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62 Falkner Street - A House Through Time part 1 of 4

River Mersey · 8,276 words · 38 min read

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0:03when we live in a house

0:04we're just passing through people

0:08have occupied it before us and others

0:10will take our place

0:11when we leave a hundred human dramas

0:15played out in every room

0:19every house in britain has a story to

0:22tell but in this series

0:23i'm going to uncover the secret life of

0:26just one

0:27a single townhouse here in liverpool

0:35a city that rivaled new york in the 19th

0:38century

0:39yet a hundred years later was one of the

0:41poorest places

0:43in europe in many ways 62 falconer

0:46street

0:47is an ordinary house but as i'll show

0:50you

0:50in reality it is an amazing treasure

0:53trove

0:54as he leaves them not just 100 pounds

0:56but also number 62

0:58faulkner street in march 1885 again

1:01in this house he grabbed her by the

1:04throat and assaulted her

1:05the life that you can see recorded in

1:07these old documents

1:09is extraordinary delving into the

1:11archives i'll use the personal histories

1:14of the residents of this house to reveal

1:16the story of britain over almost

1:18200 years

1:22it's a period of seismic social change

1:25from the early years of victoria's reign

1:28right through to the present day

1:33this episode a man with a taste for the

1:36high life moves in

1:38a couple rise from domestic service to

1:41fantastic wealth

1:43and one resident's journey takes him

1:45from debtors prison

1:46to a foreign war he's left his children

1:51[Music]

1:52behind i'm going on the ultimate

1:55detective hunts to uncover lives that

1:57haven't been recorded

1:59in the history books but which can tell

2:01us a new version

2:03of our nation's past a new history of

2:05britain

2:06hidden within the walls of a single

2:10[Music]

2:20house

2:26today liverpool is a dynamic city of

2:29half a million people

2:31and just a mile south of the center in a

2:34quiet

2:35residential district is 62 faulkner

2:37street

2:39gainer is a working mum i'll bake it

2:43be ready for about six o'clock she lives

2:46here with her two children

2:47rosie and tom

2:51they share the house with a family

2:53friend kailyn

2:54who has a room in the basement

2:58gainer has agreed to let us into her

3:00home to see what stories we can find

3:03inside it

3:07so gainer how long have you lived here

3:09we've lived here since march 2010

3:12do you know much about its history i

3:14know that it hasn't always been a single

3:16family dwelling

3:17it was flats at one point but i don't

3:20know anything about the people

3:21who lived here before us what would

3:23really surprise you

3:24as we dig up the history of this house

3:26what would shock you

3:28if any crimes had been committed i think

3:30it would shock me and then

3:32worry me but i think whatever history is

3:34found becomes part of your history

3:36because you lived where they lived and

3:38we are walking on the floors where they

3:40walked

3:41um can i have a look around of course

3:44thank you i'll start by showing you the

3:47front room

3:49i think 100 years ago this might well

3:51have been

3:52a very formal dining room with the

3:54kitchen downstairs

3:56that's very different from today the

3:58kitchen

3:59is now on the ground floor and there

4:02have been

4:02lots more changes over the years

4:05don't be too surprised there are not

4:07many original features in the living

4:09room

4:11there's no fireplace so it is

4:13effectively just a white box

4:14it is a white box but the sash windows

4:17make it all right

4:18they are wonderful and at the back is a

4:21play room

4:22for gainers children

4:26and above that is another floor where

4:28the family have their bedrooms

4:32from my first look inside his house i

4:35can already begin to imagine

4:36how these rooms might have looked in

4:39earlier times

4:41and how other people might have lived

4:43here when they had

4:44oil lamps and open fires

4:49but if i'm going to piece together the

4:51stories of those past lives

4:53i need to go back over 200 years

4:58to before this house was even built

5:02and liverpool was a town of just 80 000

5:05people

5:07joseph sharples is an architectural

5:09historian who can tell me

5:11how this street came to be here

5:15joseph david hello very nice to meet you

5:17thank you so what was here before

5:19falcon street was built well this area

5:21of liverpool

5:22was known as moss lake fields this is a

5:24map of 1796

5:26and here you can see several fields

5:28owned by mr faulkner

5:30winding its way between the fields you

5:32can see crabtree lane

5:33and that's what became faulkner street

5:35right so when do you think this house

5:37was built well it seems that the house

5:38was in existence by

5:40january 1841 um we don't know how much

5:43house like this would have cost but

5:44maybe in the region of a thousand pounds

5:46something like that

5:47so this is a home that's financially out

5:49of the reach of

5:5199 of the population i should think

5:53that's true yes

5:55[Music]

5:56by the time this house was built

5:59liverpool

6:00was already one of the biggest ports in

6:02the british empire

6:04and business was booming

6:07the town's new middle class wanted

6:09houses away from the slums by the dogs

6:12and so farmland on the outskirts was

6:15snapped up by developers

6:16and built on bit by bit

6:24so many of these projects were built

6:26individually and then the rest of the

6:28street is filled in around them

6:29yes and this piecemeal development's

6:31also reflected in street numbering this

6:32house was originally number 58

6:34but it's now number 62.

6:38because faulconer street was built

6:39without a plan houses

6:41had to be renumbered as new ones were

6:43added

6:45so knowing that this was once number 58

6:47is vitally important

6:49as i start my investigation

6:50[Music]

