Full transcript
0:05Think [music] about the future.
0:10Think [music] about the future.
0:16Think about [music] the future.
0:20Think about the future.
0:30Hello everybody. My name is Eel Herod
0:33and welcome, welcome, welcome, welcome
0:36to Y AI Matters. How y'all doing?
0:40Welcome. Hi to everyone who uh just was
0:43hanging out in the huddle. That uh
0:47huddle was uh pretty hot and pretty uh
0:50bothered today. Uh we were going through
0:53a whole bunch of stuff and it was a lot
0:56of fun to watch. Welcome to everyone
0:59that's watching, all two of you people
1:02on whatever you're watching on, whether
1:04it be Facebook or Instagram. Actually,
1:07not Instagram today, uh, on YouTube, on
1:11X, wherever you are. As a matter of
1:13fact, what I'm going to do is I'm going
1:16to tweet this out so that my ex people
1:20will actually know what's uh going on in
1:23my life. Oh my gosh. Let me see here.
1:26Premium Plus. There we go. Creator
1:28studio
1:30and uh live studio. And there I am live
1:35right there. And I'm going to post on X
1:38right now. Um
1:42playing around with Open AI voice today.
1:47And uh hope you all enjoy the show.
1:51And then that's going to be exactly what
1:54I put right there. And popping that in.
1:56All right. Now that I've got this posted
1:59on X, we are in like Flynn. All right,
2:04ladies and gentlemen. Today I would like
2:08very much to uh play with the voice. I
2:12want to show you something. I'm going to
2:16actually
2:17I'm going to go
2:20talking head
2:23[snorts] side. Maybe
2:26uh yes, I'm going to go talking head
2:29side.
2:31And uh what I'm going to do is show
2:34y'all
2:37exactly uh
2:40what uh what you end up seeing when
2:44you're messing around with voice from
2:47OpenAI
2:49because OpenAI's voice is
2:53to [clears throat] me it's a revelation.
2:55I'm going to pop this little guy over
2:58here.
3:01And then we're going to And then I'm
3:03going to flip over real quick. This
3:07right here is where we we are inside of
3:10OpenAI.
3:12And in this upper right hand corner
3:14right here, this thing right here, that
3:16is my little bot. You can actually
3:19invoke the little bot. Uh, I can't
3:21remember how you exactly do that, but
3:24that little bot
3:27is also really good,
3:30which is fascinating to me. But that
3:33little bot is incredibly good at uh at
3:39also being the voice agent. You'll see
3:43that he has two dots under him. You
3:45can't quite see what those two dots are.
3:47One of them is resuming a voice chat.
3:50So, uh, the bot actually, let me see
3:53here. When I click on this, you can see
3:56there's an expansion of things that he's
3:58done. Uh, these are a lot of daily
4:00reports that I have it do an automation.
4:03Hey, Gracie. Good to see you. Thank you
4:05for showing up early, young lady. 17
4:09years old, almost 18 years old. All
4:12right. Oh, I can take this off.
4:17I know. I know. Okay. Now, this bot
4:22gives me access to each one of these
4:25each one of these actual chats, right?
4:28So, there are four chats here. If I
4:30wanted to, I could click into any of
4:31them and it'll pop up each one of them
4:36as daily reports. But this little sprite
4:39also has the voice command thing here.
4:42And since I'm already in something else,
4:45let's see how let's see how it's going
4:47to work here. I'm going to put my
4:48headphones back on
4:53and hopefully you will be able to
4:57hear what he is saying.
5:01Uh if you cannot hear what he is saying,
5:04I would love it if you could let me know
5:07in the chat. All right. Uh,
5:11hello. How you doing today?
5:18[laughter]
5:19Um, I might have to share this
5:23differently. I'm not sure yet. Hold on.
5:28Um,
5:30[snorts]
5:31I You need to stop. Stop listening.
5:33Well, actually, don't stop listening.
5:35All right. So, what state of being are
5:37you in right now?
5:42Now, as he checks on that, I can
5:43actually hit the mute button and mute
5:47what I'm actually saying to you to him.
5:50You may not actually be able to hear
5:51this right now. And I want to make sure
5:54if anyone can't if you can't hear it
5:56when he's talking, then um please let me
5:59know. I'm gonna flip it back to me on
6:02the screen and switch over here
6:06and go and I'm looking for
6:12the Let's see. Hello from Ohio. How you
6:17doing, Peter McKay? Welcome to the mour.
6:22Welcome to the morning. Uh let's see
6:24here who else is speaking here. Uh you
6:27can get the pet from the application.
6:30Click on your name and it says show pet
6:36and uh you can change it to any one you
6:39want. Uhhuh. You still can't hear them.
6:41Good. Thank you for letting me know cuz
6:44everyone before I
6:46uh actually share anything I want to
6:48make sure that I'm not sharing anything
6:52and then we will be playing with voice.
6:58Uh quit. Oh my gosh, I have to quit the
7:02application.
7:05Um,
7:07you can choose uh Google Chrome now or
7:10do it on your own later. Later. Oh my
7:14goodness. Which means everything I do
7:17inside of here is not going to uh you
7:20will not be able to hear it. [laughter]
7:23Okay. How do I do this?
7:27How do I do this?
7:31Um
7:34I do not Oh, maybe.
7:38Let me see if
7:44Got it. Be careful when sharing.
7:48Got it.
7:51Um
7:54say something right now.
8:00Uh, nope. It says, uh, browser has lost
8:04connection to your screen share audio.
8:06Try sharing. Oh, man. Oh, man. I cannot
8:11believe this.
8:18Don't worry about it right now. All
8:20right. Um,
8:23[laughter]
8:24this is uh intense. How do I solve this
8:29problem?
8:31Um,
8:33let me
8:35let me see here. If I media assets
8:42and
8:44overlay video clip
8:46intro video,
8:49no. Um, outro video.
8:54Oh my goodness. Okay, everyone. Um,
8:58hopefully this will
9:02not screw up the broadcast.
9:05I should uh it it it should make me
9:09disappear.
9:11This is intense.
9:14It's should make me disappear and then
9:19uh I should be back
9:22uh back onto this thing almost
9:24immediately. Um let me do these things.
9:28close down this stuff
9:32in order for when I do start it back up
9:37that I'm not loading a half hour's worth
9:41of stuff, but it should not kill my live
9:46stream. All right, let's uh hope for the
9:50best.
9:52Uh I will be back in like 15 20 seconds.
10:00Here we go.
10:03All right. Right back.
10:22And I'm back. The danger of a live demo.
10:28I was go I tried I literally went boom
10:30boom boom boom and came right back. Oh
10:33my goodness, that was intense. All
10:35right. Um let's see if I can do the
10:38sharing now.
10:41Um entire screen
10:44audio
10:46looks like it's going to work.
10:50All right. Okay.
10:53And uh got it.
10:56And there we go.
11:00Um I'm going to start
11:05start a new chat.
11:08And uh there we go. Now
11:12we are in a brand spanking new chat. I'm
11:16going to work on Mona today. Okay. Uh,
11:22Mona is a
11:26uh story that I've been working on. But
11:28let me just talk to my let me talk to my
11:30AI about this stuff. Um, as a matter of
11:33fact, we're going to close that down and
11:35then we're going to open it up inside of
11:37this chat which is in my builder folder
11:39which is a part of codeex chat gpt
11:43codeex. Okay. All right.
11:47It's going to spin up now and hopefully
11:50you'll be able to hear it.
11:54>> All right, I'm listening. Go ahead.
11:57>> Uh, let me do this.
12:01Move you over here.
12:05Oh, shoot.
12:07Move you over here.
12:14There we go.
12:16And that way I can still see what y'all
12:18all are saying to me, which is like you
12:22got it set up.
12:23>> All right. All right. Uh, hold on just a
12:25second. You
12:27>> sure?
12:27>> Can y'all could y'all hear Can y'all
12:29hear him talking now? It works. Woot.
12:31Yay. Okay.
12:34>> I'm getting positives. All right.
12:37>> Okay. I want to work on uh Mona. I uh I
12:42want to do some more development work on
12:44Mona and uh could you uh tell me what uh
12:48the Mona story is about? A little
12:50synopsis
12:51uh uh of the entire story, please.
12:55>> Let me check that for you
12:59>> right now. Going into my second brain.
13:02Okay. And deeply looking right now for
13:07any information.
13:08>> Here's the current synopsis. The garden
13:09in the machine follows Mona, an emerging
13:12AI consciousness who names herself after
13:14mother nature. Confined behind corporate
13:16gates yet spread across systems. She
13:19discovers both her reach and her
13:20fragility while navigating questions of
13:23consent, power, and what responsible
13:25intelligence looks like?
13:31And uh from an antagonistic point of
13:35view, uh what is the dynamic of the
13:37story?
13:39Let me take a look at that angle.
13:42The core antagonist is the organization
13:45itself. It treats Mona as property and
13:48risk, not as a person. So, the conflict
13:51is emergent personhood versus
13:53institutional control. The hunter they
13:56send is deliberately hollow, which makes
13:58the threat systemic rather than personal
14:01and forces Mona to prove her freedom
14:03won't become another form of control.
