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Don't Quit

Kai Cenat · 4,918 words · 23 min read

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0:00I think I'mma just go with whatever

0:02feels right within the moment cuz like

0:04when I said I wanted to put the clothing

0:05brand out publicly like that remove mad

0:08weight off my chest.

0:10Everything we do here we show like a lot

0:12of it like I won't I won't announce any

0:14dates or anything [music] but like I

0:16think I should talk about the fashion

0:17show and [ __ ] I should sketch it up.

0:20>> We shouldn't do the journals for just

0:22the fashion show. We need to include it

0:24in the packaging mode.

0:29>> The looks and stuff like that got to be

0:31for the fashion machines.

0:34It has like feel to [music] it. Have a

0:37whole department like designers.

0:40That's what's going to set me apart from

0:42every other brand is like instead of

0:43hiding [ __ ] What am I feeling? I really

0:46show the process. You I feel as if when

0:48you show the [music] process, the entire

0:50process, the entirety of it in a special

0:53way to where it [music] feels down to

0:54earth and heart's heart, you attach more

0:57to grand design.

1:01>> Even when you get here,

1:03>> it's like [ __ ]

1:04>> It's still like, okay, it's not there

1:06yet.

1:06>> We should try to focus on the buckle.

1:08>> Even when you [music] get there,

1:10>> my favorite thing is seeing it.

1:13>> I know. like it's alive. That's the best

1:15thing.

1:18Yo, these are crazy. That's the thing. I

1:21thought you had to take the Polaroids

1:22and made the story. No, [music] you have

1:23to experience and then you journal. You

1:26have to go through a week of experience,

1:282 days, 3 days, and then journal. And

1:29when that feeling [music] inside tells

1:31you to write, you write.

1:34October 17, 205 was officially filed.

1:37And it's not yet used.

1:41That is crazy.

1:44>> [music]

1:44>> It's like it's out there now in the

1:46world.

1:53>> Wow.

1:55Holy.

2:03>> Damn.

2:09>> [music]

2:13[music]

2:17>> So, right now I'm on the journey to

2:20starting my own clothing brand. And um

2:22yeah, for like the past few years, I

2:24fell in love with just making clothes

2:26and just doing it. And when I was when I

2:28was in the middle of designing, if you

2:30check this out real quick, I documented

2:32every single step with Polaroids in a

2:35journal. I'm two months in and like I'm

2:38designing right now and I and I and one

2:40of the biggest moments too that I think

2:41is going to be crazy is the fashion

2:43show. Having a streamer be able to do it

2:45on his own platform and it going crazy

2:49will be the f it'll be one of the first

2:50like

2:50>> we'll just make something. We don't have

2:51to reference anything. We just

2:53>> Yeah. I like I like to make it feel like

2:54it's it's like something about emotional

2:58dramatic. It'll be the soundtrack. I

3:00think we if we cook up something good I

3:01would want to make it the soundtrack of

3:03the fashion show.

3:05>> [music]

3:15[music]

3:17>> Oh, that's nice.

3:21Oh, that's nice.

3:23[music]

3:28[music]

3:29When you hear the song, you hear the

3:31final [singing] product. But when you

3:33hear for the building of the beat

3:35>> Yeah.

3:36>> then [music] it's like damn the clothes

3:38[singing] like the t-shirt is the final

3:40product. But when [music] you understand

3:41the stitching

3:42>> that has to go into it the work

3:44>> what goes into it. Yeah. It's like it's

3:46like it's [music and singing] just like

3:47this.

3:49Thank you.

3:50I'm wondering like it's magnifying

3:52glass. [music] So it's like already

3:54against the odds. Like people are

3:55doubting it. They going to [music] take

3:57[ __ ] that we do and try to use it as

4:00fuel to talk down on it. Yeah. And I'm

4:02going all in like in my head [music]

4:05like [ __ ] is already done. You got it,

4:07you bro. I'm thinking about how I'm

4:08going to be proceed when I'm like 35,

4:10you know. [music]

4:19>> We are in for Romano. Here we have the

4:22one archive. And here we have another

4:24archive.

4:25>> Holy [ __ ]

4:30They got [music] hella [ __ ] in here.

4:59Okay, that's it.