6:56records for the early years of faulkner

6:58street are hard to find

7:00but in a private library i've discovered

7:02a rare collection

7:03of victorian trade directories

7:06buried within these pages i hope is the

7:09name

7:10of the very first resident of our house

7:14this is a copy of goes directory it's a

7:16list

7:17of all the traders and the merchants and

7:19the business owners

7:20in liverpool and this directory was

7:22regularly updated

7:24from the 1760s onwards and thanks to

7:26gore's directory we can tell

7:28exactly who's living at 58 falconer

7:31street

7:31in the year 1841 because it lists the

7:34name

7:34richard clenton and it tells us that he

7:37is working

7:38for her majesty's customs with the help

7:42of a census

7:43also of 1841 we can learn a little bit

7:46more

7:46about richard lenten because this

7:48confirms that he's 45 years old

7:50and that he's not the only person living

7:52at 58 falconer street

7:55there is no mrs glenton on the census

7:58but there is someone

7:59called ernst muller a clerk who's 20

8:03and a middle-aged woman julia schwind

8:06my guess is that they're both lodgers

8:10there's also a catherine smith who's

8:13just 15 years old

8:14the letters fs mean female servant

8:18which means richard had made as did most

8:21middle-class households at the time so

8:24from these two documents we can deduce

8:27that

8:27richard glenton was the master of his

8:29own home that he was wealthy enough

8:31to employ a female servant but he

8:33appears

8:34to be subsidizing his lifestyle by

8:37taking rent

8:38from two paying lodges so it is a bit

8:41of a mixed picture

8:44richard certainly had room to spare in

8:47his substantial new house

8:50the basement would have been where the

8:52servant worked in the kitchen

8:54and the scullery the ground floor would

8:57probably

8:58have had a dining room at the front and

8:59a morning room at the rear

9:01plus a toilet

9:05the first floor rooms are the most

9:07expansive at the front would have been a

9:09drawing room and behind it

9:11the master bedroom richard's no doubt

9:16finally on the top floor were the

9:18bedrooms where richard lodges

9:20and his servant would have slept

9:23already though this house has thrown up

9:26its first mystery

9:28we know it would have cost about a

9:29thousand pounds which was out of the

9:31reach

9:32of most people so i wonder if richard

9:35denton had taken in lodges

9:37to make ends meet especially if his job

9:40in customs

9:40didn't quite pay enough

9:46to find out i'm following the trail back

9:49to where richard once worked

9:51[Music]

9:54in his day these docks were the

9:56commercial heart of liverpool

9:59ships from every corner of the globe

10:01carried millions of tons of cargo

10:03in and out of here every year

10:08but what was richard glenton's part in

10:10all this

10:13i'm hoping that dr william ashworth from

10:15the university of liverpool can tell me

10:18will hi hi how you doing so this is

10:22the center of liverpool's story the

10:24docks yeah by the end of the 18th

10:26century early 19th century

10:28liverpool is beginning to even challenge

10:29london as the heart of trade

10:31what would the docks have looked like

10:33when richard was working here

10:34well i've got a picture here of the

10:36custom house built in

10:381839 it was here yeah if you look just

10:42to the left of the pump house

10:43that's where the custom house was and

10:45that's where richard's spending his

10:47career

10:48yeah the first record of him is from

10:501832 and it has him down as a clerk to

10:53the register

10:54now there are an array of different

10:56clerks they're everywhere

10:57remember there's no photocopiers so

10:59these guys just sit there

11:00scribbling and copying documents from

11:02the treasury letters

11:04but it looks to me like he was one of

11:06the many clerks

11:07that would keep a register of all the

11:09ships coming into the port

11:11so how would richard have got this job

11:13it seems fairly clear

11:15that his father was instrumental in

11:18getting him the job

11:19now his father was a land surveyor which

11:21basically means

11:23he's one of the top boys working the

11:25docks this is jobs for the boys this

11:27is not what you know but who you know

11:29yes

11:30the whole of the 18th century is about

11:32patronage

11:33so this is not unusual

11:35[Music]

11:37when richard's father jonas started work

11:40here in the 1790s

11:42a job in customs was an invitation to

11:44line your own pockets

11:47crooked officials took backhanders to

11:50turn a blind eye to smuggling

11:52and thieving was rife

11:56but by the time richard was a customs

11:58clerk the government had cracked down

12:01on corruption and criminality

12:04jobs for the boys were on the way out

12:06promotions

12:07were to be strictly on merit and the

12:10days of casual bribery

12:11were all but over the epitome of the new

12:15regime

12:16was the albert dock which richard would

12:18have seen being built

12:20in 1846 so where we are now represents

12:24that new

12:25professional world that's developing

12:26down here at the docks

12:28yes we're in a bonded warehouse the idea

12:31is that the vessel comes in

12:33and it's then swiftly offloaded and

12:35placed in

12:36these warehouses there's bars on the

12:38windows

12:39yes the architecture here is

12:41specifically designed

12:42to stop this wild west world of

12:45corruption and

12:46backhanders yes it's almost like a

12:48victorian prison

12:50there's a clerk what's happening to

12:52richard clinton

12:53personally not a lot he remains a clerk

12:57we don't know much about him and his

13:00attributes

13:01but he doesn't seem to go anywhere

13:04there's no promotions no advancement he

13:06doesn't climb the ladder if we're to

13:08believe

13:08that this is the start of a kind of new

13:11world

13:12in which meritocracy for example is

13:14important

13:15i i get the feeling he's a little bit

13:18inept a little bit useless

13:20at what he's doing what does that mean

13:21for him financially

13:24it means he stays at the bottom rung on

13:26the wage probably on a salary of about

13:2850 pounds a year

13:29a lot more than most people in victoria

13:31and britain but it's not

13:32a lot for somebody living in a very big

13:35house

13:35on falcon street no that makes no sense

13:38at all

13:39if you're looking at purely at him and

13:41his income so there's a bit of a mystery

13:42there

13:43there is a bit of a mystery there

13:44something else is going on

13:48the mystery deepens when you look at the

13:50occupations

13:51of richard's neighbors on faulkner

13:53street in 1841

13:55it certainly tells you a lot about their

13:57income bracket

13:58compared to his

14:03and the expense of a house like this

14:06wasn't just

14:07in the bricks and mortar of course the

14:09interior would have been

14:11highly decorated especially the

14:14centerpiece of the house

14:15the drawing room

14:16[Music]

14:20i imagine that when richard glenton

14:22first got the keys to this house

14:24this would have been the room that he

14:26was most excited to see

14:28there were catalogues at the time just

14:29like this one and because richard

14:31was the first owner of this house he

14:33would have had the chance to have

14:35selected

14:36the cornicing and the other decorative

14:38features

14:39and the whole idea was to make rooms

14:41like this into statements

14:43about their owners about their

14:45refinement and their taste

14:50the plastic harnessing would have been

14:52elaborately ornate

14:54[Music]

