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Enunciation Proper Diction for the Singer

missjenchorus · 1,903 words · 9 min read

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0:03enunciation proper diction for the

0:07singer look at these

0:12singers what do they all have in

0:17common look how open their mouths

0:26are the first two slides are of popular

0:29singers on the radio UC Fel Justin

0:31Timberlake Christina Aguilera Luke Bryan

0:33the last slide here is of Sarah

0:35Brightman on the right she was the

0:37original Christine from Broadway's

0:39Phantom of the Opera and Adena Manel of

0:41Frozen's Let It Go rent and wicked's

0:47alphaba they are musical theater people

0:50and they've put a lot of emotion behind

0:51everything they

0:57sing what is diction the definition of

1:00diction is the clearness of a person's

1:02speech or in this case the clearness of

1:04their song enunciation what it means to

1:07enunciate means to pronounce the words

1:09or parts of the words very clearly but

1:12it's more than just

1:14words here's some tips from vocal

1:16coach.com

1:17most people know that diction is all

1:20about making your message understandable

1:21to the listener but for the singer

1:23there's a lot more stake than just the

1:25message there are vocal issues too

1:28issues like tone quality keeping your

1:30pitch and vocal stamina these areas are

1:33more impacted by the way you pronounce

1:35your words here's an example if you're a

1:38mumbler there's a good chance your LX is

1:41working over time to fix the unclear

1:43words coming out of your mouth it can't

1:46of course since diction has to be taken

1:48care of with lips tongue and teeth and

1:50ear in order to know what to listen for

1:53clearing up your diction will reduce

1:54your vocal stretch and make you a better

1:57singer another example if you have

2:00Sloppy diction when you record and

2:02depend on fixing in the mix then you're

2:05building some really bad habits sure

2:07it's true that our popular artists

2:08nowadays allow the music engineer to

2:10correct their pitches reduce the amount

2:12of s and t harshness even more than

2:16syllable within the phrase but some

2:18things are better being done correctly

2:20in real time every time plus it's

2:23healthier for your voice and makes a

2:24better performer

2:30so how can we get proper

2:32enunciation we start with our vowels and

2:34consonants as you know vowels are for

2:38sounds formed in the throat with the

2:39assistance of the tongue and mouth that

2:42would be a e i o u and Y sometimes

2:46vowels can be spoken

2:48alone we use them in our warm-ups all

2:51the time we might go

2:55a or

2:58E and so on

3:00a good singer must understand the

3:02difference between vowel sounds and

3:04consonant

3:06sounds consonants are formed by

3:08controlling the breath flow and the

3:10shape of the mouth and tongue consonants

3:13cannot be spoken alone examples are d t

3:18p c and

3:25b when it comes time to sing the vowels

3:28you always want to find the

3:30a for almost every vowel we can find the

3:33A and open up the

3:36sound let's go back to these girls

3:39remember Sarah and Adena they've got a

3:42very open vow here don't they The Vow

3:45opens up from all the way down into the

3:47throat way up through your jaw and then

3:50in your lips

3:53finally these look familiar don't they

3:56we have our vows here listed on the left

3:59on the right side as you cross through

4:01the arrows you'll find what these vowels

4:03may sound like in the words that we use

4:05in singing a the letter becomes a or a

4:11the harsh

4:13a e is either e or the harsh

4:17e i could be e or

4:21i o is an open o or an ooh like who like

4:27a little owl or U

4:30can also be o or

4:37o let's look at these lyrics from lamees

4:40on my own in the Rain the pavement

4:44shines like silver all the lights are

4:47Misty in the river above the text you

4:50will see in blue the vowel open sounds

4:55so let's go through here in becomes n

4:59the the rain a the

5:05P shines like

5:09s so we've opened up each of these

5:12letters in the lyrics to these open

5:15vowel sounds we talked about right

5:19here here we have all the lights

5:25are n the r

5:30and I sound silly when I'm speaking it

5:32but when I sing this it sounds very

5:35clear

5:38and the pavement shines like

5:42silver you can hear me saying each of

5:45these vowels but it doesn't sound as

5:47funny as when we said shines like silver

5:50does

5:53it once you figure out how to do these

5:56vowels in the separate ways you'll then

5:58create a whole new language of text so

6:01here is the full verse that we were

6:03singing um we'll compare here the blue

6:05line which is our new vowel text with

6:10the original lyrics in white so we have

6:14in the

6:16Rain the pavement shines like

6:21silver so we've just connected all of

6:23the rest of the letters that we left

6:25behind in this

6:28slide to make silver silver

6:33silver all the lights are Misty in the

6:39river and so on take a few seconds to

6:42look at this yourself and say it out

6:44loud in your

6:50head be sure to look at the Blue Line

7:04so we'll go ahead and move to the next

7:06slide what do we do with the or the

7:10There are rules for the

7:12orth if you're going to use

7:15the you're going to say it before a

7:18vowel so you'll say it the

7:23Apple the airplane the

7:27elephant the comes before a consonant

7:31the river The

7:36Starlight here we've highlighted all of

7:39the these in this line from lay is we've