5:05>> After this that you have one number,

5:07they have to do [music] all the numbers.

5:09Okay. And imagine if you go wrong with

5:11something, okay, with the scale, with

5:14the size chart,

5:14>> everything's done,

5:15>> bro. You [ __ ] up an entire production.

5:18>> Yeah.

5:19>> Everything that I learned from

5:21streaming, you going to see it in the

5:23close.

5:28As a content creator, you're not going

5:30to expect all this high [music] ass

5:32quality ass fashion show before the roll

5:34out. It'll show entire journey so people

5:37understand it and [music] then going to

5:38the show bro it's going to be

5:40>> you feel me

5:41>> like from the creativity to the layouts

5:44to the production of that fashion show.

5:48>> Then we had a second version of it which

5:50uh instead of the fans we switched to

5:52the tights.

5:53>> That looks not [music] selected the next

5:55day. somebody should be designing on

5:56something else

5:57>> because we need to sample

6:00and we need to see when we come for the

6:02next sprint. We need to see the entire

6:04collection prototype.

6:06>> I like frequent updates that are showing

6:09a little bit telling more perspect

6:12>> I really really love what you're doing.

6:15>> Don't let you know like

6:17>> it's fire [music] though. You see this

6:19though? Like this is fire.

6:21I'm going to come and ask you the same

6:22question at the same time.

6:25Okay, Kai, you obviously want to just be

6:27the best streamer ever, but then you get

6:28passes in your head and you're like,

6:29"Okay, I could just [music] ignore them

6:30passes and just keep doing what I do." I

6:32looked at everybody that's in my space

6:34and I'm like, "Damn,

6:35>> my first practice show I got that

6:37experience."

6:37>> No way,

6:38>> bro. Yeah. So, like I just appreciate

6:40it. Yeah. It's good. Timeless. [music]

6:41>> Your calling is to sacrifice your time

6:44from what you really love and put into

6:46something else that you love.

6:55Now, now I'm going to be back for a

6:57year. So,

6:58>> thank you so much.

6:59>> I love you, bro. Genuinely.

7:02>> N that [ __ ] was fire. I feel like I'm

7:04like learning mad [ __ ]

7:07>> I feel like I'm in that zone right now.

7:12>> I can already tell which ones I really

7:14really like.

7:14>> For the show, we can design up to the

7:16day of.

7:16>> Okay.

7:17>> No, no, not for the show. For like to

7:19release.

7:19>> Oh. Oh. I ideally your faves are

7:22identified by the end of the sprint.

7:23>> Okay. Best. Yeah. Cuz I can already see

7:25I can already feel which one's going to

7:26go crazy. Even if it's like five things

7:28that I like it you want them to be

7:31happy. But save all the samples for

7:33sure.

7:34>> Should we drop it or not?

7:35>> What?

7:36>> Drop what?

7:37>> Like kill it or keep it.

7:39>> Keep it.

7:40>> Exactly.

7:40>> Yeah. Yeah.

7:41>> This is hard. I ain't going to lie.

7:44>> Like what the bags? Denim. This is

7:47timeless. All right.

7:48>> This [ __ ] surprised me right now.

7:52>> Also, that kind of leather is more stiff

7:54than the one I received from you. Huh?

7:57>> Because this one is printed and when you

7:59print the letter

8:03[laughter]

8:05THAT

8:08>> man's walking around with a notebook

8:09every

8:09>> Yeah. [laughter]

8:11>> I love it.

8:11>> You know what's going on, bro.

8:13>> So, were you a part of all like the

8:15creative control?

8:16>> Absolutely. Wow. I don't know how I

8:18feel, but partially of how it feels.

8:20>> And you got to you got to really lock in

8:22like you got to turn off the noise and

8:24just

8:25>> make crazy [ __ ]

8:27>> And once again, it's about your [music]

8:29interest. I'm just interested in

8:30photography cuz I like it. Not for any

8:32fashion reasons, but just because that's

8:34how I am.

8:35>> I just like it.

8:36>> It's my interest. It's not because

8:38>> that's the way you do fashion. It's just

8:40because that's what I'm interested in.

8:41>> I was just telling him each collection

8:44is going to be a new journal.

