Full transcript
0:00good day YouTube is a can
0:04today I'll be doing a decided to do a
0:09xenon pearl groove session so I'm gonna
0:13do a kick and bass if you effects drums
0:14just make a little loop see how quickly
0:17I can smash something out so 666
0:22subscribers today just pray man or Satan
0:31coming through a portal yeah I guess
0:40we're gonna start with a kick to get a
0:42nice kick happen if you haven't already
0:48and you're an Ableton person you should
0:51subscribe doesn't cost anything it's
0:54it's free it's free knowledge so I'd be
0:58pretty nice of you if you can subscribe
1:01so here we always keep - I'm gonna do
1:05I'm just gonna turn off the click and a
1:08mute that I turned down my drive
1:11turn off the distortion let's double
1:13click these so then we have stone down
1:22okay it's a no realist
1:28down in general now gotta zap let's take
1:51this pitch to the top take the length
1:55take we're linked to about 400 300 late
2:01300
2:21really thick delicious transients so
2:29let's go for something like that
3:13so that's just the pitch envelope simple
3:17really
3:18now we're going to create a little shape
3:20in the amp envelope so it was kind of
3:32nice long bit all right just come it
3:39make it a little low mid kind of cut
3:44well that turned into a smiley face like
3:47oh my God look there is a little smiley
3:50face see that there is that never knew
3:54that it's definitely an easter egg so I
3:59want to get kind of smooth ish kind of
4:05low mid
4:19okay bit of a small bit of attack
4:54[Music]
5:31and once they're there we go that'll do
5:46so I'm just basically twiddling and
5:48twiddling the different nodes and
5:51getting a nice shape here and we're done
5:55so after that twiddling just gonna make
5:58let's go for a 1/3 so what we do now
6:02let's get them instruments whip up a
6:05little operator oh yeah and as well
6:0932 BPMS and just drawing some drawing
6:16myself some of that seven by Candice
6:28well I'm just putting EQ on it and just
6:31not shout low mids in what I like to do
6:35is low-cut substr subsonics no joke I
6:41like using this and I pushed it up a bit
6:45with the - lets roll the subs coming
6:54from and then I usually use my number
6:56three mid cut
7:05[Music]
7:30during a high mid cut there just because
7:32it already did a kind of lower company
7:34than the amplitude envelope of the kick
7:36- and that sounds quite nice that a
7:38little that little higher cut me a blip
7:42right so let me get rid of all them ones
7:46there we got our operator here so I'm
7:48just gonna do a nice based one Thunder
7:52rolling bass so I don't even kind of
7:58look what no I'm doing first I just do
8:00this and then I'm pressing right there
8:04and pressing this is a trapeze lot so
8:06imagine that snapped into grid so I do
8:08is this hold command and then I'll just
8:11smooth and I just do that get a tiny bit
8:14a little gap in between the notes smooth
8:17things out the envelope so then we have
8:19that oh yeah so now I'm gonna go down to
8:30the low note
8:38we'll start with oh stop
8:43that's just sub at the moment so what
8:47I'm gonna do is come here and just turn
8:49that to us or D it's like full-spectrum
8:51saw I'm gonna take the frequency down
8:55and took the envelope right up
8:58so what's that's doing that's modulating
8:59the the air frequency of the filters
9:02that standard distaffs every time this
9:06shape here is modulating this H note so
9:09every time note plays the envelope opens
9:12up in this shape each night so about
9:45there all I've done is move the decay
9:46there stains were already already down
9:50and then what I'm gonna do I'm gonna do
9:53some kind of like automation trickery
9:55with the K loop let's loop that up so
10:02we're looping up
10:12so hear them notes there what we do is
10:15get the decay and have it coming up a
10:21tiny bit and then maybe like just that
10:33maybe there I don't know how that's
10:34going to sound at school so let's just
10:40copy that this is to go to that and just
