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Here's How My Advanced AI Model Outlines the Perfect Books (No AI Slop)

The Nerdy Novelist · 3,898 words · 18 min read

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0:00Okay, in this video we're going to go

0:01through another automation. This time,

0:03this is a redo of a previous automation

0:05I done, but this time I pulled out all

0:07the stops and tried to make this as

0:09perfect and as advanced as I possibly

0:11could. My goal with this and the

0:14automations that follow it is I want to

0:17get to a point and this is going to

0:18freak out some people. I want to get to

0:20a point run these automations without

0:23any human input and it would actually

0:26give you something that is sellable that

0:28would actually get a like four star or

0:32higher average on Amazon and people

0:35wouldn't know that it's AI. Now, that's

0:36a tall order and I will always say that

0:40doesn't matter how good AI gets on its

0:43own. AI plus a human can always get it

0:45better. So, this is not saying that I

0:47want to flood Amazon with a bunch of

0:48books that are purely AI written with no

0:51human input. What I want to do is be

0:53able to get the book get it as good as

0:55possible so that the human can make it

0:58even better. Because if it's if the AI

1:01can only get you 50% of the way there

1:03and then your efforts can get an

1:04additional 50% you get it to 100%.

1:07That's fine. If the AI can get you 90%

1:09of the way there, then with your efforts

1:11you could get it to 150%. If that makes

1:14sense. That's the idea behind this. I

1:16really want to get it to as good as

1:18humanly possible. Kind of a odd phrase

1:20there, but yeah, you get the idea. So,

1:22the way this is working is this workflow

1:25that we're going through today is my

1:27brain dump to story dossier automation.

1:30I've done one of these before, but this

1:31one I really went back to the drawing

1:33board and built it from the ground up

1:36trying to make this as good as possible.

1:39And first of all, I've designed it to

1:41work with my uh templates. So, you see

1:44these this first part of the automation.

1:47First of all, you say execute workflow

1:50and it will pop up something like this

1:52where you can put in your brain dump

1:54info. Just whatever you already know

1:56about this book that you want to do, you

1:57put it in here. That way, it has that

1:59context. And then from there, it runs

2:01through these templates and grabs them

2:03from various documents. Now, you might

2:05be wondering, where on earth do I get

2:07these templates? Well, I have some of

2:09them built out myself inside of my story

2:11hacker gold group. I've written these

2:12genre guides that all have these

2:15templates associated with them. You can

2:17get these at no extra cost when you join

2:19the membership. They are the book itself

2:22is available for $5 on Amazon for each

2:25of these. I've got 30 of them written so

2:28far, even though you don't see all 30 of

2:30them here. They'll be here very soon. 30

2:31of them written. And my plan is to get

2:34at least 100. So, you could grab these.

2:36If we look at like the tropes dock here,

2:38for example, here we have the list of

2:40major tropes like the masquerade. This

2:41is the bread and butter of the genre.

2:43Simply put, the masquerade is the veil

2:44that keeps the magical world hidden from

2:46the mundane one. And it goes through and

2:47basically goes through every single

2:49major trope of this series. And so we

2:52gather all of these docs that we need

2:54and we put them in this automation. We

2:58just take the document ID, stick it

3:00right here, and then run through the

3:02automation. And then we also grab a

3:04blank document in which to put the

3:06finished story dossier later. So, it'll

3:09be blank when you start, but eventually

3:11we'll get to it and it will fill it up.

3:13I'll show you an example of a fleshed

3:16out the story dossier at the end of this

3:18video. All right. So, then we run

3:20through a series of AI automations. And

3:23you can tell we've got a bunch of them

3:25here. Some of them are more powerful

3:27than others. And you'll see one of the

3:29things I'm doing now to try and clean

3:31these things up is here where you

3:35identify the model that you're using.