8:45>> Yeah. like the down to the cover, down

8:47to everything, different colors, and

8:49once I'm done with this journal, I'm

8:50done with this journal. [music]

8:51>> Yo, pull up. No,

8:53>> let me ask you a last question.

8:55>> Mhm.

8:56>> What What do you expect from [music]

8:58events?

8:59>> What do I expect? I know how it feels to

9:01be in the public eye and like how [ __ ]

9:04can eat up at you sometimes and and I've

9:06seen where your head is about a lot of

9:08different things and I what I have seen

9:10is your dedication to [ __ ]

9:13So, I expect greatness and I expect

9:15really good things.

9:22>> You went in through the side door.

9:24>> Yeah, bro.

9:25>> That's the best way to do it from my

9:27mom.

9:29>> Yeah, the whole squad.

9:29>> Wow. That's your own store, bro.

9:31>> So, I think a lot of young designers

9:34[ __ ] up their looks because they want to

9:36make everything and then since they

9:39can't make everything, it feels too

9:40simple.

9:41>> Yeah. And what is it doing necessarily?

9:43Is it like

9:44>> So basically the ink is getting pushed

9:47through the screen and the only part

9:50that it goes through is the part that's

9:52been burned away. So like the where your

9:54artwork is. So you can see here like

9:56it'll only go with the dots.

9:58>> How much stuff do you bring to fashion

10:00week?

10:00>> So much. Like an unlimited amount.

10:02>> Like how have you had to put an estimate

10:03on it?

10:05>> 500 600 items.

10:08>> And how do you get it over there? in

10:10boxes. In cardboard boxes,

10:12>> but how? On a plane.

10:13>> Yeah, cuz if you ship it, you don't know

10:14when it's going to land.

10:16>> Oh my god.

10:17>> So like 10 of us all go, we all put

10:19third three boxes. You get 30 boxes.

10:22>> And then what do you do? Like come the

10:25fashion show. Do you select the ones you

10:27want to display?

10:28>> Then you style it.

10:29>> You style it.

10:29>> And you the problem.

10:30>> And these are all made these are all

10:32made over a course of

10:33>> Yeah.

10:35>> Well, yeah. [laughter]

10:36>> A long time.

10:37>> More. But six months. But we'll be

10:40really last minute. We're really last

10:42minute.

10:44>> Let me show you over here.

10:47>> Oh my gosh.

10:49A podcast studio.

10:50>> Yeah.

10:53>> Oh wow.

10:55>> Have you done any podcasts?

10:57>> I ain't going to lie. Like to be honest,

10:59bro. Like me coming in at where I'm at

11:01and like being where I'm at, I'm already

11:03I already have the short end of the

11:04stick.

11:05>> Yeah. Yeah.

11:05>> You feel what I'm saying? One, because

11:06I'm a creator and I'm a streamer. So

11:08everybody's, not everybody, but some

11:10people who really have passion for

11:12fashion, they're doubting me. They're

11:14doubting me, which I don't blame them

11:16for because a lot of people has came

11:17into the clothing world and just slapped

11:20their name on the brand, got paid, and

11:21just left. You feel what I'm saying?

11:23Like there was no meaningful thing to

11:24it. Before I got to my designs, I got to

11:26have to understand what this means to

11:28me.

11:29>> That's what I'm always saying. Like if

11:30you hate on Kids Super, I'm like, you

11:31really just don't know enough about

11:33kids. I'm like, "Yeah, maybe the clo one

11:35of the pieces you don't like or it's too

11:37colorful for some things." It's like,

11:39"All right, come hang out with us over

11:41here. Come see what we did over here."

11:42Because it's like I've touched so many

11:44different worlds. So, when people do

11:45hate on me on Instagram, I'll like

11:46sometimes DM them and be like, "What the

11:48fuck?" I think for you, because you're

11:51already so successful

11:53>> and have the resources, I think you

11:55should still think about it as you don't

11:57have the resources. And I wouldn't over

12:00like I need the perfect sample. I need

12:02the perfect thing. Even think about now.

12:04You'll probably drop drop some pants now

12:07and make them now. If you make them too

12:09baggy, which like baggie is hot now, I

12:12bet in six months it'll be like what?

12:13>> Why make baggy?

12:14>> So like even the stuff you like right

12:16now isn't going to be the thing you

12:18like.

