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NASTY 🤯 Gospel Scale Harmonization — This Will Change How You Play Scales!

Xceptional pianist · 2,101 words · 10 min read

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0:00Hello, welcome to this YouTube channel

0:02today.

0:03And in this video we are going to be

0:04talking about

0:06one of the nasty gospel called

0:09scale harmonization theory

0:12that every pianist needs to know. This

0:15is one of the particular theory that

0:19gospel players of old have been using

0:23for years until even our own age they

0:27are still using it. And what is this

0:30particular

0:32gospel scale harmonization?

0:35You must have heard things like this

0:37online.

0:40Right? You must have heard things like

0:46And you've been wondering how do they

0:48play that movement particularly?

0:51You know, by the time we dive deep into

0:54this theoretical concept, you are now

0:56going to know the theory behind most of

0:58the movement you play at times and you

1:01don't really understand what's really

1:02going on in those movements. And also

1:04you are going to understand

1:07how to harmonize scale properly

1:11when you are playing and also how to

1:14apply them. I'm going to give you guide

1:17to guide step by step on how to make use

1:19of it. So let's dive right in into this

1:23amazing theory.

1:28Playing scales and harmonizing it is two

1:31different things. You can play a scale

1:35harmonizing it is something else.

1:40You see that?

1:44That is harmonizing. Now, what am I

1:47doing? I'm harmonizing the scale. So

1:49there is a two big difference among the

1:52two concepts. All right? Now

1:55how

1:57do we come

1:58to an understanding that you need to

2:01apply scale harmonization

2:04when playing?

2:07All right? But before we dive right in

2:08into that, let's talk about the solid

2:11foundation of scale harmonization.

2:15How do we harmonize scales?

2:21Now, look at this. I'm going to show you

2:23how you can harmonize scales. So, let's

2:24say you take

2:26your one.

2:29I want you to know this. Every chord you

2:31play has a scale number one.

2:34And number two,

2:36the scale you are playing can start from

2:39any of the notes in that chord. I will

2:42come again. Every chord you play has a

2:45scale, and the scale can start from any

2:47note of that chord.

2:49All right?

2:51Now, your C major scale can start from

2:53E.

3:02Yes, it can start from E. It can start

3:04from

3:05G.

3:09And for those of you that are a little

3:11bit advanced, you get to know that this

3:12is this are also modes, right? This are

3:15also modes. If you need me to talk about

3:17modes,

3:18this has to do with

3:19scales.

3:21All right? Modes, put it down in the

3:23comment section. Just comment modes, and

3:25I'm going to make a video about modes.

3:27And if you also know what it is, drop it

3:28down in the comment section. So, you can

3:30start from the one.

3:35It can start from the three.

3:41Yeah, you can you can stop here or stop

3:43on the E.

3:46Even

3:49You see that? It can start from there.

3:50So, now, how do you now reharmonize

3:53Sorry, how do you now harmonize it?

3:56So, you can play your one here

3:59and choose to play your three here.

4:01All you just have to do is follow it.

4:04Sorry.

4:09Can you see that?

4:18Can you see that? So, when you are

4:19harmonizing,

4:21you can stop on the note.

4:27Right? I'm just showing you the

4:29foundation of harmonizing, right? That

4:32is how you can harmonize your scale, no

4:33matter the scale, no matter the scale.

4:36You can start from any of the notes

4:39to play the scale. And by the time you

4:42play the scale of that chord,

4:44yes, then you can now start harmonizing

4:46with the notes.

4:47That is a very deep

4:49mystery that many people don't know,

4:51especially many pianists don't know. By

4:53the time you understand that, you're

4:54going to harmonize dangerously. Now,

4:57let's talk about

5:00how you can properly

5:02harmonize when it comes to gospel terms.

5:06When it comes to gospel terms, and one

5:08of the ways we harmonize over the years

5:11is we use what we call the three-note

5:14strategy, the three-note strategy. And

5:17what's the three-note strategy?

5:19Basically, you're picking three notes

5:21out of the

5:22scale, and you pick out three notes also

5:25out of the scale on your left hand,

5:27starting from the second note. So, when

5:29you're harmonizing, you can choose to

5:31pick three notes from the from the

5:34third note on your left, or you can

5:36choose to take it from there.

5:38Can you hear that?

5:41Look at that. So, we take We use the

5:43three-note strategy to harmonize. And as

5:45we go on, you're going to understand

5:46more secrets and more deep deeper

5:49secrets to what you've been playing over

5:51the years and you really don't know

5:52about. Now, the three note strategy

5:54works like this. So, we pick

5:57three notes for each

6:01note of the chord

6:03or rather of the scale.

6:06So, we go to the two.

6:09Can you see that? So, I move from

6:13and move to the two.

6:16Look at that.

6:19Then you move to the three.

6:22For those of you that might be a little

6:23bit confused, this is how to get it.

6:25So, by the time you play,

6:26we are using our

6:31We are using it to play the three note

6:33strategy. So, your right hand is the

6:35anchor that is showing your left hand

6:38where to go. So, by the time you take

6:40three notes, you take three notes here.

6:42You know you are going to your two.

6:44So, you know you're going to your two.

6:47You You take your hand from here, you

6:48shift it here.

6:51So, it becomes this.

6:53Then from there, you shift to the third

6:55one, which is me. You shift it again.

6:59Can you see that? Then you shift.

7:04Then you shift again.

7:07Like that.

7:10You see that?

7:12And if you continue,

7:15Can you see that we are back?

7:17Right?

7:29Can you see that?

7:30That is how you can properly harmonize

7:33those scales. So, the same way you do

7:39So, we are now using what we call the

7:41three-note strategy. Take three notes

7:43out of the the

7:45the first scale of the scale. Take three

7:48notes out of the scale

7:50of the the note you are harmonizing.

