Full transcript
0:19I have a delivery for Mr. James Herren.
0:21>> Leave it here.
0:26>> What?
0:27>> I have a special delivery for Mr. James
0:28Heron. I heard you. [music] I said leave
0:30it here.
0:31>> I can do that.
0:34>> Can't do what?
0:36>> Leave it here with you.
0:37>> Listen, did it ever occur to you that
0:39I'm his private secretary and I take all
0:41of his deliveries?
0:42>> Oh, you want to take it?
0:44>> What's wrong with you, man? Give me the
0:45damn package.
0:46>> It's not a package.
0:48>> So, whatever it is, give it to me and
0:51I'll give it to Mr. Heron.
0:53>> It isn't possible.
0:56>> It's not possible.
0:56>> No.
1:00Well, then I'm sorry I have to ask you
1:02to leave.
1:03>> Look, lady, [music]
1:04I'm doing this for a living. I like my
1:06job. I like making my deliveries. And if
1:09the customer says deliver it personally
1:12to him and only to him, then I have to
1:14do so. If you ask me to leave, fine. But
1:16this delivery has to reach him one way
1:18or the other. And believe me, lady, it
1:21will reach him one way or the other.
1:25What is it? [music]
1:31>> Look, lady, as soon as I leave, they
1:33will just send somebody else.
1:36And this man
1:38will probably not be as nice as I am.
1:41[music]
1:44>> All right,
1:46let's see what we can do.
1:53Mr. to her. [music] Yes. I'm sorry.
1:57It's a special delivery and you have to
1:59pick [music] it up personally.
2:03Yes.
2:05Okay.
2:08>> He's coming.
2:10>> Thank you. Uh
2:12Jamie,
2:14it's funny. You look more like a
2:17Cynthia, Connie.
2:27>> [music]
2:30>> Is this Mr. Herror?
2:33>> Yes,
2:37>> that's Mr. Her.
2:51Sorry. [music] What?
2:57[music]
3:06[music]
3:13>> [music]
3:22>> [ __ ]
3:23>> You okay?
3:23>> No, I booked myself.
3:27>> Sorry.
3:29>> I got it.
3:33>> The pajamas are ruined.
3:35>> We'll get you some more.
3:37>> They don't sell these anymore.
3:38>> Then we'll get you another kind. Humans
3:41don't seem to understand. All right. I
3:43try to keep myself put together. It
3:45isn't just about these pajamas.
3:47>> I don't get it.
3:49>> It's like the other night when you had
3:50to stay late and you stood me up at
3:52Margaret's place.
3:52>> I told Margaret I had to work late.
3:54>> Yeah, your accounting job.
3:56>> Because I'm an accountant.
3:59[snorts]
4:02>> Margaret understood.
4:03>> You're funny, Will.
4:06Margaret couldn't stop talking about her
4:07husband's promotion. Getting promoted
4:09isn't everything.
4:10>> Yeah, it's not everything, but it's
4:11something.
4:17>> I love you. Talk about this when I get
4:20home. Okay.
4:21>> Have a good day.
4:23>> Is that all I get?
4:26>> You can do better than that.
4:29>> I love you, too.
4:31>> Good.
4:36>> Bye.
4:37>> Bye.
4:56Hey, Will. How's work coming along?
4:58>> It's coming good. Here you go.
5:03>> What's this?
5:05Well, actually, I need these done by
5:07Monday,
5:12>> Jerry. It's impossible. I can have this
5:14done by Monday.
5:15>> Well, anything's possible if you put in
5:17the time.
5:20>> I don't know anything about this
5:21account.
5:22>> This is one of my accounts,
5:23>> right? So, why aren't you working on it?
5:26>> Because I have plans and I'm your boss.
5:33What kind of plans?
5:34>> H hot date.
5:37>> A married man like yourself might not
5:39remember what it's like, but beats the
5:41hell out of having a TV dinner alone at
5:43home.
5:45>> Overtime pay,
5:47>> of course.
5:49Listen, I'm doing you a favor. You put
5:51in time on this thing and I'll go to bat
5:53for you over that race we talked about.
5:55>> That was 6 months ago.
5:56>> Yeah. And if you get through this by
5:58Monday, you'll earn it.
6:05Terry, I
6:07>> better get to it, Will, cuz the old man
6:09doesn't have a sense of humor about
6:10these things.
6:12>> Have a good time on your date.
6:14>> Hey, you know I will.
6:26[ __ ]
6:37>> [music]
7:05>> Okay.
7:08How was your date with a lawyer?
7:10>> There is no lawyer anymore.
7:13>> Collateral
7:15secretary.
7:17She never knew what hit her.
7:21>> Good.
7:37>> [music]
7:42>> More coffee? [music]
7:44>> Yes, miss. Please fill it to the rim.
7:50>> Anything I can get you? An orange juice
7:56and the jack. Pretty lady.
8:00Okay, we get this [music] next guy and
8:02go home. I haven't been home for a week
8:05and I need a rest.
8:06>> Home isn't all it's cracked up to be.
8:14>> Thanks, miss.
8:28I've had enough of this [ __ ] I need
8:31some
8:31>> cheap bastards. I can't wait until this
8:34day is done. Just one more job. Come on,
8:36demon.
8:38This is not just a job. It's an
8:40adventure.
8:42>> Shut the [ __ ] up, man. Just drive the
8:44car.
8:47hilarious.
9:03>> Stay here.
9:05>> Oh, please.
9:10>> Hello. [music]
9:11>> Hey, babe.
9:13Bad news.
9:16When are you getting home?
9:17>> Uh, I'm sorry. I know I said no more
9:20late nights.
9:22>> What about supper?