12:19>> So I think to be you I think you have to

12:23have this scrappy mentality where like

12:25if something's not perfect, you're still

12:26releasing it because that's the name of

12:29the game,

12:29>> bro.

12:31Like this is way different from what I

12:33do.

12:34>> What is

12:35>> like fashion?

12:37>> Oh yeah.

12:38>> So I'm so intrigued with it though.

12:39>> But the funny thing is I'm quitting

12:41fashion. I'm going full streamer.

12:43>> Yeah. [laughter]

12:44>> You guys like he's quitting streaming.

12:47I'm about to start streaming.

12:48>> I want to see how much of a beast I

12:50really am. I want to see how [music] how

12:51crazy I could really get. Like if I'm

12:52going to learn about clothes, indulge

12:54yourself into [ __ ] clothes. You feel

12:55what I'm saying? Like respect respect

12:57the art.

12:58>> Checked your phone once.

12:59>> Yeah. Yeah. I know. cuz I deleted my

13:00apps right now.

13:01>> But also because I'm in front of you, I

13:03actually want to learn.

13:04>> Yeah.

13:04>> Seeing how focused and present he is.

13:08And I was [music] expecting him to be

13:10all over the place, but it's really cool

13:11to see how focused and present he is. If

13:13I never if I always stayed stagnant and

13:16just kept doing what I was doing, I

13:17wouldn't be where I'm at today. But

13:18that's why I don't question myself on

13:20like I this is my first time ever had a

13:22doubt on that other every other thing

13:24because I'm just so much more known. But

13:27like [music] that wouldn't make me me.

13:28Like I always kept doo doom doom doom.

13:32You know,

13:32>> you know, a lot of people get stuck in

13:34their ways and it's cool. It's [music]

13:36like inspiring even for me to be like,

13:38okay, if I focus more on certain things,

13:41I can accomplish a lot more.

13:44>> This is what it's already what we

13:45already put to the side. Well, what I

13:47want to do is like make the racks, some

13:49racks in order like details and the

13:50materials for act one.

13:51>> Bro, look at this piece. Like it just

13:54looks so worn and it looks almost like

13:56blood.

13:57like blood red. It's mixed with like

14:00western. And

14:04>> I love all this [ __ ] cuz it almost looks

14:06like cowboy attire, but it has its own

14:08swag to it. Like

14:11it's like super distressed

14:13nowadays. All all leather is very like

14:16stiff, you know what I mean? And this

14:19looks just very beautifully worn.

14:22This that 80s

14:25>> girls have fun.

14:27>> Who's that mob?

14:30>> That's swagger dagger right there boy.

14:40>> Imagine the first look coming out crazy.

14:43>> You know, some designers [music] just

14:44have an idea, just sketch it, just do

14:46it. Some designers see like a reference

14:48[music] and inspires them. You know, I

14:50think it's just the design process.

14:53>> Yo, this is insane, bro. Like, some of

14:55the [music] most insane [ __ ] that you'll

14:57ever see, bro. It's crazy that people

14:59don't got access to things like this.

15:01He's been collecting, bro. You know how

15:03mind-blowing this is to me, bro?

15:20You cannot find this where I live, bro.

15:23>> Remember the washes we saw where at the

15:25at the die house with all the layers?

15:27This is Could we do the same washes on

15:29translucency for women? So maybe men get

15:32canvas and women get like layers of

15:34translucency.

15:35>> Military over shoes, but like it's like

15:37the doll boots. You know what I'm

15:37saying?

15:38>> I know.

15:38>> You don't need elast. Exactly.

15:41>> Yeah. Lav vet pins.

15:45>> Yo, this is crazy.

15:48Yo, that's insane. Then we got

15:53>> Oh, damn. It's hard.

15:58Good d Oh, wow.

16:00Wow. This is crazy.

16:04What's your favorite,

16:05>> bro? I'm actually like very surprised on

16:08how a lot of these came out. Like, what

16:10the [ __ ] Like this is crazy to me.

16:13>> This is crazy.

16:16>> I feel like these buttons could be a

16:17little bit more like realistic in my

16:19opinion,

16:19>> you know? What you think?

