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Lecture 26: The Politics of Going Mad

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0:04[music]

0:09[music]

0:17>> Hello everyone. I welcome you to the

0:19week six of our course introduction to

0:23medical humanities. We have really come

0:25a long way in this uh course and in this

0:28week, I am going to talk about mental

0:30health issues. I deal with madness,

0:33anxiety, stress, depression, all uh

0:37these kind of issues as reflected in

0:39literary and cultural texts. Now, the

0:42first title that I take up is called the

0:44politics of going mad and how does

0:47madness trope

0:50represent itself in some of the literary

0:53text I will take up. For this particular

0:55lecture, I pick up Jerry Pinto. Before

0:58we begin, I'll quickly go through a

1:00lecture overview as to what I'm going to

1:02talk about. I will talk about uh

1:05stigma associated with mental health and

1:07follow it up with medicalization of

1:09stigma and take up literary

1:11representation of madness in some of the

1:14text conventionally that we have seen

1:17and then focus on the writer that we are

1:19going to analyze and take up two of his

1:21works, M and the Big Home, which was

1:24published in 2012 and a Book of Light,

1:27which came out in 2016 and look at the

1:30reflections of how the polyphonic

1:34narratives of madness take place. While

1:36we do this, we will also analyze some

1:39other themes like caregiver fatigue,

1:42invisible labor of family, and also look

1:45at how literary forms because when you

1:48look at M and the Big Home, it's a

1:51novel, but a Book of Light is an

1:53anthology. So,

1:55even uh

1:56in terms of generic division, how does

1:59that narrative change the representation

2:01that we will take up? Uh that will be

2:03part of my lecture today.

2:06Let us quickly go to uh the prime

2:09theoretical framework that I have

2:10identified for this course, which is

2:13stigma associated with mental health.

2:16Now,

2:17in the field of medical humanities, as I

2:19have emphasized earlier, that illness is

2:23experienced or understood through lived

2:26experience as narratives and

2:29not just clinical engagement.

2:32Medical side of it is important, but

2:35what we emphasize in medical humanities

2:38is how the social construct is taking

2:41place.

2:42What is mental health then? On your

2:44screen, it refers to psychological and

2:47emotional condition that affect

2:50cognition, mood, and behavior

2:52influencing how individuals function in

2:55everyday life.

2:57Now, when we

2:58pick up

3:00these characteristics like mood,

3:03behavior, cognition,

3:06they do not have very set parameters.

3:10And that is why when you

3:12want to have a clear-cut definition or

3:15straight line or you

3:18bracket mental health or mental illness,

3:21it's very problematic because

3:24for somebody, it is their natural

3:26behavior.

3:27So, uh mental health is a very gray area

3:31even now and

3:32a lot of discussion uh quite a few

3:35number of research is going on. In the

3:37case of India, we have Mental Health

3:39Care Act 2017, which is a

3:42I mean, extremely positive shift towards

3:44recognizing the mental health conditions

3:47and the way in which we are going to

3:50take it up in future and now. So,

3:53globally if you look at the data suggest

3:55research that was done in 2017 that 970

3:59million people have had mental health

4:02disorder. Now, look at the choice of the

4:04word. It doesn't say illness, it doesn't

4:07say disease, it say disorder. Why?

4:10Because we don't know. We cannot

4:11pinpoint a finger and say this is the

4:14diagnosis.

4:15This may be the diagnosis because it is

4:18about something which is also behavioral

4:21in in nature. So, mental health becomes

4:24a very

4:26fluid kind of a space to find a concrete

4:29structure of. But, NIMH, which is

4:33National Institute of Mental Health,

4:35talks about two categories of mental

4:38health. One they call any mental

4:41illness, which is like anxiety

4:43disorders, eating disorders.

