Full transcript
Intro
0:00Ladies and gentlemen, my name is Paul
0:02Heymon. [cheering]
0:04What does it take to achieve greatness?
0:06Whatever it takes, [music] I'm willing
0:08to do. Look at the greatness displayed
0:11by Joe Anawi as the tribal chief. What
0:14was the brainchild behind the tribal
0:17chief?
0:19>> There's a certain way you look at Roman
0:20Reigns. What's the emotion you're trying
0:22to portray? [music]
0:23>> Uninhibited, uncontroverted, absolute
0:26devotion. How did it become a thing? The
0:28way you say
0:29>> [screaming]
0:33>> That's all branding. It's supposed to be
0:36violent and something that instills fear
0:38just in hearing the name.
0:40>> What does Brock Lesnar's career look
0:41like without Paul Heymon? [music]
0:42>> I wonder what Paul Heymon's career would
0:44look like without Brock Lesnar. He's the
0:46greatest athlete on the face of the
0:47planet.
0:48>> Brock Lesnar ending Undertaker streak.
0:49[music] Your expression was perfect.
0:51>> It's a bigger victory than any
0:53championship Brock could have won.
0:55>> That's an Emmy-winning performance. The
0:57Emmy awards are years behind on. I'm
0:59presenting something in character. Why
1:01is that not eligible for an Emmy?
1:02>> What is the biggest difference [music]
1:03between working for Vince McMahon and
1:05working with Paul Le?
1:06>> It's a completely different job. Anyone
1:08that doesn't see that, doesn't
1:10understand what it takes to lead the
1:12creative process. Today, Paul LC is the
1:16best person for that job. What's the
1:18story behind you leaving WWE in 2006?
1:21>> We had very different visions for the
1:22rebirth of ECW. For years, there have
1:25been rumors that Vince McMahon was
1:27funding ECW.
1:28>> A lot of stories coming out of ECW take
1:30on a life of their own. Here's the truth
1:32of it,
1:32>> Mr. Haymon.
1:33>> Sir.
1:34>> Wow.
1:34>> Wow.
1:35>> We're making it happen.
1:36>> Well, wow. Okay.
Mastering the little things
1:37>> Yeah.
1:37>> Hope it's worth the wait for you.
1:39>> Thank you so much for making this
1:40happen.
1:40>> Yes, sir.
1:41>> You are an absolute master at the little
1:45things. I believe that's a big reason
1:47how you turn good into [clears throat]
1:48great. Where does that come from for
1:51you, mastering those little things?
1:57I mean, well, thank you for your kind
1:58words on that, but it's it's just uh
2:03it's the desire to do something
2:05substantive.
2:06It's the desire to do something better
2:08than other people do it. It's the desire
2:10to achieve greatness. It's it's the
2:13adrenaline rush. It's it's it's it's the
2:16dopamine effect when you
2:19achieve something that seems to be
2:24unachievable.
2:26Uh and and and whether that's a nuance
2:29in a performance, getting that out of
2:31someone else, collaborating with someone
2:34on their efforts to achieve that
2:36greatness. Um,
2:38it's just it's the pursuit of something
2:42that you can be proud of that you can
2:44look back on
2:46if you choose to look back on things and
2:48and say, "Yeah, that I I really enjoyed
2:52doing that." Uh, that that gave me a
2:55high that that's not available through
2:58any kind of drug, any kind of sex,
3:00anything else in life with the exception
3:02of quality time with your children.
3:06outside of that. Um, it's it's it's
3:09chasing that high. It's what what makes
3:12Mick Jagger and Keith Richards go on
3:15stage at their age when they certainly
3:17don't need the money and tear the
3:21stadium down, not only doing classic
3:24Rolling Stones music, but new music that
3:28they still to this day choose to write.
3:31What drives that? What makes them want
3:34that? Why is Clint Eastwood directing
3:36movies in his 90s and their Academy
3:40Award level movies? Because there is a
3:43need, there's a yearning, there's a
3:44craving, there is an insatiable lust to
3:48go after something that you're
3:51passionate about and want to overd
3:54deliver even past your own expectations.
3:56>> I love the passion. I love it so much.
Character vs real life
3:59Where do you think the Paul Heymon
4:01character ends and the Paul Heymon the
4:04man begins?
4:09Depends on the day. Depends on
4:13what's needed inside of the performance.
4:16I
4:18the persona of Paul Heyaymon is carried
4:21a lot by the real life experiences of
4:24the person Paul Heymon. So if I'm asked
4:28I'm I'm not a good actor. I'm not a
4:30trained actor. I I I never went to to
4:32acting classes. I I was never trained to
4:34be an actor. I'm not a good actor. I I
4:37would disagree with that. You are a
4:39fantastic actor.
4:41>> Well, thank you. I I'm I'm I'm a method
4:43actor. I I I I find things that trigger
4:47the emotion that has to be presented
4:50within the scene that we're presenting.
4:52Um, so
4:58I have to rely on things that I can
5:00relate to. So therefore, you're getting
5:02a lot of me within the character, but
5:05it's it's clearly a persona that I'm
5:08putting forth. And it's it's a skin that
5:12I've learned to be very comfortable
5:13walking in. Ric Flair famously or
5:16infamously, either one, has said many
5:19times, "The day I'm nervous walking
5:21through the curtain is the day I don't
5:23walk through the curtain."
5:24>> And [snorts and clears throat] it's
5:25funny because to me, the day I'm nervous
5:27walking through the curtain is the day I
5:29don't go. Uh because
5:33I'm not nervous going out there. I'm a
5:35lot more comfortable in the middle of
5:36the ring with a live microphone in my
5:38hand in front of 20,000, 30,000, 70,000,
5:425,000 people than I am just sitting here
5:44talking with you right now.
5:46>> So, if I were to find you backstage
Always knowing his assignment before a segment
5:48before going out and cutting a promo,
5:50what would that look like? What would
5:51you be doing?
5:52>> Working with other people on their
5:54stuff.
5:54>> Not working on your stuff.
5:56>> No, I know what I'm going to do. I I I
6:00if as long as I know the assignment and
6:01I know what I have to sell,
6:02>> Yeah. Uh, I'll I'll know the end line.
6:07Uh, I I I I know the be because the
6:09beginning is the easiest thing in the
6:10world. But besides saying my, you know,
6:11ladies and gentlemen, my name is Paul
6:13Haymon. Okay, the next sentence tells
6:16you the theme.
6:18>> I'm here tonight to hype you on this
6:21this person, this event, this show, this
6:24concept, this rivalry.
6:28No matter what it is, I I I I'm telling
6:30you right there what I'm going to do.
6:33I'm then off to the races building to
6:35the end. From that moment on, the clock
6:37is ticking to build to the finish and
6:40and and and and once you get there, uh
6:43you're home. So, I know what I'm
6:45building towards. And I know that at
6:47some point within this promo, uh there's
6:50going to be a pivot. You know, I I think
6:54you are the greatest opponent for Brock
6:55Lesnar. I I admire the way that that
6:57that you approach the concept of the
6:59match with Brock Lesnar. I think you are
7:01the one person that that adds the yeah
7:03butt to the career of Brock Lesnar.
7:06Everything about you is the antithesis
7:08of things that Brock Lesnar knows how to
7:09counter. You, sir, are the worst
7:12opponent for Brock Lesnar. I fear what
7:15you can do in the ring against my beast.
7:18Boom. Boom. Boom. Unfortunately, my
7:20client Brock Lesnar does not share this
7:23opinion on you. He's going to smash you.
7:26He's going to conquer you. He's going to
7:27victimize you. F5 suplex city because
7:30he's Brock Lesnar. I know what I'm going
7:32to do. I know the theme. I I I I I know
7:35the pivot. I I I know the chorus and and
7:37and and and I know how to take it home.
7:40I'm more concerned with everybody else
7:42because when I'm out there, I don't want
7:44a script. I just want the assignment cuz
7:47I like to play with the audience. I'm
7:49very interactive with the audience.
7:52That's the high. That's the thrill. It's
7:54It's Freddy Mercury and Live Aid.
7:57>> Yeah. you know, you know, oh, oh, oh,
8:00oh.
His pronunciation of "Brock Lesnar!"
8:02And and you get that feedback and I'm
8:04listening at all times.
8:05>> How did it become a thing the way you
8:08say Brock Lesnar's name? Cuz there's a
8:10lot of fans out there, they can't just
8:12say Brock Lesnar. They say Brock Lesnar.
8:16Well, that's all branding. I mean, that
8:19that's all a matter of
8:22what is the emotion that you want to
8:23convey. It's not what you say, it's how
8:25you say it.
8:27I tell that to everybody. You know that
8:29the first thing if someone comes up to
8:30me with a script and they say, "Oh,
8:32these are the words." The very first
8:33thing I do is I say, "Oh, you ready?
8:36>> Tell tell me what you need to do. Tell
8:38me your assignment.
8:40>> Tell Did I Did I just Did you [laughter]
8:42screw up your notes there?"
8:43>> Okay.
8:43>> Um
8:44>> I We're We're just going to hang out
8:46anyway.
8:47Um, when when Joey Styles first came to
8:51ECW,
8:53[snorts] the uh
8:55Joey Styles would say, "We are here live
8:58at the ECW arena, stop, cut, break."
9:02If you go to Rome and you go to the
9:04Cyine Chapel and you look at
9:06Michelangelo's work on the ceiling, do
9:10you sit there and say, "I'm here at the
9:11Systeine Chapel. Michelangelo paid to
9:13death." No, I'm here at the Cyine
9:16Chapel.
9:18Look at this ceiling was painted by
9:19Michelangelo on his back for 5, 10, 15
9:22years. Whatever the story is,
9:26say the ECW Arena like like you're
9:28saying Madison Square Garden, like
9:31you're saying Yankee Stadium. Say it
9:34with such honor and prestige that it
9:37carries weight. So Joey Styles would
9:40say, "We are here live at the ECW
9:43Arena and it's looking up because it's
9:47majestic. It's oper it's oporadic.
9:51So it's never looking down the ECW
9:53arena. It's the ECW arena. So everything
9:57that you want is is is about the manner
10:00in which you present it. It I I used to
10:03call it um the dog and the cookie. Okay.
10:08You have a dog?
10:09>> I do.
10:09>> Okay.
10:10>> Her name's Luna.
10:11>> So, if you go home tonight,
10:13>> Yeah.
10:13>> and you say to that dog, "Do you want a
10:16cookie? Do you want a cookie?"
10:19Okay, that's great. But you know what?
10:21Do you want a lump of [laughter]
10:22Would you like a lump of
10:25And it's the same way. IF YOU SAY, "DO
10:27YOU WANT A COOKIE?"
10:29Dog's going to run away from the cookie.
10:31>> Yeah. So, it's not it's not the fact
10:33that you go cookie, you know, it's how
10:35you say the word cookie. Same thing with
10:38Brock Lesnar. It's it's it's not um as I
10:42once teased on on on a viral video with
10:44with Bruce Buffer. It's not Oh, it's
10:46Brock Lesnar. It's not it's it's it's
10:50not supposed to invoke happiness. It's
10:52not supposed to invoke hope. It's not
10:55supposed to invoke a hero's uh um
11:00identification wi with within your
11:02spirit. It's supposed to be violent and
11:04guttural and and and something that that
11:07that that instills fear just in hearing
11:10the name. It's not Brock Lesnar, it's
11:13Brock
11:14Lesnar. It's it's it's it's it's that
11:18it's that level of of of intensity that
11:22is brought with the name that that makes
11:25you understand who that person is
11:28without ever having to see him or what
How he helps Superstars
11:31he can do. When you're managing someone
11:33on screen, it doesn't end when Raw ends
11:35or Smackdown ends. When you're a Paul
11:37Heymon guy, this is all throughout the
11:39week. This is all the time. What does
11:42that look like?
11:44Well, again, it it depends on the person
11:46that we're talking about. Um, the way I
11:48work with Brock Lesnar is a lot
11:50different than the way I would work with
11:51Roman Reigns. The way I would work with
11:53Roman Reigns is a lot different than the
11:55way I would work with CM Punk. And the
11:57way I would work with CM Punk is a lot
11:59different than the way I would work with
12:00Braun Breaker. It really depends on the
12:02need of the artist.
12:05Um, what does it take for Brock Lesnar
12:07to achieve the greatness that I know
12:10Brock Lesnar can achieve? What does it
12:12take for Roman Reigns to achieve the
12:15greatness in the form of the tribal
12:19chief that I know that he can achieve?
12:22And whatever it takes to get them there,
12:25I'm willing to do because I want to be
12:28in on that greatness. I want to be
12:30challenged to rise to that occasion. I
12:34uh
12:36if all they have to worry about is the
12:38actual performance
12:40and everything else is taken care of.
12:43What's your nutrition for the day? Tell
12:45me your nutrition for the day. So that
12:46when you arrive at the arena, that food
12:48is waiting for you. It's prepared. It
12:50will be delivered to you at the times
12:52that you you eat at 1:00, 3:00, 5:00,
12:557:00. You eat at 1:00 and 7:00. Um, is
12:59is there a particular type of vehicle
13:01that you are more comfortable being
13:03driven in than another type of vehicle
13:06that takes you to the arena so that when
13:07you're in that vehicle, you can think
13:09about your performance? If we just
13:12designate the fact that the performance
13:14is everything, it's the end all beall.
13:16It's what we spend our lives crafting
13:19and desiring and wanting and needing and
13:23and and the need to achieve something
13:26within that performance at a higher
13:28level than everyone else on the roster
13:30if not in the entire industry. If we
13:33just agree, if we just come to the to to
13:36the understanding that we both want it
13:39that bad, past the point of obsession,
13:42past the point of it even being a
13:44healthy obsession, that we're willing it
13:46to be an unhealthy obsession in that
13:49pursuit, and we both agree to it, let's
13:51go for that. That that's that's where I
13:54go. And I fall short of my own
13:56expectations many time, but I won't let
13:58you fall short of yours. Is that pulling
14:01something out of that person that maybe
14:03they didn't even know they had in there?
14:05>> Of course it is. Of course it is. It's
14:07it's uh
14:11look at the greatness displayed by Joe
14:14and Aai when he was the big dog. Look
14:17how he broke away from the pack in the
14:19shield. Look at the performance that he
14:21put on in his first Wrestlemania main
14:23event at Wrestlemania 31 against Brock
14:27Lesnar. Look at all that he accomplished
14:30as the big dog and compare that to the
14:34greatness that he displayed over and
14:37above anything the big dog could have
14:40brought forth as the tribal chief. It's
Alliance with The Tribal Chief, Roman Reigns
14:44interesting because there's that moment
14:46in 2020 and wrestling's in a weird spot
14:48with co when that camera pans out and
14:52Roman Reigns is sitting on the couch
14:54next to you. Everything changed. As I
14:57understand, Vince didn't like this couch
14:59you were sitting on. What's this? What's
15:00the story behind that?