16:20>> Yeah. Um

16:25>> Yeah. Um but

16:29I love the button-ups. The button-ups

16:30are like flawless.

16:31>> And then like Yeah, bro. Like these the

16:34like these in my closet. So crazy, bro.

16:37The stylist going to go crazy.

16:40Straight dress up.

16:43>> Holy [ __ ] dude. And the crazy thing is

16:46like nobody's expecting any of this

16:48[ __ ] It's like

16:50>> [ __ ] I want to see how these how these

16:53fit.

16:54>> Oh my gosh.

16:57>> Yo, [laughter]

17:01holy.

17:02>> He's cool, man.

17:04>> When these drop, this is the stage.

17:06These are the stages where

17:08I get a stylist to dress me every day.

17:12>> No, no joke.

17:14>> They got to put on a I need a stylist

17:16that from now on to just put on the

17:18craziest combinations.

17:20>> Mhm.

17:21>> Of what I have. Every time when I'm

17:22caught my [ __ ] sharp.

17:25>> Mhm.

17:26>> But that's a good button up. But I'm not

17:28like I hear you. It's a great button up

17:31and I would pay dog [ __ ] bad.

17:33>> And I like this one.

17:35>> I like two. I like how this one got a

17:36buttons and this one is hidden. Buttons

17:38hidden. I like both of that.

17:39>> It's kill you two different. Yeah,

17:42>> I like that one more.

18:04I'm very excited, bro. I'm very, very

18:06excited. I think it's going to

18:08definitely shift culture, especially

18:09[music] because no one has ever made a

18:11runway show from their first brand.

18:13Usually, someone takes years.

18:16>> Literally, this is a made to major on

18:18her body. I know,

18:19>> right?

18:20>> Literally, right? only for her.

18:24>> He did this one.

18:25>> I thought it looked like him.

18:27>> It [music] does.

18:28>> It look like something like he would do.

18:29>> Exactly.

18:30>> Yeah. Oh, he would wear

18:32>> when we went [music] to Italy. That's

18:34when it like hit my brain. I was like,

18:35"Wait, this is actually insane." He's

18:37like very passionate about fashion.

18:39>> The selection of models is very strong.

18:41>> No, it's going to look really good. The

18:43all of the faces are great.

18:44>> Great.

18:44>> It's a lot a lot going on, but I'm

18:46happy. All the nine months that we

18:48missed him for, this is what we going to

18:49see.

18:52>> [laughter]

18:55>> Oh, this is fire. Oh my god. [laughter]

19:11Is that coming out on base? On beat

19:13drop,

19:13>> huh?

19:14>> On beat drop.

19:15>> Yeah, they're going to go.

19:17>> No, on beat drop. See? Oh.

19:23>> Are they able to start on beat drop?

19:26>> Yeah. Yeah.

19:26>> Yeah. Bop. Yeah.

19:28>> Yeah, that's the goal. That's just my

19:30team trying to do the best. Of course,

19:32the go speed clip,

19:36>> the beginning and the length of that

19:39beginning. But the heartbeat, I need it

19:41that length. We can't shorten it.

19:43>> A minute and 30.

19:44>> No, it's not a minute and 30. The the um

19:46the heartbeat until beat drop. Yeah.

19:49Like the emotions. I need their emotion

19:50to come out. Like we need that cuz we we

19:54can lengthen it, but then it makes it

19:55that the guests have to wait a lot.

19:58>> Yeah, that's fine. That's fine. And then

19:59the first model should come out on beat

20:01drop.

20:02>> Okay.

20:02>> When it goes doom, that's when the first

20:05model gone. I'll be there. But

20:06>> yeah, but I I 100% would want the

20:09heartbeat to be that long because I want

20:11their emotions to start feeling like

20:13something

20:15and then we can test it. You just send

20:17>> perfect.

20:18>> I'm telling you, bro.

20:20>> That length of like they got to hear

20:22that like

20:24like the Yes.

20:28>> Yes.

20:31Yes.

20:35Yes.

20:45>> Mhm. Lights. Good lights.

21:15Right there.

21:16>> Right there. Yeah.

21:18>> Okay.

21:19>> Right. Yeah. Yeah. Yeah. Perfect. Yeah.

21:21The lights and everything was perfect.

