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Lecture 25: ‘Ageing-Into Disability’:

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0:17Hello everyone. I welcome you once again

0:19to my course Introduction to Medical

0:20Humanities. This is

0:22the lecture 25 and this is the final

0:25lecture of uh week five.

0:28Uh in this particular lecture, I am

0:31going to talk about a very important

0:33concept called aging into disability.

0:36What does this mean? This means that

0:38something which is a natural phenomena

0:41of aging, how when that happens, that

0:45also acquires a different kind of

0:48meaning of disability within the social

0:51model of disability. And for that, I

0:54will analyze two texts, Geetanjali

0:57Shree's Mai and Tomb of Sand.

1:01Quickly, uh

1:02uh what I will be doing in this, we will

1:04begin with understanding the primary

1:06text further looking into social

1:07construction of aging and disability,

1:10gender dimensions of disability,

1:12disability and marginalization, and

1:15attempt to understand what embodied

1:17vulnerability means in old age.

1:22So, uh when you look at uh I mean, this

1:25particular slide, there are two

1:27uh

1:28novels that are mentioned here. Let me

1:31briefly introduce you the author.

1:33Geetanjali Shree, you must have heard of

1:35her name uh

1:37uh specially in the context of winning

1:40the Booker Prize. She won Booker Prize

1:42for her book

1:44originally written in Hindi as Reth

1:46Samadhi, which was translated by Daisy

1:48Rockwell in 2022 as Tomb of Sand, the

1:52one we are taking up for analysis. And

1:54uh she is a Hindi language novelist and

1:58short story writer.

2:00If we begin with My Silently Mother by

2:04Geetanjali Shree, what immediately

2:07strikes us is the narrative quietness.

2:11On the surface, the novel seems to tell

2:13the story of a mother in a traditional

2:15family.

2:16But if you see it from her daughter's

2:19point of view, Sunaina, the mother My

2:23appears passive, self-effacing, and

2:26almost voiceless. She cooks, she serves,

2:30she does all kinds of chores, she

2:33adjusts, she absorbs. And from the

2:37daughter's perspective, this silent is

2:40very puzzling and frustrating.

2:43Now, if we turn to Tomb of Sand,

2:46again by Geetanjali Shree, we see

2:48something fascinating. It feels almost

2:51like a creative and thematic expansion

2:55of concerns raised in My.

2:58But this time, the protagonist refuses

3:01to be silent. Here, we meet an

3:0480-year-old widow who does something

3:06culturally radical. She refuses to

3:09shrink. So, she's very flamboyant. So,

3:13if you read both the novels, they look

3:16like a contrasting picture of an aged

3:18woman.

3:19My,

3:20if on your screen, My depicts the mother

3:24as a bent bowed figure indicative of her

3:28physical burdens or those imposed by

3:30nature.

3:31Her hunched posture serves as an image,

3:35a metaphor for years of labor and

3:37sacrifice, later verified on a doctor's

3:40note indicating that her spinal discs

3:42had deteriorated from the strain on her

3:44body.

3:45She was always giving of herself while

3:48taking nothing in return, and therefore,

3:51her exhaustion is visible but

3:53unacknowledged.

3:55For women like Mai, these social scripts

3:57require a kind of a virtuous endurance

4:00in which they are valued for caring for

4:02others and maintaining the family while

4:05suppressing their choices. Rajeswari

4:08Sunder Rajan demonstrates how such

4:10external expectations become

4:12internalized, become part of woman's

4:15identity, and their ability to imagine

4:18what is possible for their lives. So,

4:21when Mai cares for others, we find that

4:25her own children are

4:27very empathetic towards her. They drive

4:30to relieve her of the emotional and

4:33physical weight she's carrying on her

4:35shoulder of the family that she's uh

4:39bearing all the time, and the children's

4:42loyalty to their mother hence is

4:45developed in an unspoken mission.

