Free YouTube Transcribe

Video transcript

Bestselling Authors Know This About Genre Most Writers Don’t

The Nerdy Novelist · 2,862 words · 14 min read

Want to search this transcript, jump the video from any line, or download it as TXT, SRT, or VTT?

Open in the transcript tool

Full transcript

0:00Today we're going to be tackling a

0:02subject, a question that often gets

0:04asked to me, especially recently when

0:06I've been doing a lot of videos around

0:08genre guides and how to research certain

0:11genres, things like that. This is a

0:14crucial skill. I'm becoming more and

0:15more convinced that this is the thing

0:17that sets apart the people making money

0:20from their books and the people that are

0:21not because the people making money

0:24understand their readers really, really

0:26well, right? And the way we do this is

0:30by knowing what the readers want and

0:33that comes in the form of tropes, genre

0:36conventions, etc. That said, we as a

0:41society don't necessarily like to see

0:43the exact same formulaic thing over and

0:46over again. Actually, that's not

0:47entirely true. Just look at shows like

0:49Law and Order, which are literally the

0:52same plot with every single thing. We do

0:55actually like sameness, but we also want

0:59a little bit of something new and

1:01inventive and fresh. So, how can you

1:06work off of a template of something that

1:09you've identified? And I I classify a

1:12template as any any structure that

1:15you've developed based on observation of

1:16what readers like. How can you take that

1:19template and make it fresh? And I mean

1:22this in addition to simply you writing

1:25it. Because your voice, what you bring

1:27to the table is always going to add

1:30something that people have not seen

1:32before, even if you're writing

1:34practically the same story as someone

1:35else. But how can we take it even a

1:38little step further, but not too far?

1:41Because if we go too far, then we

1:42alienate the reader. And that's the

1:44quickest way to get a whole bunch of

1:45one-star reviews on your book is to

1:47write something that promises one genre

1:50but ends up delivering something that

1:52was not what the reader expected or

1:55wanted. It's the easiest way to get a

1:58bunch of negative reviews. So, in this

2:00video, we're going to talk a little bit

2:02about how to do that and my process for

2:03starting a book like this. And uh in the

2:07future, we might actually take what I

2:09build in this video and actually go

2:11through it the entire process of

2:13creating a book. So uh without further

2:15ado, let's talk about how to do this.

2:17First of all, I want to call your

2:19attention to these books that I've

2:21written called the story hacks. That's

2:23the name of the series. They are all

2:24available at no extra charge if you join

2:26my story hacker gold group. Um you can

2:30see them in here. I' I've actually got

2:3130 of them. They they haven't all been

2:33uploaded into the group yet, but will be

2:35within just the next few days after I

2:36film this. It might it'll probably be

2:38they'll probably be up there by the time

2:40this video goes out. I've got 30 of them

2:42so far with a goal to hit 100. Uh you

2:45can also buy these for $5 a piece on

2:48Amazon, but

2:51you know, if you were to buy all of

2:52them, that'd be $500 from the hundred

2:55that I'm hoping to do. And you can get

2:58them at no extra cost inside the group.

3:00So, just a little plug there. Um, but

3:02this is the one in particular that we're

3:04going to use for our example today. It's

3:06how to write a vigilante justice crime

3:07thriller. And this genre is essentially

3:09what you get in uh Jack Reacher is the

3:13quintessential example of the vigilante

3:15justice crime thriller. There's this

3:17like big super competent dude who comes

3:20in. There's like some problem, some kind

3:22of corruption, uh some authority figure

3:26that has issues. And he kind of comes in

3:30with a sort of bulldozer attitude, fixes

3:33everything barely, [snorts]

3:36but then uh kind of just goes off

3:39wandering back uh down the road at the

3:43end. And it's very episodic, right? Uh

3:46each thing stands on its own. There's

3:49very little of a through line. You some

3:52of these series can get massive. You can

3:54get into 20, 30, even more books in a

3:57series with one character, all having

3:59just isolated adventures here and there.

