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Defy Me [Shatter Me #5] - Tahereh Mafi - Fantasy Romance Audiobook

Whispered Legends · 64,487 words · 294 min read

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0:01[music]

0:09[music]

0:10Harper Collins and Harper Audio present

0:13Defy Me by Tahara Muffy. [music]

0:16Performed by Kate Simses, James Fuhei,

0:20and Vikas [music]

0:21Adam.

0:28>> [music]

0:38>> Kenji.

0:41She's screaming.

0:43She's just screaming words. I think

0:46they're just words. But she's screaming.

0:50Screaming at the top of her lungs with

0:52an agony that seems almost an

0:54exaggeration. and it's causing

0:55devastation I never knew possible. It's

0:58like she just imploded.

1:02It doesn't seem real.

1:05I mean, I knew Juliet was strong, and I

1:08knew we hadn't discovered the depth of

1:10her powers, but I never imagined she'd

1:13be capable of this.

1:16Of this.

1:18The ceiling is splitting open. Seismic

1:20currents are thundering up the walls,

1:22across the floors, chattering my teeth.

1:25The ground is rumbling under my feet.

1:28People are frozen in place even as they

1:30shake. The room vibrating around them.

1:33The chandeliers swing too fast and the

1:35lights flicker ominously. And then with

1:39one last vibration, three of the massive

1:41chandeliers rip free from the ceiling

1:43and shatter as they hit the floor.

1:45Crystal flies everywhere. The room loses

1:47half its light, bathing the cavernous

1:50space in a freakish glow. And it's

1:52suddenly hard to see what's happening. I

1:54look at Juliet and see her staring,

1:57slack jawed, frozen at the sight of the

1:59devastation. And I realize she must have

2:02stopped screaming a minute ago.

2:05She can't stop this. She already put the

2:08energy into the world, and now it has to

2:11go somewhere.

2:13The shutters ripple with renewed fervor

2:16across the floorboards, ripping through

2:17walls and seats and people.

2:21I don't actually believe it until I see

2:23the blood. It seems fake for a second.

2:27All the limp bodies in seats with their

2:29chests butterfied open. It seems staged,

2:33like a bad joke, like a bad theater

2:36production.

2:38But when I see the blood thick and heavy

2:41seeping through clothes and upholstery,

2:44dripping down frozen hands,

2:47I know we'll never recover from this.

2:50Juliet just murdered 600 people at once.

2:54There's no recovering from this.

2:58I shove my way through the quiet,

3:00stunned, still breathing bodies of my

3:02friends. I hear Winston's soft,

3:05insistent whimpers and Brendan's steady,

3:07reassuring response that the wound isn't

3:09as bad as it looks, that he's going to

3:11be okay, that he's been through worse

3:13than this and survived it. And I know my

3:15priority right now needs to be Juliet.

3:19When I reach her, I pull her into my

3:20arms, and her cold, unresponsive body

3:23reminds me of the time I found her

3:25standing over Anderson, a gun aimed at

3:27his chest. She was so terrified, so

3:31surprised by what she'd done that she

3:33could hardly speak. She looked like

3:36she'd disappeared into herself

3:37somewhere, like she'd found a small room

3:39in her brain and had locked herself

3:41inside.

3:43It took a minute to coax her back out

3:44again. She hadn't even killed anyone

3:47that time. I tried to warm some sense

3:50into her, begging her now to return to

3:52herself, to hurry back to her mind, to

3:55the present moment.

3:57I know everything is crazy right now,

3:59but I need you to snap out of this. Jay,

4:01wake up. Get out of your head. We have

4:03to get out of here. She doesn't blink.

4:07Princess, please, I say, shaking her a

4:10little. We have to go now. And when she

4:14still doesn't move, I figure I have no

4:16choice but to move her myself. I start

4:19hauling her backward. Her limp body is

4:22heavier than I expect, and she makes a

4:24small wheezing sound that's almost like

4:26a sob. Fear sparks in my nerves. I nod

4:30at Castle and the others to go to move

4:32on without me. But when I glance around

4:35looking for Warner, I realize I can't

4:38find him anywhere.

4:39What happens next knocks the wind from

4:41my lungs. The room tilts. My vision

4:45blackens, clears, and then darkens only

4:47at the edges in a dizzying moment that

4:49lasts hardly a second. I feel off

4:52center. I stumble and then all at once.

4:59Juliet is gone.

5:02Not figuratively.

5:05She's literally gone. Disappeared.

5:09One second she's in my arms and the next

5:11I'm grasping at air. I blink and spin

5:14around, convinced I'm losing my mind.

5:16But when I scan the room, I see the

5:18audience members begin to stir. Their

5:21shirts are torn and their faces are

5:23scratched, but no one appears to be

5:24dead. Instead, they begin to stand,

5:28confused, and as soon as they start

5:31shuffling around, someone shoves me

5:33hard. I look up to see Ian swearing at

5:36me, telling me to get moving while we

5:38still have a chance. And I try to push

5:39back, try to tell him that we lost

5:41Juliet, that I haven't seen Warner, and

5:43he doesn't hear me. He just forces me

5:46forward offstage. And when the murmur of

5:49the crowd grows into a roar, I know I

5:52have no choice. I have to go.

5:59Warner,

6:02I'm going to kill him, she says, her

6:05small hands forming fists. I'm going to

6:08kill him. Ella, don't be silly, I say,

6:11and walk away. One day, she says,

6:14chasing after me, her eyes bright with

6:16tears. If he doesn't stop hurting you, I

6:19swear I'll do it. You'll see. I laugh.

6:22It's not funny. She cries. I turn to

6:27face her. No one can kill my dad. He's

6:30unkillable.

6:32No one is unkillable, she says. I ignore

6:36her.

6:37Why doesn't your mom do anything? She

6:40says and she grabs my arm. When I meet

6:43her eyes, she looks different. Scared.

6:47Why doesn't anyone stop him?

6:50The wounds on my back are no longer

6:52fresh, but somehow they still hurt. Ella

6:56is the only person who knows about these

6:58scars, knows what my dad started doing

7:01to me on my birthday 2 years ago.

7:05Last year when all the families came to

7:07visit us in California, Ella had barged

7:10into my room wanting to know where

7:12Emiline and Nazera had gone off to. And

7:15she'd caught me staring at my back in

7:17the mirror. I begged her not to say

7:20anything, not to tell anyone what she

7:22saw. And she started crying and said

7:24that we had to tell someone, that she

7:27was going to tell her mom. And I said,

7:29"If you tell your mom, I'll only get

7:31into more trouble. Please don't say

7:34anything, okay? He won't do it again.

7:38But he did do it again.

7:41And this time he was angrier. He told me

7:44I was 7 years old now and that I was too

7:47old to cry.

7:49"We have to do something," she says, and

7:53her voice shakes a little. Another tear

7:56steals down the side of her face, and

7:58quickly she wipes it away. "We have to

8:01tell someone. Stop. I say. I don't want

8:04to talk about it anymore. But Ella,

8:08please. No, we have to. Ella, I say,

8:12cutting her off. I think there's

8:14something wrong with my mom. Her face

8:17falls. Her anger fades.

8:21What?

8:23I'd been terrified for weeks to say the

8:25words out loud.

8:27To make my fears real. Even now, I feel

8:30my heart pick up. "What do you mean?"

8:34she says. "What's wrong with her?"

8:36"She's

8:39sick."

8:41Ella blinks at me, confused. "If she's

8:44sick, we can fix her. My mom and dad can

8:46fix her. They're so smart. They can fix

8:48anything. I'm sure they can fix your

8:50mom, too." I'm shaking my head, my heart

8:53racing now, pounding in my ears. No,

8:56Ellie, you don't understand. I think

8:59what? She takes my hand, squeezes. What

9:03is it?

9:05I think my dad is killing her.

9:10Kenji,

9:13we're all running. Base isn't far from

9:16here, and our best option is to go on

9:18foot. But the minute we hit the open

9:20air, the group of us, myself, Castle,

9:23Winston, injured Brendan, Ian, and

9:25Aaliyah, go invisible. Someone shouts a

9:28breathless thanks in my direction, but

9:30I'm not the one doing this. My fists

9:33clench.

9:35Nazer.

9:37These last couple of days with her have

9:39been making my head spin. I never should

9:42have trusted her. First, she hates me,

9:44then she hates me even more, and then

9:46suddenly she decides I'm not an

9:48and wants to be my friend. I can't

9:51believe I fell for it. I can't believe

9:53I'm such an idiot. She's been playing me

9:56this whole time. This girl just shows up

9:59out of nowhere, magically mimics my

10:01exact supernatural ability, and then

10:03right when she pretends to be best

10:04friends with Juliet, we're ambushed at

10:06the symposium, and Juliet sort of

10:08murders 600 people. No way. I call

10:11No way. This was all some big

10:14coincidence.

10:15Juliet attended that symposium because

10:17Nazer encouraged her to go. Nazera

10:20convinced Juliet it was the right thing

10:22to do. And then 5 seconds before Brendan

10:25gets shot, Nazera tells me to run. Tells

10:28me we have the same powers.

10:32I can't believe I let myself be

10:34distracted by a pretty face. I should

10:36have trusted Warner when he told me she

10:38was hiding something.

10:40Warner.

10:42God,

10:44I don't even know what happened to him.

10:48The minute we get back to base, our

10:50invisibility is lifted. I can't know for

10:53sure if that means Nazera went her own

10:55way, but we can't slow down long enough

10:57to find out. Quickly, I project a new

10:59layer of invisibility over our team.

11:02I'll have to keep it up just long enough

11:03to get us all to a safe space, and just

11:05being back on base isn't assurance

11:07enough. The soldiers are going to ask

11:09questions and right now I don't have the

11:12answers they need. They're going to be

11:14pissed. We make our way as a group to

11:18the 15th floor to our home on base in

11:20sector 45.

11:22Warner only just finished having this

11:24thing built for us. He cleared out this

11:26entire top floor for our new

11:28headquarters. We'd hardly even settled

11:30in and things have already gone to

11:33I can't even allow myself to think about

11:35it now. Not yet.

11:38It makes me feel sick to my stomach.

11:41Once we're gathered in our largest

11:43common room, I do a headcount. All

11:46original remaining Omega point members

11:48are present. Adam and James show up to

11:50find out what happened, and Sonia and

11:53Sarah stick around just long enough to

11:54gather intel before carting Brendan over

11:56to the medical wing. Winston disappears

11:58down the hall behind them. Juliet and

12:01Warner never show. Quickly, we share our

12:05own versions of what we saw. It doesn't

12:07take long to confirm we all witnessed

12:09basically the same thing. Blood, mayhem,

12:12murdered bodies, and then a slightly

12:15less bloody version of the same thing.

12:17No one seems as surprised by the twisted

12:20turn of events as I was because

12:22according to Ian, weird supernatural

12:24happens around here all the time.

12:26It's not that weird. But more important,

12:30no one saw what happened to Warner and

12:32Juliet.

12:34No one but me.

12:36For a few seconds, we all stare at each

12:38other. My heart pounds hard and heavy in

12:42my chest. I feel like I might be on

12:44fire, burning with indignation.

12:47Denial.

12:49Aaliyah is the first to speak. You don't

12:52think they're dead, do you? Ian says,

12:55"Probably." And I jump to my feet. Stop.

12:59They're not dead. How can you be sure?

13:03Adam says. I would know if they were

13:05dead. What? How would I would just know?

13:08Okay. I cut him off. I would know. And

13:12they're not dead. I take a deep,

13:15steadying breath. We're not going to

13:18freak out, I say as calmly as possible.

13:21There has to be a logical explanation.

13:24People don't just disappear, right?

13:27Everyone stares at me. You know what I

13:29mean? I snap, irritated. We all know

13:32that Juliet and Warner wouldn't like run

13:35away together. They weren't even on

13:37speaking terms before the symposium, so

13:39it makes the most sense that they would

13:40be kidnapped. I pause, look around

13:43again. Right. Or dead. Ian says, "If you

13:49keep talking like that, Sanchez, I can

13:51guarantee that at least one person will

13:52be dead tonight." Ian sigh hard.

13:57Listen, I'm not trying to be an

14:00I know you were close with them, but

14:02let's be real, they weren't close with

14:04the rest of us. And maybe that makes me

14:06less invested in all this, but it also

14:08makes me more level-headed. He waits,

14:11gives me a chance to respond.

14:13I don't. Ian size again.

14:17I'm just saying that maybe you're

14:19letting emotion cloud your better

14:20judgment right now. I know you don't

14:22want them to be dead, but the

14:24possibility that they are dead is like

14:26really high. Warner was a traitor to the

14:29reestablishment. I'm surprised they

14:31didn't try to kill him sooner. And

14:33Juliet, I mean, that's obvious, right?

14:36She murdered Anderson and declared

14:38herself ruler of North America. He

14:40raises his eyebrows in a knowing

14:42gesture. Those two have had targets on

14:44their backs for months. My jaw clenches,

14:48unclenches, clenches again.

14:52So, Ian says quietly, "We have to be

14:56smart about this. If they're dead, we

14:58need to be thinking about our next

15:00moves. Where do we go?

15:04Wait, what do you mean? Adam says,

15:07sitting forward. What next moves? You

15:10think we have to leave

15:13>> without Warner and Juliet? I don't think

15:15we're safe here.

15:17>> Lily takes Ian's hand in a show of

15:19emotional support that makes me feel

15:21violent.

15:23The soldiers paid their allegiance to

15:24the two of them, to Juliet in

15:26particular. Without her, I'm not sure

15:29they'd follow the rest of us anywhere.

15:32And if the reestablishment had Juliet

15:34murdered, Ian adds, they're obviously

15:37just getting started. They'll be coming

15:38to reclaim sector 45 any second now. Our

15:42best chance of survival is to first

15:44consider what's best for our team. Since

15:46we're the obvious next targets, I think

15:48we should bail soon. A pause.

15:52Maybe even tonight. Bro, are you insane?

15:56I drop down into my chair too hard,

15:58feeling like I might scream. We can't

16:01just bail. We need to look for them. We

16:04need to be planning a rescue mission

16:05right now.

16:07Everyone just stares at me like I'm the

16:10one who's lost his mind.

16:12Castle, sir, I say, trying and failing

16:15to keep the sharp edge out of my voice.

16:17Do you want to chime in here?

16:20But Castle has sunk down in his chair.

16:23He's staring up at the ceiling at

16:26nothing. He looks dazed.

16:30I don't have the chance to dwell on it.

16:33Kenji, Aaliyah says quietly.

16:37I'm sorry, but Ian's right. I don't

16:41think we're safe here anymore.

16:44We're not leaving, Adam. And I say at

16:46exactly the same time. I spin around,

16:49surprised.

16:51Hope shoots through me fast and strong.

16:54Maybe Adam feels more for Juliet than he

16:56lets on. Maybe Adam will surprise us

16:59all. Maybe he'll finally stop hiding,

17:02stop cowering in the background. Maybe.

17:04I think

17:06Adam is back.

17:09Thank you, I say and point at him in a

17:12gesture that says to everyone, "See,

17:15this is loyalty."

17:17"James and I aren't running anymore,"

17:19Adam says, his eyes going cold as he

17:22speaks. "I understand if the rest of you

17:24have to leave, but James and I will stay

17:26here. I was a sector 45 soldier. I lived

17:29on this base. Maybe they'll give me

17:31immunity."

17:33I frown. But James and I aren't leaving

17:37anymore. Adam says loudly, definitively.

17:43You can make your plans without us. We

17:45have to take off for the night anyway.

17:47Adam stands, turns to his brother. It's

17:50time to get ready for bed.

17:52James stares at the floor.

17:55James, Adam says, a gentle warning in

17:58his voice.

18:00I want to stay and listen, James says,

18:04crossing his arms.

18:06You can go to bed without me,

18:08James. But I have a theory, the

18:1210-year-old says. He says the word

18:14theory like it's brand new to him, like

18:17it's an interesting sound in his mouth.

18:20And I want to share it with Kenji.

18:24Adam looks so tense that the strain in

18:26his shoulders is stressing me out. I

18:29think I haven't been paying close enough

18:30attention to him because I didn't

18:32realize until right now that Adam looks

18:34worse than tired. He looks ragged, like

18:38he could collapse, crack in half at any

18:41moment.