15:01>> Vince thought the couch was not
15:06opulent enough for a character that was
15:09then going to be end up being called the
15:11tribal chief. And I can't disagree with
15:13him, but we we were in a rush to get
15:15that done. And the the well the original
15:18idea was for us both to return at
15:20SummerSlam
15:22and then be on TV that Friday and lead
15:24into
15:26was it Backlash or Payback? Whatever
15:29that whatever the pay-per-view was that
15:31that weekend that we built to in the
15:33rematch where the title went to the
15:36tribal chief Roman. And
15:40I thought let Roman return. Give give
15:44that moment to the big dog. And then
15:48that Friday on television, he's not
15:50cooperative in the triple threat. He's
15:52not cooperative with Adam Pierce. You
15:54know something's up, but you can't put
15:56your finger on it. And go to him sitting
15:59on the couch and Pierce is looking over
16:01going, "What the is Haymon doing
16:03there?" But you don't know that Heymon's
16:04sitting there and at the last second
16:06pull out because Roman says, "That's not
16:10a prediction. That's a spoiler." And you
16:12see Brock Lesnar's advocate sitting with
16:16Roman Reigns after all these years and I
16:18just hit Roman's tagline of believe that
16:22and off the air. So for 5 seconds
16:25>> you see us together and you
16:29did did what did I just see that you
16:31know you're rubbing your eyes and and
16:34and you can't believe what you saw. Um,
16:38and then that weekend get the title on
16:41Roman. And then the next Friday is our
16:44first appearance truly together in front
16:47of the cameras as a unit presenting our
16:51case as to why this act is a
16:53gamechanging act and and and will create
16:56history in WWE.
16:58>> That absolutely changed Roman Reigns
17:00career. Like becoming the tribal chief
17:02absolutely changed things for him. What
17:05was the brainchild behind the tribal
17:08chief?
17:09>> Apocalypse Now,
17:12uh, Marlon Brandle's portrayal of Curts.
17:16If you watch Apocalypse Now, it it's
17:18it's it's Francis Ford's Francis Ford
17:21Copela's great epic
17:22>> masterpiece. And it's about a warrior
17:27Curts
17:29or a wrestler Roman Reigns who is a
17:34warrior of of such magnificence that he
17:39takes over an entire island. Well, it's
17:42not the island of Samoa, but it can be
17:45the island of relevancy
17:47in that he takes over the entire island.
17:50Everyone on that island, let's say
17:52that's members of the bloodline and the
17:54wise man and at some point Sami Zayn,
17:57but all the constituents on the island
18:00look to this general. Well, let's not
18:04call him a general. Let's call him a
18:05tribal chief for food, shelter,
18:09security,
18:11uh sustainability,
18:13and and uh and and and life.
18:17And they all rely on the general, the
18:21tribal chief for that. And they all
18:24worship. But let's not use the word
18:25worship. Let's use the word acknowledge.
18:29So they all acknowledge their tribal
18:31chief for the many things that he brings
18:35them. Life, security, food, shelter. And
18:38at some point, it's not just the
18:41responsibility
18:43and the obligation and the
18:45accountability.
18:46It's the burden.
18:49It's the burden that every constituent
18:51on that island relies on the general,
18:55relies on the tribal chief for food,
18:58shelter, security, safety.
19:02And that burden weighs heavy.
19:05And the leader Curts Reigns tribal chief
19:10becomes resentful of the very
19:13constituents that worship slash
19:15acknowledge him to where when Martin
19:17Sheen kills Brando in Apocalypse Now he
19:20opens the diary it says drop the bomb
19:22kill.
19:24So the burden of being tribal chief
19:28weighs down on Roman Reigns to where he
19:31starts abusing Jay Uso. He starts
19:34abusing Jimmy Uso. He takes his
19:38frustrations out on Sami Zayn. And he
19:41makes life uncomfortable for all those
19:44around him who choose to acknowledge
19:47him. It's it it's the microphone pass.
19:50>> When when we first decided that we're
19:53going to do a microphone pass because
19:55the tribal chief would never have an
19:57underling just, you know, just just a
19:59peasant just just a common person
20:01deliver the microphone. has to be his
20:03own personal wise man. You want to
20:05deliver something to the tribal chief,
20:06you give it to me, I give it to him.
20:09>> Yeah.
20:10>> So the the the in the first incarnation
20:12of this concept, okay, I I'll pass you
20:15the microphone. And and and Roman would
20:17hold out because I I was always on the
20:18left of of the tribal chief.
20:20>> And that was by design, too.
20:22>> Everything we did was by design.
20:24Everything was thought overthought.
20:28The alternatives were thought about. Is
20:31this the absolute epitome? Is is this
20:33the apex of of of of where we can take
20:36this? And what message does it send or
20:38messages does it send out? Uh
20:42so I have to go like this. But if his
20:46hand is here, that's an easy pass. Well,
20:49make it the right hand. Make me reach
20:51across so that at any time if I brush
20:56against the tribal chief, it's off with
20:58my head. You can't touch the tribal
21:01chief. You can't screw up that way. You
21:03You don't brush up against the tribal.
21:05HE BRUSHED UP AGAINST THE TRIBAL CHIEF.
21:07OFF WITH HIS HEAD. THAT'S IT. THAT'S IT.
21:09You lose your head on the island, you
21:10become irrelevant. You're back into the
21:12ocean of obscurity.
21:14So every time I reached across,
21:18it was with trepidation. And then he
21:20would grab the microphone and I pull MY
21:23OH, I PULLED MY HAND BACK UP. WHAT A
21:25PASS. It became the highlight of my day.
21:27>> Yeah. because I survived the very moment
21:31where my execution could take place if I
21:34screwed up just that much. Because that
21:37also demonstrated how fearsome of a
21:41tribal chief he was. That as much as we
21:44all say, "I love you, my tribal chief. I
21:47acknowledge you, my tribal chief," we're
21:50definitely afraid of the tribal chief.
21:51>> Hey, if you were watching Backlash, you
21:53may have seen a face [music] that you
21:55recognized. Not only was I sitting
21:58behind Michael Cole and Wade Barrett
22:00there, but I also got this impromptu
22:02interview with The Miz and Kit Wilson.
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23:01There's a certain way you look at Roman
23:02Reigns. What's the thinking behind that?
23:04And what what do you think's the emotion
23:06that you're trying to portray?
23:14Uninhibited, uncontroverted.
23:24absolute devotion
23:27on on under any and all circumstances.
23:30Uh if if the room is on fire and he says
23:33we're going to run through the flames to
23:34get to the other side. Yes, my tribal
23:36chief, I will go with you, my tribal
23:38chief, where I believe in you to such an
23:40extent that if you say we're going to
23:41run through the fire and go to the other
23:43side, I I have absolutely no reason to
23:46doubt the fact that we're going through
23:48on to the other side, my tribal, and I
23:50will light myself on fire for you, my
23:52tribal chief, to protect you from the
23:54flames, for you are my tribal chief. And
23:57and and I acknowledge you. My my world
24:00is built around that acknowledgement.
24:04Uh it it's it's just devout worship.
24:06It's it's it's blind devotion. It it's
24:09it's it's also the way to be blunt. I
24:13used to see some people in a room when
24:16Vince would talk
24:19and it was it was just amazing to me
24:21that um
24:25if you're in the room and you're not
24:27there to give a contrarian opinion, I
24:29don't know what you're in the room for
24:31cuz then you just inevitably inevitably
24:34become a yes man. So there were too many
24:37people too many times that anything that
24:41Vince would say
24:43yes
24:46and and and was never offering an
24:47opinion of hey that sounds great and
24:49what if we did it this way too where's
24:52your own input into it? Um and and
24:56[clears throat] and in in watching that
24:58and then seeing other people you know
25:00just in in in Hollywood do it too. just
25:03oh that WAS SO OH ACADEMY AWARD ACADEMY
25:06AWARD YES YES YES OH THAT WAS WONDERFUL
25:08AND IT'S LIKE REALLY that that
25:11>> sounds like fear
25:13>> yes and in many ways it is fear but but
25:15but it's also devotion it's also just an
25:18it's also it's just an absolute worship
25:21uh an an absolute giving of oneself to
25:25the tribal chief because you must
25:28because to be in the tribal chief's
25:30orbit to have the tribal chief's
25:33attention and to receive any
25:36acknowledgement. If if you go back and
25:38you watch
25:40the time on the couch, he looked to me
25:43because he had to bring the camera to
25:45me. That that was that was necessary.
25:48Once he the tribal chief won the title,
25:52I told him, "Don't look at me on the
25:56entrances. Hold out your hand for the
25:59championship
26:01and take the championship,
26:03but don't even when you call for the
26:06mic. I almost did it with this hand.
26:07Even when you call for the mic, don't
26:09look at me like good pass. Nothing.
26:12Don't acknowledge me. Wait till I earn
26:14it. Give me a few months of service to
26:18the tribal chief. Service to the cause
26:20of the tribal chief. Service to the
26:22island of relevancy. Service to the
26:24bloodline. and then I will have earned
26:28my stripes enough for the tribal chief
26:30to say, "Thank you, wise man." That's
26:33it. A lot of times he just he'd look
26:35this way and I'm over here and say,
26:38"Wise man." And I'd come over his
26:40shoulder. Yes, my tribal chief. And he
26:42wouldn't look at me because for the
26:45tribal chief to look at you,
26:47you have to earn that. It it's just it's
26:50a matter of placing him above God.
26:55and and and and and and and if you can
26:57create that deity above the deity, then
27:01you have firmly established that's the
27:04sun around which everything else orbits.
27:07That's the energy in the room. That's
27:10the oxygen that we all crave. And and if
27:12you and if you position him in that way,
27:15then it just makes him so much more of a
27:18bigger star.
27:20>> It's so easy now to look back and go, of
27:22course, this character would work. We
27:23have the benefit of hindsight. It's been
27:25six years. Of course, it works. But was
27:27there anyone at that time that didn't
27:29think it would work?
27:33>> Well, you know, it's it's it's just it's
27:35it's the little things that go into it.
27:38Uh the first time I came up with tribal
27:40chief.
27:42>> Really? You you want to call him the
27:44tribal chief? It's, you know, and
27:46>> what did Vince want to call him?
27:49>> Oh, the big dog Roman Reigns.
27:51>> Still be the big dog. and at with his
27:53advocate Paul Heymon. I said, "Why can't
27:54be his advocate?" I was Brock Lesnar's
27:56advocate. We have to I have to be
27:57something different to Roman Reigns. And
27:59Roman Reigns has to be different. You're
28:00going to pull the trigger on this. This
28:02has to be as much of a seismic shift as
28:07the dead man becoming the American
28:09badass. This is a whole [snorts] new
28:10character. This is a whole new persona.
28:13And he could not have played this
28:15persona earlier because he was too young
28:16to do it. you he needed to weather the
28:19storms to become the tribal chief. It's
28:23it's it's it's we grew up with him
28:26almost almost like he was a child star
28:28in that we saw him from his young days
28:30fresh out of college and and he grew
Brock Lesnar
28:33into this tribal chief.
28:35>> Brock Lesnar is obviously tremendously
28:39talented and incredible athlete, but I'm
28:42curious, what does Brock Lesar's career
28:44look like without Paul Heymon? He would
28:47Brock Lesnar would still be massively
28:49successful.
28:51I I wonder what Paul Heymon's career
28:52would look like without Brock Lesnar.
28:55>> Uh my legacy in my early days was the
28:59Dangerous Alliance in WCW. That legacy
29:03changed with the work I put in with ECW.
29:06I came out of ECW and I'm in WWE.
29:10And what would my legacy have been in
29:12WWE? Well, that certainly changed when I
29:15got put with Brock Lesnar and and then
29:20to the point where just me sitting on a
29:22couch with Roman Reigns because I'm
29:24Brock Lesnar's advocate was
29:28an incredible shift in the dynamic in
29:31WWE because you couldn't imagine Brock
29:34Lesnar's advocate with another top star
29:37like Roman Reigns.
29:40What would Brock Lesnar's career have
29:42been?
29:44Massively successful, just not the same
29:47as it was. We we we are a very unique
29:49pairing and we we work well together
29:53behind the scenes and that transpires on
29:57camera. There's a camaraderie. There's a
29:59trust between us. There's a pursuit of
30:02greatness amongst us uh that permeates
30:06the screen and and and there's a
30:09closeness to us that you can sense as we
30:12bounce off of each other and and it
30:15works and and and and and and we're in
30:19in sync with each other when he's
30:23performing in the ring. Uh would he have
30:26been fine without Paul Aean? AB:
30:28Absolutely. Brock Lesnar is the
30:30modern-day Jim Thorp. He's the greatest
30:32athlete on the face of the planet.
30:34There's no one like Brock Lesnar. And he
30:37is the most underappreciated, underrated
30:40inring worker I have ever seen in my
30:42life. Where did the idea of him debuting
30:45with you even come from?
30:54>> I don't know how I don't know how much
30:56of this will have to be edited. I was
30:58actually scheduled to come back at that
31:01Wrestlemania Wrestlemania 18
31:04>> because you had called Wrestlemania 17.
31:06>> Yes.
31:06>> Yeah.
31:07>> And then was the color commentator for
31:11Jim Ross through Survivor Series. Then
31:14WWE defeated the Alliance and and I was
31:17off camera. I was coming back on camera
31:20Wrestlemania 18 to manage I hate that
31:24word
31:26Chris Benois
31:29and that was where we were headed and
31:32>> so this is like 01 like later oh so
31:35early O2 okay
31:38>> Brock was very impatient in OBVW
31:42and moved back to Minneapolis and told
31:45WWE put me on the main roster are
31:50So WWE is bringing Brock Lesnar in for
31:53dark matches.
31:56Brock standing in the middle of the ring
31:59during the afternoon and all these
32:01old-timers
32:03are there. Jack Lanza, Tony Gera, the
32:07previous regime of producers
32:09and it's the same thing. Just stand in
32:12the middle of the ring, kid. You'll be
32:13fine. Let everybody bounce off of you.