7:52So, you now take it.

7:56You can now start with adding technique.

8:03Now, this may not make sense to you.

8:06But, as we dive right in, more and more,

8:08it's going to be more clearer to you on

8:09how to properly use a scale

8:11harmonization.

8:13And now, how do we now apply this when

8:16it comes to gospel? Now that we know

8:21how to harmonize our scale.

8:29Right?

8:30Remember, the best way for you to

8:32harmonize is

8:36you use the scale. So, you take three

8:37notes out of the scale. You go to the

8:39next.

8:46Now,

8:48let us now talk about the application

8:51of this. But, before we talk about the

8:52application,

8:54I want us to know that many of us watch

8:56these videos and we don't subscribe and

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9:02um I need you guys encouragement so I

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9:15matters a lot. Your likes matter a lot

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9:42Please click that subscription button.

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9:56All right, so let's dive right in into

9:58the teaching.

10:00Now, how do you make use of this in

10:02gospel terms?

10:05From the beginning I played this.

10:09All right, I'm going to play a song I

10:11played years ago using this movement.

10:13Jesus at the center of it all, all

10:14right?

10:26This is what I did.

10:37Can you hear that?

10:39Using scale harmonization in everything.

10:42So what was I doing

10:44particularly?

10:46What was I doing

10:48in this particular

10:50video?

10:52What I was doing was very, very, very,

10:54very simple.

10:59So what was I doing at the moment?

11:02I'm basically taking my one I did

11:07I used my one, I took the second note

11:10in my chord, I used it to harmonize the

11:12scale.

11:13Just like I said previously. And for my

11:16four, I did

11:26Another one, you see?

11:28From the second note.

11:31It's still part of the whole

11:33major C major scale. It's the old part

11:35of it.

11:37Now, I'm not here to break down that

11:39video. I'm basically just here to show

11:40you example of what you can do with

11:42this. Now, let's dive into

11:45the proper

11:46application.

11:48So, let's say you play a song. Let's

11:49take any song.

12:01Do you hear that?

12:03I don't want to use just African song.

12:04Let me look for a proper gospel song.

12:11Now, let's take I love you, Jesus. That

12:14is our modern anything.

12:17I love

12:18you, Jesus.

12:22I

12:23worship you, adore you.

12:28Just

12:29to tell you that

12:33Do you see that?

12:39Yeah.

12:40I love

12:42you, Jesus.

12:45I worship

12:47you.

12:48Adore you.

12:50I can even do 24.

12:54You see the concept? So, the concept is

12:56basically for you to harmonize and take

12:58it down, resolve. So, you can do

13:05You can do

13:07Here

13:09I am to bow.

13:12Here I am

13:14to bow.

13:18Here

13:19I am to serve you.

13:22You are my God.

13:27Lord, you are good.

13:36See that?

13:40altogether

13:57Now, for those of you that might be a

13:59little bit still confused on how to

14:03apply, because I know you're getting it,

14:05but a little bit still confused, let me

14:07give you a proper way to apply it, so

14:11you can understand what's really really

14:12going on in this. Now, we're going to be

14:15reharmonizing harmonizing our one.

14:19We're going to be harmonizing our four.

14:23We're going to be harmonizing our five.

14:27You see that? So, that's the outcome.

14:30That's the outcome of the

14:31harmonization.

14:34Yes. So, that's what we're going to be

14:36using in songs.

14:38Remember, we're going to be using them

14:40to resolve

14:41and also we're going to be using them as

14:44harmonization. So, let's take a song

14:45again.

14:47Yeah, I'm to sing.

14:51Yeah,

14:53I'm to

14:56See that?

15:02Yeah, I'm to sing.

15:05You are my

15:11altogether

15:19altogether

15:28>> You see that's why I use the four.

15:36The five.

15:38Look at that.

15:41So, you can use it for every other song.

15:44So,

16:17You see what I'm doing? You can play

16:19another song like

16:21um we we we

16:23Oh, it's like

16:43Look at that.

17:07You see that? That is how you can

17:08properly apply it. Now, there is another

17:12step, another advanced way to properly

17:15ad-

17:16you know, apply this again. Now, that is

17:18where we now go to the advanced part of

17:20it where we do things like you hear

17:21every time.

17:25Yes.

17:59Now,

18:01all right? There's an advanced part of

18:03this, you know, you can do

18:10Yes, those particular moments you hear,

18:12they are also scale harmonization.

18:15But, here is what we're going we're

18:16going to do.

18:18If this has helped you so far, please

18:20click that subscribe button, drop a

18:22comment, and also like.

18:24There's going to be a part two of this

18:26video, right? And our response and also

18:30I want to get not less than 50 comments

18:33and also subscription for every view.

18:35So, if you're viewing this and you want

18:37to get a part two, please kindly

18:39subscribe and also drop a comment. 50

18:42comments and I'm going to drop this

18:43advanced part as part two of this video.

18:46Trust me, there is no gatekeeping

18:48happening here.

18:49I am here to show you the way. I'm here

18:51to show you advanced mind-blowing things

18:54that are kept away from you. I'm here to

18:57reveal them to you in easy way and

19:01you know,

19:02in better understanding. So, go ahead

19:04and subscribe right now. Click that like

19:06button and also drop a comment. 50

19:09comments,

19:10100 likes. No, I think 100 likes is too

19:13small. 1K likes actually, because I know

19:15this video is going to hit more than 1K.

19:171K likes. 1K likes, 50 comments, and

19:22also subscription

19:24for each views, and I'm going to drop

19:26the part two

19:27as ASAP as long as it's complete. So,

19:30beg someone in the comment section to

19:32drop a comment, and I'll see you guys

19:35in the part two.

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