9:24>> I think I'm going to be here for another
9:26five, probably 6 hours, so I'll just get
9:28something over here.
9:29>> Oh, okay. Well, um, wake me up when you
9:33get home. Okay.
9:34>> If I get home, I think I'm just going to
9:36stay here tonight.
9:38>> You know how I hate it when you stay at
9:40the office.
9:41>> I know. I know. But I'll explain later.
9:45Tearing it bastard. Good news is I think
9:48it's going to mean that raise.
9:54>> Uh so I love you.
9:57>> I know.
10:38You're so bad. You don't know the half
10:41of it.
10:52[sighs]
10:55Screw it. I'm hungry.
11:36Hey. It's a cool night out there.
11:38>> You say so. Haven't been out since this
11:40morning. Coffee,
11:43>> please.
11:49So, what can I get you?
11:51>> It's not true, is it? You haven't been
11:52outside all day.
11:54>> Yeah.
11:56>> Me either.
11:57>> Work.
11:58>> I'm an accountant.
12:01>> They still leave me a good tip.
12:04>> So, what can I get you? Let's look at
12:06the meatloaf.
12:08>> Yeah, you can't have that.
12:12>> What about uh
12:15John Wayneburger?
12:17>> No, you can't have that either.
12:22>> Why not?
12:23>> Owner's away. He's the cook.
12:26>> And you?
12:27>> I'm good with breakfast. Cook me an egg.
12:31>> What if I'm hungry for breakfast? What
12:32if I want a Milo?
12:34>> You can't always get what you want.
12:38I could try sometimes you get what you
12:39need.
12:42>> Yeah.
12:42>> What about
12:42>> Excuse me.
12:45>> American Diner.
12:47>> I told you not to call me here.
12:50>> No, I was specific about it. You
12:52shouldn't call me at work. I'm not going
12:53to do this with you now. No, I have
12:56customers. Yes, I do.
12:59Rick, look. I've got to go. Okay. No.
13:02Look, I've got to go. Rick, I'll talk to
13:04you later. Fine.
13:08>> Damn it.
13:25>> Oh. Whoa.
13:28Oh.
13:32Oh. Whoa. Help
13:38me. Hello.
13:42Is anyone in there?
13:45Help me.
13:53Going to call for help.
13:55Just gas.
13:59>> What's your name?
14:01>> Alan.
14:02>> Alan. Okay.
14:03Alan what?
14:05>> Alan, we're going to get you out of
14:07here.
14:22[music]
14:27[music] Heat.
14:34Heat.
14:42[music]
14:49>> [music]
14:56[music]
15:01[music]
15:10[music]
15:14>> Hello. Hi, this is an emergency. I have
15:16an accident victim. Can you please have
15:18a stretcher waiting, please? [music]
15:25[music]
15:29>> Hang on, man. At the hospital in just a
15:31second.
15:35That's what
15:38you Okay, man. A two.
15:44What? Huh? What is that?
15:48>> 1 2
15:507 0.
15:54>> You okay, man?
15:57>> Almost there.
16:008262
16:02[music]
16:07zero. What is that?
16:15>> [music]
16:32>> You're going to be okay.
16:38>> Are you all right, sir? I'm okay.
16:42He's waiting for someone come out and
16:43talk to Dr.
16:47Dr.
16:56[music]
16:57Doctor St. Please.
17:01>> Excuse me, sir.
17:08>> Could I [music] speak with you for a
17:09moment, please?
17:12I'll help you if I can.
17:14Mister [music]
17:17Archer,
17:19what's this about?
17:23[music]
17:24What's this regarding
17:33[music]
17:43Just a few questions, sir. Could you
17:45step over here for a moment, please?
17:47>> No, I don't think I will. [music] You
17:50cop?
17:51>> Maybe.
17:55[music]
18:00[music]
18:10How [music] did he get away?
18:13What did you want me to do? Shoot him in
18:16front of the hospital?
18:18Why not?
18:20[music]
18:22Hey buddy, Dein here. I need an address.
18:26Yeah, sure. I got a license plate
18:27number.
18:30Heat.
18:52Heat.
19:17What if he comes home? I haven't told
19:19him anything.
19:20>> First, he already told you that he's
19:22staying at work. And second, what have
19:24we just been doing? [music]
19:31You know I like you, Terry.
19:34>> Then what are we waiting for? The cats
19:37awake.
19:39>> Kid will [music] play,
19:40>> right?
19:46>> What?
19:48[music]
19:49>> I think I heard something.
19:50>> Oh, don't you start getting paranoid.
19:55Catch me if you can.
19:59>> Good price.
20:01>> I'm going to get some.
20:34>> [music]
20:41[music]
20:47>> What was
20:50No, just
20:56take a second.
21:03[music]
21:06>> This must be it.
21:11>> What are you doing?
21:13>> I thought I'd keep it running.
21:15>> Oh, no. No, partner. You are the one who
21:18doesn't shoot people in front of
21:20hospitals.
21:23[music]
21:25Fine.
21:28It's up to me.
21:31[music]
21:45Where is this car? [music]
21:46Must be in the garage.
22:02>> Oh my god. Oh my god.
22:13It's down.
22:21Oh, no.
22:26So, you're Mrs. Archer,
22:30but who the [ __ ] are you? What's going
22:33on? You got the wrong guy.
22:37>> What next? Do we have the right house at
22:39least?
22:43[ __ ] man.
22:46You sussy little mix.
22:49She's not bad. What's next?
22:53All down the for partner. Our boy is
22:55bound to come back sooner or later.
22:58Until then, I'll try to track him down.
23:01My guess is
23:03the hobby is supposed to be at work.