32:16Don't move too much. He should be a
32:18Russian. He's an NCAA Division 1
32:20heavyweight champion. Look at his
32:22combine numbers. Look at what he can do.
32:25Look at his leaping ability. Look at the
32:28way that he moves. Have you ever seen
32:30anyone move like that? Let alone SOMEONE
32:32OF THAT SIZE MOVE LIKE THAT. And listen
32:35to his name. It's you couldn't think of
32:37a better name for a fighter, Brock
32:41Lesnar. And you want him to be a
32:43Russian.
32:44and Taz brought him over to me cuz Taz
32:47was such a huge fan of Brock's
32:51uh amateur career and Taz said, "Hey
32:55brother, they're going to screw this up.
32:56You you got to get involved in this over
32:58here." Cuz Taz had experienced that with
33:01me in ECW when he was the Taz maniac and
33:05we turned him into the MMA fighter Taz.
33:08Taz was the first person in in in pro
33:11wrestling
33:13that started having people tap out.
33:16So I went to Vince and I said, "Hey, we
33:19have a heavy investment in Brock Lesnar.
33:21We're going to screw this up." Oh god
33:24damn it. Do something about that. Take
33:26over his matches. You produce them. So I
33:29started producing his matches and we
33:32just went by the theory of simple
33:36spotlighted singular. If we just kept as
33:40matches to that,
33:42it would resonate. It would translate to
33:44the audience. And in that we found a
33:48chemistry with each other that was
33:50undeniable.
33:51And Vince experienced it in the room
33:53with us at one point. And the night
33:57before Wrestlemania 18, Vince pulled me
34:00aside and he said, "Uh, this whole thing
34:02with Ben was called off."
34:06Okay. I'm putting you with Brock Lesnar.
34:11Okay.
34:13Happy to be of service cuz I knew this
34:16is this is a once ever opportunity and
34:21that's a once- athlete and this will be
34:24a once- act. You know, it's the moment
34:27that I feel like made people realize,
34:29oh, Brock Lesnar's different. So, he
34:31arrives and people go that he's a beast.
34:33He's gigantic. But that chair shot from
34:36Jeff Hardy that doesn't even phase him.
34:40Oh my god.
34:43Yes.
34:45Yes. Eat, [laughter]
34:46sleep, conquer, repeat. Brock
34:51Lesnar.
34:52>> It's like one of the hardest chair shots
34:54I've ever seen. And he's just like
34:56stumbles for half a second and then just
34:57keeps going. [laughter]
34:59>> All right. What a debut.
35:00>> From Blazing Saddles.
35:03>> What a reference.
35:04>> But he is, you know, hey, you can't be
35:07YOU YOU CAN'T KNOCKS out the horse, you
35:10know, [laughter] walks into the bar,
Moment with Brock Lesnar at WrestleMania 42
35:11cleans out the whole thing.
35:14>> What a beautiful moment you and Brock
35:16Lesnar shared at Wrestlemania 42. Can
35:18you take me into the ring? What was the
35:20conversation that you guys shared during
35:23that long embrace?
35:25>> I thanked him for everything. He thanked
35:27me for everything. I told him that I
35:29love him. He told me that he loves me.
35:32And then I asked him if he finds it
35:34funny that the two of us are standing in
35:35the middle of the ring, in the middle of
35:37a stadium, in the middle of Wrestlemania
35:39being broadcast all over the world on
35:42ESPN telling each other that we love
35:45each other. I said, "Is this kind of a
35:47surreal moment?" And he goes, "Fuck him.
35:50Don't worry [laughter] about that. This
35:51is just for us."
35:54Okay, my beast.
35:57Happy happy to participate in the
35:59moment. It was just it was just a very
36:02personal moment that we were
36:06not hesitant to share with the rest of
36:10the world. It was it was a very uh
36:14it was a very emotional moment and I and
36:15and it was uh it it it
36:21was just very it was very personal. I
36:24you know I I talk for a living and I I I
36:26I find it hard to convey in words what
36:29that was like. It was just a moment that
36:31that happened and was was true.
36:34>> It's one of the few times I feel like we
36:36saw the real Brock Lesnar. like the
36:38character seems stripped away for those
36:40few moments. Him getting up on the
36:42turnbuckle and thanking the crowd.
36:45That's not something the character of
36:46Brock Lesnar would ever do. It felt
36:48really special. It was and and it was
36:52genuine. It it was just an authentic
36:54moment and and and and and it and it was
36:56Brock saying thank you uh on his own
36:59timetable when he felt like saying it,
37:01which which is Brock Lesnar. you know,
37:05Brock Lesnar does what Brock Lesnar
37:07wants to do. And Brock Lesnar wanted to
37:09say thank you in that moment,
37:11and so he did.
37:13>> And I guess that it was it was a moment
37:14to say thank you, but it wasn't a
37:16retirement. Brock Lesnar is still
37:19competing.
37:20>> Indeed, he is. So,
37:23what was what do we make of that moment?
37:25What what what should we make of that
37:27moment at Wrestlemania 42?
37:31remember how I felt. If I'm an audience
37:34member, I remember how I felt watching
37:36it. I'd remember what that moment was. I
37:40remember all that it encompassed
37:42and I would be appreciative of the fact
37:45that I got to live that moment and
37:47experience it and hold it in my datab
Curtis Axel & Cesaro not working out as Paul Heyman guys
37:51bank as a fan.
37:53>> You've managed so many champions. So
37:55many Paul Heymon guys have gone on to be
37:58champions. I don't know if you've talked
38:00about this before. What happened? What
38:02was the original plan with Curtis Axel?
38:06Why didn't that one work out?
38:10Because I don't think it was meant to
38:12work out.
38:14I don't think there was ever an overall
38:16grand scheme to move Curtis Axel all the
38:20way up the ladder. Curtis Axel filled
38:22the need for there to be
38:27people around me to feed the CM Punk at
38:30the time.
38:32It's the same thing that happened to
38:33Cesaro.
38:36You you look at Cesaro and and he
38:39checked especially at that moment in
38:41time,
38:43he checked every box to become a top
38:46star. Everyone who got into the ring
38:48with him came back into Guerilla saying,
38:52"Give me him." Everyone. Everyone. I
38:56remember John Cena worked with him on
38:58television and came back and looked at
39:00Vince and said, "I could I could main
39:02event WrestleMania with
39:05and and probably could have and should
39:07have." Cesaro was placed in that
39:10position
39:12the day after Brock Lesnar conquered the
39:15streak. So that when Brock took his
39:18hiatus, I had an excuse to be on
39:21television to say my client Brock Lesnar
39:26conquered the Undertaker's undefeated
39:27streak at WrestleMania. And you needed
39:29an excuse to have me out there on
39:31television. And if you put me on
39:32commentary, I can't say it for two or
39:34three hours. I have to say it with
39:37impact once a week. Just drill that into
39:40your head. Reinforcement. Repetition.
39:42Repetition. Repetition. Repetition.
39:44Repetition.
39:46And so Cesaro became the excuse
39:50>> to see you
39:51>> to see me say the line.
39:53>> Yeah.
39:53>> Curtis Axel was
39:56cast
39:58as
40:00Paul Heymon guy. Generic Paul Heymon
40:02guy. Uh you may you may as well have put
40:05a mask on him and call him the mad
40:07Russian,
40:09Mr. X, the assassin, uh you know, the
40:12punk destroyer. so that we could feed
40:16the babyface CM Punk. And that's a shame
40:20for Curtis Axel because he had a lot
40:23more to offer. But he delivered in those
40:26matches with Punk and that was the
40:29assignment. And
40:32once that assignment was over, there was
40:35no plan to propel him further.
40:38and he didn't have the cache to go in
40:44and
40:45pitch for something that would continue
40:48the momentum coming out of that program.
40:50>> So, there wasn't a long-term plan for
40:52either of those guys?
40:54>> Not I don't believe so. If there if
40:56there was, I was never clued in on it.
40:59When I was told I was getting Curtis
41:01Axel, my my question was, "What are we
41:04doing with this?" And and Vince's answer
41:06was going all the way to the top. I
41:08don't think Vince really felt that about
41:10him. And I don't think I mean I could
41:13tell by the third week I was with
41:14Cesaro, oh, I understand what we're
41:17doing here. I I get it. I I I
41:20see I see this how this is going to play
41:22out. As soon as Brock is back, this this
41:26is going to get discarded
41:27>> because if Cesaro had any weakness,
41:30maybe it's his promos aren't strong
41:31enough. Pair him with Paul Heymon, oh my
41:33gosh, he's unstoppable. See, but I I I I
41:36I think Cesaro was fascinating on the
41:38microphone if he were to be given the
41:41opportunity to demonstrate his skills.
41:42The man spoke five languages fluently.
41:45>> Yeah. I don't know how many people do
41:47that. If again, I'm I'm a I'm a cinema
41:51file. Watching Glorious Bastards wa
41:53watch Kristoff Waltz and and and when he
41:56uh when he does the scene, you know, he
41:59speaks German. Well, he speaks German,
42:01you know, in the movie. He speaks
42:03English in the movie and and and then uh
42:05Brad Pitt's crew are all uh you know
42:08speaking in Italian you know domin
42:11you know gami gorami you know and then
42:14all of a sudden uh uh Waltz comes in
42:16with you know and you start speaking in
42:19this oporatic tone in in in fluent
42:22Italian and you sit there go oh my god
42:26look at this I if if Cesaro was given
42:28the opportunity to answer every question
42:30in a different language
42:32you'd have seen a side of his
42:34personality because he will put
42:37emphasis in the dialect and you will see
42:41his mannerisms match the dialect that
42:44that he's presenting. So I think Cesaro
42:48could have been a fascinating promo if
42:51he was given the chance to do that in
42:54WWE. He wasn't. And and and that's
42:58that's our fault. That's that that that
43:00that that is a major fumble. That that
43:03that was a crime that was committed
43:06against the career of Cesaro and a crime
43:10that was committed against the audience
43:12for not
43:14allowing this gifted performer to do
43:18what at the time certainly he could do
43:22better than most anybody else on the
43:24face of the planet. And by the way,
43:28when you realize what he's capable of,
43:31what an opponent he could have been for
43:32Brock Lesnar.
43:34>> Yeah.
43:36>> Had I turned on Cesaro
43:39and we built him up to be a threat to
43:41Brock, the matches the two of them could
43:44have had
43:45>> are mindboggling. A tremendously wasted
43:49opportunity and no one for us to blame
43:52but ourselves, including me. Has this
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His reaction to Brock ending Undertaker's streak
44:59guarantee. That's nordvpn.com/cv.
45:03You mentioned Brock Lesnar ending
45:05Undertaker streak at Wrestlemania 30.
45:08Your expression was perfect. You were
45:10all of us. And I'm curious, how much
45:13thought did you put into that exact
45:15expression that you would have on
45:17camera?
45:18>> None. I I I just I lived the moment. And
45:22and and and that and that goes Brock and
45:25I both like to live in the moment. I
45:28tried for years to tell Brock what I was
45:30going to say on my promos. He would
45:31never want it. I'll hear it out there.
45:34I'll react to it organically. It'll be
45:37authentic. It'll be genuine. So,
45:40when Brock was standing next to me and I
45:42would cut our promos, the reaction that
45:45you saw from Brock Lesnar was very real
45:48because he didn't know what I was going
45:50to say. He's just reacting to it. That's
45:53Brock. Um,
45:57when I'm out there, I'm in the skin of
45:59that persona.
46:02I'm living the life of the advocate for
46:05Brock Lesnar. He conquered the
46:08unconquerable.
46:09He He created a moment that was
46:12unfathomable to most. He achieved the
46:17holy grail in WWE.
46:20It's a bigger victory than any
46:21championship Brock could have won. It
46:24was a bigger victory than beating any
46:27champion or any legend. He conquered the
46:32Undertaker's undefeated streak which had
46:34been going on for 25
46:37years. Everyone watching that match from
46:41the time the bell rang said the
46:44scorecard is going to read the
46:46scoreboard is going to read
46:4922 and zero.
46:51>> No doubt theta complete as if the match
46:55were predetermined.
46:57And yet when that 21 and one hit,
47:04how could you be anything but shocked?
47:07And even the person closest to Brock,
47:11the strategist behind the conquering,
47:14the one behind the one in 21 and one.
47:20How could even he not be absolutely
47:25shocked at what just transpired
47:28in front of him?
WWE should be eligible for the Emmy Awards
47:31It's just a natural reaction.
47:33>> You talk about how WWE should be
47:36eligible to be nominated for an Emmy,
47:38that WWE should be nominated for an
47:40Emmy, that you, sir, should be nominated
47:42for an Emmy. It's performances like that
47:45where it's like, yeah, that's an Emmy
47:47winning performance.
47:48Yeah, I think the Emmy awards are are
47:50are are years behind on this. The
47:54I I I
47:57would love to see someone
48:00do what we do under the circumstances
48:04that we do it. It it it goes back to
48:08Lawrence Olivier doing Shakespeare in
48:10the Park in London and he would do King
48:15Lear on a Saturday and Athell on on on a
48:19Sunday and never mess up the lines and
48:22he's there with a live audience. So if
48:24he did mess up the lines, everyone would
48:26know. It's not like he's doing it on a
48:28closed sound stage where I could sit
48:31here and go, "Oh, I screwed up. Sorry."
48:33Okay, cut. Okay, ready? Restart in
48:37three, two, one, and boom, we're back
48:40on. And no one knows.
48:43>> We do these scenes
48:46in front of 5, 10, 15, 20, 30, 50,
48:5170,000 people in an arena and and in in
48:55a stadium, in a hall,
48:58and we play them out.
49:01And if we mess up, we have to
49:03incorporate that mess up into the stick
49:09or we have to acknowledge, no pun
49:12intended, the fact that we messed up and
49:14we have to correct it or just move on.
49:17Uh, I don't know if Javier Bardm can
49:21take that pressure. I'd love to find
49:23out. I don't know if Paul Giamati can
49:25take that pressure. I'd love to find
49:27out. I don't know if Christian Bale I
49:30don't know if Jeffrey Wright I don't
49:32know if um Tom Hardy I I I I don't know
49:37if Mel Street
49:39can take the pressure of that live
49:41audience. I know that all of these great
49:43actors love to do theater. They you know
49:46the Broadway stage is is is an actor's
49:49medium be because you are there with an
49:52intimate audience but it's 300 people.
49:55Try playing that scene out in front of
49:5720,000 who are looking for you to screw
49:59up.
49:59>> Yeah.