14:56with a sealing rose in a matching style

15:00and there would have been a fireplace

15:02too marble i'd imagine

15:05[Music]

15:07having personally selected the decor

15:09richard lenton would of course have

15:11wanted

15:11the furniture to match now incredibly by

15:14going through the back issues

15:16of the liverpool mail i found a list of

15:19the furniture

15:20that richard clinton actually owned and

15:22had in this room

15:23there's items like a rosewood couch

15:26trafalgar chairs

15:27and a chiffonade now i am by no means an

15:31expert

15:31in victorian furniture but to me none of

15:34this stuff sounds like it's going to be

15:38cheap

15:40i've given the list to professor deborah

15:42sugrayan

15:43a design history she's come to the

15:46jeffree museum in london

15:47to see what she can discover about

15:49richard's lifestyle

15:50from the objects in his home here is

15:53somebody

15:54who has a very fashionable interior

15:57we've got lots of luxurious furniture

16:00expensive fabrics an expensive carpet

16:04too this is a brussels carpet here like

16:07richard and they were absolutely the

16:09most high quality kind of

16:11carpet you could get this it's a card

16:14table

16:15richard had a pair of these you pull the

16:18legs out

16:18the top flips over and lo and behold

16:22you've got a lovely

16:23green bays top for playing cards on i

16:26could imagine

16:27richard at this card table maybe with

16:29some friends

16:30placing a little bit of a bet and

16:32downing a few drinks

16:33i think you know it might have got a

16:34little bit rowdy

16:36[Music]

16:39the loose bachelor was a favorite figure

16:42of

16:42fun in 19th century cartoons so perhaps

16:46a night of gambling with his drinking

16:48cronies was richard's idea of an

16:50entertaining

16:51evening at home and deborah's found

16:54another

16:55eye-catching item on the furniture list

16:59we should have a couch like this one

17:02this is mahogany richards was rosewood

17:05which would have been even more

17:06luxurious

17:08and to my mind this is somewhere where

17:10maybe richard would have entertained his

17:12lady

17:12visitors the couch is lovely for the

17:15female visitor because it

17:17accommodates her clothing and allows her

17:19dress not to be crushed

17:21and i can imagine him cozying up to them

17:23on the couch

17:24pauline bachelor perhaps that richard

17:30was

17:3558 faulkner street might have echoed

17:38with the shouts of rowdy card players

17:40and the laughter of female guests as for

17:43three years

17:44richard enjoyed the lifestyle of a

17:46wealthy bachelor

17:49albeit on the salary of a customs clerk

17:53but i've found a document that seems to

17:55mark a dramatic

17:57change in richard's fortunes in 1844

18:01it's his father's will still stored in

18:03the archives

18:04of the lancashire record office and what

18:07it shows

18:08is that jonas clinton left all his money

18:11his entire estate

18:12to one of his children and it's not

18:14richard

18:16it's his sister eliza

18:21eliza was unmarried so i can see why

18:24jonas wanted to provide

18:25for her future but it speaks volumes i

18:28think

18:29that richard didn't get a penny

18:33from this point everything begins to

18:36unravel for richard linton that list of

18:40richard's furniture from the liverpool

18:41mail

18:42now makes perfect sense because it's

18:44actually an advertisement

18:46for an auction at 58 faulconer street

18:50but richard wasn't about to replace all

18:52these expensive items

18:54he was selling up and moving out or as

18:57the notice puts it

18:58changing his residence

19:02but i think this is the saddest document

19:05it's a page from the liverpool census

19:07from 1861. now he's living

19:10in a much smaller house in everton a far

19:13less

19:14prestigious part of the city

19:17richard's departure from faulconer

19:19street just a few months after his

19:21father's death

19:22would seem to solve the mystery of his

19:25lavish lifestyle

19:27richard had been living off the bank of

19:30dad

19:31and when his father died the party

19:34really was over

19:37now there's a lot of people living in

19:39the liverpool of 1844 who are far more

19:41deserving

19:42about sympathy richard clinton's not

19:44living in a slum he's not starving

19:47but i can't help still feeling

19:50a bit sorry for him because he's clearly

19:53someone who

19:54was a bit of a daddy's boy but he has

19:57been to an extent humiliated and been

20:01exposed to the harshness the cruelty of

20:04victorian society

20:07to him 58 falcon street had been a stage

20:10on which he had played the role

20:12of a man of means a role that he never

20:15really had the money

20:16to pull off

20:25after richard dranton the next people to

20:27move in to 58 faulconer street

20:29in 1844 we think were james and ann

20:33all

20:37and james's story starts with a journey

20:40[Music]

20:42liverpool has always been associated

20:44with movement and migration

20:46this was the port of entry for hundreds

20:49of thousands of people from

20:50right across the british empire from

20:52across the world

20:55in the 19th century liverpool was famous

20:57for its huge

20:58irish population but one community who

21:01are

21:01often overlooked in liverpool's story

21:04are the scots

21:06in fact there were more scottish

21:08migrants in liverpool

21:09than in any city outside london and

21:12james all was one of them

21:14born in peoples in 1814

21:17now he appears in gau's directory for

21:19the year 1847

21:21and he's listed here as a gentleman

21:24pretty

21:24general catch-all term and it could mean

21:27little more than somebody doing

21:28a class occupation what we do know about

21:31james

21:31is that he was 33 years old and that

21:33three years earlier

21:34he'd married ann waters so on the face

21:38of it this is a

21:39simple domestic story a nice middle

21:41class couple have got married

21:43and they've got themselves a nice house

21:45but there's one

21:46detail about james and anne that just

21:48doesn't fit

21:49that simple story because their marriage

21:52certificate

21:53lists their profession as servants

21:56[Music]

