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Full Beginners Guide to Writing Books With AI

The Nerdy Novelist · 47,223 words · 215 min read

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Welcome

0:00Hello everyone and welcome to the Nerdy

0:02Novelist. I feel so grateful to be here

0:04with you right now because what you are

0:06about to see has never been done before

0:08in the YouTube space. This course has

0:10been in production for months now and I

0:12have spent literally thousands of

0:13dollars to put this in front of you.

0:15This course is several hours of content

0:17teaching you everything that I've

0:18learned over the last 3 years of doing

0:20YouTube on the topic of AI for creative

0:23writing. Before that, I was the lead

0:24content manager for 3 years at

0:26Kindlepreneur, the leading online

0:28website for authors who want to write

0:30and self-publish their books. And before

0:32that, I wrote 14 books the traditional

0:34way. So, unlike a lot of tech bros on

0:37YouTube who have clearly never written a

0:39book in their life, I actually have

0:40experience with the process with and

0:43without AI. And I'm going to show you

0:44exactly how I would write with AI in a

0:46way that completely preserves your

0:48voice, your creativity, and quality

0:50storytelling, all while making the

0:52process far less likely to burn you out

0:54than the traditional method. And in this

0:56course, [music] I'm not holding anything

0:57back. I'm showing you my methods that

0:59have allowed me to write a book in as

1:01little as 4 days. And I'm not just

1:03talking about some random story that AI

1:05makes up. This was an actual story I had

1:07had in my head for years, finally

1:10envisioned in under a week. I know it's

1:11hard to place value on something that

1:13you get for free, and that's why no one

1:15has done this before in my niche. Not

1:17only is this a full course explaining

1:19every part of the writing process, and

1:21I'm not just teaching you, I'm actually

1:22going through the entire process with

1:24you step-by-step. And I'll even show you

1:26how to get your book edited, formatted,

1:29and published. So, here is what you will

1:31learn in this course. I'll show you the

1:32entire strategy I use to build a book

1:35from scratch, just like I did in 4 days.

1:38I'll walk you through the most important

1:39parts of AI writing, like how to

1:41maintain your voice and how to make sure

1:43the output is yours. Most people think

1:46that writing with AI is just slop, but

1:48that's really when you don't know what

1:49you're doing and don't put any effort

1:52into your work. The point of using AI is

1:54not to avoid work. It's to work smarter.

1:57And if you follow my instructions, your

1:59work will be of genuine quality, not AI

2:01slop. I also show you how we select a

2:03genre and optimize our book to ensure

2:06that readers are likely to want to read

2:07our book. And I'll also show you how we

2:09build our book bibles to ensure the AI

2:11has everything it needs to write an

2:13original book. So, I hope you can see

2:15the amount of value that you're about to

2:16receive in this course. And I'll be

2:18real, a lot of you will go through this

2:20and not see the true value because you

2:22were able to just watch the video for

2:24free with no resistance. This is the

2:27exact reason why nobody is making free

2:29courses that are this in-depth. It is so

2:31easy for you to brush this off as not

2:34having much value because you didn't

2:35have to pay for it. But, I can genuinely

2:38promise you that every single person who

2:40goes through this course is going to

2:42have every piece of information that

2:43they need to write their first book, as

2:45well as their second book, or the third

2:47book, you name it. I'm serious. This

2:48course is a step-by-step blueprint to

2:51growing your author business, and we

2:53cover everything from mindset to final

2:55publishing. So, if you want to write a

2:56book quickly and effectively without

2:59sacrificing quality, there really is no

3:01better place you could be than inside

3:03this free course. But, I will be

3:04completely real with you guys. This

3:06course has a lot of information. And if

3:08you follow it all the way through and

3:10follow every piece of advice, this will

3:12be a big challenge in your life. In

3:15module one, we're going to tackle the

3:16part most authors skip, and it's exactly

3:18why they burn out. We'll talk about the

3:20difference between chasing quick money

3:23versus mastering your craft, and I'll

3:25show you how my own write 14 books then

3:27crash and burn phase almost killed my

3:29writing career. You'll also see how

3:30focusing on the wrong metrics destroyed

3:33my motivation and how shifting my

3:34definition of success brought me back to

3:36writing with more clarity and less

3:38pressure. Then, we'll dig into abundance

3:40versus scarcity mindset for authors, and

3:42I'll give you concrete examples of how

3:43each one shows up in self-publishing.

3:45Things like the market is saturated, or

3:47if that author wins, I lose. From there,

3:49we'll zoom out and treat your writing as

3:51a real business. What it actually means

3:53to invest time and money into tools,

3:55education, and systems, and how those

3:57investments compound over years of

3:58publishing, and not just with one book

4:00launch. And yes, we'll address the

4:01elephant in the room, using AI without

4:04shame as a way to offload the parts of

4:05the business that drain you, so you can

4:07double down on what you genuinely love.

4:09By the end of this first module, you'll

4:11have a practical mindset framework for a

4:13storytelling driven business, one that

4:15keeps you out of burnout, gives you

4:17permission to use AI strategically, and

4:19positions you to build a long-term

4:21catalog instead of betting everything on

4:23one perfect book. Module two is where we

4:25get tactical, and I give you a

4:27customized tool stack instead of a mess

4:29of random apps. You'll come out knowing

4:31exactly which tool is best if you are a

4:33total beginner, which option makes the

4:35most sense when you want to automate and

4:37scale like a power user, and which

4:39middle ground system gives you the most

4:42control without requiring you to be

4:44super technical. By the end of this

4:46module, you'll have a setup that matches

4:48your skill level and goals, and you'll

4:50know how to use it to support every

4:52other step in your writing and

4:53publishing process. And these are

4:55literally the exact tools that I use in

4:57my own author business and teach to my

4:59members. By the end of module three,

5:01you'll never sit down to plot from

5:03scratch again. Instead, you'll have

5:04genre-specific story templates that turn

5:06vague ideas into clear, repeatable

5:08structures designed to sell. You'll know

5:10how to choose the right niche for a book

5:12idea, how to lock in the aspects that

5:14readers expect, and how to build a

5:16framework that prevents generic AI slot

5:18plots. The result is that every story

5:20you create after this module starts with

5:22a solid skeleton tailored to your genre,

5:24which makes everything else so much

5:26easier. Module four gives you a

5:27repeatable brainstorming system that

5:29produces commercially viable story ideas

5:32instead of random concepts you're not

5:34sure anyone wants. You'll learn how to

5:36turn genre research into concrete plot

5:38hooks, as well as tropes and setting

5:40that align with real reader demand, and

5:42how to use that to generate story

5:44material that feels fresh, but still

5:46familiar enough to sell. By the end of

5:47this module, you'll have a complete

5:49story dossier filled with market-aware

5:51ideas, so that when you move forward,

5:53you have the best chance for success. In

5:55module five, you'll discover the ability

5:58to create characters and worlds that

6:00readers genuinely remember and talk

6:02about. You'll come away with a clear

6:03process for turning rough character

6:05sketches into multi-layered people with

6:07goals and flaws and arcs, and for

6:09building settings that feel lived in

6:11instead of just broad and generic.

6:12You'll end up with a cast in a world

6:14that naturally generate conflict, making

6:16your plot more engaging and your book

6:18far more likely to turn casual readers

6:20into dedicated fans. Module six gives

6:22you a flexible blueprint for your book,

6:24a clear beginning, middle, and end, plus

6:26key turning points and subplots, all

6:28aligned with your genre templates from

6:30earlier. The outcome is that you always

6:32know what happens next when you sit down

6:34to write without feeling locked into a

6:36rigid plan, so that you reduce writer's

6:38block and keep your story on track. By

6:40the end of module seven, you'll have a

6:41streamlined approach to drafting

6:43chapters that balance speed with

6:45quality. You'll know how to break your

6:46book into manageable chunks, how to use

6:48AI to accelerate the drafting, and how

6:50to keep your voice and intent intact

6:53throughout the entire process. Because

6:55of this, the actual prose will become

6:56the fastest and most predictable part of

6:58your workflow, something that you can do

7:00consistently. Module eight turns editing

7:02from a vague make-it-better phase into a

7:04clear step-by-step upgrade path for your

7:07manuscript. You'll learn how to spot and

7:08fix the most common issues introduced by

7:10AI-assisted writing, and you'll learn

7:12how to tighten your prose, you'll learn

7:15how to all of the different layers of

7:17editing to polish that book, and you'll

7:18get a practical editing routine that you

7:21can repeat for each project that saves

7:22you a whole lot of both money and time.

7:25In module nine, you'll end up with a

7:27finished book that looks like it belongs

7:28on the shelf next to your favorite

7:30authors, and not in some sort of

7:31homemade experiment category. You'll

7:33understand what makes a cover actually

7:35sell, how to ensure your cover matches

7:37your genre's visual language, and how to

7:39format your book so it's easy and

7:40enjoyable to read in both ebook and

7:43print. The result is a package that

7:44converts, aka more trust from readers

7:46who are seeing you for the first time.

7:48And finally, by the end of module 10,

7:50the last module in this course, you'll

7:52know how to get your book out into the

7:53real world with a strategy that matches

7:55where you are in your career. You'll

7:57learn the pros and cons of sticking with

7:58the biggest retailers versus going wide,

8:01what exclusivity really means for your

8:02income, and when it makes sense to move

8:05into more advanced options like selling

8:07direct from your own store. I'll also

8:09show you exactly what to do to publish

8:10that first book and get the finished

8:12version in your hands. So, that's what

8:13makes up this course, and there will be

8:15chapters so you can go through this

8:17course at your own pace and skip the

8:19ones that aren't relevant to you. But, I

8:21want to quickly talk about how you can

8:22get more direct access to me through my

8:24school community if you are interested.

8:26If you want someone to hold your hand

8:28through the entire process, we hold

8:30weekly coaching calls to do just that.

8:32The membership also comes with a full

8:33step-by-step guide to write your book,

8:35and we just recently launched Story

8:37Hacker OS, which is our own proprietary

8:39AI software that is tailored to our

8:41methods and workflows so that you can

8:42write far more efficiently than you

8:44could even with the other tools that

8:45I'll be showing you today. But, most

8:48importantly, this is a place where you

8:49can be with the other authors, people

8:51who are on the same path as you, trying

8:54to write their books, and people who

8:56share your common interests, and people

8:58who understand how isolating the writing

8:59process can be, and want to form genuine

9:02connections with other creators and grow

9:04together. I can speak firsthand, when I

9:06was starting publishing in 2018, it was

9:08just me in my room typing for hours and

9:10hours until I eventually burned out.

9:12None of my friends understood what I was

9:14doing, and often times I would get up at

9:164:00 a.m. just to get an hour of writing

9:18in while still working my day job, which

9:19naturally killed my evening social life.

9:22So, not only is this school community a

9:24place where you have direct access to me

9:26and my team to ask specific questions

9:28about your book and make sure you're on

9:29the correct path, but it's also a place

9:31where you can meet other authors that

9:33understand you. And that's what this

9:34community was built for. But, I'm going

9:36to leave things there, and if you're

9:37interested in getting a one-on-one

9:39connection with me and a community of

9:40like-minded people, then you can learn

9:42more through the first link in this

9:43video's description. I hope it becomes

9:45evident as you watch this course that

9:47you can feel my intentions for making

9:49this for you. Seven years ago, I burned

9:51out hard when trying to go through the

9:52traditional writing and self-publishing

9:54process. In a few years, I wrote 14

9:57books, but at a huge cost. Discovering

9:59the technology and the techniques that

10:01I'm going to show you in this course is

10:03what got me out of creative burnout and

10:05enjoying the writing process again. And

10:07that is what I want for all of you,

10:09whether you're just getting started or

10:11you're an experienced author already. If

10:14I had this information when I first

10:15started, then I would be way further

10:17ahead than I currently am and would

10:19never have burned out in the first

10:20place. And the results are already

10:22showing. For example, this person is now

10:24making multiple five figures a month

10:26from their books. And this person even

10:28got a huge promotion just from the

10:30technical advancements that they gained

10:31by learning in my community. And we have

10:33literally hundreds of authors so far who

10:35have already completed a full book in a

10:37month, one that matches their vision and

10:39avoids burnout. Understanding how AI can

10:41integrate with your human creativity is

10:43the biggest advantage that any creator

10:46can have, and I feel blessed that I'm

10:47able to share my knowledge with you.

10:49With that said, I want to thank you for

10:50this opportunity again, and it's time to

10:52take you through the first steps into

10:53this program. Once you complete this

10:55full video, follow the first link in the

10:57description below, and I will see you

10:58inside. Now, let's get in to module one.

Module 1

11:02For this first module, we absolutely

11:04must talk about mindset. And yeah, I

11:07know, I can hear you rolling your eyes

11:08right now, but hear me out because this

11:10is absolutely the difference between

11:13those authors who succeed and those who

11:16fail. You can skip any of the modules in

11:18this full course, but do not skip this

11:20one. It is probably the most important

11:22one. Now, when I was first getting into

11:24writing and self-publishing, I was not

11:26in a good place financially. I lived in

11:28central Maryland, which is one of the

11:30worst places to live if you're trying to

11:32save money. And my salary was barely

11:34able to support a teeny tiny studio

11:36apartment above a friend's garage where

11:39I lived with my wife and my first

11:41daughter when she was born. So, when I

11:42tell you I was motivated to make this

11:44work, I really was. I started to hustle

11:47and I started to grind and over the

11:49course of about 2 years, I wrote 14

11:52books. And this wasn't with AI, this was

11:54the traditional way. And my first book

11:56series actually did pretty well. I made

11:58a thousand in my first month and I was

12:00really encouraged after the rest of that

12:02series went out. So, I started making

12:03fairly consistent sales, but I, like

12:06many of the people in self-publishing at

12:08that time, knew that self-publishing was

12:10a numbers game. You had to get up a

12:11backlog in order to make a lot of money

12:14with books. Not just because every book

12:16provides an additional opportunity to

12:18make money, but because you also improve

12:20a lot as a writer every book you

12:22produce. So, once I finished my first

12:24series, which was eight books long, I

12:26started on my second. By that time, I

12:28had started working on the third book in

12:30that series, I released the first two

12:32and crickets. It did nothing. I even

12:34spent a thousand dollars and only

12:36received five hundred dollars in sales.

12:38And I had to take out a loan for that

12:40thousand dollars in the first place. I

12:42was absolutely devastated and this whole

12:44process ended up killing all motivation

12:46that I had to write for years to come,

12:49becoming the worst case of burnout that

12:51I have ever had. And I was so sure that

12:53this one was going to work. Everything I

12:55had learned from writing my first

12:56series, I was going to put it into the

12:57second and when it just didn't work, it

13:00drew everything out of me. Now,

13:02thankfully, there was a light at the end

13:04of the tunnel because I later went on to

13:06work for 3 years at Kindlepreneur and

13:08all of that study of self-publishing and

13:10writing had eventually worked in my

13:12favor to make me the perfect candidate

13:14for that job. But, I still found it

13:16incredibly difficult to write. And to be

13:18honest, I wasn't a big fan of the

13:20writing process, either. It didn't feel

13:22like it the creative part to me. In

13:24fact, there are many authors that say

13:26the same thing. They will say that the

13:27creative part is more in the planning

13:29and the outlining in the editing process

13:32where you shape it into something truly

13:33good. You've probably heard the term

13:35writing is rewriting which was coined by

13:37Michael Crichton, author of Jurassic

13:39Park. Now, I myself found a lot more joy

13:41in the outlining process and coming up

13:43with the worlds. [music] That to me was

13:46the creative part that led to that

13:47coveted flow state that I craved so

13:50much. And I never stopped doing that

13:52even when I was burnt out shaping these

13:54worlds and enjoying that that part of

13:55it. The only thing I stopped doing was

13:57the actual butt in chair, hands on

13:59keyboard, mechanical typing part of it.

14:01So, there are two main lessons that I

14:03got from this experience that I want to

14:05share with you today regarding mindset.

14:06The first is that you need to be focused

14:08on the right things. The main reason I

14:10burnt out is because I was focused on

14:12money. Had I instead been focusing on

14:14improving my craft or flushing out my

14:16worlds, perhaps I would have felt

14:18differently about the whole ordeal

14:19because those factors were more in my

14:22control. The fact that I was focused on

14:23money which is outside my control, at

14:26least outside my direct control, that

14:28meant my feelings of accomplishment were

14:30contingent on an external factor. So, as

14:33we go into this course, I recommend not

14:35focusing so much on the money. Money is

14:37definitely important, but I would go

14:38into this assuming that you're not going

14:40to make money for a while until you've

14:42truly mastered the craft and until you

14:44have a lot of high rated books out. And

14:46it can take some time to get there and

14:48you will need to be willing to do this.

14:50And I say this not just as an AI writer,

14:52but as a writer in general, it's going

14:54to take time. The chances of a one-hit

14:56wonder are almost zero. Now, the people

14:58who succeed at this have been doing it

15:00for a long time. That means you need to

15:02do this as well. Even if you're using

15:04AI, there is a lot you need to learn

15:07about craft and story and structure and

15:09character arts, you name it. So, if you

15:12focus instead on becoming a master

15:13storyteller, then every time you craft a

15:16story, you are going to be succeeding in

15:18that goal. Whereas if you focus on the

15:20the there is a good chance that you

15:22won't be succeeding on that goal for

15:23potentially years to come. And there's

15:25no faster path to burnout than not

15:27succeeding at what you perceive to be

15:30success. All you have to do is redefine

15:32your definition of success and you can

15:33avoid burnout. The second lesson I want

15:35to share that I got from my burnout

15:37experience is this. Focus more on those

15:40things that light you up. In any small

15:42business, you are going to have to do

15:44some things that you find unpleasant and

15:46that's just part of it. But the more of

15:47these things that you can eliminate or

15:49outsource to other people the better.

15:50And AI has made this so much easier

15:53since its explosion onto the landscape.

15:55I know some writing purists are going to

15:57get really mad to hear me say this, but

15:59I don't and never really did like the

16:02actual writing process. [music] And I

16:04mean the butt-in-chair typing on the

16:06keyboard part of the creative process.

16:08And writing, especially creative

16:09writing, is a lot more than just one

16:12step. It includes, but is not limited

16:13to, brainstorming, character

16:15development, plotting, outlining,

16:17research, and staring at a blank window,

16:19working with a developmental editor,

16:21working with a line editor, working with

16:23a proofreader, getting your book cover

16:24designed, understanding genre and

16:26markets, understanding tropes and what

16:28readers actually want, learning to

16:30market your books, which yes, is a

16:31creative process in its own way. And

16:33there could be many more specific to the

16:35type of books you want to write. For

16:36instance, because a lot of my books are

16:38set in Arthurian England, I've had a

16:39blast just researching that era and all

16:41of the different myths and legends

16:43associated with it. My point is, writing

16:45is a multi-step process. And if we want

16:47to consider this like a business, we

16:49absolutely must focus on those things

16:51that interest us the most or that we are

16:53the most skilled at so that we can spend

16:55as much time doing those things as

16:57possible. Everything else, we should

16:59find ways to lessen the amount of work

17:01we have to do in whatever way we can,

17:03whether that's eliminating it entirely,

17:05sometimes there are things we just don't

17:06need that maybe we thought we did, or

17:09outsourcing it to another person, or

17:11outsourcing it to AI. For this course, I

17:13will be showing you how to use AI at

17:15practically every step of the process,

17:17but you definitely do not have to use it

17:20for every step. Instead, use it for that

17:22area that you dislike the most, the part

17:24that if you had to do it over and over

17:26and over again might burn you out over

17:27time. Now, lastly, before we get into

17:29our next module, I want to mention two

17:31other mindset shifts that are going to

17:33be the difference between success and

17:35failure in a storytelling driven

17:38business. The first is that you do need

17:40to treat this like a business. Now, I'm

17:42absolutely fine if you just want to

17:44write a book for your kids or your

17:45grandkids or even for yourself, but I

17:48would not expect that to sell. And it's

17:49also totally fine if you want to treat

17:51this as a hobby. More power to you. But,

17:53if we want to be able to continue to

17:55create art of any kind in a way that

17:57allows us to work on it full-time, we

17:59must get paid eventually. I know I said

18:01earlier that we don't want to focus on

18:03the money, and we don't. We want to

18:04focus on growth because growth will lead

18:06to money. But, we can't kid ourselves

18:08and say that we can do this full-time

18:10without having some kind of income. Keep

18:12in mind that success isn't always the

18:13road we planned from the start, but at

18:15some point we must get an income from

18:17our efforts, otherwise we'll be forced

18:19to continue with these hobbies as just

18:21that, a hobby. You must treat this like

18:23a business, and a big part of that is

18:24learning about investments. And I'm not

18:26talking about investing in the stock

18:28market or anything like that. I'm

18:29talking about investing in yourself and

18:31in the business. [music] A lot of people

18:32look at what it costs to create a

18:34business. And while it is important to

18:36be frugal, especially early on when

18:38you're starting a business, [music] and

18:39to do much of the work yourself, doing

18:41things that free up your time to work on

18:43that which you're best at, or spending

18:44money on education to give you the best

18:46possible start to your journey, all of

18:48that could be considered an investment.

18:50For instance, I recently invested $8,000

18:52of my own money into an organization

18:54that would help me identify good YouTube

18:56video topics to target. And that may

18:58sound like a lot for something so

19:00simple. But, already I've seen huge

19:02returns from that investment, and you

19:05have two things to invest, money and

19:07time. Which one you invest will depend

19:09on which one you have more of. But, the

19:11idea of investing is this: you put in

19:14the time or the money and hopefully by

19:16doing those things you get returns that

19:18are greater than what you put into it.

19:21But, creating a business will require

19:22investment and that is very important.

19:24Now, the second mindset shift that I

19:26want to hammer home for you is the

19:27difference between an abundance and a

19:29scarcity mindset. A scarcity mindset is

19:32a habitual focus on what you don't have,

19:35combined with the belief that resources

19:37and opportunities or success are limited

19:39so that other people's wins feels like

19:41your loss. On the other hand, an

19:43abundance mindset is a belief that there

19:45are enough resources and opportunities

19:47for everyone and that you can create

19:48more value through learning and

19:50collaboration and experimentation. This

19:52is one of the core issues that plague

19:54most authors. Common scarcity thoughts

19:56for aspiring authors include the market

19:59is saturated so no one will ever find my

20:01book. Or, if that author in my niche

20:02succeeds, they're taking my readers. Or,

20:05I can't invest in covers, editing, or

20:07ads until I'm already making money. I

20:08only get one shot with this book. If it

20:10doesn't blow up, I've failed. That was

20:12my biggest mindset issue early on. Now,

20:14psychologically a scarcity mindset

20:16narrows your attention, pushes people

20:18into high-stakes thinking, and triggers

20:20anxiety and avoidance behaviors. And

20:22it's just not pleasant. Now, most

20:23successful entrepreneurs that I know

20:25have an abundance mindset. Now, this

20:26idea is that there's more than enough

20:28and that we actually create value

20:30instead of using it up. An abundance

20:32mindset doesn't pretend that resources

20:34are infinite, but it does focus on

20:36opportunities and levers that you

20:38control. For authors, that sounds like

20:40this: There are always more readers

20:41entering my genre and I can reach them

20:43over time with multiple books. Other

20:45authors' success proves that there's

20:46demand, so we can cross-pollinate

20:48audiences. Every dollar I invest, when I

20:51can afford it, is a test of return on

20:53investment, not a permanent loss. Or,

20:55this book is one step in a long-term

20:57catalog. Even a failed launch gives data

20:59that I can use later. Abundance thinking

21:01invites experimentation as well as

21:03long-term strategy and collaboration

21:06instead of perfectionism or jealousy or

21:08isolation. It also helps you become an

21:10opportunity seeker, making you far more

21:12likely to spot opportunities when those

21:14with a scarcity mindset would simply

21:16brush them off. This is why those who

21:18have an abundance and a growth mindset

21:19actually are proven in studies to be

21:22luckier compared to those without. Now,

21:24if this sounds like a lot, don't worry.

21:25These are mindsets that can be worked on

21:27over time. You are not stuck with the

21:29mindset that you currently enjoy. And if

21:32you want tips on ways to improve your

21:34mindset, you're already doing one of

21:35them, which is taking action and

21:37learning from videos like this one. I

21:39also strongly recommend a daily

21:40meditation practice, a daily movement

21:43practice of some kind, and a daily

21:45reading practice of books from other

21:46successful people in any field,

21:48honestly. So, now that we have that all

21:50out of the way, let's move into the

21:52actual practice of writing with AI,

21:54starting with an overview of all of the

21:57tools that we are going to use for the

21:59rest of this course. All right, so let's

Module 2

22:01talk about the tools we will need for

22:03this entire process. Now, in the past, I

22:05have recommended having two tools. One

22:07simple chatbot as a kind of catch-all

22:09for everything else that you would need,

22:11and one writing-specific tool, which

22:13allows you to have a workflow that's

22:15kind of tailored to writing-specific.

22:17And in the past, you may have heard me

22:18talk about several of these

22:20writing-specific tools. Notably, there

22:21are three that I've talked about before.

22:23One is called Raptor Write, one is Novel

22:25Crafter, and one is called Sudowrite. As

22:28AI has advanced, I've found that my

22:30needs have changed kind of a lot, and

22:32today I will be showing you three tools,

22:34uh but you really need to only have one

22:36of them. Although, it can be useful to

22:37have more. I will show you one tool

22:39that's good for beginners, one that's

22:41good for advanced AI users, and one

22:43that's kind of in the middle. So, let's

22:45start with the tool that I believe to be

22:47the best for beginners, and that is

22:49Claude. So, Claude, if you haven't heard

22:51of it, is very similar to ChatGPT, which

22:53you probably have heard of, but it's

22:55actually far better for writers

22:57specifically and in a lot of other

22:59industries, too. I know coders use it

23:01dominantly. It's just one of the best

23:03ones out there. And right now there's a

23:05free tier. There is a This one says $17,

23:08but I believe that's uh if you're doing

23:11the annual subscription. Uh yeah, it

23:13says $20 if billed monthly. And there is

23:15a max plan, which is $100 a month, which

23:18gives you more usage. And uh generally

23:20I'm on the pro plan. Uh it's usually

23:23enough for my needs. Uh although quite a

23:25lot of it is available on the free plan.

23:27Just understand that the problem with

23:29the free plan is that they're going to

23:30throttle you very quickly. Meaning as

23:32you're using it, they're going to say

23:33you've come to the end of your usage

23:35limits. You have to come back in a

23:36couple of hours or something like that.

23:38And that happens on every plan, but it

23:40will happen more frequently with the

23:42free plan. And with the pro you get a

23:44little bit more usage. And with the max

23:46you get even more usage. But for max it

23:49says five or 20 times more usage than

23:52pro. Uh the reason why it says five or

23:5520 and it doesn't actually get specific

23:57is cuz it kind of depends on which model

23:59you're using and how much thinking it's

24:01doing and different things like that.

24:03There's a lot that goes into it. But you

24:04can still get most of the features on

24:06the free plan. But generally if you use

24:08it frequently enough, I would say at

24:10least go to the pro plan. So once you've

24:11signed up for Claude, it'll look

24:13something like this. One of the things I

24:14love about Claude is that it has a very

24:16nice clean interface. And let me just

24:19give you a brief tour around this whole

24:21thing. So first of all, uh you have your

24:24your main chat window here. Right here

24:26is where you enter in your your text to

24:29chat with Claude. Right here is where

24:30you can add things. So you can add files

24:33or photos. And it is able to read the

24:36contents of a photo and stuff like that.

24:38There's a something that says add to

24:39project, which is another feature I will

24:41show you in a second. You can also add

24:43skills, which is another feature I will

24:44show you in a second. Uh there are other

24:46connectors and things that you can

24:47connect to this. Most of which are not

24:50really needed. Uh there's a research

24:52mode if you want to do more in-depth

24:53research. And I highly recommend that as

24:56a research tool for authors. If there's

24:58anything you want to research about your

25:00book or anything like that, the research

25:01function can be excellent. Uh there's

25:03also web search, which is turned on by

25:05default, [music] which is allows it to

25:07be able to browse the web and find

25:09different things. Over here, we've got

25:11this right here that currently says Opus

25:134.8. This is the model that you are

25:15selecting, and Claude has multiple

25:17models that vary in intensity. For

25:20instance, there is the Haiku model. This

25:22one is fastest. If you use Haiku, you'll

25:25have more usage, right? Uh because it's

25:27less expensive. Then in the middle,

25:28we've got Sonnet, 4.6 at the moment. If

25:31you're watching this in the future, you

25:32might see different models here, but

25:34generally they fall into these families

25:35of Haiku, Sonnet, and Opus. And uh as

25:38I'm recording this, they recently

25:39released Fable 5, but that's currently

25:41unavailable. So, uh these are the

25:43different models you can select. Again,

25:44Haiku is the simplest, and it's not

25:47going to be as powerful, but you will

25:48get more usage out of it, and then they

25:50go up in order from there. There's also

25:52this feature that says effort. And uh

25:55you can select how much effort you need.

25:56Again, the more effort that you put into

25:59your chat, the more will use up your

26:02credits, the amount of usage that you

26:04get through Claude. What this does is

26:06this essentially increases the amount of

26:08thinking time that you get out of these

26:10models. So, one of the things you can do

26:12that can actually be a good way of kind

26:15of balancing the your credit usage, you

26:18actually use a model like Haiku, which

26:19is very inexpensive. Now, beyond this,

26:22uh beyond effort, which by the way is

26:24only available for these higher models.

26:27It's not available for Haiku. Uh if you

26:28select Haiku, it will show you something

26:30different. It says extended, so it's

26:31using deeper reasoning, but you can't

26:33tell it how much of deep reasoning to

26:35do. Below that, there's also more models

26:37here, some past models that aren't as

26:39good, uh but they are available there if

26:41you want to use them. Next to this, we

26:43have this little icon, which allows you

26:46to record. And so, if I use this and

26:48say,

26:50"Hey Claude, I would just like to say

26:51you're looking fine today. And then it

26:54will just transcribe what I just said.

26:56This could be a really good way if you

26:57have really long prompts or you're

26:59trying to describe something that's very

27:00lengthy, it can often just be way easier

27:03to turn this on and input your prompt

27:05there. Related to this but not the same

27:07is voice mode. So voice mode is if you

27:09want to have more of a conversation with

27:11the AI rather than actually transcribing

27:15what you say, this will allow you to

27:16actually have a back and forth

27:17conversation. It's not as good as the

27:19same feature other AI models. The voice

27:21itself kind of sounds very robotic and

27:24everything, but it is available there

27:26and it can be really useful especially

27:28at the brainstorming phase where you

27:30kind of want to have that back and

27:31forth. I will even sometimes just sit

27:33back in my chair and just kind of be

27:35thinking about things while I'm having

27:37this conversation, right? So that's

27:38another option for you there. I don't

27:41use it for everything, but it can be

27:42useful in certain use cases. Below this

27:44you'll see all of these buttons here.

27:46Each of these give you basically just

27:48suggestions. I don't typically use any

27:50of these, but some of them can be

27:51useful. For instance, under learning you

27:54could say things like find the best

27:56books on a certain subject or create a

27:58curriculum inspired by my favorite

27:59cultural movement. Or under life stuff,

28:01you could have something like plan

28:04educational pursuits or something like

28:05that. But these are just kind of

28:06starters to get you started and they

28:08don't remain the same. So if I were to

28:11click away and come back, it would

28:12probably be something else. So that is

28:14just the main home screen here for

28:16Claude. Let's go over here on the side

28:18and over here you will see a couple of

28:21additional things. Here's where you

28:23start a new chat. Here's where you find

28:25a record of all your chats. And then

28:27here's a little something called

28:28projects. And we're going to be using

28:29projects a lot in this full course. This

28:31allows you to have you can think of it

28:33as kind of a specific employee. Like

28:35think of it as a employee that does one

28:38very specific task. And what you do here

28:41if you want to create a new project is

28:42you select new project, you give it a

28:43name, you know, we'll just call this one

28:46test project. You don't have to give it

28:47a description of what it is and then

28:49just say create project. And this allows

28:51you to pull in here. You can pull in any

28:53files. So, anytime you have a lot of

28:55files that you want the AI to have

28:58access to, you can put these in a

29:01project. So, it will anytime you do a

29:03chat inside of this project, it will

29:05have access to those files. So, you

29:07could upload any any files from a

29:09device. You can also just say add text

29:11content, copy paste your stuff in here.

29:13And then there's also instructions. So,

29:15instructions, this is just a space where

29:18you can tell it specific instruction on

29:20what you want it to do. So, if we were

29:22to create a very simple type of

29:25instructions here, you could say

29:26something like, "Anytime I give you a

29:29long article, I want you to summarize it

29:31in one paragraph." All right, so I put

29:33that in here and save the instructions.