23:07Maybe he went back there.
23:09>> You okay, partner?
23:11>> I just can't stand [music] cheaters.
23:15There are worse things in life.
23:21>> All right, let's continue with the
23:23Scorpio man. Just let the lucky chance
23:26rule for once. This day will bring all
23:28kinds of unusual encounters. Quick
23:31reactions and sensible decisions are in
23:33demand. In the chaos, you might discover
23:36tree princess.
23:42And now, let's hear what good fortune is
23:43coming up for the Towers ladies. Pretty
23:46adventurous, dear towers ladies. You
23:48feel almost elated because you know
23:50you're getting a good deal closer to
23:52your new dream man. Don't hesitate to
23:54give [music] a stranger a smile.
24:06Heat. Heat.
24:27>> [snorts]
24:44>> Jupiter support your bold plans to get
24:46hold of no less but the best of all men.
24:54>> Hey, you're back.
25:01Maybe I should give you a minute.
25:04>> No, I'm fine.
25:07>> What can I get you?
25:12>> Um, can I get a cup of coffee and
25:16just a cup of coffee for now?
25:18>> Okay. Another cup of coffee coming up.
25:21>> Thank you.
25:23Excuse
25:27me.
25:30Bathroom
25:32>> right through there. Thanks.
25:57It's like the other night when you had
25:59to stay late next to me at Margaret's
26:01place.
26:01>> I told Margaret I had to work late.
26:03>> Yeah, your accounting job.
26:07>> Getting promoted isn't everything.
26:09>> Yeah, it's not everything, but it's
26:10something.
26:17I love you. Talk about this when I get
26:19home. Okay.
26:21>> Have a good day.
26:23Is
26:23>> that all I get?
26:26You can do better than that.
26:29>> I love you, too.
26:31>> Good. [music]
26:39Bye.
26:40>> Bye.
26:58I thought
27:00I thought you could use something to
27:01eat.
27:03>> Thanks.
27:10>> It's no charge.
27:12Thanks again.
27:15>> I'm not hitting on you.
27:18Sorry that that came out wrong.
27:21>> No, I
27:23I got to
27:27Do you want to
27:29sit?
27:31>> Um I'm I'm kind of busy.
27:38>> Okay.
27:41I get off later tonight.
27:44>> Thought you weren't hitting on me.
27:54>> I don't have anywhere to go.
27:56>> Listen to Mr. Romance.
27:58>> Be right here eating eggs.
28:01>> I'm counting on it. Do
28:02>> you mind if I ask you why?
28:06>> You don't even know me.
28:08>> That just makes you all the more
28:09appealing.
28:11Do you see anyone else in here?
28:13>> Yeah. Well, that's my Friday night. I
28:15work 12 hours a day in this joint and
28:17never get a chance to get out and meet
28:18anybody.
28:20>> I'm a catch.
28:22>> To be honest, you don't look much like
28:23the master of your own destiny. There's
28:25something.
28:30I don't know. You gave me a good tip
28:32earlier. I gave you a cup of coffee. I
28:34couldn't even serve you food. And you
28:35still gave me a good tip.
28:38>> People don't give good tips.
28:45Fair enough.
28:48>> So you'll wait.
28:52>> What bells on?
28:54>> Bells.
28:57>> Be right here.
29:01>> Okay.
29:18>> [music]
29:28>> Hey,
29:30hey, hey. [music]
29:39I hope so.
29:52>> [music]
30:01>> If you
30:09[music]
30:17do live with yourself, huh?
30:22Your husband should thank me for what I
30:23did tonight.
30:27You know that guy was saving another
30:29human being tonight.
30:32Yeah, that's right.
30:35Saw it with my own eyes. Yeah, that's
30:39true. You and I could probably be
30:41friends if I didn't have to kill him.
30:44And I was feeling sorry for you, making
30:46me feeling bad when it was you that was
30:49[ __ ] another man's wife.
30:56>> Yeah. How are you holding up, partner?
31:00>> Everything is fine. Just having a little
31:02conversation
31:04>> with who?
31:07>> No sign of Archer.
31:08>> No. So stay awake at your end. We'll do
31:12and keep it together. Okay.
31:19You got me.
31:30>> Hey.
31:34>> Sorry.
31:36How long was I out? A
31:38>> little more than an hour. [ __ ]
31:41>> Rough night.
31:44>> Yeah, you have no idea.
31:46>> Do you want some more coffee? We can
31:47talk about it.
31:49>> That sounds good.
31:55>> Thank you.
31:57>> Cheers. [snorts]
32:04>> He's always just dead in here.
32:06>> Well, that's a matter of perspective.
32:08It's always this quiet. It's not often
32:11that a mysterious stranger falls asleep
32:13in my corner booth.
32:16Afraid you have me at bit of a
32:18disadvantage.
32:20>> Well, at least I have you. I've just
32:22[music] been deciding whether or not I'm
32:24going to let you go.
32:26>> I'm not
32:28sure I follow you.
32:30>> Do you believe in fate?
32:34>> Fate? Yeah.
32:37You know, [music] there's a path set for
32:39us that you can either choose to follow
32:41it or fight it.
32:44Well, when you follow your path, life
32:48[music] just kind of opens up in front
32:50of you like an unwinding road.
32:54And when you fight it,
32:57everything is pain. Dead end jobs, bad
33:00relationships.
33:04Up until now, I I've been fighting it.
33:09I don't want to fight it anymore.
33:15May I?
33:16What?
33:23[music]
33:35What was that for?
33:38>> I think you just stole my heart.
33:41Rest is up to you.
33:48Do you Do you care to tell me [music]
33:49about this?
33:55There's nothing to tell after tonight.