3:37I've labeled it whether you should use

3:39an inexpensive or a medium or a highly

3:42powerful model for this step. And for

3:44instance, this one I tell you to use an

3:46inexpensive model because all this step

3:48is doing is looking at the tropes and

3:50identifying what the genre of those

3:52tropes are. So I I give it all of those

3:54templates and then say identify the

3:56specific subg genre for these templates

3:57and output just the name of the subg

3:58genre, nothing else. It's a very simple

4:01thing that even the smallest model can

4:03do. So, in this case, I am using Gemini

4:063 Flash for this step to keep it really

4:08inexpensive. The reason I do that is

4:10because I sometimes want to plug in the

4:13name of the genre elsewhere down the

4:15line, but that genre can vary depending

4:17on what we're doing here. So, I just

4:19want it to be able to look at everything

4:21that it's got, say, okay, this is a

4:23genre, and then later when I need to

4:25bring in the name of the genre into the

4:27prompt, I can just have it identify the

4:30output of this step. Does that make

4:31sense? Hopefully, it makes sense. All

4:32right. Then we go into the brainstorming

4:34pitch. And these three prompts here are

4:38kind of a set here. What this one does

4:41is it brainstorms five pitches based on

4:44the genre and based on your brain dump

4:46info. So whatever you put into the brain

4:48dump info, even if you've got a pretty

4:50well-formed synopsis there, it will

4:52actually give us five additional pitches

4:56based on this hook rubric that you can

4:59see here. I've got a pretty extensive

5:00rubric for what makes a good hook. It

5:04keeps that in mind and then goes through

5:05and says, "Above, you will find a

5:07variety of tropes and a plot template

5:08for this genre colon." And then it pulls

5:10in the name of the genre that was

5:12generated in the previous step. You may

5:13also find an author's brain dump for a

5:15book or series. Your highly complex task

5:17is to brainstorm five story pitches for

5:19a new book in this genre. Make sure that

5:21it has an original setting and premise,

5:23but still sticks to the tropes and

5:24overall plot outlined, as well as adhere

5:27to the author's brain dump. Use the hook

5:29rubric that I have above to formulate

5:31your pitches. Format each story pitch in

5:33markdown as follows. And then I have it

5:36constructed this way. All right. And

5:37then it runs a specific or this one

5:41right here. It runs a specific prompt

5:44designed to identify which one is the

5:47best, which it can usually do pretty

5:50well. By the way, for this brainstorming

5:52pitch, I have I recommend a powerful

5:54model like Claude Opus 4.6 six or Gemini

5:563 and probably at least something on the

5:59level of Gemini 3, maybe Claude sonnet

6:02or any of those for this step where

6:05you're picking the best. I have found

6:06that there is a remarkable amount of

6:08consistency when you ask the AI what it

6:10thinks the best is across multiple

6:12models. I found that that's like 80% of

6:15the time they're picking the same one.

6:16So, I think that's pretty cool. So,

6:18it'll pick the best one here. And then

6:20when it goes through this prompt,

6:23there's a lot of stuff that I have it

6:25do. Like, I have it explain exactly why

6:27it thinks that that pitch is the best

6:29one. Goes through this whole process.

6:31The output's kind of long. So, I don't

6:33necessarily want all of that craziness

6:36around it. So, I then run with an

6:38inexpensive model. I have it select just

6:41that one pitch that was picked in the

6:43last step and just output the text of

6:46that pitch verbatim. Just so we have the

6:48one text that we can now plug and play

6:51into the next few steps. All right.

6:54Okay. This is where and all of that that

6:56we've done is very similar to what I had

6:58in my previous brain dump to dossier

7:00automation. Although I have refined the

7:02prompts a little bit better. They work a

7:04little better. But this next part, these

7:06next like couple of steps are unique.

7:09Quick pause. If you're an author who

7:10wants to start writing more books, I put

7:12together my complete AI prompt pack that

7:14helped me and many others in my

7:16community write a book in a month. It's

7:18completely free. Hit the link in the

7:19description. Join the free weight list

7:20for Story Hacker Gold. Then you just

7:23answer a couple quick questions and I'll

7:25send you the full prompt list plus a few

7:27extra free goodies. I'll also email you

7:29when I open the paid Story Hacker Gold

7:31group so you can join if it feels right.

7:33There's no commitment to join though,

7:35and you'll still be able to get all of

7:36the freebies you signed up for either

7:38way. All right, back to the video. So,

7:39first of all, let's start with this one.