4:48They not only perceive themselves as her

4:51protectors, wishing to save her from all

4:54that is coming to her, but eventually

4:57narrative reaches a point in which

5:00children understand Mai as weak, a

5:04puppet, and they see her fragility and

5:08express their intense desire to kind of

5:10free her from

5:12uh the prison of life. The

5:15Tomb of Sand

5:17in this, the presence of Mai's physical

5:21decline is not just about age or

5:24illness. It feels like the body has

5:27finally given in the years of silent,

5:31unacknowledged labor.

5:33For decades, she has been the emotional

5:36and domestic anchor of the household,

5:38always alert, always responsive. So, the

5:42constant kind of caregiving leaves its

5:45imprint, but when her vigilance gave way

5:48to fatigue, it feels cumulative as

5:52though the strain of lifelong service

5:54has finally settled into her bones. Her

5:57decline exposes how closely her identity

6:00was tied to usefulness, and widowhood

6:03reveals her real sense of self that had

6:06been structured around being a wife and

6:08caregiver. With the loss of her husband,

6:11she loses the purpose that was tied to

6:14her home and family, and soon this takes

6:17a toll on her physical and psychological

6:20health, and in that very sense, her

6:22identity gets disrupted.

6:26When you

6:27discuss both these terms, aging and

6:29disability, with aging, we usually begin

6:33with the body.

6:34Generally, uh the strength the physical

6:38strength and the cognitive sharpness of

6:42the body begins to shift as the aging

6:45comes. Uh scholars like Michelle Putnam

6:48and Christine Bigby describe this

6:51process as aging into disability,

6:54suggesting that aging is not always a

6:57sudden rupture, but a gradual movement

7:00into states of reduced ability.

7:03Mobility may decrease,

7:05memory may become fragile, chronic

7:08illness may develop, and everyday tasks

7:10that felt very natural and easy become

7:13like a cumbersome task. But what is

7:16important here is the biological change

7:19that is happening. It's that change

7:24that hinders the independence of the

7:26person. When functional abilities start

7:29to decline, you find that your autonomy

7:32is threatened. The ability to decide

7:36when to step out, what to eat, how to

7:39spend one's time,

7:40even how to narrate one's story, all of

7:43these become slippery.

7:46Personal choices narrows, and

7:48self-expression becomes mediated through

7:51caregivers. And because identity is so

7:54deeply tied to agency, to the feeling

7:56that I act, therefore I am, this loss

8:00can be emotionally devastating.

8:02The difficulty that we often interpret

8:05these changes purely through a medical

8:07lens.

8:08We then see

8:10aging as pathology, as a collection of

8:13symptoms to be managed, treated, or

8:15controlled. Therefore, when you come

8:18across this loss of

8:21functional ability, you see that the

8:23independence of personal choice,

8:26self-expression, and sense of identity

8:29all get compromised with the process of

8:32aging and become like a disability. This

8:36whole anxiety, which is

8:39there, in depending on others, becomes

8:42problematic. And And the internal

8:44experience of aging becomes not only

8:47about failing organs, but about

8:50negotiating identity.

8:53When you uh talk about how aging is

8:55constructed in

8:58society, you see that there is a very

9:02crucial aspect to it.

9:04Now,

9:06as discussed earlier, disability is not

9:08located in the body.

9:11Tony Sibers remind us that society

9:14actively constructs what disability

9:16means.

9:17The design of public spaces, the

9:19impatience of family members, the

9:22invisibility of older people in media

9:24and institutions, all these shape how

9:28aging is lived.

9:30So, an older person is not just

9:34physically weaker,

9:36they are also socially repositioned,

9:39subtly told that they do not matter

9:42either or they matter less.

9:45So, in Indian context is all the more

9:48layered. And why? Because ours is a

9:51culture which publicly reveres elders in

9:55rhetoric, yet increasingly prioritizes

9:58youth, speed, productivity in practice.

10:02Older individuals who cannot contribute

10:05economically may begin to feel like

10:07burdens.

10:08And therefore, when mobility decreases

10:11or memory falters, their presence in the

10:14household can shift from central to

10:17peripheral.

