How to Use Seedance 2.0 on Venice Studio (Full Guide)

0:00The Venice Studio is here.

0:01And in this video, I'm

0:02going to show you how it works

0:03and we're going to

0:03make a fun little project.

0:04You can access the Venice

0:05Studio in the sidebar here.

0:07Just click Studio.

0:08And what you'll see is that we have

0:10individual workspaces

0:12for generating images,

0:13editing images, generating audio,

0:16generating video with an optional cue,

0:19which we'll get into,

0:20editing videos into movies

0:22on a timeline, add in titles,

0:25transitions, subtitles, text.

0:27And then finally, you'll see a library

0:28of all your media

0:29assets that you've generated

0:31that are being stored on

0:32your browser through Venice.

0:34And the most exciting part about the

0:36Venice Studio right now

0:37is Seedance 2.0.

0:38So we're going to use the

0:39most powerful video generation

0:41model on the market here

0:42to make a fun little video.

0:58[MUSIC PLAYING]

1:01[MUSIC PLAYING]

1:26So to get started on making a video

1:28harnessing all the power

1:29of the Venice Studio, first

1:30we need some reference images.

1:33Well, we're going to need an idea.

1:34So in order to do that, I'm just going to

1:36head over to the Venice

1:36chat real quick.

1:37And I'm going to use the newest open

1:39source model GLM 5.1.

1:42Help me create a video

1:44treatment for a 30 second cinematic

1:49trailer with multiple shots and one

1:53protagonist character.

1:56I need a full

1:57description of our character.

2:00Let's say a science fiction cinematic

2:02trailer, of course, right?

2:04I need a full description of our

2:05character for a reference image

2:08to use as a reference image prompt.

2:11Then I need image generation prompts for

2:13the scene backdrops.

2:15And then I need video generation prompts,

2:18which reference the character

2:21and the scenes.

2:23First, let's discuss the story.

2:27OK, so you don't need

2:28to do this step, but it

2:29is going to be the quickest way to get

2:31highly detailed prompts

2:32and just understand

2:33what you're trying to do.

2:34This is called a treatment.

2:35So you can see it's

2:36got some questions for us

2:37to get as deep and specific as we want.

2:40I like this seed A idea.

2:42A lone scavenger on a frozen toxic planet

2:44finds a buried alien structure.

2:46Sounds pretty sci-fi to me.

2:48Great.

2:49So now we have our treatment.

2:51We've got a shot list

2:51and our audio beat sheet.

2:54Now, these are not going to

2:55be the actual prompts we use.

2:57That's coming next.

2:58But the first step is just understanding

3:00what do we want to create.

3:01So now GLM 5.1 is asking if

3:03we want to make any changes.

3:04I said it looks good.

3:05So let's now continue and create the

3:07character reference image

3:08prompts.

3:09Now, why do we need

3:09character reference image prompts?

3:11Let me show you here.

3:11If we go back to the studio, I'm going

3:13to open the studio in a

3:14new tab while that loads.

3:16And when we start

3:17generating with Seedance 2.0,

3:20we're going to use

3:20reference to video, R2V.

3:22And R2V means we add reference images.

3:26Now, this is not the

3:26same as a starting frame.

3:28This means we add a

3:29reference image, and we can tag it

3:32as image one runs through

3:34the deserted spaceship, which

3:38is image two, for example.

3:40So these are reference images, which

3:42we're going to use

3:42profusely in this video.

3:45Now, Seedance 2.0 is also available

3:48with starting and end frames, as I'm

3:50sure you're familiar with, where you just

3:52upload the first frame of the video

3:54and or the end frame of the

3:56video, add in your prompt,

3:57and it will generate the video like that.

3:59Or you can simply use Seed

4:00Dance text to video, T2V.

4:03And all you do is pop in the prompt.

4:05You type it out, and it'll generate it.

4:06But you won't have any

4:07control over what it looks like.

4:09So we generate prompts to

4:11generate our reference images

4:13so we can control

4:14what it looks like so we

4:15know what we're getting into

4:15before we spend the credits

4:17generating videos.

4:18So now we have all the prompts here.

4:20The first thing we're going

4:20to do is take this prompt,

4:22head over to the Studio to the Image tab,

4:24and then we're going to

4:26use multiple models here.