7:41This one isn't so unique. We basically

7:43take that story pitch and create a story

7:44dossier. What that looks like is

7:47something like this. If we go in here, I

7:50give it the premise, which I got in the

7:52last step. I give it all of the tropes,

7:53the outline, the character, the world

7:55building, and the author brain dump, and

7:57ask it to create a story dossier with a

8:00list of all of the characters, the world

8:02building elements, the synopsis, and

8:04certain points on the outline that I

8:07want it to do. I wanted to create a

8:09whole thing that will basically list all

8:12of the different elements that we need

8:13for this story. All right. So, you know,

8:15it looks pretty good. But what I was

8:17finding when it did this before is that

8:20a lot of stuff in there either didn't

8:22quite make sense or there were a lot of

8:24like AISMs in there, especially with

8:26names. Like if it was coming up with

8:28names of side smaller characters or

8:30anything, you get all kinds of names

8:32that pop up in AI all the time. then

8:35went through a couple of critiques or

8:38checks. In fact, I think I'm going to

8:39rename these as checks. Emotional check.

8:42So, named because we want the AI to

8:46check on these things. So, here we have

8:48two checks, an emotional check and a

8:50character name check. The emotional

8:51check is looking through this and saying

8:53like, does it actually resonate? Like,

8:56is this an interesting idea? Basically,

8:57you will analyze the above story dossier

8:59for theme cohesion and emotional payoff

9:01quality as we want this to be an

9:03emotional gut punch for the reader no

9:05matter what genre we're in. Identify the

9:07primary themes and secondary themes in

9:09this dossier, not in the template. In

9:11your own words, no vague labels like

9:13love or hope without explaining how they

9:14show up for each primary theme. List any

9:16major moment where the theme should show

9:18up but currently doesn't or feels weak,

9:21etc., etc. And it goes through and

9:22basically runs this emotional check on

9:25the dossier. It then goes through

9:28another check. So, this one doesn't look

9:30at what the emotional check had. It's

9:31just looking at the dossier, and it is

9:33specifically looking for character names

9:35that are AI obvious, AI sloppy. We'll

9:38put it that way. All right. So, I give

9:40it the author brain dump. I give it the

9:42story dossier that was completed two

9:44steps earlier. And then I give it a list

9:46of names to avoid. This is just a list

9:49that I've built up over the years. Some

9:51obvious ones in here like Marcus and

9:54let's see, Nora. We got some some more

9:57fantasy ones like Thor, Kale, Kalin,

10:00Kayla. We got LRA in here. We've got

10:02Lara in here. Silus and Vain and Vesper

10:04I've seen a lot recently, so I added

10:06those in. Chen, Dr. Chen is in here a

10:09lot. Blackwood. Anyway, so you get a lot

10:12of these in AI, so I specifically call

10:15them out. But then I also say you will

10:16examine the characters in the above

10:18story dossier for uniqueness and name

10:20quality. Extract a character list for

10:22each named character list, the full name

10:24and ro, etc. Name AI telly check. Flag

10:28any characters whose first or last name

10:29is exactly any of the above names to

10:31avoid unless included in the author's

10:34brainstorm because maybe you want a

10:36specific one of those names that was

10:38mentioned. You know, I've got common

10:40names in there like John and Sarah. You

10:42might want to have a John or Sarah in

10:44your book. So, I make sure that is not

10:46looking at the ones that you asked it to

10:47put in. For each flag name, propose

10:49three alternative names that fit the

10:51character's culture, setting, and social

10:52status are memorable but not

10:54melodramatic, are unlikely to be

10:56overused in AI generated fiction and are

10:59not included in the list of names to

11:00avoid above. Briefly justify one to two

11:02sentences why each alternative is a

11:04better fit, etc. And it goes through and

11:06just gives a bit more instruction on how

11:09to find good names. Now, it's not going

11:11to be perfect. strongly recommend you go

11:14carefully through the completed story

11:16dossier at the end and make sure you all

11:18your named characters are names that you

11:20like and um aren't obviously AI. But

11:24once it's done that, it's now created

11:26out of these two checks, it's created

11:28two lists of instructions on things to

11:30improve. So at this point, I kind of

11:33want to implement all of that into this

11:35dossier. So I have it do a rewrite.