29:35And now, anytime I come here into the

29:37chat window, all I have to do is input

29:39my article here and it will summarize it

29:41in one paragraph. Okay, that's an

29:43example of what projects do. And they're

29:46pretty important for a lot of the tasks

29:49that we're going to go through here in

29:50this course. So, I'm going to go ahead

29:51and delete this test project. Now, over

29:53here we have something called artifacts.

29:55Occasionally, as you're working with the

29:57chat, it will spin off a specific, call

30:00it a document. I think documents makes

30:02more sense than artifacts. For instance,

30:05I was working on an outline for a book

30:06and it gave me this document here. This

30:08document is editable and you can

30:10actually ask for specific feedback and

30:13it will go through and kind of mark this

30:14up and things like that. So, think of it

30:16as a as a specific document that is

30:18within your chat that you can modify

30:21with the AI. Underneath that is

30:23customize. So, customize just allows you

30:26to add There's a lot you can do here,

30:28okay? So, this is one of the areas where

30:30I'm not going to go into too much depth

30:32because it's not necessary to be able to

30:35write a book in Claude. But, there are

30:36lots of things that you can do here to

30:38make your life a little bit easier.

30:39Notably, you can connect your apps. So,

30:41there's a bunch of apps and tools that

30:44it can connect specifically to. Some of

30:46these that are very useful are things

30:47like Canva, right? Or Notion, if you use

30:50Notion, or Slack. And of course, you got

30:51Gmail, Google Drive, Zoom. A lot of

30:53these things can be connected directly.

30:55And therefore, you can use Claude to

30:58have certain functionalities within

31:00these apps, right? So, these can be very

31:01useful, but again, a little bit outside

31:03the scope of what we're doing today. So,

31:05that's just one option there.

31:06Additionally, there are plugins, and

31:08some of these were created by Anthropic,

31:10some are created by other AI or other

31:13tools out there in order to have

31:15specific things that they do within

31:17within Claude. Some of these are useful,

31:19some of them depends on what industry

31:21you're in. Like for instance, if you're

31:23into design for apps and stuff like

31:26that, Figma might be a useful one to

31:28integrate. Or Airtable, if you're doing

31:30database stuff. You know, lots of these

31:31things can be useful, but once again,

31:34this is a little out of the scope of

31:35what we're trying to do today. Last but

31:37not least is skills. So, skills are

31:40actually function kind of similar to the

31:42instructions in a project. They are You

31:44can think of them as little autonomous

31:46agents that do specific things, and you

31:48can call them in to do those specific

31:51things whenever you want them. And in a

31:52lot of ways, you can use skills in the

31:53same way that we're going to be using

31:55projects. And I'll show you how to do

31:56both later in the course, because skills

31:59can be really useful. I particularly

32:00find them useful for things like editing

32:03and modifying your documents to sound

32:05more like you, that sort of thing. So,

32:07here are some examples of skills that

32:08they have available here, but again,

32:10these are something we'll get into a

32:12little bit later. All right, so that's

32:13under customize. And you'll see the list

32:15of skills and connectors here. Now,

32:17going back to our left-hand side things

32:20here, you'll also see a list of all your

32:22past chats. And you can also minimize

32:24that if it's getting too much. But above

32:26that, you'll have this product section.

32:28You have code, code work, and design as

32:30I'm recording this. For Claude code and

32:32Claude code work, this is actually

32:34something I recommend authors maybe dig

32:36into a little bit because anytime you

32:37have want any sort of advanced

32:39functionality with Claude, these are the

32:41two you want to look at because there's

32:43a lot of potential for these two things.

32:45However, they are not necessary again,

32:47they're kind of beyond the scope of what

32:48we're doing today, and you definitely

32:50don't have to use them. And if you click

32:52on one, like let's click on code, it

32:54will lead you to a download because in

32:57order to do this, you will need to have

32:59a desktop version for either your PC or

33:01your Mac, right? So, I've got it here

33:02Windows machine, so I can download it

33:04for Windows. And when I do that, it

33:06looks something like this. So, the chat

33:08looks very similar, like a pretty much

33:10everything that we had before is

33:11available in the chat in the desktop

33:13app, but the over here on the left,

33:15you'll see there's also co-work and

33:16code, which do things in a slightly

33:19different workflow. And I'm not going to

33:21get into these in full court because

33:22again, they're not necessary for the

33:24scope of what we're doing in writing a

33:26book with Claude. You don't need But

33:27they can be a more advanced way to to do

33:30The only reason I'm not going to show

33:31you is cuz I have another advanced tool

33:33that I'm going to show you next that I

33:35believe to be superior for the purposes

33:38of writing a book for a lot of reasons,

33:40but one of which is you can use other

33:42models besides Claude because that is

33:44the number one issue with using Claude

33:47is that you are limited to their models

33:49only. If we come here to the main chat,

33:51you have to select Opus, Sonnet, Haiku,

33:53maybe Fable, or one of their older

33:55models. You can't use a GPT model. You

33:58can't use a Gemini model. You can't use

34:00any of the open-source or local model

34:02inside of this work. And as great of a

34:04workflow as it is, sometimes certain

34:06models do better for certain things.

34:07Now, I tend to stick to Claude as my

34:09default chatbot generally because I find

34:12it to be one of the best in terms of

34:14writing, and it has long been one of the

34:16best for writing. Uh there are some

34:18other models that are getting a little

34:20bit better with pros and things like

34:21that because they're trained to be more

34:23conversational in that way. And Claude

34:25is also known to have a lot of the

34:27telltale signs of AI writing. That said,

34:30it's still one of the best for writing.

34:32You just have to clean up some of those

34:34tells. So, this is the main tool that

34:36we're going to be using for a lot of the

34:38processes. I'm going to show you how to

34:40use this and the other tools to go

34:42through each of the modules here. But,

34:43the nice thing about Claude is that it

34:45really requires very little setup. You

34:47can get started right away and it's very

34:49easy for beginners. In our next tool,

34:51I'm going to be showing you something

34:52called N8N. And N8N is a lot more

34:55advanced than what you see in Claude,

34:56but it can do a whole lot more and I

34:59think it can actually save authors a ton

35:02of time and actually get a lot of this

35:04done in a more efficient manner. So, I'm

35:06going to show you how to write a book

35:07from start to finish both of these tools

35:09as well as a third one that we'll get to

35:11next. But, before we get into the actual

35:13process, let's go over N8N just brief.

35:15N8N is a more advanced automation

35:18system. So, for instance, here is a

35:21example of a very basic automation that

35:23I've set up. Now, with Claude, you have

35:25to be chatting with it at every step of

35:27the way. Everything you do, you have to

35:29give it instructions. And [music] with

35:31an automation, there may be instances

35:34where you don't want to give it

35:35instructions until it's done a couple of

35:37things. So, in this case, there are a

35:39number of steps and it runs through all

35:41of those steps one by one so that I

35:43don't have to really look until it's

35:45finished what it's doing. N8N also

35:47integrates with the Google suite of

35:49tools and with Claude and with virtually

35:51all models that you can think of, which

35:53means you can use any model for any

35:56task, which there are many where Claude

35:58is not the best one to use. For

36:00instance, in this automation, if we go

36:01look at some of the models I'm using,

36:03for this one I'm using Gemini 3.1

36:05Flashlight at the time moment because in

36:07this case, I want a very inexpensive

36:10model for this particular step. So, what

36:12this automation does in a just a few

36:14steps is it creates a style sheet based

36:18on samples of your work. Very simple,

36:20that's all it does, not much to it.

36:22However, these can get far more

36:23advanced. Here is an example of another

36:26one that I use and I use this to help me

36:29create genre guide. And as you can tell,

36:32this is a very involved automation. It

36:35goes through this entire process and

36:37saves me so many hours of work. If I

36:40were to go through this process one step

36:42at a time, even if I'm using Claude or

36:44another AI chatbot, this would still

36:46take me hours. Whereas, all I have to do

36:48is give it a couple of documents that it

36:50needs to start out, hit a button, and it

36:52runs through the process while I go have

36:54lunch. This is why I'm even talking

36:55about N to N in a full course like this,

36:57even though it is kind of an advanced

36:59topic. It is still my favorite way of

37:01writing books and my favorite way of

37:03doing a lot of things besides writing

37:05books. Like I'll use this to generate

37:06marketing tools. I'll use it to clean

37:09book into a erotic hook or vice versa.

37:12I'll use it to do a bunch of things

37:14where, like for instance, I'll have like

37:16a whole book and let's say I want to

37:17convert that book into something a

37:20little bit different. Let's say a young

37:21reader edition of that book. I don't

37:23want to have to go through every single

37:25chapter in Claude and do it manually for

37:27everyone. I just want to like set it and

37:30have it go through the entire book step

37:32by step and it will it'll create the

37:34whole thing and I don't have to do

37:36anything. So, that's the kind of thing I

37:38like to use for N to N. It's a huge time

37:40saver for me and one of the most

37:41powerful ways of making book. Another

37:43way in which it's most powerful is that

37:44let's use Claude as a good example

37:46because Claude, [music] as I said, it's

37:47a very good writer, but it does have a

37:49lot of AI tells in its writing. So, what

37:52if you just took that writing into an

37:54automation then once it's finished

37:56writing, you pass it to another model

37:58and that model checks it to try and find

38:00all of those tells. And then from there,

38:02it makes a list of all of those tells

38:05and passes that on to another model that

38:07then looks at the original text, looks

38:09at the list of AI tells and it goes

38:11through and fixes them all for you. And

38:12it can do that automatically so that you

38:14don't even need to worry about it

38:16yourself. It can just do a lot of that

38:17heavy lifting for you. That's the power

38:19of automation, all right? So, now I'm

38:20going to teach you how to get started

38:23with n8n and how to get integrated with

38:26Google Drive, Google Docs, and other AI

38:29providers so that you can get models in

38:31here. And then I'm going to like walk

38:33you through what the process is of

38:34actually building a simple automation in

38:36n8n. This next part, I've actually

38:38already done a couple of videos on how

38:41to get set up with n8n and how to get

38:43your authentications for Google Drive

38:45and everything like that. It's the most

38:46technical part of this whole video. And

38:48since I already did some videos on it,

38:49I'm going to actually bring in a little

38:51footage from those videos because it's

38:53still relevant, still up-to-date. Uh

38:54this is the only time that I'm going to

38:56be bringing in footage from other

38:58videos. I promise everything else in

39:00this full course is completely original.

39:02But I feel like I might as well go to

39:04those videos because they're still

39:05perfectly relevant today. All right, for

39:07starters, this is n8n.io. This is the

39:10SaaS version or software as a service uh

39:13version of n8n. And it's okay. Like um

39:16there there's a lot it can do. This is

39:18probably, in terms of functionality, the

39:20most capable version because there are

39:23certain things you can do with it that

39:24are going to be a little bit more

39:25up-to-date. You're going to have a

39:26better support system, stuff like that.

39:28However, there's a big problem with this

39:30one and that is the pricing. So, if you

39:32look at monthly pricing, it's going to

39:34be at least $24 a month for the starter

39:37version. And honestly, if you're taking

39:40this stuff seriously, you'll probably

39:41actually need the pro version, which is

39:42$60 a month. Although you could probably

39:45get by with the starter. Uh but

39:47regardless, this is a very expensive

39:50option. And there are other options that

39:52are a little bit better for most

39:54authors. Uh that said, if you want to go

39:57with this, you just go ahead and click

39:59on the plan you want and say start a

40:01free trial. And then just walk through

40:02the steps. It's a regular normal sign-up

40:04process. I don't feel like I have to

40:06show it all to you. You just go through

40:08that process and then you'll be in n8n

40:11in no time and be able to get started.

40:13And the reason I would recommend this

40:15one is really only in a couple of use

40:18cases. The first is if you have the

40:20money and want probably the simplest,

40:23most seamless solution to get started

40:25with the least amount of tech involved,

40:28this is probably the best one. The other

40:31reason that I might suggest using this

40:33is if you have a really complex business

40:35where you need lots of people to be

40:38involved in the process, lots of admins,

40:41lots of people helping you build the

40:43automations and stuff like that. For

40:45really complex systems, you probably

40:47want something a little bit more robust

40:49like this. But that said, I really don't

40:51think that most authors are in that camp

40:53and most of us just want something that

40:56is cheap and affordable and will get the

40:58job done. So with that said, let's talk

41:00about the second option that we have

41:02available to us. And that second option

41:04is a hosting it locally on your actual

41:06computer. Now, the biggest advantage to

41:08this is obviously that it is actually

41:11free to do. There is no ongoing cost to

41:13hosting N8N on your computer. There are

41:15some disadvantages, however, to doing

41:17this. The first is it's kind of

41:18technical to set up. I'll walk you

41:20through it in a second. The second is

41:22that it is not an always-on system. What

41:25that means is if you have automations

41:27that need to run automatically at say

41:29like during the night or while you're

41:31out traveling or something like that, it

41:33can't do that if your computer is shut

41:34down. So your computer must be connected

41:37to the internet in order to interact

41:39with the internet in any kind of way,

41:41and that can just be a problem if you

41:43have things that need to be automated

41:46outside of, you know, you're actually

41:49using and interacting with it. For

41:51instance, I have some automations that

41:52go through my emails as they come in. If

41:54you had an automation like that or an

41:56automation that scans news items every

41:58day or something like that, if your

41:59computer was off, it would not be able

42:01to execute those things. And not just if

42:03your computer is off, but if the actual

42:05locally hosted version of N8N is not

42:08currently enabled, you're not going to

42:10be able to do that. There are also a

42:11couple of features that won't work on a

42:14locally hosted machine. The biggest one

42:16of these is webhook integration. You're

42:18not going to be able to have any kind of

42:20webhooks inside of your locally hosted

42:22machine. Now, I don't use webhooks a

42:24whole lot in my automations, but if you

42:26did and I could see circumstances where

42:29you would need that, it's definitely

42:30something that you would want a

42:33different solution rather than a locally

42:35hosted option. Another advantage though

42:37is that hosting locally is more private

42:41and secure. So, as long as you keep

42:43everything on your your actual system,

42:46you don't have to worry about your data

42:47getting into the hands of other people

42:48and stuff like that. Unlike the cloud

42:50solution, which basically you're you're

42:53putting all of your automations, your

42:55data, all of that is hosted in an a

42:57cloud system that you do not control.

42:59All right, so let's actually get this

43:01installed on your computer. The first

43:02thing you will need is a program called

43:04Docker Desktop. And here's the website

43:06here. I will make sure there's a link to

43:08this down below. All you need to do is

43:10come here. This is not something that

43:11you need to worry about pricing or

43:12anything. You just go come here to

43:14download Docker Desk- Desktop and you

43:16want to choose the one that is right for

43:18your computer. So, if you have an uh

43:19Mac, you would choose one of these. If

43:21you have a Windows, you choose one of

43:23these. If you have Linux, you can choose

43:24this one. For most of you, if you're on

43:26a PC, you're going to be using this one

43:28that says AMD 64 uh and you'll go ahead

43:31and download that. And then you simply

43:33install that program on your computer.

43:35And then once it's installed, it will

43:37ask you to close and restart your

43:38computer. So, go ahead and do that now.

43:40Now, once your Docker is installed, you

43:42just come and search for Docker and load

43:45it up. And it will ask you to set up an

43:47account, but you don't actually need

43:48this. So, you can just go ahead and and

43:51skip filling any information you have

43:52here or just skip it. All right, and

43:54once you're in, it'll look something

43:55like this. And over here on the left,

43:57you'll see a number of options here. You

43:59want to make sure to navigate to images

44:01and then say search images to run. And

44:03then from here, do a search on n8n. And

44:06this is the one that you want to run

44:07right here. From here, you want to

44:09select pull in order to download this

44:11image. All right, so our next step is

44:13that we want to create a container

44:15inside of Docker inside of this image.

44:17So, here you'll see this little play

44:18button right here that says run. Go

44:19ahead and click on that. And then it'll

44:21say run a new container and there are

44:23some optional settings here. I recommend

44:25giving it a name. You can't have spaces

44:27in this name, so make sure you use like

44:29an underscore or something like that.

44:31I'm just going to call this n8n [music]

44:33_test. And then give it a host port.

44:36Now, by default it it'll show 5678 over

44:39here. You can just use that number, 5678

44:42right there, and hit run. And once it's

44:44finished that, you go here to containers

44:47up in the left menu and you'll see it'll

44:49have a number here under ports. If you

44:52click on that number, it'll bring you to

44:55the setup to setup your account. And

44:58here you just set enter in your email,

45:00your first name, last name, and password

45:02and you will be into n8n. So, that is

45:05everything that that you need to know.

45:06Now, if you walk through these steps

45:08exactly like I've shown it to you and

45:10it's not working like I like it works

45:13for me, Perplexity is your friend. Use

45:15Perplexity or any other search-based AI

45:18tool and say like that you're trying to

45:20set up n8n locally and explain the

45:22problem that you're running into.

45:24There's a very good chance it will be

45:25able to help you troubleshoot the issue.

45:27All right, so let's talk now about the

45:29third option. This is the actual option

45:31that I recommend for most people as long

45:33as you're willing to pay just a little

45:35bit more than free uh cuz the free

45:37option is obviously installing it

45:38locally on your computer, but there is a

45:41way that you kind of get the best of

45:42both worlds, best of the cloud version

45:44which has some advantages, but it's

45:46really expensive and best of the uh

45:49cheaper option, putting it locally on

45:51your computer. And that is having your

45:52own cloud server that you install n8n

45:55on. So, essentially it's a local

45:57install, but on a different server,

46:00meaning a server different than your

46:02actual home computer. And there are a

46:04couple of different advantages to this.

46:05The main advantage is issue that I told

46:08you about the locally hosted option,

46:10being that it it isn't always on, is not

46:13an issue when you're hosting it on your

46:15own server. So, if you have it on a

46:17server, you can run automations whenever

46:20and it'll be always on, essentially,

46:22unless there's a problem with the

46:23serving hosting service that you're

46:25using or something like that.

46:26Additionally, you get all of the same

46:27privacy and security advantages of

46:29having it in locally, because it's still

46:31that your server, it's not on somebody

46:34else's server. It's still one that you

46:36currently are essentially renting out.

46:38Plus, even though it's not free, it is

46:40going to be a substantial discount from

46:43what you [music] would get through N8N's

46:45actual software as a service provider.

46:47So, if we go back and look at what the

46:49N8N cloud version is, you're going to be

46:52paying at least $24 a month, if not 60,

46:54and there is another web hosting option

46:58that I recommend, called Hostinger. And

47:01this is not sponsored by Hostinger or

47:02anything. I did reach out to them to see

47:04if they would sponsor a video, but I

47:05never heard back, and so I'm just doing

47:08this

47:09free for them. Um the reason I recommend

47:11Hostinger is you'll notice even at the

47:13top of their homepage, they have a

47:16option here for self-hosted N8N. Uh

47:19Hostinger has been really good about

47:21making this a very seamless process,

47:23which is why I'm recommending them. Uh

47:24but what you do, if we go here to

47:26pricing, you can see what the pricing

47:28option looks like. So, this is

47:30essentially the same as hosting your own

47:31website, and you can even use this

47:34[music] to host a website and host N8N,

47:36if you want. But if you come up to this

47:38pricing and select N8N VPS, these are

47:41just the VPSs that they recommend for

47:43N8N. You can select as low as $4.99

47:48a month for the this option. I would

47:51probably get something with just a

47:52little bit more oomph for $6.49 a month.

47:56That said, the only way to get it at

47:58that low price is to opt into 24 months,

48:01which is what I have done. Now, if you

48:02wanted to go month-to-month, it would be

48:04a little bit more expensive at $7.99 or

48:07$9.99 for one of these two plans. Almost

48:10certainly, you will not need one of

48:12these higher plans. I've been on the KVM

48:142 plan. I've never had any problems with

48:17N8N overloading the server or anything

48:18like that. And honestly, you could

48:20probably make do with the KVM 1 plan as

48:23well. But to get the best prices, you

48:25crank it up to 24 months worth and buy

48:28it all at once for for 2 years. And

48:30that's what I did. And even though that

48:33sounds like a lot that you're paying for

48:34all at once, it was still less than just

48:38a couple of months of the cloud-hosted

48:39option. And so, I find this to be a

48:42incredible deal given that you get

48:44almost all of the advantages of the N8N

48:47cloud as well as a lot of the advantages

48:50of self-hosting. The only disadvantage

48:53that this one has to self-hosting is

48:55that it does cost a little. As you can

48:57see, it's not really a whole lot, and

48:59this is certainly a lot less than you'd

49:01pay for Novel Crafter or Pseudo Write or

49:04any of these other AI writing tools. So,

49:06if you want to use what I think is to be

49:09the the best option here, this is the

49:10one I would go with. But there's

49:12absolutely nothing wrong with going with

49:13the other two options. This is just what

49:15I do. And if you're really strapped for

49:16cash, you can absolutely do the local

49:18install thing. Or if you're unsure about

49:20what you want, you can try the local

49:21install thing. But if you want to go

49:23this way, all you have to do here is

49:25select choose plan. Then you'll go

49:27through the purchase process. As you can

49:29see, this is only $155 for 2 years,

49:32which is a really good price in my

49:34opinion. Like I said, 3 months of the

49:38pro plan here in N8N would be more than

49:40that. And here you're getting 2 years

49:42for the same price, for less than the

49:43same price. So, you go through this, and

49:45then and I'm not going to show it here

49:47because I already have this, but you

49:48just select N8N here and then walk

49:50through the process, and it will be

49:52installed for you, ready to go. It's a

49:54much simpler process than going through

49:56Docker and all of the stuff I showed you

49:58on installing locally. So, this is

50:00definitely the way I would go if you're

50:02kind of like you don't want the whole

50:04technical hassle, and you're okay to pay

50:06a little bit of money for it. I think

50:07this is a good option. So, that's just

50:09my thoughts there. So, let's first talk

50:11about why you would need this, and then

50:13the main reason is a lot of the text

50:16that is used by an automation can be

50:19stored in Google Docs, as well as

50:21outputted. Anything that the AI outputs,

50:23we want to put that information

50:24somewhere we we can access it, and a

50:27Google Doc is a good way to do that.

50:28Additionally, there might be instances

50:31where you might need it to access your

50:33Gmail account or something like that. As

50:34you can see in this particular

50:36automation, which I won't get into, you

50:38can see right here I actually have it

50:41access quite a number of documents

50:43before it even gets started. And in

50:45order to have these documents, you

50:47absolutely need Google credentials. And

50:49one of the ways you can look at how to

50:53set up these credentials is to

50:54double-click on any one of these, and

50:56you'll see here it says credentials to

50:57connect with. And right now you If

51:00you're doing this for the first time,

51:01you won't see it say Google Docs account

51:03here like it says on mine. Let me zoom

51:05in here a little bit, because I've

51:06already set mine up here. Instead,

51:09you'll probably see something like this

51:10that says create new credential, and you

51:12can click on that, and it'll bring you

51:14to this page. And so, what we need to do

51:17is fill out this client ID and the

51:20client secret to in order to get this

51:23Google Docs connected.

51:25And thankfully, you can do this process

51:27once, and it will work for all of the

51:29different Google products. So, that's

51:31Google Docs, Google Sheets, Google

51:33Slides, Gmail, etc.

51:36Uh all We only need to do this once,

51:38thankfully. Uh but it is a little bit of

51:40a complicated process to get this set

51:41up. Another way of accessing this, if

51:44you don't want to go through an actual

51:46automation like this one is from your

51:50n8n dashboard, you can see up here where

51:52it says create workflow, click the

51:54little icon here and instead say create

51:58credential.

51:59And then you can search through here on

52:01what kind of credentials you're looking

52:02for. So, if you just look through Google

52:05um

52:06let's say Google Drive and select Google

52:08Drive OAuth 2 API. That's one of the

52:11ones that we'll need to do. Now, like I

52:13said, you only have to get the

52:15credentials once, but you will have to

52:17plug those credentials in multiple times

52:19for each different thing. So, the hard

52:21part you only have to do once, but you

52:23do have to take those credentials and

52:25and stick them into multiple things. As

52:27you can see, I've got multiple

52:29credentials set up here. Uh namely, I've

52:31got Google Drive, Google Docs, Google

52:33Sheets, Google Sheets trigger account,

52:35and a Gmail account. And those are the

52:36ones that I use most frequently, but if

52:38I were to use like say Google Slides or

52:40something, I would need to set that up

52:42as well. Thankfully, I can use the same

52:44uh credentials. Uh you'll notice also I

52:46have Anthropic and Open Router here. I

52:48will walk you through at the end how to

52:50set those up, and particularly Open

52:52Router because it's the most versatile

52:54and it's the best one to start with in

52:55my opinion, and it's the one that I use

52:57most frequently in my automations. But

52:59we'll get to that a little bit later

53:00because right now we're just focusing on

53:02getting Google Docs integrated because

53:04that is the most difficult step. Google,

53:05unfortunately, makes this whole process

53:08egregiously difficult to set up, but

53:11thankfully, once you get through it,

53:13it's all smooth sailing from there. Like

53:14this is literally going to be the

53:16hardest technical thing that you have to

53:18do in this whole process. So, to get

53:20this process started, you need to come

53:22to console.cloud.google.com,

53:25okay? And I will link to this down

53:27below. Uh but this is where you come to

53:29create your auto your credentials. And

53:31you can see I'm already working in

53:33something that I've built here called

53:34n8n auto automations. So, the next thing

53:37that you need to do is up here where it

53:39says uh

53:40it won't say n8n automations for you,

53:42but you'll see something else here. You

53:43just click on this and then you hit this

53:46button here that says new project. And

53:48from here, you can call this whatever

53:49you want. I'm just going to call it test

53:51project because I'm only doing this for

53:55this video and after I'm done with this

53:56video, I will delete this. And I don't

53:58have any organization listed here, so I

54:01just leave this one blank and hit

54:03create. So, the next thing that we want

54:05to do is get these client credentials.

54:08And so, if we go back to the Google

54:10page. So, from here, from

54:12console.cloud.google.com,

54:15if you see this little hamburger icon

54:16here in the top left corner, you click

54:18on that, go to APIs and Services, and

54:21then [music] hit Library. Now, make sure

54:23you have the correct project listed

54:26here. Now, you can see it's actually on

54:28my N8N Automations project, which is not

54:31the one that I want it to be on. We want

54:33to select that new test project that I

54:34created. So, just double-check to make

54:36sure you've got the correct project uh

54:39selected here in the top left corner.

54:41So, from this API Library page, we want

54:45to scroll down until you see Google

54:46Workspace and click View All. And from

54:49here, you want to select any of the

54:52Google services that you think you'll be

54:53using inside of N8N. I would say you

54:56definitely want the Google the Gmail

55:00API, so go ahead and hit enable on that.

55:03So, of these, the ones that I would

55:05definitely enable are Gmail, Google

55:06Drive, um you'll probably want Yeah,

55:09this one, the Google Docs API, the

55:11Google Sheets API, probably the Google

55:13Forms API, and the Google Slides API.

55:17There may be more on here that you might

55:19want, but those are definitely the big

55:21ones that you definitely want to start

55:22with. So, once again, go through each

55:24one, click on it, hit enable, and then

55:27repeat that for every single one that

55:29you want to use. So, the next step that

55:31we want to go to is once again, go up to

55:33the hamburger icon here, go to APIs and

55:36Services, and then hit OAuth consent

55:38screen, and then navigate down here to

55:40where it says audience, and it'll show

55:42you the Google OAuth platform not

55:44configured yet. Get started to configure

55:45your application's identity and manage

55:47credentials for calling Google APIs and

55:49sign in with Google. So, go ahead and

55:51hit get started on that. And what you're

55:54doing is essentially creating a sort of

55:55internal app.

55:57And so, just give it a name. I'm just

55:59going to call it test app for now. Your

56:02user support email can just be your

56:04regular email. Then hit next. And for

56:06most of you, you're going to want to

56:07select under audience select external,

56:10unless this is something like if you

56:12have a set up Google workspace in your

56:14organization. If you have like a

56:16business that already has some kind of

56:17internal thing, you can do that. But

56:20otherwise, you just select external.

56:22That's going to be for most of you. Note

56:24that even though we say external, it's

56:26not actually going to be external for

56:27just anybody to see. The it'll be

56:30something that will be kept private to

56:31your account. So, under contact

56:33information, just put your email address

56:35in there, select I agree, and continue,

56:38and then hit create. And now we go back

56:40here under audience, go under where it

56:43says test users, and say add users, and

56:45make sure your email address is listed

56:47here. And then you should be able to see

56:49your email under there under the test

56:51users. All right. Now, finally, the next

56:53step is to actually set up our

56:55credentials that we need inside of N8N.

56:59So, for that, go back up to the

57:00hamburger icon, go back to APIs and

57:03services, and then select credentials.

57:05From this screen, you go up here to

57:07where it says create create credentials.

57:09Click on that, and then say OAuth client

57:12ID. You want this to be a web

57:13application here. Name this whatever you

57:16want. I'm just going to call it test

57:17application.

57:19Then scroll down a bit, and you'll see

57:20this one that says authorized redirect

57:22URLs. Go ahead and select add URL, and

57:25then this is an important moment. If we

57:28go back to N8N in as we're setting up

57:31our client ID and client secret here and

57:34everything, you'll notice it has this

57:35OAuth redirect URL. You want to go ahead

57:38and copy that and then paste it into

57:41this specific space. And once you've got

57:44this URL in the correct place, go ahead

57:46and hit create. And from here, you will

57:49see the client ID and client secret

57:52right here. Make sure you copy these and

57:54put them in a safe place so you know

57:56where they are. I don't mind just

57:57showing you this here because um

58:00essentially I'm just going to be

58:02deleting this as soon as I finish this

58:04video. Um but you want to just copy

58:06this, go to your N8N credentials, paste

58:08it in, copy the other one, the client

58:10secret, paste that in here. But you'll

58:12notice this little warning here that

58:14says starting in June 2025, you will no

58:16longer be able to view or download the

58:19client secret once you close this

58:20dialogue. Make sure you have copied or

58:22downloaded the information below and

58:23securely stored it. So, please, if you

58:26don't want to have to go through these

58:28steps again, make sure that you copy the

58:31client ID and the client secret and put

58:33it in a safe and secure place. I like to

58:34use a platform like [music] LastPass,

58:37which saves all my passwords and stuff,

58:39but you can also have secured notes in

58:41LastPass. That's just how I do it to

58:43make sure that information like this is

58:45still encrypted, but I can access it

58:47easily. Um that's what I do. Uh but at

58:50the very least, jot this down somewhere

58:53so that you don't lose it. Otherwise,

58:54you're going to have to go through this

58:55entire process again to create a new

58:57client ID and a new client secret to

58:59then put inside of your your credentials

59:02in N8N. So, now that you have the client

59:05ID and the client secret in here, all

59:06you have to do here is click this button

59:08that says sign in with Google. It'll

59:10bring up something like this. You go

59:11ahead and select it, and it'll say

59:14Google hasn't verified this app. And the

59:15reason it says this is because it's

59:17worried that this could be some kind of

59:20third-party malicious thing that is

59:22getting access to your data. But you

59:24created this app, so it's not actually

59:26you know it's not malicious. So, all you

59:28have to do is select continue, select

59:31all of the different things that it

59:33wants to access. So, just select all and

59:36then hit continue and it'll be done. And

59:39now you have successfully filled out

59:41your Google Drive

59:43um credentials here. Now, I'm going to

59:45go ahead and delete this because I don't

59:47need it, but you will need to get that

59:48same client ID and client secret for

59:51each of the Google automations here.

59:53Now, you thankfully, you only once

59:55you've got the client ID and the client

59:57secret, you just copy and paste it to

59:58each of these and run through the same

1:00:00process. You can see if I click on

1:00:02Gmail, for example, I've got the client

1:00:03ID and the client secret here and you

1:00:05just copy and paste those for each of

1:00:07the different accounts. And from there,

1:00:09you should be good to go as far as

1:00:11establishing your Google credentials and

1:00:14uh everything should work. I do

1:00:16sometimes have to reconnect my Google

1:00:19account, but really all I need to do for

1:00:21that is, you know, if we come to this

1:00:24and you just say sign in with Google,

1:00:26it'll walk you through that sign up

1:00:27process that I did right at the end

1:00:29there and you just have to repeat that,

1:00:31but you don't have to go and get a new

1:00:32client ID and all of that again,

1:00:34thankfully. All right, now I'm going to

1:00:36show you how to set up OpenRouter. Um

1:00:39you can run through a very similar

1:00:40process to set up Anthropic, to set up

1:00:42OpenAI, uh to set up any of the others.

1:00:45And if you've worked with a platform

1:00:47like Novel Crafter or Raptor Write to

1:00:49write your books, this should be a

1:00:50familiar process to you. So, uh

1:00:53OpenRouter, if you are unfamiliar, is a

1:00:56uh third-party platform where all uh

1:01:00they essentially provide access to most

1:01:02of the major AI models out there.