10:50bring this one behind and duplicate it
10:55and that was my triads a bit of FM here
11:20because we're in the FM mode of operator
11:22as opposed to non FM which would be this
11:25and just maybe see if we can get some
11:28different kind of tones out of the base
11:29line
11:36so maybe if I get this one as a saw wave
11:41as well maybe forget all right so now
12:26let's do some trickery lesson
12:28let's get an audio hurt it's good a
12:30little high hat audio hat I mean a high
12:33hat an audio track putting the high hat
12:36in the audio track yep so then Thomas
12:40Penton he's a classic samples have you
12:43heard before everyone something super
12:49super super as simple as oom right in
12:53I'm gonna take that off you've got some
12:57kind of natural curve there didn't work
13:01oh it is scooped and just get it real
13:06small maybe
13:13well it's a turn right down let's see
13:31how it sounds and you know just that's
13:35just a simple offbeat so I'm putting
13:38that off beat the kick it's the most
13:41classic so then we have something like
13:44this and then we do it's gonna EQ on
13:55that as you can see there's a bit of low
13:59little lows just oh yeah one thing I'm
14:20actually gonna compress from the base so
14:23I chained it to the kick I'm gonna put
14:27that about four and then they're more
14:35rolling impulse II kind of things
14:42so what I do is this Kittel role a role
14:45the higher here so then something like
14:54there could be this so it's gonna be
14:57like like that and then
15:12oh cool that's pretty bad sounds nice
15:23when you like it's maybe actually like
15:33this another one like that so then one
15:49can also do is give these first four see
15:53that I'm going to do is consolidate
15:56there and just get a little smart little
15:58curve and just go to them okay it's a we
16:05have a little variation there and stuff
16:07I do is get another one there and maybe
16:13what I'll do is in this one and we're
16:16going to here and just pitch that one
16:18down one do the same this is coming
16:22there pitch down one actually this I'm
16:40going to copy that and then
16:52paste that like that's I think that's
16:54sounds mighty nice I think yeah that's
17:00what it's going for in the first place
17:05[ __ ] [ __ ] it's just uh they know
17:14really scare all that then just copy a
17:20nice full wedge duplicate so I won't get
17:28in there
17:31okay let me go to that same
17:43yes
17:47nice thing I'm gonna be a bit more
17:51rhythmic now so you can just get these
17:53in nice so now we're gonna just give
18:14them a bit of percussion so I'm gonna do
18:16I get rid of this swing wherever it is
18:20I'm gonna packs grooves packs coli brer
18:28grooves Bruce just kind of yeah I just
18:39wanna call it like he thinks I'm just
18:41dragging that in there
18:42somebody got MIDI data I'm gonna drum
18:46rack it and I'm gonna come into Foley
18:52effects and get some kind of like
18:53typewriter or something like that like
18:57come to hear household
19:14[Music]
19:36this is what's up sounds pretty cool
19:47[Music]
19:54I'm on the beat sounds pretty cool
20:01that's coming to here sir do it with
20:11your face and I'm gonna get a of CEQ so
20:43main thing is compressor so I'm gonna
20:45compress the same thing we did with the
20:47bass so I chained it to the kick
21:02that would be cheating not really
21:04helpful for you guys because they were
21:07awesome got all these kind of really
21:10nice alien I'm teaching my students at
21:34the moment in the private classes so if
21:36you're interested in that take a chair
21:38I've got a deadly piece to do calm or
21:41just write me at Daniel a dirty hippie
21:43studio calm and we can talk about
21:46setting you up some lessons with me
22:07so let's get some more drums in so maybe
22:09go we're gonna go them from kind of
22:12snare
22:15well first actually it's got some most
22:18called each stuff so let's get a wave
22:20table Ronde under nice cold turn wave
22:53table called evening
22:57[Music]
23:19[Music]
23:47[Music]