4:27I'm going to use Nano

4:28Banana 2 for one of them,

4:30and then I'm going to

4:30use, let's see, ZImage Turbo

4:33for the second one.

4:34We're going to generate two images here.

4:36It looks like it's

4:36going to cost us 10 credits.

4:39And let's send that off.

4:40Cool.

4:41So now we have two options here, Nano

4:43Banana 2 version and ZImage

4:45Turbo.

4:45Those are both pretty good.

4:47I want to go with Nano Banana 2 just

4:48because I like all these

4:49extra details, and I think this will

4:51be interesting to see how Seedance takes

4:53those details as well.

4:55Now we can see we

4:55have a session going on.

4:57So if I want to start generating

4:58different images or new scenes,

5:00then I would just start a new session,

5:02and I can revisit this in the studio,

5:04which is very convenient.

5:05So now I'm going to take our main image,

5:07and I'm just going to click Edit Image.

5:10And it's going to

5:10take us to the Edit tab.

5:12We're going to generate a

5:13total of three reference

5:14images for the character.

5:15So this is like a side angle here.

5:17Let's say change the

5:19angle to be a rear portrait.

5:24And I'm just going to

5:25stick to Nano Banana 2 here

5:26because it does a good job.

5:28But once again, if we want, we can see

5:29that in different models,

5:31maybe to save credits, maybe

5:33just to see what's different.

5:34There's the rear image.

5:36We'll come back here.

5:38We'll edit this again.

5:39We'll say change to a 90

5:42degree side profile angle.

5:44And that's really as simple as it is.

5:46We get each angle of the character.

5:48So the video generation model knows

5:51what it looks like when the

5:52character is moving around

5:53the screen.

5:54Boom.

5:55And you'll see up here now, I can

5:56reference this other session.

5:59Make sure you save these images.

6:02So now we have our character.

6:04We'll head back to this

6:05tab. We've got that done.

6:06Now we're going to

6:07need our scene backdrop.

6:08So it looks like we have three

6:09backdrops for our five shots.

6:12So we're going to take that prompt.

6:14We're going to start a new session.

6:17We paste that there.

6:18I'm just going to

6:18stick to nanobanana 2 now.

6:20I want to make sure we get

6:21the 16 by 9 aspect ratio.

6:23We only need 1K

6:24resolution, but as you can see,

6:26this is all the same settings you would

6:28do in the regular Venice Chat

6:29when you're generating an image.

6:31So there's our first

6:32backdrop. Pretty neat.

6:33We do not need to edit that.

6:35So now we'll generate the second one,

6:37which is inside of the

6:38pitch black alien cavern.

6:41Cool. Got the light shining in.

6:43Now we'll get our final backdrop.

6:46Paste that in.

6:47That's the word I thought I

6:48had selected, nanobanana 2.

6:50Oh well. Cool.

6:52We even get the character down there.

6:53I'm actually going to

6:54remove the character.

6:55So I'll edit image.

6:57We'll say remove the

6:59person from the clip.

7:02Okay. So now we have our setting image

7:04with no character there.

7:05We want to make sure there's no people or

7:06other things we're going to reference

7:07inside these scene images.

7:11Now we have all of our reference images,

7:13and it's time to generate the videos.

7:15So we head over to the video tab, and

7:17we're ready to start generating

7:18and having some fun with Seedance.

7:20So we're going to make sure we have

7:21access to all of the Seedance models.

7:23I'll just search for Seedance here, and

7:25now we only have Seedance models.

7:27But you can obviously use

7:29any model that Venice offers.

7:32Open source,

7:33uncensored, anonymous, private.

7:35There's all kinds of video models here.

7:37There's 75 it looks like at

7:38the time of the recording.

7:39But Seedance honestly is

7:40maybe the most fun at the moment.

7:42So we are going to choose

7:44reference to video here.

7:46And I'm going to go ahead and just use

7:47fast for sake of this tutorial.

7:50It will also be cheaper

7:51than using the regular version.

7:53So now let's find this prompt. It's a

7:56wide cinematic shot.

7:58So we paste this prompt in, and we'll see

8:00our lone scavenger reference

8:02is going to be needed as

8:04well as the frozen planet.

8:06So here in reference

8:08images, I'll just attach them.

8:10So we'll say a lone scavenger, image one,

8:13in a bulky frost-covered

8:14survival suit and amber visor

8:15trudges slowly towards the camera through

8:17a fierce blizzard on a frozen planet.