50:00>> Uh and we do it
50:05on a level that is picked up by the
50:08largest streaming service on the face of
50:10the planet, Netflix, that is distributed
50:13for premium live events by ESPN. That is
50:17still on Friday nights on on on NBCU on
50:20USA Network. So obviously we're doing
50:23something right. or we would cut out
50:26these scenes, these promos, and we would
50:29just do match after match after match
50:31after [clears throat] match, and
50:32everything would be pre-taped and
50:36stylized and heavily edited to deliver
50:39the best performance imaginable.
50:42So, if I'm doing a live scene
50:45and it's on USA Network or it's on
50:47Netflix or it's on the
50:50or YouTube or anywhere or and and I'm
50:54and I'm presenting something in
50:55character, why is that not eligible for
50:58an Emmy?
50:58>> It's a great question.
51:00>> I wish someone at the Emmys would would
51:02answer the question. I don't understand
51:03how we're not I I I I challenge people
51:07to do what we do under the circumstances
51:09that we do it. and I challenge someone
51:11at the Emmys to come forth and say,
His role in WWE
51:13"Here's why." Makes no sense to me.
51:17>> I think that people just think that
51:19you're an on-screen character cuz that's
51:20just what they see on Raw or Smackdown.
51:22But what is your role in WWE? Now
51:31if I were to list my scope of services
51:34well would be number one I'm I'm the
51:36liaison for some talent
51:39in terms of I'm the creative liaison
51:42between that talent and the creative
51:44team the creative team and that talent
51:46so a lot of the creative will flow
51:48through me in both directions
51:52I
51:53handle
51:54a lot of the behind the scenes business
51:59for members of the Vision obviously for
52:02Brock Lesnar and there are others and
52:07more so on Fridays than on Mondays
52:10because Mondays I'm on air a lot. I sit
52:15all the way in the right corner in
52:17Guerilla.
52:19Paul Lec is is up is is up in in in the
52:22position with the headsets on. Uh Bruce
52:26Pritchard or Ed Kski or John Beckrom or
52:30Ryan Ward will sit next to Paul. So of
52:34the thousand details per show that that
52:37Paul has to hold on to, anything that
52:41okay take care of this, okay, take care
52:42of that. as he navigates the macro. The
52:47micro will fall down to the person next
52:49to him. In front of them will be Kidman
52:53or Jason uh who who keep the show honest
52:57in terms of time commercial breaks. Uh
53:00we we have to hit this crossover. We
53:02have to be off the air by this moment.
53:04And next to them will be the producer of
53:06the segment on headsets. To the to to
53:09this side will be the writer of the
53:11segment on headsets. And next to the
53:13writer is me. And I just sit there and I
53:17watch the show and I'm watching for
53:20things that we need to follow up on
53:22that. Ooh, you know what? Let's not
53:24follow up anymore on on on this. Let's
53:26pull that segment coming up in 12 or 13
53:29because it's it's a good mystery as it
53:31is now. I I can give instant feedback
53:33during the show, but more importantly,
53:36I'm there for any talent. I'm there all
53:38day for any talent, top to bottom.
53:42newcomer to veteran, uh, NXT talent
53:45moving up to to legend that's there for
53:47a cameo. I'm there for anybody that
53:50wants to talk about their performance
53:51that night or their creat or their
53:54creative process or how they're going to
53:56approach a certain scene or their match
53:59or their finish or anything that they
54:01want to talk about this business
54:04in the art form of the presentation
54:07immediate or long term. I'm there to
54:09talk to them to
54:14if if if I can have the liberty of using
Praise for Triple H's work in WWE
54:17this phrase to bestow some wisdom upon
54:19them.
54:19>> Sure.
54:21>> You've worked for a lot of bookers.
54:23You've been a booker yourself. What
54:25would you say is the biggest difference
54:26between working for Vince McMahon and
54:29working now with Paul Levc?
54:31>> It's a completely different job.
54:34And anyone that that doesn't see that
54:36doesn't understand the dynamic of
54:41what it takes to lead the creative
54:44process today.
54:47When I became
54:49the executive director of Monday Night
54:52Raw, Vince asked me, "What's your goal
54:56in this
54:58long term?" And my answer was,
55:01"In five years, I'd like to be the chief
55:04creative officer."
55:07Paul Le is not the chief creative
55:10officer in WWE. He's the chief content
55:14officer. And that designation, I think,
55:18is the tell all moment as to his
55:23approach to the responsibility and
55:27accountabilities that go with the job.
55:32This is no longer a job that is dictated
55:37by the immediate by the immediate
55:40audience's need to see this person as
55:44champion at this particular show that is
55:47followed up that Monday on Raw and the
55:51next episode of Smackdown. He is the
55:54chief content officer in an era where
56:03technology
56:06rules the algorithm and the algorithm
56:09dictates creativity.
56:12The distribution of our content
56:16is determined by the algorithm.
56:19So, it can be the most creative
56:23and the most innovative booking you've
56:26ever seen,
56:28but if it doesn't feed the algorithm, no
56:31one's going to see it. So, then it's not
56:35efficient. It's not profitable.
56:38and any great booker and I don't know
56:41who the top five experts in this world
56:44are in terms of booking but I think any
56:48list would have to include me for sure
56:52and if I look at the job today and I
56:55don't want the job today because there
56:58are so many masters to serve
57:01one of them being the algorithm the
57:04other being the distributors you have to
57:06please Netflix you have to please NBCU.
57:09You have to please Disney/EA ESPN. You
57:13have to please the purchasing audience.
57:16You have to please the talent.
57:18I I get so many people write to me on
57:20LinkedIn. I want to be a WWE writer. I
57:24can change so many things for the
57:26better. I can make this the glory days
57:28of WWE. I HAVE SO MANY IDEAS.
57:33Good for you. How you going to implement
57:35them?
57:37Make me president of the United States.
57:40Great. But if I can't get anything past
57:42the Congress, can't get anything past
57:44the Senate, can't get anything past the
57:45Supreme Court, I'm going to be the least
57:47effective president that this country
57:49has ever seen. An effective president
57:52has to sell his ideas to to a bipartisan
57:55Congress, bipartisan Senate, and a and
57:58the Supreme Court and the constituents
58:00that voted the president into office.
58:03You have to please a lot of masters.
58:06Paul Lec is the best person for that
58:09job.
58:11He's a collaborator.
58:13He pivots. He understands. And he
58:16understands that what works today may
58:17not work tomorrow and what works
58:19tomorrow may not work in two days. He's
58:22brilliant at taking a look at the
58:25landscape and understanding,
58:29does this make sense? Is it logical?
58:33Does the storyline work? Will it create
58:36box office and interest and intrigue?
58:40Does it work for the characters
58:41involved? Does it progress the
58:44characters involved and take them from
58:46being
58:50characters on a television show into
58:52becoming attractions.
58:55Look at the past
58:588 to 10 months in WWE.
59:02Obami has become an attraction.
59:06>> Yes,
59:06>> Trick Williams has become an attraction.
59:10>> If Javon Evans is not labeled an
59:13attraction by the end of this summer,
59:16then someone's either not looking at it
59:19in the right perspective
59:21or we messed up. And I don't think we're
59:23going to mess up with Javon Evans. And
59:25there's a whole bunch of other people as
59:27well. Saul Roka is going to be a star,
59:30an absolute bonafide attraction.
59:34Look at these people emerging.
59:37We're how many years now into the Paul
59:39Le reign?
59:41It's it's it's it's a matter of serving
59:43all of these content needs on a creative
59:47basis. And he's doing it better now than
59:50he did just a couple of years ago when I
59:53stood during my Hall of Fame speech and
59:56told everybody I'm a Paul Le guy. Cuz
59:59it's not just the way that it's not just
1:00:02how he guides us. the manner in which he
1:00:04does so and the collaborative effort
1:00:07with him is even better now than it was
1:00:11then.
1:00:13So
1:00:14you you give me a a few billion dollars
1:00:17and say start a wrestling company, I'm
1:00:20hiring him for the job. It's a difficult
1:00:22position he's in because when things are
1:00:24going well, he gets all the praise. When
1:00:26people don't like something, he gets all
1:00:28of the criticism, right? And he has to
1:00:30balance both of those. How does he do
1:00:33that in your opinion?
1:00:34>> Very well. Seamlessly.
1:00:37I I don't think he takes the compliments
1:00:40to heart because I don't think he takes
1:00:44the invalid criticism to heart. And I
1:00:47think he's very good at differentiating
1:00:49between invalid criticism and valid
1:00:52criticism. And if the criticism is
1:00:54valid, he'll shift.
1:00:55>> How do you differentiate between that?
1:00:57>> It's it's a judgment call. It's it's
1:01:00it's it's taking a look at the
1:01:02circumstances and saying, "Is this
1:01:05working to the best that it can work? Is
1:01:07this the most profitable I can make this
1:01:11story? Is it is it is it new? Is it
1:01:15different? Is it fresh? Is it
1:01:16innovative? I is is is it progressive?
1:01:20Does it move the characters and the
1:01:22story forward? Is it efficient? Is it
1:01:25profitable?" These are all the things
1:01:26you have to look at when you script
1:01:29anything.
1:01:31Give me 15 seconds of television to look
1:01:34into the camera and say something. And
1:01:38if you let me say something for weeks on
1:01:40end, at some point the public is going
1:01:44to accept it at some point.
1:01:47>> Yeah. Ladies and gentlemen, Joe Gabushki
1:01:51is the greatest unknown wrestler on the
1:01:54face of the planet today. 3 2 1 cut.
1:02:00Right. Next week on television, ladies
1:02:02and gentlemen, have you heard the news?
1:02:05Joe Gabooki is the greatest talent that
1:02:09you've never heard of on the face of the
1:02:12planet today. 3 2 1 cut. Come back that
1:02:16Friday on Smackdown. Ladies and
1:02:17gentlemen, breaking news. I don't know
1:02:20if you've heard this. Joe Gabooki will
1:02:23debut in WWE
1:02:26next week.
1:02:28I guarantee you the ratings for that
1:02:30segment will be huge. Why? Cuz Joe
1:02:33Gabooki
1:02:35is the greatest unheralded talent in
1:02:37history.
1:02:38>> Anticipation.
1:02:39Yeah. And you sold it, too.
1:02:41>> Anticipation. Repetition.
1:02:44um
1:02:46hype
1:02:47>> and delivery. So if you tell people
1:02:50enough so many times that this is a
1:02:54fact, they'll accept it as a fact. But
1:02:56if I sit here and and and if we have
1:02:58nothing to deliver on Joe Gabooi that
1:03:02Monday, if someone that doesn't if
1:03:04someone doesn't come out that looks like
1:03:07Brock or Oba or Roman Reigns, if some if
1:03:11someone or something doesn't come out to
1:03:14the ring and wow you that Monday. Yeah.
1:03:17Then the next time I come on, I go,
1:03:18"Ladies and gentlemen,
1:03:20I know you don't believe this, but
1:03:23Victor
1:03:25Vernacular is coming out next Monday.
1:03:28off. Why? Who cares? You lied to me
1:03:31the last time."
1:03:33>> So, you not only have to hype it, right,
1:03:35>> you got to deliver.
1:03:36>> Yeah. So, in in in an era of an era in a
1:03:41in an industry that's built on
1:03:44embellishment and exaggeration,
1:03:46you know, of course, hey, if you're a
1:03:48seven, take it up to a 10. If you're a
1:03:5010, take it up to a 12. You know, if if
1:03:52you're 245 lbs, say you're 265. If
1:03:55you're 6'9, you're 7 feet tall. In in in
1:03:58an industry built on embellishment and
1:04:00exaggeration,
1:04:01>> Yeah. You have to almost underpromise
1:04:03and overd deliver every time
1:04:05>> because if you overpromise then you have
1:04:08to over overd deliver because if you
1:04:11underdel you lose your credibility.
1:04:14It's why in ECW we never violated
1:04:17stipulations.
1:04:19>> That's an interesting point.
1:04:20>> Kept our credibility with the fans.
1:04:22>> Yeah.
1:04:23>> Never. You loser leaves town that person
1:04:25left town. The losing tag team must
1:04:27split up. They split up. A a any
1:04:30stipulation that that we advertised in
1:04:32ECW, we lived up to. We we didn't go the
1:04:36route of, well, now the this lawyer
1:04:39and the general manager. We didn't do
1:04:41that. We didn't we didn't build those
1:04:43into our story lines because when we
1:04:46advertise a stipulation, it was box
1:04:48office in ECW because we never vi
1:04:51because we kept our credibility with the
1:04:52audience. Same thing with the way that
1:04:56Paul Le can discern from
1:05:00invalid criticism to valid criticism.
1:05:03You look at it for what it is. You see
1:05:05the trajectory of where it's going. You
1:05:07take a look at how it affects every
1:05:09single other item on on on on the card
1:05:13or on the show for that day and what
1:05:16we're building towards. And then you
1:05:17make an educated and and valued
What fans don't understand about booking a show
1:05:20decision. and he's the best at it.
1:05:23>> Fans feel like they know so much right
1:05:25now, especially because all of this
1:05:27information is constantly in our pocket.
1:05:30They feel like they are just they could
1:05:32book this show better than anybody. What
1:05:34are wrestling fans not understand about
1:05:38putting together a wrestling show?
1:05:43That it's not about the immediate
1:05:44moment.
1:05:49You asked me before what I do behind the
1:05:52scenes in WWE. I do not go into the
1:05:56weekly television meeting. I don't
1:06:00get into that level of of of micro
1:06:03anymore. I stay very macro. I attend the
1:06:08long-term meetings, the long-term
1:06:10creative meetings. I take the ride up to
1:06:13Stanford and I sit in on those meetings
1:06:15and love those days.
1:06:18My latest obsession has been let's book
1:06:22out Saudi mania. Let's get that done.
1:06:26>> So you're already looking at that now.
1:06:27>> Oh, I'm looking at the year after Saudi.
1:06:30>> Wow.
1:06:30>> If it was up to me and it's not,
1:06:33>> let's start there. We'll change it every
1:06:35week if we have to. We'll change it
1:06:37every time we meet. But let's get
1:06:39something that we're building towards.
1:06:40Let's write the last page now and then
1:06:43let's build towards it. I would love to
1:06:46know what we're doing the year after
1:06:48Saudi Wrestlemania. I'd love to have a
1:06:50concept for that. Who is Roman Reigns's
1:06:53opponent then? Who's CM Punk's opponent
1:06:56then? Who's Logan Paul's opponent then?
1:06:59Who's Braun Breaker's opponent then?