1:01:05And so, I use OpenRouter as my primary

1:01:08interface with N

1:01:10in order to provide the actual AI words

1:01:14that get generated. If you don't have an

1:01:16OpenRouter account, I strongly recommend

1:01:17you create one and then add five bucks

1:01:20to it or something so that it can draw

1:01:22from that as you're creating your work.

1:01:25But then in order to get the [music] API

1:01:27key that we need, we go up here to the

1:01:28top and go to keys. And from here you

1:01:31want to select create an API key. Give

1:01:34it a name. We'll just call this test

1:01:36API.

1:01:38And you can leave the rest of this

1:01:40blank, then hit create. And then it'll

1:01:42give you this long string of numbers.

1:01:44Again, I don't mind you guys seeing this

1:01:46because I'm just going to delete it

1:01:47afterward. But just go ahead and copy

1:01:50that, then go back to N8N, and what

1:01:53we'll do is go ahead up here at the top

1:01:57right, select this little icon, select

1:01:59create credential again,

1:02:01>> [music]

1:02:01>> and search for Open Router. Once you've

1:02:03found Open Router, hit continue. And

1:02:05then all you have to do is paste that

1:02:06API key right there. And then hit save.

1:02:09And that's all you have to do. It's

1:02:10really simple. A lot more simple than

1:02:13getting your Google credentials set up.

1:02:15And the same is very much true for

1:02:17Anthropic or Open AI or Gemini and all

1:02:20of their credentials. All you have to do

1:02:22is just go find the right API key for

1:02:24those platforms, which is you can easily

1:02:26Google that and how to how to find those

1:02:28API keys. And then just paste them in

1:02:29here. I do find Open Router to be

1:02:32refreshingly simple though in setting

1:02:34this up. All right. So, now that you

1:02:36hopefully have everything set up with

1:02:37N8N, we're going to create just a very

1:02:39simple automation to kind of show you

1:02:42how the steps work in relation to each

1:02:44other. From your N8N dashboard, you go

1:02:47to this one that says create workflow.

1:02:49And we'll right here where it says add

1:02:52first step, we're going to add our first

1:02:53step. Now, the two that I use the most

1:02:55are over here. It'll say trigger

1:02:57manually. The other one that I use a lot

1:02:59is on form submission. Sometimes I like

1:03:02to submit things via a form. And that's

1:03:04the one we're going to select for

1:03:05today's really brief automation. So,

1:03:07we'll select that. And in this form,

1:03:10there's a number of things that we can

1:03:11do, but most notably we want to give it

1:03:14a title. So, we'll say we're going to

1:03:16call this the book description info,

1:03:19right? You can give it a description if

1:03:20you want, but we don't need it. And then

1:03:22under form elements, I'm going to say

1:03:24add form element. And we'll give this a

1:03:26name, book description example, all

1:03:28right? And that's going to be the name

1:03:30of the field. This is going to be so

1:03:32there's under element type, you can

1:03:34select a number of things. So, is this

1:03:36an email that we're trying to capture?

1:03:37Is this a multiple choice option? In our

1:03:40case, we're just putting it as a text

1:03:42area, which will be a little box. And

1:03:43trust me, this looks really complicated,

1:03:45but it's really not once you kind of get

1:03:47to know it. We're going to toggle this

1:03:48that says required field, and that

1:03:51should be good there. Then we're going

1:03:53to add another one. So, this one will

1:03:55say add form element. We're going to

1:03:56call this about my book. And once again,

1:04:00for element type, we're going to select

1:04:01text area. We're also going to make this

1:04:03a required. Now, we've got that whole

1:04:05form submission set up. So, this is our

1:04:07trigger. This until we enter everything

1:04:10onto this form, this automation will not

1:04:12fire. If we want to look, just go ahead

1:04:14and select execute workflow, and it will

1:04:16pull up the form. So, as you can see,

1:04:18we've got a text box here and a text box

1:04:20here called book description example and

1:04:22about my book. So, what I'm going to do

1:04:24for this automation is we're going to

1:04:26actually go and find a book description

1:04:29example. Let's go to Amazon. I just

1:04:31picked a random book that was shown to

1:04:33me. So, this looks like cozy mystery

1:04:35probably. Yeah, cozy fantasy with kind

1:04:37of baking twist to it. Not a very long

1:04:41book description, all right? So, that

1:04:44that works for today's purposes. We're

1:04:46going to select this, and we're going to

1:04:48go to our form, which is right here, and

1:04:51put it in here. And about our book,

1:04:53we're going to enter in some information

1:04:55about our book. So, because this is a

1:04:57cozy fantasy in the book description

1:04:58example, I'm going to think of one. This

1:05:00is a cozy mystery about a dragon who is

1:05:04tired of people being upset at him, and

1:05:06he just wants to open a bakery where he

1:05:09sells hotcakes, all right? So, very

1:05:11simple. Obviously, if you have a book

1:05:13written already, you would put more

1:05:15information about your book in here. You

1:05:16could even create an automation that

1:05:18reads your book and gathers that

1:05:20information automatically, so you don't

1:05:22even need to put it here. But, since

1:05:23we're doing a very simple example here,

1:05:25this is all I'm going to put there. All

1:05:27I have to do now is hit submit trigger.

1:05:28So, the trigger has started. However, of

1:05:30course, there's nothing after this,

1:05:32right? Uh so, nothing happens,

1:05:33basically. But, I am going to teach you

1:05:35one really useful feature in N8N, which

1:05:38is the ability to pin information. So,

1:05:40if you right-click on this, you'll see

1:05:43an option that says pin. You click on

1:05:44that, it turns this purplish color. So,

1:05:46now that means that the information that

1:05:49we just submitted is locked in. So, I

1:05:51don't have to input that information

1:05:53again. And you can actually see what

1:05:54that information was down here in this

1:05:56section. You'll see, here's the book

1:05:58description example, and here's the

1:06:00about my book section here. So, that's

1:06:02the information, and it has been pinned,

1:06:04so we're not going to lose this. That's

1:06:06a very useful feature, all right? Now,

1:06:07we're going to create our first AI

1:06:09agent. And what we'll do here is we'll

1:06:11click this little plus icon, and over

1:06:13here on the right, we'll select AI AI

1:06:15agent, all right? And then here, we're

1:06:17going to is where it says connected chat

1:06:19trigger node, we're going to select

1:06:21define below instead. And then from

1:06:23here, I don't think we need to change

1:06:24anything [music] else here. So, we're

1:06:26going to put our prompt in here, because

1:06:28what we want to do is we want to bring

1:06:30in the information that we just gave it

1:06:32through the trigger, and then output

1:06:33that into probably a Google Doc or

1:06:35something like that. So, here we're

1:06:37going to put our prompt. I'm just going

1:06:38to write this real quick on the spot. I

1:06:40want you [music] to take the book

1:06:43description above and do a line-by-line

1:06:46analysis [music] of what the book

1:06:47description is trying to do from a

1:06:49copywriting stand. All right, so that's

1:06:51all I'm going to put there, but we do

1:06:53want to pull in that information from

1:06:56the form. So, what I like to do is I

1:06:57like to use this technique called XML

1:06:59tags, where you put a word inside of

1:07:02these brackets like this. If you know

1:07:05any HTML, this will look kind of

1:07:06familiar. Uh we're going to call this

1:07:08book description example. And then I'm

1:07:10going to create another one with a

1:07:12little slash in front of it like this.

1:07:14So now we have I call this is

1:07:16essentially I call this an XML box. All

1:07:18right, this we've created a box and

1:07:20inside the box we're going to put

1:07:21information. And you don't really need

1:07:23to know like why I do it this way, but

1:07:25this is basically just a

1:07:27well-established prompt engineering

1:07:29technique to kind of help the AI to be

1:07:31able to understand what information is

1:07:34what and sort [music] through it. So we

1:07:36on the left here, we can actually see

1:07:38from our form, it actually tells us all

1:07:41of the information it has available to

1:07:42us so far. And since we pinned the

1:07:44information in that form, all of that

1:07:45information is here. So all I have to do

1:07:47is drag this one that says book

1:07:49description example and I'm going to put

1:07:51it right here. Um actually we did that

1:07:53wrong. So um going to open this up and

1:07:55then pull it right here. And it'll give

1:07:56us this little short code that you see

1:07:58in green. It'll look red if it's not

1:08:00able to access it or if you named it

1:08:02wrong or something like that. But this

1:08:04is essentially a placeholder for where

1:08:06the information is going to go. And you

1:08:08can actually see what the ultimate

1:08:10prompt is going to look like over here,

1:08:11uh as you can see, where you've got the

1:08:14book description example right here. So

1:08:16if we wanted to test this particular

1:08:18step, we could, except there's a problem

1:08:21and you can see that it's giving us an

1:08:22error here. That is because we don't

1:08:24have a large language model attached to

1:08:26this AI agent. So in order for us to do

1:08:28anything about that, we have to select

1:08:30this plus button here where it says chat

1:08:32model. Click on that and you can pull in

1:08:34anything from Anthropic, which does the

1:08:36Claude models, you can pull in Deep

1:08:37Seek, Google Gemini's models, Grok,

1:08:40Mistral, but the one I use the most is

1:08:42called Open Router because Open Router

1:08:44has access to most of the models. So I'm

1:08:46going to click on that and it'll give us

1:08:48a huge list of models. So I don't really

1:08:50particularly care which model we use,

1:08:52but I'm going to pick one that's rather

1:08:53inexpensive. So I'm going to go with

1:08:55Gemini 3.1 flashlight, so that it

1:08:57doesn't cost me much money. So now we

1:08:59have our first agent fully set up. Now I

1:09:01could execute this workflow, and it

1:09:03already has the information pinned for

1:09:05the first step, but now it's running

1:09:06this second step, right? And if we click

1:09:09down here at the bottom, you can

1:09:11actually see the output that it gave us.

1:09:13So, here it says, "This book description

1:09:14is a masterclass in cozy fantasy

1:09:16marketing. It uses a specific rhyme to

1:09:18establish character and motivation,

1:09:19etc., etc." And then I had asked it for

1:09:21a line-by-line analysis. So, the first

1:09:23line is the Dragon Diner Bookkeeper

1:09:25Wanted. Copywriting goal, clear genre

1:09:27signaling, and immediate hook. Analysis,

1:09:30short and punchy. It establishes the

1:09:31vibe, whimsical, business-focused, while

1:09:33identifying exactly what happened in the

1:09:35book. So, it goes through and it

1:09:36basically does this line-by-line

1:09:38analysis. This is important because

1:09:40we're now going to create a new AI agent

1:09:42next to this one. And rather than just

1:09:44clicking the plus button and creating a

1:09:46new AI agent, I sometimes find it's

1:09:48faster to select the one I've got and

1:09:50copy it by going control C and then

1:09:52pasting and putting it here. But, if we

1:09:54do that, we do need to make sure we're

1:09:56connecting it. So, we just grab this one

1:09:58right here and pull it over so that now

1:10:01it's connected to our first AI agent.

1:10:03And we have the model connected as well.

1:10:05And if we click on this, it'll be the

1:10:06same model that we used. If we wanted to

1:10:08use a different [music] model for this

1:10:09specific step, we could, but it is what

1:10:12it is. So, now I'm going to select this

1:10:14one, and we've got the same hook that we

1:10:16or the same prompt that we had before.

1:10:18So, now I want to change this. [music]

1:10:20So, I'm going to remove this prompt. And

1:10:22the context that I want to bring in is

1:10:25the description of our book that we put

1:10:26into our form, the about the book

1:10:28section, as well as the output from the

1:10:30previous step, because that previous

1:10:32step had a step-by-step analysis of what

1:10:35we wanted, okay? So, I'm going to say,

1:10:38"Um book description template." [music]

1:10:40And we'll do another {forward slash}

1:10:42book description template. And then

1:10:44we're going to create another XML box

1:10:46for about my book. And so, now we have

1:10:49these XML boxes kind of set up, but we

1:10:51need to make sure they have the correct

1:10:52information in them. So, in order to get

1:10:54the book description template, which is

1:10:56the output of the previous step. You can

1:10:58actually see that output here in the

1:11:00previous step right here. So, I can

1:11:01select this and just pull that over and

1:11:03now it has this little shortcode that

1:11:05shows you here when it actually shows

1:11:07you what will actually go to the to the

1:11:10AI. It has this entire thing in it. Now,

1:11:13to do the same for about my book, we go

1:11:14down to the form, which is located here

1:11:17on the left side. You can see that step.

1:11:19We're not going to grab the book

1:11:20description example because we already

1:11:21have the book description template from

1:11:23the previous step. We're going to grab

1:11:25about my book. I'll select this and drop

1:11:27it into that XML box, okay? Now, we just

1:11:31need to give it some instructions on

1:11:32what to do with this information. Given

1:11:34the above info about my book and the

1:11:36book description template, I want you to

1:11:38craft a high-converting book description

1:11:41that matches the template, but is about

1:11:43my book instead. All right, so that's

1:11:45just a brief prompt that I kind of

1:11:47created myself. You don't often need to

1:11:49overthink these prompts. You just need

1:11:50to make sure, if it's not doing what

1:11:52you're doing, to go in and adjust the

1:11:53prompt to do more what you're asking

1:11:55for, but often you you don't need

1:11:57something super fancy. So, that's all

1:11:58I'm going to put in there. And before I

1:12:00run this, I'm actually going to

1:12:02right-click and pin the second step

1:12:04first so that the data that we ran the

1:12:07last time we ran this is still there.

1:12:09Otherwise, it would run this step again,

1:12:11if that makes sense. And before we

1:12:13actually run this, go ahead and already

1:12:15just put another step in here. So, in

1:12:18this [music] case, we want it to put

1:12:20this information in a Google Doc. So,

1:12:21I've already gone ahead and created the

1:12:24document here just called my book

1:12:25description, all right? But, this could

1:12:27be anything you want. And up here at the

1:12:28top, you've got a URL. We're going to

1:12:30copy that cuz we're going to need it.

1:12:31Once you've got that URL copied, we're

1:12:33going to go back into N8N, click this

1:12:36little plus icon, and under search

1:12:38nodes, I'm just going to type in Google,

1:12:40and up here pops Google Docs. This is

1:12:42the one you want. And it will give you

1:12:44three options. The first is to create a

1:12:46document, get a document, or update a

1:12:47document. I've already created the

1:12:49document, so I I need to do that one.

1:12:50So, instead, we're going to select get a

1:12:52document first, and we're going to type

1:12:54in that URL right here. So, just go

1:12:56ahead and paste that URL right into this

1:12:58place where it says doc. Now, it will be

1:13:00able to fetch that particular doc. Then,

1:13:03I'm going to select a plus right next to

1:13:05it, and once again, type in Google. Once

1:13:07again, select Google Docs, and now we're

1:13:09going to say update a doc. And actually,

1:13:11you could do just this one. You don't

1:13:13have to do the first step, but

1:13:14generally, it's good to get the document

1:13:16first. If you're doing longer

1:13:18automations, that is a useful feature.

1:13:20But, I could just put the URL right in

1:13:22here, and that would work. But, and we

1:13:24can also we take that off, we can also

1:13:26pull the ID or URL from the previous

1:13:29step. So, over here on the left, you'll

1:13:30see it says content or document ID. In

1:13:32this case, we want to grab document ID

1:13:34and stick it right there. And then here,

1:13:37we have text. So, right here, this is

1:13:39the text that we're going to update this

1:13:41document with. And whatever this is, we

1:13:43want it to basically be the output of

1:13:46our previous step. So, I can't do that

1:13:48right now because I haven't executed the

1:13:51previous step, so let's do that now. So,

1:13:52I'm going to right click this step, and

1:13:54just this step, and say execute step,

1:13:56rather than executing the whole

1:13:58workflow. We're just executing this

1:13:59step. And it gave me some output, which

1:14:01you can actually read over here. And

1:14:03yep, this looks good. I might actually

1:14:05go into this prompt and modify it

1:14:07because it gave me some preamble. So,

1:14:09I'm going to add a line here that says,

1:14:11"Don't give me any preamble or

1:14:12explanation. Just give me the book

1:14:15description by itself." All right, so

1:14:17next time I run it, it will improve that

1:14:19particular aspect of it. And I do this

1:14:21all the time with my prompts. I'm

1:14:22constantly seeing what it gives me, and

1:14:23then tweaking the prompts to get more

1:14:25precise. All right, so now, if I run

1:14:28this thing all the way through, then it

1:14:30will go ahead and it'll run all of these

1:14:32steps, and then it will get the

1:14:34document, and it will update that

1:14:36document with our text. Actually, I'm

1:14:38going to let this one run again because

1:14:39I made a tweak to the prompt. But, since

1:14:41I have already run it, I can now go into

1:14:44update document. We'll go here to the

1:14:45section called text, and um we're going

1:14:48to make sure that whatever it updates

1:14:51the document with is the output of that

1:14:53second step. So, right here I can select

1:14:55output, and I'll just drag this over to

1:14:56text, and that's all you need to do. So,

1:14:58now you can save this, and we'll select

1:15:01execute workflow. Since these first two

1:15:03steps are pinned, it will just use the

1:15:04data that's already there right now, but

1:15:06it'll run this one again, and then run

1:15:08these two here, and by the end it should

1:15:11update our book description. So, now you

1:15:12can see it's all green and checked off,

1:15:14so that means it's completed. Let's

1:15:16check our document to make sure it's

1:15:17there. And so it is. So, here is our

1:15:19book description nicely placed inside of

1:15:22our document. So, obviously this takes a

1:15:25little time to set up, but once it's

1:15:27done, this allows for a huge potential

1:15:30in what you're able to do. This is just

1:15:32a very simple example to kind of get you

1:15:34started with figuring out how to create

1:15:36these things, but I'm going to show you

1:15:37some much more advanced automations that

1:15:39do a whole lot more, and are really fun

1:15:42to play with. So, I'll get to that it

1:15:43later in the course. But before we do

1:15:46anything more, I want to introduce you

1:15:47to one more tool. Because the problem

1:15:49with n8n is that it's really difficult

1:15:52to learn. As you can tell, like there

1:15:53are a lot of steps, it's very technical

1:15:55from everything I've shown you. And so,

1:15:56one of my big goals recently has been to

1:15:59define a way to get the power of these

1:16:01automations into something a little bit

1:16:03more simple, essentially combining what

1:16:05I like best about a tool like Claude and

1:16:07tool like n8n into one. The tool that

1:16:11I've come up with, that I've been

1:16:12developing now for quite a while, about

1:16:14half a year now, is called Story Hacker

1:16:16OS. Now, I will walk you through all of

1:16:18the steps in Story Hacker OS, as well as

1:16:21Claude and n8n, but I just kind of want

1:16:23to show you a few things about Story

1:16:25Hacker OS, and why this is kind of my

1:16:27dream tool. Now, full disclosure, this

1:16:29is a tool that I've developed, so I'm

1:16:31obviously a little bit biased towards

1:16:33it, but I've really done my best to try

1:16:35and make this the best tool for writers

1:16:37that I can. Because most of the tools

1:16:39out there for writers don't have any

1:16:40kind of automated system, and I am a big

1:16:42believer in those automated systems. But

1:16:44then the automated systems also have a

1:16:46problem because it makes it difficult to

1:16:48kind of use AI to fine-tune things, just

1:16:50interact with the document like I could

1:16:52in Claude, for instance. So, this has

1:16:54been my answer to that as a way of kind

1:16:57of combining the best of both worlds.

1:16:58So, to give you a little bit of a tour,

1:17:00you have a document here in the center,

1:17:02and over here you have a chatbot. And

1:17:04this chatbot works very similar to what

1:17:07you would find in Claude, where it has

1:17:09access to this document and it has that

1:17:10context, and it can give you suggestions

1:17:13and things like that. Down here it also

1:17:15gives you a bunch of other options for

1:17:18context. So, if you want to make sure it

1:17:20understands who your characters are,

1:17:21what your world-building's like, if you

1:17:22have an outline, you can pull all of

1:17:24that into this chatbot so it is aware.

1:17:26It's very similar to the projects

1:17:27feature in Claude in that respect. There

1:17:29are a whole bunch of different things

1:17:31that you can do inside of this. You can

1:17:32even give it personas. So, for instance,

1:17:35this one's just using the writing

1:17:36assistant persona, but you could have

1:17:38different types of personas, like maybe

1:17:40a character interaction persona, so you

1:17:42can interact with a particular character

1:17:44and talk to them and see is their voice

1:17:45correct and all of that. And then you

1:17:47have a bunch of different documents here

1:17:49that you can sort through, and all of

1:17:51these documents are put together inside

1:17:53of a project, like you can see here.

1:17:55Each project here acts like a separate

1:17:57book. We also have templates, which I

1:17:59will actually get to in the next module.

1:18:01But the main thing that kind of makes

1:18:04this distinct from all other

1:18:06writing-specific tools is this book

1:18:08builder and other things that we're

1:18:10adding that will be similar to this.

1:18:11These are my most powerful automations

1:18:13that I've created in n8n. I basically

1:18:16took those, which are super complicated,

1:18:18super difficult to set up and tailor to

1:18:19yourself, and would probably take you

1:18:21hours just to set up, and they're just

1:18:22here, and they just work. Uh so, all you

1:18:24have to do is come to this brain dump,

1:18:27for instance, and enter in your brain

1:18:29dump information here, everything you

1:18:30know about your story, and then hit

1:18:32start pipeline. Now, I will show off

1:18:34every single one of of features in the

1:18:36remaining modules of this video, but I

1:18:38just kind of want to bring this up

1:18:39because we're going to be talking about

1:18:41it as my solution to try and combine the

1:18:42best of both worlds because Claude, it's

1:18:44great, it's simple, it's a good place

1:18:46for beginners to start, but it's also

1:18:48very limited. For instance, you only

1:18:50have access to to certain models. N8N,

1:18:52on the other hand, is much more powerful

1:18:54and much more customizable to your own

1:18:58process. It [music] also has issues in

1:19:00that it's a little less flexible and it

1:19:02also has a huge learning curve to get

1:19:04started. This allows you to have these

1:19:06automations here in a way that requires

1:19:09a lot less time and work. And if you

1:19:11want to fine-tune the outputs that those

1:19:13automations give you to give a little

1:19:15bit more flexibility than what you can

1:19:16get with N8N, at least over your output,

1:19:18you can come into a project and work

1:19:21with it here with your chatbot or you

1:19:23can, you know, you can select text and

1:19:25edit it here and there's just a lot you

1:19:27can do. So, this is my solution to that

1:19:29and it's the final tool that I want to

1:19:30introduce it to you. If you want to get

1:19:32your hands on this tool, you can do so

1:19:34through my Storyteller AI membership,

1:19:37where it is available at no extra charge

1:19:39to the members of that group. It's the

1:19:40only way you can get it. I'm not selling

1:19:42this separately. I have not raised my

1:19:44price for this either, at least at the

1:19:45time that I'm recording this. People

1:19:47were already paying for the instruction

1:19:51and the access to me that you get inside

1:19:54of my membership. This was just added as

1:19:55an additional thing already on top of

1:19:57that. So, my membership looks something

1:19:59like this when you first join. There's a

1:20:02thriving community. In fact, my

1:20:03community is in the top six of all tech

1:20:07communities in terms of the engagement

1:20:09that it has. And over here in the

1:20:10classroom, we've got a bunch of

1:20:12different instructionary phases. And so,

1:20:14we walk you through the entire process

1:20:16in a way that teaches you what makes a

1:20:19good book so that you can use these

1:20:21tools effectively. And that's this phase

1:20:23project. You can also see there are

1:20:25recordings of live calls with me and a

1:20:27couple of other subject matter experts,

1:20:29as well as some super secret bonuses,

1:20:31which I will not talk about, but they

1:20:33are here. I also have a bunch of courses

1:20:36here from David Farland, and if you're

1:20:38not familiar with David Farland, he is

1:20:40an incredibly influential person. He

1:20:41unfortunately died a couple of years

1:20:43ago. But he's the guy who taught Brandon

1:20:45Sanderson and Stephanie Meyer and James

1:20:47Dashner and a whole lot of very

1:20:49successful authors. And I've since

1:20:51become good friends with his sons. As

1:20:52far as I know, I'm the only one that

1:20:54they've permitted to license their

1:20:55father's courses, so I'm able to include

1:20:57them inside of my membership. So all of

1:20:59this is available to you, plus Story

1:21:01Hacker OS, when you join. All right, so

1:21:03if that is interesting to you, be sure

1:21:05to check out the link below this video,

Module 3

1:21:07and I hope to see you there. But now

1:21:08that we've pretty much covered all of

1:21:09the tools that we're going to be using

1:21:11inside of this full course, let's move

1:21:13on to module three, where we're going to

1:21:15talk about what I think is the most

1:21:18overlooked part of this process. [music]

1:21:21Pretty much all of the other AI writing

1:21:23software tools out there ignore this

1:21:25step, and I think it's one of those

1:21:26steps that has really helped my work

1:21:28excel. So let's get into that now.

1:21:30Welcome to module three, where we're

1:21:33going to talk about one of the aspects

1:21:35of AI writing that, as far as I know,

1:21:37originated with me on this channel. Most

1:21:39of the AI writing tools out there give

1:21:40you the tools to create your characters

1:21:42and plot and world building, but all of

1:21:45them miss one important step has to come

1:21:48first. Because you see, if AI isn't

1:21:50guided well, when you go to ask it for

1:21:52all of those assets, it will give you

1:21:54very generic suggestions. And this is

1:21:57where actual AI slop comes from, right?

1:21:59People who just went to the defaults

1:22:01that AI gave them. But something I

1:22:03realized is that if you give AI a solid

1:22:06framework to build on, ideally one that

1:22:08is specifically designed for whatever

1:22:10genre you're writing in, cuz not all

1:22:12genres are written the same. You can't

1:22:14use the Hero's Journey framework for a

1:22:15romance book, for example. And even a

1:22:17more romance specific framework like

1:22:19Romancing the Beat might not work for

1:22:21certain subgenres or of romance. Or the

1:22:24very least, those subgenres would have

1:22:26additional requirements. So, an [music]

1:22:28important first step to the AI writing

1:22:30process is not to plot your outline or

1:22:32start fleshing out your characters. It's

1:22:34actually to just establish the templates

1:22:36that you were going to follow. Because

1:22:38if you don't do that, you'll end up with

1:22:40generic AI slop. Now, I first figured

1:22:43this out a long time ago, and so I spent

1:22:45quite a bit of time handcrafting the

1:22:48perfect 40-chapter template for a

1:22:50general book. And that ended up becoming

1:22:52this book right here called the Plot

1:22:54Module. This book came about because I

1:22:57found an as I was reading a lot of books

1:22:59about story structure, a lot of them had

1:23:01the same different beats. And some of

1:23:03them even told you the approximate

1:23:05number of scenes that you should be

1:23:06going for. Save the Cat, for instance,

1:23:08gave me 15 beats, but said that you

1:23:11should have roughly 40 scenes for a

1:23:13book. And I actually found that this

1:23:15number of 40 scenes or 40 chapters came

1:23:18up quite a bit, not just in

1:23:19screenwriting, but in books about

1:23:21structure for novels as well. And so I

1:23:23thought, well, okay, if there's 15 beats

1:23:25in the case of Save the Cat, and there's

1:23:2640 scenes, what are happening in the

1:23:29other 25 scenes, right? So, I went to to

1:23:33study that whole thing and really went

1:23:35chapter by chapter trying to figure out

1:23:37what should if you had 40 scenes, like

1:23:39let's just cap it at 40, what would you

1:23:41put in each one? And the result of that

1:23:43became this book. And it's still today

1:23:46my best-selling book of all of them,

1:23:48fiction and nonfiction. Does very well

1:23:50for me. And that was the initial attempt

1:23:54at creating a template that could be

1:23:56really useful and specific for AI

1:23:59writing. I mean, it's useful for human

1:24:02writing as well, cuz it's nice to have a

1:24:04framework to follow. The problem, the

1:24:06only problem with this is that it it was

1:24:08a bit even this is a little too generic

1:24:11and doesn't fit every genre. But at the

1:24:13very least, this will probably teach you

1:24:15good story structure better than any

1:24:17other book, because it actually walks

1:24:19you through chapter by a like that. But

1:24:21because it's not that genre-specific, I

1:24:24came up with a different way that Well,

1:24:26actually, me and my community came up

1:24:28with a different way of getting a little

1:24:30bit more nuance in your templates. And

1:24:33that leads me to talk about the story

1:24:34hacking process. So, to briefly go over

1:24:37this, this is an automation I made in

1:24:40n8n that story hacks a book. I'm not

1:24:43going to go into too much depth here,

1:24:45but I'm just trying to give you an idea.

1:24:46But, basically, what it does is these

1:24:48steps, it grabs a file. So, for

1:24:50instance, you can go online and find

1:24:52screenplays from, you know, thousands of

1:24:55films. You grab one of those, and then

1:24:57you kind of highlight where the scene

1:24:59breaks are. You do That is a preparatory

1:25:01step you have to do. You highlight the

1:25:03scene breaks and make sure that your

1:25:05heading for each scene is formatted in a

1:25:07specific way. And then you pull that

1:25:09document in here in with these two

1:25:11steps. And then assuming you formatted

1:25:13the document correctly, it will then

1:25:16essentially chop it up into those

1:25:18individual scenes. And then for each

1:25:20scene, it runs a summary prompt on it.

1:25:23Kind of see what's happening in the

1:25:25scene. Now, this is more than just a

1:25:26summary. If you check it out, there's a

1:25:28lot here. So, we're determining, let's

1:25:31say, the So, we have the summary, then

1:25:33we also have a list of characters, the

1:25:36setting, and anything a list of anything

1:25:38important to the setting, the conflict,

1:25:39the tropes, the scene intensity, the

1:25:41spice level, the violence level, and the

1:25:42swearing level. So, all of that gets

1:25:44calculated chapter by chapter or scene

1:25:46by scene for whatever book or screenplay

1:25:49that you are analyzing. And then once

1:25:50it's done that, it has that entire

1:25:53summary. And these last two steps do a

1:25:55deep analysis of that summary. So, it

1:25:58checks for like, what are the main

1:25:59tropes in this book? And what are the

1:26:01main themes of this book? And

1:26:03particularly, the second one here is my

1:26:05favorite. It'll actually go through and

1:26:07create a plot template from the

1:26:10scene-by-scene breakdown that you've

1:26:11got. So, rather than saying something

1:26:13like C-3PO and C-3PO and are caught in a

1:26:16battle on the Tantive IV, but instead of

1:26:19I say something like secondary

1:26:21characters are caught up in an epic

1:26:23battle that is beyond the scope of their

1:26:26existence. You know, it will say

1:26:28something more generic that could be

1:26:30applied to any story. So, that's the

1:26:32story hacking process. And what this is,

1:26:34it's very similar to if you're learning

1:26:36how to become an artist. One of the

1:26:39things that you it is recommended to do

1:26:40when you're learning how to become an

1:26:42artist is essentially to create a copy

1:26:44of an existing painting from an existing

1:26:47master. So, you copy their style and

1:26:48everything. And there's different levels

1:26:50to this. You can actually try to copy

1:26:52like an actual painting, which of course

1:26:54you shouldn't do unless it's like public

1:26:55domain. I mean, you should do it to

1:26:57learn, but you can't sell that, right?

1:26:59You could also try to create your own

1:27:00work in the same style as that person.

1:27:02And that's kind of what we're doing here

1:27:04is we're creating a work in the same

1:27:06style as someone else or at least using

1:27:09the same structure. In our case,

1:27:10thankfully, you can absolutely copyright

1:27:12a story that is based on a structure

1:27:15from another book or a movie as long as

1:27:17it's not copying actual characters and

1:27:18things like that. If you're just kind of

1:27:20sticking to the high-level approach that

1:27:24story had to structure, then you can

1:27:26absolutely do that. A good example of

1:27:27this is Eragon, which is beat for beat

1:27:30the exact same structure as Star Wars: A

1:27:32New Hope. So, that's the kind of thing

1:27:34that we're talking about here. It's not

1:27:35necessarily going to produce the biggest

1:27:38bestsellers of all time, but it will

1:27:40teach you a lot about how to create a

1:27:42good book and what makes a good story.