23:50so with this you have to go to the
23:53matrix here to your inflow from down an
24:11octave let's go down down
24:19[Music]
24:28[Music]
24:42[Music]
24:51[Music]
25:00[Music]
25:15[Music]
25:21[Music]
25:53it's Gemma elephant just good my square
26:13[Music]
26:17so a high-pass with this
26:22[Music]
26:26[Applause]
26:32[Applause]
27:00my do is create a little like can get a
27:06audio I'm going to route it to this both
27:13now settling both take it off some loop
27:18somewhere are called those I'm just
27:22going to record myself terms of things
27:35[Applause]
27:37[Music]
27:41[Applause]
27:50[Music]
27:51[Applause]
27:51[Music]
28:02[Applause]
28:10now do you got some kind of things they
28:16do and just create some kind of thing so
28:30just what's going on
28:39I just want to do so just going to hear
28:57it scared about
29:12[Music]
29:15so I've got this little section here we
29:17can kind of reverse for example just
29:27press reverse weird
29:45so we can just basically working like it
29:51that kind of basic sequence start
29:53filling in the gap and then we can get
29:58this one here I'm gonna copy what we had
30:02there on there maybe time stretch it a
30:08little bit maybe that wolf uh we'll see
30:15[Music]
31:02[Music]
31:05[ __ ] [ __ ] this one down a little
31:17bit
31:26and I leave it okay so we have a got a
31:34basic FM kind of thing
31:45that's the that's the room that day
31:47little don't let's see well sweet that's
31:53cool so we can say there again that's
32:26kind of cool so I did it's just
32:28something like that and this little
32:29snippet whatever that was do yes I'm
32:43gonna get this one
33:00[Music]
33:19and then we have another little area
33:23[Applause]
33:26[Music]
33:27a little bit so then we you know we have
33:32all this for later yeah you go I hate
33:44when that happens
33:45so anyway there again I'm literally
33:49gonna so we have all this so I'm gonna
33:58do that and then kind of move it far out
34:01of the way so I don't see it and then
34:05now we have this now I can so now that
34:12we've been nice and zoo me and then this
34:16wave table here
34:23[Music]
34:30[Music]
34:50the first bit looks about right
35:00let's try that actually everything else
35:10needs to come down so let's do that and
35:17then we can press this it a bit send up
35:22being way too long this stream [ __ ]
35:25him serious [ __ ] free streaming I
35:33hope some of you watching it give me an
35:34email because that guarantee my little
35:41wizard school it's pretty pretty awesome
35:45and I love it I've learned so much from
35:50teaching it's ridiculous help each other
35:56out
35:57alright there we go that should be what
36:01kind of it's all about groovy this and
36:06I'm gonna come in here come back in get
36:08my EQ and put them lids
36:29[Music]
37:20[Music]
37:29[Music]
37:41[Music]
38:16[Music]
39:14[Music]
39:33[Music]
39:40[Music]
39:50[Music]
39:56[Music]
40:14[Music]
40:31[Music]
40:47[Music]
40:54[Music]
41:42that's remember
41:49we're getting there what it is two
41:51different thing we want to go for a
41:54complex
42:02it's nice tonal differences so I wanna
42:05do is go up up and down and then yeah
42:16that's the steps you know didn't I told
42:30you that's what we want
42:34this one here apparently it's already
42:36doing something nice that day and then
42:49one day just freeze flatten that yeah
42:54please fine
42:59yeah and then now it's freezin platinum
43:02I'm gonna do is get some stuff happening
43:06with it it's so similar to the other
43:10time it's gonna get another water fills
43:12room so then maybe a bandpass that you
43:18enjoy nice
43:30[Music]
43:41[Music]
44:06[Music]
44:30[Music]
45:08[Music]
45:18[Music]
45:32[Music]
45:49[Music]
45:50so you they're just in that little spot
45:53so I'm gonna get it again for a low G
46:00which is the key we're in the only one
46:07do want to come into operator linger for
46:10a square and then just do the simple
46:31[Music]
46:48I guess this could the the lows or for
46:51that
47:06number two one of these