11:38Notice I say you can use an inexpensive

11:40model for this because this is actually

11:41a fairly simple prompt. I just give it

11:44the story dossier, the emotional

11:45critique and the name critique from the

11:47previous two steps and say using the

11:49text of the story dossier and the two

11:50critiques. I want you to implement the

11:52suggestions from the improvement plan

11:54into the dossier only implement the

11:56suggested changes and do not change

11:58anything else about the original

11:59dossier. Reproduce the entire dossier

12:01with the suggested changes made. So

12:03basically I'm asking it to implement the

12:05suggested changes but change nothing

12:07else and to reproduce the text. All

12:09right. And then I repeat that cycle.

12:12We're doing another check and then

12:13another rewrite. But in this case, the

12:16reason I had it do a rewrite before this

12:19logic check is because I want this logic

12:21check to be working with the latest

12:24version of the dossier. I you know we

12:27will uh presumably have already seen

12:30some improvements from the emotional

12:31check and the dossier rewrite or the

12:34emotional check and the character name

12:35check. So I want that updated version

12:38ready when we performed the logic check.

12:41Now I recommend using a medium to

12:42advanced model for this. You don't need

12:44to have an advanced model for these

12:46previous two checks, but for this one

12:48because we're talking about logic and

12:50implausibility, we definitely want it to

12:53be able to think hard about this one.

12:55And I did a whole video just about the

12:57logic check cuz it's a pretty

12:59interesting one. But basically, we run

13:01this thing. It checks for logical

13:04inconsistencies, plausibility issues,

13:06etc. Creates another improvement plan.

13:08And then this dossier rewrite number two

13:12implements that feedback once again. So

13:14it's pulling from this dossier rewrite

13:18and then adding the improvements

13:20recommended here in the dossier in the

13:22logic check into its second rewrite.

13:24Then that second rewrite gets dumped

13:26into a dossier document here and that

13:28concludes this automation. So what does

13:32this actually look like in practice? Uh

13:34at the end I'll show you an example of

13:36one. So in a previous video I had

13:39outlined a vigilante series that I

13:43wanted to do but in a fantasy setting.

13:45So I took all of those templates from a

13:47vigilante crime thriller and adjusted

13:50them to work in a fantasy setting. And

13:52then I brainstormed some ideas for what

13:54that would look like. Off camera, I then

13:56took those ideas and ran it through this

13:59exact story dossier. And this is what I

14:02ended up getting. So, it's called story

14:04dossier, the red node. Of course, that's

14:07just the name it gave it. I'm probably

14:09going to name it something else because

14:10that sounds too sci-fi. There is

14:12something in here called a node because

14:14this fantasy world does have some

14:16elements that are sort of influenced by

14:18a more technologyish thing, but that not

14:22really something I dwell on too much.

14:24And so this is the synopsis that I was

14:26given from everything that I had put

14:28together in my brainstorming of the

14:30series. A disgraced special ops soldier

14:33hunting for the only witness who can

14:35prove a government coverup discovers his

14:36former subordinate is currently being

14:38rendered into magical fuel. and the

14:40conspiracy that killed his unit now

14:42controls the entire city. Now, I will

14:44modify this a little bit because this

14:45sounds too much like a modern-day thing.

14:48So, instead of special ops, we could

14:50call him like government

14:52sanctioned

14:54assassin hunting for the only witness

14:57who can prove a government cover up.