1:27:45So, this is just one of the ways that we

1:27:46go about creating templates that can be

1:27:48used in the process of writing. And

1:27:51then, as I was going through this

1:27:52process, we actually found a way of sort

1:27:55of taking multiple of these that have

1:27:58been story hacked and sort of kit

1:28:00bashing them together. And what I found

1:28:02that when I was able to figure out how

1:28:03to do this is that if all of those books

1:28:05were, say, in the same genre and I went

1:28:08through this process to break them down

1:28:09scene by scene and figure out the tropes

1:28:12and create the plot template. Then I

1:28:14took that plot template and all of that

1:28:16other information and kitbashed it

1:28:17together to look at the trends and

1:28:19everything that these things had in

1:28:21common. I was able to create a genre

1:28:23guide for the genre as a whole that's

1:28:25based on multiple bestsellers in that

1:28:28genre. And those have become the basis

1:28:30for some of my genre guides which I have

1:28:32here inside of my membership. You can

1:28:34also buy these on Amazon. They're five

1:28:36bucks on Amazon, but you get them all at

1:28:38no extra cost inside of the membership.

1:28:40And these are like one of the biggest

1:28:41things that I have produced and they

1:28:43sell really well and get good reviews,

1:28:45too. So, I'm I'm really happy with these

1:28:47so far. Uh, but they are essentially a

1:28:50more refined genre-specific version of

1:28:53this book, my bestselling book. This one

1:28:55will teach you basic story structure.

1:28:57It's definitely a good foundation to

1:28:58start with. And if you're kind of

1:28:59stumped on what genre you want to be in,

1:29:02like this is just still a good structure

1:29:04to start with. But a lot of these will

1:29:06give you a specific structure for the

1:29:07specific genre that you are in and that

1:29:10can be super valuable. But if we look at

1:29:11these genre guides, we actually in my

1:29:13membership, we have multiple guides for

1:29:16everything from tropes to plot to

1:29:17>> [music]

1:29:18>> style, characters to world

1:29:20world building themes, and even a

1:29:21template for book descriptions for books

1:29:24in that genre. And so, I'm going to give

1:29:25you an idea uh if you don't have access

1:29:28to be able to analyze these books with

1:29:30AI like we've been doing in my

1:29:31membership, there is a way that you can

1:29:34create these templates for yourself

1:29:36without having to resort to somebody

1:29:37else's pre-made stuff like what I've

1:29:39got, right? So, the way I would go about

1:29:41that is I would first go to a chatbot

1:29:44like Claude. Perplexity will work as

1:29:46well. And what I'm going to do is here

1:29:48in this plus sign, I'm going to select

1:29:50research. With Claude, you can only do

1:29:52this so often, all right? But what I'm

1:29:54going to do is turn that on just so it

1:29:56does a very thorough job of what I'm

1:29:58about to ask it. And I'm going to ask it

1:30:00something like, "Please give me a

1:30:03complete list of major and minor tropes

1:30:07in the genre of and let's just say uh

1:30:11cozy science fiction, okay? And I'm

1:30:13going to pick Sonnet, yeah, we'll go

1:30:16with Sonnet 4.6, but we're going to

1:30:18select the effort to high and go ahead

1:30:20and hit go on that. Oh, and it's telling

1:30:22me I've uh gone past my usage limit. So,

1:30:25in this case, I'm just going to turn off

1:30:27that research and we'll just go with

1:30:29general web search, but if you can, I

1:30:31would go with the research. Uh if you're

1:30:33using Perplexity, their deep research

1:30:35tends to be a little bit takes up less

1:30:38usage, so you get you can get several of

1:30:40those in. Uh but in this case, I'm just

1:30:42going to hit go with just general web

1:30:44search on. All right, and then here it

1:30:46goes. Cozy sci-fi is a subgenre defined

1:30:48by warmth, low stakes, found family, and

1:30:50a hopeful relationship with technology

1:30:52and community. Here's a thorough

1:30:53breakdown. And so, here we have the

1:30:54major tropes of community and belonging,

1:30:56gentle protagonist, uh benevolent

1:30:58technology, hopeful feature futures,

1:31:01nature, growth, and craft, etc. And then

1:31:04here's some minor tropes. All right, so

1:31:06this is good. And now I can say, "Now

1:31:09give me a sample chapter-by-chapter

1:31:13template to write a cozy science

1:31:16fiction." Now, this is not going to be

1:31:18as perfect as if you actually went and

1:31:22got a cozy science fiction and analyzed

1:31:24it. It's still going to be more specific

1:31:26to your genre and better to follow this

1:31:29than to just follow a generic plot. So,

1:31:31I'm just going to let that go. So, it's

1:31:33decided to give me 18 chapters for this.

1:31:35You could ask it to do more or less. I

1:31:40would probably go up to like 20, 25 at

1:31:42least, but at the same time, you know,

1:31:44this could be fine. So, chapter one,

1:31:46first impressions, open emotion,

1:31:48protagonist arriving, transferring, or

1:31:49waking up somewhere new. Establish their

1:31:51interiority, what they've left behind,

1:31:53what they're hoping for. First century

1:31:55immersion in the setting. One small

1:31:56unexpected kindness from a stranger. And

1:31:58on a note of cautious wonder, something

1:32:00beautiful or strange catches their eye.

1:32:02All right, And so then chapter two is

1:32:04the lay of the land, chapter three is

1:32:06first days, and so on and so forth.

1:32:08Here's where act two starts, and you've

1:32:10got yourself a template. So this is what

1:32:12I would do in the absence of a more

1:32:14thorough, more thought-out template.

1:32:16This is still a necessary step in my

1:32:19opinion. The reason for this is because

1:32:21if you don't do it, you're going to have

1:32:22something very generic. It's not going

1:32:24to match the genre, it's not going to

1:32:25have the tropes, and you need those

1:32:27things to be able to guide the

1:32:29brainstorming process which we're going

1:32:30to talk about in the next module in

1:32:32order to get that done. And I've just

1:32:34shown you this process for tropes and

1:32:37for a plot template, but you can just

1:32:39keep asking it for like what are the

1:32:41general themes, what are the common

1:32:43character archetypes, what are the

1:32:45common world-building elements that I

1:32:47need, you know? And it'll probably give

1:32:49you something like you need a ship or a

1:32:51space station or something. And so

1:32:53that's just the the general idea behind

1:32:56this whole process. Now before I move

1:32:58on, I have tried to make this a lot

1:33:00easier in my own tool, Story Hacker OS.

1:33:02Over here on the left-hand side, we

1:33:03actually have a whole section called

1:33:05templates. And these templates

1:33:08um we've got a bunch of them in here so

1:33:09far. I have a list of over 200 that I'm

1:33:12working through to actually create these

1:33:13guides so that people can use them.

1:33:15They're useful whether you're using AI

1:33:17or whether you're just studying the

1:33:19genre yourself. Uh but for instance, we

1:33:21got like 12 or 13 different cozy uh

1:33:24genres here. So if we looked at this one

1:33:26for instance, that's cozy sci-fi. Uh

1:33:28here's a guide for characters, right?

1:33:30Here are the main characters that you'd

1:33:31see in this uh or character archetypes

1:33:34that you're likely to see in this genre.

1:33:35Here's the plot template, right? That's

1:33:37a little bit more thorough than what

1:33:39Claude gave us just now. Uh we've got

1:33:41one for world-building, one for themes,

1:33:44one for the style guide, how would you

1:33:46know what kind of style is the prose

1:33:48going to look like, one for the general

1:33:50tropes found in this genre, and one

1:33:53again for the book description. So we

1:33:55have these inside of the Story Hacker

1:33:58OS, and one of the cool things about

1:33:59this is that if we create a new project,

1:34:02um you can select the genre that you

1:34:05want. So, if we selected cozy sci-fi,

1:34:07now it says it's found seven genre

1:34:09guides, and we can say, "Okay, I I'm

1:34:12just going to call this cozy sci-fi

1:34:14one." And we can pick a we can pick a

1:34:17different name for it later. And you can

1:34:19also add your core idea and your target

1:34:21audience. This will be probably for We

1:34:23don't need to put that in there yet. So,

1:34:25and then you need to create a project.

1:34:26So, now I have this cozy sci-fi, and

1:34:28there's nothing here in a document, so

1:34:30we're just going to create a new

1:34:31document, call it brain dump, right? And

1:34:34categorize that as notes, and create.

1:34:37Okay, so now we have a brain dump

1:34:38document that we can now write in. But I

1:34:40want to call your attention over here to

1:34:41the right-hand side, where we have this

1:34:44chatbot. And there's a lot you can do

1:34:46with this, and I'm not going to get into

1:34:48everything right now, but the main thing

1:34:50I want to show you is that you have all

1:34:52of this as its context. And because we

1:34:54selected cozy sci-fi as the main genre

1:34:56of this book, you can actually see that

1:34:59it is brought in all seven of those

1:35:01documents into the context of this chat.

1:35:04Now, I don't necessarily need all of

1:35:05these for right now. I'm going to get

1:35:07rid of the blur, I'm going to get rid of

1:35:08the style guide, but I'm going to leave

1:35:10the themes, the tropes, the plot, the

1:35:12characters, and the world build. And so

1:35:13now I could say something to the effect

1:35:16of, "Give me ideas for a cozy sci-fi

1:35:20that fit your context." Or, you know,

1:35:23whatever you want. It'll just have that

1:35:25in the back of its mind, and here we go.

1:35:27And here are a bunch of ideas. So, I

1:35:28could go through. And because we've

1:35:30given it all this context, it can now

1:35:32give us a much more nuanced and specific

1:35:35AI response that won't be nearly as

1:35:38generic as what you would get if you

1:35:40just asked it out of the blue for ideas,

1:35:42right? This is what makes templates so

1:35:45powerful. It narrows things down, it

1:35:47gives the AI some structure to build on,

1:35:49which AI thrives with structure, and it

1:35:52allows you to have a much better chance

1:35:55of hitting all of the correct tropes and

1:35:57plot beats for the genre you selected

1:35:59because and that will let you find the

1:36:02reader who likes your stuff better and

1:36:04makes it more likely that you'll be able

1:36:06to actually build an audience and all of

1:36:08that. So, that is the importance of

1:36:10templates. That's the end of this

1:36:11module. In the next one, we're going to

1:36:12take what we've almost started here to

1:36:15the next level to figure out how to

1:36:17actually start putting together all of

1:36:19the pieces of your book and get started

1:36:22on actually building that story. So,

Module 4

1:36:23let's dive in. Welcome to module four

1:36:26where we talk about what is usually the

1:36:28first step in the writing process,

1:36:30[music] which is brainstorming. Now, of

1:36:32course, with AI writing, I make template

1:36:34creation the first step with

1:36:35brainstorming coming as the second, but

1:36:37you get the idea. Before we start this

1:36:39process, I want to impress on you the

1:36:40importance of establishing your genre

1:36:43and subgenre early on. You may have your

1:36:45kernel of an idea already, and you may

1:36:47have even fleshed out that idea a bit,

1:36:49but before you go any further, you need

1:36:51to figure out what specific genre that

1:36:53idea best fits under. Ideally, you want

1:36:56to niche down as much as possible in

1:36:58established genres that you know will

1:37:00sell because once again, we're

1:37:01interested in books that people actually

1:37:03want to read, not a personal book for

1:37:05yourself, not a book just for your kids

1:37:07to read, one that people and ideally a

1:37:09lot of people want to read because it's

1:37:11a fresh take on something they already

1:37:12enjoy. In other words, their favorite

1:37:14genres. As I mentioned earlier, we have

1:37:16over 200 genre guides either finished or

1:37:19in the works at Story Hacker, but I find

1:37:21that guides like that from anyone really

1:37:23are really just a starting point. The

1:37:25best way to become familiar with a genre

1:37:27is to become well-read in that genre.

1:37:29So, I recommend simply doing a lot of

1:37:31perusing, and that could be on Amazon,

1:37:33at bookstores, and in libraries. Read a

1:37:35lot of books and figure out what makes a

1:37:37difference between how those books are

1:37:38positioned online, how they're marketed,

1:37:40what kind of book cover elements do they

1:37:42have in common, et cetera. I found that

1:37:44most authors, and my earlier self

1:37:46included, tend to not niche down enough.

1:37:49You might know that you want to write a

1:37:50clean romance, for example, but don't

1:37:52realize that there are actually dozens

1:37:53of subgenres within that category. I

1:37:56found that simply spending a few hours

1:37:57browsing on Amazon can actually give you

1:38:00a good idea of what people are buying,

1:38:01and you could quickly figure out that

1:38:03maybe instead of just clean romance, a

1:38:05better niche might be clean Christian

1:38:07Amish small-town romance with an

1:38:09enemies-to-lovers trope. The nice thing

1:38:11about doing all that genre research is

1:38:13that it does half of the brainstorming

1:38:15process for you. You no longer have to

1:38:16come up with all of the elements because

1:38:18the reader expectations for that genre

1:38:20and those tropes already mandate a few

1:38:22things. It's now just your

1:38:24responsibility to fill in the rest of

1:38:26the gaps so that your book becomes a

1:38:27fresh take on that genre. Remember,

1:38:29we're not trying to be original here. No

1:38:31purely original book has ever sold

1:38:34widely at all, ever. What we want

1:38:36instead is fresh, a spin on something

1:38:38that readers are already familiar with

1:38:40and already enjoy. If you look at any of

1:38:42your favorite stories, you'll see they

1:38:44all fit neatly into genre categories,

1:38:46but the good ones usually have a fresh

1:38:48spin on things, which is what the rest

1:38:50of this brainstorming session is going

1:38:52to talk about, how to fill in those

1:38:53remaining gaps. And once again, I'm

1:38:55going to show you how to walk through my

1:38:56recommended process in Claude, and then

1:38:59and Story Hacker OS. So, let's start

1:39:01with Claude here. Now, there are a

1:39:02couple of different ways that you could

1:39:03go about this, and in fact, the

1:39:05brainstorming process is probably the

1:39:08least precise of this entire course that

1:39:11I'm going to show you. Because as is the

1:39:13case with brainstorming, you kind of

1:39:15just got ideas coming from all over, and

1:39:18it could be simple enough to just go to

1:39:20a chatbot and say, "Hey, I want to

1:39:21brainstorm this thing." And then you

1:39:23just go back and forth until you have

1:39:24some stuff that you like. What I'm going

1:39:26to show you is a process, uh some

1:39:28prompts that will make the AI interact

1:39:31in such a way that brings out these

1:39:33ideas, and then also at the end of

1:39:35things, takes it and sort of funnels it

1:39:38into a specific format that is useful to

1:39:42be used in later steps. Because I think

1:39:44one of the bigger problems that authors

1:39:46have is that they have too many ideas or

1:39:48in the brainstorming process they've

1:39:50kind of got all this stuff all scattered

1:39:52everywhere and we need a process that

1:39:54happens at the end of the brainstorming

1:39:56process [music] to sort of take all

1:39:58those ideas and form them into a

1:40:00concrete plan. And that plan is what I

1:40:02call the story dossier, but we'll get

1:40:04there. In Claude, what I would probably

1:40:06recommend you do is create a project. So

1:40:08on the left you go to projects and

1:40:10select new project and I would call this

1:40:12[music] something like novel

1:40:14brainstormer. Now I've already made one,

1:40:16so it's called novel brainstormer right

1:40:18here and importantly you need some

1:40:20instructions. So here you could edit

1:40:22this and add your own instructions.

1:40:24Here's my prompt for it and I actually

1:40:26have a document with this prompt here.

1:40:28If you want to pause the video and take

1:40:30a screenshot, you're welcome to. But

1:40:32essentially what this does is this says

1:40:33you are an expert story brainstormer.

1:40:35It's your job to collaborate with the

1:40:37user to brainstorm all the ingredients

1:40:39they need for a novel. I want you to do

1:40:40a mix of asking questions of the user to

1:40:42get their thoughts and to probe for

1:40:43ideas that they already had as well as

1:40:45to offer your own suggestions when

1:40:46necessary often providing multiple

1:40:48suggestions for the user to pick from.

1:40:50Now this is important because I think

1:40:52the a collaborative process in the

1:40:54brainstorming stage is absolutely

1:40:56crucial. AI can give you ideas, but

1:40:58generally speaking even when you have

1:41:00templates and stuff to to go off of not

1:41:02all of it's going to be super original.

1:41:04Some of it's going to be kind of generic

1:41:05or obvious and very often I will find

1:41:09that what it gives me I can say, well, I

1:41:10don't really like this. I will change

1:41:12this. I can get ahead of that process by

1:41:15having it ask me questions. Even though

1:41:17I'm brainstorming and I could just put

1:41:19all my ideas down to start with, I often

1:41:21don't understand, I don't know what I

1:41:24should write down in my giant brain dump

1:41:26until I'm asked certain questions. So I

1:41:29make sure that the beginning of this

1:41:30prompt asks me questions and offers

1:41:33suggestions so that I can work with

1:41:35that. By the end of your conversation,

1:41:36you should know all the major details of

1:41:38the story, including the genre, the

1:41:39style and tone, the scale of the novel,

1:41:41who the protagonist is, a list of all

1:41:43characters in the novel, a list of any

1:41:44world-building elements needed, and

1:41:46notes on what the inciting incident and

1:41:47climax of the story are. When you think

1:41:49you have all of these elements, ask the

1:41:51user if they want you to put together a

1:41:53full dossier on of their novel together.

1:41:55If they say no, continue to work with

1:41:57them to establish the remaining details

1:41:59until they're ready. If they say yes,

1:42:01create a full summary of the novel based

1:42:03on the conversation you've had. Include

1:42:04at the top of the dossier a logline that

1:42:06encapsulates the story overall, followed

1:42:08by a slightly larger synopsis with more

1:42:10details. Then make sure to have a brief

1:42:12list of all the characters,

1:42:13world-building elements, and the

1:42:15inciting incident and climax in bulleted

1:42:17lists with no more than one sentence for

1:42:19each element. Always output in plain

1:42:21text. I added that last sentence because

1:42:22sometimes Claude can get weird and

1:42:24output some weird stuff. All you have to

1:42:26do is copy this and put it into your

1:42:28instructions here. And now, if I say,

1:42:31"Let's brainstorm a cozy sci-fi

1:42:35together." It'll say, "Oh, I love this.

1:42:37Cozy sci-fi is such a wonderful space to

1:42:39work in." You know, maybe I should add

1:42:40something in the prompt about avoiding

1:42:42things like that, just intros like that,

1:42:44and just get to the point. When you say

1:42:45cozy, what does that mean to you? A few

1:42:46different flavors come to mind. We have

1:42:48small and domestic. We have a gentle

1:42:49adventure. We have community-focused.

1:42:51All right. Let's go small and domestic.

1:42:53But then you can offer any info that you

1:42:56have. So, let's say, "Taking place on a

1:42:59space station orbiting

1:43:03Mars in a far future timeline where

1:43:08humans have colonized

1:43:11Mars." So, now it's asking me a few

1:43:12questions about the space station

1:43:14itself. And I could just keep going back

1:43:16and forth and back and forth. And what

1:43:18this does is it maybe thinks of

1:43:20questions that I hadn't even thought to

1:43:22ask myself, and it gets more details out

1:43:25of me than I would normally do. And

1:43:27sometimes it'll offer suggestions. And I

1:43:29could even say, "I don't know. What do

1:43:30you think?" And it'll give me ideas on I

1:43:33think it should look like. So, that's

1:43:35the novel brainstormer as a project.

1:43:38Now, there is another way that we could

1:43:39do this cuz the last time I showed off

1:43:41this technique just as a brief uh

1:43:43preview of what we got coming. There's

1:43:44also uh projects here for novel

1:43:46characters, novel world building, novel

1:43:48outliner, and novel chapter writer. And

1:43:50there's one for each of these. I

1:43:51remember with the last time I kind of

1:43:52showed off a version of this process,

1:43:55someone asked if you couldn't just do it

1:43:57all in one project for one book. And

1:43:58there is a way to do this. I don't think

1:44:00it's as clean as doing it this way, but

1:44:02there is a way to do that. So, in this

1:44:04case, we would create a new project. In

1:44:07this case, I'll just call it cozy sci-fi

1:44:09one. We're actually going to leave the

1:44:11instructions blank, but eventually we'll

1:44:13have files and things to add in here,

1:44:14although not at this stage. And instead,

1:44:17we're going to go over here to customize

1:44:19and skills. Now, I've already created

1:44:21one called story brainstormer. But what

1:44:23you could do, there's a skill here

1:44:25called skill creator from Claude

1:44:27themselves, so you'll have this

1:44:29available to you. But basically, what

1:44:30this can do is you can give it the

1:44:32prompt that we just used in the project,

1:44:34and it'll create a skill that just uses

1:44:37that skill, does the same thing. So, I

1:44:38could create this copy this and and then

1:44:42come here to the plus sign, create a

1:44:44skill, create with Claude. So, I would

1:44:46probably say something like, "Here's a

1:44:49prompt that I use as a system prompt

1:44:54that I want to convert into a skill."

1:44:58And then you just paste that in there

1:44:59and hit go, and now it will run through

1:45:01the process of creating a skill. I'm

1:45:03going to pause this cuz I already

1:45:04created one of these, but now what I can

1:45:06do is if we go into our project called

1:45:09cozy sci-fi, instead of putting that

1:45:12prompt here in these instructions, I can

1:45:14instead do a forward slash to bring out

1:45:17the skills and select story

1:45:19brainstormer. Another way to access this

1:45:21is you go to this plus sign, go to

1:45:23skills, story brainstormer. And

1:45:24sometimes it'll even know when it should

1:45:27access that skill and it'll just pull it

1:45:29in. So now from here, I can just say, "I

1:45:32want to brainstorm a cozy sci-fi set on

1:45:38a space station orbiting Mars in a far

1:45:42future where Mars has been [music]

1:45:45colonized." And I hit go on that, and

1:45:49now it's reading the story brainstormer

1:45:50skill and we'll walk through the same

1:45:52process. So, [music] the nice thing

1:45:54about doing it this way instead of doing

1:45:56it as a project is that you can keep all

1:45:59of your stuff for one book in one

1:46:01project. I like doing it as a project by

1:46:04itself because I know that's going to

1:46:06work the same way every time. Skills I

1:46:09find can be really helpful, but also you

1:46:13have less control over them and their

1:46:15output. And so for that reason, I like

1:46:17doing things in a project cuz I know

1:46:19from the prompt that everything's going

1:46:21to happen cleanly the way I asked it to.

1:46:23So that's just two different ways to do

1:46:25this in Claude. Now, as I mentioned, if

1:46:26I were to keep going down this

1:46:28conversation until it had all of the

1:46:30elements that it needed, it would

1:46:31create, as you saw from the prompt, a

1:46:33story dossier. And this is where I use

1:46:38an automation for myself. So you could

1:46:40do this in the chat like this and chats

1:46:41are actually perhaps in general better

1:46:44for the brainstorming process because

1:46:46you need something more flexible and

1:46:48versatile, but I actually find that

1:46:50creating the story dossier, uh you once

1:46:53you've got all that scattered brain dump

1:46:55information, is something that an

1:46:57automation is really good for. So here's

1:46:59the one that I created in N8N. As you

1:47:01can see, there's a lot going on here.

1:47:03And uh one thing I haven't even talked

1:47:04about is pulling in the templates as

1:47:07well. That's something we didn't do here

1:47:09for this, but might be a useful thing to

1:47:11do. If you have a template for cozy

1:47:13sci-fi, you should bring it into the

1:47:14project so that the AI can read some of

1:47:17that stuff and have that inform the

1:47:19suggestions that it gives you. For this

1:47:21automation, what I do is I first it

1:47:23submits a form. So, if I hit execute,

1:47:26it'll submit this form and I can input

1:47:28any brain dump I want. This could be

1:47:29anything that I've got. Now, the

1:47:31disadvantage of using an automation in

1:47:33this case, it's not going to go back and

1:47:35forth with me to probe me for ideas. Or

1:47:38for me that just ask you for ideas. That

1:47:40kind of has to be done first. Or if you

1:47:42just already have a solid amount of

1:47:45brain dump, you can just put it in here.

1:47:47Alternatively, if you don't really know

1:47:49what would be a good idea, and you just

1:47:51want the AI to come up with something

1:47:52that's good, this is a good way to do it

1:47:54because the automation does a whole

1:47:56number of checks to make sure that it's

1:47:57not being super generic. You could just

1:47:59say something simple like, well, let's

1:48:01just pull in our idea. I want to write a

1:48:05cozy sci-fi that takes [music] place on

1:48:09a space station orbiting Mars in the far

1:48:14future when Mars has been colonized. I'm

1:48:17going to hit submit on this, but I'm

1:48:19actually going to pause it real quick

1:48:20and pin that info because some of these

1:48:23trope templates and plot templates I

1:48:25need to make sure that they're pulling

1:48:26the right ones in. So, for that, I'm

1:48:28going to go to my membership. And if

1:48:30you've made your own templates like we

1:48:32talked about in the previous step, you

1:48:34can use those. But I'm going to go here.

1:48:36We're going to look up cozy sci-fi and

1:48:38I'm going to pull out all of these

1:48:40documents here. I'm going to grab the

1:48:41URL. So, here's the URL for the tropes

1:48:44list and I go to this one that says

1:48:46tropes document and paste that in. Okay,

1:48:48so now these five nodes in this

1:48:52automation will grab all of those

1:48:55templates for cozy sci-fi. So, now all I

1:48:57have to do is execute workflow and it

1:49:00will start to run through this entire

1:49:02process. So, what this does, it first it

1:49:04looks at the templates and identifies

1:49:06what genre we're in, and then it

1:49:08brainstorms five pitches. And the reason

1:49:10I have it do five is because if you just

1:49:12asked it to do one, AI would give you

1:49:14the most obvious answer. If you ask it

1:49:16to do five, it will give you a variety

1:49:18of answers, and it usually stretches

1:49:20itself a little bit to come up with

1:49:21something that's a little bit of a

1:49:22better hook. And I also have like a very

1:49:25specific prompted here including a hook

1:49:27rubric. This whole thing here is a hook

1:49:29rubric to see how good is the hook. So,

1:49:32we're actually going a few levels deeper

1:49:34than what we're able to do in Claude

1:49:36because we're doing multiple prompts

1:49:38that are strung together rather than

1:49:40just one prompt that we put [music] into

1:49:42the instructions or into our skill. Um

1:49:44so, it brainstorms five pitches and then

1:49:46I allow it to pick what it thinks is the

1:49:48best, which is usually a good one. Then

1:49:50it outputs that and just that so I can

1:49:52use it later in the automation. And then

1:49:54it runs through the first step in

1:49:57creating a story dossier. And so, what

1:49:59that looks like is like this it grabs

1:50:01all of the data that it needs including

1:50:04your brain dump and says, "A given the

1:50:05above premise, brain dump, genre tropes,

1:50:07outline template, character template,

1:50:09and world building template, I want you

1:50:10to create a complete story dossier that

1:50:11has a list of everything the author will

1:50:13need to fully flesh out the characters,

1:50:15world building, and outline for this

1:50:16premise." And so on and so forth. So, it

1:50:18goes and does that. And then, this is a

1:50:20again another advantage of doing an

1:50:22automation, we do a emotion check and a

1:50:25character check character name check.

1:50:27So, the emotion check I want to do be

1:50:29doubly sure that this story has like an

1:50:32emotional gut punch to it because books,

1:50:35fiction in particular, needs to make us

1:50:37feel things. That's kind of the point of

1:50:40literature. [music] This check,

1:50:41specifically on a rubric, goes through

1:50:43and checks if everything is looking good

1:50:46in this concept. And if not, it gives

1:50:48suggestions for improvement. The

1:50:50character name check looks at all of the

1:50:52names except the ones that the user

1:50:55inputted themselves. So, any names that

1:50:57were essentially created out of whole

1:50:59cloth from the story dossier prompt. And

1:51:01actually checks against a list of AI

1:51:03names to see are any of these names like

1:51:07really generic cliché AI names. And

1:51:09then, if so, it changes them. And then

1:51:11from there, actually, it it doesn't

1:51:13change them at this step. It uh gives

1:51:15you suggestions on what to change it to.

1:51:17And then it does a a rewrite uh [music]

1:51:19with that feedback in mind. Then I have

1:51:21it do a second or another round of

1:51:23checks. So, in this case, a logic check.

1:51:25And the whole idea behind this logic

1:51:27check is to look for any

1:51:28inconsistencies, so things like plot

1:51:30holes or character motivations that

1:51:32don't make sense, you know, that kind of

1:51:34thing. It looks through those and just

1:51:37tries to [music] think about it

1:51:38logically. Like, could this be feasible

1:51:41within the premise of the genre and all

1:51:43of that. And then it does a second

1:51:44rewrite. What happens because of this

1:51:46automation is that we've already spent a

1:51:48several passes here improving the

1:51:50dossier before you even look at it. So

1:51:52that there is I hopefully a lot less for

1:51:55you to do once you see the final result.

1:51:57And once it's done the second rewrite,

1:51:59it updates a Google Doc and you're good

1:52:00to go. There's a lot to this. It takes a

1:52:03good deal of setting up. As you've seen

1:52:05earlier in this course, there's a whole

1:52:07lot of setup that goes into NDD, which

1:52:09is why I've built these functionalities

1:52:11directly into Story Hacker OS as well.

1:52:12And I don't want this to feel like a

1:52:14sales video. I can see how it kind of

1:52:16would feel that way at some point, but

1:52:17I'm just really excited for what we've

1:52:19got here. Uh so, first of all, there's a

1:52:20couple of different ways that you could

1:52:22do this. You can go here to Book

1:52:24Builder, and this automation right here

1:52:27is the exact same automation as you see

1:52:30here. The only difference is you don't

1:52:32have to go through all of that crazy

1:52:33setup and uh making sure all your

1:52:36documents are in order and all of that.

1:52:38All you have to do is go here, and I

1:52:41would select right here. So, and then

1:52:43you can just dump your brain dump right

1:52:45here. Then you select your genre, in our

1:52:47case we'd do cozy sci-fi, and you can

1:52:49see it's automatically pulling in the

1:52:51correct templates. So, we would just say

1:52:53our little thing about I want to write a

1:52:56story set in a space station orbiting

1:53:02Mars at a time in the far [music] future

1:53:07when Mars has been colonized. All right,

1:53:10so that's our idea. And then we could go

1:53:11ahead and say start pipeline. And

1:53:13automatically, it will go through the

1:53:15same steps. So it identifies the genre.

1:53:18All right, so we've got cozy sci-fi. And

1:53:20then it goes through and now you can see

1:53:22it's brainstorming our five pitches. And

1:53:24if you only have a nugget of a story

1:53:26idea and you haven't fleshed it out a

1:53:28lot and you don't really want to go

1:53:30through the whole process. Like this is

1:53:31the best way to do it is through a story

1:53:34dossier like this. It will flesh out

1:53:36everything and chances are it'll be a

1:53:38pretty good hook. So something decent to

1:53:40go with. But if you do have your own

1:53:41ideas and you want to have that back and

1:53:43forth with this whole system, there is

1:53:46another way you can create this inside

1:53:47of Story Hacker. So I'm going to go

1:53:49ahead and stop this process and leave.

1:53:51Then we'll find our cozy sci-fi one

1:53:53project that we developed in the last

1:53:55module. And then over here on the

1:53:56right-hand side, I've created a persona

1:53:59called brainstorming assistant. In Story

1:54:02Hacker, we have this concept called

1:54:03personas. And right now there's or you

1:54:06can just see writing assistant and

1:54:07brainstorming assistant. Writing

1:54:09assistant is just sort of generic. I'm

1:54:11going to help you type stuff and it's

1:54:13the default that you'll see here. But if

1:54:15you select brainstorming assistant, now

1:54:16you essentially have that same prompt

1:54:19that we were using in Claude. Although

1:54:20I've actually enhanced it just a little

1:54:22bit. Plus, you automatically get all of

1:54:25that genre context included here in the

1:54:27context down here. That's awesome. So

1:54:30from here, we can just start

1:54:32brainstorming our ideas here and it will

1:54:34be able to guide us down that path the

1:54:36same way Claude could. And we can have

1:54:37that back and forth. And then as we like

1:54:40the ideas that it gives us, we can copy

1:54:42and paste them into our brain dump here

1:54:43and then run a dossier automation on it

1:54:45if we want. Or we can actually generate

1:54:48a dossier inside of the chat. The only I

1:54:51I think downside to generating the

1:54:53dossier inside of the chat as opposed to

1:54:55running an automation on it is the fact

1:54:57that you don't get the logic check and

1:54:59the emotion check and all of those

1:55:00things. So you would have to do those

1:55:02things yourself essentially. You'd have

1:55:03to go through, change all the names if

1:55:05they're a little bit too AI cliche, that

1:55:07sort of thing. So, that is the

1:55:09brainstorming process in a nutshell. I

1:55:11want to go over a couple of things to

1:55:13round us out here because I know again,

1:55:15brainstorming can be one of those things

1:55:17that's just very nebulous. I've tried to

1:55:19put as much structure to the process as

1:55:21possible here, but this is definitely

1:55:23the least structured part of the process

1:55:25compared to what's coming. I've actually

1:55:28included a number of prompts that I want

1:55:29to show you guys uh for additional

1:55:31brainstorming methods that you can use

1:55:34to give you ideas. Uh you can use any

1:55:37one of these prompts in any chatbot, and

1:55:40I find these to be super useful. And

1:55:41they all use different methods of

1:55:43brainstorming to kind of enhance and

1:55:45unlock your mind a little bit. So, first

1:55:48we have high concept pitches. This is

1:55:49kind of a basic generic brainstorming.