8:20Image two. Simple as that.

8:22So we have lots of detail here. It's a

8:24wide cinematic shot, swirling snow.

8:27The guy is trudging slowly towards the

8:29camera, and the camera is

8:30moving backwards slowly.

8:32We got some lighting definitions and 24

8:35frames per second cinematic motion.

8:37And here it's saying this

8:38only needs to be four seconds.

8:40I'll just make it five seconds.

8:42I want audio, but I'm going to make sure

8:44we also say no music

8:46because we're going to generate music at

8:47the end for all of it.

8:49We'll say no music, sound effects, okay.

8:52So now we shoot that off.

8:53Now here we can see that

8:54this is in the queue over here.

8:56And this is what makes the Venice Studio

8:58fun, is once these are processing,

9:01we can keep going. We don't have to wait.

9:04So now we'll take this

9:05medium shot of the discovery.

9:08We'll pop that in. We'll

9:09change the reference image.

9:11And I'll even add more

9:13shots of our guy here.

9:15So for this next shot, I'm actually going

9:17to show you using Cling,

9:19because it will help you understand why

9:20we generate all the

9:22different angles of our character.

9:24So here in standard R2V. So here we

9:27attach our reference image,

9:28and then we go here to the

9:29plus, we go to references,

9:31and here Cling allows us to add elements.

9:33So this is going to be

9:34a full image reference.

9:36So we add the frontal image, we add the

9:39side image, and we add the back image.

9:42So now I can see all the different

9:43angles. And Cling really excels at this.

9:45We could also add more

9:46reference images if we want.

9:48So this next shot we're

9:49going to generate with Cling.

9:50We'll compare it to Seedance, say if we

9:51want to regenerate it

9:52with Seedance after.

9:53The scavenger in the Warren Survival

9:55Suit, now we tag element one.

9:57And I was wrong, it looks like we're

9:59still in the glacier scene.

10:02And then we'll tag image one there, the

10:04alien archway embedded in a glacier.

10:05The camera slowly pushes in towards the

10:07character in the archway. Cool.

10:08Now we'll set that to be another five

10:11seconds, and we'll shoot that off.

10:14So now let's take a

10:14look at our first shot.

10:18Look, it's got the anchor there. Perfect.

10:21That's exactly what we wanted.

10:22It's wide, the camera's tracking

10:25backwards as he walks.

10:28I almost want it to be a little bit

10:29longer, but I think it'll be okay once we

10:31edit it all together.

10:32So next we're on to our third shot, and

10:35this is where we enter into the cavern.

10:37So I'll paste that in, and I'm going to

10:39go back to Cling, and I'm going to go

10:41back to Seedance here.

10:45We'll paste the prompt. We have two

10:47reference images we're going to use here.

10:49One is him walking through,

10:51the other is him being inside.

10:53And then we'll make sure we've got our

10:57character reference in as well.

10:58So over the shoulder shot from behind the

11:00scavenger, we'll say that's image three.

11:03They step through the obsidian archway in

11:07image one into a pitch

11:09black cavern, image two.

11:11See how this goes here,

11:12guys? It's just tagging things.

11:15Suddenly a harsh bright white utility

11:16spotlight clicks on from their shoulder,

11:19from, should not confuse it with these

11:21lack of genders,

11:23suddenly a harsh bright white.

11:23Cutting through the darkness will make it

11:25to the next one in dust, the camera pans

11:26slowly to follow the beam of light.

11:28We'll make sure this

11:29is another five seconds.

11:31Shoot that off.

11:32And now we also have our Cling video.

11:38Eh, I think we're going to try that with

11:40Seedance. I don't

11:41really like how that looks.

11:42So over here, you'll see these buttons.

11:45Share on social feed, download, share as

11:46a gif, regenerate, delete,

11:48or reload original draft.

11:49So I'll reload original draft here and

11:52it'll put everything back here.

11:53Now I can change the model to Seedance

11:562.0 fast, RTV, and we'll make sure we

12:01have our character in there.

12:03And we have to change that

12:04from element to image two.

12:06Stop walking, stops walking in the

12:08background, a massive.

12:10So let's try that again.

12:11And now we see the queue is starting to

12:13add up part of the fun

12:14of the Venice studio.

12:15Now let's get to our next prompt.