4:45You must have heard of

4:48many others like you know, who have this

4:52Usually, they want to be

4:55very clean. They now use the term in

4:57very general sense, which is a matter of

4:59debate as well. So, and then there are

5:02serious mental illness. So, you talk

5:05about schizophrenia, bipolar disorder,

5:08these kind of mental disorders into

5:10serious. So, any

5:12will have

5:14behavioral attitude related disorders

5:17mostly and a serious mental illness will

5:19have some kind of clinical component.

5:22They can be measured through the

5:23diagnostic tool prescribed by WHO.

5:26>> [sighs]

5:27>> Now, another way in which the stigma

5:30operates within the mental health

5:33scope is

5:36interpersonal, intrapersonal, and

5:39structural. Now,

5:41stigma

5:43because this is a social construct, how

5:46society responds to the

5:50mental health disorder is

5:53also taken into consideration and

5:55sometimes it builds the stigma because

5:57there are many stereotypes, prejudices,

6:00and discrimination

6:02attached to how people perceive people

6:05with mental health issues. Now, in this

6:08regard, when you talk about the stigma,

6:11it can be interpersonal, it can be

6:13intrapersonal, and it can be structural.

6:17Now, we'll come to this definition one

6:18by one.

6:19When you talk about interpersonal

6:21stigma, it involves the negative or

6:23discriminatory attitude that others may

6:26have about your mental illness. Clearly

6:29indicating that it is basically the

6:32community, the society, or the family,

6:36how someone else responds to your mental

6:38illness, that is what you can term as

6:41interpersonal. You internalize that. So,

6:46these negative attitudes, including

6:48shame that people with mental illness

6:51may have their own condition. Because

6:54there are so many constructs around

6:56mental health and how people are

6:58responding, you automatically began to

7:01internalize that shame, which is

7:04outside, but

7:06you cannot escape from internalizing it,

7:09and then it becomes

7:11what

7:12is termed as intrapersonal stigma.

7:16There is also something called

7:18structural stigma.

7:21Beyond the individual and the society

7:24and the community, there is also this

7:26layer of institutions,

7:29policies, legal framework. All these

7:33affecting to how your interpersonal and

7:37intrapersonal stigma will shape up. Say,

7:40for example,

7:42I mean, you know, in this entire week I

7:44will keep on reiterating Mental Health

7:47Care Act 2017 and uh I can't stop uh

7:52gushing about how progressive a move it

7:55is uh because it kind of shifts the

7:58perspective towards a very positivist

8:00attitude and therefore when you look at

8:02even the structural stigma you find that

8:06this act destigmatized

8:08many of the things that we associated

8:11in mental health care or in mental

8:13health uh as a criminal activity like

8:17somebody who attempted suicide. It was

8:18clearly a colonial import and had not

8:21died down till about 2017 when these

8:24issues were taken into consideration and

8:27the whole idea from punitive to

8:30therapeutic to recuperative was intended

8:33and incorporated within the health care

8:35act. Finally, when we uh think of uh

8:38uh

8:39all these kind of stigma, it is also

8:41culture-oriented and it may vary across

8:45different cultures but at the same time

8:47it might also become a barrier to the

8:51mental health discourse in a progressive

8:53way.

8:54So uh on that note, I think it's

8:56important to uh focus our shift in terms

9:00of how literature has dealt with uh the

9:03representation of madness. In fact,

9:06literature is replete with such

9:08examples. Uh you will find uh many, many

9:11examples that are around

9:14the reflection of

9:17mental health

9:18as a madness trope. So

9:21particular reference to Michel Foucault

9:23Madness and Civilization where it's

9:26explained how societies historically

9:28constructed and controlled the idea of

9:31madness through institutions and social

9:34norms.

9:35So broadly speaking, this meant that

9:39someone who is not

9:41following

9:42the set protocols of the society,

9:46they will be penalized. So, any kind of

9:49defiance or deviance was termed as not

9:54complying. And there were institutions

9:57and social norms that set them right. Uh

10:01so, society has built institutions like

10:04prisons, uh asylum, sanatorium, all this

10:08not with the intention to heal, but to

10:12contain and define those who deviated

10:15from the social norms. What this means

10:17that the whole intent was very punitive

10:20in its approach.