1:07:02Who's Seth Rollins opponent then? Jade
1:07:04Cargles, Becky Lynch, Liv Morgan, Ria
1:07:08Ripley. What are we building towards?
1:07:12Because if we know that and we have a
1:07:15concept for that, then it makes Saudi
1:07:18mania really easy.
1:07:21It's not about, OH, YOU KNOW WHAT I
1:07:22WOULD DO THIS MONDAY.
1:07:25OKAY, but how does that affect the next
1:07:26Monday? How does that affect what I want
1:07:28to do in January? How does that affect
1:07:30the Royal Rumble? How does that affect
1:07:32Saudi mania? How do I that how does that
1:07:35affect what I want to do the year after?
1:07:37Here's an example.
1:07:40Right now we have lined up for Crown
1:07:45Jewel
1:07:47the trilogy
1:07:49>> right now with the current champions.
1:07:50You mean
1:07:51>> the champion on Raw is Roman Reigns?
1:07:53>> Yes.
1:07:54>> Champion on Smackdown is Cody Rhodess.
1:07:56>> I see. Yes.
1:07:57>> It's one in one.
1:07:58>> Yeah.
1:08:00>> If they both retain the titles
1:08:03all the way to Crown Jewel.
1:08:04>> Yeah.
1:08:04>> We get the trilogy at Crown Jewel,
1:08:07>> right? What an enormous main event. What
1:08:12a prestigious main event. What a
1:08:14historic
1:08:16main event for Crown Jewel. You want to
1:08:19sell Crown Jewel? You want that to be
1:08:22one of the biggest PL of the year? You
1:08:24want that to be a hot ticket both in
1:08:27terms of selling tickets and on the
1:08:29secondary market,
1:08:32put the Triple G match there.
1:08:33>> Yeah.
1:08:34>> Wow. What a main event. What an
1:08:37attraction for Crown Jewel. Let's say we
1:08:40don't want to give it away.
1:08:41>> I see where I see where you're going
1:08:42here.
1:08:42>> Let's say we want to do that in Saudi
1:08:45>> Wrestlemania 43.
1:08:46>> Let's say we don't want to do that at
1:08:48Wrestlemania 43. Let's say we want to
1:08:51make them wait another year. What will
1:08:54be Wrestlemania 44? Will that be the
1:08:57tribal chief Roman Reigns against the
1:09:00American nightmare Cody Rhodess? Will
1:09:04that be
1:09:06a return to villainous tribal chief head
1:09:10of a new bloodline Roman Reigns against
1:09:14the
1:09:16hopeful come from behind uh against all
1:09:20odds virtuous American nightmare Cody
1:09:23Rhodess?
1:09:25Will that be the first Wrestlemania of a
1:09:27villainous [snorts] Cody Rhodess against
1:09:30my righteous tribal chief Roman Reigns?
1:09:33What would that look like? Well, I can't
1:09:36get to that by Saudi, but I can by the
1:09:40next year. Maybe I just want to pull
1:09:42that trigger for that trilogy at in
1:09:45Saudi at Wrestlemania. Maybe I want to
1:09:48build up Crown Jewels so big
1:09:53that I place that main event there and I
1:09:55end the trilogy at Crown Jewel. Maybe I
1:10:00look at all these main events that I can
1:10:03get to.
1:10:05What will the main event be at Saudi
1:10:08mania? Will Brock Lesnar be involved?
1:10:10Will Obami be involved? Will Trick
1:10:13Williams be involved? Will Randy Orton
1:10:17be involved? Will Javon Evans be
1:10:20involved? Will Braun Breaker, Austin
1:10:22Theory or Logan Paul, Bronson Reed, Ria
1:10:25Ripley? Who's going to be involved? I
1:10:28look at that dynamic. I don't need this
1:10:30match for Wrestlemania 43 or even
1:10:33Wrestlemania 44. You know where I need
1:10:34it? I need it for the Royal Rumble.
1:10:37Let's do the trilogy match at the Royal
1:10:38Rumble. So therefore, either Roman
1:10:41Reigns or Cody Rhodess or neither can be
1:10:45championed going into Crown Jewel. I
1:10:48need to move one or both of these
1:10:50championships around and offer something
1:10:52different to be big box office at Crown
1:10:55Jewel so that I can then present the
1:10:58trilogy at the Rumble where I need it,
1:11:01at Saudi Mania where I want it, at
1:11:03Wrestlemania 44 where I've made you wait
1:11:05long enough to get maybe SummerSlam next
1:11:08year at a stadium. all these factors cuz
1:11:11when you decide to do something, it
1:11:14takes away everything else that you can
1:11:17possibly do. All your options then are
1:11:20removed from the table cuz you made the
1:11:23decision this is the way we're going to
1:11:27do it.
1:11:30I can book. I can write. I I can I can
1:11:32be the best booker of all time. Here's
1:11:34what you do on Monday night. Great.
1:11:36Thank you very much. and what's the
1:11:38followup and what are the ramifications
1:11:41of that decision and what does what
1:11:44equity does it take off the table that I
1:11:47can never go back to because you're
1:11:49giving it away this Monday night. So
1:11:51what you're saying is a lot of times we
1:11:53see something play out on a Monday or on
1:11:55a Friday that actually will have a
1:11:58payoff a month from now, maybe six
1:12:00months from now, perhaps even longer.
1:12:05The first thing you learn in chess, look
1:12:07at the whole board. What's the first
1:12:09thing you learn when when you start to
1:12:12learn how to drive? Never look right in
1:12:15front of you. Look as far down the road
1:12:17as possible. All these analogies in life
1:12:21play out.
1:12:23If you if you're just doing the chess
1:12:25moves, you know, rook to knight three,
1:12:28okay,
1:12:30it's it's hot shot. It's shortterm. It's
1:12:34narrow casting. I want to broadcast.
1:12:37I want to have a long-term plan here. I
1:12:40want tomorrow to have more box office
1:12:42than today and two days from now to have
1:12:44more box office than tomorrow. And I
1:12:47can't do that if I'm doing knee-jerk
1:12:50reactions to what just happened this
1:12:53past Monday, this past Friday, or we're
1:12:56at the Premium Alive event. Can't There
1:12:59has to be a long-term plan. there there
1:13:01has to be an an overall arc that we're
1:13:04trying to achieve and we have to at
1:13:06least be cognizant of what could
1:13:09possibly be next after this story runs
1:13:12its course. So, I've been seeing a lot
1:13:15of comments on YouTube like this. Chris,
1:13:18you're 42. You look in your 30s. I'm
1:13:21sorry, you're 42. I never would have
1:13:24guessed. And I want to know CVV's
1:13:27skinincare routine. You guys are too
1:13:29kind. I'll be 43 in May and as you can
1:13:32see, no no Botox, lots of wrinkles and
1:13:35lots of face movement here. I get a lot
1:13:37of comments about that as well. I've
1:13:39been using Caldera Lab for years and I
1:13:41am pumped that they are now officially a
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1:14:02healthier overall. Then you got the
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1:14:16that it keeps you hydrated for up to 48
1:14:18hours. You can see how much of that that
1:14:21I've used right there. Then finally, you
1:14:23got the eye serum, the anti-aging eye
1:14:26treatment. This takes 10 seconds in the
1:14:28morning and I genuinely look more awake
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1:14:50Earlier you mentioned working with Vince
1:14:52McMahon. What's the story behind you
1:14:55leaving WWE in 2006? What led to that?
1:15:00>> Uh, we had very different visions for
1:15:02the rebirth of ECW
1:15:05and I was a lead writer of the third
1:15:09show, Raw, Smackdown ECW, and he was the
1:15:13chairman of the board with 85% of the
1:15:16voting stock. One of us had to leave.
1:15:21Don't know if you're a betting man. Poly
1:15:23market, DraftKings, FanDuel, whoever
1:15:26wants to sponsor this. My bookie,
1:15:29>> if you're going to place a bet on which
1:15:30one of us was going to leave,
1:15:33>> I think the Jew boy from the Bronx,
1:15:34who's just merely the lead writer of the
1:15:36third show, is going to be the one whose
1:15:38ass is out the door, not the chairman of
1:15:41the board with 85% of the voting stock.
1:15:43>> What led to that? What led to
1:15:46just the relationship falling apart? the
1:15:49rebirth of ECW.
1:15:52It was
1:15:52>> But one night stand went so well,
1:15:54>> right? Because it was a one night stand.
1:15:57And one night stand 2005 was a
1:15:59magnificent event that was as authentic
1:16:03an ECW presentation as we could put on
1:16:06in 2005
1:16:08including but not limited to but
1:16:10certainly highlighted by the Sandman's
1:16:13entrance
1:16:16which I fought for to the point of
1:16:18almost getting fired because Vince
1:16:20didn't want to pay for Metallica.
1:16:22>> Right.
1:16:24Right.
1:16:25And uh
1:16:27>> what's Sam gonna come out to? Come on.
1:16:30>> But that when that music hit,
1:16:34everyone at the Hammerstein Ballroom
1:16:38knew, wow,
1:16:41this this is this is a real ECW show.
1:16:44This is how it felt back in the 90s and
1:16:48in 2000. Um, 2006 I thought
1:16:54was a Bminus show
1:16:58that had a main event that was so
1:17:03memorable that the audience
1:17:07made such a spectacle of Rob Vanam
1:17:10versus John Cena because in ECW, Rob
1:17:15Vanam never had a world title shot.
1:17:17>> Yeah. 23 months as the world TV
1:17:19champion. And for most of those 23
1:17:23months, the world TV title meant as
1:17:26much, if not more, than the world title
1:17:28because it was held by Rob Vanam and
1:17:31pushed in that fashion. But Rob Vanam
1:17:35finally going for the big title against
1:17:38John Cena, who was the antithesis of
1:17:41what an ECW fan thought should be
1:17:46a performer on an ECW show.
1:17:51And the main event was so memorable for
1:17:54the audience's reaction. The character
1:17:56of the audience was the star of of that
1:17:59show. And the fact that Rob Vanam won
1:18:06made that show
1:18:09popular, acceptable,
1:18:12beloved. And coming out of that, had we
1:18:16presented
1:18:18somewhat of a new style,
1:18:22a progressive, innovative approach to
1:18:25professional wrestling in 2006 that was
1:18:29a genuine alternative to anything WWE
1:18:33was offering at the time on Raw or
1:18:35Smackdown. It could have been a hit, but
1:18:38instead it just became a third brand
1:18:43utilizing stars off of Raw and
1:18:45Smackdown.
1:18:47First move I made in the new ECW, I
1:18:50brought CM Punk up from OVW.
1:18:53I wanted Rob Vanam
1:18:57to be the legend from the original crew.
1:19:01And then you sprinkle in all these other
1:19:04ECW originals as we move the new stars
1:19:09up into
1:19:11the spotlight of what would become a new
1:19:15version of ECW, which was at its worst
1:19:22a complete alternative to anything else
1:19:24that's out there. and instead that it
1:19:28was not what WWE was willing to put on
1:19:31the air and
1:19:34was amongst the most miserable
1:19:38experiences of my entire life because it
1:19:41became very personal between me and
1:19:43Vince very fast because I spent seven
1:19:46and a half years of my life building a
1:19:48brand that
1:19:51at some point became
1:19:55more of a cause than a business.
1:19:58>> Sure. To this day, people still chant
1:20:00ECW.
1:20:02>> So when you give your life to the cause,
1:20:06you give 7 and 1/2 years. And these are
1:20:09prime years, too.
1:20:10>> How much were you sleeping then?
1:20:12>> 2 hours a night.
1:20:14>> BUT I I DIDN'T WANT TO SLEEP.
1:20:15>> YEAH.
1:20:16>> I was too exhilarated.
1:20:17>> Yeah.
1:20:18>> It the worst day of my life in ECW was
1:20:23still a wonderful day. Yeah.
1:20:25>> Um I I I I was living out a dream and
1:20:28fighting for my life doing it and
1:20:30knowing that I'm fighting for a cause
1:20:32that I believed in. So
1:20:36no one drank the Kool-Aid of the cult of
1:20:38ECW more than Paul Heymon did. So, I
1:20:43gave seven and a half years of my life
1:20:44to that cult, to that cause, uh, to to
1:20:47to that mindset
1:20:50and to Vince because he was bored with
1:20:56no competition. WCW was gone, ECW is
1:20:59gone, TNA was nothing in terms of
1:21:04capturing Vince's attention. Uh, so what
1:21:09did Vince McMahon get to do? Oh. God
1:21:12damn it. I I get to change an ECW
1:21:14booking on Paul Heyaymon that it's a
1:21:16power. It's it's it's just it's it's
1:21:19it's
1:21:21how Vince operates and and and and so it
1:21:25became a very personal tugofwar between
1:21:28whose vision will be implemented for ECW
1:21:32when the whole dynamic was let's create
1:21:35a third brand that's a true alternative
1:21:37to the other two. So, it just became a
1:21:40miserable working environment. And
1:21:43>> what was the breaking point?
1:21:45>> The the breaking point was a week after
1:21:47we we started and and and and I couldn't
1:21:49take it anymore then and still had to
1:21:51last another 6 months in the job. The
1:21:53breaking point was the December to
1:21:54December.
1:21:56Um,
1:21:59coming off the Survivor Series, it was
1:22:01obvious to me that CM Punk was
1:22:07embedded in the zeitgeist of the mindset
1:22:10of the audience
1:22:12in WWE of who is the next big star. He
1:22:16captured the imagination of of of the
1:22:19WWE crowd. And if we could get the title
1:22:23onto Punk and put Vanam on the chase, we
1:22:28were getting Bobby Lashley. Put Bobby
1:22:30Lashley on the chase and and the rest of
1:22:34the
1:22:36characters in ECW
1:22:38would rise with the tide as the the
1:22:43hottest sensation in WWE. CM Punk is our
1:22:46champion. Rob Vanam,
1:22:49who would still be more popular than
1:22:51Punka in the moment, uh, going after the
1:22:53title, Bobby Lashley being anointed as
1:22:56the next big star coming off of
1:22:58Smackdown, uh, and and changing his
1:23:01style to a more MMA based style. Um,
1:23:05wow. We could have really
1:23:09taken this to where by mania
1:23:13ECW would have been redhot.
1:23:16And instead, because I was so infatuated
1:23:19with the idea of an ECW with CM Punk
1:23:27as the champion and Rob Vanam on the
1:23:29chase and Bobby Lashley on the chase
1:23:32that Vince said, "No, I want the title
1:23:34on Bobby Lashley.