18:43James catches my eye from across the

18:44room, his own eyes round and eager. I

18:48sigh. What's your theory, little man?

18:51James's face lights up.

18:54I was just thinking maybe all the fake

18:57killing thing was like a distraction.

19:01I raise an eyebrow. Like if someone

19:03wanted to kidnap Warner and Juliet,

19:06James says, "You know, like you said

19:08earlier, causing a scene like that would

19:11be the perfect distraction, right?"

19:14Well, yeah, I say and frown. I guess,

19:20but why would the reestablishment need a

19:22distraction? When have they ever been

19:24secretive about what they want? If a

19:27Supreme Commander wanted to take Juliet

19:28or Warner, for example, wouldn't they

19:30just show up with a ton of soldiers

19:32and take what they wanted? Language,

19:35Adam says, outraged. "My bad. Strike the

19:38word from the record." Adam shakes

19:41his head. He looks like he might

19:42throttle me, but James is smiling, which

19:45is really all that matters.

19:48No, I don't think they'd rush in like

19:50that. Not with so many soldiers, James

19:53says, his blue eyes bright. Not if they

19:56had something to hide.

19:58"You think they'd have something to

20:00hide?" Lily pipes up from us. "I don't

20:04know," James says. "Sometimes people

20:08hide things." He steals a split-second

20:10glance at Adam as he says it. a glance

20:13that sets my pulse racing with fear, and

20:15I'm about to respond when Lily beats me

20:17to it. I mean, it's possible, she says.

20:23But the reestablishment doesn't have a

20:24long history of caring about pretenses.

20:27They stopped pretending to care about

20:28the opinion of the public a long time

20:30ago. They mow people down in the street

20:33just because they feel like it. I don't

20:35think they're worried about hiding

20:36things from us.

20:38Castle laughs out loud and we all spin

20:41around to stare at him. I'm relieved to

20:44finally see him react, but he still

20:46seems lost in his head somewhere. He

20:49looks angry. I've never really seen

20:52Castle get angry. They hide a great deal

20:55from us, he says sharply.

20:58And from each other.

21:01After a long deep breath, he finally

21:03gets to his feet, smiles wearily at the

21:0710-year-old in the room. "James,

21:10you are wise indeed." "Thank you," James

21:14says, blinking up at him. "Castle, sir,"

21:18I say, my voice coming out harder than

21:20I'd intended. "Will you please tell us

21:22what the hell is going on? Do you know

21:24something?" Castle size, rubs the

21:28stubble on his chin with the flat of his

21:30palm.

21:32"All right, Nazer," he says, turning

21:35toward nothing, like he's speaking to a

21:37ghost. "Go ahead."

21:40When Nazer appears as if out of thin

21:43air, I'm not the only one who's pissed.

21:47Okay, maybe I'm the only one who's

21:49pissed,

21:51but everyone else looks surprised. At

21:52least they're staring at her, at each

21:56other, and then all of them, all of them

22:00turn to look at me.

22:02Bro, did you know about this? Ian asks.

22:05I scowl.

22:08Invisibility is my thing. My thing,

22:12godamn it. No one ever said I had to

22:14share that with anyone. Especially not

22:17with someone like Nazera, a lying,

22:19manipulative,

22:21gorgeous,

22:23gorgeous human being.

22:28I turn, stare at the wall. I can't be

22:32distracted by her anymore. She knows I'm

22:35into her. My infatuation is apparently

22:37obvious to everyone within a 10-mi

22:39radius, according to Castle. And she's

22:41clearly been using my idiocy to her best

22:43advantage.

22:45smart. I respect the tactic,

22:48but that also means I have to keep my

22:50guard up when she's around. No more

22:53staring. No more daydreaming about her.

22:56No more thinking about how she looked at

22:57me when she smiled or the way she

23:00laughed like she meant it the same night

23:02she yelled at me for asking reasonable

23:04questions. Which, by the way, I don't

23:07think I was crazy for wondering out loud

23:09how the daughter of a Supreme Commander

23:10could get away with wearing an illegal

23:11headscarf. She told me later that she

23:13wears the scarf symbolically every once

23:15in a while, that she can't get away with

23:17wearing it all the time because it's

23:18illegal. But when I pointed this out to

23:20her, she gave me hell. And then she gave

23:23me for being confused.

23:26I'm still confused.

23:28She's not covering her hair now either,

23:30but no one else seems to have registered

23:32this fact.

23:34Maybe they'd already seen her like this.

23:36Maybe everyone but me already had that

23:38conversation with her. Already heard her

23:40story about wearing it symbolically

23:42occasionally

23:44illegally when her dad wasn't watching.

23:47Kenji, she says, and her voice is so

23:50sharp I look up, stare at her despite my

23:53own very explicit orders to keep my eyes

23:55on the wall. All it takes is two seconds

23:58of eye contact and my heart hits itself.

24:02That mouth. Those eyes.

24:06Yeah. I crossed my arms.

24:09She looks surprised like she wasn't

24:11expecting me to be upset and I don't

24:13care. She should know that I'm pissed. I

24:17want her to know that invisibility is my

24:19thing. That I know I'm petty and I don't

24:21care. Plus, I don't trust her. Also,

24:25what is up with these kids of the

24:26Supreme Commanders all being super

24:28good-looking? It's almost like they did

24:30it on purpose. like they made these kids

24:32in test tubes or some I shake my

24:34head to clear it carefully. Nazer says,

24:38"I really think you should sit down for

24:40this." "I'm good," she frowns. For a

24:45second, she looks almost hurt, but

24:47before I have a chance to feel bad about

24:49it, she shrugs, turns away,

24:53and what she says next nearly splits me

24:56in half.

25:00Juliet.

25:03I'm sitting on an orange chair in the

25:05hallway of a dimly lit building. The

25:08chair is made of cheap plastic, its

25:10edges coarse and unfinished. The floor

25:13is a shiny lenolium that occasionally

25:15sticks to the soles of my shoes. I know

25:17I've been breathing too loudly, but I

25:19can't help it. I sit on my hands and

25:21swing my legs under my seat. Just then,

25:25a boy comes into view. His movements are

25:28so quiet, I only notice him when he

25:30stops directly in front of me. He leans

25:32against the wall opposite me, his eyes

25:35focused on a point in the distance. I

25:37study him for a moment. He seems about

25:40my age, but he's wearing a suit. There's

25:43something strange about him. He's so

25:45pale and stiff, he seems close to dead.

25:48Hi, I say and try to smile. Do you want

25:51to sit down?

25:53He doesn't return my smile. He won't

25:55even look at me. I'd prefer to stand, he

25:58says quietly. Okay.

26:01We're both silent a while. Finally, he

26:04says, "You're nervous."

26:07I nod. My eyes must be a little red from

26:10crying, but I'd been hoping no one would

26:12notice. Are you here to get a new

26:14family, too?

26:16No. Oh. I look away, stop swinging my

26:20feet. I feel my bottom lip tremble, and

26:23I bite it hard. Then why are you here?

26:26He shrugs. I see him glance briefly at

26:29the three empty chairs next to me, but

26:31he makes no effort to sit down. My

26:34father made me come.

26:36He made you come here? Yes. Why? He

26:41stares at his shoes and frowns. I don't

26:44know. Shouldn't you be in school? And

26:47then instead of answering me, he says,

26:50where are you from? What do you mean? He

26:54looks up then meets my eyes for the

26:56first time. He has such unusual eyes.

26:59They're light, clear green. You have an

27:02accent, he says. Oh, I say. Yeah. I look

27:07at the floor. I was born in New Zealand.

27:10That's where I lived until my mom and

27:12dad died. I'm sorry to hear that. I nod,

27:16swing my legs again. I'm about to ask

27:19him another question when the door down

27:20the hall finally opens. A tall man in a

27:23navy suit walks out. He's carrying a

27:26briefcase.

27:27It's Mr. Anderson, my social worker. He

27:30beams at me. You're all set. Your new

27:33family is dying to meet you. We have a

27:36couple more things to do before you can

27:37go, but it won't take too long. I can't

27:39hold it in anymore. I start sobbing

27:42right there, all over the new dress he

27:44bought me. Sobs rack my body, tears

27:47hitting the orange chair, the sticky

27:49floor. Mr. Anderson sets down his

27:52briefcase and laughs.

27:54>> Sweetheart, there's nothing to cry

27:55about. This is a great day. You should

27:58be happy. But I can't speak. I feel

28:02stuck. Stuck to the seat. Like my lungs

28:05have been stuck together. I managed to

28:08calm the sobs, but I'm suddenly

28:09hiccuping, tears spilling quietly down

28:12my cheeks. I want I want to go home.

28:15[snorts]

28:17You are going home, he says, still

28:20smiling.

28:21>> That's the whole point. And then, Dad.

28:26I look up at the sound of his voice, so

28:28quiet and serious. It's the boy with the

28:31green eyes. Mr. Anderson, I realize, is

28:34his father. She's scared, the boy says.

28:38And even though he's talking to his dad,

28:40he's looking at me. She's really scared.

28:44Scared? Mr. Anderson looks from me to

28:46his son, then back again. "What's there

28:49to be scared of?" I scrub at my face,

28:52try and fail to stop the tears. "What's

28:55her name?" the boy asks. He's still

28:58staring at me. And this time, I stare

29:00back. There's something in his eyes,

29:03something that makes me feel safe. "This

29:07is Juliet," Mr. Anderson says and looks

29:10me over. Tragic, he says, just like her

29:15namesake.

29:19>> Kenji.

29:22>> Nazer was right. I should have sat down.

29:27I'm looking at my hands, watching a

29:29tremor work its way across my fingers. I

29:32nearly lose my grip on the stack of

29:34photos I'm clutching.

29:37The photos.

29:38The photos Nazera passed around after

29:40telling us that Juliet is not who we

29:42think she is.

29:44I can't stop staring at the pictures.

29:48A little brown girl and a little white

29:50girl running in a field. Both of them

29:52smiling tiny tooththed smiles. Long hair

29:55flying in the wind. Small baskets full

29:57of strawberries swinging from their

29:58elbows.

30:00Nazera and Emiline at the strawberry

30:03patch. It read on the back.

30:06Little Nazera being hugged on either

30:08side by two little white girls. All

30:10three of them laughing so hard they look

30:12like they're about to fall over. Ella

30:14and Emiline and Nazera. It read

30:18a close-up of a little girl smiling

30:20right into the camera. Her eyes huge and

30:23blue green lengths of soft brown hair

30:26framing her face.

30:28Ella on Christmas morning. It read.

30:32Ella Summers. Nazera says. She says her

30:36real name is Ella Summers, sister to

30:38Emiline Summers, daughter of Maxmillian

30:40and Eevee Summers.

30:43Something is wrong. Nazera says

30:46something is happening. She says she

30:49says she woke up 6 weeks ago remembering

30:52Juliet. Sorry, Ella. Remembering her.

30:56I was remembering her, which means I'd

31:00forgotten her. And when I remembered

31:02Ella, she says, I remembered Emiline,

31:06too. I remembered how we'd all grown up

31:09together. How our parents used to be

31:11friends. I remembered, but I didn't

31:14understand. Not right away. I thought

31:17maybe I was confusing dreams with

31:19memory. Actually, the memories came back

31:22to me so slowly. I thought for a while

31:25that I might have been hallucinating.

31:27She says the hallucinations, as she

31:30called them, were impossible to shake.

31:32So she started digging, started looking

31:34for information. I learned the same

31:37thing you did. That two girls named Ella

31:40and Emiline were donated to the

31:42reestablishment and that only Ella was

31:45taken out of their custody. So Ella was

31:47given an alias, relocated, adopted.

31:51But what you didn't know was that the

31:53parents who gave up their daughters were

31:55also members of the reestablishment.

31:58They were doctors and scientists.

32:00You didn't know that Ella, the girl you

32:03know to be Juliet, is the daughter of

32:06Eevee Summers, the current Supreme

32:08Commander of Oceania. She and I grew up

32:11together. She, like the rest of us kids,

32:15was built to serve the reestablishment.

32:19Ian swears loudly and Adam is so stunned

32:22he doesn't complain.

32:25That can't be possible. Adam says,

32:28"Juliet, the girl I went to school with,

32:31she was." He shakes his head. "I knew

32:34Juliet for years. She wasn't made like

32:37you or Warner. She was this quiet,

32:40timid, sweet girl. She was always so

32:43nice. She never wanted to hurt anyone.

32:46All she ever wanted was to like connect

32:49with people.

32:51She was trying to help that little boy

32:53in the grocery store, but then it just

32:56everything ended so badly and she got

32:58sucked into this whole mess. And I

33:00tried, he says, looking suddenly

33:02distraught.

33:05I tried to help her. I tried to keep her

33:08safe. I wanted to protect her from this.

33:10I wanted to He cuts himself off, pulls

33:13himself together.

33:16She wasn't like this, he says. And he's

33:19staring at the ground now.

33:22Not until she started spending all that

33:24time with Warner. After she met him, she

33:27just

33:29I don't know what happened.

33:31She lost herself little by little.

33:35Eventually, she became someone else.

33:38He looks up.

33:41But she wasn't made to be this way. Not

33:44like you. Not like Warner. There's no

33:47way she's the daughter of a Supreme

33:48Commander. She's not a born murderer.

33:51Besides, he says, taking a sharp breath.

33:55If she were from Oceania, she would have

33:58an accent.

34:01Nazer tilts her head at

34:04the girl you knew had undergone severe

34:06physical and emotional trauma. She says

34:09she'd had her native memories forcibly

34:11removed. She was shipped across the

34:14globe as a specimen and convinced to

34:15live with abusive adoptive parents who

34:17beat the life out of her. Nazera shakes

34:20her head slowly. The reestablishment and

34:23Anderson in particular made sure that

34:26Ella could never remember why she was

34:28suffering. But just because she couldn't

34:30remember what had happened to her didn't

34:32change the fact that it happened. Her

34:34body was repeatedly used and abused by a

34:37rotating cast of monsters.

34:40And that leaves its mark.

34:42Nazera looks Adam straight in the eye.

34:45"Maybe you don't understand," she says.

34:48"I read all the reports. I hacked into

34:51all my father's files. I found

34:54everything. What they did to Ella over

34:57the course of 12 years is unspeakable."

35:00So, yes, I'm sure you remember a very

35:03different person, but I don't think she

35:06became someone she wasn't. My guess is

35:08she finally gathered the strength to

35:10remember who she'd always been. And if

35:13you don't get that, I'm glad things

35:16didn't work out between the two of you.

35:20In an instant, the tension in the room

35:22is nearly suffocating.

35:24Adam looks like he might be on fire,

35:27like fire might literally come out of

35:29his eyeballs, like it might be his new

35:32superpower.

35:34I clear my throat. I force myself to say

35:36something. anything to break the

35:38silence.

35:41So, you guys uh you all knew about Adam

35:44and Juliet, too, huh? I didn't realize

35:47you knew about that, huh? Interesting.

35:51Nazer takes her time turning in her seat

35:53to look me in the eye. Are you kidding?

35:57She says, staring at me like I'm worse

35:59than an idiot. I figure it's best not to

36:02press the issue.

36:05Where did you get these photos? Aaliyah

36:07asks, changing the subject more deafly

36:09than I did. How can we trust that

36:11they're real? At first, Nazera only

36:14looks at her, and she seems resigned

36:16when she says, "I don't know how to

36:19convince you that the photos are real. I

36:22can only tell you that they are."

36:25The room goes silent.

36:28"Why do you even care?" Lily says, "Why

36:31are we supposed to believe you care

36:33about this? About Juliet? About Ella?

36:37What do you have to gain from helping

36:38us? Why would you betray your parents?"

36:42Nazir sits back in her seat.

36:45"I know you all think the children of

36:47the Supreme Commanders are a bunch of

36:49carefree, immoral psychopaths, happy to

36:51be the military robots our parents

36:53wanted us to be. But nothing is ever

36:56that straightforward. Our parents are

36:59homicidal maniacs intent on ruling the

37:01world. That part is true.

37:05But the thing no one seems to understand

37:07is that our parents chose to be

37:10homicidal maniacs. We, on the other

37:12hand, were forced to be. And just

37:15because we've been trained to be

37:17mercenaries doesn't mean we like it.