21:57think that james and anne may have moved

21:59into 58 faulconer street

22:01as early as 1844 because as a rule

22:04couples had to leave domestic service

22:07once they got married

22:09a house like this would have been a big

22:11step up for most victorian newlyweds

22:14but for two former servants it seems

22:17almost miraculous

22:18[Music]

22:22it's quite easy to imagine james and

22:25annal

22:25sitting here in what after all was their

22:28living room

22:29enjoying the fact that they could pour

22:31cups of tea for their guests rather than

22:33the guests of

22:35some employer so how on earth did this

22:37couple

22:38manage to change their fortunes so

22:41radically we know from the records that

22:43both james and anne had fathers

22:46who worked as laborers and there's

22:47almost no chance that they inherited

22:49any money from their families and this

22:52document

22:52the liverpool census from 1841 shows

22:55them both working as

22:56servants in the household of richard

22:58earl now

23:00he was a wealthy barrister but there's

23:02absolutely no evidence that he left this

23:04couple

23:05any money or property so you're left to

23:08conclude that this scene of this

23:11middle-class couple pouring cups of tea

23:14for their guests in their nice new

23:17middle-class home

23:18that all of that was down to their own

23:20efforts

23:21and their own ingenuity

23:25the hunt for clues as to how they

23:26managed it has to start i think

23:29with james and anne's time in the

23:31service of richard ill

23:34richard l's household is really quite

23:36substantial

23:37he's got eight indoor staff and one

23:40gardener

23:41i think we can assume james orr

23:44is probably something like a butler

23:47because he is the oldest

23:48male indoor servant he's 25

23:52which seems young now but in those days

23:53would have been relatively

23:56old in work experience terms

24:00it's easy to imagine james serving

24:02dinner guests

24:03or polishing the silver but a butler in

24:06the truest sense

24:07was much more than just a man's servant

24:10as a butler

24:11james would also have run the household

24:14accounts

24:14so he must have been both literate and

24:17numerate

24:18someone who has skills of managing other

24:20people in james's case a staff of eight

24:23would have had talents which would have

24:25been very useful in all sorts of jobs in

24:27the outside world and the most obvious

24:29one

24:29is going into the hotel business into

24:33guest houses in keeping and a great

24:36number of servants

24:37including mr and mrs claridge who set up

24:40carriages

24:41hotel in london had come from service

24:46so for james butlering was perhaps like

24:49an apprenticeship

24:50in business management and he must have

24:53already taken up a well-paid job

24:55when he and anne moved into this house

24:58in 1844 we think

25:00but it's not until the next census seven

25:03years later

25:04that we are finally able to discover

25:06what james was doing

25:08that enabled him to live on fashionable

25:11faulkner street this document tells us

25:14that his profession by then

25:16is master of newsroom i think today we

25:19presume

25:20that this is a journalistic job but if

25:22you were involved in the world

25:24of business in the 19th century you'd

25:26instantly recognize this

25:28as a managerial job in a gentleman's

25:30club

25:33liverpool was becoming ever more

25:35prosperous in james orr's day

25:37and grand new buildings were being

25:39erected to cater

25:40for a growing professional class

25:46gentlemen's clubs were places of

25:48business and leisure

25:49and there were many including the

25:51rotunda where james all worked

25:56the athenaeum is one of the last

25:58survivors from the city's victorian

26:00heyday

26:01the current master of the newsroom is

26:03vincent robert

26:04[Music]

26:08vence

26:11welcome to jasmine new room thank you

26:13very much

26:15wow impressive isn't it vincent what

26:18would a newsroom

26:19in a gentleman's club have been like in

26:21the middle of the 19th century

26:23not very different to this we'd have had

26:25newspapers

26:27there'd have been a bar there's also bar

26:30and a big conversation going on all

26:32around us people

26:33reading the newspapers talking having

26:35meetings discussing business

26:36yes

26:40newspapers and magazines were then the

26:42only mass medium

26:44there were over 50 titles in london

26:47alone

26:48and clubs like the athenaeum would have

26:49had the latest additions

26:51sent up overnight by train to meet the

26:54demands

26:55of their news hungry business clientele

26:58thinking about james all do we know what

27:00sort of man

27:01was recruited what sort of skills they

27:03looked for one of my predecessors mr

27:06roscoe

27:06the master in 1851 wrote down everything

27:10they're looking for the master of the

27:12newsroom should be an active

27:14and intelligent man don't look skeptical

27:16about that

27:17he should be between 30 to 40 years old

27:21if married so much the better so they

27:24want stable men family men

27:26yes so to have got this job james or

27:29was clearly a man of some

27:32character he wouldn't get it otherwise

27:37it sounds very conceited my point

27:38doesn't it that's the way it goes

27:41in the archives here they still have an

27:44original list

27:44of duties for the master of the newsroom

27:47which include everything

27:49from collecting fees to lighting fires

27:52most chillingly it says his duties start

27:54at seven o'clock in the morning

27:56yes but also they finished at midnight

27:58so he runs

27:59this enterprise all day long from 7am to

28:03midnight

28:04he's a manager he is responsible for

28:06everything that goes on in here

28:09james all would probably have earned

28:11around 250 pounds a year

28:13five times what richard glenton earned

28:16but his job

28:17offered much more than just a good

28:19salary

28:21so james would have known pretty much

28:22everybody in liverpool who was

28:25significant anyone who's a major

28:27businessman

28:28yes liverpool was made one of the

28:30richest sisters in the world at that

28:32stage

28:33and they were becoming in his club the

28:35same as they would come into

28:37the afternoon so he has the the ear

28:40of the most powerful men in the city

28:42you'd have a lot of influence

28:44with them as well they would tell him

28:45things they could ask his opinion

28:47so you have the contacts if you want to

28:49use them

28:52and james clearly did make the most of

28:55his position

28:57by 1850 he and ann could afford a larger

29:00house on falconer street

29:02at number 28

29:05and i've found evidence of him taking on

29:07new prestigious roles

29:09in the world of finance the details are

29:12in one of the same papers that would

29:14have been

29:14in james's newsroom in 1860

29:18the liverpool mercury reports that james

29:20or is

29:21a trustee of the harrington permanent

29:23building society

29:24seven years later the same newspaper

29:26notes that he's the treasurer

29:28of the south lancashire permanent

29:30benefit building societies

29:31now these societies were one of the

29:33great financial or one of the great

29:35social

29:35innovations of the 19th century and it

29:37seems that james all

29:38is involved from quite early on

29:41[Music]