10:21Literary texts have also gone to reveal

10:24or reflect that kind of a phenomena. We

10:26know that

10:29literature affects society and society

10:31affects literature. And that phenomena

10:33you will always find when you read the

10:36text and try to map it along the

10:38timeline. Uh in fact, that is a very

10:41good reading strategy that I will ask

10:43you to formulate. Always when you are

10:46reading a particular text or watching a

10:48particular film, if it has a social

10:51issue component,

10:53try to map it with the timeline. Try to

10:56map it with the legal aspect. Now, uh

10:59with uh the interdisciplinary and

11:01multi-disciplinary edge that has taken

11:04up entire reading discourse and academic

11:07research too, I think that is the

11:09beginning point of where our reading

11:11should begin. In this case, I give you

11:14some clue on how to do that, uh but of

11:17course, you can expand it uh

11:19for your uh research or your reading.

11:22So, let us come to two, three examples

11:24that I have noted here. There is Sylvia

11:26Plath, uh The Bell Jar. You have Mrs.

11:29Dalloway. And you have Virginia Woolf,

11:32the Yellow Paper by Charlotte Perkins

11:34Gilman which you can

11:37think of as a reference point and in all

11:39these texts you will find that there is

11:42a reference of mental illness within the

11:45trope of madness. At this point of time

11:48it is also important we go back to Rita

11:51Sharon who talked about narrative

11:53medicine and if you remember I discussed

11:56her in great detail in perhaps lecture

11:58four where I discussed three theorists,

12:01the narrative of the patient and the

12:04people associated with that patient.

12:07All their experience

12:10has to be

12:11noted down because

12:13only the narration will be helpful in

12:19sort of bringing that uh

12:21experience on to page.

12:23So if there is any form any structure

12:26that can be provided to the experience

12:29you felt at that time, it is only

12:32through narration and narrating has a

12:35pathologizing effect. So she calls it uh

12:38narrative medicine as a theoretical

12:40framework.

12:42Let me come to Jerry Pinto. In fact,

12:44he's a very famous novelist, poet,

12:47translator and journalist. Many

12:49important works that I have listed here.

12:52You have Surviving Women, Asylum and

12:54Other Poems, Helen, The Life and Times

12:57of an H-Bomb, M and the Big Home which

12:59we are taking for discussion, When Crows

13:02Are White,

13:03A Book of Light again our book for

13:06discussion today and Murders in Mahim.

13:09So the first book that we are going to

13:11discuss today, M and the Big Home which

13:14was published in 2016 also received

13:17Sahitya Akademi Award.

13:19So it's the biggest honor in India for

13:22any literary work. So this book because

13:25it came out

13:27at a time when mental health issues were

13:29really picking up and this was about a

13:32child whose mother has bipolar disorder

13:36and father is the primary caregiver and

13:38the entire novel is written from the

13:40perspective of that young boy.

13:42I think it was very timely

13:44for not just the book to gain attention

13:48but also for the Indian society. So

13:50Indian society in that sense was ready.

13:52So if you again map the timeline, his

13:54book comes 2016 he gets Sahitya Akademi

13:57and 2017 is Mental Healthcare Act. So

14:00you can clearly see that the society as

14:03an apparatus was

14:05getting ready for a shift in the

14:08discourse of how we perceived mental

14:10health. So I mean most of his work have

14:14contributed to mental health discourse

14:16and that is why we have

14:19chosen him to be one of the authors or

14:22to begin our lecture with Jerry Pinto.

14:25Like I discussed, M and the Big Home

14:28came out in 2012 and in 2016 it received

14:32the Sahitya Akademi Book Prize.

14:34The book is

14:36partly autobiographical in nature and it

14:39is

14:40about an unnamed son

14:43who has M and Big Home as parents. Now M

14:48is

14:49having

14:51bipolar disorder

14:52and Big Home is his father and the

14:56primary caregiver of M.