37:20None of us got to choose this life. None

37:23of us enjoyed being taught to torture

37:25before we could even drive. And it's not

37:27insane to imagine that sometimes even

37:30horrible people are searching for a way

37:32out of their own darkness.

37:34Nazer's eyes flash with feeling as she

37:37speaks and her words puncture the life

37:39vest around my heart. Emotion drowns me

37:43again.

37:47Is it really so crazy to think I might

37:50care about the girls I once loved as my

37:52own sisters? she's saying. Or about the

37:54lies my parents forced me to swallow, or

37:57the innocent people I watched them

37:58murder.

38:00Or maybe even something simpler than

38:02that.

38:04That I might have opened my eyes one day

38:06and realized that I was part and parcel

38:09of a system that was not only ravaging

38:11the world, but also slaughtering

38:13everyone in it.

38:19I can feel it. can feel my heart filling

38:22out, filling up. My chest feels tight,

38:27like it's swollen, like my lungs don't

38:29fit anymore.

38:31I don't want to care about Nazera. Don't

38:34want to feel her pain or feel connected

38:36to her or feel anything. I just want to

38:39keep a level head, be cool.

38:43I forced myself to think about a joke

38:44James told me the other day. A stupid

38:46pun. Something to do with muffins. a

38:49joke that was so lame I nearly cried. I

38:52focus on the memory, the way James

38:54laughed at his own lameness, snorting so

38:56hard a little food fell out of his

38:57mouth. I smile and glance at James, who

39:00looks like he might be falling asleep in

39:02his seat.

39:03Soon, the tightness in my chest begins

39:06to abate. Now I'm really smiling,

39:09wondering if it's weird that I love bad

39:11jokes even more than good ones. When I

39:13hear Ian say, "It's not that you seem

39:15heartless. It's just that these photos

39:18seem so convenient. You had them ready

39:21to share. He stares down at the single

39:24photo he's holding.

39:26These kids could be anyone.

39:29Look closely, Nazera says, standing up

39:32to get a better look at the picture in

39:34his hands. Who do you think that is? I

39:37lean over. Ian isn't far from me, and

39:39peer over his shoulder. There's really

39:42no point denying it anymore. The

39:45resemblance is insane.

39:48Juliet,

39:50Ella,

39:52she's just a kid, maybe four or 5 years

39:54old, standing in front of the camera,

39:56smiling.

39:58She's holding a bouquet of dandelions up

40:00to the cameraman as if to offer him one.

40:02And then, just off to the side, there's

40:05another figure, a little blonde boy, so

40:09blonde his hair is white.

40:12He's staring intensely at a single

40:15dandelion in his hands. I nearly fall

40:19out of my chair. Juliet is one thing,

40:21but this is that Warner, I say. Adam

40:26looks up sharply. He glances from me to

40:28Nazera, then stalks over to look at the

40:30photo. His eyebrows fly up his head.

40:33No way, he says. Nazera shrugs. No way,

40:39Adam says again. No way. That's

40:42impossible. There's no way they knew

40:44each other this long. Warner had no idea

40:46who Juliet was before she came here.

40:49When Nazer seems unmoved, Adam says,

40:52"I'm serious. I know you think I'm full

40:54of but I'm not wrong about this. I

40:57was there. Warner literally interviewed

40:59me for the job of being her cellmate in

41:01the asylum. He didn't know who she was.

41:03He'd never met her. Never seen her face.

41:05Not up close, anyway. Half the reason he

41:08chose me to be her roommate was because

41:09she and I had history. because he found

41:11that useful. He'd groom me for hours

41:13about her. Nazera sighed slowly like

41:17she's surrounded by idiots.

41:20"When I found these photos," she says to

41:22Adam, "I couldn't understand how I came

41:26across them so easily. I didn't

41:28understand why anyone would keep

41:30evidence like this right under my nose

41:32or make it so easy to find. But I know

41:35now that my parents never expected me to

41:38look. They got lazy. They figured that

41:42even if I found these photos, I'd never

41:45know what I was looking at. Two months

41:48ago, I could have seen these pictures

41:49and assumed that this girl, she plucks a

41:52photo of herself, what appears to be a

41:54young hyther and a thin brown-haired

41:56girl with bright blue eyes out of a

41:58pile, was a neighbor kid, someone I used

42:01to know but can't be bothered to

42:03remember.

42:05But I do remember, she says.

42:09I remember all of it. I remember the day

42:12our parents told us that Ella and

42:13Emiline had drowned. I remember crying

42:16myself to sleep every night. I remember

42:19the day they took us to a place I

42:20thought was a hospital. I remember my

42:23mother telling me I'd feel better soon.

42:26And then

42:28I remember remembering nothing.

42:31Like time in my brain just folded in on

42:34itself.

42:36She raises her eyebrows.

42:38Do you get what I'm trying to say to

42:40you, Kent? He glares at her. I get that

42:44you think I'm an idiot. She smiles. Yes,

42:48I get what you're saying, he says,

42:50obviously irritated. You're saying you

42:52all had your memories wiped. You're

42:54saying Warner doesn't even know that

42:55they knew each other. She holds up a

42:57finger. Didn't know, she says. He didn't

43:01know until just before the symposium. I

43:04tried to warn him and Castle, she says,

43:08glancing at Castle, who's looking at the

43:09wall. I tried to warn them both that

43:12something was wrong, that something big

43:13was happening, and I didn't really

43:15understand what or why. Warner didn't

43:18believe me, of course. I'm not sure

43:20Castle did either, but I didn't have

43:22time to give them proof.

43:25Wait, what? I say, my eyebrows

43:27furrowing.

43:29You told Warner and Castle before the

43:32symposium?

43:33You told them all of this?

43:36I tried, she says.

43:39Why wouldn't you just tell Juliet? Lily

43:42asks. You mean Ella? Lily rolls her

43:46eyes.

43:47>> Sure, Ella. Whatever. Why not warn her

43:49directly? Why tell everyone else?

43:53I didn't know how she'd take the news.

43:56Nazer says, "I'd been trying to take her

44:00temperature from the moment I got here,

44:02and I could never figure out how she

44:04felt about me.

44:06I didn't think she really trusted me.

44:09And then after everything that

44:10happened," she hesitates.

44:13"It never seemed like the right time.

44:16She got shot. She was in recovery. And

44:18then she and Warner broke up, and she

44:20just, I don't know, spiraled.

44:25She wasn't in a healthy headsp space.

44:28She'd already had to stomach a bunch of

44:30revelations, and she didn't seem to be

44:32handling them well. I wasn't sure she

44:35could take much more, to be honest. And

44:38I was worried what she might do. Murder

44:40600 people, maybe? Ian mutters under his

44:43breath. Hey, I snap. She didn't murder

44:47anyone, okay? That was some kind of

44:48magic trick. It was a distraction,

44:52Nazera says firmly. James was the only

44:55one who saw this for what it was. She

44:58sigh.

45:00I think this whole thing was staged to

45:02make Ella appear volatile and unhinged.

45:05That scene at the symposium will no

45:07doubt undermine her position here at

45:09sector 45 by instilling fear in the

45:12soldiers who pledged their allegiance to

45:13her. She'll be described as unstable,

45:17irrational,

45:19weak, and then easily captured.

45:24I knew the reestablishment wanted Ella

45:26gone, but I thought they'd just burn the

45:28whole sector to the ground.

45:31I was wrong.

45:33This was a far more efficient tactic.

45:36They didn't need to kill off a regiment

45:38of perfectly good soldiers and a

45:40population of obedient workers. Nazera

45:42says

45:44all they needed to do was to discredit

45:47Ella as their leader.

45:50So, what happens now? Lily says. Nazer

45:54hesitates. And then carefully, she says,

45:59"Once they've punished the citizens and

46:02thoroughly quashed any hope for

46:03rebellion, the reestablishment will turn

46:05everyone against you, put bounties on

46:08your heads, or worse, threaten to murder

46:11loved ones if civilians and soldiers

46:12don't turn you in." "You were right,"

46:16she says to Lily. The soldiers and

46:18citizens paid allegiance to Ella, and

46:20with both her and Warner gone, they'll

46:23feel abandoned. They have no reason to

46:25trust the rest of you. A pause. I'd say

46:29you have about 24 hours before they come

46:31for your heads.

46:33Silence falls over the room. For a

46:36moment, I think everyone actually stops

46:38breathing.

46:41Ian says, dropping his head in his

46:44hands.

46:46Immediate relocation is your best course

46:47of action, Nazera says briskly. But I

46:50don't know that I can be much help in

46:52that department. Where you go will be up

46:54to your discretion.

46:56Then what are you even doing here? I say

46:59irritated.

47:00I understand her a little better now. I

47:03know that she's been trying to help, but

47:05that doesn't change the fact that I

47:06still feel like or that I still

47:09don't know how to feel about her.

47:11You showed up just to tell us we're all

47:13going to die and that's it. I shake my

47:15head. So helpful. Thanks,

47:19Genji. Castle says, finally breaking his

47:23silence.

47:24There's no need to attack our guest. His

47:28voice is a calm, steadying sound. I've

47:31missed it.

47:33She really did try to talk to me, to

47:36warn me while she was here.

47:40As for a contingency plan, he says,

47:42speaking to the room.

47:45Give me a little time. I have friends.

47:49We're not alone, as you well know, in

47:51our resistance.

47:52There's no need to panic. Not yet.

47:56Not yet, Ian says incredulous.

48:00Not yet, Castle says. Then

48:05Nazera, what of your brother? Were you

48:08able to convince him?

48:11Nazer takes a steadying breath, losing

48:13some of the tension in her shoulders.

48:16Hyther knows, she explains to the rest

48:18of us. He's been remembering things

48:21about Ella, too. But his memories of her

48:24aren't as strong as mine, and he didn't

48:26understand what was happening to him

48:28until last night when I decided to tell

48:30him what I discovered.

48:32Whoa, wait. Ian says, "You trust him?"

48:37I trust him enough, she says. Besides, I

48:42figured he had the right to know. He

48:44knew Ella and Emiline, too. But he

48:47wasn't entirely convinced. I don't know

48:49what he'll decide to do. Not yet. But he

48:51definitely seemed shaken up about it,

48:54which I think is a good sign. I asked

48:57him to do some digging to find out if

48:59any of the other kids were beginning to

49:00remember things, too. And he said he

49:02would. right now. That's all I've got.

49:07>> Where are the other kids? Winston asks,

49:10frowning. Do they know you're still

49:12here? Nazer's expression grows grim.

49:16All the kids were supposed to report

49:18back as soon as the symposium was over.

49:21Hydra should be on his way back to Asia

49:22by now. I tried to convince my parents I

49:26was staying behind to do more

49:27reconnaissance, but I don't think they

49:29bought it. I'm sure I'll hear from them

49:31soon. I'll handle it as it comes.

49:34So, wait. I glance from her to castle.

49:38You're staying with us? That wasn't

49:41really my plan. Oh, I say. Good. That's

49:45good. She raises an eyebrow at me. You

49:48know what I mean. I don't think I do,

49:52she says, and she looks suddenly

49:54irritated.

49:55Anyway, even though it wasn't my plan to

49:58stay, I think I might have to.

50:01My eyes widen.

50:03What? Why?

50:05Because, she says, "My parents have been

50:08lying to me since I was a kid, stealing

50:11my memories and rewriting my history,

50:13and I want to know why. Besides," she

50:17takes a deep breath.

50:20I think I know where Ella and Warner

50:22are, and I want to help.

50:28Warner.

50:31God damn it.

50:34I hear the barely restrained anger in my

50:36father's voice just before something

50:38slams hard into something else. He

50:41swears again. I hesitate outside his

50:44door. And then impatiently, "What do you

50:48want?"

50:50His voice is practically a growl. I

50:52fight the impulse to be intimidated. I

50:55make my face a mask. neutralize my

50:58emotions. And then carefully, I step

51:02into his office.

51:04My father is sitting at his desk, but I

51:07see only the back of his chair and the

51:09unfinished glass of scotch clutched in

51:11his left hand. His papers are in

51:13disarray. I notice the paper weight on

51:16the floor, the damage to the wall.

51:20Something has gone wrong. You wanted to

51:23see me, I say. What? My father turns in

51:27his chair to face me. See you for what?

51:31I say nothing. I've learned by now never

51:34to remind him when he's forgotten

51:36something.

51:38Finally, he sigh. Says, "Right." Yes.

51:43And then we'll have to discuss it later.

51:48Later.

51:49This time I struggle to hide my

51:51feelings. You said you'd give me an

51:54answer today. Something's come up.

51:57Anger wells in my chest. I forget

52:00myself. Something more important than

52:03your dying wife.

52:05My father won't be baited. Instead, he

52:07picks up a stack of papers on his desk

52:09and says, "Go away."

52:12I don't move.

52:14I need to know what's going to happen, I

52:17say. I don't want to go to the capital

52:19with you. I want to stay here with mom.

52:22Jesus," he says, slamming his glass down

52:25on the desk. "Do you hear yourself?" He

52:29looks at me, disgusted. "This behavior

52:32is unhealthy. It's disturbing. I've

52:34never known a 16-year-old boy to be so

52:36obsessed with his mother."

52:39Heat creeps up my neck, and I hate

52:41myself for it. Hate him for making me

52:44hate myself when I say quietly,

52:47"I'm not obsessed with her."

52:50Anderson shakes his head. You're

52:52pathetic.

52:55I take the emotional hit and bury it.

52:58With some effort, I manage to sound

53:00indifferent when I say, "I just want to

53:03know what's going to happen."

53:06Anderson stands up, shoves his hands in

53:08his pockets. He looks out the massive

53:11window in his office at the city just

53:13beyond.

53:15The view is bleak.

53:17Freeways have become open air museums

53:19for the skeletons of forgotten vehicles.

53:22Mountains of trash form ranges along the

53:24terrain. Dead birds litter the streets.

53:28Carcasses still occasionally falling out

53:30of the sky. Untamed fires rage in the

53:34distance. Heavy winds stoking their

53:37flames.

53:38A thick layer of smog has permanently

53:41settled over the city and the remaining

53:44clouds are gray, heavy with rain. We've

53:48already begun the process of regulating

53:50what passes for livable and unlivable

53:52turf and entire sections of the city

53:55have since been shut down. Most of the

53:58coastal areas, for example, have been

54:00evacuated. The streets and homes

54:03flooded, roofs slowly collapsing.

54:07By comparison,

54:09the inside of my father's office is a

54:12veritable paradise.

54:14Everything is still new in here. The

54:17wood still smells like wood. Every

54:20surface shines.

54:22The reestablishment was voted into power

54:24just 4 months ago, and my father is

54:27currently the commander and regent of

54:29one of our brand new sectors.

54:32Number 45.

54:34A sudden gust of wind hits the window

54:37and I feel the shutter reverberate

54:39through the room. The lights flicker. He

54:43doesn't flinch. The world may be falling

54:46apart, but the reestablishment has been

54:48doing better than ever. Their plans fell

54:51into place more swiftly than they'd

54:52expected. And even though my father is

54:55already being considered for a huge

54:56promotion to supreme commander of North

54:59America,

55:01no amount of success seems to soothe

55:03him. Lately, he's been more volatile

55:05than usual.

55:07Finally, he says, "I have no idea what's

55:11going to happen. I don't even know if

55:13they'll be considering me for the

55:15promotion anymore.

55:17I'm unable to mask my surprise.

55:20Why not?"

55:22Anderson smiles unhappily at the window.

55:26A babysitting job gone arry. I don't

55:30understand. I don't expect you to. So,

55:35we're not moving anymore. We won't be

55:37going to the capital.

55:39Anderson turns back around. Don't sound

55:42so excited. I said I don't know yet.

55:46First, I have to figure out how to deal

55:48with the problem. Quietly, I say.

55:52What's the problem?

55:54Anderson laughs. His eyes crinkle and he

55:58looks for a moment. Human.

56:01Suffice it to say that your girlfriend

56:03is ruining my goddamn day as usual.

56:07My what? I frown. Dad, Lena isn't my

56:12girlfriend. I don't care what she's

56:13telling any different girlfriend.

56:17Anderson says and sigh.

56:20He won't meet my eyes now. He snatches a

56:23file folder from his desk, flips it

56:25open, and scans the contents. I don't

56:28have a chance to ask another question.

