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Quick and Easy Swampy Zenonesque-Style Bass with Serum

Dash Glitch · 1,215 words · 6 min read

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0:00what's up youtube so in my recent video

0:02about kick drums i posted a

0:04xenonesque style example quite a few of

0:06you guys were interested in how i did

0:08the bass

0:08for that example so i'm going to walk

0:11you through it let's dive in and have a

0:12[Music]

0:14look

0:17so just as a quick recap and show you

0:20guys a little bit of what i've kind of

0:21like added i've added this cool

0:23percussion groove thing to add a kind of

0:24like polyrhythmic

0:26type of thing to what i was busy working

0:28on but

0:29just to recap you guys i'm going to show

0:31you the example of what we are working

0:33on over here

0:44[Applause]

0:49[Music]

0:58[Music]

1:02so let's have a look at the space it's

1:05pretty simple

1:06um i'm going to show you guys how we

1:08create such a thing so what i'm going to

1:10do

1:10quickly is jump in and add a blank

1:13instance of serum over here

1:15and we can dive in and start creating

1:17the sound

1:18so what i did was i actually straight

1:20off the bat went to

1:22basic shapes turned the random down

1:25so that the phase is triggering the same

1:27every time and then switch the wave

1:28table position over to the saw wave so

1:30we are now creating

1:31a basic shape's saw wave i'm going to

1:33quickly show you guys the midi and then

1:35we're going to dive into a little bit

1:36more of the

1:37sound design elements that are going on

1:39over there so let's just copy this

1:40across

1:41and we can dive in and have a look

1:43quickly at what

1:44what's going on and what particularly

1:46makes this special uh

1:48with regards to most kind of other

1:50traditional cytrons that we know

1:52with the kind of a galloping bass line

1:54so as you see here

1:55there's a kick and a bass playing at

1:57exactly the same time

1:59which is kind of like sacrilege within

2:00cytrons but whatever

2:02um it suits this groove of this kind of

2:04style so every second one is kind of

2:06like

2:06shifted one off so it kind of like gives

2:09this like slightly

2:11off time syncopated groove where you've

2:14got like this

2:15one that's on the kick and one that's

2:17slightly off the kick

2:18and they're both side chains so you

2:20don't really notice that it's on the

2:21kick but

2:22um you will you'll get the vibe when we

2:24start creating the synth

2:25uh when we start creating the sound and

2:27soloing it and stuff

2:29and then here at the end of the bar

2:30we've got a little bit of a portamento

2:32thing going on

2:32there so for those uh who are wanting to

2:35copy that midi you can pause the screen

2:37over there and do that but let's just

2:41dive into this uh sound design over here

2:44real quick and we can start

2:45recreating the actual pad so the patch

2:47itself is pretty simple uh what we're

2:48going to want to do first off

2:50is turn the octave down one and then we

2:52can

2:53hit mono legato and give it a little bit

2:56of portamento

2:57so that's going to give it that kind of

2:58like slidey motion at the end of the bar

3:04so here what we can do is we can apply a

3:07filter we can turn it up a

3:09couple to mg low 24 we can turn this

3:11down quite a bit

3:18okay so we're getting there um what

3:20we're going to want to do here though

3:21is let's put on a lfo tool um so we can

3:24create a side chain pattern i'm just

3:26going to check what we had

3:28in the previous example so it was

3:30something like this

3:32uh let's just copy this one over like

3:33this

3:35so at about

3:39a third of the way across we go all

3:42out and then down a little bit like that

3:44sort of that kind of shape

3:49so here um i did something interesting

3:51with the

3:52actual kind of like fft harmonics as you

3:55can see here let's actually just pop

3:56this over here

3:58and i boosted some of the kind of like

4:00mid-range harmonics over there

4:02just to kind of like you know give it

4:04extra mid-range

4:06i think it was like the third and fourth

4:08or something like that

4:13so it gives it that kind of like

4:15mid-range grindy texture

4:23so here what we can do is we can give it

4:25another envelope just to give it a

4:27little bit of pluck

4:28or a little bit of movement over the

4:30kind of like duration of the sound

4:32um we can play with it here we can be

4:34experimental you don't have to do

4:35exactly what i'm doing here

4:45that kind of accentuates that kind of

4:47like offbeat you know where we shifted

4:48that one note slightly off it

4:50accentuates

4:51that part of it

5:08so

5:21[Music]

5:22so

5:44[Music]

5:52so i'm just going to add some

5:53compression inside serum here just to

5:54bring the level up a little bit

5:56and that's about it from the serum side

5:58of things so i want to dive into what i

6:00did in terms of the processing

6:02here i'm actually just going to drag

6:04this instance over

6:06onto this channel and we can have a look

6:07at it because it might be

6:09getting a little bit advanced to

6:10recreate that whole thing so let's just

6:13pop this over here

6:14before the lfo tool i can enable it and

6:16we can open it up over here

6:18so i basically was trying to create a

6:19kind of like mid-range or high-mids kind

6:22of like saturation system

6:24and then add a bit of this kind of like

6:25disperser to the kind of lower mids

6:28so what i actually want to do is

6:31so this is only mixed to about 30

6:33percent i want to

6:35turn this all the way down so we can

6:36just focus in on what disperser is doing

6:39here

6:39and i actually want to turn this up so

6:40you can really hear what's happening

6:54it's kind of like smearing that like

6:56lower mid range kind of like it's

6:58kind of making it more rounder rather

7:00than boxy if that makes sense

7:02but i feel like it was too drastic so i

7:04just mixed it down a little bit

7:37same thing with this uh saturated i feel

7:39like i changed the patch a little bit in

7:41terms of those envelopes i can actually

7:42reduce this amount of

7:44mix because we're adding more kind of

7:45like mid-range harmonics in the sound

7:48we don't have to add it with the

7:49saturator afterwards but anyway that's

7:51about it in terms of the base there

7:54then the rest was a slight equalization

7:56i added a 20 pass and then removed some

7:58of the mid-range over here

8:13[Music]

8:22[Music]

8:24awesome i hope you guys enjoyed that let

8:26me know what you think in the comments

8:27i'm going to be posting this preset to

8:29my patreon for all my five dollar

8:30supporters

8:31so if you wanna know what that's all

8:32about check out the link that's gonna be

8:33in the description

8:34if you like this video hit that like

8:35button but yeah also if you haven't yet

8:37hit that subscribe button

8:39and see you guys next time cheers

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