14:59This is set in a Goa Catholic family in

15:02Mumbai and it moves from the memory of

15:06the past to present and the

15:09cost a family has to pay as a family

15:13unit.

15:15Now

15:16if you

15:17walk through the pages of the book, if

15:20you read the book, will find that

15:23the narratives are not having a very

15:26linear pace.

15:29So, just like M, who is

15:33suffering from

15:35bipolar disorder,

15:37the oscillation in her mind is also

15:41oscillated

15:43in the reflection of how this young boy

15:46perceives the shift.

15:49So, the non-linear

15:52storyline chronicles the life of a

15:55family's chaotic struggle with M's

15:57disorder, her euphoric flamboyance,

16:00strained charm, and paranoid attempts at

16:03suicide. Now, the entire

16:06novel is written from a young boy's

16:08perspective. And that is why when you

16:11read the book, you will find

16:14that that there is certain kind of

16:16vulnerability also

16:18attached to it because for a young boy

16:21to understand what is happening, because

16:24with bipolar disorder, it is not

16:26visible.

16:28And therefore, he doesn't know why my

16:29mother wants to attempt suicide, why

16:33she's having these kind of

16:35erratic mood swings. So,

16:38even when you read the text, you will

16:40find that these kind of narratives very

16:42much are in

16:43place. I will quote from the text and

16:45you should follow it.

16:47It says,

16:48"If you have a story that you would not

16:50like to share, but still would like to

16:53commit to the word, write it down,

16:55record it, draw it, paint it, shape it,

17:00and in some way.

17:01I cannot assure you that it will help,

17:04but it will not harm you."

17:06Pinto did exactly that. So, because it

17:10was it is considered to be a

17:11semi-autobiographical novel, writing,

17:15you remember just now I mentioned

17:17narrative medicine as a term? So,

17:20narration in itself became a process of

17:24not just documenting, but living the

17:27experience and documenting it for the

17:29purpose of

17:31pathologizing it.

17:33So, that is what happens in M and Big

17:36Home.

17:38Let us go character by character. Uh

17:41first, let us focus on M. So, M is the

17:45mother in the novel. She is having

17:48bipolar disorder, and it's very complex

17:50how bipolar means bipolar, if you know

17:53know that two personalities into one.

17:56So, there are periods when she's

17:58extremely charged, full of energy, but

18:01there are also times when she's hugely

18:04into depression.

18:05She's hospitalized for

18:08suicide attempts, and the young boy

18:11through whose perspective this entire

18:14novel is written,

18:16he finds this situation

18:19very problematic because he doesn't know

18:22what is going to happen.

18:25Uh

18:25there is

18:26care from her father, which is not

18:29understandable to him.

18:31Then there is institutional

18:32intervention, and then comes the family

18:35responsibility. Institutional

18:36intervention as in how is the hospital

18:38responding to? What are people saying?

18:40So, you find the chaos not only in the

18:45novel as to how it is happening, but

18:47also in the mind of

18:50the child as a family unit to how he is

18:54responding to his mother's bipolar

18:56disorder. I'll quote it from here.

18:59I wanted to understand her predicament

19:02because I was her son, and I loved her

19:04with a helpless corroded love. So, look

19:07at the choice of the words Pinto make. I

19:10was her son, and I loved her with a

19:13helpless, corroded love. So, there was

19:16nothing that could diminish the love of

19:19her son towards his mother despite

19:22everything that her family was

19:24undergoing because her mother was

19:27uh having a bipolar disorder. So,

19:30when you

19:32uh see M's character, it also

19:35foregrounds how maternal mental health

19:37illness becomes a shared emotional

19:40experience for the entire family,

19:42reflecting the broader politics of

19:45mental health and caregiving. And why do

19:48I say that? Because in most of the

19:50families, it is the mother who is

19:53holding the entire structure of the

19:55family. Who will be uh given what? What

19:59is it the family demands? What are the

20:01needs? What are the desires? Everything

20:03is pulled together by mothers. So, she's

20:05the primary caregiver. But in the case

20:08of Pinto's M and Big Home, you find that

20:12the primary caregiver is the one who

20:13needs primary care.