10:18And they start

10:20depending on others, and this may lead

10:23to some kind of marginalization.

10:26The interactions also become

10:28transactional. Like, they have to be

10:30fed, they have to be cleaned, they have

10:31to be given medicine. All these

10:35daily routine kind of things start

10:37happening, and there is nothing new

10:40which comes up. And that's why quite

10:42irritation or neglect can replace

10:45engagement.

10:47In such moments, what is at stake?

10:50It's not health.

10:52It's recognition. And therefore, the

10:55aging individual risks not being seen as

10:59a full person with desires and memories,

11:03but as a body to be managed. So, while

11:05aging certainly involves medical

11:08realities, it also carries profound

11:10psychological and social consequences.

11:14It challenges autonomy, reshapes

11:16identity, and exposes how deeply our

11:20sense of self is dependent on others. In

11:24this context, what has happened that

11:27because of this whole routine, the

11:30elderly person is just not so much

11:34visible because there is no productivity

11:37or less productivity attached to that

11:39person. It's a It's also aging body.

11:42It's probably having some kind of

11:44disease. So, all these when you look at,

11:48they diminish participation in

11:51community, but primarily it's the loss

11:54of dignity in certain sense

11:57because dignity is usually in tandem

12:00with how others respond to you, how

12:03others acknowledge your presence.

12:06The

12:07We I mean, in our case, uh the

12:09protagonist of both the texts are women,

12:12but you also see gender dimensions of

12:15aging and how this discourse happens in

12:19disability and leads to marginalization.

12:22So, older women usually will face

12:26more heightened form of marginalization

12:28because even other wise, uh their

12:31position They are usually less, uh you

12:34can say they age fast. The productivity

12:37is less and therefore when you think of

12:40the social dimension, they are usually

12:42marginalized. Now, disability, when you

12:45think of the gender dimension of

12:47disability,

12:49you also feel that in many societies, a

12:51woman's value has historically been tied

12:54to the roles she performs. But as she

12:58grows older, uh there is very little

13:01strength, physical strength that is left

13:04and therefore the roles that she was

13:06taking up as a young woman is actually

13:10slipping away. And once that happens,

13:13something troubling often occurs. What

13:16happens? That the same woman who was

13:19extremely central to the narrative of

13:21the family, who was holding uh together

13:24the family with her daily chores, what

13:27is happening, what is not happening,

13:29everything together. So, in nutshell,

13:31she was backbone of the family.

13:33Suddenly, she is useless and less

13:37central.

13:38So, age-related decline begins to mark

13:43her not just as an old, but also as a

13:46disabled other. You will find that the

13:49common experiences will include removal

13:52from traditional caregiving and

13:55household roles, confinement to beds or

13:57wheelchairs, neglect, disrespect, or

14:01emotional distancing. So, this

14:04loss of

14:06role and recognition

14:08creates a kind of a

14:10psychological void in the mind of these

14:14women. Something in their world shrinks

14:17physically as well when this whole

14:19mental thing starts happening. And along

14:22with this, there comes an emotional

14:23distancing that happens. Neglect may all

14:26not always appear to hostility, but

14:31uh

14:32lead to some kind of

14:34being quiet.

14:36Uh

14:37Uh so, uh in some cases, there is

14:40impatience or subtle disrespect that

14:43creeps into everyday interactions. The

14:46question

14:47that who am I now?

14:49is very pertinent and that is what these

14:53novels, both these novels, talk about in

14:56terms of nuanced understanding of these

14:58dynamics, which becomes essential to the

15:02understanding of how one ages into

15:04disability,

15:06and especially in the context of women,

15:08how older women uh experience uh

15:13the

15:14the process of aging in a particular

15:17society, in a particular family.