4:02And when I was going through this, uh I

4:05was finding it really engaging. But uh I

4:06am, of course, a fantasy writer. And I

4:09thought, well, it'd be really nice to

4:13uh create a series that's just vigilante

4:15justice crime thriller, but in a f

4:18fantasy setting. And this I've got two

4:21points to make here. The first point is

4:24that this is the quintessential way to

4:26make your books feel fresh. Have it be

4:29exactly like something that's already

4:31established and reader and you know for

4:33sure readers love, but then add a little

4:37twist. Blake Snyder in his book Save the

4:40Cat called this the same but different.

4:42Readers want the same but different. So

4:44what you do is you give them something

4:46that is 90% something that they're

4:48familiar with but then just add an

4:50additional something or other that makes

4:53it unique. Uh the perfect example of

4:56this is actually uh Jim Butcher who

4:58wrote the Dresden Files series. Before

5:01the Dresden Files, the idea of an urban

5:03fantasy genre didn't really exist. he

5:06sort of invented the genre. And this is

5:07how genres get invented by the way is

5:09somebody doing the same but different.

5:11Uh we slowly get more and more granular

5:15different types of genres this way. Uh

5:18what he did is he essentially said I'm

5:20going to write a hardboiled detective

5:22novel which has been a genre that's been

5:25around for a long time but it's going to

5:27be it's going to have magic in it. And

5:29he was the first one I mean he probably

5:31wasn't the first one to do this but he

5:33was definitely the first one to

5:34popularize it. um where he just created

5:38a hard-boiled detective novel with magic

5:40and that became the urban fantasy genre.

5:42Now, today the urban fantasy genre has

5:44evolved a little bit more. So, it's

5:46usually a little bit more uh there's

5:48usually more women main characters and

5:51um there's often a lot more romance and

5:54stuff like that in them these days, but

5:55there's still a really solid male

5:58focused urban fantasy genre that still

6:02has that main trope of the hard-boiled

6:03detective. uh combined with magic. And I

6:08was actually just reading another book

6:09recently called To Kill a Unicorn. And

6:12it was almost a blowby-blow

6:16similar type book to the Dresden Files.

6:19Like if you like the Dresden Files, you

6:21would absolutely adore this book. It

6:24perfectly targeted the reader.

6:28But the change in this case was that it

6:29involved Cthulhu and the whole like HP

6:32Lovecraft mythos.

6:34as part of it. And that was the unique

6:37thing that kind of set it apart from

6:38just another Dresden Files knockoff. And

6:41it's a very successful book, too, by the

6:43way. So, that's the idea of taking an

6:46established genre and just adding

6:47something to it. So, in the case of a

6:50Vigilante Justice crime thriller, I the

6:52thing I'm going to add to it is just a

6:54little bit of fantasy. This is going to

6:55be a fantasy setting. I can do this

6:57because fantasy and science fiction are

6:59a little bit different from other

7:00genres. This is the second point I

7:02wanted to make is that uh there's what I

7:06call structural genres and costume

7:10genres. A structural genre is a genre

7:13that kind of has to hit certain beats.