1:55:52Give me a number of high concept pitches

1:55:53for best-selling insert your genre here

1:55:56story with a unique twist, interesting

1:55:58intriguing characters, and gripping

1:55:59emotional stakes, or give me certain

1:56:02number of ideas for characters that are

1:56:03part of a best-selling insert your genre

1:56:05story that are well fleshed-out, have

1:56:07strengths and weaknesses, and undergo

1:56:09conflict throughout the course of the

1:56:10story. Briefly describe their character

1:56:12arc. Because I usually find that most

1:56:13people's high concepts have to do with

1:56:15either the plot or the character. I have

1:56:17a prompt for each of those. Then there's

1:56:18the logline prompt. So, this one goes,

1:56:22"Give me 20 loglines for a genre story

1:56:24in the style recommended by Blake Snyder

1:56:26that includes the following elements:

1:56:27the protagonist or main character, the

1:56:29context or setup of the story, what the

1:56:31main character wants or is trying to

1:56:32achieve, the antagonist or main obstacle

1:56:34facing the protagonist, uh the main

1:56:36conflict or problem that drives the

1:56:38story, and an ironic hook or twist that

1:56:40makes the concept intriguing. It should

1:56:41be 25 to 30 words to concisely capture

1:56:44the essence of a story." And loglines

1:56:46are an excellent way to make sure you

1:56:48have a good story. If you can't describe

1:56:50your story and your hook in a concise

1:56:52logline like this, you probably need to

1:56:54work on your premise a little bit. All

1:56:56right, then I have a prompt here that's

1:56:58useful if you already have the initial

1:57:00concept in mind. So, you can say, "I

1:57:02like to write a genre novel about insert

1:57:05your idea here. Please help me expand on

1:57:07this idea by providing potential details

1:57:08about interesting protagonists,

1:57:10antagonists, side characters, settings,

1:57:12plot twists, and subplots. Make a list

1:57:13of 100 possibilities." So, this is just

1:57:15meant to be like a giant brainstorming

1:57:17session where you just like think of

1:57:18everything. Then you can kind of like

1:57:20pick and choose what you like from

1:57:21there. Uh then we have the what if game,

1:57:23which I is one of my favorites. I'd like

1:57:24you to create a list of what if

1:57:26statements related to your ordinary

1:57:28thing. So, in this case, you want to

1:57:29think of like an ordinary thing and give

1:57:32it a what if. So, what if, for example,

1:57:35your tree in your front yard uh suddenly

1:57:37actually started to sprout money. So,

1:57:40money was literally growing on trees,

1:57:41you know? You take an ordinary thing

1:57:43like a tree in your front yard and give

1:57:44it some fantastical what if statement.

1:57:46Yeah, I can help you brainstorm those.

1:57:48Then, this one's a first line prompt. A

1:57:50lot of authors, like uh I know Dean

1:57:52Koontz does this, is they'll just start

1:57:54with an intriguing first line, not

1:57:56really knowing anything about the plot,

1:57:57just like, "Oh, that's an interesting

1:57:59first line." And in this case, you can

1:58:00say, "Give me a list of whatever number

1:58:02of potential first lines for a genre

1:58:04novel. The line should include at least

1:58:06one character, include some kind of

1:58:08conflict, and should be quick, engaging,

1:58:10and action-oriented to hook the reader."

1:58:12Then, here's one of my favorites, and

1:58:13there's actually this is a two-part

1:58:15prompt here. There's finding new

1:58:16stories. There's two ways you could do

1:58:18this. Um you could do it with this one,

1:58:19"Using the following news story,

1:58:20brainstorm X number of ideas for a genre

1:58:24book." And then you paste a news story

1:58:26here. Uh I actually almost decided to

1:58:28pursue, like to try and create a

1:58:32newsletter, uh like a Substack or

1:58:34something like that, where every day it

1:58:37would auto-generate a like a fantasy

1:58:39story or something that's based on a

1:58:41news story from the previous day. I

1:58:43didn't end up doing that, but it was a

1:58:44cool thought experiment that I ran

1:58:46through. Cuz you can actually get some

1:58:47pretty interesting ideas when you adapt

1:58:50a news story to whatever genre that

1:58:52you're doing. And then the other way you

1:58:53could do this is to come up with X

1:58:55number of news article teasers covering

1:58:57unusual events, crimes, disasters, or

1:58:59discoveries that could drive the plot of

1:59:01a insert your genre story. So, this is

1:59:04more like in-universe news stories,

1:59:06stuff that's actually happening in your

1:59:08story. Like coming up with a number of

1:59:09those. That could be really useful,

1:59:11particularly for certain genres like

1:59:13thriller, mystery, suspense, horror, any

1:59:15of those. It'll work for fantasy and

1:59:16science fiction as well. Then you have

1:59:18job titles. Give me a list of

1:59:19interesting professions that one might

1:59:21find in a insert a setting or genre

1:59:24setting. And then So, this is a two-part

1:59:26prompt. So, after you've got that list,

1:59:28brainstorm a list of plot, character,

1:59:30setting, and theme ideas for insert your

1:59:32genre book where the protagonist insert

1:59:34occupation here. This could be really

1:59:35useful. A lot of people like to learn

1:59:38about interesting and unique

1:59:40occupations. I feel like I see this in a

1:59:43number of genres, but particularly

1:59:44romance, I think I see it a lot as long

1:59:46as it doesn't interfere with the tropes.

1:59:48There's usually, you know, there could

1:59:49be some interesting profession that, you

1:59:51know, might not be the most obvious one.

1:59:53This one's just for fun, but can be

1:59:55really hilarious. Give me X number of

1:59:57ridiculous would you rather scenario

1:59:59questions related to your genre book

2:00:01about your concept. This is just a great

2:00:03way to kind of throw out some weird and

2:00:06wacky ideas, some of which can actually

2:00:08give you genuine ideas that you could

2:00:10use. Uh then we have the this meets that

2:00:12brainstorming prompt. So, brainstorm X

2:00:14number of book ideas using a plausible

2:00:16mashup of insert two or three things

2:00:18here. So, what's a plausible mashup of

2:00:20blank, blank, and blank, right? And you

2:00:22could pick like Harry Potter mixed with,

2:00:25I don't know, 1950s housewife mixed with

2:00:29insert some other like random thing that

2:00:32doesn't seem like it should go together,

2:00:34and then ask it for those ideas, and it

2:00:37will give you pretty good plausible

2:00:39ideas. And the more unrelated the things

2:00:42are when you're matching them together,

2:00:44the more likely you're going to get

2:00:45really good results from AI because

2:00:47again, AI will naturally go to the most

2:00:49obvious answer. But if you give it a

2:00:51restraint like the story must have to do

2:00:53with these two unrelated things, it

2:00:55suddenly will give you a very original

2:00:57answer, which is awesome. Then there's

2:00:59the social issue. And if you're one of

2:01:02those people that likes to write about

2:01:05something that's important to you, this

2:01:06is a good prompt for that. I'd like to

2:01:08write a book involving the social issue

2:01:10or slash value slash theme of insert

2:01:12your issue here. Please brainstorm X

2:01:14number of ideas for a genre book that

2:01:16can incorporate this issue in a way that

2:01:18is meaningful yet subtle. Make sure the

2:01:20concept is not too preachy and fully

2:01:21explores the issue from more multiple

2:01:23angles. And finally, I have a

2:01:25summarizing it all prompt. Assuming

2:01:28you've gone through this brainstorming

2:01:29process and your your thoughts are just

2:01:31spread out everywhere, it can be really

2:01:33useful to have a prompt like this, which

2:01:35says if you're not going through like

2:01:37the dossier automation and all of that,

2:01:39you could have something like I'd like

2:01:41you to create a short pitch for a story

2:01:42using all of the information below. Sum

2:01:45it up using this framework. My story is

2:01:47about blank who must blank in order to

2:01:49blank. I got this from James Scott Bell,

2:01:51who's one of my favorite teachers on

2:01:53writing. This is just a good way to sort

2:01:55of succinctly tell somebody what your

2:01:57story is about. And if it doesn't sound

2:01:58interesting from my story is about blank

2:02:00who must blank in order to blank, that

2:02:02doesn't sound interesting put in that

2:02:04concise of a manner. Once again, you

2:02:06need need to kind of work on it until it

2:02:07does. But this is just a good way of

2:02:09kind of summarizing your story in as

2:02:11little space as possible. All right. So

2:02:13hopefully by the time you run through

2:02:15this process, whether you're using

2:02:17Claude or N N or Story Hacker OS, you

2:02:19should have a decently summarized

2:02:22version of your book that kind of

2:02:24briefly lists out everything that you

2:02:26need for the book. However, in order to

2:02:28actually write this book, we need to

2:02:30flesh out certain of these elements. And

2:02:32so that's what we're going to start

2:02:33getting into in the next module. So

2:02:36let's go to that.

Module 5

2:02:37Welcome to module five. Where in In

2:02:40module, we're talking about taking

2:02:42everything that we brainstormed [music]

2:02:43in the previous step along with the

2:02:45story dossier you hopefully created and

2:02:47flesh out all of the pieces we need to

2:02:49construct our story. Specifically, we're

2:02:51talking about character and

2:02:53world-building. Now, these may seem very

2:02:55different from each other, but the

2:02:56process of using AI to flesh them out is

2:02:58actually very similar. So, you can also

2:03:00do them in any order, either character

2:03:02or world-building first. So, I put them

2:03:04in the same module for the purposes of

2:03:05this course. I'm going to start with

2:03:07character. So, like before, we're going

2:03:09to be starting in Claude and showing you

2:03:11how I would do this inside of Claude.

2:03:13Now, there of course, as with

2:03:15brainstorming, there are two ways to do

2:03:16this in Claude. Uh one of the things

2:03:18you'll find, just as a side here, is

2:03:20that there are many ways to do all of

2:03:21these things. And it's important to kind

2:03:23of get a sense of your own experience

2:03:26with these tools so that you can know

2:03:29what works for you. But, I'm just going

2:03:30to show you the two ways to do this in

2:03:31Claude. So, the prompt that we're going

2:03:33to use here is this character project

2:03:35prompt. You can go ahead and screenshot

2:03:37this if you need to. That's the prompt

2:03:38right there. I'm going to copy this and

2:03:40we're going to go into a second project

2:03:43and you'll want to create a new project

2:03:45and then put that prompt in the

2:03:48instructions. Okay, now I've already

2:03:49done one right here. So, you would just

2:03:51come here to the instructions, paste

2:03:53your prompt in there, and then save

2:03:55instructions, and so on. So, the way

2:03:57this prompt starts is it says, "Your job

2:03:58is to take any story dossier or brain

2:04:00dump information that the user gives you

2:04:02and create a fleshed out character sheet

2:04:04for all mentioned characters." And then

2:04:06it asks to generate the following

2:04:07including a physical description, their

2:04:09primary role in the story, their various

2:04:11personality profiles, their core

2:04:13motivation, brief explanation of their

2:04:15background before the story starts, an

2:04:17interesting quirk or hobby, and dialogue

2:04:20style. And then I say, "Only include the

2:04:22asked for character details. Do not add

2:04:24any preamble comment commentary or

2:04:26anything other than what I've asked for

2:04:27above." So, that's the overall prompt.

2:04:29So, basically, all you have to do is

2:04:31give it your story dossier and it will

2:04:34generate the or flesh out the characters

2:04:36for you. Now, the other way to do this

2:04:38is if we take the same prompt, we can

2:04:41create a Claude skill for this. So,

2:04:44let's go to customize and then go to

2:04:47skills, select create skills, create

2:04:50with Claude, and say I want to create a

2:04:54skill based on the system prompt that I

2:04:59used to create and flesh out character

2:05:03profiles. [music] And paste that in and

2:05:05go ahead and hit go. All right, and here

2:05:07it has fleshed out our character profile

2:05:10skill. All you have to do now is just

2:05:12say save skill. And now if you go to

2:05:14customize, you will see it included in

2:05:17your list of skills right here. So, what

2:05:19this allows you to do is instead of

2:05:21having a separate project for fleshing

2:05:24out characters, you can do it all inside

2:05:26of one project with one story. Now, to

2:05:29some this might seem more efficient. I

2:05:31do find the skills to be a little bit

2:05:33touch and go sometimes, like they're not

2:05:35always as precise. Uh the way I do it

2:05:37with a project means I will get the

2:05:39exact same type of result every single

2:05:42time. And you don't necessarily get that

2:05:43with skills. Skills, they tend to think

2:05:45for themselves a little bit more, which

2:05:47is not necessarily a bad thing, but if

2:05:49you want a specific thing, a specific

2:05:51format, sometimes it can be a little bit

2:05:52off. But regardless, I could take what

2:05:54we brainstormed [music] here so far,

2:05:56have it flesh out of the characters, and

2:05:57everything would be okay. So, I happen

2:05:59to have a dossier here for a cozy sci-fi

2:06:02and that I'm going to be using for all

2:06:03of these projects. So, what I could do

2:06:05is I could just do a forward slash and

2:06:08then type in character, and there's our

2:06:10character skill, and say I want to flesh

2:06:13out the characters from this dossier.

2:06:17And then I can paste in the dossier that

2:06:19I've got so far, hit go, and here it is

2:06:22fleshing out our characters right there.

2:06:25Now, while that's going, let me show you

2:06:26what you could do in a project. So, now

2:06:29all I have to do is go to our novel

2:06:31characters project, type in our dossier.

2:06:34Here's the dossier, and it already knows

2:06:36what to do with this because it's set in

2:06:38the system instructions. So, all I have

2:06:40to do is hit go and let it go. And there

2:06:41it is, flushing out the characters as

2:06:43well. So, uh it's just two different

2:06:45ways to do it. Now, let's take a look at

2:06:47some other alternatives uh starting with

2:06:49n8n and how I would do this in n8n

2:06:52because the problem with Claude, of

2:06:53course, is that we're only using one

2:06:55skill or one prompt to create these

2:06:58fully fleshed-out characters. What if

2:07:00there's more steps we want to do in

2:07:02between that would actually flesh these

2:07:04characters out even further or refine

2:07:06what it gives us or checks for uh logic

2:07:08errors and stuff like that? Well, we can

2:07:10do that with an automation. And what we

2:07:12have here is the automation I've created

2:07:14for characters. And uh in this case,

2:07:16what it does is it grabs the dossier. It

2:07:19also grabs various templates. Already,

2:07:21we're kind of giving it more than what

2:07:23we had in Claude because we're giving it

2:07:25certain templates so that it can

2:07:27actually get the right archetypes and

2:07:29all of that. Then it grabs a blank sheet

2:07:31where it's going to put all of this

2:07:32character info. It condenses the tropes

2:07:34so that it doesn't take up as much

2:07:36context, and it finds the list of all

2:07:38character names. This is an important

2:07:40step in this automation because it'll

2:07:42then parse those names out and start a

2:07:44loop for each character. What this does

2:07:47is it uh

2:07:48you know, in Claude, when we're talking

2:07:49about what Claude does, it's doing this

2:07:51all in one go for all of these

2:07:53characters. But, that's not actually

2:07:55that efficient because it's not devoting

2:07:57a certain amount of its brain power to

2:07:58just one character at a time. What we

2:08:01have here is the ability to do that. Uh

2:08:03so, we get even more efficiently

2:08:05fleshed-out characters. So, it parses

2:08:07through the names, it starts a loop for

2:08:09each one, then it runs this expand

2:08:11character prompt, which is similar to

2:08:13the one that we have inside of Claude.

2:08:15But, then it does a logic check. And

2:08:17this is a what I consider a very

2:08:19important step. Now, you could, of

2:08:20course, create like a logic check skill

2:08:22or something like that, but having it in

2:08:24an automation I find is just easier cuz

2:08:26you don't even have to call it up and

2:08:28say, "Hey, run this logic check on our

2:08:29characters." It just does it

2:08:31automatically. And what this logic check

2:08:33does is it just makes sure that

2:08:34everything sort of makes sense. Like,

2:08:36does this character motivation make

2:08:37sense given the character's background?

2:08:39Does it make sense given the plot that

2:08:41we've got here? Is there anything that

2:08:43just doesn't fit with the character's

2:08:45motivation or their arc or some part of

2:08:48their story that just actually doesn't

2:08:50make sense, that sort of thing. Once

2:08:51it's done that logic check, it does a

2:08:53rewrite incorporating the feedback that

2:08:55it got and then continues on with the

2:08:57loop for each character. Something I

2:08:59also add in here is once it's got that

2:09:02list of characters, I'll have this step

2:09:04which will look at each character and

2:09:06their relationship with each other

2:09:08character and create a relationship map.

2:09:10And from that relationship map, it is

2:09:13able to kind of get a sense of how

2:09:16characters relate to each other, which

2:09:18is important later on when we're writing

2:09:19the story and we have two characters

2:09:21interacting with each other. How are

2:09:22they going to talk to each other and all

2:09:24of that? That's important to include.

2:09:26Now, if we're looking at the Story

2:09:28Hacker OS, there's a couple of things

2:09:29that we can do here. So, I had

2:09:31previously generated this story.dossier

2:09:33for our cozy sci-fi inside of Story

2:09:36Hacker OS and over here on the side, we

2:09:38in our chat, I have created a character

2:09:41assistant persona which allows us to

2:09:43It's basically a version, maybe slightly

2:09:46more advanced version of what we were

2:09:47doing in Claude. It'll do that here but

2:09:50with the enhanced ability to bring in

2:09:52all of the context down here in the

2:09:54bottom right uh which includes a cozy

2:09:57sci-fi characters template. From here, I

2:09:59can just say like, "Flesh out all the

2:10:01characters." Or I could say, "Flesh out

2:10:04this specific character." So, we have

2:10:05Daria Osei. Flesh out that character,

2:10:08etc. We have that if you want to get a

2:10:09little bit more hands-on and don't want

2:10:11the whole automated process. But then

2:10:13I've also built into this tool the

2:10:16dossier to characters automation. So, if

2:10:18I select that and then we select our

2:10:21project which in this case is just

2:10:22called Cozy Sci-Fi 1. It will

2:10:24automatically find the story dossier in

2:10:26there. And if you don't have it in

2:10:28there, you probably should create one,

2:10:29but that's in there. And you could if

2:10:31you have more than one dossier, you

2:10:33could like select from a list. Uh it

2:10:35automatically pulls in all the genre

2:10:37templates, and then you can add any

2:10:38additional author notes here that will

2:10:40be passed to the AI during the character

2:10:42generation. And then from here, you can

2:10:43just say generate characters, and you

2:10:45can see it's starting to go through the

2:10:48process. So here it's made of all the

2:10:50characters uh that were listed in that

2:10:52story dossier, and it's started the

2:10:54expansion step for Daria Osei. And

2:10:58you'll also notice as it's going through

2:11:00this automation, the same as with my N8N

2:11:02automations, I have it have a selection

2:11:04of sliders here. This is what I like to

2:11:07do to kind of get a sense for their

2:11:09baseline when it comes to certain

2:11:11things. Like how stressed or calm are

2:11:13they? What's their fear to courage

2:11:15ratio? And it goes from -10 to +10. Uh

2:11:18so a -10 would be super stressed, and a

2:11:21+10 would be like so calm that they

2:11:23never get stressed about anything,

2:11:24right? And it gives these sliders as a

2:11:27way get adding a little bit more depth

2:11:30to their character. And later on when

2:11:31it's actually writing the text, it will

2:11:34adjust those sliders depending on the

2:11:36scene. So you might be in a more

2:11:38stressful scene, so their stress and

2:11:39calm levels would actually go down. This

2:11:42is just establishing what their baseline

2:11:43is, which is a really helpful feature to

2:11:45kind of get a little bit more of a

2:11:47realistic fleshed out feeling character.

2:11:49So while this continues on, we're going

2:11:51to go ahead and move on to the next

2:11:54step, which is world building. Now the

2:11:56prompt for world building looks

2:11:58something like this. I'll go ahead and

2:12:00pause a different so you can read some

2:12:03of it, and take screenshots if you want.

2:12:04When you are given a story dossier or

2:12:06brain dump information, I want you to

2:12:07create a fleshed out list of all

2:12:09important setting and world building

2:12:10elements needed specifically for this

2:12:12book. Make sure each world building

2:12:13element is labeled as one of the

2:12:14following categories. And then I have a

2:12:16list of world building categories here.

2:12:18So, we have high-level worldbuilding

2:12:19settings and locations, objects and

2:12:21artifacts, magic systems and technology,

2:12:23groups and races, gods and deities,

2:12:24geography and nature, population and

2:12:26politics, culture, history and lore,

2:12:28religion and beliefs, and languages. One

2:12:31of the big misconceptions about

2:12:32worldbuilding is that worldbuilding is

2:12:34all about fantasy or science fiction.

2:12:37And that's just not true. For instance,

2:12:38setting and locations is an important

2:12:41one regardless of what genre you're

2:12:44writing in. And a lot of people don't

2:12:46call that worldbuilding at that point,

2:12:48they just call it setting. But, you also

2:12:50need to in pretty much every genre, you

2:12:52also need to worry about like objects

2:12:54and artifacts or groups and races or

2:12:56geography or politics, culture, history.

2:12:59All of these things are useful to have.

2:13:01And you might have to research it if

2:13:03it's something that takes place in a

2:13:04contemporary setting or in a historical

2:13:08setting. Or you might need to make it up

2:13:10if you're doing fantasy or science

2:13:12fiction. But, regardless, you do need to

2:13:13have a lot of these details kind of

2:13:15filled in. Even like I find, let's say

2:13:18you're writing a cozy mystery. A cozy

2:13:19mystery is all about the small town. I

2:13:22would even sort of map out what this

2:13:24town looks like and where all the

2:13:26different shops, where does everybody

2:13:28live? That's the sort of thing we want

2:13:29to be establishing here with the

2:13:30worldbuilding. So, regardless of whether

2:13:32it's fantasy or science fiction, we're

2:13:34still needing to do this. All right, now

2:13:35here's the second part of the prompt

2:13:38here. Do not use a category if it

2:13:40doesn't apply to the book or series. If

2:13:41there aren't elements in the dossier

2:13:42that apply to that category, make sure

2:13:44to flesh out all of the worldbuilding

2:13:45details that a writer might need to

2:13:47write the story. Each worldbuilding

2:13:48element should feel fully fleshed out,

2:13:50not just set dressing. Each

2:13:51worldbuilding element should have at

2:13:53least three to four sentences describing

2:13:54it. Make these details specific. Only

2:13:56include the asked for worldbuilding

2:13:58details. Do not add any preamble

2:13:59commentary or anything other than what

2:14:01I've asked for above. So, that is the

2:14:02prompt. From here, we can take it and

2:14:04create a project. So, I've already

2:14:06created one here called novel

2:14:07worldbuilding and that prompt is

2:14:10injected right there. And we basically

2:14:12follow the exact same steps. We take the

2:14:15dossier, we paste it in here, and it'll

2:14:17flush out the world building.

2:14:19Additionally, you can go to customize,

2:14:21create a skill that is all about world

2:14:23building using that prompt, and then you

2:14:25could use that skill inside of your

2:14:27story. But, obviously, I just walked you

2:14:29through that whole process with

2:14:30characters. We don't necessarily need to

2:14:32go through that again. I will show you

2:14:34my world building automation in N8N.

2:14:37This one functions almost identically to

2:14:39the character one. So, it goes through,

2:14:42grabs the information, grabs the

2:14:44templates, uh makes a list of all of the

2:14:47different things that need to be fleshed

2:14:49out from a setting perspective uh and

2:14:51world building's perspective, and then

2:14:52runs a loop on each one. And this I

2:14:55think, you know, it's important to run

2:14:56the loop one at a time so the AI is able

2:14:58to think about one at a time. [music]

2:15:00And from there, it expands on the world

2:15:03building. This prompt here for this one

2:15:05is very similar to what we had for

2:15:06charac- for Claude, [music] what we put

2:15:08in the Claude. Uh it adds that to a

2:15:10document, then it does a logic check on

2:15:12that to see how does it fit in with the

2:15:15rest of the world, especially everything

2:15:17else that we've already established. And

2:15:18then it does a rewrite of the element

2:15:21and adds that to our final doc. So, this

2:15:23is our automation, the advanced one that

2:15:25I've created for N8N. And of course, we

2:15:28have a version of that inside of Story

2:15:31Hacker as well. Now, you before I

2:15:33actually show you the automation, I have

2:15:35also created a persona in the chat here

2:15:39on the right hand side anytime you're

2:15:41doing this. There is a world building

2:15:42assistant here, which functions very

2:15:44similar to lead to what you see in

2:15:45Claude. So, really, it's Story Hacker OS

2:15:47gives you both options to do it like

2:15:49[music] as an automation or to just do

2:15:51it in a little bit more hands-on way

2:15:53using this world building assistant.

2:15:55Yeah, that's So, that's how that works.

2:15:57But, let's go to the automation. Just

2:15:59click on dossier to world building.

2:16:01We'll select our project, which is Cozy

2:16:03Sci-Fi 1. It automatically detects our

2:16:05story dossier in there. It draws in all

2:16:08of the genre templates that it needs,

2:16:10and you have a place to add additional

2:16:11notes if you want. And from here, we

2:16:13would just click generate world

2:16:14building. And as you can see, it's going

2:16:16through and starting its work on the

2:16:19first world building element, which is

2:16:21our way station Kepler 9, which is, you

2:16:24know, the main setting of this story.

2:16:26So, it's going through and fleshing that

2:16:27whole thing out. Then it'll do a logic

2:16:29check just like the other one for

2:16:31characters, and uh basically runs

2:16:33through the exact same steps but for

2:16:35world building instead of for

2:16:37characters. So, it goes through that

2:16:38process, then it does the logic check.

2:16:41Here is a list of all the things that it

2:16:43has found to improve, and then it does a

2:16:45rewrite on that thing to make sure it's

2:16:48a little bit more in line with stuff.

2:16:49And then it moves on to the next world

2:16:51building element, which in this case is

2:16:53called the Dust Storm Orange Common

2:16:55Room, and runs through the exact same

2:16:57process. Now it's going through the

2:16:58logic check, etc. And from there it'll

2:17:01go on into the rewrite. And that's the

2:17:03process. So, I'll just let those

2:17:05continue to run. But that pretty much

2:17:06takes us to the end [music] of this

2:17:08module. As you can tell, the two

2:17:09processes were pretty similar, and once

2:17:11again, you don't have to start with

2:17:12characters, you can start with a world

2:17:14building first if you want. They both

2:17:15sort of run in parallel to each other.

2:17:17Uh but the next step is my personal

2:17:19favorite, so let's get into that next.

Module 6

2:17:21Welcome to module 6, which is my

2:17:23personal favorite part of the process,

2:17:26where you get to see all of the

2:17:27different pieces that we've been

2:17:28collecting all get assembled together

2:17:30into a cohesive plot. I am, of course,

2:17:33talking about the plotting or outlining

2:17:35phase. Now, I want to pause here a

2:17:37little bit to talk about the spectrum of

2:17:40writers when it comes to outlining

2:17:41versus what we call discovery writers.

2:17:43The On one hand, you'll have a hardcore

2:17:46discovery writer. This person does not

2:17:48like outlining at all, and just wants to

2:17:51kind of write the book and discover it

2:17:54as she goes. On the other hand, you have

2:17:57the hardcore outliner, which is more

2:17:59what I am, and the hardcore outliner

2:18:02really needs to have everything

2:18:03established before they get started.

2:18:05Now, I will say because AI has a

2:18:08tendency to go for the most generic

2:18:09option when you don't give it a lot of

2:18:11structure, I do think that AI and people

2:18:14that use AI are going to be more skewed

2:18:16towards the side of outlining. But, that

2:18:18doesn't have to be the case. If I were

2:18:20more discovery writing this plot, I

2:18:23would probably move on to the next step,

2:18:26which we'll talk about in the next

2:18:28module, which is all about writing the

2:18:29prose, and I would give it instructions

2:18:31on what to write on that first chapter.

2:18:33And if you're a pure discovery writer,

2:18:35you might not have anything else planned

2:18:37beyond that first chapter. You'll just

2:18:38give it the summary of your first

2:18:40chapter, let it write the thing, and

2:18:42then you get to the editing process, and

2:18:44then you move on, write out what you

2:18:46want in the next chapter, give that to

2:18:48the AI, and so on. So, you're kind of

2:18:50building your outline as you go. The

2:18:52process I'm going to show you will build

2:18:55your outline all at once, but even with

2:18:57that, you run into some danger with

2:18:58letting AI do too much work here,

2:19:00because I find that for me, the most

2:19:03creative part of this whole process is

2:19:05the outlining process. So, I will spend

2:19:07a lot of time going through the outline.

2:19:10And I will, because AI has gotten a lot

2:19:12better at outlining in the last like

2:19:14year, I will often start with an outline

2:19:16that AI gives me, but I might cut huge

2:19:19chunks of it and start rewriting it

2:19:20myself. I will always have a whole lot

2:19:23of feedback. Usually, I'll flesh things

2:19:25out a little bit more, so that I end up

2:19:27with a longer outline, and I will even

2:19:30go and flesh out the next couple of

2:19:32chapters even more when I'm about to

2:19:34write the prose for those chapters using

2:19:36AI, because I find that as I'm going

2:19:38through and writing each chapter with

2:19:41AI, which we get into in the next

2:19:42module, I find that sometimes I get

2:19:44ideas, I get sort of into that flow

2:19:46state, think, "Oh, we need to add this

2:19:48to the outline for the next chapter."

2:19:50So, for me, the outline is probably the

2:19:52most malleable

2:19:54of all of these things. And so, I'll

2:19:56kind of show you what a finished outline

2:19:58looks like and what to do with that.

2:20:00But, let's first start with Claude and

2:20:03what we do with Claude. So, as before,

2:20:05there are two ways to do this. We could

2:20:07put our prompt inside of a project

2:20:10that's specifically designed to help you

2:20:12outline books, and we've got that here.

2:20:14And the prompt that we have here is this

2:20:17one. Using the story dossier character

2:20:19sheet, world-building sheet, and plot

2:20:21template, generate a fully fleshed-out

2:20:23outline for the story. Make sure to use

2:20:25the outline template. Get into that in a

2:20:26second. To inform you on the kinds of

2:20:28things that should happen in the

2:20:30chapters you are outlining. The summary

2:20:31for each chapter should have specific

2:20:33details rather than vague allusions to

2:20:35what should happen. Write it as though

2:20:36you are going to hand it off to a

2:20:37ghostwriter to write the first draft.

2:20:39Make sure you follow the template

2:20:40extremely carefully. Only include the

2:20:42asked-for outline details. Do not add

2:20:44any preamble commentary or anything

2:20:46other than what I've asked for above.

2:20:47All right. So, this one's a relatively

2:20:49short one, but there is an important

2:20:52element here that is not included in

2:20:54this prompt, and that is the outline

2:20:56template. So, let's talk a little bit

2:20:58about that for a minute. So, I've

2:20:59already gone over how to create your own

2:21:02templates, and if you have those, you

2:21:03can absolutely use those. If you've

2:21:05bought my book The Plot Module, you can

2:21:07use a version of this that has uh that

2:21:10built into as a template. That'll work

2:21:12in a pinch for most genres, although I

2:21:14probably wouldn't use it for romance.

2:21:15But, in my membership, I've actually

2:21:17gone through and created templates for a

2:21:18lot of different genres, and there are

2:21:20many more on the way. There will be over

2:21:22200 by the time I'm finished. In my

2:21:24membership, you can find this where

2:21:26where it says here "Phase 6 Genre." You

2:21:28click on that, and there are a bunch of

2:21:30genres here that you can go through. I

2:21:31even have instructions also about like

2:21:34why genre is important, genres versus

2:21:36tropes, how to research a genre, tools

2:21:38for genre research, and introducing

2:21:40these story hacks here. So, in this

2:21:41case, we're doing a cozy sci-fi, and

2:21:43here are all my templates for a cozy

2:21:45sci-fi. The plot template is the one

2:21:46that we want here. So, I would just

2:21:48select this because I've already created

2:21:50this template, so I have no need to

2:21:51create a new one. And just copy this.