20:15So, it is a very complex kind of a

20:18situation. And in a in from the uh son's

20:22perspective, he's the one who should be

20:24cared, but now he's in a helpless

20:26situation. He can't care for his mother

20:28because he's very young. And uh his

20:31mother doesn't care for him the way he

20:33wants. So, it's a very difficult

20:35situation so to be portrayed in by Jerry

20:38Pinto.

20:40Like I said, uh

20:42when there is a mental health issue,

20:45it's not just the individual who

20:46suffers, but it is the family who gets

20:49into the distress. And in the

20:51introduction part itself, Pinto says

20:55about his mother, "The beedi-smoking,

20:58hyperactive mother driven frequently to

21:01the hospital by her mania and failed

21:03suicide attempts, and her father, the

21:06Big whom as the rock solid dependable

21:09father trying to hold things together as

21:13best they can. And he finishes the line

21:16by saying they are an extraordinary

21:19family. So,

21:22he also is looking at his parents

21:27from not just a subjective participation

21:29as a family, but also from an objective

21:32gaze where he thinks they're good,

21:34they're extraordinary as a family

21:35because here is this man who is rock

21:37solid, very dependable.

21:40I mean,

21:41over a period of time he has not been

21:43conditioned to be a primary caregiver,

21:45but for his family, he's just there. And

21:49the mother, beedi smoking, hyperactive,

21:52and driven frequently to the hospital

21:54for attempting suicide. So, in that

21:57sense, you find the entire structure

22:00into a distress. So, a quick chart I

22:02have made and you can see on your

22:04screen. You have M.

22:06There is suicidal ideation due to

22:08bipolar disorder. There is big whom, the

22:11primary giver, the husband, primary

22:13caregiver, and

22:15no identity of his own except for that

22:18he's carrying he's the primary caregiver

22:20for

22:21M. You have the narrator son, young

22:24carer, not as efficient as the big whom,

22:27but yes, there is. And

22:30the witness and a chronicler of the

22:32entire event. There is also another

22:34character in the novel, Susan, whose

22:36sister. She's secondary caregiver and

22:39clearly indicating that how when there

22:42is a mental health issue or there is any

22:44issue of illness, the entire family

22:46bears

22:47the shared responsibility. Now, what

22:50does family systems theory say? Pretty

22:53much clear with the term itself that

22:55family is an organism in where illness

22:59is one member ripples through all.

23:03So, this means that

23:05when there is an illness, it is not the

23:07individual who

23:10is

23:11having the illness. The entire family

23:15has certain kind of rippling effect of

23:19the illness that that has happened to

23:21that person.

23:22Pinto

23:24uh dramatizes this relentlessly through

23:26the M's episodes, destabilizing

23:29everyone's routines, relationships, and

23:31inner lives. And therefore,

23:34uh one can conclude when you think of

23:37these instances that if we think of a

23:40family as a unit, if one part of that

23:43organism or one part of that unit is

23:46destabilized, all other parts are also

23:49affected.

23:51The second book in focus is a book of

23:53light. It is a anthology. Now, this

23:56anthology is of writers, journalists,

23:59and caregivers describing their

24:01experience with loved one who has a

24:04different mind. Remember I told you that

24:07we don't use disabled any longer. In

24:10fact, the vocabulary change has led to

24:13shift in the word calling it especially

24:16abled.

24:18This is this At this moment, it looks

24:21like perhaps it is a

24:23surface level change, but definitely

24:26this surface level change has a promise

24:29for leading to a long-term change which

24:33changes the social model of disability,

24:35at least in the context of India. So,

24:37the anthology shifts the focus from

24:40patient alone. Like I said, it's the

24:43family. So, in this particular

24:44anthology, there are family members who

24:47have narrated who have written the essay

24:51of their experience.