12:18This is going to be six seconds.

12:20Close up on the scavengers,

12:22Amber tinted visor, image two.

12:25Oh, it looks like I accidentally selected

12:27too many models here.

12:29So here's that shot again,

12:30regenerated with, there we go.

12:33He sees it.

12:34He wipes his visor kind of.

12:35And I'm just going to make that longer.

12:38I'm going to make it eight seconds.

12:40We'll shoot that off.

12:41Now let's come back to video four.

12:43Close up.

12:45He is inside the cavern.

12:49Image one.

12:50Let's do that eight seconds as well.

12:52Remember, if it's too

12:53long, you can always cut it.

12:55It's a little frustrating when your shot

12:56is just a second or two

12:58short, like it feels cut off.

13:00Now we've got our queue running.

13:01So let's get the final shots here.

13:04Epic wide shot from behind the scavenger,

13:06which is image three now.

13:08Stand on the edge of a precipice.

13:09Okay.

13:10So we need our final scene here.

13:14That's three.

13:15That's actually image one.

13:18A sweeping camera pan reveals the whole

13:20subterranean world lighting up.

13:21Great.

13:22So let's just do that for 10 seconds so

13:24we can really fill in the

13:25space and explore that world.

13:27Great.

13:28And now it looks like we

13:28did this one more time.

13:30This looks more.

13:31Oh,

13:31a little bit of a glitch here.

13:43This is tough.

13:45It's just what happens sometimes.

13:48So we're going to reload this draft and

13:51let's see how we can fix it.

13:53First off, I'll remove the second

13:56reference image of the character from

13:58behind the scavenger three

13:59as he steps through the obsidian archway

14:02in image one into a pitch black cavern

14:04coming through the darkness from the swim

14:06address particles as the

14:08cavern in image two is revealed.

14:12So we're going to make sure it starts out

14:14here and then he walks through the gate

14:16and it just becomes pitch

14:18black until the light comes on.

14:20So let's give it 10 seconds here.

14:22Just I think sometimes the models do

14:24better with more time to

14:25kind of tell the story.

14:26And we have some more

14:28shots to check out here.

14:35No.

14:44I like this one.

14:45OK, so now we're fast forwarding a bit

14:48for redoing the shots.

14:56Pretty neat.

14:58But I want it to be longer.

14:59So let's reload it.

15:01And we know that shot looks right.

15:02It just needs to be longer.

15:04But let's just go full 15 seconds here.

15:06And we have one more shot.

15:09Extreme close up of the scavengers eyes.

15:12So let's tag image two.

15:14Seen through the scratched amber visor,

15:17the reflection of the golden light in

15:18their eyes suddenly shifts

15:20and strobes through terrifying deep

15:21crimson red subtle camera shake.

15:23And we forgot to say no music.

15:27OK, so this one for 10.

15:29Shoot that off.

15:30OK, here's another one.

15:32Forgot to say no music in this one.

15:34But I kind of like it.

15:40My problem is he's

15:42facing the wrong direction.

15:43So let's do that one again.

15:45And let's make sure he's

15:46facing the right direction.

15:47So we just say image two instead of

15:49having both to confuse the model.

15:52And that was 10 seconds. Cool.

15:55Shoot that off.

15:55And now I know I forgot to

15:57say no music in most of these,

15:59but we can always cut it out.

16:01And if we need sound

16:02effects, we can also generate those

16:03when we head over to

16:04the audio tab after this.

16:08This is what we wanted.

16:10Walks through.

16:11OK, well, good enough.

16:15I don't know how, I guess

16:16it would like fade into black

16:18or there's a big flash on screen.

16:20We can actually add that later as some

16:22kind of a sound effect.

16:24But I think this will do for now.

16:26And I also like how we

16:27didn't get any music.

16:28We just have the echo in

16:29claustrophobic atmosphere.

16:32I like the sound effect change too.

16:33This is a really good shot. Cool.

16:36So I'm almost done here.

16:37I think when these three shots will have

16:39almost everything we need,

16:41we can go through and filter out the ones

16:42we're not going to use.

16:43This one's good.

16:45This one he's facing the

16:46wrong way, so we'll delete it.

16:50This one could be optional.

16:51We'll keep it just in case.

16:56This is the one that was

16:57weird, so we'll delete it.