29:43building societies began as savings

29:45cooperatives for aspiring homeowners

29:49they were so successful that the number

29:51went up from 250

29:52in 1800 to almost 3000 by 1860

29:58james had acquired the skills and the

30:00contacts to join the ranks

30:02of trustees and treasurers managing

30:04other people's money

30:06but i think he saw that the new housing

30:08market held opportunities

30:10for him as well

30:13this isn't a man who's involved in this

30:16world of finance

30:17just for these glamorous titles i think

30:20he's using his growing knowledge

30:22to build his own fortune and change his

30:24own story

30:25because this document from 1874

30:29shows that james ohr is an investor in

30:3218 houses just across the mersey in

30:35birkenhead

30:38birkenhead was a property hotspot the

30:41demand for housing

30:42had skyrocketed thanks not least to the

30:45growth of the lead shipyard

30:47where the latest steamships were being

30:49built

30:49[Music]

30:53but there's more to admire in james all

30:55than just his eye for a shrewd

30:56investment

30:59these same newspapers from the 1860s

31:02show that he was collecting

31:03funds for local charities one that was

31:07vaccinating children

31:08and another that was helping women

31:10trapped in poverty

31:15by any standards the life of james or

31:18the life that you can see

31:19recorded in these old documents is

31:22extraordinary he was somebody who found

31:25himself in 1844

31:27a servant a man on the wrong side of a

31:30social barrier that millions of people

31:32no matter how hard they tried could

31:34never even dream of crossing

31:36and yet when james dies in 1881

31:40he's able to leave his widow and the sum

31:43of sixteen thousand pounds now there's

31:46lots of different ways that we could

31:48estimate how much that sum is worth

31:50today

31:51but the most conservative of those

31:53estimates

31:54puts that amount as being worth around

31:57one and a half

31:58million pounds the transformation

32:02of the life of james oh and his wife

32:04anne i think began in those years

32:06in falconer street and what his life

32:08demonstrates

32:09is that for the very luckiest and the

32:12most talented

32:14victorian britain could be a society in

32:17which there were

32:18phenomenal levels of social mobility

32:22this is a journey from the parlor and

32:24the kitchen

32:25to the boardroom this is a life

32:27transformed

32:32a transformation was going on in

32:34faulkner street as well

32:35[Music]

32:38when prince albert visited liverpool in

32:401846

32:41to open the albert dock he toured the

32:44city's finest sites

32:45and his carriage passed right by 58

32:48falconer street

32:52it was then still part of a new

32:54development on the outskirts

32:57but by the 1850s there were many more

33:00houses on the street

33:01and the owners an even broader mix of

33:03liverpool's up

33:04and coming middle class

33:10after james and anne all we know that a

33:12shipping agent

33:13called alexander gillespie lived here

33:15briefly in 1851

33:18and a single woman isabella mcneil

33:22then in 1853 the records show two new

33:26residents

33:27eliza and wilfred steele

33:30[Music]

33:33looking at these documents it's possible

33:34to come away with the impression

33:36that eliza and wilford steele are just

33:39another

33:39young couple moving into one of the posh

33:41houses on falconer street but if you

33:43look

33:44a little bit closer you realize that

33:46isn't the case at all because

33:48eliza isn't wilfred's wife she's his

33:51mother

33:51he's just a bachelor of 25 years old and

33:54she

33:55is listed as the head of the household

33:57now

33:58this is another document that helps us

34:00paint a better picture

34:01of the relationship between eliza and

34:03wilfred because this

34:05is the will of wilford steele's father

34:07and he dies

34:08when wilfred is just a baby so the

34:11impression that you come away with is of

34:13a

34:14woman who's brought up her son by

34:16herself

34:17of a protective mother and of a young

34:20man

34:20who's going out into the world to try to

34:22make his fortune

34:23the question is what is the profession

34:25that he's chosen

34:26in which he's going to make this fortune

34:29well i found this tiny clipping it's

34:32from

34:33a liverpool newspaper called the general

34:35advertiser from 1851

34:37and it's an advertisement for an auction

34:39that's going to take place

34:40at the premises of the company born and

34:43steal

34:44now this document to me casts wilfred's

34:47deal

34:48in a new light because what it tells us

34:50is that

34:51the commodity in which he is trading

34:54is the most profitable it's the most

34:58risky but it's also the most

35:00controversial commodity

35:02of the age because wilfred's steel is a

35:05cotton broker

35:06[Music]

35:10if the docks were the commercial heart

35:12of this city in the 19th century

35:14then cotton was its lifeblood

35:18a quarter of a million tons of raw

35:20cotton

35:21passed through the port of liverpool

35:23each year destined for the giant mills

35:26of lancashire which produced

35:27almost half of all the world's cotton

35:30cloth

35:33most of that cotton came from the slave

35:35plantations

35:36of the american south

35:38[Music]

35:40so although slavery had been abolished

35:42in the british empire

35:43it was still at the core of the business

35:45that wilfred steele was in

35:51it was a business worth 70 billion

35:53pounds a year

35:54in today's money and it put people like

35:57wilfred

35:58at the top table of liverpool society

36:01[Music]