7:16And like it's it the genre is part of

7:19the actual structure of the story. And

7:21so you get romance books like this, you

7:24get thrillers and mysteries all kind of

7:27fall into this structural genre. But

7:30then you get certain genres that aren't

7:32actually re um focused on the actual

7:36plot. They're more about the trappings

7:39around the plot. And this is why I call

7:41them costume genres because they can be

7:43uh you can have any number of structural

7:46genres that are given this costume. And

7:49fantasy and science fiction all work

7:50that way. That's why you can have a

7:52fantasy mystery, a fantasy romance, a

7:54fantasy thriller like we're going to do

7:56here. There are some elements of science

7:59fiction and fantasy, certain subg genres

8:01that don't really work elsewhere, but

8:03the nice thing about fantasy is that you

8:05can really incorporate all kinds of

8:07different plots inside of just these uh

8:10fantasy settings. So, that's what I'm

8:12hoping to do with this. I want to create

8:14a a kind of serialized

8:17uh episodic series about a character

8:20who's a very like Jack Reacher type

8:22character but in a fantasy setting and

8:25give it that setting to to make it fresh

8:28and unique. And I have a character that

8:31this really works for in one of my

8:33fantasy worlds. So I thought I would do

8:35this whole process for that. So let me

8:37show you a little bit of what that looks

8:38like because we're still going to use

8:40templates. I actually really like

8:42templates and if you use AI to help you

8:43in your writing, templates are going to

8:45be your godsend because uh AI loves

8:49structure. Um so the more structure we

8:51can give AI, the better. Thankfully, if

8:54you are part of my my story hacker

8:56group, you get all of these different

8:58templates that are related to the this

9:00particular genre. Now, these are also

9:03included in the book itself, but they're

9:06more conveniently sectioned out here for

9:08members and written and marked down. so

9:10the AI can understand it a little bit

9:12better. So for instance, we go here to

9:14the trope doc and like I said it's

9:17written in markdown. So you'll see some

9:18of that here. Um where okay the main

9:22trope is the vigilante anti-hero, right?

9:24So that's that's a that's a trope.

9:26Another trope is the corrupt or

9:28ineffective authority. Another major

9:30trope of this particular genre. Uh

9:33another trope is personal loss as

9:35motivation. So, these are the kind of

9:37things that we're putting in here that

9:39now we just need to adapt it to work in

9:41more of a fantasy setting because a lot

9:43of the language around this template is

9:45going to be all about um uh like a

9:49modern setting, right? So, the way I did

9:52this is I took this into I just used

9:55open router because I could, but you can

9:57do this in any chatbot really. Um

10:00and I picked my model. In this case, I

10:02used Claude Sonnet 4.5. And in the

10:05system prompt, I wrote, "You are a word

10:08worldclass genre expert. I want you to

10:10take the documents I will give you,

10:11which are templates for writing vigilant

10:13justice crime thrillers, and tweak them

10:14so that they could apply to a genre with

10:16the same tropes and structure of the

10:18crime thriller, but in a traditional

10:19fantasy setting, not a modern-day

10:22setting." That was my uh my system

10:24prompt there. And then I just pasted in

10:26that trope stock, as you can see here.