1:23:36and
1:23:38we're going to beat CM Punk first in the
1:23:41elimination chamber and we're going to
1:23:42beat Vanam second in the elimination
1:23:45chamber which was a matter of spite.
1:23:47It's taking your guys out and and once
1:23:50we get to that
1:23:52then now I'm affecting everybody else's
1:23:54career number one. Number two, I'm
1:23:57affecting the audience having a chance
1:23:59to like the product because the product
1:24:02is being sabotaged by the very person
1:24:04who wants something out of the product
1:24:06for it to be profitable, but he can't
1:24:09get out of his own way in terms of
1:24:11competing with me behind the scenes for
1:24:14the decisions that are being made on a
1:24:17product that is still associated with me
1:24:20instead of with him. So just the clash
1:24:23between the two of us became just a
1:24:26god-awful miserable experience that one
1:24:30of us had to escape and he wasn't going
1:24:32anywhere. Was there ever talk in 2006 of
1:24:36you working with TNA behind the scenes?
1:24:38>> Not in 2006.
1:24:40>> Oh the at what point?
1:24:43>> Because you at this point you leave WWE.
1:24:45You're out of wrestling.
1:24:46>> Oh I left
1:24:47>> for the first time in your career.
1:24:48>> Yeah.
1:24:49>> Isn't that crazy? Paul Heymon not in
1:24:51wrestling.
1:24:52>> And I thought I was done
1:24:53>> for good.
1:24:54>> Oh, absolutely. I But but I thought that
1:24:57many times. I I thought when I in in
1:24:59January 1993 after WCW, I thought I was
1:25:02done. I was going to go do uh New York
1:25:05radio. I signed with the William Morris
1:25:06Agency and uh with an agent named
1:25:09Jonathan Trumper and uh I was going to
1:25:12go on New York radio and compete with
1:25:14Howard Stern.
1:25:16But instead came this little opportunity
1:25:19in Philadelphia from this promotion that
1:25:21had Tuesday night 6 pm sports channel
1:25:24Philadelphia clearance called Eastern
1:25:26Championship Wrestling and Jim
1:25:29Crockett's non-compete with WCW was
1:25:31expiring and he needed a booker and
1:25:36in seeing the landscape of professional
1:25:38wrestling
1:25:40lagging and no one implementing these
1:25:44changes uh that that were going along
1:25:48with the changes in television and
1:25:50content and presentation in 1993. I
1:25:54didn't go on New York radio to compete
1:25:56with Howard Stern and I went back into
1:25:58the industry. Uh same thing in 2006 when
1:26:01I was out. I was out. I I started with a
1:26:05gentleman named Mitchell Stewart who's
1:26:07an Emmy and Clear award-winning director
1:26:09in New York City. We started an agency
1:26:11called the Looking for Larry Agency,
1:26:13which we still run to this day.
1:26:16uh many digital pro projects. Um we
1:26:19started a broadband TV project with News
1:26:22Corp through the Sun which was then the
1:26:24London Sun which became the UK Sun which
1:26:26has became the Sun. Uh which and
1:26:29broadband TV ultimately morphed into
1:26:31what is now known as streaming. We were
1:26:34early on on that call as well.
1:26:37And uh I I I wrote Brock Lesnar's book
1:26:40with him, his autobiography, Death
1:26:42Watch.
1:26:43>> Such a good book. and was spearheading
1:26:46the move into digital
1:26:49uh through his UFC career.
1:26:53So it it was 5 and a half years away but
1:26:56it was a tremendous experience for me on
1:27:00the outside and if for no other reason
1:27:02but my children were very young at the
1:27:04time and I got a chance to spend
1:27:07enormous quality time with them which
1:27:10was
1:27:14the biggest change in my life because on
1:27:19every single solitary level just made a
1:27:22a better man and and and and a more
Discussion with TNA after WWE departure
1:27:29human being.
1:27:32>> At what point did TNA reach out? Was
1:27:34this ever a possibility? No, I didn't
1:27:36ask that.
1:27:37>> 2010.
1:27:38>> Yeah. Were you ever close to working
1:27:40with TNA?
1:27:42>> Depends on the perspective of of of the
1:27:44person that you're asking. You're asking
1:27:46me, was I ever close? I don't know. Uh,
1:27:49I certainly told them what what my
1:27:50five-year plan was.
1:27:53Uh, and I and I talked about this on on
1:27:56Ariel Helwani's podcast back then. Going
1:28:00to get rid of everybody under over 40.
1:28:02Going to get rid of all the legends.
1:28:04Going to keep one. Back then, they they
1:28:07had way too many legends
1:28:08>> at that point. Yes.
1:28:11>> It was an old-timers game. and and and
1:28:15some of them had years left to give, but
1:28:18they got lumped in with the other
1:28:20veterans, so they seemed older than they
1:28:22were. And the magic of TNA in that like
1:28:25' 05 to09ish time was a lot of those
1:28:28upandcomers.
1:28:30>> You take a look at that roster.
1:28:32>> Oh my god. Yes. and what could have been
1:28:34done with them. But instead, they were
1:28:37all playing second fiddle to these big
1:28:41names from the Attitude Era that were no
1:28:46longer relevant or no longer had the
1:28:50cache to present innovative progressive
1:28:55storylines that would capture the
1:28:58imagination of a new audience.
1:29:01They had a niche. They serve the niche.
1:29:04They were never going to expand from it.
1:29:05Narrow casting versus broadcasting. Uh I
1:29:09wanted a piece of the company. I wanted
1:29:12the Dana White deal.
1:29:15And I wanted the ability in 36 months
1:29:18that to through their CFO was named Dean
1:29:22Broadhead, I believe, and uh and to take
1:29:25the company public. I had a meeting uh
1:29:29with Spike TV at the time. wanted their
1:29:32sign off for what I wanted to do
1:29:34creatively because it wouldn't work
1:29:37without their sign off again having to
1:29:40appease all masters uh and also wanted
1:29:43to know if they were willing to buy in
1:29:45should we take the company public 3
1:29:47years after I start my run in the
1:29:50creative process what it boiled down to
1:29:52was
1:29:54TNA did not want to let go of the
1:29:56legends
1:29:58did not want to forsake the appearances
1:30:01by the legends on the television show
1:30:04did not want the legends to be fed to
1:30:06the younger guys. So the AJ Styles and
1:30:11the Samoa Joe's and all the young talent
1:30:16that was there was always going to be
1:30:19secondary to the legends and therefore
1:30:23you've capped. You're stuck. You've hit
1:30:26the glass ceiling every time. That's it.
1:30:28Can't go any further. And I I had
1:30:32already been out of this industry for
1:30:34several years. And if I was going to
1:30:36come back,
1:30:39let alone come back as the booker, let
1:30:42you know, head of creative, head of
1:30:44content, however you want to designate
1:30:46that role. I'm going to come back. I
1:30:49wasn't coming back to fail. and to book
1:30:54the legends tour to me.
1:30:58There was nothing else I could offer
1:30:59them. They they they had that already
1:31:01down pat. Mazav Zigazun,
1:31:03congratulations. But if you want my
1:31:06input, we're going in a completely
1:31:09different direction and and and it's
1:31:12going to be a different style and and
1:31:14and it's going to separate itself from
1:31:17what WWE is offering or all you're
1:31:19getting is WWE light. Yeah. And then
1:31:22after that, TNA entered some some dark
Thoughts on AEW
1:31:25years like the storylines were
1:31:28not great and I'm a huge TNA fan. For so
1:31:31long there was no competition in
1:31:33wrestling. Now there is is is wrestling
1:31:36in a better place now because AEW
1:31:38exists?
1:31:40>> Well, I certainly hope so. I mean, it it
1:31:44short changed
1:31:46the compensation packages for a lot of
1:31:48talent because there was a wolf across
1:31:51the river named Tony Khan
1:31:55that had a billion dollar checkbook that
1:31:58he could afford to pay a lot more money
1:32:02for talent than talent was making back
1:32:05in 2017, 2018, 2019. So, it it certainly
1:32:09changed the compensation
1:32:11for talent and
1:32:15they're on a viable network.
1:32:18They have a style that's different than
1:32:20WWE'se's.
1:32:22They present an alternative,
1:32:24if not a a a a competitive brand.
1:32:29Uh, I look at AEW and I realize the
1:32:33influence that ECW had on that project
1:32:38on on on that product. Um, not just like
1:32:42for example like Moxley is a total ECW
1:32:47Sandman New Jack style performer, but if
1:32:50you look at the AEW style, it's Rob
1:32:53Vanam versus Jerry Lynn from 1999.
1:32:56>> What a match. A AEW is RVD.
1:33:01And if if you were a fan of what RVD and
1:33:04Jerry Lynn were doing in 1999,
1:33:07a lot of what AEW presents today is
1:33:11derived and is influenced by what RVD
1:33:15and Jerry Lynn were doing back then.
1:33:17>> Well, that style went into like the PWG,
1:33:20which then became, you know, I think a
1:33:22basis for what AW is doing now.
1:33:24>> So, am I glad that they're there?
1:33:26Absolutely.
1:33:28Love the fact that there is an
1:33:29alternative for an audience. Uh love the
1:33:32fact that there's something else out
1:33:34there. Love the fact that there's
1:33:36something that captures the imagination
1:33:38of the pro- wrestling slash sports
1:33:42entertainment, if we still use that
1:33:44phrase today, uh audience. I'm I'm glad.
1:33:48I wish there were more promotions out
1:33:49there right now. It It's just going to
1:33:52make us work harder to be better than
1:33:54all of them. And we certainly have the
1:33:56advantage in terms of distribution and
Rumors of Vince McMahon funding ECW
1:34:00in terms of lineage
1:34:03of of this industry. For years, there
1:34:06have been these rumors online that Vince
1:34:08McMahon was funding ECW.
1:34:11What's the story there? And when did
1:34:13this begin? It's like a lot of stories
1:34:15coming out of ECW that they take on a
1:34:17life of their own.
1:34:18>> Yeah.
1:34:19>> And
1:34:22here's the truth of it. There there were
1:34:26three
1:34:29instances of a financial influx from
1:34:32WWE/Vince
1:34:33McMahon into ECW. No more than three.
1:34:36The narrative that ECW was secretly
1:34:40funded by Vince McMahon or ECW Vince
1:34:44McMahon or WWE is complete
1:34:47In 1996, I had a deal with Tommy Boy
1:34:50Records. I had been pirating their music
1:34:52on the air. Like most record labels, I
1:34:55got a cease and desist. I ignored the
1:34:58cease and desist. Then I got a a Dunning
1:35:01letter saying, "Stop this immediately.
1:35:03And by the way, we're preparing to sue
1:35:05you." I went in to meet with them
1:35:07without any lawyers on my side because
1:35:09if I could afford lawyers, I could
1:35:11afford a settlement. Told them, "Hey,
1:35:14here's uh here's the past year of
1:35:16finances for ECW. We're about to go
1:35:18bankrupt. you sue me, I go into an
1:35:20involuntary bankruptcy. Nothing I can do
1:35:22to help you or help myself. However, I
1:35:25do have this platform and a lot of
1:35:27people like our show. So, if you let me
1:35:29use the music and I give you commercial
1:35:32time on our show, cuz I own some of the
1:35:34commercial time uh uh throughout
1:35:37throughout the syndication of ECW, I can
1:35:40promote your music and you can let me
1:35:42use it and we can both win. And I did
1:35:45that with a lot of record labels to the
1:35:47point where
1:35:49in 2000, the biggest behind thescenes
1:35:53name in music, Jimmy Iave, who was the
1:35:56co-chairman of Universal Music Group at
1:35:59the time with Doug Morris, which was uh
1:36:01Geffen & Intercope, all under uh
1:36:04Universal Music, became the final
1:36:07investor in ECW before we went out of
1:36:11business. In terms of WWE, I had to deal
1:36:15with Tommy Boy Records for $1,000 a week
1:36:18for them uh to supply us with Whoop,
1:36:21there it is for Too Cold Scorpio.
1:36:24Every time he came out to the ring,
1:36:26you'd see that MTV style lower third,
1:36:28Whoop, there it is by this group, uh
1:36:30Tommy Boy Records. And then the very
1:36:33next commercial break in first position,
1:36:35we would either thank Tommy Boy Records
1:36:37while playing Tommy Boy music or we
1:36:40would have a commercial for the newest
1:36:43release by Tommy Boy music. $1,000 a
1:36:46week. Vince wanted Doug Furnace, Phil
1:36:48Lefon, Terry Gordy to be the
1:36:50executioner, and he wanted two Cold
1:36:52Scorpio to come to WWE as Flash Funk. I
1:36:55had no problem with any of those talents
1:36:57going to WWE. My problem was in losing
1:36:59Too Cold Scorpio. I could lose the
1:37:01thousand dollars a week from Tommy Boy
1:37:03Records. Vince said, I'll make that
1:37:05thousand dollars up to you. Deal. He
1:37:07didn't. His words, don't want to be like
1:37:09WCW. Just poach your talent and give you
1:37:11nothing back for it. Want to support the
1:37:13cause? Great. Need a,000 bucks a week.
1:37:15Okay, great. And if Tommy Boyd keeps
1:37:17paying you, you keep that extra grand.
1:37:20Great. The first check came was in my
1:37:21name. I sent it back.
1:37:24Please make it out to the parent company
1:37:26of ECW. HHC.
1:37:29We got $1,000 a week from November 1996
1:37:33till we filed for bankruptcy in March
1:37:362001.
1:37:37That was the $1,000 a week. In 2000,
1:37:41we got a $500,000 loan in July. The
1:37:46reason behind that was
1:37:49we had gone on TN in September 1999.
1:37:52Unbeknownst to us, TNN, which was the
1:37:54Nashville network, was becoming the
1:37:56national network. But what we didn't
1:37:58know was that they had already been sold
1:38:00to Viacom,
1:38:02which was the parent company of CBS.
1:38:05Viacom had already cut a deal behind the
1:38:07scenes with WWE for WWE to leave USA
1:38:11Network, which was then owned by Barry
1:38:13Diller, and go to TNN the next
1:38:15September, which became a big federal
1:38:17court case in Delaware.
1:38:20So, we were the guinea pig for TNN to be
1:38:25on the air and see how professional
1:38:26wrestling translates on their network,
1:38:29which was undergoing a massive overhaul.