2:21:54Now, if we go into Claude in our project

2:21:57here, I'm going to delete this plot

2:21:58template that I have in had in here

2:22:00before, and we're going to pull in this

2:22:03template. So, I'm going to say add text

2:22:05from add text content. We'll call this

2:22:07cozy sci-fi

2:22:10template, and paste in what we've got

2:22:12there, and then say add context. And

2:22:14once again, if you want these templates,

2:22:16I do sell each of these books for $5 on

2:22:18Amazon, but it's much more

2:22:20cost-effective to actually come here

2:22:22into the group and get them because

2:22:24they're all here at no extra charge. If

2:22:27you add it up, like 200 * 5, right? Like

2:22:29that's $1,000. That's over $1,000 that

2:22:31you'd have to pay on Amazon to get all

2:22:33of these templates, and here you can

2:22:35just get them right here. And plus, the

2:22:38ones you get on Amazon are like the book

2:22:39version, so you would have to like take

2:22:41screenshots, get the prompt extracted

2:22:44from that, whereas I just give you the

2:22:45docs right here that have everything in

2:22:47markdown, so it's easy for the AI to

2:22:48read. If you want to check this out, be

2:22:50sure to go to the link that I will have

2:22:52down below. Here is the about page that

2:22:54you'll see when you get there, and it

2:22:56has a list of everything you get inside

2:22:58of the group. Among other things, of

2:22:59course, you get Story Hacker OS, which

2:23:01I'll show off what that does for

2:23:02outlining in a minute. Yeah, it's

2:23:04there's just a lot of stuff here. People

2:23:06tell me all the time they come here for

2:23:09the tools or the genre guides or

2:23:10whatever it is, and they stay for the

2:23:12community because we really, truly have

2:23:14one of the best communities on all of

2:23:16the school platform. Like we're

2:23:18literally in the top, I think we're

2:23:20ranked number six in the tech category,

2:23:21which is an extremely competitive

2:23:23category, and that's for engagement, not

2:23:25for like profit or anything like that.

2:23:27Any questions that you have, we will

2:23:28answer them for you inside of the group.

2:23:30I make a point of being in there every

2:23:32single day, make sure I'm answering as

2:23:33many questions as possible, but very

2:23:35often, the questions are all answered

2:23:37before I can get to them. And I go

2:23:38through everything every day. People are

2:23:39super engaged, super supportive, and

2:23:42it's just a fantastic place to be if you

2:23:44are pro-AI and want a safe space for

2:23:46that. Now, in order to make this work

2:23:48for Claude, we need to bring in all of

2:23:50our contacts that we fleshed out so far.

2:23:52All of this will be needed to create our

2:23:54novel outline. So, I've copied what I've

2:23:55got for characters. I'm going to say add

2:23:57text context characters. We'll say cozy

2:24:01sci-fi characters. Paste in all of that

2:24:04context. Put that in there. And then

2:24:06we'll do the same for world building.

2:24:08All cozy sci-fi world building. Paste in

2:24:10everything we've got so far. And then

2:24:12we'll do the same with our story dossier

2:24:14because that does have some info that it

2:24:16needs for plot. Paste that in and now we

2:24:18have all of our context here. So, now

2:24:20all I have to do is say basically please

2:24:23outline all chapters. I could also say

2:24:26outline chapters 1 through 3 or 1

2:24:28through 10 if I wanted to. But, we'll

2:24:30just say all chapters. And as you can

2:24:32see it's going through and actually

2:24:33generating this whole outline. So, I'm

2:24:35going to pause this um cuz I don't

2:24:38necessarily want it to use up all my

2:24:39credits right now. Um but, let me show

2:24:42you the version of this that we have

2:24:44here in an end. So, this is my outline

2:24:46generator. And once again, we're doing

2:24:48multiple steps here. So, with Claude,

2:24:51when you're working with Claude it's

2:24:52always just one step at a time that

2:24:54you're doing because you're going in a

2:24:55chat interface, right? This way we'll do

2:24:57multiple steps for you and you don't

2:25:00have to check in between each step. You

2:25:01just get the final output and then you

2:25:03can work uh flesh that out further on

2:25:06your own merits and all of that. So, the

2:25:07way this automation works is it starts

2:25:09by pulling in the templates that we

2:25:11want. So, not just a plot template, but

2:25:13I also have it pull in like what's the

2:25:14themes, what's the tropes. And then it

2:25:17also pulls in those documents we had

2:25:18earlier including the story dossier, the

2:25:20character sheet, and the world building

2:25:22sheet. It creates a new document where

2:25:23all of the outline info will go. It

2:25:25summarizes the tropes. It writes a the

2:25:28full outline all at once. And then does

2:25:31an emotional check. And once again, like

2:25:33the other checks that we've done, this

2:25:34is kind of just to make sure that the

2:25:36outline has a good emotional gut punch

2:25:39to it that it's not just a series of

2:25:40events. That it that people will

2:25:42actually care about, and then it does a

2:25:44rewrite after that. Then, I have it put

2:25:46what we call sliders, plot sliders.

2:25:49These are very similar to the character

2:25:50sliders that I showed up earlier, except

2:25:52these are for plot elements. So, we have

2:25:54things like tension, and here is a

2:25:56rubric of what complete stillness, mild

2:25:59friction, moderate pressure, clear and

2:26:00present danger, maximum immediate

2:26:02threat, what those all look like. And

2:26:05so, it'll give us a number between 1 and

2:26:0710. Dread, what does that look like? And

2:26:10emotional intimacy. So, this is how

2:26:11close the reader feels to the interior

2:26:13world of the viewpoint character. So,

2:26:15not necessarily like relationship

2:26:16intimacy, but emotional. Then, we have

2:26:18relationship tension. So, if there's two

2:26:20characters, not necessarily in a

2:26:22romantic relationship, any kind of

2:26:23relationship, if there's tension there,

2:26:25what does that look like? Pacing energy,

2:26:27humor, because some scenes require

2:26:29higher levels of humor or less. And

2:26:31those are our plot rubrics, or our

2:26:33rubric for the plot sliders. And so,

2:26:35what it does is it basically analyzes

2:26:37each chapter that it just went through

2:26:39and applies a rubric. From there, it

2:26:42does another logic check, just checking

2:26:44to make sure everything makes sense,

2:26:45that it doesn't see any plot holes and

2:26:47whatnot. And then, it does a second

2:26:49rewrite and adds the final document to a

2:26:53uh to an outline doc. So, that is

2:26:55everything that we've got there so far.

2:26:56It's a really excellent automation, and

2:26:59by the time it goes through this whole

2:27:01thing, I've got something that's really

2:27:02significant that is already way ahead of

2:27:05what Claude could give me in one shot.

2:27:07Usually, there's still stuff that I need

2:27:09to work with it on and add my own

2:27:12particular flavor and taste to it. And

2:27:15often, as I mentioned, outlining is my

2:27:17favorite part of the process. So, I

2:27:18often have a lot to say at this

2:27:20outlining stage. Cuz if you don't get

2:27:22the outline right, then the rest of the

2:27:24book will suffer as a result. So, we

2:27:26need to spend some time at the stage.

2:27:27So, once again, going to Story Hacker OS

2:27:30to see what I've built into this tool, I

2:27:33have created an outline assistant in the

2:27:35chat here. So, what this does is it

2:27:37allows you to flesh out an outline, can

2:27:40do an outline in one shot, it can do

2:27:42just a portion of the outline, it can

2:27:44like if you used an automation for an

2:27:46outline, but you cut a couple of the

2:27:48chapters, it can fill in those chapters

2:27:49that you cut, etc. And plus it also as

2:27:52always has access to all of those

2:27:54templates that are built into Story

2:27:56Hacker OS. So, you have that option

2:27:58there. But, of course, we want to look

2:27:59at the Book Builder automation. So,

2:28:01we've already done at this point brain

2:28:03dump to dossier, dossier to characters,

2:28:05dossier to world now it's time for the

2:28:07outline generator. So, inside of this

2:28:10outline generator automation, you what

2:28:12you do is you select your project. In

2:28:14this case, we'll select Cozy Sci-Fi 1.

2:28:16It automatically finds your story

2:28:17dossier, your character list, your world

2:28:19building list, and all your genre

2:28:21templates that you're using for that

2:28:22project. So, all you have to do is hit

2:28:24generate outline. And then it'll

2:28:25actually start walking through all of

2:28:27the different steps of the outline. Once

2:28:28that's finished, it'll look something

2:28:30like this inside of my project. And now

2:28:33I've got my entire list of world

2:28:35building elements, my entire list of

2:28:37characters. I can modify these to my

2:28:39heart's content if I want. And of

2:28:41course, we can do the same with our

2:28:42outline. So, what I would do at this

2:28:44point is carefully go through this

2:28:46outline and make sure everything is as I

2:28:49want it to be. If we read through this,

2:28:51Daria arrives at Waystation Kepler-9

2:28:53expecting a rust bucket she can catalog

2:28:55and sell before her lunch break ends

2:28:57only to find Isidro tending tomato vines

2:28:59in a repurposed cargo bay. When she

2:29:01notices a misalignment in the irrigation

2:29:03pump, a mechanical issue that will cause

2:29:05catastrophe failure, she instinctively

2:29:06fixes it using techniques from her

2:29:08grandmother's manual before Agnes, the

2:29:10station's AI, blocks her departure with

2:29:12a holographic display of knitting. The

2:29:13station smells of damp earth and ozone

2:29:16and every surface tells the story of a

2:29:17place stubbornly kept alive by people

2:29:19who never got the memo that they were

2:29:20supposed to leave. It gives us then the

2:29:22viewpoint character for this scene, the

2:29:23spice level, which in this case is one

2:29:25out of 10, violence level also one out

2:29:27of 10, and swearing level is a two out

2:29:30out 10. Then it gives us those sliders,

2:29:32so we have tension, dread, emotional

2:29:34intimacy, relationship tension, pacing

2:29:36energy, and humor. And then we move on

2:29:38to the next chapter. So, we would then

2:29:40go through and modify this. And

2:29:42regardless of whether you're using

2:29:43Claude, N8N, or Story Hacker OS, you

2:29:46would still need to go through and make

2:29:47sure this is all good. I would say there

2:29:49are a few things in here that I'd want

2:29:50to clarify about the characters that it

2:29:52just sort of skips over, which is fine,

2:29:54but you know, that we we would want to

2:29:56actually go through and fix that. And

2:29:58you can actually use our outline

2:29:59assistant here inside of the chat window

2:30:01to improve something. So, I could say,

2:30:03"Chapter 1, I'd like to rewrite the

2:30:06chapter 1 outline section because I feel

2:30:10it is still too vague what is going on.

2:30:15Let's do more to introduce the

2:30:17characters and situation and explain

2:30:20[music]

2:30:20it well for the author who will be

2:30:24writing this later." All right, so I

2:30:26could say that, and we've got our

2:30:28outline assistant persona selected. just

2:30:30say send, and it's already got the

2:30:32outline in its context here, and now

2:30:34it's just going to rewrite that chapter

2:30:361, hopefully with my edits added in. You

2:30:39can also edit this manually, of course.

2:30:40And now I could just copy this, select

2:30:43my initial chapter, and paste it in, and

2:30:46there it goes. So, now I have this more

2:30:48fleshed out version here. You can

2:30:50continue this review for the entire

2:30:51thing. So, that is essentially how I

2:30:54would do my outlining for using AI. As I

2:30:58said, outlining is my favorite part, so

2:31:00I spend the most time on this myself,

2:31:01but I still will usually do a first pass

2:31:03[music] with one of these tools, whether

2:31:05it's Claude or N8N or Story Hacker OS,

2:31:07to fully flesh things out first, so that

2:31:10it's already 80% of the way there by the

2:31:12time I get to look at it. But then we

2:31:14come to the biggest step yet, and this

2:31:17is one of the ones that perhaps is the

2:31:18most controversial. So, let's get into

2:31:20that next and take a look at what we can

2:31:23do to actually write with AI.

Module 7

2:31:27Module 7 is all about what most people

2:31:29consider to be the most important step,

2:31:31which is the actual writing. But, I find

2:31:33that this part, when using AI, is

2:31:35actually kind of routine and takes the

2:31:37shortest amount of time. Though, we will

2:31:39spend a good amount of time analyzing

2:31:40the output in the next module. This step

2:31:42is, of course, the writing of the actual

2:31:44prose of your book. I typically go back

2:31:47and forth between writing prose and

2:31:48editing prose, which will be our next

2:31:50module. So, even though you'll see my

2:31:52processes for generating prose with AI,

2:31:54keep in mind that I'm not doing so for

2:31:56the entire book all at once.

2:31:58Additionally, this is the step where a

2:31:59lot of people get a little hesitant.

2:32:01There are a lot of fears and unease

2:32:03around using AI to actually write the

2:32:05prose of the book. So, let me hopefully

2:32:08help with some of those fears. [music]

2:32:09First of all, you don't actually have to

2:32:11use AI for this step. Trust me. A lot of

2:32:13people will tell you that you do if you

2:32:15want to keep up with the world that

2:32:16we're going into, but I strongly

2:32:19disagree on this point. I am very much

2:32:21of the opinion that you should use AI

2:32:22for those areas of your creative process

2:32:25that you enjoy the least, and you should

2:32:28focus more on those areas that bring you

2:32:30the most joy. That is the best marriage

2:32:32of technology with human creativity is

2:32:35to let the technology take care of what

2:32:38is drudgework for you, so you can focus

2:32:40more on what is enjoyable for you. That

2:32:43way, not only does it make the whole

2:32:46process [music] more joyful for

2:32:48yourself, but I think that will also

2:32:50lead to a much better product at the end

2:32:53of this whole process. And [music] once

2:32:54again, the writing process is multiple

2:32:57steps. It's not just one thing. We've

2:32:59literally spent probably hours at this

2:33:01point going through this whole process,

2:33:03and we're only now getting to the actual

2:33:04writing part. Writing has always been a

2:33:07multi-step process, so there's a chance

2:33:09that at least one of those steps is one

2:33:11you don't enjoy that much. Use AI for

2:33:13that. Figure out which step of the

2:33:15process is your favorite, and do that

2:33:16part yourself. The second concern I want

2:33:19to address is the idea of AI slop.

2:33:21Remember, it's only slop if it's bad.

2:33:25Human slop absolutely exists as well. In

2:33:27this case, AI helps with prose writing a

2:33:29ton, but effort is still required. This

2:33:31is about working smarter and harder, not

2:33:34just harder. Also, another concern,

2:33:36Amazon actually has no problem with

2:33:38AI-written text as long as the quality

2:33:40is good. They care more about the user

2:33:42experience, which you should too, but

2:33:44you do have to disclose the use of AI to

2:33:46Amazon. They're the only people that I

2:33:48recommend you do disclose this to. To

2:33:51anybody worried that Amazon's going to

2:33:52de-list your book just because they used

2:33:55AI, Amazon is actually very pro-AI. They

2:33:58are one of the top investors in Claude,

2:34:01which we have been using for this whole

2:34:02video. The only reason I think that they

2:34:05are asking people to disclose if AI was

2:34:08used is to perhaps comply with, say, EU

2:34:13laws that come into effect in in the

2:34:15future. Uh cuz EU tends to a little bit

2:34:17more strict about this stuff. If there

2:34:19are any kind of laws in the future,

2:34:20Amazon would be able to say, "Here, here

2:34:22is what has been disclosed to us." But

2:34:24right now, they do not disclose to other

2:34:25people if you disclose to them that you

2:34:28used AI writing. There's really not any

2:34:30issues with it. What they do care about

2:34:32is quality. So, if you have a book that

2:34:34is low quality, whether you used AI or

2:34:37not, then you might need to worry a

2:34:39little bit about the status of your

2:34:41account and all of that. You don't want

2:34:43to look like a scammer, and what we're

2:34:44doing here, if you do it right in the

2:34:46way I'm telling you, you will not be a

2:34:49scammer. You're not going to be someone

2:34:50that's taking advantage of the system by

2:34:52just throwing hundreds of like slop

2:34:55books at Amazon to try and make a quick

2:34:57buck. That's the kind of thing that will

2:34:58get you banned, but if you continue to

2:35:00try and make this whole thing high

2:35:02quality and actually put in effort into

2:35:04this process and work smarter and

2:35:06harder, then you're not going to have

2:35:07any issues. Lastly, [music] I want to

2:35:08talk about public disclosure of AI use.

2:35:11I get this question a lot, "Should I

2:35:12disclose?" If you do your job correctly

2:35:14and you're and you're doing

2:35:16>> [music]

2:35:16>> good prompts and good editing

2:35:17afterwards, people will not actually be

2:35:20able to tell that you used AI,

2:35:22especially as AI gets better. I also

2:35:24like to say, would a Adobe Photoshop

2:35:26artist have to disclose that they used

2:35:28Photoshop? Because AI is essentially

2:35:30Photoshop for writing, which we've never

2:35:32actually had a Photoshop level

2:35:34innovation in the writing space before,

2:35:36so it's naturally jarring that we do

2:35:38now. That's one of the reasons why

2:35:40authors are so upset. But Photoshop was

2:35:42also ridiculed in its day, but now no

2:35:44one thinks anything of it. It's just

2:35:46another way of creating art. The

2:35:48traditional way and the new way are both

2:35:50excellent ways of doing the job, so you

2:35:52just pick the one you prefer the most,

2:35:54whether that's Photoshop or traditional

2:35:56art. And the same is true of writing.

2:35:58This is a different and new and

2:36:00innovative way to get your stories on

2:36:03paper so people could read them. But the

2:36:04old way is just as valid. And once

2:36:06again, if you do your job correctly, you

2:36:08won't have any issues with quality.

2:36:09[music] And you'll hear this a lot, both

2:36:11from me and from other YouTubers in this

2:36:13space, that the AI right now is the

2:36:16worst it will ever be. So best to learn

2:36:18how to use it now, so you'll be ahead of

2:36:20the curve when it gets truly amazing. So

2:36:22enough on this little soapbox tangent,

2:36:24[music]

2:36:24let's actually get into what to do if

2:36:27you do want to use AI to generate your

2:36:29prose. So going back to my list of

2:36:31prompts here, this is the prompt that

2:36:33we're going to put into our Claude

2:36:36project. Now this one's a little longer

2:36:37than before, so I'll pause here to see

2:36:39this screenshot this first part, which

2:36:42says, "When a user asks you to write a

2:36:43specific chapter, given your context,

2:36:45your task is to write the entire chapter

2:36:47based on the information provided in the

2:36:48outline, the provided character sheet,

2:36:50world building sheet, and story dossier.

2:36:52And cover it thoroughly from deep point

2:36:54of view, writing the scene as if it was

2:36:55written by a best-selling novelist, and

2:36:56not rushing through the scene. Be sure

2:36:58to ask the user how many words they want

2:37:00to have in this chapter, then write that

2:37:03number of words." And I had a few typos

2:37:05there, so be sure to take a screenshot

2:37:07again now.

2:37:08Pay special care to show deep point of

2:37:10view and showing not telling in order to

2:37:12fully flesh out the scene without

2:37:13skipping over important details. The

2:37:14reader should feel that they are fully

2:37:16immersed in the scene, seeing the events

2:37:18through the lens of the viewpoint

2:37:19character, rather than being told what

2:37:20happened. Always keep the following

2:37:22rules in mind. And then I give it a list

2:37:24of various rules. Most of them around

2:37:27like mixing short and punchy sentences

2:37:29with long descriptive ones, the show

2:37:31don't tell principle, convey events and

2:37:33story through dialogue if possible, put

2:37:36dialogue on its own paragraph to

2:37:37separate scene and action, you know, a

2:37:39bunch of different things like that,

2:37:40reduce the use of metaphors, write in a

2:37:42clear and direct and concise style, etc.

2:37:45Pause right here so you can take a

2:37:46picture or a screenshot of this second

2:37:49page here cuz it is a little bit of a

2:37:50longer prompt. But all you have to do is

2:37:52go into your project and create a new

2:37:55project if you don't have one already. I

2:37:57have one called the novel chapter

2:37:59writer, which has that prompt already

2:38:01built into it here. Then all you need to

2:38:03do is pull in your outline, your world

2:38:05building sheet, and your character

2:38:06sheet. And then if you're writing a

2:38:08second or third chapter, I also like to

2:38:10put the previous chapter, only the

2:38:12previous chapter, not the whole thing.

2:38:13If you do the whole thing, you're going

2:38:15to be giving it way too much context,

2:38:17and that'll water down your prompt and

2:38:18make the whole process a little bit less

2:38:20efficient. But you can do that and then

2:38:23start writing your chapter one here. So

2:38:26I've got an example here that you can

2:38:28see. All I had to do was say write

2:38:29chapter one, and then I could move on to

2:38:31the next one say write chapter two, etc.

2:38:33And then from here you would be able to

2:38:35put that first chapter here as your

2:38:37previous chapter of context, and then

2:38:39move on to write chapter two, etc. You

2:38:41could of course also create a Claude

2:38:43skill using this prompt that we just

2:38:46injected into the the project. I've

2:38:49shown you that process already, so I'm

2:38:50going to skip it right now. Let's just

2:38:52move straight into the automation

2:38:55because it's one of my most complex and

2:38:56advanced ones that I've created to this

2:38:58point. I'm actually really proud of this

2:39:00automation because there are additional

2:39:01steps here that don't make sense to do

2:39:04in Claude, but if you're doing it as an

2:39:06automation, it makes sense and this will

2:39:08actually improve the quality of your

2:39:10chapter significantly. So, let's just

2:39:12briefly run through what this automation

2:39:14does. First, I bring in a pro style

2:39:16sheet and this is something that you

2:39:18could add here into your cloud project

2:39:20as well. I haven't talked about creating

2:39:21style sheets, but I have whole videos

2:39:24devoted to creating a style sheet. You

2:39:26could bring in simply examples of your

2:39:27writing and do it that way, but we bring

2:39:30that in, we bring in the character

2:39:31sheet, the world building sheet and the

2:39:32outline. We create a new blank document

2:39:35where this book is going to go and then

2:39:37this step sorts through all of the

2:39:39chapters in the outline, creates a list

2:39:42of each one and then it starts going

2:39:44through a loop to go through all of

2:39:47those chapters and write them one at a

2:39:49time. Before it does that, it grabs the

2:39:51previous 2,000 words. Now, of course, if

2:39:53you're writing chapter one, you don't

2:39:54have any previous words, so this is

2:39:56moot, but if you're writing chapter two,

2:39:58this is where it's getting the previous

2:39:59chapter text from. So, it will always

2:40:02have the previous 2,000 words as an

2:40:05example of what you're writing and what

2:40:06you want it to look like. And then, we

2:40:08zoom out just a little bit, all of these

2:40:11steps that you see right here are all

2:40:13devoted to creating one thing, which is

2:40:15a scene brief. And I used to do this in

2:40:17one step, but what I wanted to do is to

2:40:20think more carefully about each step.

2:40:22So, I separated it all into multiple

2:40:25steps so that I could actually more

2:40:28accurately think through everything it

2:40:30needs and create the scene brief so that

2:40:32when it goes to write the first draft,

2:40:34that scene brief is able to guide it in

2:40:37a much more efficient way. So, we start

2:40:38with these three steps here, which are

2:40:40the plot selector, the character

2:40:41selector and the world building

2:40:42selector. And all these do is they look

2:40:44through the like, okay, we're going to

2:40:46write chapter one here. Let's look

2:40:48through all of the elements that are

2:40:50going to be needed for writing chapter

2:40:52one. And so, it looks through, it grabs

2:40:54the plot of that chapter from the

2:40:56outline. It grabs the characters, only

2:40:58the characters that are showing up in

2:40:59that scene. It grabs the world building

2:41:01elements that are relevant to that

2:41:03scene, so it's only grabbing those. And

2:41:05I'm using really cheap models here so

2:41:07that this is not using a lot of context.

2:41:08And even though this adds extra steps,

2:41:10this is actually going to save us

2:41:12tokens. And then I ask it to estimate

2:41:14the word count here in a two-step

2:41:16process. Basically, all that happens

2:41:17here is that estimates the word count

2:41:19and then multiplies it by 1.5 because

2:41:22usually it needs to be a little bit

2:41:23higher than it thinks it does. And then

2:41:26we run into these three steps, which is

2:41:29taking what we selected from the plot,

2:41:32the characters, and the world building,

2:41:33and it fleshes them out a little bit

2:41:35more and makes it appropriate for the

2:41:36scene. So, this plot scene brief will

2:41:38flesh out everything. It'll give me a

2:41:40bunch of beats of the scene and

2:41:42blocking. Blocking is a really

2:41:44underrated thing when it comes to

2:41:46writing with AI. The concept of blocking

2:41:48is that figuring out where in the the

2:41:50physical space are all your characters

2:41:53and objects and things and kind of

2:41:54determining that because AI doesn't

2:41:57often do this naturally. It'll just sort

2:41:59of have what we call it the floating

2:42:00head phenomenon where these characters

2:42:03are just sort of existing in the scene,

2:42:04but we're not really given a whole lot

2:42:06of context of where they are in the

2:42:08scene, which can help ground it a little

2:42:10bit more. So, it does that and

2:42:11establishes blocking. It also

2:42:13establishes the character scene brief.

2:42:16So, what this does is it takes all of

2:42:17the characters that were selected that

2:42:19are going to be relevant for this scene

2:42:21and it adjusts them as needed. I've

2:42:23already mentioned the sliders earlier in

2:42:25this course. The sliders like are they

2:42:27calm or are they stressed? This will

2:42:29adjust those sliders depending on the

2:42:32scene and what's going on in the scene.

2:42:34So, if it's a really stressful scene, it

2:42:35might adjust the sliders to be more

2:42:37stressful. If it's more of a relaxing

2:42:40scene, then it might make them a little

2:42:42bit more calm. And so on for all of the

2:42:44the sliders. It'll also adjust things

2:42:46like what are they wearing and other

2:42:48things that might be relevant to that

2:42:50scene. Like let's say your character

2:42:52loses an arm halfway through the book.

2:42:54If that's the case, then we don't want

2:42:56them to be described as having both arms

2:42:58for all of the chapters that exist after

2:43:00that. So, this kind of goes through and

2:43:03finds all of those things and adjust

2:43:04them to make sure that everything works

2:43:06for those characters. And then this

2:43:08final step in this process, it does the

2:43:10exact same thing but for the world

2:43:12building instead of the characters. And

2:43:13then we run our first chronology check.

2:43:16What this does is it goes through and

2:43:19establishes that, "Hey, looks at the

2:43:21scene brief. It looks at everything

2:43:22that's been generated here." And it

2:43:24compares that to the overall outline and

2:43:26says, "Are there any issues with

2:43:28chronology here? Are we like introducing

2:43:31clues that shouldn't be revealed yet?"

2:43:33That sort of thing. And then it does a

2:43:34rewrite of the scene brief from all of

2:43:37that info that it gives us. And then we

2:43:40finally, after all of that, move on to

2:43:43writing the first draft. And ironically,

2:43:45with all of those steps that we had to

2:43:46create the the scene brief, we really

2:43:48only need this one to write the first

2:43:51draft. It'll take that scene brief and

2:43:53write the whole thing. And then I have

2:43:55it take that and look at the last 20,000

2:43:57words. And from there it'll do a second

2:44:00chronology check, where basically it's

2:44:02looking at everything that was written

2:44:04previously, or at least the last 20,000

2:44:05words, and make sure there is no major

2:44:08chronology issues from those previous

2:44:10chapters to this one. It'll also do a

2:44:12style check, so this will compare your

2:44:13style guide against the what was written

2:44:15in the first draft, which by the way we

2:44:17bring in that style guide at to give it

2:44:19advice on how to write the first draft.

2:44:21But this just does a double check of

2:44:23that style to make sure that

2:44:24everything's good there. it does, from

2:44:26that all of the data that it collects

2:44:27from that, it does a uh another rewrite

2:44:30and adds that chapter to your document.

2:44:33And from that, that's the end of this

2:44:34automation. So, it's a very involved

2:44:36automation, and it does this for every

2:44:38chapter, and it can sometimes take hours

2:44:39to go through the whole thing. And I

2:44:41wouldn't actually go through the whole

2:44:42thing. I would do one or two or three

2:44:44chapters at a time at most, and then go

2:44:46back to your outline, make sure that the

2:44:49next couple of chapters are are good and

2:44:51have what you want, and then you can let

2:44:53it go for the next few chapters and just

2:44:55continue that cycle until you've

2:44:56finished the whole book. So, what does

2:44:58this look like inside of Story Hacker

2:44:59OS? If we move on to that. Now, unlike

2:45:02the other steps, I do not have a prose

2:45:05writing persona in my list of personas

2:45:08because of the complexity of this whole

2:45:10process with the automation and

2:45:11everything. You can, of course, inside

2:45:14uh

2:45:14whatever document you're in, you can

2:45:16just do a control K and describe what

2:45:19you want and it'll do that. And as long

2:45:21as you've got your style guide in your

2:45:23context, it should be able to see that

2:45:25style guide as it's writing. So, you can

2:45:27just tell it what to generate to move

2:45:29on, you know, do like two, three, 400

2:45:31words at a time and kind of go one piece

2:45:34at a time like that if you wanted to.

2:45:35Going to our automation, we have now

2:45:37this last automation. We've gone through

2:45:39all the others. Now, we just have this

2:45:41one that says chapter generator. If I

2:45:42click on this and select our project,

2:45:45which is Cozy Sci-Fi 1 in this case, it

2:45:47will go through and make sure it's got

2:45:49your full story outline, which I've got

2:45:51here. It's got the all characters doc

2:45:54and the all world building doc. And from

2:45:56here, uh you can also select a POV like

2:45:58first, third-person limited, or

2:46:00third-person omniscient and the past

2:46:01tense, past or present. And then it'll

2:46:03give you a list of chapters and it's

2:46:05pulling this from your outline. So, you

2:46:06do need to make sure that they are

2:46:08present in your outline and that they're

2:46:09formatted as headers. And right now it's

2:46:11got all of them selected. So, if I

2:46:13wanted to, I could write the entire book

2:46:15all at once, just like I could if I were

2:46:17using the N8N automation. But once

2:46:19again, I do not recommend this. So, I'm

2:46:20going to deselect all and just select,

2:46:23let's say, the first two or so.

2:46:25Actually, I'll just going to do one for

2:46:27now uh for the demonstration. And then

2:46:29you've got your genre templates that

2:46:31it's pulling in and author notes. So,

2:46:32all I have to do now is say generate one

2:46:34chapter. And now you can see it is now

2:46:36going through each of the steps in this

2:46:39process. So, it went through and

2:46:40extracted what it needs for the plot.

2:46:42This is just from the outline verbatim.

2:46:44It'll flesh it out later. And it's

2:46:46pulling in the characters that are

2:46:47needed for this specific scene. Now it's

2:46:50moved on to doing the world build

2:46:52selecting the world building from the

2:46:53scene. Grabs the important things here

2:46:56from like the way station Kepler 9 and

2:46:59needs to know for the scene and so on

2:47:01and so forth. So it'll continue down

2:47:03this list. A lot of these are the exact

2:47:05same steps that you find in the NNN

2:47:07automation but just made a little bit

2:47:08easier here and it'll continue to run

2:47:11through that. Once this is totally

2:47:12finished, we can move on to the next

2:47:14module which is a lot of other people's

2:47:17favorite. It's not my personal favorite

2:47:18but I do enjoy it more than most of the

2:47:21other steps on this other than the

2:47:22outlining. So let's go through into that

Module 8

2:47:25module next. Welcome to module 8 where

2:47:28we're talking all about the editing

2:47:29process. Editing is where things often

2:47:31get fun and for many people it's the far

2:47:34more creative part of the writing

2:47:36process. I personally don't enjoy it as

2:47:38much as the outlining stage but I know a

2:47:40lot of writers will spend most [music]

2:47:41of their time in the editing stage to

2:47:43really perfect that book. Even authors

2:47:46who don't use AI, in fact, especially

2:47:48authors that don't use AI uh spend a lot

2:47:50of time in the editing. Now

2:47:51traditionally there have been

2:47:53approximately three types of editing.

2:47:55Some people say four but they split

2:47:57hairs and I like to keep things simple.

2:47:59The first is developmental editing. This

2:48:01is the kind of editing where you will,

2:48:04especially if you have a developmental

2:48:05editor, they'll actually go through your

2:48:07entire book and look at it from a

2:48:09structural standpoint. They'll look at

2:48:10character arcs. They'll look at making

2:48:13sure everything is like logically

2:48:15consistent within the book. Make sure

2:48:16that you don't need any additional

2:48:18scenes here and there or maybe you need

2:48:19to cut a few scenes here or there

2:48:21because they don't really serve the

2:48:22overall plot. Regardless, that's what a

2:48:24developmental editor does. Quick tip, if

2:48:27you hire a developmental editor, I

2:48:29recommend doing so before you've written

2:48:31the book while you're in the outlining

2:48:33stage because first of all, it will cost

2:48:35a whole lot less for them to go through

2:48:37your outline and give you advice there

2:48:39than it will to have them go through

2:48:41your entire book. But, I digress. The

2:48:44next type is called line editing, and

2:48:46this is editing that takes place on a

2:48:49more sentence-by-sentence,

2:48:50paragraph-by-paragraph basis. [music]

2:48:52Where we're actually looking at the

2:48:53structure of the sentence and the

2:48:55paragraph, and actually going through

2:48:57and trying to make improvements there.