33:58Um,
33:58>> it's over.
34:00>> Yeah. Yes, it's over. And until about 20
34:05seconds ago, I thought this was the
34:06worst night of my life.
34:08>> If [music] you say the word, I'll leave
34:09with you right now and never look back.
34:13>> You don't even know my name.
34:17>> Are you going to volunteer it or do I
34:18have to card you?
34:20>> William. William
34:23[sighs]
34:24>> William Archer.
34:26>> Okay. Well, William Archer, what now?
34:31>> What is your name?
34:33>> Elar Hat. Pleased to meet you. Everyone
34:37[music] calls me L.
34:39>> L.
34:46Can we Can we do that thing we just did?
34:52>> [music]
34:57>> Wow.
35:01>> There is one catch.
35:05>> Oh, yeah. This place.
35:07>> Oh, no. God, this will be here long
35:08after I'm gone.
35:11>> Um, you were here actually. That phone
35:13call I got tonight. That was That was my
35:17boyfriend, Rick. ex-boyfriend.
35:20We We had an argument last night. I told
35:23him I was leaving him and he calls today
35:25and he wants me back.
35:28And then Fate put you here.
35:43I never told anybody this.
35:45I was married once.
35:48I came home late at night. I wanted to
35:50surprise her.
35:54[music]
35:57I could almost listen to this excitement
36:00in [music] her voice.
36:04I went into that house and right away
36:06something was wrong.
36:10There was these men's [music] boots
36:14at the bottom of the stairs and clothes
36:17scattered on the steps.
36:20[music]
36:23>> The worst image came up to my head. Was
36:25she raped? [music] Murdered.
36:32>> The truth escaped [music] when I walked
36:34into that room.
36:41They died big.
36:44[music]
36:49Not as quick as you. You deserve to die
36:52bad.
36:58I hope your husband can forgive me.
37:20>> [music]
37:21>> Are you sure about this? I'd understand.
37:28>> Never been more sure about anything.
37:29[music]
37:30>> I'll come with you.
37:31>> He's not a nice guy.
37:32>> All the more reason I should come with
37:33you.
37:41Oh god, it's Rick.
37:43>> You [ __ ]
37:44>> Oh, [ __ ] Just get over. Okay,
37:46>> I told you it's not over unless I say it
37:48is.
37:49>> Be reasonable.
37:49>> Who the [ __ ] are you? I'm
37:51>> a friend of hers helping her get stuff
37:53out of the house.
37:53>> Elellanena doesn't need any help. Why
37:55don't you crawl back under the rock
37:56where you came from?
37:57>> It really doesn't need to be like
37:58>> Hey, don't do that, man.
38:00>> Or what?
38:06Well, just let her go.
38:10Rick,
38:13>> could you let her go?
38:16>> Rick,
38:18>> no. Okay. [music]
38:20>> Rick,
38:26>> you okay?
38:32Are you okay?
38:34>> Yeah.
38:37Just give me one sec. Okay.
38:46[music]
38:51>> How long?
38:56How long?
38:58You two. How long?
39:01>> Oh, tonight.
39:03Maybe like an hour or two.
39:07>> One of her fate things.
39:32I don't know what to say.
39:37I'm sorry.
39:50Take care of them.
39:56[music]
40:03[music]
40:08[music]
40:18Thank you.
40:19>> Sorry I hit him.
40:20>> No, it was really romantic.
40:235 years. Such a terrible [music] way to
40:25end things. But he's just not the
40:28easiest guy to say no to. You know, at
40:31least until you showed up.
40:34One more stop and we're home free.
40:49What? Any sign of him?
40:51>> No.
40:53>> So, what can [music] we do?
40:54>> We wait.
40:56The guy is an accountant. What the hell
40:58can he be doing?
41:00>> It will be soon.
41:01>> I hope you're right, man. I can't do
41:03this much longer. The whole thing is
41:05giving me the creeps.
41:08It's their eyes.
41:09>> Hey,
41:10>> then don't look at them.
41:14>> [ __ ]
41:16Who the hell wants to be an accountant?
41:21[music]
41:27[music]
41:43Bingo.
41:45>> This shouldn't take long.
41:47>> You want to wait in the car?
41:48>> No, I want to come in with you.
41:50>> Are you sure? I think you're still in
41:51there.
41:51>> I got your back.
41:55>> Seems I owe you an important dream, Mrs.
41:56Archer.
41:58Your husband has a new female companion.
42:09Yeah,
42:10>> they are here.
42:11>> Who is they?
42:12>> Aransome woman. She seems familiar.
42:16>> All right, I'm on my way back. Stay
42:18there. Okay,
42:19>> take your time. This will be easy.
42:39Maddie.
42:43>> Maddie.
42:45>> Maybe they're asleep.
43:05Welcome home, Mr. Archer.
43:08>> Why?
43:09>> There's no why, Mr. Archer. They tell me
43:12where, [music] when, and who, but never
43:14why.
43:15>> But she was part of the who.
43:17>> Consider it a favor.
43:19She was cheating on you.
43:25[music]
43:37>> Yeah, there's some man in my house.
43:39>> You need [music] to come out now.
43:41>> We made a big mistake.
43:44Tell me 31. Tell me about tonight.
43:48>> I DON'T KNOW ANYTHING ABOUT TONIGHT.
43:51>> He's going to get his shot.
43:53>> Just come here, Archer. You'll kill me.
43:56>> I'll kill you if you don't. [music]
43:59>> He's shot two people already.
44:06[music]
44:14>> [music]
44:17>> The girl. Where is she? She [music]
44:19isn't here. Where is she?
44:35>> [panting]
44:50>> What do we do?