56:31There's a sudden sharp knock at the

56:33door. At my dad's signal, Daloo steps

56:37inside. He seems more than a little

56:40surprised to see me and for a moment

56:43says nothing.

56:45Well, my dad seems impatient.

56:49Is she here?

56:51Yes, sir. Daloo clears his throat. His

56:55eyes flit to me again. Should I bring

56:57her up or would you prefer to meet

57:00elsewhere? Bring her up? Daloo

57:04hesitates.

57:06Are you quite certain, sir?

57:09I look from my dad to Dalu.

57:11Something is wrong. My father meets my

57:14eyes when he says, "I said bring her up.

57:19Dalu nods and disappears.

57:25My head is a stone,

57:27heavy and useless.

57:30My eyes cemented to my skull.

57:33I maintain consciousness for only

57:35seconds at a time. I smell metal, taste

57:39metal.

57:41An ancient roaring noise grows loud,

57:43then soft, then loud again.

57:47boots heavy near my head.

57:50Voices, but the sounds are muffled.

57:52Light years away. I can't move. I feel

57:56as though I've been buried, left to rot.

58:00A weak orange light flickers behind my

58:02eyes. And for just a second, just a

58:05second.

58:07No,

58:09nothing.

58:11Days seem to pass.

58:14Centuries.

58:16I'm only aware enough to know I've been

58:18heavily sedated.

58:20Constantly sedated. I'm parched,

58:23dehydrated to the point of pain. I'd

58:26kill for water. Kill for it. When they

58:30move me, I feel heavy, far into myself.

58:33I land hard on a cold floor. The pain

58:36ricocheting up my body as if from a

58:38distance. I know that too soon this pain

58:41will catch up to me. Too soon the

58:43sedative will wear off and I'll be alone

58:45with my bones and this dust in my mouth.

58:49A swift hard kick to the gut and my eyes

58:51fly open. Blackness devouring my open

58:54gasping mouth, seeping into the sockets

58:56of my eyes. I feel blind and suffocated

59:00at once. And when the shock finally

59:02subsides, my limbs give out. Limp.

59:07The spark dies.

59:12Kenji,

59:15do you want to tell me what the hell is

59:16going on? I stop, frozen in place at the

59:20sound of Nazer's voice. I was heading

59:23back to my room to close my eyes for a

59:25minute to try to do something about the

59:27massive headache ringing through my

59:28skull. We finally finally took a break.

59:34A brief recess after hours of

59:35exhausting, stressful conversations

59:37about next steps and blueprints and

59:40something about stealing a plane. It's

59:42too much. Even Nazera with all her intel

59:45couldn't give me any real assurance that

59:46Juliet, sorry, Ella and Warner were

59:49still alive. And just the chance that

59:51someone out there might be torturing

59:53them to death is like more than my mind

59:55can handle right now. Today has been a

59:57storm of a tornado of I

1:00:01can't take it anymore. I don't know

1:00:03whether to sit down and cry or set

1:00:05something on fire.

1:00:07Castle said he'd brave his way down to

1:00:09the kitchens to see about scrging up

1:00:10some food for us. And that was the best

1:00:12news I'd heard all day. He also said

1:00:15he'd do his best to plate the soldiers

1:00:16for just a little longer. Just long

1:00:18enough for us to figure out exactly what

1:00:20we're going to do next. But I'm not sure

1:00:22how much he can do. It was bad enough

1:00:24when Jay got shot. The hours she spent

1:00:27in the medical wing were stressful for

1:00:29the rest of us, too.

1:00:31I really thought the soldiers would

1:00:32revolt right then. They kept stopping me

1:00:35in the halls, yelling about how they

1:00:37thought she was supposed to be

1:00:38invincible, that this wasn't the plan,

1:00:40that they didn't decide to risk their

1:00:41lives for a regular teenage girl who

1:00:43couldn't take a bullet, and god damn it,

1:00:45she was supposed to be some supernatural

1:00:46phenomenon, something more than human.

1:00:49It took forever to calm them down.

1:00:53But now,

1:00:55I can only imagine how they'll react

1:00:56when they hear what happened at the

1:00:58symposium.

1:01:00It'll be mutiny most likely.

1:01:03I sigh hard.

1:01:07So, you're just going to ignore me?

1:01:09Nazer is standing inches away from me. I

1:01:13can feel her hovering, waiting.

1:01:17I still haven't said anything. Still

1:01:19haven't turned around. It's not that I

1:01:22don't want to talk. I think I might sort

1:01:24of want to talk. Maybe some other day.

1:01:28But right now, I'm out of gas. I'm out

1:01:31of James' jokes. I'm fresh out of fake

1:01:33smiles. Right now, I'm nothing but pain

1:01:36and exhaustion and raw emotion. And I

1:01:38don't have the bandwidth for another

1:01:39serious conversation. I really don't

1:01:41want to do this right now. I'd nearly

1:01:44made my escape, too. I'm right here,

1:01:48right in front of my door. My hand is on

1:01:51the handle.

1:01:53I could just walk away. I think I could

1:01:57be that kind of guy. A Warner kind of

1:02:00guy. A jackass kind of guy. Just walk

1:02:04away without a word. Too tired. No thank

1:02:07you. Don't want to talk.

1:02:09Leave me alone.

1:02:12Instead, I slump forward, rest my hands

1:02:14and forehead against the closed bedroom

1:02:16door.

1:02:18I'm tired, Nazera. I can't believe

1:02:21you're upset with me.

1:02:23My eyes close. My nose bumps against the

1:02:26wood.

1:02:28I'm not upset with you. I'm half asleep.

1:02:33You were mad. You were mad at me for

1:02:36having the same ability as you. Weren't

1:02:39you? I groan.

1:02:43Weren't you? She says again, this time

1:02:46angrily.

1:02:48I say nothing.

1:02:50Unbelievable.

1:02:52That is the most petty, ridiculous,

1:02:54immature. Yeah, well, do you know how

1:02:57hard it was for me to tell you that? Do

1:02:59you have any idea? I hear her sharp,

1:03:01angry huff. Will you at least look at me

1:03:03when I'm talking to you? Can't? What?

1:03:07She sounds startled.

1:03:10What do you mean you can't?

1:03:13Can't look at you.

1:03:16She hesitates.

1:03:18Why not?

1:03:20Too pretty.

1:03:22She laughs, but angrily, like she might

1:03:26punch me in the face.

1:03:29Kenji, I'm trying to be serious with

1:03:31you. This is important to me. This is

1:03:35the first time in my whole life I've

1:03:37ever shown other people what I can do.

1:03:39It's the first time I've ever interacted

1:03:41with other people like me. Besides, she

1:03:45says, I thought we decided we were going

1:03:48to be friends.

1:03:49Maybe that's not a big deal to you, but

1:03:51it's a big deal to me because I don't

1:03:54make friends easily, and right now

1:03:57you're making me doubt my own judgment.

1:04:00I sigh so hard I nearly hurt myself.

1:04:04I push off the door, stare at the wall.

1:04:09Listen, I say, swallowing hard.

1:04:13I'm sorry I hurt your feelings. I just

1:04:16there was a minute back there before you

1:04:18really started talking when I thought

1:04:20you just like lied about things. I

1:04:24didn't understand what was happening. I

1:04:26thought maybe you'd set us up. A bunch

1:04:29of stuff seemed too crazy to be a

1:04:30coincidence. But we've been talking for

1:04:33hours now and I don't feel that way

1:04:34anymore. I'm not mad anymore. I'm sorry.

1:04:39Can I go now?

1:04:41Of course, she says. I just She trails

1:04:45off like she's confused and then she

1:04:48touches my arm. No, she doesn't just

1:04:52touch my arm. She takes my arm. She

1:04:56wraps her hand around my bare forearm

1:04:58and tugs gently.

1:05:01The contact is hot and immediate. Her

1:05:04skin is soft. My brain feels dim, dizzy.

1:05:10Stop, I say. She drops her hand.

1:05:15"Why won't you look at me?" she says. "I

1:05:19already told you why I won't look at

1:05:20you, and you laughed at me." She's quiet

1:05:24for so long. I wonder if she's walked

1:05:25away. Finally, she says, "I thought you

1:05:29were joking." "Well, I wasn't."

1:05:33More silence.

1:05:36Then,

1:05:38do you always say exactly what you're

1:05:40thinking?

1:05:41Most of the time. Yeah.

1:05:44Gently, I bang my head against the door.

1:05:47I don't understand why this girl won't

1:05:49let me wallow in peace.

1:05:53What are you thinking right now? She

1:05:55asks.

1:05:57Jesus Christ. I look up at the ceiling,

1:06:00hoping for a wormhole or a bolt of

1:06:02lightning or maybe even an alien

1:06:04abduction. Anything to get me out of

1:06:06here. This moment, this relentless,

1:06:08exhausting conversation.

1:06:10In the absence of miracles, my

1:06:12frustration spikes.

1:06:15I'm thinking I want to go to sleep, I

1:06:17say angrily. I'm thinking I want to be

1:06:19left alone. I'm thinking I've already

1:06:21told you this a thousand times and you

1:06:23won't let me go, even though I apologize

1:06:24for hurting your feelings. So, I guess

1:06:26what I'm really thinking is I don't

1:06:28understand what you're doing here. Why

1:06:30do you care so much about what I think?

1:06:33What? She says, startled. I don't.

1:06:37Finally, I turn around. I feel a little

1:06:39unhinged, like my brain is flooded.

1:06:42There's too much happening, too much to

1:06:44feel. Grief, fear, exhaustion,

1:06:47desire.

1:06:49Nazera takes a step back when she sees

1:06:51my face.

1:06:53She's perfect.

1:06:55Perfect. Everything.

1:06:57Long legs and curves. Her face is

1:07:00insane. Faces shouldn't look like that.

1:07:04Bright honeyccoled eyes and skin-like

1:07:06dusk. Her hair is so brown it's nearly

1:07:09black, thick, heavy, straight.

1:07:14She reminds me of something, of a

1:07:16feeling I don't even know how to

1:07:17describe. And there's something about

1:07:19her that's made me stupid, drunk, like I

1:07:23could just stare at her and be happy,

1:07:25float forever in this feeling.

1:07:28And then I realize with a start that I'm

1:07:32staring at her mouth again.

1:07:34I never mean to. It just happens.

1:07:38She's always touching her mouth, tapping

1:07:40that damn diamond piercing under her

1:07:42lip. And I'm just dumb. My eyes

1:07:44following her every move. She's standing

1:07:47in front of me with her arms crossed,

1:07:49running her thumb absently against the

1:07:51edge of her bottom lip. And I can't stop

1:07:54staring.

1:07:55She startles suddenly when she realizes

1:07:58I'm looking, drops her hands to her

1:08:00sides, and blinks at me.

1:08:04I have no idea what she's thinking.

1:08:08I asked you a question, I say, but this

1:08:12time my voice comes out a little rough,

1:08:14a little too intense. I knew I should

1:08:16have kept my eyes on the wall. Still,

1:08:20she only stares at me.

1:08:23All right, forget it, I say. You keep

1:08:26begging me to talk, but the minute I ask

1:08:28you a question, you say nothing. That's

1:08:30just great. I turn away again, reach for

1:08:33the door handle, and then still facing

1:08:36the door, I say,

1:08:38"You know, I'm aware that I haven't done

1:08:41a good job being smooth about this, and

1:08:43maybe I'll never be that kind of guy,

1:08:45but I don't think you should treat me

1:08:47like this, like I'm some idiot nothing

1:08:49just because I don't know how to be a

1:08:50douchebag." "What,

1:08:53Kenji? I don't." "Stop," I say, jerking

1:08:56away from her. She keeps touching my

1:08:59arm, touching me like she doesn't even

1:09:00know she's doing it. It's driving me

1:09:03crazy. Don't do that. Don't do what?

1:09:08Finally, angrily, I spin around. I'm

1:09:11breathing hard, my chest rising and

1:09:13falling too fast.

1:09:15Stop messing with me, I say. You don't

1:09:19know me. You don't know anything about

1:09:21me. You say you want to be my friend,

1:09:24but you talk to me like I'm an idiot.

1:09:26You touch me constantly like I'm a

1:09:28child, like you're trying to comfort me,

1:09:30like you have no idea that I'm a grown

1:09:32ass man who might feel something when

1:09:33you put your hands on me like that. She

1:09:35tries to speak and I cut her off. I

1:09:37don't care what you think you know about

1:09:38me or how stupid you think I am. But

1:09:41right now, I'm exhausted. Okay, I'm

1:09:43done. So, if you want nice Kenji, maybe

1:09:45you should check back in the morning

1:09:46because right now all I've got is Jack

1:09:48in the way of pleasantries.

1:09:51Nazer looks frozen, stunned. She stares

1:09:54at me, her lips slightly parted, and I'm

1:09:58thinking, "This is it. This is how I

1:10:01die. She's going to pull out a knife and

1:10:03cut me open, rearrange my organs, put on

1:10:06a puppet show with my intestines.

1:10:08What a way to go."

1:10:11But when she finally speaks, she doesn't

1:10:14sound angry.

1:10:16She sounds a little out of breath,

1:10:18nervous.

1:10:21I don't think you're a child," she says.

1:10:26I have no idea what to say to that. She

1:10:29takes a step forward, presses her hands

1:10:31flat against my torso, and I turn into a

1:10:34statue.

1:10:35Her hands seem to sear into my body,

1:10:38heat pressing between us, even through

1:10:40my shirt.

1:10:42I feel like I might be dreaming.

1:10:45She runs her hands up my chest, and that

1:10:48simple motion feels so good. Good. I'm

1:10:50suddenly terrified. I feel magnetized to

1:10:53her, frozen in place, afraid to wake up.

1:10:59"What are you doing?" I whisper.

1:11:03She's still staring at my chest when she

1:11:04says again.

1:11:08"I don't think you're a child."

1:11:11"Nera." She lifts her head to meet my

1:11:13eyes, and a flash of feeling, hot and

1:11:16painful, shoots down my spine.

1:11:19And I don't think you're stupid, she

1:11:22says.

1:11:24Wrong.

1:11:26I'm definitely stupid.

1:11:28So stupid.

1:11:30I can't even think right now. Okay, I

1:11:34say stupidly. I don't know what to do

1:11:36with my hands. I mean, I know what to do

1:11:39with my hands. I'm just worried that if

1:11:40I touch her, she might laugh and then

1:11:42probably kill me. She smiles then. Smile

1:11:46so big I feel my heart explode. Make a

1:11:48mess inside my chest.

1:11:52"So, you're not going to make a move?"

1:11:55she says, still smiling. "I thought you

1:11:59liked me. I thought that's what this

1:12:01whole thing was all about."

1:12:04"Like you?" I blink at her. "I don't

1:12:08even know you." Uh," she says, and her

1:12:13smile disappears. She begins to pull

1:12:15away, and she can't meet my eyes. And

1:12:17then, I don't know what comes over me. I

1:12:21grab her hand, open my bedroom door, and

1:12:23lock us both inside.

1:12:27She kisses me first. I have an out-of-

1:12:30body moment like I can't believe this is

1:12:32actually happening to me. I can't

1:12:34understand what I did to make this

1:12:36possible because according to my

1:12:37calculations, I messed this up on a

1:12:39hundred different levels. And in fact, I

1:12:41was pretty sure she was pissed at me up

1:12:42until like 5 minutes ago. And then I

1:12:45tell myself to shut up.

1:12:48Her kiss is soft. Her hands tentative

1:12:51against my chest, but I wrap my arms

1:12:54around her waist and kiss her. Really

1:12:57kiss her. And then somehow we're against

1:12:59the wall and her hands are around my

1:13:02neck and she parts her lips for me, size

1:13:04in my mouth. And that small sound of

1:13:07pleasure drives me crazy. Floods my body

1:13:10with heat and desire so intense I can

1:13:13hardly stand.

1:13:15We break apart, breathing hard, and I

1:13:19stare at her like an idiot. My brain

1:13:21still too numb to figure out exactly how

1:13:23I got here. Then again, who cares how I

1:13:27got here? I kiss her again and it nearly

1:13:31kills me. She feels so good. So soft.

1:13:38Perfect.

1:13:39She's perfect. Fits perfectly in my

1:13:42arms. Like we were made for this. Like

1:13:45we've done this a thousand times before.