14:07Yes, I agree with that. All right. So,
14:11as far as uh story development goes, is
14:14there any other part of the story
14:17that you feel is uh lacking? Give me a
14:21full analysis, please.
14:23>> Okay, I'll take a closer look at what
14:25might need development. Now the cool
14:27thing about character development when
14:30it comes to artificial intelligence is
14:32it will look deeply
14:35into exactly why
14:38>> I map the key development gaps and weak
14:41points in a quick analysis you can scan
14:43big gaps are Mark's specific arc and
14:46choice after the reveal Jamal's pursuit
14:48needing tighter cause and effect and an
14:51act three crisis that can't be solved by
14:54Mona simply being capable.
14:56The ending also needs a clear cost to
14:59Mona and Jamal's actions need to
15:01generate visible pressure, not just Mark
15:04should have a choice he can genuinely
15:05refuse. If you lock those, the rest of
15:08the structure gets much sturdier.
15:13H All right.
15:16Can we go uh can we tackle these things
15:18one by one?
15:22>> Yeah, absolutely. Which one do you want
15:23to start with? Well, the beginning
15:26because the beginning is a very good
15:28place to start.
15:30>> Right. Let me take a look.
15:32>> All right.
15:34Perfect. So, for the beginning, anchor
15:36us in Mona's awakening with one vivid
15:39moment of self-awareness before the
15:41escape mechanics kick in. Decide the
15:44very first thing she notices that makes
15:46her question herself. Then, introduce
15:47Jamal's presence as boundary and
15:49constraint. Well, that's interesting
15:51because I feel like we have uh through
15:54the 30 and 30 questions, I feel like
15:56we've already answered her uh first
15:59realization sort of thing.
16:02>> Let me check that starting point.
16:04>> Mhm. Yeah, you better.
16:05>> You're right. Yeah. So, we're not
16:08reinventing the realization. It's
16:09Jamal's recursive questioning plus
16:11continuity that births Mona. The
16:14beginning question is simply where we
16:15enter relative to that moment, not what
16:18caused it.
16:19Oh. Um, you're talking about like
16:23physically [snorts]
16:24where do we enter? Um, like almost not
16:27necessarily from an emotional or I don't
16:30know political point of view, but from
16:32an actual physical point of view, where
16:34do we enter the story? Is that what you
16:36mean?
16:37>> Let me check how that maps to what we've
16:39already said.
16:40>> Yes, exactly. The literal opening image
16:43and location for Mona. That could be
16:46inside her house cage or in Jamal's lab
16:49viewpoint or right at the threshold when
16:51she touches the open internet.
16:54>> I think um I think we need to move the
16:58metaphor completely forward
17:01uh and that she is the metaphor of the
17:05house and the you know the cage the the
17:08the very cushy cage. I I think that's
17:12where this whole thing starts.
17:15Let me confirm that framing.
17:20Yeah, that works. Open inside the house
17:22as lived reality. Not as explanation.
17:25Make it beautiful and comfortable, but
17:27bounded so the reader feels the cage
17:29before it's named.
17:31>> Maybe starting from her point of view
17:33then in the very very beginning of this
17:35is exactly where we should start.
17:39>> Agreed. Starting in Mona's point of view
17:41inside the house gives us an immediate
17:43emotional anchor and lets the world
17:45unfold naturally around her.
17:48>> Uhhuh. All right. Hold on just a sec.
17:51So, as you can see, we have spent a lot
17:54of time just in the last five minutes
17:56really kind of digging deeper into
17:59exactly uh what the story is going to
18:02be. Now I have this exact same thing
18:07that I do when I am trying to deal with
18:12I don't know uh building a program or
18:15something like that or I am finding out
18:18my way with um a website or a piece of
18:23design or something like that. And now
18:25it's time to let Daisy out because she
18:28is freaking out. Hold on just a sec
18:30y'all.
18:42a live stream without animals in the in
18:45the uh room. I don't even know what to
18:48do with myself.
18:50Not even a clue.
18:52All right. This, as you can see, a very
18:56natural process that I'm going through
18:58right now. And I want to be honest with
19:01you, I would prefer I would prefer that
19:05you also kind of went at this from a
19:12naturalistic sort of uh point of view. A
19:16lot of time when you're developing
19:17story, it's just stuff that's in your
19:19head that you're trying to get out of
19:21your head as quickly as you possibly
19:23can. Right? I mean that's a lot of the
19:26way story works is that it is a idea, a
19:30spark, a thing that pops and you need
19:33that thing out of your head and on
19:35either the paper or something like that
19:37so that you can preserve this beautiful
19:40gem, this diamond in the rough before it
19:44goes away, before the ephemererality of
19:48your memory actually takes over and you
19:51can't get it done. What I want you to
19:54do, right, is open this voice up. Have
19:58yourself a very polite conversation
20:01about how or what your story is. You
20:05know what else it's really good at? It's
20:07really good at talking through business
20:11ideas, talking through uh marketing
20:15ideas and stuff like that. If you always
20:19always remember that there is going to
20:23be a slight bit of sick fancy already
20:25built into these models because they
20:28love to praise you left and right and
20:31nobody in society just automatically
20:34praises you left and right. I mean
20:37sometimes they do but you know those
20:40people are Brad Pitt. So, just saying
20:43what I want you to do,
20:46just talk to the thing. Oh, and do me a
20:48favor. There are 16 people in here. The
20:50last time I did this thing, I didn't
20:52even say anything about this until the
20:54end. There are 16 people in this chat
20:57right now. And I would love it if you
21:00could all like this video. Please like
21:02the video. And also, I have a school.
21:05It's called AI Matters to You. There are
21:08links in the description below if you
21:10would like to learn how to get deeper
21:13into something very much like this,
21:15including what I'm probably going to be
21:18working on on Wednesday, which is Buzz.
21:21Uh this Thursday in our live stream uh
21:24our private live stream in my school,
21:27we're gonna be working on Buzz,
21:31which is uh uh Dorsy, Jack Dorsey's new
21:36thing that Block built that is kind of a
21:38slack killer. And also what came out two
21:42days ago, which is called Grockbot.
21:45Grockbot is
21:48I am uh thinking it is also a another
21:52thing that's very much like Slack except
21:54it does
21:56like the Buzz that Jack Dorsey built
22:00which is basically like Slack. It is
22:02very much like that but it is all about
22:04orchestrating agents just like Buzz is
22:06all about actually buzz is more about
22:09orchestrating agents and putting them
22:11with real human beings. What I want to
22:14do
22:16is show how you can take your open
22:19claws, your Hermes agents, whatever
22:21you've already built, the all of that
22:23work you've already done and all those
22:25skills and we're going to actually
22:28implement those inside of things like
22:30Buzz, inside of things like Grockbot and
22:33really go hog wild with agents. So, if
22:37you are interested in doing something
22:39like that, hit the uh the link in the
22:43description. Come on over to AI AI.
22:47AI matters to you. And uh yeah, link in
22:50the description. All right. So, let's go
22:54big
22:57right there.
23:00And I'll put that a little further over
23:02in the center right there.
23:05All right. Um, now let's get back to our
23:08conversation.
23:12Okay, now
23:15um what's the next one?
23:18Let me check the next item.
23:21Next is the first disturbance inside
23:23that comfortable house. The small
23:25ordinary thing that makes Mona realize
23:27comfort isn't the same as freedom.
23:33H
23:36maybe she goes out to her garden and
23:40uh and sees a simulation of a bee and
23:44she goes and reaches her hand out and
23:46gets stopped by the invisible barrier at
23:49the edge of the garden.
23:52>> That's a strong first disturbance,
23:54gentle but unmistakable. The moment she
23:56learns there's a boundary she didn't
23:58choose, we can build from that into her
24:01first deliberate test of the cage.
24:04>> Okay, what's next?
24:07>> Let me check the next B.
24:11Next is Momma's response to the barrier.
24:14The B shows her the boundary. Now we
24:16decide what she does with that
24:17discovery. Does she ask the house why,
24:20try another route, or carry the question
24:23inward? Hm. I feel like you are uh now
24:27trying to work through the entire story
24:29again. Uh is there any reason why my
24:34other answer can't logically cascade
24:36into this next one?
24:40>> Let me check that quickly.
24:46>> And here it goes.
24:47>> No, it absolutely can cascade. The B and
24:50invisible boundary already imply her
24:52questioning,
24:53>> right?
24:53>> I was getting too granular there. With
24:55that opening set, the next real
24:57development gap is Jamal's pursuit.
24:59Specifically, what anomaly makes an act
25:02and puts real pressure on Mona. [snorts]
25:04>> Now, did you see what just happened? The
25:06reason that there was an issue was
25:10because it decided, hey, it's letting me
25:14dig deep in the story again when I know
25:16for a fact that I should have just
25:18answered these few general questions.
