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This AI System Writes My Full Novel in 30 Days (1 Hour a Day)

The Nerdy Novelist · 3,333 words · 16 min read

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0:00If you give me 1 hour a day, I can give

0:02you a finished novel in under 30 days.

0:05And I'm not talking about a

0:06half-finished Google Doc. I'm not

0:08talking about just still working on your

0:10world-building. I'm talking about a

0:12complete draft here. The reason you

0:14don't have a book yet isn't that you're

0:15lazy or untalented, it's that you're

0:17trying to write a 50,000 word problem

0:20with a 500 word process. And in this

0:22video, I'm going to show you the exact

0:24AI workflow that I use to crank out 4 to

0:275,000 words an hour and turn that into a

0:30full novel in less than a month without

0:32quitting your job or abandoning your

0:34life. And if you stick with me to the

0:36end, you'll never look at I don't have

0:38time to write the same way again.

0:40Now, quick context, if you don't know

0:42who I am, my name is Jason. I help

0:44aspiring authors pump out quality,

0:46emphasis on quality, books fast with AI.

0:50My goal is to get you to a book a month

0:52at least without sacrificing your

0:54creativity or the quality of the book

0:56itself. And yes, it is possible. I have

0:59hundreds of students in my Story Hacker

1:00community that have done it. And before

1:02this, I wrote 14 books the traditional

1:04way plucking away at the keyboard for

1:06literally an hour every day before work

1:08cuz that's the only time I had. And even

1:10without AI, that was enough to finish a

1:12book every two to three months. So, I

1:14know a few things about squeezing in

1:15that writing time and actually

1:16finishing, not hemming and hawing around

1:19the book. In this video, I'm going to

1:20walk you through a three-part system.

1:22First, I will talk to you about why

1:24automations are probably what you want

1:26to work with. Second, I will talk about

1:29doing a solid week of prep work so that

1:32the book eventually writes itself

1:34essentially. And three, we'll run

1:36through a daily 1-hour loop that

1:37produces about two chapters a day until

1:39the book is done. Simple doesn't mean

1:42easy, but it does mean repeatable. So,

1:44let's get into the video. So, first of

1:46all, let's talk about automations. Why

1:48do I think automations are important?

1:50Well, I have found ever since I

1:52discovered automations through platforms

1:54like Make or N8N, I have found that they

1:57save me enormous amounts of time and I

2:00even pretty much eliminated all other

2:02writing tools from my process once I had

2:04a system worked out in n8n

2:07to automate uh good chunks of the

2:08process. And the reason for this is if

2:11you're using a chatbot like ChatGPT or

2:13even a more specialized writing tool

2:15like Sudowrite or Novelcrafter, I have

2:18found that those things often have loops

2:21that you have to go through that take

2:23your time but don't necessarily need you

2:26in that process. Now, it is absolutely

2:28important to have lots of human feedback

2:31in the whole loop, but there are ways

2:33through multiple steps of the AI process

2:36where you can actually get it to a

2:37higher level of quality before you even

2:39look at it so that when you do look at

2:42it, it can actually take you less time

2:44to approve it and make sure that

2:46everything is good rather than having to

2:48rewrite the whole thing. So, I've

2:49developed a five-part system, so five

2:52automations in the tool called n8n which

2:55I use to make this process really,

2:57really fast. And if you only have a

2:59limited amount of time like say an hour

3:00a day or less,

3:02then I strongly recommend learning

3:04automations, getting a system set up so

3:06that you can use that time more

3:08valuable.

3:09Uh but let's go into some of these

3:11automations and take a look of what they

3:13look like. Now, I have a whole playlist

3:15about how to create n8n automations and

3:17how to get started in n8n. It is a

3:19little bit technical and actually

3:22showing you step-by-step how to create

3:23these things is beyond the scope of this

3:25video. Uh so, you can go and check out

3:27that playlist and the other videos on my

3:29channel if you're interested in that and

3:30I'll also give you some um additional

3:33things that are coming up in the near

3:35future that might help you as well. So,

3:38this is my first automation in the

3:40process and like I said, I have five. Uh

3:42this one grabs a number of templates, so

3:44I like to give it templates on say

3:45tropes and the plot and the themes and

3:48the characters and worldbuilding and it

3:50creates a document called the story

3:52dossier. And all of these steps are part

3:55of that process so that you don't have

3:57to spend a whole lot of your time

3:59explaining yourself.