1:13:48And she smells like shampoo. Like

1:13:50something sweet. Perfume. Maybe. I don't

1:13:54know.

1:13:55Whatever it is, it's in my head now,

1:13:59killing brain cells.

1:14:01When we break apart, she looks

1:14:04different, her eyes darker, deeper.

1:14:08She turns away, and when she turns back

1:14:10again, she's smiling at me. And for a

1:14:12second, I think we might both be

1:14:15thinking the same thing.

1:14:18But I'm wrong, of course. so wrong

1:14:20because I was thinking about how I'm

1:14:22like the luckiest guy on the planet and

1:14:24she

1:14:26she puts her hand on my chest and says

1:14:28softly,

1:14:30"You're really not my type."

1:14:34That knocks the wind out of me. I drop

1:14:37my arms from around her waist and take a

1:14:39sudden uncertain step backward. She

1:14:42cringes, covers her face with both

1:14:44hands. "I don't Wow. I don't mean you're

1:14:48not my type." She shakes her head hard.

1:14:50I just mean I don't normally I don't

1:14:53usually do this.

1:14:56Do what? I say still wounded.

1:15:00This she says and gestures between us. I

1:15:04don't I don't like just go around

1:15:08kissing guys I barely know.

1:15:11Okay. I frown.

1:15:14Do you want to leave? No. Her eyes

1:15:17widen. Then what do you want?

1:15:22I don't know, she says, and her eyes go

1:15:25soft again.

1:15:28I kind of just want to look at you for a

1:15:30minute. I meant what I said about your

1:15:33face, she says, and smiles.

1:15:37You have a great face.

1:15:40I go suddenly weak in the knees. I

1:15:42literally have to sit down. I walk over

1:15:45to my bed and collapse backward, my head

1:15:48hitting the pillow.

1:15:50It feels too good to be horizontal. If

1:15:53there weren't a gorgeous woman in my

1:15:54room right now, I'd be asleep already.

1:15:58Just so you know, this is not a move, I

1:16:00say mostly to the ceiling. I'm not

1:16:03trying to get you to sleep with me. I

1:16:05just literally had to lie down.

1:16:07Thank you for appreciating my face. I've

1:16:10always thought I had an underappreciated

1:16:12face. She laughs hard and sits next to

1:16:15me, teetering on the edge of the bed

1:16:17near my arm.

1:16:20You're really not what I was expecting,

1:16:22she says. I peer at her.

1:16:27What were you expecting?

1:16:29I don't know. She shakes her head,

1:16:32smiles at me.

1:16:34I guess I wasn't expecting to like you

1:16:37so much. My chest goes tight. Too tight.

1:16:42I force myself to sit up to meet her

1:16:44eyes.

1:16:47Come here, I say.

1:16:49You're too far away.

1:16:52She kicks off her boots and shifts

1:16:54closer, folding her legs up underneath

1:16:56her. She doesn't say a word, just stares

1:17:00at me. And then carefully, she touches

1:17:05my face, the line of my jaw.

1:17:08My eyes close, my mind swimming with

1:17:11nonsense.

1:17:13I lean back, rest my head against the

1:17:15wall behind us. I know it doesn't say

1:17:18much for my self-confidence that I'm so

1:17:20surprised this is happening, but I can't

1:17:22help it. I never thought I'd get this

1:17:25lucky.

1:17:27Kenji, she says softly.

1:17:30I open my eyes.

1:17:33I can't be your girlfriend.

1:17:36I blink. Sit up a little.

1:17:40Oh, I say. It hadn't occurred to me

1:17:43until exactly this moment that I might

1:17:45even want something like that. But now

1:17:47that I'm thinking about it, I know that

1:17:49I do. A girlfriend is exactly what I

1:17:52want. I want a relationship. I want

1:17:55something real.

1:17:58It would never work, you know. She tilts

1:18:01her head, looks at me like it's obvious,

1:18:03like I know as well as she does why

1:18:05things would never work out between us.

1:18:07We're not. She motions between our

1:18:09bodies to indicate something I don't

1:18:11understand.

1:18:13We're so different, right? Plus, I don't

1:18:17even live here.

1:18:20Right? I say, but my mouth feels

1:18:23suddenly numb. My whole face feels numb.

1:18:27You don't even live here.

1:18:30And then just as I'm trying to figure

1:18:32out how to pick up the pieces of my

1:18:33obliterated hopes and dreams, she climbs

1:18:36into my lap. 0 to 60. My body

1:18:39malfunctions, overheats.

1:18:42She presses her face into my cheek and

1:18:44kisses me softly just underneath my jaw.

1:18:47And I feel myself melt into the wall,

1:18:50into the air.

1:18:52I don't understand what's happening

1:18:53anymore. She likes me, but she doesn't

1:18:56want to be with me. She's not going to

1:18:58be with me, but she's going to sit on my

1:18:59lap and kiss me into oblivion.

1:19:02Sure. Okay.

1:19:05I let her touch me the way she wants to.

1:19:07Let her put her hands on my body and

1:19:09kiss me wherever, however she wants. She

1:19:12touches me in a proprietary way, like I

1:19:15already belong to her. And I don't mind.

1:19:19I kind of love it. And I let her take

1:19:21the lead for as long as I can bear it.

1:19:24She's pulling up my shirt, running her

1:19:26hands across my bare skin, and telling

1:19:28me how much she likes my body. And I

1:19:30really feel like like I can't breathe.

1:19:34I feel too hot, delirious, but sharp,

1:19:38aware of this moment in an almost primal

1:19:40way.

1:19:42She helps me pull off my shirt, and then

1:19:44she just looks at me, first at my face,

1:19:47and then at my chest, and she runs her

1:19:49hands across my shoulders, down my arms.

1:19:54Wow, she says softly. You're so

1:19:57gorgeous.

1:19:59That's it for me. I pick her up off my

1:20:02lap and lay her down on her back and she

1:20:05gasps, stares at me like she's

1:20:07surprised. And then deep. Her eyes go

1:20:12deep and dark and she's looking at my

1:20:14mouth, but I decide to kiss her neck,

1:20:16the curve of her shoulder.

1:20:18Nazera, I whisper, hardly recognizing

1:20:22the sound of my own voice.

1:20:25I want you so badly it might kill me.

1:20:29Suddenly, someone is banging on my door.

1:20:31Bro, where the hell did you go? Ian

1:20:34shouts. Castle brought dinner up like 10

1:20:36minutes ago. I sit up too fast. I nearly

1:20:40pull a muscle. Nazer laughs out loud and

1:20:43even though she claps a hand over her

1:20:44mouth to muffle the sound, she's not

1:20:46quick enough.

1:20:48Uh, hello. Ian again.

1:20:52Genji.

1:20:54I'll be right there. I shout back. I

1:20:57hear him hesitate, his footsteps

1:21:00uncertain. And then he's gone. I drop my

1:21:04head into my hands. Suddenly, everything

1:21:07comes rushing back to me. For a few

1:21:09minutes, this moment with Nazera felt

1:21:11like the whole world. A welcome reprieve

1:21:14from all the war and death and struggle.

1:21:16But now, with a little oxygen in my

1:21:19brain, I feel stupid.

1:21:22I don't know what I was thinking.

1:21:25Juliet might be dead.

1:21:27I get to my feet. I pull my shirt on

1:21:30quickly, careful not to meet her eyes.

1:21:32For some reason, I can't bring myself to

1:21:35look at Nazera. I have no regrets about

1:21:38kissing her. It's just that I also feel

1:21:40suddenly guilty, like I was doing

1:21:42something wrong, something selfish and

1:21:45inappropriate.

1:21:48I'm sorry, I say. I don't know what got

1:21:51into me. Nazer is tugging on her boots.

1:21:54She looks up surprised.

1:21:57What do you mean?

1:22:00What? We just I sigh hard.

1:22:04I don't know.

1:22:06I forgot for a moment everything we have

1:22:08to do. The fact that Juliet might be out

1:22:10there somewhere being tortured to death.

1:22:13Warner might be dead. We'll have to pack

1:22:15up and run. Leave this place behind.

1:22:18God, there's so much happening and I

1:22:19just My head was in the wrong place. I'm

1:22:23sorry. Nazer is standing up now. She

1:22:26looks upset.

1:22:28Why do you keep apologizing to me? Stop

1:22:31apologizing to me. You're right. I'm

1:22:34sorry. I wse. I mean, you know what I

1:22:38mean. Anyway, we should go. Kenji,

1:22:42listen. You said you didn't want a

1:22:43relationship, right? You didn't want to

1:22:45be my girlfriend. You don't think that

1:22:47this I mimic what she did earlier,

1:22:49motioning between us could ever work?

1:22:52Well, then I take a breath, run a hand

1:22:55through my hair. This is what not being

1:22:58my girlfriend looks like. Okay. There

1:23:01are only a few people in my life who

1:23:03actually care about me. And right now,

1:23:04my best friend is probably being

1:23:06murdered by a bunch of psychopaths, and

1:23:07I should be out there doing something. I

1:23:10didn't realize you and Warner were so

1:23:12close, she says quietly.

1:23:16What? I frown.

1:23:18No, I'm talking about Juliet, I say.

1:23:21Ella, whatever. Nazer's eyebrows go

1:23:24high. Anyway, I'm sorry. We should

1:23:29probably just keep this professional,

1:23:30right? You're not looking for anything

1:23:32serious and I don't know how to have

1:23:34casual relationships anyway. I always

1:23:36end up caring too much to be honest, so

1:23:38this probably wasn't a good idea.

1:23:42Oh,

1:23:44right. I look at her, hoping suddenly

1:23:48that there was something I missed,

1:23:49something more than the cool distance in

1:23:51her eyes.

1:23:53Didn't you just tell me that we're too

1:23:55different? That you don't even live

1:23:57here? She turns away.

1:24:01Yes.

1:24:02And have you changed your mind in the

1:24:04last 30 seconds about being my

1:24:07girlfriend?

1:24:09She's still staring at the wall when she

1:24:10says no.

1:24:13Pain shoots up my spine, gathers in my

1:24:16chest.

1:24:18Okay then, I say and nod.

1:24:22Thanks for your honesty. I have to go.

1:24:25She cuts past me, walks out the door.

1:24:29I'm coming to

1:24:33>> Juliet.

1:24:36>> I've been sitting in the back of a

1:24:38police car for over an hour. I haven't

1:24:40been able to cry. Not yet. And I don't

1:24:43know what I'm waiting for. But I know

1:24:45what I did. And I'm pretty sure I know

1:24:47what happens next. I killed a little

1:24:49boy.

1:24:51I don't know how I did it. I don't know

1:24:53why it happened. I just know that it was

1:24:56me. My hands. me. I did that. Me.

1:25:01I wonder if my parents will show up.

1:25:04Instead, three men in military uniforms

1:25:07march up to my window. One of them

1:25:09flings open the door and aims a machine

1:25:11gun at my chest. Get out, he barks. Out

1:25:14with your hands up. My heart is racing.

1:25:17Terror propelling me out of the car so

1:25:20fast I stumble, slamming my knee into

1:25:22the ground. I don't need to check to

1:25:24know that I'm bleeding. The pain of the

1:25:26fresh wound is already searing. I bite

1:25:29my lip to keep from crying out. Force

1:25:31the tears back. No one helps me up. I

1:25:35want to tell them that I'm only 14. That

1:25:38I don't know a lot about a lot of

1:25:39things, but that I know enough. I've

1:25:41watched TV shows about this sort of

1:25:43thing. I know they can't charge me as an

1:25:46adult. I know that they shouldn't be

1:25:48treating me like this.

1:25:50But then I remember that the world is

1:25:52different now. We have a new government

1:25:54now. one that doesn't care how we used

1:25:56to do things. Maybe none of that matters

1:25:59anymore. My heart beats faster. I'm

1:26:03shoved into the back seat of a black car

1:26:05and before I know it, I'm deposited

1:26:07somewhere new. Somewhere that looks like

1:26:09an ordinary office building. It's tall,

1:26:12steel, gray. It seems old and decrepit.

1:26:16Some of its windows are cracked, and the

1:26:18whole thing looks sad.

1:26:21But when I walk inside, I'm stunned to

1:26:24discover a blinding, gleaming interior.

1:26:27I look around, taking in the marble

1:26:29floors, the rich carpets and

1:26:31furnishings. The ceilings are high, the

1:26:34architecture modern but elegant. It's

1:26:37all glass and marble and stainless

1:26:39steel. I've never been anywhere so

1:26:42beautiful.

1:26:44and I haven't even had a moment to take

1:26:46it all in before I'm greeted by a thin

1:26:48older man with even thinner brown hair.

1:26:52The soldier flanking me steps back as he

1:26:54steps forward. Miss Verars, he says.

1:26:57Yes, you are to come with me. I

1:27:00hesitate. Who are you? He studies me a

1:27:04moment and then seems to make a

1:27:06decision. You may call me Dealu.

1:27:10Okay, I say the word disappearing into a

1:27:13whisper. I follow Daloo into a glass

1:27:16elevator and watch him use a key card to

1:27:18authorize the lift. Once we're in

1:27:20motion, I find the courage to speak.

1:27:24Where am I? I ask. What's happening? His

1:27:28answer comes automatically.

1:27:30You are in sector 45 headquarters.

1:27:32You're here to have a meeting with the

1:27:34chief commander and regent of sector 45.

1:27:37He doesn't look at me when he speaks,

1:27:39but there's nothing in his tone that

1:27:41feels threatening. So, I ask another

1:27:43question.

1:27:45Why? The elevator doors ping as they

1:27:48open. Dau finally turns to look at me.

1:27:52You'll find out in just a moment. I

1:27:55follow Dale Leu down a hall and wait

1:27:58quietly outside a door while he knocks.

1:28:01He peaks his head inside when the door

1:28:03opens, announces his presence, and then

1:28:06motions for me to follow him in. When I

1:28:08do, I'm surprised.

1:28:11There's a beautiful man in military

1:28:13uniform. I'm assuming he's the commander

1:28:16standing in front of a large wooden

1:28:17desk, his arms crossed against his

1:28:20chest. He's staring me straight in the

1:28:22eye, and I'm suddenly so overwhelmed, I

1:28:25feel myself blush. I've never seen

1:28:27anyone so handsome before.

1:28:31I look down, embarrassed, and study the

1:28:34laces of my tennis shoes. I'm grateful

1:28:37for my long hair. It serves as a dark,

1:28:40heavy curtain, shielding my face from

1:28:42view. Look at me.

1:28:45>> The command is sharp and clear. I look

1:28:48up nervously to meet his eyes. He has

1:28:51thick, dark brown hair, eyes like a

1:28:54storm. He looks at me for so long I feel

1:28:57goosebumps rise along my skin. He won't

1:29:00look away, and I feel more terrified by

1:29:02the moment. This man's eyes are full of

1:29:05anger, darkness. There's something

1:29:08genuinely frightening about him, and my

1:29:10heart begins to hammer. "You're growing

1:29:13up quickly,"

1:29:15>> he says. I stare at him, confused, but

1:29:19he's still studying my face. "14 years

1:29:22old," he says quietly. "Such a

1:29:25complicated age for a young girl."

1:29:28Finally, he sigh, looks away.

1:29:32It always breaks my heart to break

1:29:34beautiful things.

1:29:36>> I don't I don't understand, I say,

1:29:40feeling suddenly ill. He looks up again.

1:29:44You're aware of what you did today.

1:29:47I freeze. Words pile up in my throat,

1:29:50die in my mouth.

1:29:52>> Yes or no? He demands.

1:29:56Yes, I say quickly. Yes. And do you know

1:30:00why you did it? Do you know how you did

1:30:03it? I shake my head, my eyes filling

1:30:07fast with tears.

1:30:09It was an accident, I whisper. I didn't

1:30:12know. I I didn't know that this Does

1:30:15anyone else know about your sickness?

1:30:20>> No. I stare at him, my eyes wide, even

1:30:23as tears blur my vision. I mean, not not

1:30:27really. just my parents. But no one

1:30:29really understands what's wrong with me.

1:30:31I don't even understand. You mean you

1:30:33didn't plan this? It wasn't your

1:30:35intention to murder the little boy. No,

1:30:39I cry out and then clap both hands over

1:30:42my mouth. No, I say quietly now. I was

1:30:46trying to help him. He'd fallen to the

1:30:49floor and I I didn't know. I swear I

1:30:52didn't know.