16:59This one doesn't make sense.

17:01We'll delete it.

17:02This will make our

17:03job a little bit easier.

17:04This one might work

17:05because he looks over to it.

17:08Yeah, we need them to

17:09acknowledge that gate there.

17:12OK, so.

17:14It's one of, I think, our final shot.

17:19Whoa.

17:23Oh my gosh.

17:25Yeah, OK.

17:26And this is the second to final shot.

17:30This is what we wanted, right?

17:34Not quite.

17:42Could work.

17:43Which one was this?

17:44Close up on the scavenger.

17:46I think this one we want to do.

17:47Yeah, we want to do it

17:49with this scene instead.

17:52So let's try that again.

17:54OK.

17:56Yeah, that's more what

17:57we wanted the first time.

18:05Let's just do this again with no music.

18:09So while that's all going, we can just

18:11acknowledge here that this whole

18:12workspace here is just so much more

18:14convenient than using the

18:15traditional Venice Chat,

18:16where you have to wait for it to finish

18:18and then you can do another one.

18:19Being able to cue everything.

18:20You can even turn

18:21notifications on in your browser.

18:23See?

18:24And yeah, you can see

18:26everything going on here.

18:27And then meanwhile, in your library, we

18:30can see all the shots here.

18:31So we'll have access to those wherever

18:33it's necessary, and it's easier than just

18:35downloading from one of

18:36our saved chats in Venice.

18:39Up here, we can see the video generation

18:41cue can be turned on and off.

18:43OK, we got our final two shots.

18:53Music ]

18:55Whoa.

19:02Music ]

19:07Not sure what we're

19:07going to do with that one.

19:09So we have enough now

19:11to start having some fun.

19:13And what we do need to do is go to this

19:14audio tab and make some music eventually.

19:17Like this is for a different project.

19:23But first we need to edit this all

19:26together, make sure it looks good and

19:27coherent, and then see how long of an

19:30audio track we're going to need.

19:32So let me set this up.

19:33Here we go.

19:34Let's find our first shot.

19:35And I just click that and automatically

19:36get sent down to the timeline here.

19:38This is called the timeline.

19:40This is a non-linear editor.

19:42So you don't have to

19:43edit things in order.

19:44You can drag things around.

19:45Now we got to find what was the best shot

19:47with that we liked after this.

19:51So we can just demo these

19:53and see which one we like more.

19:54And now the video that's going to be on

19:56the top layer, that's

19:57what you're going to see.

19:58We're not going to see this one.

20:00Let's take a look at this one now.

20:11What we could do here

20:12is just shorten that.

20:14All you got to do is drag it in and out.

20:16There, let's see.

20:20I think we'll just leave this one here.

20:24Now we do want to notice that the sound

20:28is a little off because these are

20:30separate video tracks that

20:31were generated differently.

20:32So I can click this and I can click

20:34"detach audio" up here in the audio tab.

20:37"Detach audio."

20:38And what I can do now to just add a

20:40little bit of a smoother

20:41transition is we shorten this clip.

20:44We can also shorten that one.

20:46We'll detach the audio.

20:48We'll move these together so

20:50they kind of fade in and out.

20:51And even that one I can do fade out here

20:54a little bit at the end.

20:55And this one I can do

20:56fade in here at the end.

20:58And now let's listen.

21:02Yeah, so...

21:04Let's do it really quick.

21:11Yeah, so that's a bit smoother there.

21:13I like that shot now. I like it a lot.

21:15Okay, now he enters in.

21:16So I think we have

21:18this shot here for that.

21:20We'll drag it in at the end.

21:21And I see how we're

21:22working with layers here.

21:24These layers are going to be how we just

21:26make it as smooth as possible to watch.

21:29Now I'm going to go ahead

21:30and go to the audio here.

21:32I don't need to detach it, but

21:33I am going to just fade it in.

21:35And I am going to detach it.

21:37And what I'm going to

21:37do is I'll shorten this.

21:40And I'll bring that there.

21:41And then I'll make sure this is aligned

21:43at the end so it's still in sync.

21:44And then this is going to fade in.

21:47So now it's not going to be as weird to

21:49suddenly have the sound

21:50when there wasn't sound before.

21:52Like this, there's no

21:53footsteps or anything.

21:54But now we...

21:57We'll even fade that out.

22:00We'll fade this in quicker.