14:59Discovers former subordinate is

15:01currently being rendered in magical

15:03field. The conspiracy that killed his

15:05unit sounds too military like modern

15:08military that killed his battalion maybe

15:12now controls the entire city. And then

15:14we have the full pitch. So that was just

15:16the log line. Here's the full pitch. Cor

15:18Morick just wanted to find Jace. For 3

15:21years he's been hunting through the

15:22vertical slums of Arch City, a

15:23metropolis carved into the walls of a

15:25mountain chasm. searching for the one

15:27surviving member of his black ops unit

15:29who can prove their government ordered

15:30them to massacre civilians to cover up

15:32illegal human experiments. Instead, Core

15:35finds a nightmare during a desperate

15:37raid on a shipment of blood nodes

15:39stabilized magical fuel drained from

15:42living husks. Core used a nose a node to

15:44survive and hears a stranger's dying

15:46scream, but the iron glass vial bears a

15:48batch number that leads him to an

15:49industrial slaughter house. This kind of

15:51like industrial age fantasy. There he

15:54finds Jace strapped into the husk

15:56machine. The rescue comes too late. Jace

15:58dies and in the extraction and resulting

16:00red node pulses in Coror's hand, it used

16:02to be his friend. Now Core isn't hunting

16:04for a witness. He's hunting for the

16:06light elf noble who ordered the

16:08experiments. The gray skinned enforcer

16:10running the kidnapping operations in the

16:12spans. And every corrupt watch captain

16:14who signed the orders to look the other

16:15way while the poor disappeared into

16:17processing labs. He has one brand,

16:19Grace, which gives him impossible

16:21balance and precision but zero

16:22firepower. He has a bandelier of

16:24dwindling natural node charges. Verman

16:26magic caught in the spans. And he has a

16:29dwarven investigator named Borin who

16:31started out hunting him but just had his

16:34own murder files sealed by the heights.

16:36The Ilidar Restoration Society promises

16:38to save humanity from a coming war by

16:40perfecting demons. Soldiers force-fed

16:43multiple brands through the blood nodes.

16:45That's something I came from my world

16:46building. Core has already been framed

16:48for one massacre. If he can't expose

16:50Lord Ilon's operation before his node

16:52supply runs out, he'll be blamed for

16:55another, and the only family he had ever

16:57had will have died to fuel the monsters

16:59that inherit the city. Core Promise to

17:01the Reader is a gritty fantasy noir

17:03vigilante thriller set in a vertical

17:05city of bridges and shadows, where magic

17:07runs on finite ammunition, and justice

17:09requires becoming the monster the system

17:11feared. Expect brutal interrogations in

17:13damp tunnels, a count mouse chase across

17:16swaying suspension bridges, and a hero

17:18who must choose between dying as a

17:20wanted murderer or proving that his

17:21government feeds the poor to create

17:22weapons. All right, so that's the core

17:25premise, which I think is pretty solid,

17:27especially knowing that a lot of this

17:29world building came from me, so I kind

17:31of have it all in my head. And then it

17:32lists the main cast and gives us just a

17:34sentence or two about each. So Cororic

17:36is our main protagonist, a disgraced

17:38former spec ops commander branded with

17:40grace. We're going to change this again

17:42to government sanctioned assassin

17:47commander. Branded with grace, kinetic

17:49manipulation, and balance. He operates

17:51from the deep shadows of the spans to

17:52avoid detection. He is driven by the

17:54weight of the dead, physically carrying

17:55the souls of his unit as ammunition.

17:58That's not quite right. So, it is going

18:00to still get things wrong. So, you want

18:02to go through this. I'll just remove

18:04that sentence entirely, I think. All

18:05right. All right. And then we have Lord

18:06Ilon, Investigator Borin, Thovikar,

18:10Sable, Old Doc Mole, and minor

18:12characters like Jace, Captain Goran,

18:15Auditor Krell. These are all names.

18:17You'll notice none of these names are

18:19particularly AI sloppy. Some of them I'm

18:22sure could be that I just haven't

18:24identified recently. But I look at all

18:26of these and I'm not seeing anything

18:28that particularly stands out as being AI

18:30sloppy to me. And then we have

18:32locations. So, it goes through the

18:34locations, gives us a sentence about

18:35each magic and technology. It has an

18:38explanation of what that looks like, and

18:40then part four is the outline where it

18:42actually gives us a couple of key

18:44moments in the story. I don't have it do

18:46the entire outline at once, but we do

18:48want to have the opening image, and then

18:50it'll we'll have the closing image here

18:52at the bottom as well because those are

18:53important to know like how is the

18:55character changed, what's the inciting

18:56incident, uh what's the act one twist,

18:59what's the midpoint, and what's the

19:01climax. These are the ones that I like

19:03to identify before I start outlining the

19:06actual outline. I have it jot all of

19:08those down as well. So that is the story

19:11dossier in a nutshell and what it looks

19:13like. Of course, there are going to be a

19:15few things that need tweaking, but

19:17overall I think this is absolutely a

19:19fantastic story dossier that is way

19:22better than what I had with my previous

19:24automation. Although it is more advanced

19:25and will use more of your AI credits.

19:27But hopefully this video has been

19:29interesting to you. If you want to get

19:30your hands on this specific automation,

19:31it's in my Storyhacker Gold group. Go

19:33ahead and join the wait list for that

19:35down below.

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