1:30:54Liar. I'm still shaking my head, wiping

1:30:57away tears with shaking hands. It was an

1:31:00accident. I swear I didn't mean to. I I

1:31:03didn't. Sir, it's Daloo. His voice. I

1:31:08didn't realize he was still in the room.

1:31:11I sniff hard, wiping quickly at my face,

1:31:14but my hands are still shaking. I try

1:31:17again to swallow back the tears to pull

1:31:19myself together. Sir, Daloo says more

1:31:23firmly. Perhaps we should conduct this

1:31:25interview elsewhere.

1:31:27I don't see why that's necessary.

1:31:30I don't mean to seem impertinent, sir,

1:31:32but I really feel that you might be

1:31:34better served conducting this interview

1:31:36privately. I dare to turn to look up at

1:31:39him, and that's when I notice the third

1:31:42person in the room, a boy.

1:31:46My breath catches in my throat with an

1:31:49almost audible gasp. A single tear

1:31:52escapes down my cheek and I brush it

1:31:54away. Even as I stare at him, I can't

1:31:57help it. I can't look away. He has the

1:32:01kind of face that I've never seen in

1:32:02real life. He's more handsome than the

1:32:05commander, more beautiful. Still,

1:32:08there's something unnerving about him,

1:32:10something cold and alien about his face

1:32:12that makes him difficult to look at.

1:32:15He's almost too perfect. He has a sharp

1:32:18jawline and sharp cheekbones and a sharp

1:32:21straight nose. Everything about him

1:32:23reminds me of a blade. His face is pale.

1:32:27His eyes are a stunning clear green and

1:32:30he has rich golden hair. And he's

1:32:32staring at me. His eyes wide with an

1:32:35emotion I can't decipher.

1:32:39A throat clears. The spell is broken.

1:32:43Heat floods my face. and I avert my

1:32:45eyes, mortified I didn't look away

1:32:47sooner, I hear the commander mutter

1:32:50angrily under his breath.

1:32:51>> "Unbelievable,"

1:32:53>> he says. "Always the same."

1:32:56>> I look up.

1:32:57>> "Aaron,"

1:32:58>> he says sharply. "Get out."

1:33:01>> The boy, his name must be Aaron,

1:33:05startles. He stares at the commander for

1:33:08a second and then glances at the door,

1:33:10but he doesn't move.

1:33:14Dealu, please escort my son from the

1:33:16room as he seems presently unable to

1:33:19remember how to move his legs.

1:33:22His son.

1:33:23Wow, that explains the face. Yes, sir.

1:33:27Of course, sir. Aaron's expression is

1:33:30impossible to read. I catch him looking

1:33:32at me just once more, and when he finds

1:33:35me staring, he frowns. It's not an

1:33:38unkind look. Still, I turn away. He and

1:33:42Da Leu move past me as they exit, and I

1:33:45pretend not to notice when I hear him

1:33:46whisper, "Who is she?" as they walk

1:33:49away.

1:33:52"Ella, are you all right?" I blink

1:33:56slowly, clearing the webbing of

1:33:57blackness, obscuring my vision. Stars

1:34:00explode and fade behind my eyes. And I

1:34:02try to stand, the carpet pressing

1:34:04popcorn impressions into my palms, metal

1:34:07digging into my flesh. I'm wearing

1:34:10manicles, glowing cuffs that emit a soft

1:34:13blue light that leeches the life from my

1:34:16skin. Makes my own hands seem sinister.

1:34:19The woman at my door is staring at me.

1:34:21She smiles. Your father and I thought

1:34:24you might be hungry, she says. We made

1:34:27you dinner.

1:34:29I can't move. My feet seem bolted in

1:34:32place. The pinks and purples of the

1:34:34walls and floors assaulting me from

1:34:36every corner. I'm standing in the middle

1:34:38of the bizarre museum of what was likely

1:34:41my childhood bedroom, staring at what

1:34:43might be my biological mother, and I

1:34:46feel like I might throw up. The lights

1:34:49are suddenly too bright, the voices too

1:34:51loud. Someone walks toward me, and the

1:34:54movement feels exaggerated, the

1:34:56footsteps thuing hard and fast in my

1:34:59ears. My vision goes in and out, and the

1:35:02walls seem to shake. The floor shifts,

1:35:05tilts backward.

1:35:07I fall hard onto the floor.

1:35:11For a minute, I hear nothing but my

1:35:13heartbeat. Loud. So loud pressing in on

1:35:16me, assaulting me with a cacophony of

1:35:18sounds so disturbing. I double over,

1:35:21press my face into the carpet, and

1:35:23scream.

1:35:25I'm hysterical, my bones shaking in my

1:35:28skin, and the woman picks me up, reels

1:35:30me in, and I tear away, still screaming.

1:35:33Where is everyone? I scream. What's

1:35:35happening to me? I scream. Where am I?

1:35:38Where's Warner and Kenji? And oh my god.

1:35:41Oh my god. All those people. All those

1:35:44people I killed. Vomit inches up my

1:35:48throat, choking me. And I try and fail

1:35:50to suppress the images. The horrible,

1:35:53terrifying images of bodies cleaved

1:35:56open. Blood snaking down ridges of

1:35:58poorly torn flesh. And something pierces

1:36:01my mind. Something sharp and blinding.

1:36:03And suddenly I'm on my knees heaving the

1:36:06meager contents of my stomach into a

1:36:08pink basket.

1:36:10I can hardly breathe. My lungs are

1:36:12overworked. My stomach still threatening

1:36:15to betray me. And I'm gasping, my hands

1:36:18shaking hard as I try to stand. I spin

1:36:21around, the room moving more quickly

1:36:23than I do. And I see only flashes of

1:36:26pink, flashes of purple. I sway.

1:36:30Someone catches me again. this time, new

1:36:32arms. And the man who calls me his

1:36:34daughter holds me like I'm his child.

1:36:36And he says, "Honey, you don't have to

1:36:38think about them anymore. You're safe

1:36:41now." "Safe?"

1:36:43I rear back, eyes wild. "Who are you?"

1:36:48The woman takes my hand, squeezes my

1:36:50fingers even as I wrench free from her

1:36:52grip. "I'm your mother," she says, and

1:36:55I've decided it's time for you to come

1:36:57home. "What?" I grab two fistfuls of her

1:37:01shirt. Have you done with my friends? I

1:37:05scream. And then I shake her. Shake her

1:37:08so hard she actually looks scared for a

1:37:10second. And then I try to pick her up

1:37:12and throw her into the wall, but

1:37:14remember with a start that my powers

1:37:16have been cut off, that I have to rely

1:37:18on mere anger and adrenaline. And I turn

1:37:21around suddenly furious, feeling more

1:37:24certain by the second that I've begun to

1:37:25hallucinate. hallucinate when

1:37:28unexpectedly she slaps me in the face

1:37:32hard.

1:37:34I blink, stunned, but managed to stay

1:37:37upright. "Ella Summers," she says

1:37:41sharply. "You will pull yourself

1:37:43together."

1:37:45Her eyes flash as she appraises me.

1:37:47"What is this ridiculous dramatic

1:37:49behavior? Worried about your friends?

1:37:52Those people are not your friends?"

1:37:56My cheek burns and half my mouth feels

1:37:58numb. But I say, "Yes, yes, they're my

1:38:02She slaps me again."

1:38:06My eyes close, reopen. I feel suddenly

1:38:10dizzy. "We are your parents," she says

1:38:13in a harsh whisper. "Your father and I

1:38:16have brought you home. You should be

1:38:18grateful."

1:38:20I taste blood.

1:38:22I reach up, touch my lip, my fingers

1:38:25come away red.

1:38:28Where's Emiline?

1:38:30Blood is pooling in my mouth, and I spit

1:38:33it out onto the floor. Have you

1:38:35kidnapped her, too? Does she know what

1:38:38you've done? That you donated us to the

1:38:41reestablishment, sold our bodies to the

1:38:43world? A third swift slap.

1:38:48I feel it ring in my skull.

1:38:51How dare you? My mother's face flushes

1:38:55crimson.

1:38:56How dare you? You have no idea what

1:38:59we've built all these years. The

1:39:02sacrifices we made for our future.

1:39:06Now, Eevee, my dad says, and places a

1:39:08calming hand on her shoulder. Everything

1:39:11is going to be okay. Ella just needs a

1:39:14little time to settle in, that's all. He

1:39:17glances at me. Isn't that right, Ella?

1:39:21It hits me then in that moment.

1:39:24Everything

1:39:26it hits me all at once with a

1:39:29frightening destabilizing force.

1:39:33I've been kidnapped by a pair of crazy

1:39:35people and I might never see my friends

1:39:37again. In fact, my friends might be

1:39:40dead. My parents might have killed them.

1:39:45All of them.

1:39:47The realization is like suffocation.

1:39:50Tears fill my throat, my mouth, my eyes.

1:39:55Where? I say, my chest heaving is

1:39:57Warner. What did you do to him?

1:40:01Eve's expression goes suddenly

1:40:03murderous.

1:40:05You and that damn boy. If I have to hear

1:40:08his name one more time, where's Warner?

1:40:13I'm screaming again. Where is he?

1:40:15Where's Kenji? What did you do with

1:40:17them?

1:40:19Eevee looks suddenly exhausted. She

1:40:22pinches the bridge of her nose between

1:40:24her thumb and index finger.

1:40:27Darling, she says, but she isn't looking

1:40:29at me. She's looking at my father. Will

1:40:32you handle this, please? I have a

1:40:34terrible headache and several urgent

1:40:36phone calls to return.

1:40:39Of course, my love. and he pulls a

1:40:42syringe from his pocket and stabs it

1:40:44swiftly into my neck.

1:40:49>> Kenji,

1:40:52the common room is really growing on me.

1:40:55I used to walk by all the time and

1:40:58wonder why Warner ever thought we'd need

1:40:59a common room this big. There's tons of

1:41:01seating and a lot of room to spread out,

1:41:03but I always thought it was a waste of

1:41:05space. I secretly wished Warner had used

1:41:08the square footage for our bedrooms.

1:41:10Now I get it. When Nazir and I walk in

1:41:1310 minutes late to the impromptu pizza

1:41:15party, everyone is here. Brendan is

1:41:18here. He's sitting in a corner being

1:41:21fussed over by Castle and Aaliyah. And I

1:41:23nearly tackle him. I don't, of course,

1:41:26because it's obvious he's still in

1:41:27recovery, but I'm relieved to find that

1:41:29he looks okay. Mostly he looks rung out,

1:41:32but he's not wearing a sling or

1:41:34anything, so I'm guessing the girls

1:41:35didn't run into any problems when they

1:41:37were patching him up. That's a great

1:41:39sign.

1:41:40I spot Winston walking across the room

1:41:42and I catch up to him, clap him on the

1:41:44back. Hey, I say when he turns around.

1:41:48You okay? He's balancing a couple of

1:41:51paper plates, both of which are already

1:41:53sagging under the weight of too much

1:41:54pizza. And he smiles with his whole face

1:41:56when he says, "I hate today. Today is a

1:42:00garbage fire. I hate everything about

1:42:02today except for the fact that Brendan

1:42:04is okay and we have pizza. Other than

1:42:07that, did Aken go straight to hell?

1:42:10Yeah, I feel that so much. And then

1:42:14after a pause, I say quietly,

1:42:17"So, I'm guessing you never had that

1:42:19conversation with Brendan, huh?"

1:42:22Winston goes suddenly pink, "I said I

1:42:25was waiting for the right time. Does

1:42:27this seem like the right time to you?"

1:42:29"Good point," I sigh. "I guess I was

1:42:33just hoping you had some good news. We

1:42:35could all use some good news right now.

1:42:37Winston shoots me a sympathetic look. No

1:42:40word on Juliet. I shake my head. Feel

1:42:44suddenly sick.

1:42:46Has anyone told you her real name is

1:42:47Ella? I heard. Winston says, raising his

1:42:51eyebrows. That whole story is batshit.

1:42:55Yeah, I say. Today is the worst.

1:42:59today. Winston says. Don't forget about

1:43:02tomorrow. I say. Tomorrow's going to

1:43:04suck, too. What? Why? The paper plates

1:43:08in Winston's hands are going translucent

1:43:10from pizza grease. What's happening

1:43:12tomorrow?

1:43:14Last I heard, we were jumping ship. I

1:43:16say, running for our lives. I'm assuming

1:43:19it's going to suck. Winston nearly

1:43:23drops his plates. Seriously, Brendan

1:43:26needs more time to rest. Then after a

1:43:29beat, "Where are we going to go?" "The

1:43:32other side of the continent,

1:43:33apparently," Ian says as he walks over.

1:43:36He hands me a plate of pizza. I murmur a

1:43:39quick thanks and stare at the pizza,

1:43:40wondering whether I'd be able to shove

1:43:42the whole thing in my mouth at once.

1:43:44"Probably not."

1:43:47"Do you know something we don't?"

1:43:49Winston says to Ian, his glasses

1:43:51slipping down the bridge of his nose.

1:43:53Winston tries unsuccessfully to shove

1:43:56them back up with his forearm, and Ian

1:43:58steps up to do it for him.

1:44:00"I know a lot of things you don't know,"

1:44:03Ian says. "The first of which is that

1:44:06Kenji was definitely hooking up with

1:44:07Nazera like 5 seconds ago. My mouth

1:44:10nearly falls open before I remember

1:44:12there's food in it." I swallow too

1:44:15quickly and choke. I'm still coughing as

1:44:18I look around, panicking that Nazera

1:44:20might be within earshot. Only when I

1:44:22spot her across the room speaking with

1:44:24Sonia and Sarah do I finally relax. I

1:44:27glare at Ian.

1:44:29What the hell is wrong with you? Winston

1:44:32at least has the decency to whisper yell

1:44:34when he says you were hooking up with

1:44:36Nazera. We were only gone a few hours. I

1:44:39did not hook up with Nazera. I lie. Ian

1:44:42takes a bite of pizza. Whatever, bro. No

1:44:44judgment. The world's on fire. Have some

1:44:47fun. We didn't. I sigh. look away. It

1:44:52wasn't like that. It's not even

1:44:53anything. We were just like I make some

1:44:56random gesture with my hand that means

1:44:58exactly nothing. Ian raises his

1:45:01eyebrows.

1:45:03Okay, Winston says, shooting me a look.

1:45:06We'll talk about the Nazer thing later.

1:45:08He turns to Ian. What's happening

1:45:11tomorrow? We bail, Ian says. Be ready to

1:45:14go at dawn. Right, I heard that part.

1:45:17Winston says, "But where are we going?"

1:45:20Ian shrugs. "Castle has the news," he

1:45:24says. "That's all I heard. He was

1:45:26waiting for Kenji and Nazer to put their

1:45:28clothes back on before he told everyone

1:45:30the details." I tilt my head at Ian,

1:45:32threatening him with a single look.

1:45:35"Nothing is going on with me and

1:45:37Nazera," I say. "Drop it." "All right,"

1:45:42he says, picking at his pizza. "Makes

1:45:44sense. I mean, she's not even that

1:45:47pretty. My plate falls out of my hand.

1:45:50Pizza hits the floor. I feel a sudden

1:45:53unwelcome need to punch Ian in the face.

1:45:56Are you Are you out of your mind? Not

1:46:00even She's like the most beautiful woman

1:46:03I've ever seen in my life, and you're

1:46:05out here saying she's not even that

1:46:07pretty. Have you see what I'm saying?

1:46:09Ian cuts me off. He's looking at

1:46:11Winston. Wow. Winston says, staring

1:46:15solemnly at the pizza on the ground.

1:46:18Yeah. Kenji is definitely full of

1:46:21I drag a hand across my face.

1:46:24I hate you guys.

1:46:26Anyway, Ian says, I heard Castle's news

1:46:29has something to do with Nura. My head

1:46:32snaps back up. Nura, I nearly forgot.

1:46:37This morning, just before the symposium,

1:46:40the twins told me they'd uncovered

1:46:42something. something to do with the

1:46:43poison and the bullets Juliet had been

1:46:45shot with that led them back to Nura.

1:46:48But so much happened today that I never

1:46:50had the chance to follow up.