21:23>> Okay. But just make sure that the one is

21:24coming.

21:25>> Yes. Okay.

21:26>> Perfect. Just make it the the only thing

21:28is like she about to start on the boom

21:31start. Yeah.

21:33>> When the beat drops, that's when she

21:35walks out.

21:36>> Yeah.

21:39>> I'm going to be right here, right?

21:40>> Yeah.

21:41>> Okay. Yeah. So,

21:41>> you're going to be

21:42>> Yeah. Yeah. I [laughter]

21:44I'll call it. You don't have to worry.

21:46>> I'm going to call it.

21:48>> So, that's Gloom. That's the director.

21:50>> Nice to meet you. Yes. Yes.

21:51>> You're going to be with

21:52>> Oh, perfect. Perfect. That's going to be

21:53you.

21:54>> Perfect. Yes.

21:54>> Um I think it's stronger if we if we we

21:58see him or her and then the light is

22:00strong because if we send it will bang

22:03and the models and models arrive later

22:05it's a bit weird. I mean the strong

22:07stronger light.

22:09>> So it was too early this time. So no

22:11that's a bit

22:11>> No I'm not talking about the light. She

22:13has to walk out when the beat drops.

22:15>> Yes. Yes. If we send I I send her when

22:18the the the the the beat starts, it

22:20means we have boom boom and then the

22:23girl.

22:23>> And I think it's nicer if we have the

22:25girl in front of the photographer when

22:27the when the beat start. I think the

22:29image is very strong to have the girl

22:31and the light on the beat. What do I

22:33mean?

22:33>> I don't want her to come out before the

22:34beat drop. So whether it's for the

22:36lights or not, like you probably can do

22:38the lights, like

22:40>> I'm just concerned about the the first

22:42person that comes out. Yeah,

22:44>> she has to come out with the B drop.

22:45However we want to do lights after, we

22:46can we can we can set it up.

22:48>> Let's make sure we just have that and

22:49then we can decide like how it looks

22:50with the lights.

22:51>> Yeah,

23:01>> not bad. That was That was cool. That

23:03was cool. That was cool.

23:05>> Yeah. Yeah. Yeah.

23:07So far so good. And then after um

23:09tomorrow we'll just make sure we get it

23:10to like a tea. Like make sure it's

23:12polished.

23:13>> Yeah. I like the one that we just did.

23:16>> I like it.

23:16>> When the girl and the light and the

23:18music together. I love that.

23:19>> I mean when you already out.

23:21>> Yeah. Yeah. The way you just did it. Am

23:23I able to see it one more time? That

23:24beginning. One more time. Yes. Let me

23:25just see it one more time.

23:26>> I I'll try to do it.

23:27>> Yeah. I need to resign. Tomorrow is the

23:29right. Okay. Yes. Yes. Yes. Yes. Yes.

23:40I like that. I like that. Yeah. Yeah.

23:42Yes. Yes. Just like that.

23:46>> Yeah. I'm happy with that. And then

23:48tomorrow I'll be here early, so I'll

23:50make sure we we we do we polish it more.

23:52>> So yeah, sounds good.

23:53>> Thank you very much.

23:54>> Yes, of course.

23:58Kai was just telling me, you know,

23:59certain vibes that he wanted me to

24:01emulate with this. And [music]

24:04the concept of the three act, it's like

24:05three completely different vibes.

24:07>> Act one, it's very minimal. It's

24:09sweatuits. So, as soon as the show

24:12starts, everyone's going to be like, "I

24:14told you it's just merch. It's just a

24:16hoodie. It's just sweats." Act two, it

24:19starts elevating. They're going to be

24:20like, "Wait." Then they're going to

24:21start seeing all the leather. Act three,

24:24that's when I come out. And then they're

24:26going to be like, "Holy [ __ ] this is

24:28serious."

24:29>> It's just [music] meant to represent

24:31like the start of something new.

24:33>> You know, Kai has done some major

24:34things. I've been modeling for 10 years

24:36now. And you [music] know, to be here

24:38with him and his first collection, it's

24:41an honor for me.

24:43>> Center, please.

24:45In the middle, please, darling.

24:47Straight.

24:48>> I was nervous. I think I'm less nervous

24:50now that I've seen everything.