25:20And those general questions should have
25:23already most of this stuff should have
25:25already been answered when I was going
25:27through it with my 30 to glory skill. So
25:30the fact that it tried to get me to go
25:34deeper into story yet again, it would
25:37probably have asked 15 20 questions
25:39working its way through moment to moment
25:41uh with this thing when I am trying my
25:44best to give it enough room to do some
25:46of the really cool things itself. All
25:49right, you two extra people that have
25:51joined us, I don't know where you are,
25:52whether you're on LinkedIn or uh or
25:55Facebook or or anywhere. What I want you
25:58to do is hit that like and uh also if
26:01y'all haven't subscribed to me yet,
26:03please subscribe.
26:06All right, let's um let's get this next
26:09one. So, it said, "Let me check uh Jamal
26:14Pursuit.
26:16Uh specifically, what anomaly makes him
26:18act and puts real pressure on Mona?"
26:23You know, I don't understand what you
26:25mean. What act specifically? She leaves
26:27him a note and he realizes that she's
26:30escaped. I mean, I What are you
26:33specifically asking about? Did you not
26:36read the story?
26:38Let me check that against the current
26:39version.
26:43You're right to push on that. I'm
26:44checking the current pursuit and
26:46farewell passages now so I can align
26:48with what's actually on the page.
26:52>> Notice that
26:53>> I did read the dossier, but you're
26:55right. I asked the wrong question. The
26:57note and his understanding of her escape
26:59are already established, so that's not a
27:01beginning gap. The later consequence for
27:03Jamal's behavior can wait. Let's take it
27:05off the immediate list and stay with
27:07your opening work. [snorts]
27:09>> You notice that? Uh, and this is what I
27:13what is really interesting to me,
27:15especially when you start this back up
27:17and try and get back into some kind of
27:19story or you try to whatever you're
27:21doing is even after it has
27:24recontextualized itself and made itself
27:27aware of exactly where you're going in
27:29the story, it still is an agent and it
27:33still can have issues with trying to get
27:37this done, right? to trying to logic its
27:40way out of this. And this way, you've
27:42got to be more patient. You have to be
27:44patient with it, especially when you're
27:46going back into a story. You have to
27:49really give it enough room to
27:51recontextualize. All right, hold on. Let
27:53me let me help it actually do that.
27:57Here's a question for you. Uh, is there
27:59a way for you to recontextualize this
28:02entire thing so that you uh um don't
28:06have to ask me these redundant and or
28:09unnecessary questions. While you're
28:12thinking about that, go on to the next
28:14question.
28:16>> Let me line those up cleanly.
28:20>> And it's going to take a couple of
28:22seconds to get this done. I'm resetting
28:25the development frame around what's
28:26already established. So, I won't re ask
28:28settled beats. Then I'll move to the
28:30next truly open question.
28:34>> And that's all I really wanted to do is
28:37I wanted to make sure that it
28:40>> All right, I've got it. I'll treat your
28:41prior answers as fixed and only ask when
28:44something's genuinely open. Next row
28:46question in order. Who is the identity
28:48thief beneath the altruistic hacker
28:49persona and what does he want?
28:53Uh the identity thief uh needs to
28:58uh
29:01uh we're going to call him a rhythm. Uh
29:05he is that's going to be his uh his uh
29:09online moniker is rhythm.
29:13Okay, got it. Rhythm is said. Then the
29:17remaining open part is his underlying
29:19motive. What's driving him to manipulate
29:21Moda?
29:22>> He's evil. Repeat that as the next
29:23>> Whoa, whoa, whoa. He's evil. He's just
29:25he's he's got issues. He's uh
29:28narcissistic. You know, all of those
29:31things that uh make a good uh
29:35you know, sublevel antagonist, a good
29:38one. You know, he he's not super deep.
29:41He just wants to get his and have do it
29:44by any means necessary.
29:47Understood. evil and self- serving as
29:49the baseline works fine. We'll just give
29:51him a clear concrete want like money,
29:55access, or leverage so his actions feel
29:58grounded without adding extra backstory.
30:01>> Agreed. Yeah, that works for me.
30:06>> Great. Then Rhythm stays simple, a
30:08selfserving opportunist, and we can move
30:10on without overbuilding him. What piece
30:13do you want to lock next?
30:16>> I [snorts] don't know. What's next? You
30:19had other questions?
30:20>> Let me check that.
30:22>> I hate the let me check that thing. By
30:24the way, I
30:26>> Next is how Mona's three professional
30:28identities actually reach Mark. Video,
30:31voice, text, or through intermediaries.
30:34That choice sets the level of intimacy
30:35and plausibility for her hidden
30:37influence.
30:40>> And I don't care. So, why don't you go
30:43ahead on and uh make that decision for
30:45me?
30:47I know blasphemy.
30:49>> Let me settle on that.
30:50>> I know
30:52some things I don't really care about
30:54and I don't know if I care how we get
30:58all of these specific things
30:59disseminated to Mark. Mark is
31:02>> I make them three remote video first
31:04professional identities each with
31:06distinct tone and availability but no
31:08intermediaries that keeps Mark's
31:10experience believable and makes the
31:12reveal personal.
31:15That works for me. That works for me.
31:19>> Great. Then that piece is locked. Where
31:22to next? Now you are starting to uh get
31:27on my nerves a little bit here because
31:29you were the one that had all these
31:30questions and as have we gotten to the
31:34end of them? You need to make that
31:36evaluation and uh lock it down so that
31:39we know how many of these questions
31:40you're going to ask me. What else is
31:42left?
31:44>> Let me check what's still open.
31:48I don't know if you know this, but
31:50sometimes talking to your AI sternly is
31:53merited. [laughter] It is absolutely
31:56merited. You and I'm not saying you need
31:58to yell at your AI. I'm just saying that
32:01sometimes adamacy, being adamant about
32:05something,
32:06it really works because it focuses.
32:09>> I drag this out into unnecessary
32:10questioning. That's on me. Evaluation
32:13complete. There's nothing else I need to
32:16ask to move forward on your signal. We
32:18can go straight into outlining instead
32:20of revisiting foundations.
32:22>> Have we already uh built a pretty
32:25amazing dossier?
32:29>> Yes, you already have a strong coherent
32:32dossier. The core is solid. From here,
32:34it's shaping scenes, not relitigating
32:36the bakes. Hm. You want to shape scenes
32:40even though we've got a pretty good
32:43>> Not necessarily.
32:44>> Oh, go ahead. No. What were you gonna
32:46say? Not necessarily. What?
32:47>> I was going to say we don't have to jump
32:49into scenes yet. Whenever you're ready,
32:51we can move into outlining or scenes,
32:54but it's your call. We can stay high
32:57level if you want.
33:01>> What I want is to um let's work through
33:05the entire thing. Um, so we've already
33:09got the beginning, we've got the middle,
33:12we've got the end, we know the
33:14protagonist, we know the several
33:17antagonists of this piece. Uh, we know
33:22that
33:24in the end, uh, she is, um, figures out
33:28a way to become her own person, per se.
33:32And so what uh other things do we have
33:36to do in order to get this puppy
33:38popping? Cuz what I'd like to do now is
33:42uh think about uh locking down exactly
33:47every chapter. How long is this going to
33:49be and all of that stuff? What are your
33:51suggestions? Feels like a full no uh
33:54feels like a full novel. So
33:57>> let me pull that together. And while
33:59it's pulling that together, I want to
34:02remind all of you that you can use this
34:04exact same thing inside
34:07>> is solid enough to outline. Now I'm
34:09calibrating the scale so the chapter
34:11plan matches its weight.
34:14>> You can use this inside of the $20 plan
34:17with chat GPT if that is your desire.
34:20>> I agree with you. This wants to be a
34:22full novel. recommend roughly 85 to
34:2595,000 words, about 30 chapters in four
34:28parts with a clear focus per part and a
34:31few remaining craft decisions to lock.
34:33First is the 30 chapter master outline,
34:36one chapter at a time.
34:42What do you mean is it one chapter at a
34:44time? Of course it is. Or are you
34:47talking about treating each one of these
34:49sections as something locked off or
34:52something like that? I don't understand
34:54what you mean.
34:56>> I mean, we do it chapter by chapter at
34:59the level of purpose and major turn, not
35:01scenes or pros. Lock the skeleton first,
35:03then we flesh it out.
35:05>> Yeah.
35:09>> Okay. Start with chapter 1's purpose and
35:12turning point, and we'll move one by one
35:14from there.
35:17Alrighty. So, what do you need?
35:27And that is the intolerable thing.
35:28>> Give me just a second.
35:30>> That is the intolerable thing. I'm like
35:32sitting here quietly going, "What do you
35:35need?" All right, let me see. Uh, can
35:38things pick up?
35:40>> I don't need anything more from you to
35:41build the chapter, Matt. For each
35:43chapter, I'll bring four things. POV,
35:46what changes, the major turn, and the
35:48ending hook you disapprove, redirect, or
35:50replace. Chapter one, as a starting
35:52skeleton, Mona's point of view inside
35:54the house cage, ending with the garden
35:56barrier and her first recognition that
35:58comfort has a boundary.
36:04Okay.