2:48:58Funny enough, this is very similar to

2:49:01what we will be doing with the

2:49:02AI-generated text. The third type of

2:49:04editing is proofreading. A lot of people

2:49:07will also throw in copyediting here. I

2:49:10find that there's not a good definition

2:49:12of like where line editing ends and

2:49:15where copywriting or proofreading begin.

2:49:17So, for me, it's easier to differentiate

2:49:18between line editing and proofreading.

2:49:20But, proofreading is essentially just

2:49:22going through and making those more

2:49:24technical, grammatical, or spelling

2:49:27changes to make sure that there's

2:49:29nothing actually like grammatically

2:49:31wrong with your book. AI is really good

2:49:33at a lot of things, and it can actually

2:49:34save you a lot of time in the edit. For

2:49:36instance, proofreading is something AI

2:49:38is extremely good at. And that alone

2:49:40could save you hundreds of dollars on a

2:49:42proofreader. And it already does a

2:49:43decent job at line editing compared to

2:49:45the average human. Or at least, what it

2:49:47writes is not too bad compared to the

2:49:50average human. Though, it still has a

2:49:52ways to go before it's the same as a

2:49:54skilled human, especially a skilled

2:49:56human that has had a line edit of their

2:49:58work. But, while AI-written books are

2:50:00already a step above what you might get

2:50:02if you wrote the book yourself,

2:50:03especially if you're a beginner, writing

2:50:05with AI does introduce some new problems

2:50:08that come with ones that it solves. And

2:50:10I'm talking, of course, of those

2:50:11AI-isms, those repetitive words or

2:50:14phrases that AI tends to introduce while

2:50:17it's writing, because of the way it's

2:50:18trained. Now, don't get me wrong, even

2:50:20though this is a new problem that didn't

2:50:22exist before, I still think AI saves you

2:50:25a lot of time overall. In fact, I don't

2:50:26think it, I know it. And eventually,

2:50:28these models will improve so that these

2:50:30issues are no longer as big of a

2:50:32problem. But, for now, we do have to

2:50:33deal with these AI-isms. So, here's is

2:50:36of the top 10 AI-isms so you can look

2:50:38out for them. The first is the

2:50:40contrastive hook. This is where you say,

2:50:42"It's not X, it's Y." It's a neat little

2:50:44rhythm where the text negates one or two

2:50:46things and then reframes them creating a

2:50:48slick but overproduced slogan-like

2:50:51intro. The second is a rhetorical

2:50:53question with an instant answer. The

2:50:55writing poses a question as a fake hook

2:50:57like, "What does this really mean?" and

2:50:59then immediately answers it instead of

2:51:01letting the question genuinely drive

2:51:03exploration. The third is the triple

2:51:05emphasis lists, things like faster,

2:51:07smarter, better. Ideas are constantly

2:51:09packaged into a three-part list for

2:51:11cadence, even when the content doesn't

2:51:13naturally fall into threes. The fourth

2:51:15is overused AI words. You've probably

2:51:17heard of delve or leverage or holistic

2:51:20or testament. You'll hear a lot of these

2:51:22things. We've got big lists of them that

2:51:24you can find all over the internet. The

2:51:25prose leans heavily on a small set of

2:51:27smart-sounding abstractions that show up

2:51:29far more often in machine-generated text

2:51:32than in normal human writing. Number

2:51:33five is inflated stakes for mundane

2:51:36topics. So, everyday subjects get framed

2:51:38as sweeping paradigm shifts making small

2:51:41points sound like civilizational turning

2:51:43points. Going along that is number six

2:51:45with grand abstract metaphors. So,

2:51:48things like the tapestry of or the

2:51:49landscape of or the a journey through.

2:51:52Abstract discussions are draped in

2:51:54clichéd metaphorical language that

2:51:56sounds lyrical but rarely adds concrete

2:51:58meaning. The seventh is generic

2:52:00importance adjectives. Things like

2:52:02significant, impactful, or key. These

2:52:05claims signal importance with vague,

2:52:07overused adjectives instead of precise

2:52:09[music] descriptors or measurable

2:52:11details. Number eight is bland,

2:52:13high-level generalizations. So, this

2:52:15could be like the writing hovers at the

2:52:17summary level and avoids specific

2:52:19numbers, names, locations, or sensory

2:52:21detail. So, the prose feels kind of

2:52:23floaty and ungrounded. You'll also see

2:52:26this with this is why I prompt so

2:52:28heavily to try and get it into a

2:52:30show-don't-tell state. Otherwise, it can

2:52:32feel very lofty and very much like we're

2:52:34just telling instead of showing. Number

2:52:36nine, you'll also see repetitive

2:52:38sentence templates and rephrasing.

2:52:39Though, the same few sentence shapes and

2:52:41phrases can reoccur restating the same

2:52:43idea in slightly different words instead

2:52:45of advancing the thought itself. This is

2:52:47how you can get really wordy AI output.

2:52:50Number 10 is overly neat and bow-tied

2:52:53conclusions. This is an ending recap

2:52:55everything and lands on a polished

2:52:57inspirational line that reads more like

2:52:59a generic slogan than a natural closing

2:53:00thought. And you'll see this at the end

2:53:02of chapters as well, but this is a

2:53:04particularly bad problem in things like

2:53:05academic writing. So, with that out of

2:53:07the way, let's now take a look at some

2:53:09AI writing so I can give you an idea of

2:53:11what it actually looks like when I'm

2:53:13reviewing and editing text. So, I'm

2:53:15going to do this here in Story Hacker

2:53:18OS. It doesn't matter where your prose

2:53:20came from. In our last module, we

2:53:22generated this first chapter of our cozy

2:53:24sci-fi. All I have to do is just save

2:53:26this to project and that gets saved to

2:53:28our project. And now we can go to that

2:53:30project and start editing it. So, here

2:53:33it is in all of its glory. So, when I'm

2:53:36going through and editing this, I

2:53:38usually just read through it. Sometimes

2:53:40I find it helpful to read it aloud or to

2:53:43get some kind of screen reader that can

2:53:45read through it for me. It's actually

2:53:47good to have a sort of robotic screen

2:53:49reader because anything that's a little

2:53:51off will will seem extra off if it's

2:53:54being read by something a little more

2:53:55robotic. I'm just going to read this

2:53:56aloud, of course, for you so we can kind

2:53:59of get a sense of what I would change.

2:54:01All right. The docking tube cycled with

2:54:03a wheeze that sounded like a heavy

2:54:04smoker trying to clear a chest

2:54:06infection. Right away, we've got a kind

2:54:09of overly dramatic metaphor here. So, we

2:54:13can cut most of this. I would say the

2:54:15docking tube cycled and Daria O'Shea

2:54:18stepped through. We need a comma there.

2:54:21The hatch with her tablet held in front

2:54:22of her chest like a breastplate. Again,

2:54:24we have another metaphor. I'll leave

2:54:26this one,

2:54:27because it kind of gives the impression

2:54:30that she's feeling very protective of

2:54:32herself, that she's nervous. So, I will

2:54:34leave that one there. It's fine to have

2:54:35metaphors, but AI does tend to overuse

2:54:37them. So, if you see them, I'd cut out

2:54:39like probably 50 to 80% of them. She had

2:54:42expected the standard hiss of pressure

2:54:44equalization, the clean click of

2:54:46magnetic seals engaging. Instead, the

2:54:48heavy pressure door ground shut behind

2:54:50her with a shuddering jolt and a

2:54:52hydraulic squeal that made her flinch so

2:54:54hard she nearly dropped her tablet. I

2:54:56actually think this is okay. There's

2:54:58maybe a little bit of fluff with how

2:55:01it's describing the hiss of pressure

2:55:03equalization, clean click of magnetic

2:55:06seals disengaging. In fact, yeah, let's

2:55:08just trim that just a little bit. So,

2:55:10I'm going to say she had expected the

2:55:11standard hiss of pressure equalization

2:55:13and we can remove clean and the click of

2:55:16magnetic seals disengaging. So, that's

2:55:19doesn't do much there, but it does kind

2:55:21of change the how the clauses are go one

2:55:24to the other. So, I think that's fine.

2:55:25Instead, heavy pressure door ground

2:55:27shut. Okay, yeah, that sentence is fine.

2:55:29"Bloody hell," she muttered. This is a

2:55:30genre decision, but given that this is a

2:55:33cozy sci-fi, I actually think we should

2:55:35remove the curse word here, because like

2:55:38you could totally have that word in this

2:55:40book, but this is literally the second

2:55:42paragraph. I think it would give the

2:55:43wrong impression. So, this is again one

2:55:46of those human pieces of judgment. It's

2:55:48not really a problem with the prose.

2:55:50It's just I don't think this is

2:55:51appropriate for the genre. I'm just

2:55:52going to say she muttered a short curse

2:55:57and clapped a hand over her ear. The

2:55:59sound had sawed through her composure

2:56:02like a rusty blade. Okay, this is a very

2:56:03AI-like sentence, another metaphor in

2:56:05there. And I don't think we need it. I

2:56:07think we can cut it entirely. It was the

2:56:08kind of sound She muttered short clapped

2:56:10a hand over her ears. It was the kind of

2:56:12sound that usually preceded a very

2:56:14expensive insurance claim. That one we

2:56:16can keep. A shimmer of amber light

2:56:17materialized at eye level. Dario jerked

2:56:20backward, her shoulder blades hitting

2:56:21the sealed door, and found herself

2:56:23staring at a holographic wireframe

2:56:25figure. That sentence is fine. There is

2:56:26a lot of description here, but it this

2:56:28the first time we're seeing this

2:56:29character appear, so I think that's

2:56:31fine. The figure had proportions of a

2:56:33grandmother and was actively knitting.

2:56:35Interesting. So, th- this is a good hook

2:56:37here for people who are just being

2:56:39introduced to the story. Her projected

2:56:40hands moved in a steady rhythm, a

2:56:42half-finished piece of lace trailing

2:56:44from the needles. Yeah, that's all fine.

2:56:45So, this might seem like I'm changing a

2:56:47lot with these, but like this whole

2:56:48sentence I think is totally this whole

2:56:50paragraph I think is fine. "Welcome to

2:56:51Waystation Kepler-9," the figure said,

2:56:53her voice carrying the unbothered

2:56:54cadence of someone who hadn't felt a

2:56:56spike in blood in blood pressure in a

2:56:58decade. Okay, that sentence needs work.

2:57:00Unbothered cadence, uh first of all, she

2:57:03doesn't have blood pressure. This is an

2:57:05AI figure, so we need to change that one

2:57:08entirely. Now, I would manually fix this

2:57:11normally, but I just want to show off a

2:57:12feature that I do have here. I can

2:57:14select this AI edit, and I'll say

2:57:17something like leave the dialogue, but

2:57:19make the rest of this paragraph more

2:57:23concise. And so now it'll show you what

2:57:26it changed. So, "Welcome to Waystation

2:57:28Kepler-9," the figure said, her voice

2:57:29calm and unhurried. "I do apologize for

2:57:32Gerald or Gerald. He gets excited when

2:57:34we have visitors." All right, so I would

2:57:36just say that's good, and now we've got

2:57:39that sentence there. It's a bit a little

2:57:41trimmed. It just says her voice was calm

2:57:43and unhurried, which I might even remove

2:57:45that. Like we could just say the figure

2:57:46said, but I'm okay with that cuz this at

2:57:49least gets the same point across that it

2:57:51was trying to get earlier, but this time

2:57:53it just says her voice is calm and

2:57:55unhurried. Daria lowered her hand, her

2:57:57fingers subconsciously tapping the

2:57:58153624

2:58:00firing order of a straight-six engine

2:58:02against her thigh. It was a nervous

2:58:03habit she'd never quite managed to kill.

2:58:05"Gerald?" The airlock. Oh, and actually

2:58:07there's I would call that a grammatical

2:58:10error there. Let's put a period there

2:58:12where it should be a question mark. The

2:58:14airlock, the hologram gestured over her

2:58:16shoulder with a translucent knitting

2:58:18needle. I love that it's still

2:58:20remembering what she looks like and it's

2:58:22kind of incorporating that into the

2:58:23blocking. He's been doing that for

2:58:24years. I keep telling him it's

2:58:25unprofessional, but he's convinced it

2:58:27adds character. He's very set in his

2:58:29ways for a series 4 pressure seal. All

2:58:31right, I love it. Good stuff. Daria

2:58:32stared at her then at the door which

2:58:33looked like it'd been held together by

2:58:35sheer stubbornness and luck. This feels

2:58:37like an AI-ism here to So I would just

2:58:39say we'll say by duct tape and luck.

2:58:43Then back at the hologram. Uh so anyway,

2:58:45you'll get the sense of what I'm doing

2:58:47here. Obviously, if I were editing this

2:58:49myself and not explaining the whole

2:58:51process, it would take me a lot less

2:58:52time to go through this. Uh I can

2:58:54usually get through a chapter like this.

2:58:55This is about a 2,000 words chapter. I

2:58:57can get through this in uh maybe 15

2:59:00minutes of uh dedicated work which is

2:59:02still enormously quick time which is

2:59:05still a furiously fast pace of writing.

2:59:09Back in the day when I was writing

2:59:10traditionally, I was lucky to get 2,000

2:59:12words in an hour. And that was just the

2:59:14first draft. I'd still have to go

2:59:15through and edit it again later. So this

2:59:17whole process makes the whole thing a

2:59:18lot easier. And so when you're doing

2:59:20this, you want to make sure you're

2:59:21looking for those AI-isms that we kind

2:59:23of discussed and that you've seen me

2:59:25catch a couple of them. You also want to

2:59:26look out for any chronological issues,

2:59:28things that don't make sense, things

2:59:30that aren't consistent with your

2:59:31character, and stuff like that. I do my

2:59:33best with the automations to make sure

2:59:35it already checks for that, but it's

2:59:36always going to miss some things. But at

2:59:38least it catches a good portion of them

2:59:41so that you don't have to worry about

2:59:43those. So the next steps after this

2:59:45would be to simply apply the same

2:59:46process to all of the remaining chapters

2:59:49of your book. And the way I like to do

2:59:50this is I kind of go back and forth

2:59:52between generating the prose, modifying

2:59:55the outline, and then generating the

2:59:57next chapter, and then editing that

2:59:59chapter, then going through and

3:00:00modifying the outlining again,

3:00:01generating, editing, etc. So what I

3:00:04would do, like if I got through this

3:00:05entire chapter one, I'm like, "Okay,

3:00:06this all looks good. I like it." I would

3:00:08then switch over to the outline and just

3:00:11briefly read through what it's saying

3:00:14here for chapter two cuz I'm going to

3:00:15write chapter two next. And after I've

3:00:17just edited chapter one, usually I'm

3:00:20like immersed in the story at this

3:00:22point. So, I can often when looking at

3:00:24the outline for chapter two, catch a few

3:00:26things that like, oh, I want to make

3:00:27sure this is in there. So, I'll I'll add

3:00:30a few sentences to kind of like clarify

3:00:32things or expand on things or what have

3:00:34you, correct something. And I might do

3:00:36that for chapter two. Maybe if I'm

3:00:38writing more than one chapter at once,

3:00:39I'll for chapter three or four as well.

3:00:42And then I'll go to our book builder.

3:00:45I'll select chapter generator. You'll

3:00:46have to select reset here. Reset. Select

3:00:49our project again. Make sure it's got

3:00:51all of our documents, which it does. And

3:00:53then I would select chapter two and

3:00:56three or however many chapters I want to

3:00:57do on this next round. Don't select

3:00:59chapter one again cuz we already wrote

3:01:01that and edited it. But now we can go

3:01:03ahead and write chapter two. And funny

3:01:05enough, if you do it this way, when it's

3:01:06writing chapter two, it will actually be

3:01:09pulling in chapter one into its context

3:01:12to understand like how to continue off

3:01:14from that chapter. And this is important

3:01:16because if you've done a lot of editing

3:01:18to that chapter, it should write the

3:01:21next chapter a little bit better because

3:01:22it's able to read what it thinks it

3:01:25wrote in the previous chapter, uh which

3:01:27is actually just your edited version of

3:01:29it. This is why I go one chapter or two

3:01:31chapters at a time rather than trying to

3:01:33write the whole book at once is because

3:01:35when it's able to read what my edited

3:01:37version of the text looks like, it

3:01:39creates better output. It's less likely

3:01:41to have continuity errors and so forth.

3:01:43So, that's why I do it that way rather

3:01:45than trying to create the whole thing at

3:01:46once, which is going to have a slew of

3:01:48problems that you're going to have to

3:01:49correct manually as you go on. So, that

3:01:52is the editing process. I hope this has

3:01:54been an informative module for you. It's

3:01:56the one that you will probably be

3:01:58spending some of the most time on cuz

3:02:00you got to do this for the whole book,

3:02:01but it's still like four or five times

3:02:04faster than if if were to write the book

3:02:06the traditional way. So, have fun with

3:02:07this, enjoy it. It's a creative process.

3:02:10Enjoy that creative process. The next

3:02:12module is going to cover the packaging

3:02:14and everything you have to do to get

3:02:15this thing ready to actually post online

3:02:18and start hopefully getting sales. Let's

Module 9

3:02:20move into that next.

3:02:22Module nine is all about the packaging,

3:02:25which comes down to two primary

3:02:27elements, which are your book cover and

3:02:29your book formatting. Book covers, I'm

3:02:31not going to talk about too much in this

3:02:32course as I could make an entire

3:02:34additional full course video just like

3:02:37this one on just that topic. Instead, I

3:02:39want to give you a word of warning when

3:02:41it comes to covers. Book covers are

3:02:44incredibly important. If you have a bad

3:02:46book cover, it doesn't matter how good

3:02:47your book is, it will not sell. Let me

3:02:50repeat that. A bad book cover leads to

3:02:53bad sales. The most important thing that

3:02:55you do with your book cover is make sure

3:02:57that it matches the genre that you are

3:03:00writing it. And of course, once again,

3:03:02genre is key here. Because of that, I

3:03:04actually don't recommend that most

3:03:06authors, especially if you're just

3:03:08starting out, use AI to create your book

3:03:10covers. The only exception to this might

3:03:12be for a reader magnet or some kind of

3:03:14book that you're planning on giving away

3:03:15for free. Instead, I actually recommend

3:03:18hiring an artist for this until you

3:03:20understand what you're doing a lot more.

3:03:22Now, why would I recommend this

3:03:23especially on a channel where I talk so

3:03:25much about AI? Well, primarily not

3:03:27because of AI skill in art, because you

3:03:29can absolutely get a stunning cover that

3:03:32does everything you need with AI, but

3:03:34it's not so much about the quality of

3:03:35the art as it is the understanding of

3:03:38the genre. An experienced designer will

3:03:41understand what appeals to a reader

3:03:43better than you do when it comes to the

3:03:44visuals. So, I generally have two

3:03:46recommendations, which I will link to

3:03:48below this video. Both of which are

3:03:50actually from the same parent company.

3:03:52For those on a budget, I recommend get

3:03:54covers, which you can see right here.

3:03:56It's incredibly affordable and you might

3:03:57actually spend less using them than if

3:04:00you were to use AI given the

3:04:02subscriptions that you may or may not

3:04:03need to create a cover with AI. The

3:04:05other one is called Miblart and they are

3:04:08essentially the more premium big sister

3:04:10to Get Covers. It's the same parent

3:04:12company, but Miblart is on another level

3:04:14when it comes to their quality and they

3:04:16are what I personally use for my covers

3:04:18these days. So when it comes to

3:04:19packaging your book up and making it

3:04:21look good, I recommend using one of them

3:04:23to make a good first impression with

3:04:25your reader as as they likely know your

3:04:27genre's cover conventions better than

3:04:28you do. So that's book covers. Next,

3:04:31let's talk about formatting. There are

3:04:32many ways you can format using writing

3:04:34tools like Microsoft Word or Scrivener,

3:04:37but they are extremely limited and take

3:04:39a long time to get everything right and

3:04:41you have to repeat the process for every

3:04:42single book. There are a lot of

3:04:44considerations that you have to learn

3:04:46when doing it this way. I instead use a

3:04:48tool like Atticus or Vellum. These by

3:04:50the way, I don't have affiliate links

3:04:52for these. I just think they're good

3:04:53tools. They are both tools that you only

3:04:55have to pay for once because they have

3:04:57lifetime deals and they are both

3:04:58excellent at what they do. Vellum is a

3:05:00little bit more expensive and it's only

3:05:02available on Mac. So if you want

3:05:03something available via Windows or

3:05:05Linux, aka a cloud-based program, then

3:05:08Atticus is the way to go. That's the one

3:05:10I will be demonstrating in this video.

3:05:12So this is your dashboard in Atticus.

3:05:14This is what mine looks like right now.

3:05:16You can see I've got a couple of my

3:05:17books here including

3:05:19some of the genre guides I've been

3:05:20working on. But basically all you have

3:05:22to do is come here and either say start

3:05:24a new book if you want to essentially

3:05:26start from scratch and maybe copy and

3:05:28paste each chapter in there or I would

3:05:30probably upload the book first. You just

3:05:32click on this, you upload a docs file.

3:05:35So you will need to make sure your book

3:05:37is contained in that docs file before

3:05:39you put it in here. Give it a book

3:05:40title, the author, and a project which I

3:05:44usually just select as my series name.

3:05:46And of course you can change all of this

3:05:48later so it doesn't matter a whole lot

3:05:50what you put here. Once you are inside

3:05:52of the book view for Atticus, it'll look

3:05:54something like this if you've uploaded

3:05:56everything correctly and you may have to

3:05:58spend some time playing around with the

3:06:01number of chapters and everything cuz

3:06:03sometimes when you upload a book, it

3:06:04doesn't get everything right uh right

3:06:06away. So, you may have to split some

3:06:08chapters, merge some chapters, you know,

3:06:10just clean it up a little bit. And then

3:06:12you can also add front matter. So, it

3:06:14comes with a number of copyright

3:06:16templates, for instance. It comes with

3:06:18templates for like a dedication. You can

3:06:20add full-page images in here if you

3:06:23want. I've got some of my maps. You can

3:06:25also So, you'll notice here I have a map

3:06:28for the print version, which is vertical

3:06:31or yeah, vertical, and a map for the

3:06:34ebook version, which is horizontal,

3:06:35because it just kind of works better on

3:06:37the page that way if if we have it

3:06:39vertical for the print version. I've got

3:06:41a note here uh just telling people where

3:06:43they can get this bonus book for free,

3:06:45and then it automatically generates the

3:06:48table of contents based on everything

3:06:51I've got here, and then we move right

3:06:52into chapter one. So, I would just

3:06:54scroll through this, make sure the

3:06:55formatting all looks good, and you might

3:06:58see some breaks. Now, I don't have one

3:07:01in this chapter, but you can add a scene

3:07:03break. It'll look something like this,

3:07:05and when you actually look at this break

3:07:07in the previewer, as you can see here,

3:07:11you can see I've got a scene break

3:07:13inserted into the scene, and uh you can

3:07:15change the style of what that looks like

3:07:17and everything. It's very helpful. So,

3:07:19you go through all your chapters, and at

3:07:20the end, you can add back matter. So, I

3:07:23have like an author's note. I have an

3:07:25about the author. Uh one of the nice

3:07:26things about this is this is actually a

3:07:29master page, which means this content

3:07:32that you see here is included on other

3:07:34books. And if I change it here for this

3:07:37one, I can apply the changes to all of

3:07:40the other books that use the same

3:07:41template, which is a real time-saver if

3:07:43you're updating a bunch of books. You

3:07:45don't have to copy and paste this

3:07:46template into each one. You can just

3:07:48change it in one place, and it'll change

3:07:50across all of them. I also have uh

3:07:52again, another ad for my uh this is what

3:07:55we call the reader magnet to get people

3:07:57onto my email list. I have a sample

3:07:59chapter of the next book and another

3:08:01like also buy from me. This is the part

3:08:04that will take you the most time in the

3:08:05formatting process is just making sure

3:08:07your chapters are okay, making sure you

3:08:09have front and back matter. Some of the

3:08:11things I recommend in your front and

3:08:12back matter are an advertisement for

3:08:14your email list and maybe you can give

3:08:16away some kind of free book there. Uh

3:08:18you also want things like a copyright

3:08:21and maybe an also buy page and stuff

3:08:23like that. But it really like there

3:08:25isn't a whole hard science about any of

3:08:27this. There's lots you can do there. So,

3:08:29I would maybe go look at some other

3:08:31ebooks on Amazon in the genre that

3:08:33you're doing and see what are they doing

3:08:35for their front and back matter. And

3:08:37then try to do something similar for

3:08:38yours. But in Atticus, up here at the

3:08:40top, there's the writing tab that we've

3:08:43been on and over here is the formatting

3:08:45tab. If we click on that, there are a

3:08:47bunch of templates that are pre-baked in

3:08:50to Atticus. And all you have to do is

3:08:52just click on any one of these and if

3:08:54it's one you like, you're essentially

3:08:55done with the formatting process. But

3:08:57most of the time you'll need to create

3:08:59your own and then just use that for

3:09:01other books. And the nice thing is, once

3:09:03you've created one formatting theme for

3:09:06your book, you can use it for every book

3:09:08in that series and everything will

3:09:09remain consistent. So, it requires just

3:09:11a little bit of setup on your first try.

3:09:14After that, it's just it's incredibly

3:09:17easy. So, this is a format that I

3:09:18created for my uh for this particular

3:09:22book. So, you can see it's got like this

3:09:24header. It's a very simple format, but

3:09:26you've got the header and like the first

3:09:29sentence is capitalized and so on. And

3:09:31on the right-hand side here, you can see

3:09:33that there are you can preview what it

3:09:35would look like in various devices. And

3:09:37the one I use the most to preview is the

3:09:40print one because this is where you can

3:09:42run into the most issues with formatting

3:09:45functionality. So, this is what it would

3:09:46look like. If I scroll through the

3:09:48pages, you'll see there's like a larger

3:09:51margin on this side than there is on

3:09:52this side. And if I go to the next page,

3:09:54now that larger margin is on the right

3:09:56side. This is what we call a gutter

3:09:58margin, and it's something that you need

3:10:00on any print book. Something that's very

3:10:02difficult to figure out if you're using

3:10:04a tool like Word, but it is

3:10:05automatically generated inside of

3:10:07Atticus or Vellum if you're using

3:10:09Vellum, because that gutter margin means

3:10:11the inner part of the inner margin that

3:10:14is closest to the spine must always be

3:10:16larger than the margin on the facing the

3:10:18edge. That has to flip flop depending on

3:10:20which page you're at, whether it's on

3:10:21the left side of the page or the right

3:10:23side of the page. And that's something

3:10:24that Atticus does very, very easily. So,

3:10:27let's actually look at all of the

3:10:28different things you can change with

3:10:29each of these themes so you can see just

3:10:32how customizable this is, cuz it really

3:10:34is amazing. So, I would just go here and

3:10:36say edit, or you can also say duplicate.

3:10:39And on here at the left, you have all of

3:10:41these different things that you can

3:10:42modify. Chapter heading, paragraph,

3:10:44subheading, scene break, notes, print

3:10:46layout, typography, header, footer, and

3:10:48trim sizes. And chapter heading is

3:10:50pretty obvious. So, over here on the

3:10:51right, you can see the chapter heading

3:10:53here. I could select a different font.

3:10:55Say there you can see it's now a

3:10:56different font. In this [music] case, I

3:10:58think I should select a stencil

3:11:00decorative. You can align it to the

3:11:01left, right, center. You can choose a

3:11:03style. So, right here I have chapter

3:11:04title and chapter subtitle selected. I

3:11:07don't have a subtitle on this page, but

3:11:08if I did, it would show. You can also

3:11:10have chapter number, so you can actually

3:11:12have like a second here. It's

3:11:14duplicated, so it says chapter 26 and

3:11:16then chapter 26. But let's say you just

3:11:18wanted it to say chapter 26, and then

3:11:20you have a separate title for the

3:11:22chapter, you know, reflects the content

3:11:24of that chapter. Or I could actually

3:11:26change this chapter number to instead of

3:11:29saying chapter one and chapter two, I

3:11:31could just have it give the number or

3:11:34spell out the number or say chapter and

3:11:37then spell out the number. I don't need

3:11:38that for so I can uncheck that. You can

3:11:40also have images, and this is really

3:11:43handy for a lot of different genres. You

3:11:46can have an image, and this is where you

3:11:48choose where the image is placed. It

3:11:50could be behind all of the text if you

3:11:52wanted something like a more decorative

3:11:54background. It can be inserted above any

3:11:57of these different chapter titles or

3:11:59subtitles. So, lots of things you can do

3:12:01there. You can have individual chapter

3:12:03images for every chapter if you wanted.

3:12:06With AI, it's not that hard to do and

3:12:09can really make a a difference. So,

3:12:11think most people have read the Harry

3:12:13Potter books. Those Harry Potter books

3:12:15have a little just like pencil drawing

3:12:17for each chapter. So, you could do

3:12:18something like that. You can also change

3:12:20the percentage with the those images and

3:12:22everything. Next is paragraphs. So,

3:12:25you'll notice here in my preview that

3:12:26this first line has a larger letter

3:12:29here. So, that's what these do. Has a

3:12:32drop cap and it leads in small caps. You

3:12:34can also have first sentence formatting

3:12:36before every scene. Going to subheading,

3:12:38this isn't really relevant for fiction

3:12:40authors, but for nonfiction, you might

3:12:42have headings within your chapter, in

3:12:44which case you can format all of those

3:12:46individually. And here's where we can

3:12:48talk about the scene break. So, I

3:12:50already showed you what my scene break

3:12:52looked, but you can actually change what

3:12:54each scene break looks like right here

3:12:57in the this list of images. So, here are

3:12:59a couple of scene breaks images that are

3:13:01built into Atticus, and you can also

3:13:03just create your own if you want. So,

3:13:05those are some options there. You have

3:13:07notes. So, this is one of the great

3:13:09things that Atticus does,

3:13:11particularly if you're into nonfiction,

3:13:12is that you can add footnotes [music] or

3:13:15endnotes at the end of your book. This

3:13:16is something that is incredibly hard to

3:13:18format yourself, and Atticus just does

3:13:21it automatically. I promise I'm not like

3:13:23I have no affiliate link or this is not

3:13:25sponsored by Atticus. I just use it a

3:13:27lot. The only other tool that is kind of

3:13:30like reliably do footnotes and endnotes

3:13:32is Adobe InDesign, and that one has a

3:13:34huge learning curve for it. Print

3:13:36layout, this is where you the gutter

3:13:39margin is established. So, if you didn't

3:13:40want that gutter margin, you could

3:13:42actually replace this number for

3:13:43whatever reason. Uh you can also select

3:13:45what happens with widows and orphans uh

3:13:48or versus a balanced spread uh page

3:13:50spread versus a hybrid. Uh this just has

3:13:52to do with like if you have a paragraph

3:13:54at the end of your page that has just

3:13:56like it goes to the next line and has a

3:13:58single word, it can kind of like make

3:14:00the flow of the page look bad. So,

3:14:02having that [music] established can be

3:14:04really useful. Typography, so here's you

3:14:06can select the actual font. This is for

3:14:09print only because ebooks depend on the

3:14:11font that's used in the e-reader that

3:14:13the user is using. For the print

3:14:15version, you can select what the font is

3:14:17of the book and the size of that font.

3:14:19So, you can even do large print if you

3:14:21wanted to increase the size of

3:14:23everything and this line spacing as

3:14:25well. In fact, there is a large print

3:14:27button here that if you just select

3:14:29this, it will automatically put you at

3:14:31all of the legal settings cuz there's

3:14:34actual like recommended settings for

3:14:36what large print should look like. So,

3:14:37that's kind of cool. And now I'm going

3:14:39to have to like bring this back down.

3:14:41Okay. Then there's the the header and

3:14:43footer which can vary. So, you might

3:14:45want a like a title and chapter or in

3:14:48the center or on the sides or it could

3:14:50be author and title in the center on the

3:14:52sides or in the case of these first

3:14:54four, you have the page number on the

3:14:56top. Here you could have the page number

3:14:57at the bottom, you know, you just

3:14:59whatever you want there. You can also

3:15:00select the header and footer font. And

3:15:03then finally, but definitely not least

3:15:05here is the trim size. So, when you're

3:15:07creating a paperback book, the trim size

3:15:10matters a lot because cuz Amazon has

3:15:12specific settings for each trim size.