36:04this is the very first time i've been

36:06able to look into the face

36:08of somebody who lived in our house on

36:11faulkner street

36:12because this figure on the horse this

36:15is wilfred's deal

36:18his likeness hangs anonymously in the

36:21walker art gallery

36:22where it's been for the last half

36:24century or so

36:27i've been able to identify this as

36:29wilfred steele from a history

36:31of liverpool's early victorian painters

36:33published in 1904

36:36wilfred was a friend of the artist's

36:38wealthy patron but there's no other

36:40explanation

36:41for why he agreed to pose

36:45the picture is an imaginary scene

36:48inspired by a scottish ballad

36:51the woman helen is pregnant with her

36:53lover's child

36:54but he will not give up his ride for her

36:57and she's forced

36:58to walk alongside his horse across the

37:01highlands

37:04this painting was produced in 1856 so

37:06wilfred was in his twenties

37:08and he was by then fully established as

37:11a cotton broker

37:12in liverpool so this is how at the

37:15moment he's risen to middle class status

37:18he allows himself

37:19to be portrayed is this cruel and

37:22callous character

37:23from literature perhaps wilfred

37:27didn't care about the meaning of the

37:29painting perhaps it was enough for him

37:31to know he was now mixing in the highest

37:34circles

37:38[Music]

37:42as a cotton broker this square would

37:44have been wilfred's place of work

37:47it's where all of liverpool's wealthiest

37:49businessmen would gather to make deals

37:54i'm meeting dr nigel hall to find out

37:56exactly

37:57what wilfred would have been doing here

38:00hi john

38:00david hi lovely to meet you good to meet

38:03you

38:04so although we're outside in the open

38:06air this is

38:07a trading floor yes here we have a

38:10a picture of exchange flags in 1847

38:14and we can see these splendid top-hatted

38:17gentleman

38:17around the memorial networking is what

38:20the

38:20race we use today so these frock coats

38:23in the top hat that's like the versace

38:25suits of the mid-90s

38:26absolutely yes you've got to look the

38:28part you've got to look like a merchant

38:30someone like wilfred steele we know he

38:31comes from quite humble backgrounds yet

38:33he's here parading the flags

38:35with the wealthy looking like the

38:36wealthy it's all part of the image

38:38for up and coming and aspiring cotton

38:41broker

38:43exchange flags with liverpool's wall

38:45street at a time when the city was a

38:47serious rival

38:48to new york as a center of trade

38:51[Music]

38:53and the young wilford steele was poised

38:56to make a fortune

38:59so he's in the business elite of one of

39:01the most dynamic cities in the world

39:03yes it must have been immensely exciting

39:05incredibly exciting and particularly

39:06this time in the 1850s

39:08when the cotton industry is roaring

39:10ahead and booming

39:11people are making huge profits he must

39:13of thought he was made for life

39:15it looks like a safe bet buying cotton

39:17and what happens

39:19it's not a safe bet one sunday in late

39:221857

39:23the ship arrives with news from america

39:25and that news is

39:27the banks have closed there's a run on

39:29the banks the stock market's crashing

39:31the price of cotton is collapsing come

39:34monday then liverpool

39:35on the market opens excellence turmoil

39:37pandemonium they can't even

39:39quote the price of cotton within weeks

39:41the price of cotton falls by 40 percent

39:44so wilfred steel a bright young thing

39:47what happens to him

39:48anybody holding cotton will be ruined in

39:51that situation

39:52and on the 6th of november 1857 wilfred

39:55steele

39:56is listed as being out of business

39:59he's gone burst it looks that way and it

40:02gets even worse for him

40:03the 10th of november we find wilfred

40:06steele

40:06has been sent to lancaster jail and

40:09that's odetta's prison for liverpool

40:11so one month is a cotton trader a city

40:14trader effect

40:15the next month he's literally in the

40:17neck he's finished absolutely finished

40:26it must have felt to wilfred like a very

40:29long fall

40:30from the comfortable surroundings of

40:31faulkner street to the harsh confines

40:34of lancaster jail and anyone sent to

40:38odetta's prison

40:39in victorian times would have had to

40:41stay there until they cleared their

40:43debts

40:44or reached a deal to have them wiped out

40:46[Music]

40:48wilfred steele suffered this terrible

40:50reversal of fortunes

40:52i imagine he's feeling sorry for himself

40:53and i think he has reason to the

40:55victorian debtors prison

40:56is an appalling place i really wish i

41:00could feel sorry for wilford steele

41:01but i don't the cotton bales that land

41:05in liverpool the last hand

41:06to have loaded them onto a ship in new

41:09orleans

41:09is that of a black person who is a slave

41:16it's a profession that's steeped in

41:17blood and exploitation and evil and he's

41:20part of it

41:21[Music]

41:27it might be a worthy fate for wilfred to

41:30be languishing in jail

41:31but i need to know how long he was there

41:34and what happened to him next

41:36[Music]

41:37i'm hoping i can find the answers in

41:40liverpool central library

41:41which houses the city's record office

41:45all right lovely to meet you

41:48i found wilfred after he left jail so he

41:51clearly managed to pay his way out

41:53eventually

41:54and in 1859 he's living in percy street

41:57in liverpool which was actually his

41:58mother's address

42:00and he marries this widow marian

42:02elizabeth

42:03clegg a widow at just 28.

42:06[Music]