24:53We have contributions from Sukant

24:56Deepak, Nirupama Datta, Lalita Iyer,

24:58Manoj Menon and others. And it opens the

25:01private space of you know, like because

25:05the stigma is associated with mental

25:07health, people are usually very quiet,

25:09very secretive, very hush about these

25:12issues. So, in these essays or through

25:15these essays, we find that these private

25:18issues are now open for public scrutiny

25:21and makes the

25:23whole idea of caregiving

25:26in these situations explicit. Now, quite

25:30polyphonic narratives of madness. So,

25:33three essays I pick up from the Book of

25:35Light. We have Sukant Deepak, Papa

25:38Elsewhere, and it is a powerful story of

25:41author's father, Swadesh Deepak, a

25:43celebrated writer with bipolar disorder.

25:46We have My Mother's Breast by Amandeep

25:49Sandhu, which focuses on the

25:51intersection of physical and mental

25:53illness, portraying his mother's

25:55schizophrenia. And we have Abhimanyu,

25:58Our Son by Madhusudan Srinivas, and it's

26:00a beautiful story about a parent trying

26:03to understand their autistic son. So, in

26:07all these narratives, you find

26:11a complex kind of a pain,

26:15emotional turmoil,

26:18and also dilemma,

26:20and helplessness of the caregiver

26:25to someone who is very close. So, in the

26:28first case, you see it's a father. A son

26:31is talking about his father. In the

26:33second case, you find it's about the

26:36person's mother, Amandeep's mother.

26:39And in the third case, it's about a

26:41young son. Now, in all these, you

26:45see that

26:48the illness that they have and the

26:51experience that their

26:53family members as primary caregivers

26:55have felt is

26:58very laid. And that is where you can

27:00also think of Arthur Kleinman, who again

27:03I have already discussed quite a few

27:05times, who discussed the distinction

27:07between disease and how this whole idea

27:11of culturally uh

27:14finding a meaning for the illness

27:16resonates with Indian realities, where

27:19stigma is important or uh it's kind of

27:23uh shadowing the way we perceive mental

27:27health issues or mental illness.

27:31Uh the Book of Light, through the essays

27:33that we have read, also discusses

27:38the

27:39invisible labor. Now, there is not a

27:41very structured system in India about

27:44caregiving, and therefore

27:46who is the primary person responsible?

27:49It's the family. The family as a unit,

27:52not just as a person, but as a family as

27:54a unit takes the responsibility of

27:57caregiving. And many times, what happens

27:59is that there is an invisible labor. So,

28:02it doesn't look like So, if I am, say

28:05for example, giving

28:06uh if there is a family member of mine

28:09and I'm

28:10following the medication routine, uh

28:14what they will what the person will eat

28:16every day, uh

28:18if it is to be done for a very long

28:20time, and despite this uh this person is

28:23my family member, there will be uh the

28:26whole effort goes unnoticed sometimes.

28:29So, this is an invisible labor. So, that

28:31is what A Book of Light also talks

28:33about, because

28:35it builds into a semi-fictional world,

28:37and uh both these, the novel and the

28:40anthology, talk about how caregiving

28:43uh involves sustained emotional labor

28:46shaped by love, frustration, duty, and

28:49silence. So, it's not all hunky-dory,

28:52but it is also a problematic at times

28:55because dealing with so much of

28:57caregiving under such distress and

29:02unpredictability

29:03is something that we have to think

29:05about. And Pinto writes, "M was not mad.

29:08She was

29:10simply another malingerer. Like any

29:12other malingerer, she wanted to evade

29:14her ordinary responsibilities."

29:16And Pinto shows how mental health or

29:20mental illness becomes a family

29:22condition, not because everyone is ill,

29:24but because everyone is entangled with

29:27it. And that is where you come across

29:30Rita Sharon and Montella, who talks

29:33about this particular phenomena and say,

29:36"To follow the patient's narrative

29:38thread to make sense of his or her

29:40figure of language, to grasp the

29:43significance of story told, and to

29:45imagine the illness from its conflicting

29:47perspectives, you have to take into

29:50consideration

29:52all other experiences that are having

29:55within the space in which the person

29:57with mental health is there."