1:38:32I knew 3 weeks into that agreement, this
1:38:34is this is going to kill us because all
1:38:36of our commercials, which was supposed
1:38:38to be spread out throughout the week,
1:38:39would air on our own show. So, I'm
1:38:43watching the show on Friday nights and
1:38:45there's our commercials instead of being
1:38:46on Monday nights, Tuesday nights,
1:38:48Wednesday nights, Thursday nights,
1:38:49Saturday nights, Sunday nights. And I
1:38:51called the president of of TNN. I said,
1:38:54"Why are our commercials airing on our
1:38:57own show?" And he said, "It's the target
1:39:01demographic."
1:39:04In other words, you. You're out of
1:39:05business and we're using you and you
1:39:08don't know why yet.
1:39:10So, at some point it became known that
1:39:14WWE was trying to move to TNN.
1:39:18And any analysis of the situation was
1:39:22TNN was the albatross around our neck
1:39:25that was going to sink us. And TNN was a
1:39:29gold mine for WWE
1:39:32because the licensing money for
1:39:35wrestling on television wasn't that
1:39:37great back then. And the tens and tens
1:39:40of millions of dollars that TNN was
1:39:43willing to give WWE was unheard of at
1:39:45the time. It was a huge deal. And at
1:39:49some point in putting us out of
1:39:51business, the bankruptcy trustee was
1:39:53going to end up suing TNN and WWE for
1:39:57having this deal while we were on the
1:40:00air with TNN. Whether it's torsious
1:40:03interference or whatever the claims
1:40:05would have been, it would have been
1:40:06another federal lawsuit against a
1:40:08publicly traded company in WWE.
1:40:14Back in 2000, there was an executive at
1:40:17In Demand whose name I will call out
1:40:19publicly named Dan York.
1:40:22And Dan York saw the fact that we were
1:40:24fighting for our life in terms of our
1:40:26network distribution on TN. Knowing that
1:40:30if we lose network distribution, the
1:40:33odds of us staying alive were now
1:40:35slimming down.
1:40:38Our pay-per-view money slowed down as
1:40:42well.
1:40:44So instead of getting all this money 60
1:40:47days, 90 days after the pay-per-view, we
1:40:49got a little bit 60 days and 90 days
1:40:51after the pay-per-view. And we even got
1:40:54a little less 120 days and 180 days. We
1:40:57supposed to be completely paid out by
1:40:59180 days. We weren't paid out 50% by 180
1:41:03days. So, we weren't getting our money
1:41:05out of out of in demand because they
1:41:08figured they could deal with the
1:41:09bankruptcy trustee instead of having to
1:41:12pay us. Now, they did the same thing to
1:41:14Bob Arum. Bob Arum had the resources to
1:41:17sue and wait a few years to get that
1:41:19settled. We didn't have the time. The
1:41:22clock was ticking on us. We booked a
1:41:25show at the Olympic Auditorium in Los
1:41:27Angeles, Heatwave 2000.
1:41:296,000 however many tickets. We sold out
1:41:32within the first hour and I didn't have
1:41:35enough money to put on the show.
1:41:39Our pay-per-views were successful enough
1:41:40that we did three the first year, 1997,
1:41:43four in 1998, six in 1999, and they
1:41:47ordered seven in 2000. It's $250,000
1:41:52just for the satellite truck and the
1:41:53satellite feed. So, the production on a
1:41:56pay-per-view show back then was at least
1:41:57$250,000 and all in close to a half a
1:42:00million dollars.
1:42:02and we didn't have it. We we couldn't
1:42:04clear payroll at the time. How am I
1:42:06going to put on that show? Meanwhile,
1:42:07I've sold 6,000 tickets in Los Angeles,
1:42:10but I can't get that money till after
1:42:11the show cuz Ticket Master holds it on
1:42:13till the show is over. Holds on to it
1:42:15till the show is over.
1:42:18I had a meeting with Vince. I looked at
1:42:20him straight in the face and I said, "I
1:42:22can't put on this show.
1:42:24If I can't put on the show, I'm going to
1:42:26be in breach of my contract within
1:42:28Demand. They're going to pull my
1:42:30pay-per-views, which means then we're
1:42:32dead in the water. I'll end up in
1:42:34bankruptcy and you'll be dealing with a
1:42:37trustee
1:42:38or you can loan me the money.
1:42:40>> And you had a good relationship with
1:42:41Vince at the time.
1:42:44>> Excellent. I had a great relationship
1:42:46with Vince until I went to work for him.
1:42:48[clears throat]
1:42:48>> Then he had me and that's when we
1:42:51started butting heads. And I and and I I
1:42:53can't complain
1:42:55ultimately wi-i with my run with Vince
1:42:58McMahon,
1:43:00but at first, wow, was it a difference
1:43:03in working for him instead of being on
1:43:06the outside and working with him.
1:43:08>> Um
1:43:11went to Vince, explained it to him, he
1:43:13looked, he said, "Well, you need a half
1:43:14million dollars." Yes. And to his credit
1:43:18for his shareholders, he said, "Well,
1:43:21I'll need a UCCc1." Which means he
1:43:23stands in front of all the other
1:43:24creditors, which means if we were to go
1:43:27into bankruptcy, the trustee would not
1:43:29have the ability to make the claim
1:43:32against Vince McMahon, WWE, TN, etc.,
1:43:36etc., because I've signed that away with
1:43:38the loan.
1:43:41So, he settles a case before it's ever
1:43:43filed for half a million dollars. that a
1:43:46half a million dollars bought us another
1:43:48seven months of being alive because we
1:43:50weren't going to survive that July
1:43:52without that half million dollars.
1:43:55So he we he did a secured priority loan
1:43:58for half a million dollars. At the very
1:44:01end Christmas week 2000
1:44:05uh when everything was dire. We had lost
1:44:08TNN.
1:44:09The money is now
1:44:12trickling in from in demand. Now in
1:44:15demand wants eight pay-per-views in
1:44:172001. We don't even have national tele.
1:44:23WWE says let's look at the books because
1:44:25Shane wanted to buy it.
1:44:28So Shane wanted to buy ECW and run it on
1:44:30its own. Vince said it's easier just to
1:44:34let it go into bankruptcy and we get
1:44:36Heymon.
1:44:38Shane still pushed and pushed and
1:44:40pushed. So for the accountants to take a
1:44:44look at all the books and to buy us the
1:44:46time not to be pulled into an
1:44:48involuntary bankruptcy by somebody,
1:44:51we will own $83,500
1:44:55to make payroll that week
1:44:58so that we can survive the week for WWE
1:45:02to look at the books. And those were the
1:45:05three payments. the thousand per week,
1:45:08every week through bankruptcy, the half
1:45:11million dollar loan in July 2000, the
1:45:14$83,000, I think it was 83 or 88,500
1:45:18in December 2000. There was no other
1:45:21payments made by WWE. There was no other
1:45:23secret funding. And this is all a matter
1:45:26of public record because it was a
1:45:29publicly traded company by this time.
1:45:31And it's all there and it's all in the
1:45:33bankruptcy papers. But never let the
1:45:36truth get in the way of a good story.
1:45:38>> Why didn't Shane end up buying ECW?
1:45:41>> Vince found it more valuable to have me
1:45:44in the As Vince would say, "I'd rather
1:45:46have Paul Heymon in the castle pissing
1:45:48out than out of the castle pissing in."
1:45:53It's the same move that that Apple made
1:45:56in buying Beats. Apple didn't need
1:45:59Beats. Apple wanted Jimmy Ivy.
1:46:03Vince McMahon was tired of me being out
1:46:05on my own, being an independent, doing
1:46:08my own thing. Decided we need Haymon and
1:46:12wanted Haymon involved. And to get
1:46:15Haymon, you had to at least secure the
1:46:18assets of ECW or promise the bankruptcy
1:46:22court to secure the assets of ECW so
Cutting off his ponytail
1:46:25that there's a curator for our library.
1:46:28And along with that
1:46:31comes Pauline.
1:46:32>> I grew up as a huge ECW fan. I was so
1:46:35used to seeing you with a ponytail.
1:46:38What's the story behind getting rid of
1:46:40your ponytail?
1:46:41>> I
1:46:43I don't know the story. Well, the story
1:46:44behind the pony cutting the ponytail was
1:46:47um
1:46:49when we did the Hell in a Cell with CM
1:46:52Punk and Ryback.
1:46:53>> Okay. And I was on top of the cell and
1:46:58Punk finally beat Ryback came up and
1:47:01beat me to death with a kendo stick and
1:47:03then hit me with a GTS on the top of the
1:47:06cell. I wanted Punk to cut my ponytail
1:47:09as the trophy to end the program. And at
1:47:13the last minute, Vince didn't want to do
1:47:14that. Just wanted GTS stand over me.
1:47:18Best in the world. And that's how we end
1:47:20it. And
1:47:25was going to take a few weeks off, come
1:47:27back at the end of the year with Brock
1:47:29and start the push towards Wrestlemania
1:47:3230, which was Brock versus Undertaker.
1:47:36And at some point, I just called Vince
1:47:38one day and said,
1:47:40"We're starting something new. We're
1:47:42starting something fresh. We're done
1:47:44with the CM Punk program. I'm cutting
1:47:46this ponytail off." And of course, Vince
1:47:49being Vince just said, "Oh, god damn.
1:47:51It's about time you did that. Jesus
1:47:52Christ. I had that ponytail for years.
1:47:54Oh, I wanted to cut it off. I wanted CM
1:47:55Punk to cut it off.
1:47:56>> But that would have been brilliant.
1:47:57>> I
1:47:59You should CUT IT OFF. OKAY. CAN I DO IT
1:48:01ON TELEVISION? NO. Just show up without
1:48:03it. I I don't know. It's It's uh
1:48:06[laughter]
1:48:09The ponytail took on a life of its own.
1:48:11>> Yes. And it just became, you know, a
1:48:14rebellious statement in the 1990s and
1:48:17then I just never got rid of it. Even
1:48:19long past the time that I should, you
1:48:21know, I look at pictures now, oh god, I
1:48:23I cringe looking at it, you know, and
1:48:25and my my kids point at it and laugh at
1:48:27me about it, not with me, but at me
1:48:29like, what what were you thinking? I
1:48:32wasn't, you know, it just it just
1:48:34becomes it becomes part of you. You
1:48:36know, even your flaws become such part
1:48:39of your personality that you can't
Viral photo of him not in a suit
1:48:40imagine yourself without it. And then
1:48:42finally, I decided not only to imagine
1:48:44myself without it, I I wanted to live
1:48:46life without it as well. We're so used
1:48:48to seeing you wearing a suit. But you
1:48:51posted this photo wearing a black
1:48:54t-shirt and people lost their mind. Did
1:48:57you realize the effect this would have
1:48:58on people?
1:48:59>> Well, I what happened was I I
1:49:03I don't remember what city I was in. was
1:49:05somewhere and I landed and I called to
1:49:08see where I could find a decent meal and
1:49:11there was a Morton that was still open
1:49:13and they had a back room. So I I I took
1:49:15the back room at the Mortons and I just
1:49:18come off a of a plane and I I I was
1:49:20wearing a black t-shirt and the guy that
1:49:23the manager of of the Mortons, we took a
1:49:25picture together and then he posted it
1:49:29and it started to pick up steam and I
1:49:31was like, "Oh, okay. Well, I might as
1:49:33well get the algorithm for it as well.
1:49:35So, I posted it, too, simply because it
1:49:38was going viral anyway. I didn't want to
1:49:41run away from it.
1:49:41>> It's like seeing Superman without a
1:49:43cape, you know?
1:49:45>> I I I I I don't know. I I I I try to do
1:49:49everything to uh to to uh enhance my
1:49:53presentation, and it takes a lot when
1:49:55you look like me. So, it's uh
1:49:57>> like people think you like go to the gym
1:49:59wearing a suit. Well, I do. [laughter]
1:50:03People think you sleep wearing a suit.
1:50:04>> And and and I do. We we we've we've shot
1:50:07some interesting opens for for the the
1:50:10the Haymon Hustle video series on our
1:50:13YouTube channel. uh where I'm I'm in the
1:50:15shower and and uh like we we were at the
1:50:18uh the MGM mansion in Las Vegas and and
1:50:21you're walking through this whole
1:50:22mansion with has a swimming pool in the
1:50:24room and and and and and and the virtual
1:50:27golf and and these you know and then
1:50:29nine dining rooms and finally you make
1:50:31it and and you hear me in the shower
1:50:33singing badly uh probably John Cena's
1:50:36theme song you [laughter] know
1:50:40and and and you know and you come in
1:50:42[laughter] and and I'm wearing the suit,
1:50:44you know, with the soap and and the
1:50:45shower going, you know, going
1:50:47[clears throat] down a punt on me. Uh we
1:50:49we we we we shot uh we shot one open for
1:50:52the Haymon Hustle where um I'm in a
1:50:55tanning bed with with, you know, with
1:50:56the goggles on in a full suit,
1:50:58[laughter]
1:51:00you know, and and and and and someone
1:51:01says, uh, you wear a suit in a tanning
1:51:04bed. Well, I wear a suit on television.
1:51:06I don't need to tan from from the from
1:51:07the chin down. Um, so yeah, [laughter]
1:51:10it's again it becomes part of the image,
1:51:13becomes part of the persona. It becomes
1:51:16how people uh
1:51:20relate to you and how they envision you.
1:51:23>> And seeing me outside of wearing a suit,
1:51:26Yeah. becomes
1:51:28uh
Getting sick after WrestleMania and still appearing on TV
1:51:30a shocking optic to people that they're
1:51:33just not used to and for some reason
1:51:37deem it to be newsworthy.
1:51:41>> You had an exceptional tan on TV for a
1:51:44few weeks. [laughter]
1:51:46What's the story behind this deep tan? I
1:51:49I was in I was competing with Bronn
1:51:51Breaker as to who could look more
1:51:53ridiculous with with with with with the
1:51:55with the uh self-tanner that we were
1:51:58employing. Actually, the time that I did
1:52:01that uh I needed it because I looked god
1:52:07awful at the time. Here's something I've
1:52:10never revealed publicly. Um and and it
1:52:12just goes back to how you approach this
1:52:15industry or performing in and of itself.
1:52:18When And I know the exact episode that
1:52:21you're talking about because it's it's
1:52:23it's a meme now. Yes. Where I I crashed
1:52:26out when I was talking to Jay Uso
1:52:28because Jay Uso said I screwed over the
1:52:30tribal chief. And it's like no, it's
1:52:32always my fault. It's always me me. But
1:52:35not this time. I'm I'm not the one. I'm
1:52:37not the betrayer. I'm not the double
1:52:39crosser. And that crash out was very
1:52:43real to me because at the time I always
1:52:47get sick right after Wrestlemania cuz I
1:52:49wear myself so down going into
1:52:50Wrestlemania. So I always get sick. I I
1:52:53always end up with a sinus infection or
1:52:56bronchitis or or something an an inner
1:52:59ear infection. Something goes wrong with
1:53:01me the week or two after Wrestlemania
1:53:04every single year. And
1:53:07at that particular moment I I got a
1:53:10kidney stone.