22:02That's called, I guess, an L-cut where

22:03you hear the shot that

22:05comes in before you see it.

22:09So we got the footstep

22:10here before we see it.

22:12Okay, now we might want to cut

22:14that shot. It's a little long.

22:15But first let's just see

22:16what we're working with next.

22:17He walks in.

22:19We're on shot four now.

22:21Close up on the

22:21scavenger's amber tinted visor.

22:24I think that was... was it this one?

22:35Okay. I don't know if

22:36that's the one we want.

22:37If we go back to the video editor, we can

22:39see the prompts here.

22:40I think this was another one.

22:44I do like this one. I think this one

22:47makes the most sense here.

22:50Even though this is a cool shot.

22:53Now I can zoom in and out here to make

22:55this a little easier.

22:56That's not the one.

22:58That could work there.

23:00But I think...

23:02Yeah, it's this one.

23:03Okay, so let's take a

23:04look at how these would fit.

23:06The problem is we don't

23:07have a transition to here.

23:08So what we might want to do is cut here.

23:13See, we need him to walk.

23:15Yeah, we need that one.

23:16So we go here.

23:20Let's even...

23:25We can get away with this.

23:26Remember, it's a teaser trailer.

23:28So this doesn't have to be absolutely

23:30perfect because the music and just the

23:31vibe will kind of change it.

23:38[Music]

23:46Good.

23:50All right, and then our final shot.

23:56We're going to start this shot at the

23:57end, like right there when

23:59his eyes start to change.

24:00And we can even make this one shorter

24:02here because we kind of get the point.

24:08[Music]

24:23Cool.

24:24A little fade out.

24:26So now as we can see,

24:27we have about 35 seconds.

24:30That's a good length here.

24:31It's suspenseful.

24:33So we're going to head

24:33over to the audio tab.

24:34But actually, first we're going to go

24:35back to our chat here.

24:37We say we need a prompt

24:40for generating the score.

24:42It's 35 seconds in total.

24:45And I'm just going to explain to GLM 5.1

24:48how the first 15

24:52seconds are like the intro.

24:54And then the next 14

24:58seconds is the buildup.

25:01And then the final whatever, 66 seconds

25:03is going to be the crescendo, which we

25:05kind of already have here.

25:08So we'll say the first 10 seconds is the

25:12first 15 seconds, which in the next 14

25:16seconds are the buildup.

25:19And the final six seconds

25:21should be the crescendo.

25:26Okay, cool.

25:27So now I'm just going to

25:28copy all of this, to be honest.

25:30We'll head back here.

25:31We'll go to the audio tab, paste that in.

25:34I'll remove that title.

25:38We'll go to the

25:38settings, force, instrumental.

25:41Yes.

25:42We'll go to this orchestra.

25:45We want it to be 30,

25:47we'll do like 38 seconds.

25:49So there's a little

25:50bit of a boom at the end.

25:52And we just have all the detail about

25:54what this is going to sound like.

25:55We'll say at 36, the

25:58massive wall of sound.

25:59So let's shoot that off now and see how it sounds.

26:00So I generated it twice.

26:04Let's listen to one of them.

26:08Got that.

26:10Our beat buildup.

26:11That's exactly what we want.

26:13That's exactly what we want.

26:30The crescendo comes a little early.

26:32So here's what we're going to need to do.

26:34I'm going to need to do that again.

26:36We're going to copy the

26:37prompt, put it back in there.

26:39It's going to need to be like 42 seconds

26:41because it needs to trail off.

26:45And that's what it's factoring in there.

26:46So I'll also change the

26:47time here to like 42, 43.

26:51So now.

26:58Wow.

26:58So right at 36 seconds, it hit that.

27:01It hit it.

27:02So we can just use natural language to

27:04create anything we want here.

27:05So let's save that.

27:06Okay.

27:07We'll head back to our movie editor and

27:09here let's find our media.

27:12We'll click audio.

27:15Let's find the one that was 42 seconds.

27:18It's this one.

27:19So now let's just see how it lines up.

27:57Okay.

27:57So it drops like a few seconds later.

27:59So let's see if we can expand that.

28:04Oh, yeah.

28:16Okay.

28:16We have the score now.

28:18That's cool.

28:19And I think even in this

28:21one, we had audio in it.

28:23We can just remove that and make sure all

28:25the audio is still there.