42:09so wilford's life had taken some

42:11dramatic twists

42:12in just a few short years from falconer

42:15street

42:16to jail then back to living with his

42:17mother at a new address

42:19and now married

42:22marion clegg's first husband edward had

42:25been a pharmacist

42:27he had died of scarlet fever in november

42:291858

42:31leaving marion with two young daughters

42:34wilfred married her just four months

42:36later and settled with his ready-made

42:39family

42:39in the new industrial town of witness 12

42:43miles upriver

42:44from liverpool

42:47but there's a final piece in the puzzle

42:49of this hasty marriage

42:50that laura has managed to uncover and it

42:53links wilfred

42:54his new wife and her first husband

42:58what's really interesting is that edward

43:01turnbull clegg

43:03was in debtors prison at the same time

43:07as wilfred right so he's married a widow

43:10with two very young daughters

43:13and their father was someone he'd met in

43:14prison yeah that's what it looks like

43:18so far yeah well um maybe he was doing

43:21the chivalrous thing and

43:23looking after this this young family

43:25that he's taken pity on

43:27we've got the family together on the

43:281861 census but interestingly

43:31wilfred's occupation has changed he's

43:34now a clerk

43:35in the chemist's trade he's really

43:37stepping into the shoes of her

43:40dead husband basically yes it's all a

43:42bit dubious

43:44you wonder whether it's opportunistic

43:46but um seems like he's trying to begin

43:48his life again

43:49yes exactly and there's a young son

43:51there as well wilfred augustus

43:54who's seven months old so wilfred and

43:56marin have had their own child now

43:58it looks initially like things are

43:59looking up for the family but very sadly

44:02on the 7th of october 1861 wilfred jr

44:05passes away

44:06right he was exactly one year old

44:12died on his birthday he died on his

44:13birthday yeah

44:15it's a pretty terrible blow for wilfred

44:18yes yes it must be wilfred steele

44:22registers the death that's actually the

44:25last

44:25record that we have of wilfrid in the

44:27liverpool area

44:28right whatever hopes wilfred might have

44:32had

44:33of building a new life had turned to

44:35dust

44:36and if he had now left liverpool i worry

44:39what that meant

44:40for his young family i have managed to

44:44find

44:44a couple of records with the two

44:46step-daughters marion and francis

44:49they're in kirkdale industrial school

44:52we've actually got a picture of it here

44:53it was this huge institution just north

44:56of the city

44:57built because the workhouse is getting

44:58so overcrowded they wanted to move

45:00as many children as they could workhouse

45:03yes

45:04where the children of the destitute end

45:06up

45:07so this isn't looking good

45:10in the 1860s kirkdale held over a

45:13thousand children

45:14in overcrowded and squalid conditions

45:19boys learned trades like tailoring and

45:21shoemaking

45:24girls like marion and francis were

45:26trained for domestic service

45:31so we actually find the girls here in

45:331862.

45:35where are they here we are yeah steel so

45:38there they are listed under their

45:39stepfather's surname

45:42so they're here because they're orphans

45:46well this tells us that their stepfather

45:49had gone to america

45:51so he's left his children he's left them

45:54and yeah

45:59he's gone to america what's the date

46:01september 1862. so he's gone to america

46:04in 1862 in the middle of the american

46:06civil war

46:09and he's left his children behind

46:18[Music]

46:20there's nothing in the cocktail records

46:22to say what happened to the girl's

46:24mother

46:25marion so her fate is a mystery for now

46:30but to find that somebody who'd once

46:32lived in this house

46:33was in the united states in the midst of

46:36the bloodiest conflict

46:38in its history is astonishing

46:42[Music]

46:46by the time wilfred was there in

46:48september 1862

46:50america had already been gripped by

46:52civil war for more than a year

46:56on one side were the southern

46:57confederate states

46:59who had gone to war to defend the rights

47:01of slave owners

47:03opposing them with the northern states

47:05fighting to save the union

47:11although britain was officially neutral

47:14in liverpool

47:14there was strong support for the

47:16southern states because of their

47:18historic link

47:19to the cotton trend i think

47:22the cotton connection is what's taken

47:25wilfred to america

47:26in the midst of civil war

47:30and if i'm going to find out what

47:32happened to him i've got to go there too

47:41richmond virginia was the capital of the

47:44confederacy

47:45and 30 miles outside the city is

47:47petersburg

47:48national battlefield

47:49[Music]