4:00Uh basically, all you have to do is do a

4:02little work up front,

4:04let the process run, and then do a

4:05little work after. But, here's what this

4:08looks like. First, it identifies the

4:09genre, then it brainstorms five

4:11different pitches on essentially what

4:13would be a good story with a good hook,

4:17and then it picks the best one. Now, you

4:18can always go back and choose a

4:20different one that you want it to do,

4:21but generally, I find AI does pick a

4:24good one out of that list. And then it

4:25outputs that pitch and creates the full

4:27story dossier. Now, a story dossier in

4:29this case is not fully fleshed out or

4:31anything. It's more like a call sheet,

4:33like a list of all of the characters and

4:35the world building elements and

4:36everything that it needs to flesh out

4:39later. So, we're just sort of getting

4:40our bearings on everything that's going

4:42to be needed for this. And then it does

4:44an emotional check. And this emotional

4:46check is, you know, every book needs to

4:48have a lot of emotion at its core.

4:50Otherwise, it doesn't keep people

4:51engaged, doesn't get people interested.

4:54So, we run this check. So, it reads the

4:57story dossier and says, "Is this good?"

5:00Like, "Could we make this more of a gut

5:02punch?" or something like that. It also

5:05runs a character name check to make sure

5:06none of the names that it invented are

5:09super AI-ish, right? The names like

5:12Sarah Chen or Marcus Chen or Alara or

5:15Lyra, one of those names. And checks for

5:18those

5:19and renames them if needed. If you

5:22brought in your own names, they won't

5:23touch those. And then it'll do a dossier

5:25rewrite. So, it gathers all that

5:27feedback that it just got from the

5:28emotion check and the character name

5:29check and rewrites it. Then it does one

5:31more check called the logic check,

5:33which is just where I ask it to

5:36look through things and make sure it all

5:37makes sense. Like, are there any

5:38motivations of the characters and their

5:41actions that just don't quite fit? Uh is

5:44there something that doesn't quite fit

5:46with like the laws of physics as we know

5:48it, you know, the stuff like that. It

5:50just thinks through something logically

5:52to make sure everything kind of stacks

5:54up and then does a second rewrite and

5:57then it updates the document. So this is

5:59a good example of something that if you

6:01just went and said make me a story

6:03dossier for and you give it a couple of

6:06details about your story, it won't do a

6:08good job. But if you do it this way

6:10where everything is structured and it's

6:12doing multiple checks to make sure that

6:15it certain things that you want to

6:16prioritize high in creative writing are

6:19there,

6:20you're going to end up with a much

6:21better output. Now, I have four more of

6:24these and I won't go into each of them

6:26in super detail, but this one here takes

6:29that dossier

6:30that you created in the previous step

6:32and it fleshes out the characters.

6:34So of course between each of these you

6:36want to make sure that you go through

6:37the documents that it's creating and

6:39make sure it fits your vision, make sure

6:41everything's correct. You have extra

6:43details to add, you add those. There is

6:45some setup time required. But I do think

6:48that you can get through these first

6:50couple of automations in about a week

6:54with an hour a day roughly. So roughly 7

6:57hours of time, I'm pretty sure you can

6:59get through all of this especially with

7:01AI to help. All you have to do like for

7:03instance with the brain dump to dossier

7:04automation, you just have to start up up

7:07front with a little bit of time to brain

7:09dump everything you can think of related

7:11to your story and input that in and then

7:14when it's done with the automation, you

7:16go through the finished doc and you

7:18modify or add or take away anything that

7:21doesn't quite fit. Once you've done

7:22that, you move on to the next one which

7:23in this case is the dossier to

7:25characters

7:26and this one does a loop. So it goes

7:28through your dossier and identifies who

7:29are all the characters and it makes a

7:31list of them and then it goes through

7:33these three steps

7:34um where it expands upon that character,

7:38it does another logic check similar to

7:40the one before and then it rewrites what

7:43the expansion did. So, the logic check

7:45here is also checking for things like,

7:47does it fit within the plot of the story

7:49and all of that? And then it rewrites,

7:52okay?

7:53Uh and then it also, once it's done with

7:54that, it'll also establish what the

7:56relationship dynamic is between all

7:57these characters.