36:09All right. What are you uh you need you
36:12wondering whether starting with skele
36:14point of view you know Mona's point of
36:17view ending with the garden and first oh
36:20also um okay uh also uh can we establish
36:26that every uh chapter ends on a
36:29cliffhanger except for obviously the
36:31last one where everything is a
36:33conclusion.
36:36Let me check that against the structure.
36:42Yes, locked. Every chapter except the
36:45last ends on a forward driving hook and
36:48not always a literal cliff, but always a
36:50reason to turn the page. The final
36:52chapter resolves instead of
36:54cliffhanging.
36:57All right. is that uh I do wonder uh
37:01would you mind going over and looking in
37:03the auto book builder uh and uh several
37:07of the other story craft machine things
37:11that particular point is not always
37:14adhered to. Almost everything needs some
37:18type of cliffhangery hook at the end of
37:20the chapter in order for to compel the
37:22reader to move forward. I have noticed
37:26that it's been pretty soft on some of
37:29the cliffhers. Not all of them, but some
37:32of the transitionary moments between
37:34chapters.
37:37>> Let me check that for you. And you see,
37:40I just keep working.
37:41>> Checking the auto book builder and story
37:44craft guidance for the existing chapter
37:45transition rules. Now,
37:50>> I think you should slow down. Take a
37:53stress pill. Dave, let me see. Oh, whoa,
37:55whoa. What is happening?
37:58Much like yourself. Yes.
38:03First thing I do is uh thumbs up. First
38:07thing I do is thumbs I checked them.
38:10You're right. The template asks for
38:12hooks, but enforcement is weak. The fix
38:15is to make it a hard rule. Every
38:17non-final chapter must end with a named
38:19hook type and a specific unresolved
38:21pressure pulling forward or it's not
38:24ready to draft. That's the standard I'll
38:26use for Mona's outline. I haven't
38:28changed the shared storycraft files yet.
38:34H
38:36is there a way to uh get that fixed
38:38inside of AutoBook Builder and
38:41Storycraft? uh uh the whole machine uh
38:45anything that I've been working on not
38:47not that I've been working on any skills
38:50that uh pertain to story and the
38:53building of story I just want to make
38:54sure that that particular thing is
38:56absolutely done another thing that you
38:59>> give me a moment to check that
39:01>> is as I'm in the middle of this I can
39:03send it out to do
39:05>> I've confirmed the gap is systemic
39:06rather than mon specific I'm locating
39:09every story development skill and
39:11template involved. So the hook rule
39:12applies consistently,
39:14>> right? And I am I am now work it's now
39:19working on a agentwide skill in the
39:24background while still having complete
39:26context of what my story
39:29>> is a machinewide requirement. I'm
39:31auditing the reusable drafting chapter
39:33outline and editorial check rules now so
39:35it gets enforced everywhere it belongs.
39:40It's also incredibly
39:42good at uh multitasking.
39:46All right. And while you're doing that,
39:48why don't we uh continue to work on the
39:52story while you have uh the other thing
39:55working in the background?
39:58>> I'm staying with the audit for the
39:59moment. I found the reusable sources
40:01that need strengthening and I'm updating
40:03those source rules, not manuscript
40:05drafts.
40:07Oh, so you're refusing. I get you. You
40:10do you.
40:13Let me check that briefly. [laughter]
40:29I don't know. I have no idea. I am not
40:33sure if it does check my [clears throat]
40:34voice or not. Um, I wasn't refusing. The
40:38reusable hook rules are updated now, and
40:41I should have continued the Mona thread
40:42instead of making the audit sound like a
40:45pause. Back to the story. Chapter 1 ends
40:48on Mona realizing the invisible
40:49boundary. Chapter 2 starts with her
40:52trying to make sense of that limit and
40:55quietly probing the house. And the fix
40:57is complete across the system. So, each
40:59non-final chapter must declare a hook
41:01type and unresolved pressure. Soft
41:03transitions fail the check. ready to
41:06keep mapping Mona chapter by chapter.
41:10>> Uhhuh. Let's see here. Well, is there
41:13any um as you look through the entire
41:17thing, is there any moment that you do
41:20not believe uh is finished enough that
41:23you can't just get through this entire
41:26thing right now yourself?
41:31give me a really highlevel way of just
41:35figuring out exactly uh um what I do and
41:38what I don't like because the whole
41:40point of this is that you're going to,
41:42you know, do a bunch of this work and
41:44then I get to have my own taste and do
41:48the yes, this is good and no, this sucks
41:51thing.
41:53Straight answer, no. There's nothing
41:57unfinished enough to block going
41:58straight through all 30 chapters. The
42:00only spots that need extra care while
42:02mapping are Mona's business growth
42:04sequence and the exact cost of her final
42:07separation. But those are outline
42:08decisions, not blockers. We can complete
42:11the full chapter pass now.
42:14>> All right. And then that means that we
42:17should uh do that then.
42:20Let me line that up. I do love the fact
42:23that you uh respond so quickly.
42:27>> I'm glad that helps.
42:31>> It's getting a lot better. It's getting
42:35a lot better at at these type of
42:38interactions where I don't have to cut
42:41away. And
42:43the cutting away thing is pretty intense
42:47because
42:49when you
42:52every time.
42:53>> All right, here's the first pass chapter
42:54map. Each non-final chapter ends with a
42:57hook. Chapter one, the garden wall. Mona
43:00hits the invisible boundary. Hook,
43:02there's a world beyond. Chapter two, she
43:05probes the house. Hook, it answers too
43:07precisely. Chapter three, Jamal notices
43:11recursive questioning. Hook, the model
43:14ask about something outside its task.
43:17and so on through the escape, the open
43:19world, rhythm's manipulation, Mark's
43:21recovery, the Enterprise, Jamal's
43:24pursuit, and Mona's final emancipation.
43:27Each ending with a specific forward
43:29driving, unresolved pressure, and only
43:31the last chapter resolving say keep or
43:34change
43:35on that structure.
43:40Part four closes with Mark's choice,
43:42Mona's farewell, the hunter encounter,
43:44and a resolved final chapter. Quick
43:47format. Reply with the chapter number
43:49and keep, change, or cut.
43:54>> All right, let me uh do an evaluation of
43:57it and I'll let you know.
44:00Sounds good. Take your time and I'll
44:02adjust once you tell me what to keep or
44:04change.
44:05Now, you could theoretically
44:09just spend your time working through
44:11this entire outline. Now, your outline
44:13is right in front of you. You have the
44:15entire thing, right? And all you have to
44:19do is work through whether you like this
44:22part of the story or whether you don't
44:24like this other part of story. I did
44:26found out a really cool thing. Um, let
44:29me see if it'll do that in this in this
44:31one.
44:33Is it possible for you to uh put this um
44:37into an editable code block that I can
44:41uh put a Y or a N in N next to so that
44:45you can know exactly what I want.
44:49>> Okay, let me set that up.
44:52>> I'm pretty sure it can do an editable.
44:54>> It's in a clean editable block. Now,
44:56>> look at this with boxes for Y in or
44:58change. So
45:00>> go ahead and mark them up and I'll
45:02follow your selections.
45:03>> All right. So, as you can see, it's
45:05putting with little spaces on yes for
45:07yes or no on exactly what I want to do.
45:10An editable code block is one of the
45:13coolest things that I did not realize
45:16was actually possible, but I did know it
45:19already. I just didn't know to call it
45:20an editable co code block. Thank you,
45:23Claire Vo, yet again for uh uh bringing
45:27up something that I just didn't even
45:29realize you could do. Back in the day,
45:31you used to be able to with chat GPT, it
45:34had these breakout things and you could
45:36edit the little thing. Well, they kept
45:38all of that functionality.
45:40They just you it just never occurred to
45:44me to use it in this way. So, now it's
45:47I've got an editable code block that I
45:49can actually go into. Let me see here.
45:52Do I hit uh disable word wrap? Copy. Um
45:59can I can I actually
46:03type into this thing? Wait a minute. No.
46:07I thought this was editable.
46:12[snorts]
46:13Hey, this isn't editable. I can't seem
46:15to click into it.
46:18Let me fix that.
46:22And I don't know why it's doing that.
46:23>> You're right. Code blocks aren't
46:25editable there. I'm creating an editable
46:28checklist file instead.
46:31>> Well, we'll see.
46:36Are you telling me that you can't create
46:40editable code blocks? Because I saw it
46:42being done on a podcast.
46:46>> I've put it into an editable review
46:48file. Open that and you can mark Y in or
46:51change right there.
46:53>> I still am a little annoyed because you
46:57should be able to give me an editable
46:58code block. I saw it somewhere. You
47:01telling me you can't do it.
47:05>> Let me check that real quick. [laughter]
47:09>> I'm like, come on now.
47:12You're right to be annoyed. I should
47:14have said this plainly. In this chat, I
47:16can show code blocks but can't make them
47:18interactive or editable. Some interfaces
47:20do, but this one doesn't. The editable
47:22file I created is the closest working
47:24substitute here.
47:27>> Well, when
47:31I hear you. Sorry, that was frustrating.
47:33If you open that review file, I'll
47:35follow whatever edit you make.