44:51>> We didn't do anything. If anyone asks, I
44:53killed him.
44:59[music]
45:15The number you have reached is not
45:17>> Damn it, Manny.
45:45Manny,
45:51where are you?
46:09>> [music]
46:10>> or not.
46:17[music]
46:21Put the gun down.
46:24>> [music]
46:29>> Turn around.
46:33Care to explain what you're doing here?
46:38>> May I?
46:39>> Slowly.
46:51Special Agent Trevor Develin.
46:55>> Happy
46:57>> curious.
46:58>> My partner gives me a call. We've been
47:01tracking a man, William Archer.
47:03>> What's your partner's name?
47:05>> Manny Rodriguez.
47:08>> You better come with me.
47:10>> Why?
47:21Any
47:23idea what your partner was up to?
47:26>> I told you we were tracking down Archer,
47:29this accountant who lives here at this
47:31address. I received a call that many had
47:35spotted Archer then came straight here.
47:39>> You usually conduct your investigations
47:41this way, isn't it? SOP for at least two
47:44agents to be assigned to a stakeout at
47:46any given time.
47:48>> Sometimes then go out the window.
47:51Manny and I had a suspicion about
47:53Archer, but this was not a formal
47:55investigation.
47:57>> Looks like your suspicions may have had
47:59some merit.
48:00>> He was suspected of embezzling from his
48:03clients at his accounting firm, but I
48:06had no reason to suspect.
48:09>> Seems his wife was having an affair. The
48:12female is Maddie Archer, the male Terry
48:15Baskin. They were both shot with 9 mm
48:19pistol. Shell casings everywhere.
48:22>> And him?
48:23>> Yeah, he was shot too.
48:26But uh to the best we can tell, they put
48:28up quite a fight.
48:31Ultimately, it appears he was crushed to
48:35death.
48:37This archer must be one cool customer.
48:42>> Can I have a second alone?
48:45have to copy.
48:46>> Just don't touch the body. Forensics is
48:49on the way.
48:53>> You son of a [ __ ] Manny.
48:57You really screwed up this time.
49:00[clears throat]
49:01You bastard.
49:04>> But I will miss you.
49:08>> Archer won't live to see the dawn. You
49:10did it your way right to the next
49:12[ __ ] L.
49:16[ __ ] shitty.
49:39[snorts]
49:41What the [ __ ] was that?
49:43Why did he just try to kill you, Will?
49:45Why did he kill your [ __ ] WIFE AND
49:47THAT MAN?
49:51>> This has been the single weirdest night
49:54of my life.
49:58I left here and went back to my office.
50:00There was an accident. I pulled a guy
50:02out of a car. It exploded. I got him to
50:05the hospital. Well, the same guy that
50:07saw the [ __ ] hospital was the guy
50:08that was in my house.
50:10>> What about this guy? The guy in the car.
50:15>> What about him, El?
50:16>> Oh, okay.
50:16>> He was all screwed up. He was I mean, he
50:18was turned over. He was in a car in a
50:19ditch.
50:19>> Do Do you know who he was?
50:22>> No, he's at the hospital.
50:25>> The guy? Okay. The guy at the hospital
50:29was
50:29>> Patrick.
50:30>> Did he have something to do with Hi.
50:32Yeah. Did you have someone brought in
50:34tonight? What was his name?
50:34>> Alan Robbins. Alan Robins. Alan Robbins.
50:37>> Alan Robbins. Oh, I'm I'm so sorry to
50:41tell you that he's passed away.
50:44>> Okay.
50:50>> He's he's he's dead.
50:53>> [ __ ]
50:56>> They were trying to kill that guy. I
50:58saved him.
51:04>> Now they're trying to kill me.
51:09What? Who the Who the [ __ ] are these
51:12guys?
51:13What have you done?
51:14>> THEY KILLED MY WIFE.
51:18GOD,
51:25>> I'm sorry.
51:29What do we do now?
51:41William Archer is responsible for the
51:44death of his wife, Maddie Archer, her
51:46lover Terry Baskin, and special agent
51:50many Chair Rodriguez. He drives a late
51:53model Chrysler and he is armed and
51:55dangerous.
51:57>> He may also be in the company of an
52:00unidentified woman. I don't have to tell
52:03you this guy is dangerous. This is a
52:05renegade killer. He took down one of our
52:08own. So we should first ask question
52:12later, right?
52:16Strong words.
52:21>> He killed my partner.
52:23>> Innocent until proven guilty. That's the
52:26American way.
52:27>> So is PE through firepower. This son of
52:30a [ __ ] killed my partner. And that's
52:34all the proof I need.
52:37Maybe if you hear anything, lady,
52:41call me at this number.
52:44>> I need some air.
52:49>> [ __ ]
52:59Bingo.
53:15>> I don't know who would be calling me
53:16right now.
53:24Hello,
53:25>> William Archer.
53:32>> Hello,
53:34>> William Marcher.
53:36>> This is he. Who's this?
53:38>> This is [music] Special Agent Cat
53:39Vasquez of the FBI.
53:44I have a feeling you know why I'm
53:46calling.
53:48You are in a great deal of trouble, Mr.
53:51Archer.
53:52>> He killed my wife.
53:54>> Who killed [music] your wife, Mr.
53:55Archer?
53:56>> He was in my house. He killed my wife
53:58and he was waiting for me.
54:00>> That's a bit of pill to swallow, Mr.
54:03Archer.
54:05You expect me to believe that special
54:07agent Rodriguez killed your wife and her
54:10lover and then waited for you to come
54:12home so that he could kill you as well?
54:14>> I don't know his goddamn name. I just
54:16know that he was going to [music] kill
54:17me
54:18>> and her bedmate.