47:51the union and confederate armies fought

47:53each other to a standstill here

47:55for nine months with tens of thousands

47:58of casualties

47:59on both sides

48:03and there is evidence that wilfred

48:04steele was here

48:06more than 3 000 miles from liverpool as

48:09the battle

48:09for petersburg began civil war historian

48:13henry jones

48:14has the information i'm looking for

48:18harry how are you good to meet you my

48:20pleasure good morning dave

48:21this is a beautiful landscape it feels

48:24like a park

48:26this is a park where we commemorate

48:28history

48:29but it's not a park where we play the

48:31last time wilfred steele appeared in the

48:33record we discover

48:34that he's in america what's he doing

48:36here well when he

48:38comes here he establishes a business on

48:40wall street he's in new york

48:42cotton and tobacco 91 wall street steel

48:45and hot hill so he's back in the cotton

48:46trade yes

48:48then in august of 1863 he enlists

48:52an artillery regiment the fifth light

48:54artillery

48:55there he is in the union army

48:59the union army in the union army

49:02i have to say i'm surprised because

49:06my fear was that wilfred steele cotton

49:09broker

49:10had come to america and that he joined

49:12the confederate army to fight

49:13for slavery rather than against it my

49:16worst fears about wilfred

49:18have not been realized well i'm glad to

49:20be the bearer of that good news

49:24wilfred steele a man who had made his

49:26living from cotton produced by slaves

49:29was now standing shoulder to shoulder

49:31with men

49:32like these in the union army fighting

49:35against slavery in fact

49:38around 50 000 british volunteers fought

49:41in the american civil war

49:43most of them on the union side

49:48you see what i want to believe is that

49:50he's come to new york where there's a

49:51big black population

49:52and he's had a conversion a moral

49:54conversion

49:56against slavery well merchants in new

49:58york at this time

49:59tend to be pro-slavery so he's really

50:01not in that atmosphere

50:03but on wall street near where his office

50:05is you have these brokerage firms

50:07who for rich men find

50:10substitutes for the draft so you pay

50:13somebody to do your

50:14military service that's correct many

50:16immigrants would actually

50:17enlist as substitutes so this is

50:20probably more about money than

50:22models that's where the evidence leads

50:24me

50:30so it looks as if wilfred wasn't

50:32fighting against slavery

50:33because of his conscience and if he was

50:36in effect a mercenary

50:37he was risking his life in a war that

50:39left 650

50:41000 dead

50:47at petersburg they've reconstructed part

50:49of the union line

50:50where artillery units like wilfrid's

50:52were based

50:54so what was it like being a soldier in

50:56the civil war manning these sort of

50:58defenses

50:59on a day-to-day basis your biggest

51:01concern is actually sharpshooters

51:03snipers that's what we'd call them today

51:08so if you're in an artillery regiment

51:10like wilford still was

51:11it's very easy to get killed well

51:13wilford steele his life is a little

51:15better than the average artillery man

51:17right he's not

51:18a gunner he's not on the guns he is a

51:21quartermaster sergeant

51:22he's accountable for all the equipment

51:24that you have in the artillery

51:25but he's not a front-line soldier so

51:27he's not out here exposed to fire

51:30keeping his head down this is correct

51:31this is a letter

51:33from an englishman who's a part of the

51:35union army as well

51:36james horcks so this is one of wilford's

51:38colleagues and when he writes home

51:40he talks about this quartermaster a

51:42fellow englishman wilfred steele

51:44the orderly and the quartermaster and

51:45sergeant and myself sat down

51:47to beefsteak and onions and coffee and

51:49bread

51:50tonight we're going to have some stewed

51:52oysters

51:54if you're an infantryman down in the

51:55trenches you're not sitting down just

51:57eat oysters and beef

52:00you're eating rations out of a tin in

52:01the trench the privilege of a

52:03quartermaster sergeant

52:04village is the word so having abandoned

52:08his wife

52:09and stepdaughters to their fates and

52:11having signed up to fight

52:12in a brutal civil war thousands of miles

52:15from home

52:16wilfred steele has nevertheless managed

52:19to land on his feet

52:22it is a bit of a charmed life isn't it

52:24if you have to go to war

52:26and you do not have the angst for

52:29shooting your fellow man wilfred steals

52:32life is the life you want

52:33i mean part of me thinks you know good

52:35for him did you find yourself

52:38finding at least maybe not in his

52:39character but in his story something

52:41quite remarkable

52:44yes

52:49the war ended in 1865 with victory for

52:52the union army

52:54wilfred was of course on the winning

52:57side

52:59by this time he was 37 years old so

53:02still a relatively young man

53:04having to make a big decision about his

53:06future

53:09i wonder if he thought about returning

53:11to liverpool

53:13or if the news had reached him that his

53:15wife marion

53:17and her eldest daughter had both died of

53:19tuberculosis

53:20the previous year

53:23[Music]

53:27his younger stepdaughter francis was now

53:30an orphan

53:35if i'm going to find out what wilfred

53:38did decide to do

53:39i'll have to look at the american

53:41records

53:44five years after the war wilford is

53:46still here in the united states

53:48he settled in philadelphia on poplar

53:51street

53:52and if he is with emma steele his wife

53:55emma

53:56yes his wife yes wilfred in 1869

54:01marries an emma f mcglathery

54:04he still describes himself as a coffee

54:06hotbroker yes

54:07and he has a son born in 1871

54:11milford milford steele so another new

54:14life

54:15exactly he's definitely starting over

54:17again but

54:18sadly milford

54:22dies at nine weeks so the second time in

54:25his life

54:26he's lost a baby boy right

54:31and do you know much more about what

54:32happens to wilfred we do

54:35he died march 23 1873

54:3942 years old he dies ophthitis

54:42pulmonaris or tuberculosis

54:45he dies of the same disease as the woman

54:47he married and stepdaughter that he

54:49promised to care for

54:54so this is where the story ends for

54:55wilfred for wilfred it does yes

54:57for 42 it's a full life he's had two

55:00families he's lived in two countries

55:01he's been

55:03to war he's been in prison he's been a

55:06bankrupt he's been a businessman

55:08and he passes away in philadelphia

55:11a long way from liverpool

55:24i think if you gather all the evidence

55:25that i've learned about the life of

55:27wilford steele here

55:28in america and you put it alongside what

55:30we already knew about him

55:32from his time in liverpool what emerges

55:34is a man

55:35with an incredible gift for reinvention

55:39every time he seems despite the

55:41adversity to land on his feet

55:43and yet it's impossible to look at

55:47death certificates for children who

55:49faded away in workhouses

55:51of a wife who dies in her twenties

55:53abandoned and not

55:54conclude that what wilfred steele's life

55:56demonstrates is the flip side of all of

55:59those virtues that the victorians admire

56:01the virtues of self-help

56:02an inner drive and a determination to

56:05make it in business because the flip

56:07side of those virtues

56:08is ruthlessness and i think you get that

56:10in spades in the life of wilfred steele

56:23[Music]

56:28so far i've only looked into the first

56:3115 years

56:32of the history of this house but the

56:34stories i've already uncovered

56:36could hardly have been a more vivid

56:38reflection of their time

56:43what all the first residents of this

56:45house had in common was that they were

56:47strivers they were people who were

56:48trying to rise up

56:49the social ladder and for each of them

56:52this house represented everything

56:54that they aspired to comfort wealth

56:57status and respectability but if you

57:00take all of their stories together what

57:02they

57:03lay bear are the forces that were then

57:05sweeping through

57:07victorian society in the 15 or so years

57:10after the house was built because at

57:11that time the old world

57:13of patronage upon which the very first

57:16resident of this house

57:17richard clanton had so heavily relied

57:20that was being shaken

57:21to its foundations and the new forces

57:25trade finance the forces that had

57:27propelled the careers

57:29of james all and wilfred steele they

57:31were the forces

57:32that were going to change the future of

57:34this city and this house

57:36in the decades to come

57:44[Music]

57:55next time a deadly disease strikes

57:58liverpool

58:00residents of falcone street must have

58:02thought they were going to be safe

58:04i think the sense would have been none

58:06of us are safe up here

58:07the dark shadow of domestic abuse alfred

58:10robinson dragged her by the hair of her

58:12head

58:13and violently assaulted her in this

58:15house

58:16and an unexplained death but the police

58:19still don't know

58:20what's happened no that's the mystery

58:22that's a mystery

58:23[Music]

58:31her house through time continues next

58:33thursday at the same time nine o'clock

58:35here on bbc2

58:36next tonight we're live at the apollo on

58:38the bill from liverpool chris mccauslan

58:40and new york-born desiree birch with

58:43your host and a bridger of fifty shades

58:45of grey

58:46dane baptiste

58:58you

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