3:15:14This is the actual size of your physical

3:15:17book. I usually like to leave it at 5 in

3:15:19by 8 in. 6 by 9 is another standard

3:15:22that's typically the standard that

3:15:23you'll see for like your average hard

3:15:26cover book is a 6 by 9. I like things a

3:15:28little smaller myself, so I keep it at 5

3:15:30by 8, but they have all of these

3:15:31templates, and each of these are

3:15:33supported by there's KDP, Ingram Spark,

3:15:36and Lulu. So, if you see these colors,

3:15:39that'll show you that they're supported

3:15:41by those companies. Typically, you want

3:15:42to select one with this yellow

3:15:44orange-ish square here, because those

3:15:45are the ones that Amazon allows. So,

3:15:47those are the ones I would worry about.

3:15:49So, once you've done that, you can save

3:15:51it. I'm not going to, cuz I made some

3:15:52changes here, and I want to keep the

3:15:54template that I had. I'll just go ahead

3:15:55and discard that, but you can see like

3:15:57once you've gone through and created a

3:15:59theme that you like, you can just reuse

3:16:01that theme as many times as you want.

3:16:03Maybe create some alternatives. So, like

3:16:05for that instance, in this one, I

3:16:07created one that was essentially the

3:16:09same, but with large print. So, it had

3:16:12all my same settings, but was designed

3:16:15for a large print for that particular

3:16:16series. And I also created this one,

3:16:18which is also the same, but has a

3:16:20dyslexic friendly font on it, so I could

3:16:23create print books that were designed

3:16:25for people with dyslexia. Stuff like

3:16:27that. Very really helpful information

3:16:29here, and definitely a tool that I

3:16:32recommend if you want to save yourself a

3:16:33whole lot of time. It is a one-time

3:16:35price. I'm not going to tell you what

3:16:37the price is, cuz it could change based

3:16:39on when you're seeing this video, but it

3:16:41is a one-time lifetime deal, and

3:16:43definitely worth it, in my opinion,

3:16:44especially if you plan on doing this

3:16:46publishing thing for a while. Once you

3:16:48have everything you want, all you have

3:16:49to do is just say export PDF and export

3:16:52EPUB, and you now have the files that

3:16:54you need to upload to Amazon, or

3:16:56virtually any of the other

3:16:57self-publishing platforms, in order to

3:16:59actually publish your book. Combine that

3:17:01with your book cover, and you are set to

3:17:02go for our next module, which will cover

3:17:05the publishing process. Well, let's get

3:17:06into that next. Well done, you've made

Module 10

3:17:09it to module 10, the last in this full

3:17:12course to go from zero to a fully

3:17:13published book. In this module, we're

3:17:15covering the self-publishing process.

3:17:18Now, we're not going to get into the

3:17:19marketing of your book in this course,

3:17:21because that could be another multi-hour

3:17:23full course in itself. We're just

3:17:24talking about how and where to get

3:17:26yourself published and set up for

3:17:28success in those areas.

3:17:30>> [music]

3:17:30>> And when it comes to self-publishing,

3:17:32there really is only one major player in

3:17:34the room, love them or hate them, and

3:17:36that is Amazon. Amazon currently

3:17:38controls about 85% of the book market

3:17:40for ebooks, especially when you take

3:17:42into account Kindle Unlimited, which is

3:17:44where you will likely make your most

3:17:45amount of money. So, the majority of

3:17:47this course will be focused on showing

3:17:49you the publishing process on Amazon

3:17:51because if you're not on Amazon, there's

3:17:52a decent chance you won't make a lot of

3:17:54money. Additionally, at a point in the

3:17:57process, I'll show you how to enroll

3:17:58your book in KDP Select, which makes

3:18:01sure that your book is in the Kindle

3:18:03Unlimited program. This means that your

3:18:05ebook, and just your ebook, must be

3:18:07exclusive to Amazon's platform, which no

3:18:09one really likes, but it is the still

3:18:11the best option for most books in most

3:18:13genres, as the number of readers on

3:18:15Kindle Unlimited, or KU as it's called,

3:18:17are enough to be the majority of your

3:18:19revenue, especially for certain genres

3:18:21like romance. Like, if you're writing

3:18:22romance, it's like not even a question.

3:18:25You should be in KU. But, if you don't

3:18:26have exclusivity to Amazon, there are a

3:18:29few other platforms to be aware of.

3:18:31Besides Amazon, there are four major

3:18:32marketplaces: Apple, Barnes & Noble,

3:18:35Kobo, and Google Play Books. If you go

3:18:37through Amazon's uploading process,

3:18:39you'll find it very similar on these

3:18:41other platforms, so I won't show them to

3:18:43you here. But, like I said, you can only

3:18:44do this if your ebook is not exclusive

3:18:47to Amazon. And it can also be a lot of

3:18:49work to do all of that uploading,

3:18:50especially later on when you inevitably

3:18:52need to update small things and like 20

3:18:55plus books and have to do the whole

3:18:57uploading process again, which is why I

3:18:59usually recommend you pick an aggregator

3:19:01instead because they can not only get

3:19:03you into those four big ones, but into

3:19:05dozens of smaller ones as well,

3:19:07including all of the different library

3:19:08apps. The two best aggregators currently

3:19:11on the market that I know of are

3:19:12PublishDrive and Draft2Digital. They

3:19:14both have different pricing structures,

3:19:16and for most authors, I find

3:19:18Draft2Digital to be the best one with

3:19:20the lowest fees overall. But, for

3:19:21authors who are making a lot of money

3:19:23from just a handful of books, so like

3:19:26each book is making a whole lot of

3:19:27money, PublishDrive's pricing structure

3:19:29might actually make more sense for you.

3:19:31Now, I generally recommend that newer

3:19:32authors just stick to Amazon until you

3:19:35feel like you've mastered the game, aka

3:19:37you are making a decent income from

3:19:39Amazon alone. Only then will you have

3:19:41the skills and the knowledge to know if

3:19:42it makes sense to go wide on all of

3:19:45these other platforms. Another more

3:19:47advanced form of publishing that once

3:19:48again, I only recommend that you do

3:19:51after you're making a decent income on

3:19:53Amazon is this concept of selling

3:19:55direct. This is where you sell your

3:19:57books directly on your own store. There

3:19:59are a bunch of major advantages to this.

3:20:00For one, you get to keep 95% of the

3:20:03revenue instead of 70% or less. You also

3:20:06get all of the emails from your buyers,

3:20:07which is easily the best way to build

3:20:09your email list and is something that

3:20:11none of the other retailers do. And you

3:20:13get to control the entire process from

3:20:15how your landing page looks to how you

3:20:18choose to deliver your book. Want to

3:20:19include some bonus digital goodies with

3:20:21your ebook? You can do that. Want to

3:20:23bundle ebook and audio? You can do that,

3:20:25too. But, there are major downsides to

3:20:27selling direct, as well. The big one is

3:20:28that you pretty much have to use ads to

3:20:30drive people to your platform, otherwise

3:20:32no one will see it. So, not only do you

3:20:34need to master the art of writing and

3:20:36publishing, but you also need to have

3:20:37mastered the art of advertising and

3:20:39marketing. Plus, it's nearly impossible

3:20:41to make this model work with only a few

3:20:43books. You need a fairly large catalog

3:20:45to make selling direct make sense. I'd

3:20:47say a minimum of about 12 books is what

3:20:50you should aim for, personally. And that

3:20:51is why I recommend mastering the process

3:20:53on Amazon first, then potentially moving

3:20:56to a selling direct model only after

3:20:58you've gained experience and a large

3:20:59backlist, as well. But, it can be quite

3:21:02profitable if all of those stars align.

3:21:04So, with all of that out of the way,

3:21:06let's go through the entire process to

3:21:08upload your book to Amazon, including

3:21:10the generation of all the materials like

3:21:12your book description and keywords.

3:21:13Let's start there. So, in this uploading

3:21:15process, you will need to have a book

3:21:17description. And you might need to

3:21:19actually do this before you get to this

3:21:21stage because you need to put your book

3:21:23description usually on the back of your

3:21:24book, which will happen at the book

3:21:26cover stage. But, regardless, we're

3:21:28going to cover it here. And I since

3:21:31we've been doing a cozy sci-fi for the

3:21:33examples in this course, I decided to

3:21:36look up a cozy sci-fi to use as a

3:21:38template for a book description.

3:21:40Generally, the book descriptions, while

3:21:42there are a couple of aspects of

3:21:44conventional wisdom when writing these

3:21:46things, they do vary from genre to

3:21:48genre. It is a good thing to try and

3:21:50find a really good best-selling book in

3:21:53that genre, especially if it's indie. Uh

3:21:55the traditional publishing books don't

3:21:57quite put the same amount of effort into

3:21:59it as an indie publisher might. So, find

3:22:01a high-performing indie book like this

3:22:03one is. You can see it's got lots of

3:22:05reviews. And then you can walk through

3:22:07this process to create a template, cuz

3:22:09you know I like templates, to write a

3:22:11book description for your book. So, all

3:22:13you'd have to do is we'll come to this,

3:22:15and I'm going to just copy this book

3:22:17description, and we're going to go into

3:22:19Claude for this. And here I'm going to

3:22:21say, "I want you to do an analysis of

3:22:24this book description from a copywriting

3:22:26perspective, analyzing it sentence by

3:22:28sentence to see what it is doing." So, I

3:22:30just put that in there, then paste the

3:22:33book description in, and then let it go.

3:22:36And while that analysis is going on, I'm

3:22:38going to step into Story Hacker OS and

3:22:40grab our book synopsis that we created.

3:22:43In fact, we can just grab the entire uh

3:22:45story dossier. And because this has the

3:22:47general pitch of what our book is about.

3:22:49And uh we're going to get back into

3:22:51Claude here. So, here it's done the

3:22:53sentence by sentence analysis. So,

3:22:55buckle up, it's going to be a smooth

3:22:57ride. This is the hook line, set apart

3:22:59at the top, and it's a small joke that

3:23:00announces the entire value proposition.

3:23:02Buckle up primes you for thrills, then

3:23:04smooth ride yanks the rug. So on, and

3:23:06it'll do that for every sentence. And

3:23:08say, "Okay, now that you've done that

3:23:11analysis, I want you to write a similar

3:23:15book description using the same template

3:23:19for a book with this plot. And now I

3:23:22just paste in our story dossier, which

3:23:24we should have created earlier in the

3:23:26process, and let it go. And now we'll

3:23:29see it write a high-converting book

3:23:32description. And then here is our book

3:23:33description. It looks a little lengthy

3:23:35to me, but you could always change that.

3:23:37And here it is, using a similar format.

3:23:40Two weeks, catalog the junk, sign the

3:23:41forms, sell it to salvage. What could

3:23:43possibly go right? Hello, I'm Daria

3:23:45O'Shea, and for 11 years I've approved

3:23:48other people's fresh starts from a

3:23:49cubicle the color of old mustard. So

3:23:51when a relative I'd met exactly twice

3:23:53died and left me a 30-year-old orbital

3:23:55monitoring station, I had a plan. Spend

3:23:57a fortnight cataloging the rest, sign

3:23:59transfer deed 88 Delta, and sell the

3:24:01whole bucket to Apex salvage before my

3:24:02lunch break ended. I did not plan on the

3:24:04squatters. So already it's using a very

3:24:06similar format to this one that we had

3:24:09here. Very, but not like copying it, as

3:24:12you can see. Cuz this one starts out,

3:24:14buckle up, it's going to be a smooth

3:24:15ride. Howdy friend, I'm Rusty and so is

3:24:17my big rig's engine. When the old girl

3:24:19finally gave up the ghost in the middle

3:24:21of nowhere, I wasn't expecting to get a

3:24:22tow from an alien mothership, but the

3:24:24next thing I knew, me and my buddy Mike

3:24:25were halfway across the galaxy in an

3:24:26oversized hubcap full of the weirdest

3:24:28space creatures you ever did see. So you

3:24:30can see it's using a very similar tone

3:24:32with what we have here. I would say this

3:24:34probably is a two a little bit too long,

3:24:36so I might ask it to shorten it a little

3:24:39bit. So it's maybe like cut two

3:24:41paragraphs from that. But overall, this

3:24:42is good and we can use this. So that's

3:24:46asset number one that we need to develop

3:24:48before we start the publishing process.

3:24:49The other asset that we haven't covered

3:24:51yet is the keywords. So keywords are

3:24:54interesting. If we go to Amazon and you

3:24:56look at this, you know, this search bar

3:24:58up here, and we type in cozy sci-fi,

3:25:02you will see usually there's some

3:25:05suggestions that come up. Okay, so here

3:25:06we are like cozy short mystery, cozy

3:25:08sci-fi, cozy series, cozy supernatural,

3:25:11cozy spicy romance, slice of life

3:25:13fantasy. All of these things pop up.

3:25:14These are keywords that people are

3:25:16actually putting into Amazon. Now, I'm

3:25:18seeing a few more cuz I'm using a plugin

3:25:21called AMZ Suggestion Expander or

3:25:23something like that. And so it's giving

3:25:25me a few more to look at. But that's one

3:25:27place you can go to see what keywords

3:25:28are there. Now, if you've done a lot of

3:25:30genre research, you would may know a lot

3:25:32of your cozy your keywords already. And

3:25:34a common practice for fiction,

3:25:35especially, is to put one or more of

3:25:38your keywords in the subtitle. As you

3:25:40can see this one did here. It put the

3:25:41word cozy, it put low stakes, it put

3:25:44slice of life sci-fi adventure. So this

3:25:47clearly is aiming towards that cozy

3:25:49slice of life genre. And so these are

3:25:52might be if you look through other books

3:25:54in this genre, you might find a couple

3:25:56of keywords that are like, yeah, that

3:25:57should probably be included either in

3:25:59the subtitle or in your designated

3:26:01keyword slots. Amazon gives you seven

3:26:03keyword slots. And there are various

3:26:05strategies for them, but we're not going

3:26:07to worry too much about like all the

3:26:09fancy strategies because a lot of them

3:26:11also require paid tools. I will show you

3:26:13one of those. It's called Publisher

3:26:15Rocket. You can do a keyword search

3:26:17here. So if we do cozy sci-fi and select

3:26:21go get 'em rocket, it will give us a

3:26:22couple of matching related keywords. We

3:26:24can see how viable they all are. They

3:26:27all have good competition scores, but it

3:26:29doesn't look like a ton of people are

3:26:30searching for them. This is a very niche

3:26:32genre, so I'm not surprised by that. But

3:26:34another thing you can do in Publisher

3:26:36Rocket that I find really helpful is

3:26:37that you can grab the ASIN number for

3:26:39any particular book. So we're going to

3:26:41grab the one here from its product

3:26:43details. You can also get it in the URL.

3:26:45If we copy that and then go into

3:26:47Publisher Rocket, we can actually do a

3:26:49reverse ASIN lookup and see what

3:26:51keywords is this book ranking for. So

3:26:53I'm going to paste that in there, say go

3:26:55get 'em rocket. And here it gives me

3:26:57some of the keywords that this one is

3:26:58ranking for. Now, obviously it's going

3:27:00to rank for its name and its author

3:27:02name, but then here are some others that

3:27:04we can look at like low stress space,

3:27:07interesting. Space fantasy adventure, no

3:27:09stress book. So, now I can see like, oh,

3:27:12maybe no stress is actually a keyword I

3:27:14want to target. No stress sci-fi,

3:27:16science fiction and fantasy no romance,

3:27:18interesting. Low stress fantasy, space

3:27:21adventure SF book series. So, this is a

3:27:23great place to mine keywords for your

3:27:25book. So, I would probably pick

3:27:27something like low no stress book or no

3:27:30stress space, no stress sci-fi, etc. and

3:27:34try to incorporate some of those into

3:27:37the uploading process. Once you've got a

3:27:39list of at least like seven or eight

3:27:41keywords, it's time to actually start

3:27:43uploading your book onto Amazon. So,

3:27:44let's go look at that now. Now, to get

3:27:46started here, you go to create new title

3:27:48or series, say click create ebook, and

3:27:51you'll come to this page here that'll be

3:27:54all blank with nothing in it. And you

3:27:56can see some things like this is where

3:27:57the book description goes, this is where

3:27:59those keywords go. I'm going to actually

3:28:01show you a one that is all filled out.

3:28:03This is my book how to write urban

3:28:05fantasy. So, you start with language, of

3:28:07course, select whatever language your

3:28:09book is in. I assume most of you will be

3:28:11putting that in English. Then you want

3:28:13to add your book title and your book

3:28:15subtitle. In this case, because this is

3:28:17a nonfiction, I put my book my main

3:28:19keyword in the title, but if you didn't

3:28:21put it in the title, you would want to

3:28:23put it in the subtitle. And if you're

3:28:24doing fiction, definitely I recommend

3:28:27putting the genre that the specific

3:28:29subgenre that your book is in in the

3:28:31subtitle. It makes it really easy for

3:28:33readers to identify what type of what

3:28:35type of book you have. Then you can add

3:28:37a series. So, you these you have to kind

3:28:39of create separately and then tie them

3:28:41in here. So, if your book is book one of

3:28:43the series, you can add that in here. If

3:28:45your book is a second or third edition,

3:28:47you can add an edition number here. For

3:28:49most people, that's not going to be

3:28:50relevant. And then of course, your

3:28:51author name or your pen name here. So,

3:28:54if you're using a pen name, use that. If

3:28:56you're using your main author name, use

3:28:58that as well. You can also add

3:28:59additional contributors here if you so

3:29:01desire. They include but editor or

3:29:04another author. So, if you do a

3:29:05co-authored book, you can put that

3:29:07author there. Can add editor or like

3:29:09forward by or like your book cover

3:29:12designer, you can put it in here. If

3:29:14you're translating a book, you can put a

3:29:15translator. All of those additional

3:29:17contributors can be tracked here. If

3:29:18you're just writing a book yourself, you

3:29:20don't need to put anything here really

3:29:21unless you really love your book cover

3:29:24editor or your book cover designer or

3:29:26your editor or something like that, you

3:29:27can put their names in here. Get their

3:29:29permission first though. And then here

3:29:30is where you put your book description.

3:29:32So, in this case, if I if we were doing

3:29:34a brand new book, I would just come here

3:29:36to this book description that we

3:29:38generated, copy it and put it into here.

3:29:40The only thing I would pay ask you to

3:29:42pay attention to is the formatting. So,

3:29:44you do have a basic formatting options

3:29:47here. The only one that I would

3:29:49definitely make sure you do is make sure

3:29:51your opening line is a heading. So, that

3:29:53will show up as bigger. And you can't

3:29:55really see it in this preview that we

3:29:56have here, but if you notice here, it

3:29:58says when I've got this text selected,

3:30:01it says normal here. But when I select

3:30:03this header, it says heading four.

3:30:04That's what you want to select. So, make

3:30:06sure your header is a heading four and

3:30:08then make sure any parts that need to be

3:30:09bolded or italicized or set into bullet

3:30:13points like I have here, which is more

3:30:15common with non-fiction, those can all

3:30:16be formatted here. You just want it to

3:30:18look nice and not look like it's all

3:30:20just huge chunks of paragraphs all kind

3:30:22of squished together. That's what you

3:30:24want to avoid. Uh you want it to be

3:30:26relatively like pleasing to the eye for

3:30:28the person who is going to read that

3:30:31book description. All right, the next

3:30:32section is the publishing rights

3:30:33section. For most of you, you'd select I

3:30:36own the copyright and I hold the

3:30:37necessary publishing rights. We could

3:30:38talk a lot about copyright regarding AI,

3:30:41uh but as long as you've put in human

3:30:43effort, you do hold the copyright to

3:30:45what you've created. If you're

3:30:47republishing a public domain work or

3:30:49something, you can select that. Keep in

3:30:51mind, this only applies if you were like

3:30:53literally copying and pasting huge

3:30:55chunks of a public domain work into what

3:30:58you're producing here. Like if you

3:31:00produce the entirety of Pride and

3:31:01Prejudice exactly as it was, and maybe

3:31:03just added your own little commentary or

3:31:06something like that, that would be a

3:31:07public domain book that you would want

3:31:09to select this. If you are writing,

3:31:10let's say Pride and Prejudice fan

3:31:12fiction, or a derivative work that's

3:31:14clearly inspired, might have the same

3:31:16characters, but is a new book, that is

3:31:19your book. That is not public domain. It

3:31:21is based on derivative from a public

3:31:23domain source, which means it's legal

3:31:25for you to do that, but at the same time

3:31:27you would not select public domain here.

3:31:29Next, you want to go through primary

3:31:31audience. This is where you mention if

3:31:33you have any sexually explicit images or

3:31:35a title. So, this could be this is

3:31:37really only relevant if you write

3:31:38erotica or something like that. Or does

3:31:41the book's [music] title contain

3:31:42sexually explicit language? So, this is

3:31:44only for the cover or the title. If you

3:31:46have spicy scenes within your book, you

3:31:49don't have to disclose that here. That's

3:31:51just something separate. You can also

3:31:53add the reading age here. This is

3:31:55important if you're doing like

3:31:56children's books or teen books, but

3:31:59unless you're doing that, I would leave

3:32:00these alone. I never fill these out.

3:32:02Select your primary marketplace, which

3:32:03for me is amazon.com, but you have

3:32:05.co.uk, .ca, you know, .de, all of these

3:32:09are available to you depending on what

3:32:10region you're in. And then you select

3:32:12your categories. So, with Amazon, you

3:32:15were allowed to select three categories.

3:32:17And back in the day, there's like a

3:32:19whole bunch of like almost quasi scammy

3:32:22advice on how to game the system with

3:32:26categories. And [music] I won't get into

3:32:27what that all looked like, but it led to

3:32:29a whole bunch of people putting their

3:32:30books in categories that they didn't

3:32:32really belong in, just so they could get

3:32:35more visibility in those, you know,

3:32:37lower competition categories. These

3:32:39days, that doesn't really work. And one

3:32:41of the reasons Amazon made it so that

3:32:43you can only select three categories is

3:32:45to kind of force you to select the most

3:32:46important categories. So, you're not

3:32:48selecting like, okay, three relevant

3:32:50categories and then seven categories

3:32:52that aren't really relevant, but you

3:32:54could maybe have a chance of being a

3:32:55best seller in that category. You can

3:32:57only pick three now. And what I would

3:32:59strongly recommend is that you pick the

3:33:00three most relevant to your book. Do not

3:33:03worry about trying to game the system

3:33:06and try and get a low competition

3:33:07category. There are tools out there,

3:33:09even Publisher Rocket, which I just

3:33:11showed you, that will kind of show you

3:33:13which categories are growing, which ones

3:33:16are low competition, and that's fine

3:33:18information earlier when you're doing

3:33:20the research process for your genre. If

3:33:22you want to find a genre that you know

3:33:24is going to have good growth or be low

3:33:25competition, you should do that before

3:33:28you start this process. Once your book

3:33:30is published, I find that it's most

3:33:32important that you pick the most

3:33:34relevant categories for your book,

3:33:36[music] and just leave it at that. So,

3:33:38to do that, you just go to edit your

3:33:40categories, and because I already have

3:33:43three here, I would have to like go

3:33:44through

3:33:45these different categories and

3:33:47subcategories to find the ones that are

3:33:49most applicable to me, but this is where

3:33:51you do that. And then finally,

3:33:53for this page, you can add in your

3:33:56keywords such as they are. And once

3:33:59again, when you're doing research ahead

3:34:01of writing the book, you can, you know,

3:34:04find a genre, find keywords that are

3:34:06really good, that are people are looking

3:34:07for, but after the fact, you want to

3:34:10make sure that your keywords are just

3:34:12relevant to the book. I would put your

3:34:13most important keyword, which is usually

3:34:15the subgenre that you're in, in your

3:34:17subtitle, and then the rest of these can

3:34:19be like variations of that, or it could

3:34:21be like strong female lead, or anything

3:34:24to do with your protagonist, or your

3:34:25world, or anything like that. So, you

3:34:27can put those in there. And then you

3:34:28move on to the next stage. Well, I

3:34:30should also point out that you have the

3:34:31option to set your book for pre-order.

3:34:34Uh if you're doing this for the first

3:34:35time, obviously, in my case, this is a

3:34:37form like I published this book already,

3:34:39but you can select when it goes out.

3:34:41Like, is it going to go out the day you

3:34:43hit publish, or is it going to go out in

3:34:44the future? You can select that there.

3:34:46So, from there, you would go to the next

3:34:48stage, which is Kindle eBook content.

3:34:50So, we just established Kindle eBook

3:34:52details, and there's a content page and

3:34:54a pricing page. So, for the content

3:34:56page, you upload your manuscript here,

3:34:58and you can select whether you want

3:35:00digital rights management for that,

3:35:01which in most cases I select no. Then

3:35:03you upload the book cover that you have

3:35:05for your eBook, cuz we're only doing the

3:35:07eBook right now, and you upload that

3:35:09file here. And then we get to the

3:35:11AI-generated content section. And this

3:35:13is where you actually disclose where

3:35:15whether you use AI or not. And I

3:35:18strongly suggest you be honest with this

3:35:20section, because this not being honest

3:35:23is against Amazon's terms of services.

3:35:25They do not ban you for using AI.

3:35:27They're not going to penalize you for

3:35:28using AI, but they will penalize you for

3:35:31being dishonest and going against their

3:35:33terms of service. So, make sure to be

3:35:34honest in this section. So, for this,

3:35:36this is a a short guide that I created

3:35:38on the genre, and it was heavily written

3:35:41by AI, and then I went through, did

3:35:44extensive editing, and there are

3:35:45elements of the book cover that were

3:35:47AI-generated. Not everything. In fact, I

3:35:50did actually pay a designer to do this

3:35:53particular cover. I just manipulated it

3:35:55a little bit and added some things that

3:35:57were AI-generated. So, I put for the

3:35:59text, you have the four options. You

3:36:01have some sections with minimal or no

3:36:03editing, some sections with extensive

3:36:05editing, entire work with minimal or no

3:36:07editing, or entire work with extensive

3:36:08editing. So, just pick whichever is most

3:36:11relevant, and then you can also put the

3:36:12tools that you used in this process.

3:36:14Same goes for images, you have the same

3:36:16options. One or few or many with minimal

3:36:19or no editing or extensive editing, and

3:36:22>> [music]

3:36:22>> you also put the tools that you used

3:36:24there. And you can also do this for

3:36:25translations. So, if you were

3:36:27translating a book from one language to

3:36:28another using AI, you'd want to put that

3:36:30here as well. Or if there's no AI

3:36:32involved whatsoever, just select no.

3:36:35Keep in mind that your designers,

3:36:36depending on who you get, may be using

3:36:39AI in some of their elements, and so you

3:36:41want to make sure you know from them

3:36:42whether there was AI used in your cover

3:36:44or not. All right, and then you can do

3:36:45the Kindle preview, which will just give

3:36:47you a brief preview to look at what it

3:36:50might look like for the user on a

3:36:52particular device. Uh you can have

3:36:54tablet, phone, or a Kindle e-reader, and

3:36:55I just kind of flip through the first

3:36:57few pages of this just to make sure

3:36:58everything looks okay, and it does, so

3:37:01I'll hit back. Then you can put in your

3:37:03ISBN and publisher if needed. I never

3:37:06recommend people use ISBNs because

3:37:08they're insanely expensive, and you

3:37:11don't actually need them. Uh I could do

3:37:12a whole video on that perhaps in the

3:37:14future, but basically, you don't

3:37:15actually need an ISBN to publish your

3:37:17book anywhere you want to publish that

3:37:19book. There's very very little advantage

3:37:21that you get from having an ISBN, and

3:37:24nothing no monetary advantage

3:37:26whatsoever. All right, and then there's

3:37:27access accessibility features. This one

3:37:29was added recently. If you're adding

3:37:31images into your book, it's good to have

3:37:33things like their alt tags, which

3:37:35describes the image, which you can do in

3:37:38a tool like Atticus, and then you can

3:37:39select, you know, what you've done there

3:37:41with those alternate text and images

3:37:44descriptions and all of that. Once

3:37:45you've gone through all of that, that's

3:37:47the bulk of what you have to do. The

3:37:48last thing to select is the pricing, and

3:37:51let's go to that next. And here is where

3:37:53you will have the option of KDP Select

3:37:56enrollment. This is how you get your

3:37:57book into Kindle Unlimited or KU. It's a

3:38:00free 90-day program offered to Kindle

3:38:02ebooks. It allows you to run discounts

3:38:04in promotions like Kindle Unlimited. To

3:38:06enter the Kindle Storyteller contest,

3:38:08your book needs to be enrolled in KDP

3:38:09Select. So, there are advantages besides

3:38:12just Kindle Unlimited to having your

3:38:13book enrolled here, and you can enroll

3:38:15it here at this stage if you want, but

3:38:17do remember that means your ebook will

3:38:19need to remain exclusive to Amazon. It

3:38:22cannot be available on other ebook

3:38:25websites. You could do whatever you want

3:38:27with your print books. Those can still

3:38:28go to other websites if you want, but

3:38:30for ebook, it has to remain exclusive to

3:38:33Amazon. Next is territories. I just

3:38:35always select all territories. And then

3:38:37the primary marketplace, again, select

3:38:38whichever one is most relevant to you.

3:38:40And then you have pricing, royalty, and

3:38:42distribution. So, there are two options

3:38:44here. You can get the 35%

3:38:47royalty or the 70% royalty. And you

3:38:50might ask, why would anybody want to

3:38:52have the 35% royalty? Um most of the

3:38:54time you don't, but there are limits to

3:38:58what you can do at the 70% royalty. The

3:39:00big one is that you need to have a book

3:39:03that is priced between $2.99 and $9.99,

3:39:07uh at least with the US pricing. I don't

3:39:09know exactly what it might be for other

3:39:10markets. So, it needs to be within that

3:39:12window, or you have to use 35. So, if

3:39:15you went and wanted to sell a book for

3:39:17$20, you'd have to use the 35% royalty

3:39:21rate, which would actually be the same

3:39:23amount of money coming to you as if you

3:39:25sold it for $10 at the 70% rate.

3:39:27Generally speaking, the most you want to

3:39:29charge for a book is 70 uh is $9.99

3:39:33because that is the most you can get at

3:39:35the 70% range here. You could always

3:39:37sell a book for $100 and get 350 from

3:39:40that and get $35 from that sale at the

3:39:4335% price, but it's just easier to stick

3:39:46to the 70 whenever possible. The only

3:39:48exception that I see authors regularly

3:39:50do is if they want to do a sale on their

3:39:53book and sell it for, say, $0.99, in

3:39:56which case 35% is what you would have to

3:39:58select. Sometimes that's worth it if

3:40:01it's, say, in a series. So, let's say

3:40:03you have a long series, like eight books

3:40:04or more. You can put your first one at

3:40:06$0.99, and you're only making $0.35 for

3:40:09that book for every sale, but maybe a

3:40:11lot of those people, you'll get more

3:40:12people buying it at that price, and then

3:40:15they'll go on to read the full series,

3:40:17which you can have at a higher price. In

3:40:19this case, I keep this book at $4.99.

3:40:22What price you select for your book

3:40:23should depend on what your competition

3:40:26is doing. So, look through other books

3:40:27in your genre. What is a common price

3:40:30for them? And just go with something

3:40:31like that. Usually, something around

3:40:33$4.99 is about the average. Although, if

3:40:36you write non-fiction, $9.99 is pretty

3:40:38common as well. Once you do that, you go

3:40:40ahead and make sure that you go through

3:40:43all of the other prices, make sure they

3:40:45look good. The only ones that I really

3:40:46tend to manually do, because it'll do an

3:40:49automatic conversion, I usually like to

3:40:51set the prices for the British pound and

3:40:55the euro at the same that I put it in

3:40:57dollars, just so it looks nice, so it's

3:40:59not like a random number like $4.32

3:41:02or something like that. Uh but the rest

3:41:04I just let the automatic conversion go,

3:41:06and then you just hit publish. And

3:41:07congratulations, you have published your

3:41:09first book on Amazon. The next step is

3:41:11marketing, which uh as I mentioned is

3:41:13not going to be in this video. And also,

3:41:15I want to say congratulations for

3:41:16getting through this entire full course

3:41:19video. That was a whole lot to process.

3:41:21I hope it was useful for you. You feel

3:41:24free to go back and review it as often

3:41:26as needed, because obviously, there's a

3:41:27lot to this process. But I want to

3:41:30congratulate you, because not too many

3:41:31people are going to be getting through

3:41:33this entire thing and actually doing the

3:41:34work and going through the process. So,

3:41:36once again, I just wanted to put in one

3:41:38final plug for my community. If you want

3:41:40more access to me and a community of

3:41:43like-minded people to share thoughts

3:41:45with and to get questions answered, as

3:41:47well as my Story Hacker OS software,

3:41:50which I've featured a few times

3:41:51throughout this video, go ahead and

3:41:52check out the first link in the

3:41:54description down below, and I will see

3:41:56you in the next video.

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