10:29And it's a long document here. And then

10:33it spit out what is almost the exact

10:35same thing, but they added just a few

10:37word changes here and there just to make

10:39it a little bit more conducive to a

10:41fantasy setting, especially like a older

10:44medieval fantasy setting. So for

10:46instance here, this line here says you

10:48have to establish early on that the

10:50official systems, the police, the

10:51courts, the government are barriers to

10:53justice, not facilitators of it. In uh

10:57this version, it says something slightly

10:59different. You have to establish early

11:00on that the official systems, the city

11:02watch, the courts, the nobility are

11:04barriers to justice, not facilitators of

11:06it. So just little tweaks like that that

11:09kind of make make it make more sense for

11:12the fantasy genre. And this is what I

11:14would do. is I would take your templates

11:15of the genre that's the primary genre

11:18genre that you're trying to hit and then

11:21ask AI to tweak your templates so that

11:24they can apply to whatever change you're

11:27making to it, whatever fresh ingredient

11:29you're adding to this. And I would just

11:31do that with all of your templates that

11:33you have, assuming you even have

11:35templates. If you don't have templates,

11:36you can get some. Um, it can be as easy

11:40as just asking AI for a list of tropes

11:42for a certain genre and then you adapt

11:44it from there or you know whatever it

11:46looks like. Uh, I have created these

11:48templates from a rigorous analysis of

11:50actual bestsellers in the genre. Um, and

11:54uh, where I actually broke each one down

11:56chapter by chapter and then compared all

11:57of the tropes that each one had, which

12:00remarkably a lot of these books really

12:03had a ton of similarities

12:06uh, between all of them. Even though

12:07they're all bestsellers, they're all

12:09doing quite well. They're all very

12:10different from each other, different

12:12authors, it's remarkable how many

12:14similarities these things have when you

12:16correctly target the right books. Uh, so

12:19you can create those templates however

12:20you want. uh but then just modify them

12:23this way. And then what I do is I take

12:25it into a sort of AI project of some

12:28kind. This could be uh Perplexity

12:31spaces, which is what I would have used,

12:32but there's been some controversy with

12:34Perplexity's terms of service lately, so

12:36I didn't use it in this case. Uh and

12:38what I did in this case is I actually

12:40went to Notebook LM.

12:43And as you can see here, I created a

12:46notebook LM and I brought in all of

12:49those different modified documents for

12:51this vigilante justice fantasy thriller

12:54and um and then I also brought in a

12:57document with a bunch of world building

12:59from the world that this book uh should

13:01take place in and started brainstorming.

13:04I just said I want to brainstorm a

13:05fantasy setting for this vigilante crime

13:07thriller genre. My main character is

13:09named Cole and I don't have the last

13:10name for him so you can brainstorm that.

13:12He's either an assassin or a mercenary

13:14or someone with a high set of skills in

13:15combat and other things. He should be a

13:17morally gray character and the series

13:18should involve him doing a lot of really

13:20cool things in this fantasy setting.

13:22Please help me brainstorm what the first

13:24book should be about. And we went back

13:26and forth quite a lot. I was giving it a

13:28whole lot of feedback. I asked it to ask

13:30me questions, which is a great way to

13:32brainstorm, by the way. You get it to

13:34ask you the questions and then you can

13:36kind of just go back and forth until you

13:37have some really solid things. And

13:39because it has all of your templates

13:41here, it's going to make sure that we

13:44are touching on all of the right tropes

13:46and character archetypes, all of these

13:48puzzle pieces that we need to know in

13:51this entire process. So, I just kind of

13:53kept going back and forth until finally

13:56at the end, I asked it to summarize

13:57everything that we talked about into uh

14:01into one document, especially for the

14:04world building and everything. and it

14:06created this sort of minieries bible um

14:10that I just now then copied and pasted

14:12into a different document that which I

14:14will use to create my story dossier and

14:16I'll do that in a future video. But what

14:19this process allowed me to do is

14:21essentially brainstorm a really tight

14:24cohesive novel ideas and put them

14:28together and with the knowledge that

14:31they hit all of the tropes, they hit all

14:34of the archetypes, the plot follows a

14:37particular structure that's typical of

14:38the genre. And now I've only the only

14:41thing I've done is I've added my own

14:42story and my own unique element, which

14:45in this case is just a fantasy setting.

14:47So, I'm actually really excited for this

14:48particular book series. Um, I I think

14:52anything that's episodic like this has

14:54has really great potential to go on and

14:56on and on. Um, and so I have the full

15:01intention right now at least to actually

15:04go through the whole process of creating

15:06this book with AI, uh, fixing it up

15:09myself, editing it, making it my own,

15:11and and then publishing it and, uh, so

15:13you guys can read it if you want to. So

15:16that's a something I have in the works.

15:19We'll see how it goes. But uh this is

15:22the first step is to figure out how are

15:24we like what's the genre that we're

15:25targeting and how can we make it a

15:27little bit unique. The next step will be

15:29creating the story dossier which I'll do

15:31in a updated and newly improved

15:34automation that I've recently put

15:35together that you'll see in a future

15:37video. So I will see you then.

More from The Nerdy Novelist

Recently added transcripts

Browse the whole transcript library

This transcript was generated from the captions YouTube publishes for this video. Get the transcript of any YouTube video atfreeyoutubetranscribe.com, free, unlimited, no sign-up.