7:59All right, the next one is almost

8:00exactly the same, except this time it's

8:02for world-building elements. So, any

8:05world-building that needs to be done,

8:06even if you're not doing a fantasy and

8:08science fiction, you still have

8:09world-building elements that are needed,

8:11like the layout of a house, or you know,

8:13just what does the workplace of this

8:15person look like, you know, stuff like

8:16that. Uh what city are they in? What

8:18does that look like? So, all of that

8:20needs to be fleshed out, and it's done

8:21so here in a three-step process similar

8:23to the characters.

8:25Then we move on to my favorite, which is

8:27the outline generator. I tend to get

8:29very hands-on with my outlines, but I

8:31still use this. So, I will give it the

8:33dossier and all the character info and

8:35the world-building sheet and everything

8:36that's been developed so far.

8:38And ideally, you should have gone

8:39through all of this and make sure

8:40everything is correct. And then it goes

8:43through, it writes the outline, it does

8:45another emotion check to make sure you

8:47got the those good gut punches, right,

8:49that we want for a good story. It does a

8:51rewrite after that emotion check. It

8:52does something called sliders. So,

8:55sliders is a term I came up with for

8:59certain things that vary from one scene

9:02to another.

9:03So, I'll give you an example. There are

9:05a bunch of sliders mentioned here and

9:06exactly what those sliders look like.

9:09This first one is tension.

9:11Right? So, number one is complete

9:14stillness. So, basically no conflict.

9:15You're rarely ever going to get that in

9:17a story.

9:18But at a 10, you'll have maximum

9:20immediate threat, like life, identity,

9:22or everything the protagonist has worked

9:24toward in the is on the line right now

9:26in the scene with no guaranteed escape.

9:28That's what it looks like if there's

9:29like a number a 10 out of 10 for

9:32tension. We also have sliders for dread,

9:34emotional intimacy, relationship

9:36tension, pacing, energy,

9:38humor,

9:39and it looks like those are the ones

9:41that we've got here.

9:42But yeah, so there are things like that

9:45that add a lot to the scene when it's

9:48being written.

9:49And so establishing those here at the

9:51outline stage really help with that

9:52process.

9:53Then we do a final logic check on this

9:55to make sure everything makes sense

9:58for the outline itself, and then it does

10:00a rewrite

10:01of the outline based on all of this

10:03feedback.

10:05Once this is done, I will go through and

10:07pretty heavily modify the outline. And

10:09as you'll see later, I actually also

10:11tend to do a little bit of modification

10:13of the outline as I'm going, which I'll

10:15get to next. But these first four

10:18automations that I've got, they're kind

10:19of one and done. You you do them, you

10:21check them. If everything checks out,

10:23you're done. You move on to the next

10:25one.

10:25This next automation

10:27is the one that takes your outline and

10:29your character doc and your

10:30world-building doc and it develops your

10:32whole book, but it does so one chapter

10:35at a time.

10:36This is where I have a specific system

10:39that I would use if you only have

10:4130 to 60 minutes a day to devote to

10:43this. So those first four automations I

10:46estimate will take about a week if

10:47you're really diligent and paying

10:48attention to everything. But once that's

10:50done, this next bit will probably take

10:52you three, maybe four weeks at at most

10:55depending on the length of your book.

10:57But most people could get this done in

10:58an additional three weeks after the

11:00first that you've done. So to just

11:02briefly run you through what this

11:04automation looks like, all of these

11:06first couple of nodes here are all

11:10devoted to creating a scene brief.

11:12This is essentially just going through

11:14all of your character doc, your

11:15world-building doc, and your outline,

11:17and it picks and chooses those things

11:19that are needed for this particular

11:21scene. And then it also modifies them to

11:24work for this scene. So for instance,

11:26you might have a character who is

11:29really, you know, she's normally a

11:31happy-go-lucky person, but in this

11:32particular scene, she's really sad.

11:35Now, if you just put in her a character

11:38doc that she's normally a happy-go-lucky

11:40person,

11:41it might write her that way in the

11:42scene. But, we need to make sure that

11:45the AI knows that she's not that way in

11:48this particular scene, and so it can

11:50adjust accordingly. And that's what all

11:52of these steps are essentially trying to

11:54do, not just for the characters, but for

11:56the world building and for the plot and

11:58stuff like that. And it creates the

12:00scene brief that's essentially a really

12:02fleshed out version of what needs to

12:04happen in the scene. And then here in

12:05this node right here,

12:07it actually goes and it writes the first

12:09draft of the chapter.