15:20Uh both the texts, uh, I will quickly,

15:23uh,

15:23use, uh, some excerpts from them and

15:26talk about the reflections. So, uh, when

15:29we look at the literary representations

15:32of aging, disability, and

15:33marginalization,

15:35what becomes striking is how the body

15:38itself becomes the narrative. Now, aging

15:42is not presented as an isolated medical

15:45event, but as something deeply

15:48intertwined with memory, gender, and

15:50social position. So, in Mai, l- Mai's

15:54life is shaped by constant caregiving

15:56and self-sacrifice. You come across,

16:00uh, her as somebody who has spent, uh,

16:04years and years tending service to

16:07everyone else, anticipating what someone

16:10wants, uh, some s- smoothing, uh, any

16:13kind of tensions that have come to the

16:15family, and absorbing the

16:17disappointments. Uh, but as she grows

16:20older, this exhaustion becomes more

16:23pronounced, more visible, accelerating

16:27how weak she is.

16:29And her aging body reflects that

16:32emotional and social burden very much.

16:36In

16:38the Tomb of Sand, we encounter an old

16:41woman moving toward a cold wall riddled

16:44with cracks. The cracked wall mirrors

16:47her aging body, fragile, fractured, worn

16:51down by time.

16:52The coldness of the wall suggests

16:54isolation, emotional distancing, and a

16:57withdrawal from warmth and engagement.

17:00What is particularly telling is how, as

17:02she ages, she shifts towards the margins

17:05of the domestic space she once

17:07sustained. The movement towards the wall

17:10feels like shrinking, just as

17:12physically, but also socially. Her

17:16refusal to stand or sit properly, her

17:19bodily immobility can easily be read as

17:22a sign of weakness. So, in both the

17:24novels, we find that aging and

17:27disability are not abstract

17:30connotations. They are textured embodied

17:33experience, which means that the body

17:36has experienced the process of aging in

17:39both the novels.

17:42Uh

17:42this is one concept I think is important

17:45to talk about in the discourse of aging

17:47into disability. What is embodied

17:49vulnerability? It refers to how

17:52fragility, aging, illness, grief,

17:55exhaustion are experienced and

17:59expressed through the body. So, for

18:01instance, aging may show up as trembling

18:05hands, slower walking, and joint pain.

18:08Now, grief may appear as sleeplessness,

18:11loss of appetite, or a stooped posture.

18:15Exhaustion may manifest as chronic

18:19fatigue, headaches, and irritability.

18:22Illness may shape daily routines like

18:25medication schedules, mobility

18:27restrictions, and increased dependence

18:30on aids help. So, if you look at all

18:33these points,

18:35they are experiences of the body.

18:39But, vulnerability is not this.

18:42Vulnerability is not simply weakness or

18:45loss of agency. As age-induced health

18:49challenge intensify and make this

18:52vulnerability more visible, often

18:55altering how the individual is perceived

18:57and treated within the family and

19:00society is what embodied vulnerability

19:03means.

19:04Meaning that all these symptoms that

19:08happen through the process of aging

19:11makes you vulnerable within the space of

19:14family and society. That is what it

19:17means. Now,

19:20additionally, when you think of

19:23uh the

19:24grief quotient within

19:27uh this, which I think is

19:29extremely important a point, you find

19:32that grief is not only in tears. So, it

19:36can be sleeplessness, like I said, it

19:38can be loss of appetite, or a stooped

19:41posture. So, the body starts signaling

19:44that it has endured more than what it

19:46should, and suddenly illness reshapes

19:50itself through the body. So, that is

19:53what you come across when you think of

19:56embodied vulnerability, especially uh in

20:00the context of old age.

20:02Now,

20:03I'm picking up a quick

20:06continuation of what I said earlier. So,

20:09the body is never just flesh and bone.

20:13What is it? It is shaped by expectation.

20:16So, if you go back when I was talking

20:18about social model of disability, I said

20:21that a certain kind of role is attached

20:24for

20:25the body's present. In this case, the

20:28aging body is getting, in some way,

20:32incompetent according to the social

20:34norms, social construction of how how

20:37bodies are. Therefore, in many

20:39societies, women are expected to

20:42continue care giving despite illness.

