tier now that you can join, which is $9
25:02a month. Uh it used to be $67 a month
25:05exclusively. Now, there is a lower tier
25:07that gets you a lot of the same things,
25:09not everything obviously, but what some
25:11of the the stuff that you can now get at
25:13the $9 tier are these automations. So,
25:15you're welcome to come in and uh play
25:17around with them
25:18to your heart's content and join us in
25:20our uh you know, we do regular
25:22challenges like a book in a month
25:24challenge, which we do quarterly. And
25:26you can come and participate in those as
25:28well. So, uh it's great time. And I
25:31I will hopefully see you there.