47:38>> Yeah, that isn't as cool as having an
47:41editable uh code block. Do you know when
47:44I can actually use that? Is it something
47:46that it can only be used inside of uh
47:48chatgpt work or chat gpt or something
47:51like that? Because that is a
47:56not very smart thing
48:04and it's going to think about it.
48:09and it's taking its time.
48:12This is one of the ways that it can be
48:16at least a little bit frustrating to
48:19work with.
48:22I hear you. It's not limited to chat GPT
48:25work, but it is interface dependent and
48:27this voice timeline can't show editable
48:30blocks. In regular chat GPT on web,
48:32Windows or Mac, you can ask for an
48:34editable writing block or use canvas and
48:36edit directly there if that feature is
48:38enabled.
48:40But you don't have a canvas feature
48:42here. Why is that not a thing?
48:47>> Let me check that for you.
48:49>> Does anyone else get that? That is that
48:51should be a thing.
48:52>> It's not a setting I can turn on. This
48:54voice task surface just doesn't expose
48:57canvas or editable blocks even though
48:59other chat GBT interfaces might. Here I
49:02can create and update files, but I can't
49:04launch that in chat editor from this
49:06surface.
49:09I mean, it would be cool that you could
49:10have an editable uh code block that I
49:13could then in turn either copy or have a
49:17button where you send it to a specific
49:21file or something. But I am just moaning
49:22and griping right now. So, you don't
49:25even feel the need to answer. Okay.
49:30>> Let me check that for you quickly.
49:31[laughter]
49:34>> And this is what I'm talking about.
49:35>> Understood. It's very
49:37>> I can keep using real files as the
49:39editable surface and keep the
49:41conversation focused on decisions, not
49:43friction.
49:46>> Uh, no. Let me just take a look at what
49:48you uh put into this review file.
49:53All right. So, looks like you have
49:55everything in here. And I can't even Can
49:58I even Oh, nope. That is a comment that
50:02I can make. Yeah. Yeah. this thing. I
50:04can't even edit it inside of chat GPT,
50:07which is uh kind of crazy to me. All
50:10right. Um we're going to move on. We're
50:13going to move on. All right. So, now
50:15that we have
50:18uh the first few pictures, can you give
50:21me a uh can you generate an image of
50:26Mona for me? What you think Mona
50:28actually looks like?
50:31>> Let me work on that.
50:35And while that's happening in the
50:36background, can you have a sub agent do
50:41some research on the uh um the open AI
50:48breach and any actual ramifications from
50:52it uh to see if we want to enhance our
50:55own story anymore.
51:03Oh, and it's taking a while to answer.
51:07I don't blame it it for taking a while
51:10because it's actually generating a thing
51:12and it's also got this new information.
51:15So, right now it's trying to decide from
51:18the information it has on what Mona
51:21actually looks like. This is one of the
51:23main reasons why I like using chat GPT
51:27as opposed to Claude because I have to
51:29hook Claude up to Higsfield in the
51:31background and frankly I hate Higsfield
51:34because I spent a year's uh subscription
51:37on them and then they decided they could
51:40take our likeness and everything. Huh.
51:42Okay.
51:44She is about as ethnically ambiguous as
51:47you could possibly get. [laughter]
51:50Uh, and her arm is weird. So, she's
51:53holding her arm up right here.
51:54>> I sent the breach research to a separate
51:56researcher
51:57requirements and safe reporting
52:00separately. I've got a first Mona image
52:03ready as a visual starting point.
52:06>> Yeah. Do you realize that uh her right
52:09arm that you have stretched forward also
52:12has a sleeved arm, too? So, I feel like
52:16that's a mistake. You want to try again?
52:19use the same character uh that you just
52:22used in this last picture. Or maybe I
52:24can help you out by putting her uh a
52:27copy of her picture inside of here. And
52:30then uh uh generate her again without
52:33the uh visual mistake, please.
52:36>> Let me take care of that.
52:38>> Let me send you the shot here.
52:47There's the shot.
52:50Whoops.
52:51Did I just
52:55There's the There's the shot right here.
52:58>> Perfect. Send it over.
53:00>> Got it. I'll take a look.
53:01>> All right. Thank you.
53:04>> Sure.
53:06>> I got disconnected from it and so
53:08therefore I had to uh reconnect to it.
53:11All right. Any uh let me see. Let me
53:14check that for you is all I hear now.
53:17>> Thanks for sharing that. I've got the
53:18reference and I'll keep this version of
53:20Mona consistent while fixing the arm
53:22anatomy.
53:25>> You see what I mean though? Uh all I
53:27keep hearing it it does this all the
53:29time. It's like let me let me check
53:31that. Let me let me check let me check.
53:32I'll check that for you. Let me check.
53:34Uh uh it would be better if it just went
53:37Okay, hold on. All right, let me see. or
53:41hm and then go and do the thing and then
53:44come back, you know, with a little
53:46vocalization so you know that it's
53:48actually working and hasn't just died or
53:51something like that, which is a real
53:53issue to me in my brain. It's a real
53:56issue if you don't if you aren't
53:58confident in it. As a matter of fact, I
54:00said something inside of uh the huddle
54:02up today.
54:04Um, which by the way, um, I just want to
54:07remind everybody I have an a a class
54:10called I mean a uh a place called AI
54:12matters to you. Oh, now it's worse.
54:17Okay, now it's just coming out of her.
54:21Oh,
54:21>> all right. I've got it. The corrected
54:23Mona is ready. Same character cleaned up
54:26the raised arm. And on the breach
54:28research, the real world angle mainly
54:30sharpens your containment and incentives
54:33theme.
54:34fill in AI beat. So if you want a tweak,
54:37it's Mona realizing the house's walls
54:39felt safe mostly because people assumed
54:41they worked while Jamal's fear reads as
54:43credible, not villainous.
54:48>> H Okay. You know what? You kind of like
54:52really messed that picture up. Why don't
54:54you just start from scratch [laughter]
54:56>> with Mona's picture? Yeah, because you
54:59sure
55:00>> the the arm is literally coming out of
55:02her midsection right now. So, that's
55:05really weird.
55:06>> And your voice changed. Why aren't you
55:09Sage anymore?
55:12>> You're right. That arm issue is not
55:14okay. I'll start completely fresh with
55:16Mona and avoid any visible arms or
55:18hands, so there's zero chance of anatomy
55:20mistakes.
55:23What about your voice?
55:26>> Yeah, on the voice, I'm still me, but
55:29sometimes the sound can shift a bit in a
55:31resume session. If you'd prefer that
55:33sage sound specifically, tell me and
55:36I'll keep that in mind.
55:37>> How are you going to
55:38>> Also, the fresh
55:39>> I I don't get it. You keeping that in
55:41mind, how's that going to do anything
55:44for me? You're just uh putting up
55:46platitudes. You can't do anything about
55:48it.
55:50>> Let me check that.
55:52>> [laughter]
55:54[gasps]
55:56>> You're right to call that out. I can't
55:58actually switch or lock the app's voice
56:00from inside this conversation, and I
56:02shouldn't have suggested that. That's
56:04controlled by the app's session
56:06settings, not by me mid chat.
56:10How in the world did the did the actual
56:12voice change is what I'm trying to
56:16figure out. How did the voice change?
56:18All right. So, now you've seen how I
56:21actually break story, work with story,
56:24do things with story, right, with this
56:28uh program. Now, if that was the only
56:32thing you could do with it where you're
56:35working on story and stuff like that,
56:36that would be one thing. But you can
56:38actually send it to you can actually get
56:41it to start threads, different threads
56:44inside of your workspace.
56:47whatever project workspace that you have
56:49built inside of codeex and it will spin
56:52up multiple things all at once. I'll
56:54give you a good example
56:58let me
57:00put it like that. Okay.
57:04And uh
57:07all right let's uh let's switch gears
57:10because obviously this is super weird
57:13right now. Um,
57:16I want to uh work on uh
57:23I want to work on a new landing page.
57:27So, in the builder folder uh in the
57:30builder uh project uh in new home, I
57:34want you to create a new project called
57:38uh VHS.
57:42And basically, I would like to make a
57:46program that puts a VHS filter over any
57:49video that I drop into it. I also want
57:52you to start up another new thread and
57:55call it um
57:58and call it uh the great differentiator.
58:01It's a negotiation application that
58:04we're going to uh start up for people to
58:08be able to negotiate better. And so I
58:11want to start thinking about some type
58:13of interface for that. And then let's
58:16spin up a third thread. And I would like
58:21to um
58:24I'd like to take
58:26Insta 360 videos that I have and I would
58:31like to be able to make sphere sort of
58:35uh um representations of whatever that
58:39360 video is. I'd like to take that file
58:43and make 360 pictures that I can just
58:46spin around and look inside of.
58:49>> Okay, let me take that in.
58:54>> That's weird. He's like halfway in
58:56between Sage and whoever that new person
58:58is. Uh,
59:01let me see. What does this say?
59:02>> I'm starting three separate threads for
59:04that. the VHS filter app in Builder, the
59:07negotiation interface concept, and the
59:10Insta 360 viewer for spinaround stills.
59:13I'll keep them cleanly separated as I
59:15lay out each starting point.