7:43just sang and we've changed them all to

7:45the to open it up so we don't want to

7:48say in the Rain the pavement it takes

7:51too long for a

7:53singer how about the

7:57endings a very common ending to a word

8:00is Ing we always want to open up the ing

8:04here's three different lyrics from three

8:07different

8:08musicals for your different

8:11examples I'm Singing in the

8:16Rain I wna see

8:19dancing and from L is again when

8:23everybody else is

8:25sleeping you see how we've opened up in

8:28where we would have sing

8:30dancing and sleeping other words are

8:33ringing running feeling they all have

8:36this ing sound but it can sound very

8:44closed how about the letter R that's

8:46another very common ending or middle

8:51consonant sha has some thoughts on music

8:53Ministry coach.com for the letter R she

8:56says Never sing the letter R before a

8:58consonant

9:00so think about the word charm in two

9:02ways first like you normally say it

9:04charm

9:06arm arm then with no arm charm now if

9:10you sing the word without the r with an

9:13open throat it becomes clearer CH it

9:16still sounds like I'm saying the

9:18r another is do not use the letter R

9:21before a pause so a pause could be

9:23considered a spot where you would

9:25Breathe or you come to a stopping or

9:27resting point in the music take out the

9:30r before the pause results in a good

9:32tone and naturalness so let's say the

9:35phrase when life is

9:37over but now let's say it without the r

9:40when life is over we become

9:45over let's try singing the phrase when

9:48life is over it doesn't sound funny when

9:52we sing it another example is fire

9:55versus far just soften those RS as you

9:58sing them

10:01another rule is to always sing the r

10:04before The Vow it's pretty much

10:06self-explanatory but some examples are

10:09Spirit which without the r becomes spit

10:12that doesn't make any sense and for us

10:15without the r becomes F us you see why

10:18the rule speaks for

10:21itself another important sound to carry

10:23in your song is completing your endings

10:26D's and T's are great examples of

10:28letters that have to have a a clear

10:30ending we'll also talk about in the next

10:32slide how to listen for the different

10:34sounds of our letter s we can either

10:36have a snaky s or the z

10:43s let's look it on my own again there

10:46are many T and d s and Z Sounds in this

10:50little snip you'll even see our R and

10:52Val examples here let's just read it in

10:56the Rain the pavement shines like silver

10:59all the lights are Misty in the river in

11:01the darkness the trees are full of

11:04Starlight and all I see is him and me

11:07forever and

11:10forever now take a few seconds to read

11:13through this in your mind and try to

11:14figure out what the lyrics are now

11:16Rewritten it looks like a completely new

11:19language doesn't it

11:40as you continue to read notice how we've

11:42taken the important endings and bolded

11:45and underline them these are the words

11:47that have to be closed and complete to

11:49keep them from sounding unfinish so if I

11:52was going to sloppily read the third

11:54line it would sound like all the lies

11:56are Missy in the river

12:03now with you adding your TZ and your m t

12:06sound you're opening the beginning of

12:09the word and closing it very clearly all

12:11the lights are Misty in the

12:16river try to say this part of the song

12:19in your head knowing our new enunciation

12:21language overexaggerating every syllable

12:42now speak it over exaggerated in your

12:44mind I have Rewritten it for you

12:47here and I know it's only on my mind

12:52that I'm talking to myself and not to

12:56him and although I know that he is blind

13:01still I say there's a way for

13:06us did you notice in this text how we've

13:08combined a few words to accident a

13:10certain sound look at and I know here at

13:13the beginning and I know we've combined

13:18the and and the word I to be creating

13:22and die it clarifies the two words

13:25sometimes you can take the end of and

13:27and move it to The Vow behind behind it

13:29on the next word and make it sound like

13:32this again in the second line that time

13:36talking to myself and not to him we've

13:40broken not to

13:43him as not to him instead of having two

13:47T's here we can say not to him not to

13:52him even though this might sound really

13:54silly I do want you to try this at home

13:57Begin by looking at yourself in a mirror

13:58and Li sinking the words to a song no

14:00sound but moving your lips face and

14:02tongue it will help you get in touch

14:04with all of the muscles involved in good

14:06diction then still with no sound be even

14:08more expressive as you sing the song and

14:11memorize the feeling of good diction and

14:14expression try to duplicate it once

14:16you've done these exercises and really

14:18actually sing it along with the

14:20music the more you practice this on your

14:23own the more you'll feel comfortable

14:24doing it in front of a group when

14:25singing pretend the queen has come for

14:27tea and use a British ACC ENT when

14:29practicing memorizing your lyrics by

14:31reading them aloud even going overboard

14:33and making yourself sound silly helps by

14:35going too far then you're able to bring

14:37yourself back to a balance you just have

14:39to realize that opening your mouth is

14:41the starting point to proper diction and

14:44being understood in performance

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