30:01I discussed it earlier, the caregiver

30:04fatigue, where constant caregiving

30:07becomes a matter of fatigue as well

30:10because those who provide long-term care

30:14can probably get exhausted. So, it's a

30:17very normal phenomena which has been

30:19taken into consideration very recently.

30:23So, Joan Tronto says, "Care involves

30:26ongoing responsibility, attentiveness,

30:29and moral commitment, which can become

30:31overwhelming when support systems are

30:34absent." So, clearly indicating what I

30:36said just a while ago that in the

30:38absence of very structured kind of a

30:41system, this might the constant

30:43individual caregiving can become

30:45stressful.

30:47So, Pinto writes, "Home was where others

30:50had to gather grace. Home was what I

30:53wanted to flee."

30:55So, he was also a caregiver, uh

30:58not as efficient, like I said, as Big

31:00Home, but he was also a caregiver. So,

31:02he talks about home as a paradoxical

31:05space. So,

31:07towards home you go to find solace,

31:11gather grace, but he says,

31:13"I wanted to flee from there. I just

31:15wanted to run away."

31:17So,

31:17uh when you think of this particular

31:20line, you think of caregiver fatigue,

31:23and also it you can back it up with

31:25Arthur W. Frank, who explains that

31:28illness affects not only the patient,

31:30but also the care network. He uses a

31:32beautiful term, network. When you talk

31:34about caregiving also in the context of

31:38India, where we have community living,

31:40it's not just one person alone, or the

31:43family member who's responding uh as a

31:46care uh giving person, but it's the

31:48network of people. There are relatives,

31:50there are other people who are coming to

31:53help you, making suffering a shared

31:55experience within families.

31:59Finally, quickly I will uh take up uh

32:01both the forms. Like I said, the

32:04structure also is important. So, if you

32:07look at M and the Big Home, there is no

32:09linear plot, but in the anthology, the

32:12book of you will find that uh it is very

32:15structured, and it it is kept

32:16deliberately in uh novel, the content or

32:20the plot chosen remains of bipolar, but

32:22in anthology, you have different other

32:24kinds of mental health issues, clearly

32:27indicating that there is more to mental

32:29health than just diagnosing and saying,

32:32"This is this, or this is that." So, a

32:35straightjacketing of mental health

32:37issues is uh taken up in both. The

32:41uh anthology uh form actually resist any

32:44kind of pathologization because it's not

32:46the long form. And therefore, it moves

32:49from case to chorus and chorus to

32:51community. Whereas in the M and the big

32:53home, you find that uh the son cannot

32:57summarize completely M. He can just

32:59accumulate her. So, whatever he's

33:01witnessing, he's just kind of noting

33:03down. The reading of the novel looks

33:05like he's just kind of jotting down uh

33:08what he's uh visualizing. And in medical

33:11humanities, we'll call this attention to

33:13form, asking not about what has been

33:16just said, but how whatever you are

33:19saying is shaping a meaning out of it.

33:22Finally, when you uh

33:25think of these institutions, Pinto works

33:28both predate the Mental Healthcare Act

33:30in India. So, he says this, uh

33:33it occurred to me then that the mad in

33:36India are not the mentally ill. They are

33:39simply mad. They have no other identity.

33:42So, in the book, when he writes

33:44something like this, he also points out

33:47at how mental health is

33:51seen uh or the vocabulary of mental

33:54health is having such limited meaning at

33:57that point of time in India. Obviously,

33:59this was written, like I said, before

34:02the Mental Healthcare Act.

34:04Uh

34:04not much has changed, but we are moving

34:07towards a significant change. Thank you

34:09so much. I will now take up the madness

34:12trope in the next lecture vis-a-vis

34:14gender quotient. Thank you.

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