54:22>> Terry Baskin
54:24is my boss.
54:27>> You know what I think, Mr. Archer? I
54:29[music] think you came home and found
54:32your wife in bed with your boss and you
54:35killed them both. Special Agent [music]
54:37Rodriguez simply picked the wrong night
54:39to pay you a visit.
54:40>> What are you talking about?
54:42>> You're under investigation for [music]
54:44embezzlement, Mr. Roger, as special
54:46agent Rodriguez was part of the team
54:49carrying out the investigation.
54:51He came to your house tonight
54:53>> to kill me.
54:56You have to believe me.
55:00I didn't kill anyone. [music] He killed
55:02my wife.
55:05Lady? Yes, I Yeah, I'm an accountant.
55:07Yes. [music] I'm not an embezzler.
55:10>> None of this adds up. Mr. Archer,
55:13>> I need [music] you to come in. Give
55:15yourself up and you'll have an
55:17opportunity to defend yourself.
55:20It's
55:20>> been too much.
55:22>> What do you want to do?
55:26>> I don't know what to do. [music]
55:28>> Do the right thing, Mr. Archer.
55:31>> I didn't kill anyone. I did not kill
55:34anyone.
55:36>> Where are you, Mr. Archer?
55:41>> Mr. Archer,
55:43>> I'll meet you.
55:46I'll tell you where I am.
55:48If you don't like what I say, you'll
55:50arrest me. And there's nothing I can do
55:51about that.
55:52>> Where are you, Mr. Roger?
55:58>> I'm at the American Diner.
56:01>> I'll give you one chance, Mr. Archer.
56:05>> Don't disappoint me.
56:08[music]
56:166013
56:25officus.
56:29[music]
56:36Heat.
56:40[music]
56:47Heat. [music]
56:55[music]
56:56officer
57:12train.
57:26Heat.
57:27[music]
57:33[music]
57:40[music]
57:41Heat.
57:46[music]
57:48Heat.
57:54[music]
58:00[music]
58:08[music]
58:10Heat.
58:30Hold down the fort till the medical
58:32examiner arrives. No one comes in here
58:34apart from his team.
58:40>> Reggie, this is Cat. Listen, I need you
58:43to do me a favor. Yeah, I know it's
58:46late. I just need you to run a profile
58:47on someone. Not a perk.
58:51Special Agent Trevor Develin.
58:55Yeah, I know. He is one of ours. That's
58:57why I said it was a favor.
59:00Yeah.
59:02>> Reginal Sparks. We are a prince.
59:08>> Evening officers. Stay here. I'll be
59:12back.
59:17[music]
59:17>> Don't worry, Manny.
59:21I'm going to send them to hell, my
59:24friend.
59:40>> [music]
59:53>> Okay, honey.
59:56[music]
1:00:11This is going to really suck if she
1:00:12doesn't believe me.
1:00:17>> I go to jail.
1:00:19>> Well,
1:00:19>> for a really long time.
1:00:22How does this [ __ ] happen? I mean, I
1:00:23didn't [ __ ] do anything.
1:00:25>> Well,
1:00:28>> just come and sit down.
1:00:39It's okay.
1:00:45I hope so.
1:00:48I hope so.
1:00:56[music]
1:01:06>> [music]
1:01:08>> [ __ ] am I doing?
1:01:14[music]
1:01:21Heat up
1:01:38>> [music]
1:01:47[music]
1:01:48>> here.
1:01:54William Archer.
1:01:55>> Yeah.
1:01:57>> And you?
1:02:00>> She's a friend.
1:02:01>> Your friend have [music] a name?
1:02:03>> L.
1:02:04>> Ellen in our house.
1:02:06>> You were with him tonight?
1:02:08>> Yeah. Yeah, I was.
1:02:09>> Why?
1:02:10>> What do you mean why?
1:02:12>> It's a simple question, Mr. Archer. Why?
1:02:15We just met tonight just after Will
1:02:17found out about his wife
1:02:19>> and killed her.
1:02:20>> No. No. God. It was the man that did
1:02:23that.
1:02:24>> The FBI agent? That the man you're
1:02:27talking about?
1:02:28>> I don't know about FBI agent. The guy
1:02:30with the big [ __ ] gun who almost took
1:02:31my head off.
1:02:36>> Put these on.
1:02:47S,
1:02:51are we under arrest?
1:02:55Nope.
1:02:57This is just for my peace of mind.
1:03:02May I?
1:03:07Which one of you is going to start?
1:03:11Okay,
1:03:14let me get the ball rolling.
1:03:17You killed Manuel Rodriguez, special
1:03:19agent of the FBI. True or false?
1:03:22>> Where is she?
1:03:23>> She isn't here. Where is she? [music]
1:03:32[music]
1:03:32>> True.
1:03:33>> Then you killed your wife and the man
1:03:35she was [ __ ] behind your back. True
1:03:36or false?
1:03:39>> [music]
1:03:48>> No.
1:03:49>> No. No, we didn't. [clears throat]
1:03:51>> Shut up. You'll get your chance. True or
1:03:53false?
1:03:55>> False. I didn't kill my wife.
1:04:01[music]
1:04:06I didn't kill my wife.
1:04:11I need both of you to look at this.
1:04:16>> Is this the guy that tried to kill you?
1:04:18>> Yes,
1:04:20that's him.
1:04:21[music]
1:04:23>> Okay, bear with me. Just answer. True or
1:04:26false? Be candid. Be truthful. You found
1:04:29out tonight that your wife was cheating
1:04:30on you.
1:04:32>> Yes, true.
1:04:35>> [music]
1:04:36>> No, I don't understand.