1:53:12There were several kidney stones. And in
1:53:15passing the kidney stone, it was so
1:53:18sharp
1:53:20it cut my urinary tract. Oh. And
1:53:26besides cutting my urinary tract, it
1:53:28left my urinary tract in a position to
1:53:30where I could catch an infection. And
1:53:34man, the last place you want an
1:53:36infection like that
1:53:38>> Yeah.
1:53:39>> is in the urinary tract cuz it's tough
1:53:42to get rid of. So now the urinary tract
1:53:45uh inflames, presses up against the
1:53:49prostate, irritates the prostate. The
1:53:52infection now starts to spread and now
1:53:56the infection is in the urinary tract
1:54:00and in the prostate and it's spreading
1:54:02through my system. I end up in the
1:54:05hospital. Uh shout out to White Plains
1:54:08Hospital because wow, they took
1:54:10wonderful care of me. I end up in the
1:54:12hospital and all I'm asking is, you
1:54:15know, I have to be out of here by Sunday
1:54:16night because I have to be on the jet on
1:54:18Monday to go to RAW. And they're looking
1:54:20at me saying,
1:54:23you have a very serious infection. I
1:54:25mean, they're bringing in people from
1:54:26like infectious diseases because I'm
1:54:29allergic to penicellin, number one. And
1:54:32number two, any antibiotics that they're
1:54:35giving me, none of them are working. The
1:54:37infection is getting worse. My
1:54:39temperature is rising. and the effects
1:54:42of the infection are taking hold, but I
1:54:46won't miss work. So, I checked myself
1:54:49out that Monday morning.
1:54:53I chartered a jet on my own to Raw,
1:54:57did Raw, flew on the WWE jet back to
1:55:01White Plains, checked myself back into
1:55:03the hospital, didn't tell anybody.
1:55:06Meanwhile, when I did that scene and for
1:55:10a couple weeks afterwards, when I would
1:55:12jet myself to RAW,
1:55:15take the jet back home, check myself
1:55:17back into the hospital.
1:55:19When I did that scene, I had a catheter
1:55:22and a pickline
1:55:25while you're on TV.
1:55:26>> Yeah. I don't know if you've ever had a
1:55:29catheter before. It's
1:55:30>> I have. It is rather uncomfortable. It
1:55:33is next to
1:55:35trying to book the rebirth of ECW in
1:55:382006. Perhaps the most miserable
1:55:41experience of my life. What a reference,
1:55:45>> man. And and a pick line.
1:55:49>> Wow. But there was work to be done and I
1:55:52wasn't going to miss work especially
1:55:54because we had just launched the vision
1:55:58and to miss television then would be
1:56:04abdicating my responsibility to that
1:56:08story. Who do you feel like you're
1:56:10accountable to there? You is it is it
1:56:12just you're accountable to your own work
1:56:14ethic there that you have to show
1:56:15>> accountable to the people that I work
1:56:17with. Bron Breaker.
1:56:19>> Surely they would understand. You're in
1:56:21the hospital.
1:56:21>> I don't care if they understand or not.
1:56:23I wouldn't understand it. That that
1:56:24that's that that's not the mission. I'm
1:56:26accountable to the audience that wants a
1:56:29coherent storyline. That it's been my
1:56:31audience for 40 years. I'm accountable
1:56:33to them. I'm accountable to Paul Le who
1:56:36depends on me to show up. They're
1:56:38ambulatory. Go to work. And I'm
1:56:41accountable to my own health.
1:56:44and going to RAW was better for my
1:56:47health than just lying in that hospital
1:56:50bed.
1:56:51Getting the medications put in me. The
1:56:5418 hours that it took to travel to Raw,
1:56:57perform, and travel back did more for me
1:57:01than any medication that was fighting
1:57:04off the infection because I love what I
1:57:08do. And the
1:57:12spiritually orgasmic high that I get
1:57:17doing my job was an adrenaline rush that
1:57:21I could not get inside the hospital. And
1:57:25that helps the healing process more than
1:57:29any medication than they possibly could
1:57:31have given me. What what's what what
1:57:33what's the thing that that that that you
1:57:35hear from people who have survived
1:57:37cancer and it was that positive mindset
1:57:39that got me through it. You know, I I I
1:57:41I I never I fought off a depression. I I
1:57:44I never let it get to me. You know, it's
1:57:46the first thing that they tell you. The
1:57:48mindset will carry you through this. And
1:57:52going to work was the greatest medicine
1:57:54that I could possibly inject into my own
1:57:57system because I love what I do. That is
1:58:01such a Paul Heymon story.
1:58:05I I think that's a positive, isn't it?
1:58:07>> Yeah. This is this is how passionate you
1:58:09are about what you do. I love it.
1:58:12>> But but but it gives back.
1:58:13>> Yeah.
1:58:14>> It it's it's not a one-way street. It's
1:58:16a it's not just me being altruistic to
1:58:18the cause. The cause has given back to
ECW Mount Rushmore
1:58:21me
1:58:22multiffold throughout my lifetime.
1:58:25>> Whenever I have someone from ECW on, I
1:58:27love to ask this question. And there is
1:58:30no one that knows ECW better than you,
1:58:32sir. Who would you put on your ECW Mount
1:58:36Rushmore?
1:58:42It's like a trick question because,
1:58:46you know, but besides being subjective,
1:58:48there is no real right answer. And the
1:58:50reason why is there are so many people
1:58:52that truly deserve to be on that Mount
1:58:55Rushmore. I'll put my false humility
1:58:58aside and say if you're going to do a
1:59:01real Mount Rushmore for ECW, well, I
1:59:04don't know who's more identified with
1:59:05the project with the product than I am.
1:59:08So, I think you have to put Paul Heymon
1:59:10on an ECW mail rush. Of course,
1:59:14I would be remiss if I didn't say
1:59:18the first act in ECW that was deemed to
1:59:22be revolutionary was Saboo.
1:59:25How could you have an ECW Mount Rushmore
1:59:27without Saboo? But how could you have an
1:59:30ECW Mount Rushmore without the Public
1:59:31Enemy? How could you have an ECW Mount
1:59:34Rushmore without the franchise Shane
1:59:36Douglas? How could you have an ECW Mount
1:59:39Rushmore without Rob Vanam? How could
1:59:41you have an ECW Mount Rush Mount
1:59:43Rushmore without the Dudley Boys? If you
1:59:46have the Dudley Boys on ECW Mount
1:59:49Rushmore, how could you not have New
1:59:51Jack? If you have New Jack on the ECW
1:59:55Mount Rushmore, how could you not have
1:59:57Joey Styles?
1:59:59If you have Joey Styles on the ECW Mount
2:00:01Rushmore, how could you not have Raven?
2:00:04If you have Raven, how could you not
2:00:05have Tommy Dreamer?
2:00:08There are so many people that truly
2:00:11deserve to be on the ECW Mount Rushmore.
2:00:16I'll say this, let's argue over the
2:00:19three.
2:00:20So, Paul Heymon and the other three.
2:00:23No, even me. Let's We can always debate
2:00:28Paul Heymon, Sandman, Public Enemy, Joey
2:00:32Styles, Tommy Dreamer, Todd Gordon, uh,
2:00:37Francine,
2:00:38uh, Bula McGillicuy, Shane Douglas, Taz,
2:00:43etc.
2:00:46One spot to me is taken. That's the one
2:00:49spot. The fans,
2:00:52the audience.
2:00:54The audience was the greatest character
2:00:57in the history of ECW. The audience was
2:01:00the most vocal performer in the history
2:01:03of ECW. And to this day, the audience is
2:01:08what keeps the letters ECW alive. Paul
2:01:12Heymon walks out. Yes, there are people
2:01:14that will chant ECW, but when you see
2:01:17Paul Heymon, the majority of the
2:01:20audience doesn't think ECW. The majority
2:01:23of the audience thinks The Vision or
2:01:26they think Brock Lesnar or they think
2:01:29Roman Reigns and the Bloodline. That's
2:01:32the audience's perception of Paul
2:01:34Heymon. When you see these other
2:01:37characters from ECW, you think of their
2:01:40time. Uh ECW went out of business in
2:01:422001 with 25 years after the fact.
2:01:46>> And still when Tommy Dreamer goes out
2:01:48there, when Saboo would go out there in
2:01:50recent years, Rob Vanam, the list goes
2:01:53on and on and on. AC Dub, AC Dub.
2:01:55>> And that's the audience.
2:01:56>> Yeah.
2:01:57>> The audience was the greatest character.
2:01:59And and it all happened on the show in
2:02:03February
2:02:051994
2:02:06when we did Terry Funk versus Shane
2:02:09Douglas.
2:02:11versus Sabu in in what became known as
2:02:14the three-way dance. And that was the
2:02:17night the line was crossed. And we did a
2:02:201-hour draw amongst the three of them.
2:02:23And as the bell rang and it was
2:02:27announced that, you know, it's reached 1
2:02:29hour and then the referee made the
2:02:33decision and told the ring announcer,
2:02:35"It's a draw."
2:02:38and the whole audience stood up and
2:02:40chanted ECW.
2:02:43And that had never happened before. The
2:02:46name of the promotion was never the
2:02:48chant. And that took on a life of its
2:02:51own. So the audience in ECW could make
2:02:54or break a star. The audience in ECW's
2:02:57reaction became
2:03:01the holy grail. The audience's reaction
2:03:04in ECW became what everyone else in the
2:03:06industry was searching for. And the
2:03:09chant, the name of the promotion in and
2:03:12of itself was so different and could not
2:03:18possibly have been manipulated by us.
2:03:21There was no way for us to cause that to
2:03:24happen. The audience did it on its own.
2:03:27And for that on any Mount Rushmore or
2:03:31ECW, we can talk about Paul Heymon or
2:03:34the Sandman or Shane Douglas or Raven or
2:03:38Tommy Dreamer or Taz or the Dudleys or
2:03:40Rob Vanam or Sabu or Joey Styles or our
2:03:43production team of Ron Buffone and
2:03:45Charles Braz all we want.
2:03:48We can debate those three. The one
2:03:51constant, the one the the one bust on
2:03:55Mount Rushmore for ECW, the fans. Our
2:03:59audience, the ECW audience deserves that
2:04:02more than any of us can claim.
2:04:06>> Mr. Haymon, this has been such an
2:04:08enjoyable conversation. This is the
2:04:09longest episode of Insight that we've
2:04:11ever done, and I feel like we could talk
2:04:13for 12 hours.
2:04:14>> Babble too much [laughter]
2:04:15>> because you have the best stories. You
2:04:17see, everyone hears for those of you
2:04:19watching at home, just trust me,
2:04:21everyone hears one like this. Yes,
2:04:22you're babbling. [laughter]
2:04:23>> This was amazing. And I feel like we
2:04:25need to do a part two and then a three
2:04:27and then a four. If you'd be so kind one
2:04:29day down the road. But I'll ask you the
3 things Paul Heyman is grateful for
2:04:31question I ask everybody at the end cuz
2:04:33gratitude is such a huge part of my
2:04:35life. I wake up every day. I say out
2:04:38loud three things I'm grateful for. My
2:04:40wife and I do it before we go to bed as
2:04:42well. So, Mr. Heymon, what are three
2:04:45things you're grateful for right now?
2:04:54my children
2:04:59health
2:05:03and their understanding
2:05:06that
2:05:10I have these dreams that I continue to
2:05:14pursue
2:05:16and that when I achieve one of those
2:05:18dreams,
2:05:19I'm going to think of a new dream to go
2:05:22after and enjoy that pursuit as much as
How much longer he wants to work in wrestling
2:05:27all the other dreams before that one.
2:05:30But it starts with my children and their
2:05:34health because without that there's
2:05:37nothing.
2:05:37>> I love that. You think about how much
2:05:39longer you want to do this.
2:05:42>> Yes.
2:05:43>> How much longer?
2:05:45>> Forever. [laughter]
2:05:52I love this.
2:05:55I I enjoy this. I I I I love the writing
2:05:59that I get to do in the long-term
2:06:01meetings when I'm pitching stuff for
2:06:03Saudi mania, the mania after Saudi,
2:06:06etc., etc. I love working with talent. I
2:06:10love I love the directing
2:06:12>> and from what I've heard, they love
2:06:13working with you.
2:06:15>> [snorts]
2:06:16>> I get as much out of it from them as
2:06:18they get out of it from me. Uh, I love
2:06:21performing.
2:06:22I still love it. It's still a high. It's
2:06:25still a challenge. It's it's still a
2:06:28joy. And and and and and I don't want to
2:06:30stop doing that. Uh and and and I love
2:06:37the everchanging industry
2:06:40and and and trying to do things that are
2:06:44evergreen instead of just for the moment
2:06:48and a moment in time. ECW is very much a
2:06:51product of of the 1990s and some of it
2:06:54holds up today and a lot of it wouldn't
2:06:57uh just in terms of the fact that a lot
2:06:59of it wouldn't be culturally acceptable
2:07:01today.
2:07:02So
2:07:04I uh I I get to pursue these dreams and
2:07:09and I get to work with people that I
2:07:12admire and and that I respect and that I
2:07:16like. And I get to do it on a level that
2:07:20I can be proud of and create and
2:07:24participate in a body of work that I can
2:07:27look back on and say, "Yeah, yeah, no
2:07:31regrets on that at all." Uh,
2:07:35tell me someone who has a life as
2:07:37blessed as mine. You know, again, my
2:07:41children are healthy. It starts with
2:07:42that. Everything else is relative.
2:07:44Besides the fact that my children are
2:07:46healthy, I have the greatest life in the
2:07:50world. I get to do something that I
2:07:52absolutely am passionate about, that I
2:07:56love doing with people that I love doing
2:07:58it with.
2:08:01>> Mr. Hmon, thank you so much.
2:08:02>> Thanks for your time.
2:08:03>> This was amazing.
2:08:04>> Pleasure.
2:08:05>> What a fun chat.
2:08:06>> Pleasure. These guys all
2:08:09[applause]
2:08:10>> see you're hearing this, but they're
2:08:11doing this. [laughter] Judgment.