28:26They were probably not

28:27even going to really hear it.

28:28We could turn this down a little bit.

28:30If I select the track,

28:31I can lower the volume.

28:33And we're also going to need some sound

28:34effects because of the little kind of,

28:37I don't want to say glitches, but just

28:39the nature of making AI generated videos.

28:43They're not going to be perfect.

28:44So as we already saw, it was right here.

28:47We should put a little sound effect there

28:48and even a little

28:49glitch, like a visual glitch.

28:52So we're going to put

28:53a sound effect there.

28:54And then also here, when it just changes

28:56that, we're going to try

28:57to add something there too.

28:58And it could just be a simple transition.

29:00If we find something that's not too

29:02cheesy here, it could

29:05just be a crossfade.

29:06If you just drag that in there and see.

29:11See, right there.

29:12That already did it.

29:13We don't even need a sound effect there.

29:16And in fact, it took a

29:17little bit of time away.

29:19So we've just got to put that there.

29:20Put the crossfade back.

29:22Cool.

29:27Excellent.

29:30And then hopefully.

29:41And one thing.

29:44Right here is where we want to cut it

29:47here, split it, and

29:48we'll just move it over.

29:50So it's like, let's see, we'll put it on

29:53another layer and we'll fade this one out

29:56and we'll fade this one in.

29:58So now, even though the timing wasn't

30:01perfect in the generation based on how

30:02we're editing, we can

30:03still get that effect.

30:06Just like that.

30:11Perfect.

30:12You don't even notice.

30:13Okay.

30:14So last but not least, we do want a

30:17little sound effect for when this

30:20happens, when that opens up.

30:22So we'll come back to our audio tab.

30:24We'll do a little sound effect and we'll

30:26say, sudden science

30:28fiction flash as portal opens.

30:31And we can just kind of

30:32see what happens with that.

30:34We only need one second maximum.

30:36We'll stick to 11 labs here.

30:38Let's see how that sounds.

30:40And I'll go ahead and

30:40generate multiple versions here.

30:42So there's 11 labs.

30:45Good enough.

30:46Not quite what I had in mind.

30:49That's not distinct enough.

30:51Let's say sudden ethereal,

30:53whoosh flash as portal opens.

30:58In fact, I wanted it to be one second,

31:06but actually that's okay because it'll

31:09just trail into the next shot.

31:10And I think that'll

31:11actually look pretty good.

31:12Let's go back to the video editor.

31:14So we're putting a sound effect right

31:15here and we'll just see how it makes it

31:17look cleaner, even

31:18though it's still not perfect.

31:19This is how we can get away with things

31:20when we're video editing.

31:23Little sci-fi swoosh.

31:26And if we really wanted to get funky, we

31:28could split this right here and we could

31:31put a transition right there that maybe

31:34did something with colors or something.

31:37Like right there.

31:40We could make it a shorter transition.

31:42Let's see.

31:49Oh cool.

31:52That's how we do it.

31:53So we have a transition down there and an

31:55audio sound effect to go with it.

31:59And we have our video.

32:01We could put a little

32:01text here at the end.

32:03We could just write, you

32:05know, alien apocalypse four.

32:10We can change the font.

32:15Look over here.

32:21There we go.

32:22That's the name of the

32:22movie alien apocalypse four.

32:24We can actually cut this at like, we'll

32:26just cut it at 40 seconds.

32:28Great. So now we're done

32:29and we can click export.

32:32Now you can switch from

32:3316 by nine for YouTube.

32:35You can do shorts.

32:36You can do a custom resolution.

32:37So I need anything you

32:38want to do in the studio.

32:40You can you can share to

32:41the social feed after this.

32:42I am going to click export and we're

32:45going to get the final MP4 file that then

32:48we can use for whatever we need.

32:50Download it.

32:52Okay. So here's the final

32:53file open on my computer.

32:54Let's take a look.

33:04We've created a whole world here.

33:06I love the consistency of the settings.

33:09That's fun.

33:15Mysterious, suspenseful, magical.

33:30Shaky camera.

33:32Seedance 2.0.

33:33Ladies and gentlemen, incredible.

33:35All available on Venice.

33:37Check out the Venice studio.

33:39Super powerful, super fun.

33:41And share with us what you're working on

33:42in the Venice discord.

33:43Hope to see you there.