1:04:41>> You left your house without confronting
1:04:43her or him.
1:04:49[music]
1:04:53>> You met this girl and the two of you
1:04:56decide to make a clean break [music] and
1:04:58leave.
1:05:02>> [music]
1:05:10>> You go back to your house
1:05:13and find your wife and her lover
1:05:17dead at the hands of an FBI agent.
1:05:24[music]
1:05:27He tries to kill you without any
1:05:29apparent motive.
1:05:33>> [music]
1:05:34>> You defend yourself and in the process
1:05:36of doing so kill him.
1:05:39>> What do we do?
1:05:41[music]
1:05:42I killed him.
1:05:45>> All that's true.
1:05:53Pretty damn thin.
1:06:01How can I go back to my department and
1:06:04tell them that although all the evidence
1:06:07points to an act of passion,
1:06:10the suspected killer is in fact an
1:06:13innocent trying to start a new life?
1:06:18The problem is
1:06:21I believe you, but how are we going to
1:06:24convince everyone else? Why?
1:06:27>> Why?
1:06:29You sound disappointed.
1:06:31>> I I just thought that
1:06:33>> innocent until proven guilty.
1:06:37That's what I live by.
1:06:40There are things here that just don't
1:06:41mesh. There was a knife on the kitchen
1:06:44floor as well as a gun. There was a bite
1:06:45mark on Rodriguez's hand.
1:06:47>> Yeah. Yeah, I bet him.
1:06:49>> All the evidence points to Rodriguez
1:06:52trying to kill you. He was the only one
1:06:54on the scene in possession of a weapon.
1:06:56Everything else points to your
1:06:58desperation to escape.
1:07:03What I don't understand
1:07:06is why.
1:07:08>> Tell her about the accident.
1:07:10>> There was an explosion. There was a car.
1:07:12I I pulled a guy out of his car and I
1:07:15brought him to the hospital. And I
1:07:16>> When was this?
1:07:17>> Tonight.
1:07:20[ __ ] Alan Robins. They were trying to
1:07:22kill me.
1:07:33[music]
1:07:36>> I didn't expect the car to roll like
1:07:38that.
1:07:42>> Oh man, the bread's still alive.
1:07:45>> The human body is an amazing thing.
1:07:48>> What are you going to do with a gun?
1:07:50What do you think [music] I'm going to
1:07:51do?
1:07:52>> Look, I did the lawyer your way.
1:07:53>> Yeah.
1:07:54>> Let me do this one my way. Okay.
1:07:56>> Okay.
1:07:56>> We're going to shoot him in the hand.
1:07:58>> Yeah, why not?
1:07:59>> My way is better.
1:08:00>> Your way is better. All right. Show me.
1:08:02I'll wait.
1:08:04>> I'll be right back.
1:08:07>> What?
1:08:09>> Sorry, man. I can't hear you.
1:08:12[music]
1:08:13>> You have a bomb?
1:08:16Why do you think a bomb is any better?
1:08:18[music] For one, he won't have a bullet
1:08:19in his hand.
1:08:26>> Easy, man. Easy.
1:08:28>> Oh [ __ ] Come on, man. Car's coming. Go,
1:08:31go, go, go, go, go. Come on, man. Come
1:08:33on. Come on.
1:08:38[music]
1:08:49Hello.
1:08:54Anybody there?
1:08:57Help me. [music]
1:09:05[music]
1:09:06>> I should have just shut him. I'm help
1:09:11everywhere.
1:09:13[music]
1:09:15Where?
1:09:18>> What's your name?
1:09:20>> Alan.
1:09:20>> Alan. Okay. Alan.
1:09:24>> Alan. Let me get you out of here.
1:09:33>> What the hell is [music] going on, man?
1:09:35This to be the better reason.
1:09:48I thought you said it [music] was the
1:09:49batteries.
1:09:52This doesn't take batteries. [music]
1:09:56Should I go give him a hand?
1:10:03Get the shower. [music]
1:10:08Heat.
1:10:14Heat.
1:10:16[music]
1:10:19[bell]
1:10:22[music]
1:10:30>> [music]
1:10:39>> Let me do it my way. [music]
1:10:47Now we're going to do things [music] my
1:10:49way. Okay.
1:11:00>> [music]
1:11:13>> Hello. Hi, this is emergency. I have an
1:11:17accident victim. Can you please have a
1:11:18stretch waiting, please?
1:11:30You have been a busy little beaver.
1:11:33>> You said that he was he was babbling
1:11:35numbers or something.
1:11:37>> Yeah, he was babbling. It was just a
1:11:38string of numbers. It was just
1:11:40>> Well,
1:11:41>> I don't know what the numbers are.
1:11:428626112.
1:11:44It's 1270.
1:11:47>> You okay, man?
1:11:50>> [music]
1:11:50>> 62.
1:11:55What is that?
1:11:57>> Two
1:11:597.
1:12:03You okay, man?
1:12:05Almost there.
1:12:088262.
1:12:12I want two.
1:12:15Fell hero. What is it?
1:12:23>> Can I see that ID again, please? [music]
1:12:32That's it. If that's a coincidence.
1:12:35>> Yeah.
1:12:37[snorts]
1:12:38>> What was the other set of numbers?
1:12:41>> 127 1270.
1:12:44You two sit tight.
1:12:54This special agent cat [music] Vazquez
1:12:57uh badge number 2238. I need to speak to
1:13:00agent sparks in [music] records.
1:13:03Thank you.
1:13:06>> What was that all about? [music]
1:13:10>> Guys, hope she's on our side. Reg, you
1:13:14got to talk to me.
1:13:20>> Are you too tight?