47:24[Music]
47:38so try swear and I'm gonna take that
47:52[Music]
48:07[Music]
48:12let's try something else for this
48:17[Music]
48:52[Music]
49:06[Music]
49:18[Music]
49:28[Music]
49:47[Music]
50:02[Music]
50:06okay so what I'm gonna do is actually
50:08get a drum rack and rather than just try
50:12to snare I get like I'm a few other
50:14little bit so I'll be like more of a
50:15beats coming in
50:26nice I'm just gonna watch new get rid so
50:38you can get like another hi-hat
50:53[Music]
51:16[Music]
51:29[Music]
51:34nice I'm actually going to tighten up
51:36the envelopes afterwards so I'm just
51:39getting the rhythm first so we got there
51:45[Music]
51:54[Music]
52:02okay close let's come back in here we
52:08must take down the end
52:32[Music]
52:42I'll just finish off just an example of
52:46them things you can do these kind of
52:48stuff like am i made this took a little
52:51while it's got a lot of too long for a
52:54video on YouTube tell you it's amazing
52:57so I'll go here is like a frequency mode
53:06a second operator with heaps of FM and
53:10just like arpeggiated with and they are
53:16pet in the arpeggiator is synced to the
53:19frequency mode and then looping the
53:21envelopes and doing all kinds of weird
53:22stuff and then we can work and then what
53:26we can give it yeah it's things like
53:29this and I know what I've done I just
53:30looped it and then coming here is real
53:37cool Versailles fashion that's so far
53:56like a lot of this production that I've
53:58done is kind of there's not enough happy
54:01accident so a lot of the time before I
54:03start a track I sit there for like hours
54:05sound designing like big long jams and I
54:11use that source material to make this
54:12kind of jig store stuff so it's kind of
54:16stare off me this kind of usual thing
54:17that I hope you get the idea it's gonna
54:20short Lord Jam out so you still get some
54:22ideas and stuff but I'm usually am I
54:25like more happy accidents and stuff so
54:28I'm gonna do is hit record and then just
54:31jam it out so it's with myself a bit
54:37he didn't down a minute what about then
54:44we got there sir we've got lots of weird
55:27noises a song never too late the
55:29original source then I'm done I'm gonna
55:36do is just open it out
55:47so I get it it's falling it's a struggle
55:50down here
55:57I'm gonna do please make another audio
55:59track I was dragged down some good ones
56:10[Music]
56:59[Music]
57:18let me have some bits to throw places
57:22and just come back here just find areas
57:26to put them
57:37those are now perfect so this is just
57:44kind of weird
57:45chirpy sounds if you want secret drop it
57:51down so I made you guys let's just
57:57finish the sauce I'm just gonna throw
57:59things places so I don't actually have
58:25to cramped it so much
58:47[Music]
58:55[Music]
59:36yeah so once so I want to like kind of
59:38pass on each time so imagine we got do
59:40dude gloom ball so then then needs a
59:42real response here again we've got
1:00:09another business and then I'll put that
1:00:11over that one yeah there so we have it
1:00:15it's just trying to you see how I've
1:00:17copied the sequence different sounds and
1:00:20then I think
1:01:04to save
1:01:18already
1:01:28did it in the - did in the middle
1:01:36all right let's have another little
1:01:39listen no notes do there
1:01:42delete from those you'll get the message
1:01:45I'm sure
1:02:10[Music]
1:02:22second down and just experiment hey flex
1:03:06anyway so I hope you enjoyed the
1:03:13tutorial I'm just come on do I have news
1:03:49you can do this too
1:03:53thanks so much for watching and please
1:03:55subscribe it's free and there'll be more
1:04:00of these I recommend you do so and if
1:04:03you want to study with me come to my
1:04:06website that heaps to do calm or just
1:04:08email me at Danny I dare you to studio
1:04:10calm and we could talk and do your deal
1:04:13that your lovely deal alright so see you
1:04:19later and yeah thanks for the tour oh
1:04:21boy
1:04:21see you later