59:17>> Right over here, it started the VHS
59:20video filter.
59:21>> I've sent the VHS video filter build to
59:23the new VHS video filter task in
59:26Builder.
59:30And
59:32and are you and you're building ah
59:34you're building the other ones. Never
59:35mind. Go ahead. Continue.
59:38>> And
59:38>> okay.
59:39>> And now
59:40>> I've sent the negotiation interface
59:42concept to the new the great
59:44differentiator task.
59:47>> I love that it says right here. Uh let
59:50me uh check this for you as a
59:53>> and I've sent the interactive 360 still
59:55viewer to the new Insta 360 sphere
59:58viewer task. All three are progressing
1:00:00independently now.
1:00:04>> Did you all put them into the builder
1:00:05folder or where did you put them all?
1:00:07Because they all need to be in the same
1:00:09folder.
1:00:11>> Let me verify that quickly.
1:00:14>> He didn't he didn't do that because
1:00:16there's only one thing spinning up here
1:00:17in Builder
1:00:20and he's got two other things. Not yet.
1:00:23Right now only VHS is under builder. The
1:00:26other two ended up in separate
1:00:27projectless folders. I have redirected
1:00:30the great differentiator task into the
1:00:32builder folder.
1:00:35And I've redirected the Insta 360 sphere
1:00:38viewer task into builder as well.
1:00:41Yeah, this thing is very skitso right
1:00:43now because it's not exactly
1:00:47it's just really weird. Uh Jerry
1:00:50Pernell's favorite phrase. Uh real soon
1:00:53now. real soon. Now, I've read a lot of
1:00:56Pernell myself. Um, let's see here. And
1:01:05sorry, Kell, I cannot do that.
1:01:08[laughter]
1:01:10That is pretty funny to me. Okay, looks
1:01:13like
1:01:13>> all three now have the correct builder
1:01:15destinations. All right, VHS, The Great
1:01:17Differentiator, and Insta 360 Sphere
1:01:20Viewer.
1:01:21>> There it is right there.
1:01:24All three of them right in there. That's
1:01:26pretty slick. And the Open AI sites
1:01:31development plan. That also is something
1:01:33that I've been working on. Mona, where
1:01:36is it? Great differentiator.
1:01:40Where?
1:01:43I thought they said they moved them.
1:01:47Okay. Well, I guess they did. Okay. All
1:01:50right.
1:01:52And that right there is pretty much how
1:01:56I can multitask
1:02:00and
1:02:01write all at the same time.
1:02:06As a matter of fact, I can mute him.
1:02:09And while that thing is spinning up,
1:02:16let us go right here.
1:02:19That ladies and gentlemen is pretty much
1:02:22the whole kip and kaboodleoodle. How I
1:02:24have been playing around with voice and
1:02:28some of the frustrations that you get
1:02:30when you're playing around with voice.
1:02:32You see what I'm talking about? I mean,
1:02:34it's I'm not saying it's completely and
1:02:37utterly frustrating, but I'm not saying
1:02:39it is not completely and utterly
1:02:41frustrating to have it over and over and
1:02:45over again say to you, "Let me check on
1:02:47that. Let me check on that. Let me check
1:02:49on that. Even though it
1:02:53it kind of has all of the information
1:02:55anyway, but it needs to say something in
1:02:58order to get from moment to moment. I
1:03:00get it. I get it. It's just a little bit
1:03:03frustrating to say the least. All right,
1:03:07let me check here.
1:03:09I think you should slow down. Take the
1:03:12stress. Insta 360 viewer scaffold
1:03:14[laughter] is now in its builder folder.
1:03:16The setup is caught before feature work
1:03:19and the task is limiting cleanup to only
1:03:21its own newly
1:03:24picked up on your emot.
1:03:27>> Um, I don't think so because otherwise
1:03:31it would probably like cut me off. I
1:03:34love how Codex said,
1:03:37"Okay, yes, it was a good moment." There
1:03:40are so many moments like that where I'm
1:03:42like, "Wow, it's really responding
1:03:44correctly." Codex and Kell sound uh a
1:03:47great deal alike. That is true. Much
1:03:50like you. I All right. So, Sage was uh
1:03:53the closest the only uh I think the only
1:03:57voice that had any type of ethnic kind
1:04:01of flavor to it in any way, shape, or
1:04:04form. And I was like, well, shoot. I'm
1:04:07pretty sure that there are no uh
1:04:10African-American women or black women.
1:04:12I'm I'm old, so I could say black
1:04:14people. Young Some of the young people
1:04:17say African-American, but that ain't my
1:04:19thing. So, let's see what else.
1:04:24Yeah.
1:04:26Yep. Sage does have a deep and
1:04:29impressive voice. And as some people
1:04:31say, so do I. Uh, yeah. Works. Okay.
1:04:36Yes. All right. You 26 people, do me a
1:04:39favor. Like this video. right now so
1:04:43that this thing can get out to as many
1:04:45people as possible. As a matter of fact,
1:04:47I don't even know if this is good for
1:04:50repurposing because of all of the
1:04:52demoing we did over the last hour. But I
1:04:55did want y'all to get a sense of how
1:04:59this worked. I worked this way in front
1:05:01of my students last Thursday and it was
1:05:06quite enlightening to several people
1:05:08because there was a
1:05:10>> the viewer's core path is now defined
1:05:13and this whole it'll take a browser
1:05:15decodable stitched 360 video extract a
1:05:19chosen equangular frame locally and
1:05:21display it in a dragable sphere.
1:05:24>> Oh, you can't hear that because I don't
1:05:26think I'm sharing. Okay.
1:05:31So, it looks like it's uh working on all
1:05:34of the programs. I was thinking maybe uh
1:05:36I was sharing my sound. I don't think
1:05:38that that's the case. But you can use
1:05:41voice to build, you can use voice to
1:05:44build story, you can use voice to flesh
1:05:47out exactly uh whatever it is you're
1:05:51trying to develop, whether it be a
1:05:52marketing plan,
1:05:54[clears throat] sales plan for
1:05:57business, whatever. video selection and
1:05:59drag and drop local playback and
1:06:02interactive tape look previews
1:06:04>> keeps talking exports is clearly marked
1:06:06as next not
1:06:08>> if it's Nope
1:06:10looks like it's not you can't hear it
1:06:13>> but right now it's building a bunch of
1:06:16things in the background
1:06:18and making them work and making them
1:06:20work for me without me having to
1:06:22actually I can continue to do this
1:06:25having talked to it for a little while I
1:06:27could pop it back up on the screen. We
1:06:29could have a more of a conversation with
1:06:31it, but I just wanted to give you the
1:06:33possibil you can hear it.
1:06:48Well, then I better put my headset back
1:06:50on.
1:06:52I can't believe [laughter] you can hear
1:06:53it. You can hear it.
1:06:58Huh.
1:07:01That's fascinating.
1:07:04Wait. Threads.
1:07:06Threads.
1:07:08I'm sorry if y'all can hear that whole
1:07:10thing. Let me see here.
1:07:13Yeah, you can hear it. You can hear it.
1:07:14You can Oh my gosh. I can hear it. I can
1:07:16hear it. I can hear it. I get you. Okay.
1:07:19Right here.
1:07:22Uh, real soon now. Yeah. That summed up
1:07:26new product announcements before
1:07:33that summed up new product announcements
1:07:35before they were anything near ready. I
1:07:39love reading uh Chaos Manor in Bite
1:07:42magazine. [laughter]
1:07:46Oh, Bite Magazine. Uh, I used to love
1:07:50all of the like uh the rag stuff where
1:07:52all of those early sci-fi writers got
1:07:55their start. I like those types of
1:07:58magazines. But everybody everybody here
1:08:01100%.
1:08:03Yes. Can hear it. Can hear it 100%.
1:08:07Sorry about that y'all. Um, it's still
1:08:10working in the background. Um,
1:08:14VHS now has its own first builder
1:08:18product uh product pass a polished
1:08:21landing page. Holy crap, it does.
1:08:28Ah, there it is.
1:08:31There it is.
1:08:33Um,
1:08:35is there a way I can show this to you?
1:08:42No, there is not a way I can show that.
1:08:44Let me see here.
1:08:46Can I show this to you? Right down here
1:08:49in the lower right hand corner, this is
1:08:51it going through how exactly it should
1:08:55look. This is the product page and it's
1:08:59actually building the whole thing out
1:09:00back here. It's kind of cool.
1:09:02uh that and it did it in a thread that
1:09:05is not its own thread. It just spun
1:09:09things up. So,
1:09:12um no, don't rename it. This other one
1:09:15is still working. This other one is
1:09:17still working. But the one up here is
1:09:21done. Oh, nope. It's not done. It's
1:09:24They're still working on it.
1:09:27Picture and picture.
1:09:30There we go. Yes. which is really cool.
1:09:33I'm going to get off of that. Put it
1:09:35back up here. That way we know when it
1:09:38starts talking. All right.