1:46:53Find out what happened.

1:46:55Did you hear about that? Ian asks me,

1:46:58raising an eyebrow. She sent a message

1:47:00apparently. That's what the girls are

1:47:02saying.

1:47:04Yeah, I say and frown. I heard.

1:47:08I honestly have no idea how this might

1:47:10shake out. It's been at least 10 years

1:47:13since the last time Castle saw his

1:47:15daughter, Naria. Darren and Jabari, his

1:47:18two boys, were murdered by police

1:47:19officers when they refused to let the

1:47:21men into their house without a warrant.

1:47:23This was before the reestablishment took

1:47:25over. Castle wasn't home that day, but

1:47:28Nura was. She watched it happen. Castle

1:47:32said he felt like he'd lost three

1:47:34children that day. Nuria never

1:47:36recovered. Instead, she grew detached,

1:47:39listless. She stopped coming home at

1:47:42normal hours and then one day she

1:47:45disappeared. The reestablishment was

1:47:47always picking kids up off the street

1:47:49and shipping them wherever they felt

1:47:51there was a need to fill. Nuria was

1:47:53collected against her will, picked up

1:47:56and packaged for another sector. Castle

1:47:59knew for certain that it happened

1:48:00because the reestablishment sent him a

1:48:02receipt for his child. A

1:48:05receipt. Everyone from Point knew

1:48:07Castle's story. He always made an effort

1:48:10to be honest, to share the hardest, most

1:48:12painful memories from his life so that

1:48:14the rest of us didn't feel like we were

1:48:15suffering alone.

1:48:18Castle thought he'd never see Nura

1:48:19again.

1:48:21So if she's reaching out now, just then,

1:48:25Castle catches my eye. He glances at me,

1:48:28then at Nazera. A hint of a smile

1:48:31touches his lips and then it's gone, his

1:48:33spine straight as he addresses the room.

1:48:36He looks good. I realize

1:48:39he looks bright, alive, like I haven't

1:48:42seen him in years. His locks are pulled

1:48:44back, tied neatly at the base of his

1:48:46neck. His faded blue blazer still fits

1:48:49him perfectly, even after all these

1:48:51years.

1:48:54I have news, he says. But I'm pretty

1:48:57sure I know what's coming next. Nura

1:49:00lives in sector 241, thousands of miles

1:49:03away. And cross- sector communication is

1:49:05nearly unheard of. Only rebel groups are

1:49:07brave enough to risk sending coded

1:49:09messages across the continent. Ian and

1:49:11Winston know this. I know this. Everyone

1:49:14knows this. Which means Castle is

1:49:17probably here to tell us that Nura has

1:49:19gone rogue.

1:49:21Huh?

1:49:22Like father, like daughter.

1:49:27>> Warner.

1:49:30Hi," I say.

1:49:34She turns at the sound of my voice and

1:49:36startles when she sees my face. Her eyes

1:49:40widen and I feel it right away when her

1:49:43emotions change.

1:49:45She's attracted to me.

1:49:48She's attracted to me and the revelation

1:49:50makes me happy. I don't know why. It's

1:49:54not new. I learned long ago that lots of

1:49:57people find me attractive. Men, women,

1:50:01especially older women, a phenomenon I

1:50:04still don't understand.

1:50:06But this,

1:50:08it makes me happy. She finds me

1:50:11attractive.

1:50:13Hi, she says, but she won't look at me.

1:50:17I realize she's blushing. I'm surprised.

1:50:21There's something sweet about her.

1:50:23Something gentle and sweet I wasn't

1:50:25really expecting.

1:50:27"Are you doing all right?" I ask. "It's

1:50:31a stupid question. The girl is clearly

1:50:34in an awful position. Right now, she's

1:50:37only in our custody for as long as it

1:50:38takes my father to decide what to do

1:50:40with her. She's currently in a fairly

1:50:43comfortable holding facility here on

1:50:44base, but she'll likely end up in a

1:50:46juvenile detention center. I'm not sure.

1:50:50I've heard my father talk about running

1:50:51more tests on her first. Her parents are

1:50:54apparently hysterical, desperate for us

1:50:57to take her in and deal with her, offer

1:50:59a diagnosis.

1:51:01They think she killed the little boy on

1:51:03purpose. They think their daughter is

1:51:05insane.

1:51:07I think she seems just fine.

1:51:10Better than fine. I can't stop looking

1:51:13at her. My eyes travel her face more

1:51:16than once, studying her features

1:51:17carefully. She seems so familiar to me,

1:51:22like I might have seen her before, maybe

1:51:25in a dream.

1:51:27I'm aware, even as I think it, that my

1:51:29thoughts are ridiculous.

1:51:32But I was drawn down here, magnetized to

1:51:35her by something beyond my control. I

1:51:38know I shouldn't have come. I have no

1:51:40business talking to her, and if my

1:51:42father found me in here, he'd likely

1:51:43murder me, but I've tried for days to

1:51:46forget her face, and I couldn't.

1:51:50I tried to sleep at night, and her

1:51:52likeness materializes in the blackness.

1:51:55I needed to see her again.

1:51:58I don't know how to defend it. Finally,

1:52:01she speaks, and I shake free from my

1:52:03revery. I remind myself that I've asked

1:52:06her a question.

1:52:08Yes, thank you. she says, her eyes on

1:52:10the floor. I'm doing fine.

1:52:14She's lying.

1:52:16I want her to look up to meet my eyes.

1:52:19She doesn't, and I find it frustrating.

1:52:22Will you look at me? I say. That works

1:52:25well enough.

1:52:27But when she looks me directly in the

1:52:29eye, I feel my heart go suddenly,

1:52:31terrifyingly still.

1:52:33A skipped beat, a moment of death, and

1:52:37then fast. My heart is racing too fast.

1:52:42I've never understood my ability to be

1:52:44so aware of others, but it's often

1:52:47served me well. In most cases, it offers

1:52:49me an advantage. In this case, it's

1:52:52nothing short of overwhelming.

1:52:54Right now, everything is hitting me

1:52:56twice as hard. I feel two sets of

1:52:58emotions, hers and mine, the both of

1:53:01them intertwined.

1:53:03We seem to be feeling the same things at

1:53:05the same time. It's disorienting, so

1:53:08heady I can hardly catch my breath. I

1:53:11feel a surprising desire to touch her. I

1:53:13want Why? She says. I blink. What? Why

1:53:21do you want me to look at you?

1:53:23I take a breath, clear my head, consider

1:53:26my options.

1:53:27I could tell the truth. I could tell a

1:53:30lie. I could be evasive, change the

1:53:33subject.

1:53:34Finally, I say,

1:53:37"Do I know you?"

1:53:39She laughs and looks away. "No," she

1:53:43says. "Definitely not."

1:53:46She bites her lip and I feel her sudden

1:53:49nervousness, hear the spike in her

1:53:51breathing. I draw closer to her almost

1:53:54without realizing it.

1:53:56She looks up at me then and I realize

1:53:59with a thrill how close we are. There's

1:54:02a palpable heat between our bodies and

1:54:05her eyes are big and beautiful blue

1:54:08green like the globe I think like the

1:54:12whole world.

1:54:14She's looking at me and I feel suddenly

1:54:17off balance.

1:54:19What's wrong? She says. I have to step

1:54:22away from her. I don't. I look at her

1:54:26again.

1:54:28Are you sure I don't know you?

1:54:31And she smiles.

1:54:33Smiles at me and my heart shatters.

1:54:37Trust me, she says

1:54:40I'd remember you.

1:54:45Keni.

1:54:48Delilu.

1:54:50I can't believe we forgot about Delilu.

1:54:53I thought Castle's news would be about

1:54:54Nura. I thought he was going to tell us

1:54:57that she reached out to say that she was

1:54:59some fancy resistance leader now, that

1:55:00we'd be welcome to crash at her place

1:55:02for a while. Instead, Castle's news was

1:55:07Delaloo.

1:55:10Homeboy came through.

1:55:13Castle steps aside and allows the

1:55:14lieutenant to enter the room. And even

1:55:16though he seems stiff and out of place,

1:55:19Delu looks genuinely upset.

1:55:22I feel it like a punch to the gut the

1:55:25moment I see his face.

1:55:27Grief.

1:55:29He clears his throat two or three times.

1:55:31When he finally speaks, his voice is

1:55:34steadier than I've ever heard it.

1:55:37I've come to reassure you, he says in

1:55:41person, that I'll make sure your group

1:55:44remains safe here for as long as I can

1:55:46manage.

1:55:48A pause. I don't know yet exactly what's

1:55:51happening right now, but I know it can't

1:55:53be good. I'm worried it won't end well

1:55:56if you stay, and I'm committed to

1:55:58helping you while you plan your escape.

1:56:01Everyone is quiet.

1:56:04Um,

1:56:06thank you, I say, breaking the silence.

1:56:09I look around the room when I say, we

1:56:12really appreciate that, but uh, how much

1:56:16time do we have?

1:56:18Deliloo shakes his head. I'm afraid I

1:56:22can't guarantee your safety for more

1:56:23than a week, but I'm hoping a few days

1:56:26reprieve will give you the necessary

1:56:28time to figure out your next steps, find

1:56:30a safe place to go. In the meantime,

1:56:33I'll provide whatever assistance I can.

1:56:38Okay, Ian says, but he looks skeptical.

1:56:42That's really

1:56:44generous.

1:56:46Delu clears his throat again.

1:56:48It must be hard to know whether you

1:56:50should trust me. I understand your

1:56:53concerns,

1:56:54but I fear I've stayed silent for too

1:56:57long," he says, his voice losing its

1:57:00steadiness. "And now, with

1:57:05with what's happened to Warner and to

1:57:07Miss Ferrar," he stops, his voice

1:57:10breaking on the last word. He looks up,

1:57:13looks me in the eye.

1:57:16I'm sure Warner told none of you that I

1:57:19am his grandfather.

1:57:22My jaw drops open.

1:57:24Actually drops open.

1:57:27Castle is the only person in the room

1:57:28who doesn't look shocked.

1:57:31You're Warner's grandfather. Adam says

1:57:34getting to his feet.

1:57:36The terrified look in his eyes breaks my

1:57:38heart.

1:57:41Yes, Deloo says quietly. On his mother's

1:57:45side, he meets Adam's eyes,

1:57:48acknowledging silently that he knows,

1:57:52knows that Adam is Anderson's

1:57:53illegitimate son, that he knows

1:57:56everything.

1:57:58Adam sits back down, relief apparent on

1:58:01his face.

1:58:03"I can only imagine what an unhappy life

1:58:06yours must have been," Brendan says. I

1:58:09turn to look at him, surprised to hear

1:58:11his voice.

1:58:12He's been so quiet all this time. But

1:58:15then, of course, Brendan would be

1:58:17compassionate. Even to someone like Delu

1:58:20who stepped aside and said nothing while

1:58:22Anderson set the world on fire.

1:58:26But I'm grateful. We're all grateful,

1:58:28Brendan says, for your help today. Delu

1:58:33manages a smile.

1:58:35It's the least I can do, he says, and

1:58:39turns to go. Did you know her? Lily

1:58:42says, her voice sharp. As Ella Delilu

1:58:46freezes in place, still half turned

1:58:48toward the exit.

1:58:50Because if you're Warner's grandfather,

1:58:52Lily says, "And you've been working

1:58:55under Anderson for this long, you must

1:58:58have known her." Slowly, very slowly,

1:59:02Delelu turns to face us.

1:59:05He seems tense, nervous, like I've never

1:59:08seen him. He says nothing, but the

1:59:11answer is written all over his face, the

1:59:14twitch in his hands.

1:59:17Jesus.

1:59:19How long? I say, anger building inside

1:59:22of me. How long did you know her? And

1:59:25say nothing. I don't I don't. How long?

1:59:31I say, my hand already reaching for the

1:59:34gun tucked in the waistband of my pants.

1:59:36Delu takes a jerky step backward.

1:59:39"Please don't," he says, his eyes wild.

1:59:43"Please don't ask this of me. I can give

1:59:45you aid. I can provide you with weapons

1:59:47and transportation, anything you need.

1:59:50But I can't. You don't understand."

1:59:54"Coward," Nazira says, standing up. "She

1:59:58looks stunning, tall and strong and

2:00:00steady. I love watching that girl move,

2:00:04talk, breathe, whatever.

2:00:08You watched and said nothing as Anderson

2:00:10tortured his own children. Didn't you?

2:00:14No, Deliloo says desperately, his face

2:00:16flushing with emotion I've never seen in

2:00:18him before. No, that's not, Castle picks

2:00:21up a chair with a single flick of his

2:00:23hand and drops it unceremoniously in

2:00:26front of Delu.

2:00:28Sit down, he says. A violent unguarded

2:00:31rage flashing in his eyes. Delilu obeys.

2:00:36How long? I say again. How long have you

2:00:40known her as Ella?

2:00:42I I've Delu hesitates, looks around.

2:00:48I've known Ella since

2:00:51she was a child, he says finally.

2:00:55I feel the blood leave my body.

2:00:58His clear, explicit confession is too

2:01:00much. It means too much. I sag under the

2:01:05weight of it, the lies, the

2:01:07conspiracies.

2:01:09I sink back into my chair and my heart

2:01:11splinters for Juliet. For all she's

2:01:14suffered at the hands of the people

2:01:15meant to protect her. I can't form the

2:01:18words I need to tell Deleu he's a

2:01:20spineless piece of It's Nazera who

2:01:23still has the presence of mind to spear

2:01:25him. Her voice is soft.

2:01:28lethal when she speaks.

2:01:31You've known Ella since she was a child.

2:01:34Nazera says

2:01:37you've been here working here helping

2:01:41Anderson since Ella was a child.

2:01:44That means you helped Anderson put her

2:01:46in the custody of abusive adoptive

2:01:48parents and you stood by as they

2:01:50tortured her. As Anderson tortured her

2:01:53over and over. No, Delilu cries out. I

2:01:57did didn't condone any of that. Ella was

2:02:00supposed to grow up in a normal home

2:02:02environment. She was supposed to be

2:02:04given nurturing parents and a stable

2:02:06upbringing. Those were the terms

2:02:08everyone agreed to. Nazera

2:02:10says, her eyes flashing.

2:02:13You know as well as I do that her

2:02:15adoptive parents were monsters.

2:02:18Paris changed the terms of the

2:02:20agreement. Delu shouts angrily. Nazer

2:02:23raises an eyebrow unmoved.

2:02:26But something seems to have loosened

2:02:28Delu's tongue. Something like fear or

2:02:31guilt or pent up rage because suddenly

2:02:34the words rush out of him. Paris went

2:02:37back on his word as soon as Ella was in

2:02:38his custody. He says he thought no one

2:02:41would find out. Back then he and I were

2:02:44about the same as far as rank went in

2:02:46the reestablishment. We often worked

2:02:48closely together because of our family

2:02:50ties, and I was, as a result, privy to

2:02:53the choices he made. Delu shakes his

2:02:56head.

2:02:58But I discovered too late that he

2:03:00purposely chose adoptive parents who

2:03:02exhibited abusive, dangerous behavior.

2:03:05When I confronted him about it, he

2:03:07argued that any abuse Ella suffered at

2:03:09the hands of her surrogate parents would

2:03:11only encourage her powers to manifest,

2:03:13and he had the statistics to support his

2:03:15claim. I tried to voice my concerns. I

2:03:19reported him. I told the council of

2:03:21commanders that he was hurting her,

2:03:23breaking her, but he made my concerns

2:03:26sound like the desperate histrionics of

2:03:27someone unwilling to do what was

2:03:29necessary for the cause.

2:03:31I can see the color creeping up Deloo's

2:03:34neck, his anger only barely contained. I

2:03:37was repeatedly overruled, demoted. I was

2:03:40punished for questioning his tactics.

2:03:45But I knew Paris was wrong, he says

2:03:47quietly.

2:03:49Ella withered.

2:03:51When I first met her, she was a strong

2:03:54girl with a joyful spirit.

2:03:57She was unfailingly kind and upbeat.

2:04:01He hesitates.

2:04:03It wasn't long before she grew cold and

2:04:06closed off. Withdrawn.

2:04:09Paris moved up in rank quickly and I was

2:04:12soon relegated to little more than his

2:04:14right hand.