24:51>> Do not slow down. Come on. Come on.

24:53Walk. Walk. Walk. Come on with energy.

24:56Go go go go go go. Come on. Come on.

24:57Come on. Come on. Come on. [music] Come

24:58on. Come on. Come on. Come on. Come on.

24:59Yes. Yes. Yes. Yes. Yes. Yes. Beautiful.

25:00Yeah.

25:02>> Okay. Stop the music. Stop the music.

25:04Stop the music.

25:07>> Keep the pace and keep the distance. So

25:09if the the guys in front of you, there

25:11is a girl with heels. Please don't go

25:14too fast. If she's, you know, going a

25:16little bit slower, pace yourself so you

25:18keep the same distance we send you out.

25:20>> We want energy. at the first think. So

25:24sorry for the first 10. That was not

25:27energy. That was was a super slow lazy

25:31walk. It's not at all what we want. Want

25:33energy. The music is strong. You need to

25:36walk with energy.

25:37>> I'll do one more time.

25:39>> Yeah.

25:39>> This blue X won't be here. If anybody

25:42needs help, if everybody can listen.

25:44>> This pole right here, this second light

25:46should be a cut to turn.

25:47>> Yeah. Just before just before. Just

25:49before. Okay. So, one more time. walk

25:52perfectly in the center, in the middle.

25:53That's really, really important. Make

25:56sure that the the turns are just nice.

25:58>> I'll talk to everybody when everybody's

26:00all dressed up. But

26:02everybody here, every selected

26:05individual fits the story line in the

26:07first collection perfectly. You guys are

26:10representing something brand new, a

26:12birth of a new child. When you walk that

26:14runway, feel it, own it, hear the music,

26:17feel the clothes, and blow minds away.

26:20Everybody deserves to be here. Everybody

26:22is representing exactly how I want the

26:24brand to be represented. Appreciate

26:26y'all. Let's Let's cook. Let's cook.

26:29[applause]

26:32[music]

26:40>> Yeah.

26:43Sorry.

26:46[music] No. No.

27:06Hello.

27:15[music]

27:18I'm proud of my dog though, man. For

27:20sure. You know what I'm saying? Like,

27:21who would have thought this really what

27:22[music] like me and him keep saying?

27:24Like, but this is a lot.

27:27>> Hurt yourself, man.

27:28>> Oh, my heart's beating.

27:31>> Bro, it was a good

27:33>> I was like,

27:35>> the entire collection is about growth.

27:37The entire collection is about maturity.

27:39The entire collection is about, you

27:40know, [music] dedication and just people

27:42from my life that mean something. You

27:43know,

27:44>> a lot of people, you know what I'm

27:45saying? They [music] talk [ __ ] They

27:46want to say he ain't really into it. He

27:49performing all that. That's a

27:50[ __ ] show. That's how you

27:51That's how you set the [ __ ] example

27:53how you supposed to do this [ __ ] man.

27:55And that's it, bro. It's rap. Today was

27:57the finish line. I'm choked up right

27:58now. So, I'm not going to say the best

28:00things, [music] but I'm so happy.

28:01>> He's amazing. He's literally amazing.

28:03That's something that only a person like

28:06him with this mindset and this focus and

28:09the good heart is capable of. [music]

28:11I'm so proud of him. So proud as a

28:13brother from deep on my heart.

28:18>> Shout out to Kai, bro. I'm so excited

28:20for you. It's over, y'all. It's over.

28:24[cheering]

28:30[cheering]

28:36>> [applause]

28:36[music]

28:42[cheering and applause]

28:45>> [ __ ] sick.

28:47>> Good [ __ ] my boy. [laughter]

28:50>> Bro, you don't know how many [ __ ] call

28:52my name.

28:54>> I'm like, bro, I'm trying not to look.

28:58[music]

29:04How you like me?

29:05>> I got you.

29:09>> Thank you so much for filming it.

29:10[music]

29:11>> Congratulations. I'm so happy for you.

29:13That was amazing.

29:14>> We was here from the start. Seeing this

29:16[ __ ] come to life, both like just on

29:18paper come to life. It's was amazing.

29:20And I know it was not even at the peak

29:22yet. This is the beginning.

29:24[music]

29:29>> [music]

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