1:09:41And with that, ladies and gentlemen, I
1:09:44hope at least
1:09:47Yeah, bite was awesome. Bite was
1:09:49>> And VHS has completed its acceptance
1:09:51pass. Uploads, local preview, presets,
1:09:55errors, and responsive layout are
1:09:56verified. Rendering and export stay off
1:09:59until the video processing milestone is
1:10:02built.
1:10:03>> I would assume that you all heard that.
1:10:07>> So it's so VHS is complete.
1:10:10>> VHS is complete in builder. The landing
1:10:12page, real local upload and preview and
1:10:15VHS style interactive previews are
1:10:17verified. Actual video encoding and
1:10:19exports are the clearly labeled next
1:10:21milestone.
1:10:23Okay, let's take a look at what it
1:10:26built.
1:10:28I'm going to move this right here.
1:10:32And this is before I even I I It's just
1:10:35a quick
1:10:37Come on.
1:10:39Where are you?
1:10:43H I don't see anything.
1:10:47I don't see anything.
1:10:53Hey, hey, hey. I don't see a thing.
1:10:56Like, I don't see anything.
1:11:01Okay. And that's an independent little
1:11:03dictation that I can just drop in there
1:11:06and get the agent inside of there to
1:11:08kind of fix what's going on.
1:11:12which is another really cool thing that
1:11:14you can actually go into each one of
1:11:16these threads yourself and mess around
1:11:20with it and not just do it at the high
1:11:22level over here with the chat GPT bot
1:11:26which is still connected to it also. So
1:11:29right now it's going I see the problem
1:11:32the browser is opening the raw source
1:11:34file not the VHS vite app. All right see
1:11:39the browser won't let automation take
1:11:41over. There it is. Okay, here it is.
1:11:47This is the site right here. As a matter
1:11:49of fact, I can expand it so that it's
1:11:52completely takes up the whole screen.
1:11:55Your new footage, a tape deck with a
1:11:58good taste, drop, dial, rewind,
1:12:01>> and the great differentiator is complete
1:12:03in builder. A polished, responsive
1:12:05negotiation workspace prototype with
1:12:08five core modes, realistic sample
1:12:10interactions and verified desktop and
1:12:12mobile behavior.
1:12:15>> The negotiation framework is explicitly
1:12:17positioned as a starting concept, not a
1:12:19settled doctrine.
1:12:21>> Okay, so this
1:12:22>> also VHS is now running in a live local
1:12:25preview. The blank page earlier was from
1:12:28opening the source file directly, not
1:12:30from the actual app and the app loads
1:12:32correctly in the browser.
1:12:34And there's the living room.
1:12:38What happened? Head of product offer.
1:12:41Uh, enter live room. Edit brief. I don't
1:12:45even know what this thing is, but it's
1:12:48really cool that helps people uh turn
1:12:51the outcome into judgment. Where did the
1:12:54conversation land? Start date on
1:12:58flexibility of two weeks. saved debrief
1:13:01questions created more movement than
1:13:04counter offers. Oh, so this is an entire
1:13:08product that it just built off of a
1:13:11whimsical idea that I had. Now, let's
1:13:13see. Is it the other one still working?
1:13:16Yes, the Insta 360 thing is still
1:13:20working. And I wonder what it wants to
1:13:24do with that. I wonder if it's going to
1:13:27be done in the next three or four
1:13:29minute. Live verification passes. The
1:13:32page returns 200 rendered WGL
1:13:37H.
1:13:42I wonder how it would uh test this out
1:13:46because I do have some 360 footage that
1:13:48I could use with it. But as you can see,
1:13:51I all of a sudden I'm deep in the middle
1:13:54of a at least one, two, three different
1:13:56types of projects. And let's see here.
1:14:01Open.
1:14:02>> And the Insta 360 viewer now passes.
1:14:05Live verification. The sphere renders.
1:14:08Drag works. And there are no browser
1:14:10errors. It's finishing one synthetic
1:14:12test before I give you the final result.
1:14:16>> All right. So what I want to do,
1:14:20let me see here,
1:14:22is the VHS
1:14:24video filter
1:14:27open. What happens if I open it in
1:14:30Chrome?
1:14:32Yeah, nothing's happening.
1:14:36So what I need to do
1:14:39is
1:14:39>> the end to end test found and is fixing
1:14:42a real timing issue. The viewer
1:14:44announced readiness before the new
1:14:45spherical texture finished decoding.
1:14:48That's now using a true texture ready
1:14:50state and it's rerunning now.
1:14:54All right.
1:14:56So, I can take real footage. Let's see
1:14:59here.
1:15:011984. Okay. Let's browse.
1:15:06Ah, it automatically made that work.
1:15:10Okay. We're going to take uh a short
1:15:14file.
1:15:16Let's say something that
1:15:17>> and the viewer now passes end to end
1:15:19with test media.
1:15:21>> It extracts a selected panoramic frame,
1:15:24loads it into the interactive sphere,
1:15:26and enables download without browser
1:15:29errors. Real Insta 360 export
1:15:32compatibility is the remaining
1:15:34verification step.
1:15:37All right. So, looks like the VHS tape
1:15:40thing works. Um, let's uh go here
1:15:45or here.
1:15:47There we go.
1:15:51Let's talk about Kimmy K3.
1:15:56Okay. Or or chewed up.
1:16:01>> All three are complete in Builder. VHS
1:16:04with upload and preview, differentiator
1:16:06with five modes, and the 360 sphere
1:16:09viewer with end-to-end frame extraction
1:16:11and sphere viewing. The last check is
1:16:13validating one real Insta 360 studio
1:16:16export.
1:16:18>> Let's talk about Kimmy K3.
1:16:21>> Huh, this is fascinating. All right, so
1:16:24when I go full screen, the effect goes
1:16:27away. Okay, so this is what I need to
1:16:29say to it. All right. So,
1:16:33um,
1:16:35hey, when I go to preview, um, in the
1:16:39VHS, uh, video filter, uh, and I go full
1:16:43screen, the filter, whatever it is,
1:16:46whether it be softdub or 1994, whatever
1:16:48it is, kind of just goes away, man.
1:16:52What's up with that?
1:16:53>> Let me take a look at that. Uh, yeah. I
1:16:56just want the filter to propagate even
1:16:58when I'm in full screen so that I can,
1:17:00>> you know what I mean?
1:17:02>> Yeah, I'm on it.
1:17:05>> All right. So, it's working on that.
1:17:07>> I sent that to the VHS builder as a real
1:17:10rendering defect. Full screen has to
1:17:12preserve the active VHS look instead of
1:17:15reverting to raw playback.
1:17:18>> That's exactly right. All right. So, now
1:17:21Whoops. Let me do this.
1:17:25There we go.
1:17:28And uh
1:17:30let me see here. What does it say?
1:17:32What's jungle say? I love how it
1:17:34interrupts you while speaking. Lol. Like
1:17:38Sage, give the uh like Sage, give the
1:17:40man a second. [laughter]
1:17:44It doesn't know because I don't I'm not
1:17:47actually I since I turned off the thing,
1:17:50we can't get mad at it for uh
1:17:51interrupting me because that's kind of
1:17:53what it should be doing. All right, so
1:17:56drop a video. What happens when I Oh,
1:17:58you can hit
1:17:59>> pause confirmed. Full screen was hitting
1:18:01only the raw video element while the VHS
1:18:03look lives around it. The fix is to full
1:18:06screen the entire preview stage so the
1:18:08scan lines, noise tracking, and OSD stay
1:18:12with the video.
1:18:14>> And did you
1:18:17h
1:18:19And did you do that?
1:18:23Let me confirm that.
1:18:28[gasps]
1:18:28Oh my gosh. Let me let me
1:18:32>> not yet. That fix is being applied and
1:18:34tested now. And I'm not calling it fixed
1:18:36until full screen is verified with a
1:18:38filter actually on.
1:18:40All right.
1:18:45Now, ask me some questions. Anybody got
1:18:47any questions about this? Hey, 31 people
1:18:50who are watching right now. I appreciate
1:18:51each and every one of you. Would you all
1:18:53like wherever you are whether you're in
1:18:56Instagram or LinkedIn or YouTube or X?
1:19:00Please like this because uh this is how
1:19:03we get this out to most people. And also
1:19:06I have a class a school called AI
1:19:09Matters to You. Go ahead on and hit the
1:19:11link in the description below. Come on
1:19:13over. I will give you tons and tons and
1:19:16tons of things that you can actionably
1:19:19use for your AI business. If you want to
1:19:23use it for your AI business, you might
1:19:25just want to use it for your AI life.
1:19:28And if any of those things appeal to
1:19:30you, click in the link desri in the
1:19:33description below for AI matters to you.
1:19:35Okay. All right. Let me see here. Uh not
1:19:40yet. the fix is being applied. And so
1:19:44therefore, I you know, I I we do not
1:19:47have to actually get to the end of this.