12:11Then it runs through a chronology check,

12:13which it actually did uh we did another

12:15chronology check as part of the scene

12:17brief.

12:18Uh but, it does a second one here on the

12:20actual finished prose, just in case. It

12:23also does a style check cuz as part of

12:25this automation, we include a style

12:27sheet for your books so that it can

12:30hopefully write as close to your style

12:32as possible, but sometimes it still

12:34doesn't do a very good job there. So, we

12:35have it do a style check where it rates

12:38the content that it got against the

12:41style sheet that you have and makes

12:43suggestions for improvements. And then

12:45it rewrite here where it incorporates

12:48that feedback that it got and it adds it

12:50to the document.

12:52Uh and it'll do this, it'll loop like

12:55this for every chapter.

12:56However,

12:57uh I generally do not recommend that

12:59people do this to write the whole book

13:00at once cuz you're going to end up with

13:02a bit of a messy draft. It is better to

13:04do this maybe at most two or three

13:07chapters at a time. So, this brings me

13:09to the process that I have if I only had

13:11an hour a day, this is what I would do.

13:14Uh I would go through, of course you you

13:16do the first two chapters, so you you

13:18have it generate chapter one, chapter

13:20two, and I would only do about two,

13:22maybe three chapters.

13:23And it would have it go through that

13:25process, then go through and you'll

13:27spend the majority of the hour editing

13:29those two to three chapters, okay?

13:31Making sure it's up to snuff, up to your

13:34standards, maybe adding in a bit of

13:36prose here and there, taking away

13:38certain things, and just general line

13:40editing stuff. It's actually a really

13:42useful process to teach you some of the

13:45basics of line editing. You'll get very

13:47good at it. But then, what I like to do

13:49is usually after I've gone through and

13:51I've edited the first two chapters,

13:53let's say,

13:54I like to go into my outline and look at

13:58the two chapters that are coming. So, if

14:00I've just edited chapters one and two, I

14:03look at the outline at chapters three

14:04and four,

14:06and usually, after having gone through

14:08that process, in that flow state still,

14:10and I can go through those chapters and

14:12say, "Okay, I actually wanted to expand

14:14on this. I want to change this." And

14:16usually, I will flesh it out just a

14:17little bit further, or give it more

14:19specific details that I want to make

14:21sure it covers in those next two

14:23chapters.

14:24And then, once I've done that, which

14:26takes like 5 minutes,

14:28then I will ask this automation to

14:31continue and actually flesh out and

14:33write those two chapters. So, what I

14:36would do is therefore, I would spend the

14:38majority of my time editing chapters one

14:40and two, then I'd modify the outline for

14:43chapters three and four, then I'd hit

14:45the go button on writing the chapters

14:48three and four, and then I would leave.

14:50And that would be my hour for the day.

14:53The next day, I'd come back, and those

14:55next two chapters are already written.

14:58So, all I have to do is start going

15:00through those and editing them and

15:01making it my own.

15:03And then, I'd go and modify chapters

15:06five and six inside the outline, and hit

15:09go on the button to write chapters five

15:10and six, and so on and so on to repeat

15:13that process. I use this exact process

15:15and these exact automations to write a

15:17book in about 4 days. Uh now, granted, I

15:19was doing a lot more than an hour at a

15:21time, but I was doing two or three

15:22chapters at a time, and uh I would just

15:25take breaks every time I would set it to

15:27automatically go through and write those

15:29two those next two chapters. That would

15:31just be my cue to like get up, get take

15:33a stretch, walk around, etc. And come

15:37back 15 minutes later after the whole

15:38thing has been uh fully finished, and

15:42continue with the next two chapters, and

15:44just continue that way. And after 4 days

15:46of about 6 to 8 hours of work, I was

15:48able to get that done. If this process

15:50interests you, you can actually get all

15:52of these automations in my membership,

15:54which is linked down below, along with

15:56the detailed instructions on how to get

15:58them started. But, I am also working on

16:00my own tool, which should be out very

16:02shortly. It might actually be out in

16:04open beta among my members. So, you

16:07might be able to get access to it

16:08already, but that tool will actually

16:10have these automations incorporated in

16:11it that won't require the huge technical

16:14setup that it takes to get any of them

16:16going.

16:17And uh and you won't have to do all of

16:19this. So, if that's interesting to you,

16:21go ahead and check out that link down

16:22below, and I will see you in the next

16:24video.

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