20:45So, when you uh think of embodied

20:49vulnerability, so

20:51vulnerability is also hidden, denied,

20:54sometimes dangerously ignored. Why?

20:56Because older adults are often expected

20:58to adjust quietly, to not complain, to

21:01not disrupt, to shrink their needs along

21:05with their mobility.

21:07Now, their vulnerability becomes

21:09something to manage privately rather

21:12than something family collectively

21:14holds. And then, we must think about the

21:17larger system. Modern society celebrates

21:20speed. To be valuable is to be working,

21:23earning, multitasking, and producing.

21:26So, you have quite a few things that are

21:30defining your productivity, which means

21:33that if you are constantly active, that

21:36is where your rhythm of the body lies. A

21:39dependent body becomes burdensome in a

21:42system that worships independence.

21:46But perhaps embodied vulnerability

21:48remind us that care is not optional. It

21:52is rather foundational. That

21:54interdependence is not failure. It is

21:57human. That slowing down can expose the

21:59myth that worth equals productivity. Is

22:03it is about visibility of pain, of

22:06endurance, of resilience. And when it

22:08trembles, slows, or aches, it is not

22:12simply breaking down. Rather, it is

22:14telling a story.

22:16Mai, in that sense, is

22:19a classic case of how she has suppressed

22:22her own needs for the family. And

22:26towards the end, you will find that her

22:29exhaustion is visible. And she's frail,

22:33and her movements are slow. And

22:35therefore, aging confines Mai to the

22:38margins of the household, signaling the

22:40erosion of her bodily autonomy and

22:42social utility. She's neither socially

22:46supposedly useful, nor she can do much

22:48of

22:50anything. And therefore, her physical

22:52incompetency interrupts the repetitive

22:55caregiving roles expected of her,

22:58asserting subtle agency through the

23:00body. And that's why, you remember I use

23:02the phrase her

23:04I mean getting rid of the life. So

23:06age-related decline heightens her

23:09vulnerability, making the family acutely

23:12aware of her physical limits and

23:13emotional exhaustion. So her

23:15deteriorating body

23:17reflects the cumulative cost of gender

23:19ex- expectations. So a woman who was

23:22holding her family at some point of time

23:24together, looking after just everything,

23:27the daily chores, the problems people

23:30had, the daily demands, expectations,

23:32now with health challenges exposes the

23:36systemic operation that has happened to

23:38her over a period of time.

23:40Similarly, in Tomb of Sand, we come

23:42across mother's aging body

23:44reflecting grief and loss,

23:47physically withdrawing from household

23:49roles while carrying the emotional

23:51weight of widowhood. So she has become a

23:54widow and she doesn't want to do

23:56anything further. She's taking a

23:59withdrawal from everything that she was

24:01responsible for, and we also find that

24:04health-related changes slow her

24:06movements,

24:07the daily rhythms, creating a disconnect

24:10from what society expects in terms of

24:14productivity and meaning-making of an

24:16individual.

24:18Her body limitations disrupt normative

24:21framework, rendering her less readable

24:23to family and society, challenging

24:25expected performativity. And this whole

24:30idea in which her body is kind of giving

24:33up leads to a physical decline and in

24:37which she refuses and resists rapid

24:40restoration to functional roles while

24:44needing explicit verbal defiance. So

24:47when you see the age-old deterioration

24:51surfacing the vulnerability that shapes

24:54family interactions, eliciting care,

24:57empathy, and awareness of her dependence

24:59while questioning establishing

25:01hierarchies, you find that the

25:04the children who have become caretakers

25:08are now looking after her. But, here is

25:11the paradox.

25:13Vulnerability here generates new forms

25:17of visibility.

25:19In my, vulnerability exposes the quiet

25:22gendered labor in Tomb of Sand,

25:25vulnerability disrupts normative

25:28expectations of mourning and aging

25:30femininity. In both the texts, the

25:34female body is not just

25:37declining, it is speaking and

25:40challenging

25:41the demand for constant emotional

25:44visibility. Thank you so much.

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