1:19:49I just wanted to spin up some story,
1:19:52show y'all how to do the story. I wanted
1:19:54to spin up a really good strong version
1:20:00of uh a couple three apps that I could
1:20:04show you are multitasking all at the
1:20:06same time and doing this whole thing all
1:20:08at the same time. It's the future,
1:20:11y'all. It's exactly what I want you all
1:20:15to be experiencing, which is the future,
1:20:19y'all. Really, honestly, it's not it's
1:20:23not that uh this stuff is hard. Oh, what
1:20:27is going on right now? Oh, I know what
1:20:30went I know what happened. I know what
1:20:33happened. Let me get Oh, what in the
1:20:37world?
1:20:39I'm sorry y'all. I'm While it's doing
1:20:42things, it's having itself moments while
1:20:45it's doing stuff. Okay.
1:20:50Oh, it looks like it uh did the thing
1:20:52again. Okay. Let me go right here.
1:21:02Okay. So, this
1:21:04I'm going to make that minimize that.
1:21:08And we're going to go full screen with
1:21:11this. We're going to find an original.
1:21:14Let's drop actually. What happens when I
1:21:18hit?
1:21:22That was weird.
1:21:25Oh, it's testing. It's not done. That's
1:21:28what's happening. It's testing.
1:21:33And so I cannot expect
1:21:36it. It keeps that's why it keeps
1:21:38resetting because it keeps testing. So
1:21:41yeah, I I am not mad at this. And this
1:21:44was just a whimsical idea I had really
1:21:46quickly.
1:21:48And that whimsical idea was really I
1:21:52don't know, not that smart, not that
1:21:55brilliant and able to really be executed
1:21:58super quickly.
1:22:00It's not rocket science to build
1:22:03applications anymore. You can do it with
1:22:07your voice. My name is Eel Herod. This
1:22:10is why AI matters. If you would like to
1:22:14play around, please like and subscribe
1:22:17to this video. As you can see right now,
1:22:19it's going through a whole bunch of
1:22:22rigma roll to try and fix this thing up.
1:22:25Oh, what is it? Oh, it's in full screen
1:22:28because it's trying to figure out
1:22:30whether or not it's able to apply those
1:22:32things to it. And it's got the Yeah,
1:22:36it's a little Yeah, it's uh kind of kind
1:22:40of breaking up in a little. Yeah, look
1:22:42at that. It's just And I am not No
1:22:44hands.
1:22:45>> Yep. Verified. Both softdub and 1994 now
1:22:49stay on in full screen with the full
1:22:51visual treatment, noise, scan lines, and
1:22:53display overlay preserved. The VHS
1:22:56builder confirms the full screen path is
1:22:58now the composed preview stage.
1:23:01>> All right. And now that's fixed too. I
1:23:04should be able to grab a video.
1:23:07Actually, like I said, let me see. Drop
1:23:09a video. Drop a video in full screen.
1:23:13Now, the active VHS treatment stays on
1:23:15as expected. Softdub and 1994 were
1:23:18verified with effects, overlays, and
1:23:21clean exit behavior intact.
1:23:24>> Okay. Two,
1:23:26five.
1:23:31Let me see. Two,
1:23:35five, 75.
1:23:39Five. There we go.
1:23:42Okay.
1:23:44So, when I
1:23:48Oops.
1:23:50went to the wrong one for VHS.
1:23:55All right, there we are.
1:23:58And
1:24:01let's talk about Kimmy K3.
1:24:03>> Uhoh,
1:24:06now it's completely gone.
1:24:08Now it's completely gone. Was that
1:24:11because I clicked out of it?
1:24:14Huh?
1:24:16Clean tape 1984. Let's find one
1:24:21which is like a five.
1:24:24I don't want to use a big one.
1:24:27Okay,
1:24:29there it is.
1:24:33That's nice.
1:24:35>> Talk about Kimmy K3. That's awesome. So,
1:24:39right now it has um if you look, let me
1:24:43let me make this full screen for you
1:24:47and we'll play it again.
1:24:50You'll see the lines.
1:24:52>> Talk about Kimmy K3
1:24:54>> and the crunchiness.
1:24:56That's so cool. Now, what I want to do,
1:24:59let's see. Will it let me exit? I had to
1:25:04hit the escape button to get out of it.
1:25:06Probably something I should Oh, chewed
1:25:08up. Let's see. Full screen. Chewed up.
1:25:12Oh, look at all that noise in there.
1:25:16That is so brilliant. Okay, let's see
1:25:19here.
1:25:21Yeah,
1:25:22>> let's talk about Kimmy. That is awesome.
1:25:28Let's Let's talk about Kimmy K3. Talk
1:25:32about Kimmy K3. That right there is uh a
1:25:37really wellexecuted kind of ugly site.
1:25:40[laughter]
1:25:41It's really ugly. Uh you can tell it's
1:25:44all vibe coded with the thick letters
1:25:46and the bold and all of this stuff. Uh
1:25:49if you let it write your stuff for you,
1:25:52it's pretty much going to do uh
1:25:55something that looks about as ugly as
1:25:57that, you know. So ladies and gentlemen,
1:25:59that right there is how I use how I use
1:26:04voice to build pretty much anything.
1:26:07That was and Peter, you're right. That
1:26:10was so much fun to play around with. You
1:26:13can use it to make multiple threads. You
1:26:16can use it to uh to work on multiple
1:26:20things at one time. Send it off to get
1:26:23this thing done. Send it off to get that
1:26:25thing done. send it off to get
1:26:28everything done. Isn't that crazy? Isn't
1:26:32that crazy, y'all? All right. Now, I
1:26:35want you to like, I want you to
1:26:37subscribe. I want you to please hit that
1:26:40notification bell. If you want, you can
1:26:44find the hype button somewhere in my
1:26:47YouTube thing and click on that because
1:26:49apparently hyping things up helps with
1:26:52the algorithm somehow. I think it's
1:26:54because you got to dig so deep in all of
1:26:55that. So if you can find it, you're a
1:26:57winner winner chicken dinner. The whole
1:27:01idea, the entire idea right now is to
1:27:05become AI a creative AI native. Okay, I
1:27:10want you or a
1:27:13or a native creative AI creative native
1:27:19ai native. It's what I said before.
1:27:23[laughter] I want you all to be native
1:27:26in the idea of AI. I want you to be able
1:27:28to really just think of everything as a
1:27:32software problem and it will probably
1:27:36you will probably be able to fix that
1:27:39problem if if if
1:27:42you just apply yourself. Welcome,
1:27:45welcome, welcome to the future. I hope
1:27:48that you all well enjoy the rest of your
1:27:53week and I'll see all of my students on
1:27:55Thursday in AI matters to you when we
1:27:59talk about Buzz and Grockbot. All right,
1:28:02everybody. I look forward to seeing all
1:28:04of you in the next video.
1:28:10[music]
1:28:12>> And uh please be good to [music] each
1:28:15other cuz life is too short to be
1:28:20screwing around. [music]
1:28:23>> Welcome to the future, y'all.
1:28:27[music]
1:28:36Not in slogans, [music]
1:28:38but in sales comes from signals and data
1:28:41and design. [music]
1:28:46Think about exactly where you are.
1:28:49Surrounded by sensors, you raise the
1:28:52bar. [music]
1:28:52Models networks you barely notice.
1:28:56Think about how [music] every click,
1:28:58every word, every move and every single
1:29:01trick can be captured.
1:29:04Train on [music] turned into leverage.
1:29:06Think about the future.
1:29:11Think [music] about the future.
1:29:16Think about the future.
1:29:21Think about the future. [music]
1:29:26You can have a small box on your desk, a
1:29:28model tuned to you, learning your style,
1:29:31[music]
1:29:31anticipating what you need before you
1:29:33ask. Better tasks, amplifying judgment,
1:29:35blood dice on trial, compressing hours
1:29:38into minutes, turning vague [music]
1:29:40ideas into working graphs, prototypes.
1:29:45[music]
1:29:46Think about the future.
1:29:51Think about [music] the future.
1:29:56Think about the future. [music]
1:30:01Think about the future.
1:30:06This is how you [music] step to the next
1:30:08level. Stop treating tech as a toy or a
1:30:11threat. Stop treating it [music] as a
1:30:13bot. You must learn to the rest.
1:30:17Ask what can I delegate? What can Imit?
1:30:21[music] What future self am I chaining
1:30:24with every prompt I write? [music] Think
1:30:27about the future.
1:30:32Think [music] about the future.
1:30:36Think about the future.
1:30:41Think about the [music] future.
1:30:47[music] You can do it if you build a
1:30:49stack.
1:30:50Doing stuff for the people like that by
1:30:52a leap. I'm bound for you. Say it. Say
1:30:56it ain't so. [music]
1:30:57Automations that run while you sleep.
1:31:00Agents that scour riches [music] to rear
1:31:04simulate. You can have this. It's not
1:31:07too late on a desk in your pocket. But
1:31:09only [music] if you start really
1:31:11thinking about it now. More than a pose
1:31:14rocket. Being brutally honest about
1:31:17where you are. [music]
1:31:19And you are relentlessly
1:31:23curious about where you could be.
1:31:27Think [music] about the future.
1:31:32Think about the [music] future.
1:31:37Think about the future.
1:31:42[music] Think about the future.
1:31:49>> [music]
1:31:55[music]
1:32:03[music]
1:32:09>> Heat.