1:13:23>> Completely humiliating.
1:13:271270.
1:13:30Right.
1:13:32When this is all over, Reg, I'm going to
1:13:34buy you a steak dinner.
1:13:41We are going through the looking glass.
1:13:46Look,
1:13:49I am 99.9%
1:13:51sure that you are telling the truth,
1:13:55but you killed an FBI agent and I can't
1:13:58just let you walk. I'm going to have to
1:14:00take you in mostly for your own safety.
1:14:03>> Safety? But he's dead.
1:14:061270
1:14:08is the badge number of his partner,
1:14:11Agent Develin.
1:14:13>> And And you think he wants to kill us?
1:14:16>> I just talked to our records department.
1:14:19Manuel Rodriguez, Trevor Develin,
1:14:21they've been working together for years.
1:14:23Bosnia, El Salvador, Mexico City,
1:14:27Brazil. Develin goes back to the early
1:14:3080s.
1:14:33You don't want to [ __ ] with him.
1:14:47It's my car.
1:14:49>> Hey, are these cuffs really necessary?
1:14:52I'm not going to go anywhere.
1:14:54>> Protocol.
1:15:02>> How long do you think this is going to
1:15:03take?
1:15:04Not long.
1:15:05>> Special agent Vasquez,
1:15:08I'm here to relieve you of your
1:15:11prisoner.
1:15:12>> Develin,
1:15:15>> he's in my custody. It's not necessary,
1:15:17man.
1:15:20>> My friend here say otherwise.
1:15:23Turn around. [music]
1:15:25>> What now?
1:15:27>> Does it matter? Just give me archer and
1:15:30everything will be okay. Amen. We work
1:15:33for the same government.
1:15:34>> No, I work in the government. There's a
1:15:39very real and useful difference.
1:15:44>> You're finished, Delin.
1:15:50[music]
1:15:55>> Sorry, honey bunny. [music] You were
1:15:57trained better than that.
1:16:02>> [music]
1:16:09[music]
1:16:16>> Sorry.
1:16:18How do you go?
1:16:20[music]
1:16:36Well,
1:16:43>> you got to get out of here.
1:16:45>> What? No. We've got to get out of here.
1:16:47No one's going to believe us.
1:16:51Go,
1:16:51>> go, go, go, go, go. Heat. [music]
1:16:59[music]
1:17:05[music]
1:17:06Heat.
1:17:13[music]
1:17:19We got to get out of here.
1:17:22No. No. Okay.
1:17:26My whole life I've been running for
1:17:27things.
1:17:29I finally have something to fight for.
1:17:31Okay. You're not going to die. We are
1:17:34not. Here we go.
1:17:38>> Archer. You're out of your element. Mer.
1:17:43You should be proud of yourself. You
1:17:45know, you took my operation apart like a
1:17:49$10 suit.
1:17:50>> THIS HAS GOT TO STOP, MAN.
1:17:53Just leave us alone.
1:17:56Please.
1:17:59>> It doesn't work that way.
1:18:01This isn't a game.
1:18:03>> I know it's not a game.
1:18:07>> I just want my life back.
1:18:09>> Sorry, I can't do that.
1:18:12I end things, not prolong them.
1:18:17I've been asking myself what I did to
1:18:20serve you. You're an accountant, Miss
1:18:24Archer. You should understand that all
1:18:27I'm doing is keeping the books balanced.
1:18:32>> Just stop it. [screaming]
1:18:36[music]
1:18:42Son of a [ __ ]
1:18:45[ __ ]
1:18:47>> Too bad, Mr. Archer. That's the second
1:18:50time I've been shot today.
1:18:53Do you know what separates the amateurs
1:18:55from the pros?
1:18:57I'll tell you. A bulletproof vest and
1:19:04ammunition.
1:19:06I'm scared.
1:19:07>> Sorry. I'm sorry. I'm sorry.
1:19:10>> Stand up, Miss Archa. And you too, Miss
1:19:20[music]
1:19:23I don't need more bullets, okay? So,
1:19:25don't shoot, please. [music]
1:19:36You gave me a lousy tip.
1:19:39>> What?
1:19:41>> Your friend had an orange juice and you
1:19:43GAVE ME A [ __ ] LOUSY TIP.
1:19:45>> SMALL WORLD.
1:19:48I've been ringside at many deaths. Mr.
1:19:50Archer, you should pride yourself that
1:19:54yours has been the longest delayed. I
1:19:57just wish I had taken a more personal
1:20:00interest before now. And we could have
1:20:02saved ourselves a lot of trouble.
1:20:06Now it's time to die.
1:20:35got the bastard.
1:20:49>> [music]
1:21:09>> Thank you.
1:21:10Thank you.
1:21:18What do we do now?
1:21:22>> What now, Mr. Usher? It's over to you.
1:21:28>> You were never here.
1:21:32Take your gal.
1:21:34>> Oh, thank you.
1:21:35>> Yes, you are.
1:21:36>> Your mother
1:21:38>> and run.
1:21:40>> Thank you.
1:21:42>> Good luck. Heat. Heat. N.
1:21:52[music]
1:22:09Hey,
1:22:10>> how are you feeling, Mr. Archer?
1:22:13>> I'm feeling
1:22:15I'm feeling good,
1:22:17Mrs. Archer.
1:22:30>> [music]
1:22:36>> 1951 196
1:22:39[music]
1:22:46[music]
1:22:58>> [music]
1:23:04[music]
1:23:09[music]
1:23:13>> A compact late 2000's crime thriller
1:23:17built around a simple idea. that works
1:23:19well. One good decision puts an ordinary
1:23:23man in the middle of something much
1:23:25bigger and more dangerous.