2:04:16I was the one he sent to check on her at

2:04:19home at school.

2:04:21I was ordered to monitor her behavior,

2:04:24write the reports outlining her

2:04:26progress,

2:04:28but there were no results.

2:04:31Her spirit had been broken.

2:04:35I begged Paris to put her elsewhere, to

2:04:37at the very least return her to a

2:04:40regular facility, one that I might

2:04:43oversee personally. And still, he

2:04:45insisted over and over again, that the

2:04:49abuse she suffered would spur results.

2:04:52Delu was on his feet now, pacing. He was

2:04:55hoping to impress the council, hoping

2:04:57his efforts would be rewarded with yet

2:04:59another promotion. It soon became his

2:05:01single task to wait, to have me watch

2:05:04Ella closely for developments, for any

2:05:06sign that she'd changed, evolved.

2:05:10He stops in place, swallows hard,

2:05:16but Paris was careless.

2:05:20Delu drops his head into his hands. The

2:05:23room around us has gone so quiet, I can

2:05:25almost hear the seconds pass. We're all

2:05:28waiting for him to keep going, but he

2:05:30doesn't lift his head.

2:05:32I'm studying him. His shaking hands, the

2:05:36tremble in his legs, his general loss of

2:05:38composure, and my heart hammers in my

2:05:41chest. I feel like he's about to break,

2:05:45like he's close to telling us something

2:05:46important.

2:05:49What do you mean? I say quietly.

2:05:53Careless? How?

2:05:55Delilu looks up, his eyes redimmmed and

2:05:59wild. "I mean, IT WAS HIS ONE JOB," he

2:06:04says, slamming his fist against the

2:06:06wall. He hits it hard, his knuckles

2:06:09breaking through the plaster, and for a

2:06:11moment, "I'm genuinely stunned."

2:06:14"I didn't think Delu had it in him."

2:06:18"You don't understand," he says, losing

2:06:21the fire. He stumbles back, sags against

2:06:25the wall. "My greatest regret in life

2:06:29has been watching those kids suffer and

2:06:32doing nothing about it." "Wait," Winston

2:06:36says. "Which kids? Who are you talking

2:06:39about?" But Delilu doesn't seem to hear

2:06:42him. He only shakes his head.

2:06:46Paris never took Ella's assignment

2:06:47seriously. It was his fault she lost

2:06:50control. It was his fault she didn't

2:06:52know better. It was his fault she hadn't

2:06:55been prepared or trained or properly

2:06:57guarded.

2:06:58It was his fault she killed that little

2:07:02boy. He says now so broken his voice is

2:07:06shaking. What she did that day nearly

2:07:10destroyed her. Nearly ruined the entire

2:07:13operation. Nearly exposed us to the

2:07:16world.

2:07:17He closes his eyes, presses his fingers

2:07:20to his temples, and then he sinks back

2:07:23down into his chair. He looks unmed.

2:07:28Castle and I share a knowing glance from

2:07:29across the room. Something is happening.

2:07:34Something is about to happen.

2:07:37Delu is a resource we never realized we

2:07:39had. And for all his protests, he

2:07:42actually seems like he wants to talk.

2:07:45Maybe Delu is the key. Maybe he can tell

2:07:48us what we need to know about

2:07:51about everything. About Juliet, about

2:07:54Anderson, about the reestablishment.

2:07:57It's obvious a dam broke open in Delilu.

2:08:00I'm just hoping we can keep him talking.

2:08:03It's Adam who says,

2:08:05"If you hated Anderson so much, why

2:08:09didn't you stop him when you had the

2:08:11chance?"

2:08:13Don't you understand? Deliloo says, his

2:08:16eyes big and round and sad.

2:08:19I never had the chance. I didn't have

2:08:23the authority. And we'd only just been

2:08:26voted into power. Ila, my daughter, was

2:08:30sicker every day. [clears throat] And I

2:08:32was

2:08:33I wasn't myself.

2:08:36I was unraveling.

2:08:38I suspected foul play in her illness,

2:08:40but had no proof. I spent my work hours

2:08:44overseeing the crumbling mental and

2:08:46physical health of an innocent young

2:08:48woman, and I spent my free hours

2:08:50watching my daughter die.

2:08:54Those are excuses, Nazera says coldly.

2:08:58You were a coward, he looks up.

2:09:02Yes, he says. That's true. I was a

2:09:07coward.

2:09:09He shakes his head, turns away.

2:09:13I said nothing. Even when Paris spun

2:09:16Ella's tragedy into a victory, he told

2:09:19everyone that what Ella did to that boy

2:09:21was a blessing in disguise. That in

2:09:24fact, it was exactly what he'd been

2:09:26working toward. He argued that what she

2:09:29did that day, regardless of the

2:09:31consequences, was the exact

2:09:33manifestation of her powers he'd been

2:09:35hoping for all along.

2:09:38Delilu looks suddenly sick.

2:09:41He got away with everything.

2:09:45Everything he ever wanted, he was given.

2:09:49And he was always reckless. He did lazy

2:09:53work all the while using Ella as a pawn

2:09:56to fulfill his own sadistic desires.

2:10:00Please be more specific, Castle says

2:10:03coolly.

2:10:04Anderson had a great deal of sadistic

2:10:06desires. Which are you referring to?

2:10:10Delu goes pale. His voice is lower,

2:10:13weaker when he says,

2:10:17"Peris has always been perversely fond

2:10:20of destroying his own son.

2:10:23I never understood it. I never

2:10:26understood his need to break that boy."

2:10:29He tortured him a thousand different

2:10:32ways. But when Paris discovered the

2:10:34depth of Aaron's emotional connection to

2:10:36Ella,

2:10:38he used it to drive that boy near to

2:10:41madness.

2:10:44That's why he shot her, I say,

2:10:46remembering what Juliet Ella told me

2:10:48after Omega Point was bombed.

2:10:51Anderson wanted to kill her to teach

2:10:53Warner a lesson, right?

2:10:57But something changes in Deloo's face,

2:11:00transforms him, sags him down, and then

2:11:03he laughs. A sad, broken laugh.

2:11:08You don't understand. You don't

2:11:11understand. You don't understand.

2:11:15He cries, shaking his head. You think

2:11:18these recent events are everything. You

2:11:20think Aaron fell in love with your

2:11:22friend of several months, a rebel girl

2:11:24named Juliet.

2:11:26You don't know. You don't know. You

2:11:29don't know that Aaron has been in love

2:11:31with Ella for the better part of his

2:11:32entire life. They've known each other

2:11:35since childhood.

2:11:37Adam makes a sound, a stunned sound of

2:11:39disbelief.

2:11:41Okay, I have to be honest. I don't get

2:11:45it, Ian says. He steals a wary glance at

2:11:49Nazera before he says,

2:11:52"Nazer said Anderson has been wiping

2:11:54their memories. If that's true, then how

2:11:57could Warner be in love with her for so

2:11:59long? Why would Anderson wipe their

2:12:01memories, tell them all about how they

2:12:03know each other, and then wipe their

2:12:05memories again?" Delilu is shaking his

2:12:08head. A strange smile begins to form on

2:12:11his face. The kind of shaky, terrified

2:12:14smile that isn't a smile at all.

2:12:17No, no, you don't. He sigh, looks away.

2:12:24Paris has never told either of them

2:12:26about their shared history. The reason

2:12:29he had to keep wiping their memories was

2:12:31because it didn't matter how many times

2:12:33he reset the story or remade the

2:12:35introductions. Aaron always fell in love

2:12:39with her every time. In the beginning,

2:12:43Paris thought it was a fluke. He found

2:12:45it almost funny, entertaining, but the

2:12:48more it happened, the more it began to

2:12:50drive Paris insane. He thought there was

2:12:52something wrong with Aaron, that there

2:12:54was something wrong with him on a

2:12:55genetic level, that he'd been plagued by

2:12:57a sickness. He wanted to crush what he

2:13:00saw as a weakness.

2:13:03Wait, Adam says, holding up his hands.

2:13:07What do you mean the more it happened?

2:13:10How many times did it happen?

2:13:14at least several times.

2:13:16Adam looks shell shocked.

2:13:19They met and fell in love several times.

2:13:24Delilu takes a shaky breath.

2:13:27I don't know that they always fell in

2:13:29love exactly. Paris seldom let them

2:13:32spend that much time alone, but they

2:13:35were always drawn together. It was

2:13:38obvious. Every time he put them in the

2:13:40same room, they were like, Delu claps

2:13:43his hands.

2:13:45Magnets.

2:13:46Delilu shakes his head at Adam.

2:13:50I'm sorry to be the one to tell you all

2:13:53this. I'm sure it's painful to hear,

2:13:56especially considering your history with

2:13:58Ella. It's not fair that you were pulled

2:14:00into Paris's games. He never should have

2:14:03p Whoa. Whoa. Wait, what games? Adam

2:14:07says, stunned. What are you talking

2:14:10about? Delelu runs a hand across his

2:14:13sweaty forehead. He looks like he's

2:14:15melting, crumbling under pressure. Maybe

2:14:18someone should get him some water.

2:14:22There's too much, he says wearily.

2:14:25Too much to tell, too much to explain.

2:14:29He shakes his head. I'm sorry. I I need

2:14:34you to try, Adam says. his eyes

2:14:36flashing. "Are you saying our

2:14:39relationship was fake? That everything

2:14:41she said, everything she felt was fake?"

2:14:45"No," Delilu says quickly, even as he

2:14:48uses his shirt sleeve to wipe the sweat

2:14:50from his face. "No, as far as I'm aware,

2:14:53her feelings for you were as real as

2:14:56anything else. You came into her life at

2:14:58a particularly difficult time, and your

2:15:00kindness and affection, no doubt, meant

2:15:02a great deal to her." he sigh. I only

2:15:06mean that it wasn't coincidence that

2:15:08both of Paris's boys fell in love with

2:15:11the same girl. Paris liked toying with

2:15:14things. He liked cutting things open to

2:15:16study them. He liked experiments. And

2:15:20Paris pit you and Warner against each

2:15:23other on purpose. He planted the soldier

2:15:26at your lunch table who let slip that

2:15:28Warner was monitoring a girl with a

2:15:29lethal touch. He sent another to speak

2:15:32with you, to ask you about your history

2:15:34with her, to appeal to your protective

2:15:36nature by discussing Aaron's plans for

2:15:38her. Do you remember? You were persuaded

2:15:42from every angle to apply for the

2:15:44position. When you did, Paris pulled

2:15:47your application from the pile and

2:15:48encouraged Aaron to interview you. He

2:15:51then made it clear that you should be

2:15:53chosen as her cellmate. He let Aaron

2:15:56think he was making all his own

2:15:58decisions as CCR of sector 45, but Paris

2:16:01was always there manipulating

2:16:03everything. I watched it happen.

2:16:08Adam looks so stunned it takes him a

2:16:10moment to speak.

2:16:12So

2:16:14he knew.

2:16:16My dad always knew about me. Knew where

2:16:20I was, what I was doing.

2:16:24new. Delu frowns.

2:16:27Paris orchestrated your lives. That was

2:16:31the plan from the beginning. He looks at

2:16:34Nazera.

2:16:36All the children of the Supreme

2:16:38Commanders were to become case studies.

2:16:41You were engineered to be soldiers.

2:16:45You and James, he says to Adam, were

2:16:48unexpected, but he made plans for you,

2:16:51too.

2:16:53What?

2:16:54Adam goes white. What's his plan for me

2:16:57and James? This I honestly don't know.

2:17:02Adam sits back in his chair looking

2:17:04suddenly ill.

2:17:06Where is Ella now? Winston says sharply.

2:17:10Do you know where they're keeping her?

2:17:12Delu shakes his head. All I know is that

2:17:15she can't be dead.

2:17:18What do you mean she can't be dead? I

2:17:20ask. Why not?

2:17:23Ella's and Emiline's powers are critical

2:17:26to the regime, he says. Critical to the

2:17:29continuation of everything we've been

2:17:31working toward.

2:17:33The reestablishment was built with the

2:17:35promise of Ella and Emiline. Without

2:17:38them, Operation Synthesis means nothing.

2:17:41Castle bolts upright. His eyes are wide.

2:17:46Operation Synthesis, he says

2:17:48breathlessly. Has to do with Ella.

2:17:52The architect and the executioner,

2:17:55Delilu says. It Delu falls back with a

2:17:58small surprised gasp, his head hitting

2:18:00the back of his chair. Everything

2:18:03suddenly seems to slow down. I feel my

2:18:06heart rate slow. I feel the world slow.

2:18:09I feel formed from water, watching the

2:18:12scene unfold in slow motion, frame by

2:18:14frame.

2:18:16A bullet between his eyes, blood

2:18:18trickling down his forehead, a short

2:18:21sharp scream.

2:18:23"You traitorous son of a bitch." Someone

2:18:26says,

2:18:28"I'm seeing it, but I don't believe it.

2:18:32Anderson is here."

2:18:37>> Juliet,

2:18:40I'm given no explanations.

2:18:43My father doesn't invite me to dinner

2:18:45like Eevee promised. He doesn't sit me

2:18:48down to offer me long histories about my

2:18:50presence or his. He doesn't reveal

2:18:53groundbreaking information about my life

2:18:55or the other Supreme Commanders or even

2:18:57the nearly 600 people I just murdered.

2:19:01He and Eevee are acting like the horrors

2:19:04of the last 17 years never happened.

2:19:07Like nothing strange has ever happened.

2:19:10Like I never stopped being their

2:19:11daughter. Not in the ways that matter.

2:19:14Anyway, I don't know what was in that

2:19:16needle, but the effects are unlike

2:19:18anything I've experienced. I feel both

2:19:21awake and asleep, like I'm spinning in

2:19:23place, like there's too much grease

2:19:25turning the wheels in my brain, and I

2:19:27try to speak and realize my lips no

2:19:30longer move on command. My father

2:19:33carries my limp body into a blindingly

2:19:35silver room, props me up in a chair,

2:19:38straps me down, and panic pours into me,

2:19:41hot and terrifying, flooding my mind. I

2:19:45try to scream. Fail. My brain is slowly

2:19:49disconnecting from my body, like I'm

2:19:51being removed from myself. Only basic

2:19:54instinctual functions seem to work.

2:19:57Swallowing, breathing, crying.

2:20:01Tears fall quietly down my face, and my

2:20:03father whistles a tune. His movements

2:20:06light and easy, even as he sets up an IV

2:20:09drip. He moves with such startling

2:20:11efficiency, I don't even realize he's

2:20:14removed my manacles until I see the

2:20:15scalpel. A flash of silver.

2:20:19The blade is so sharp, he meets no

2:20:22resistance as he slices clean lines into

2:20:24my forearms, and blood. Blood, heavy and

2:20:28warm, spills down my wrists and into my

2:20:30open palms. And it doesn't seem real.

2:20:33Not even when he stabs several

2:20:35electrical wires into my exposed flesh.

2:20:39The pain arrives just seconds later.

2:20:43Pain.

2:20:44It begins at my feet, blooms up my legs,

2:20:48unfurls in my stomach, and works its way

2:20:50up my throat, only to explode behind my

2:20:54eyes, inside my brain. And I cry out,

2:20:58but only in my mind. My useless hands

2:21:00still limp on the armrests, and I'm so

2:21:03certain he's going to kill me.

2:21:05But then he smiles,

2:21:08and then he's gone.

2:21:12I lie in agony for what feels like

2:21:14hours. I watch through a delirious fog

2:21:18as blood drips off my fingertips. Each

2:21:21drop feeding the crimson pools growing

2:21:23in the folds of my pants. Visions

2:21:26assault me. Memories of a girl I might

2:21:29have been. Scenes with people I might

2:21:31have known. I want to believe their

2:21:34hallucinations, but I can't be certain

2:21:36of anything anymore.

2:21:38I don't know if Max and Eevee are

2:21:40planting things in my mind. I don't know

2:21:42that I can trust anything I might have

2:21:45once believed about myself.

2:21:47I can't stop thinking about Emiline.

2:21:51I'm a drift suspended in a pool of

2:21:54senselessness. But something about her

2:21:56keeps tugging, sparking my nerves.

2:21:58Errant currents pushing me to the

2:22:00surface of something. an emotional

2:22:02revelation that trembles into existence

2:22:05only to evaporate seconds later as if it

2:22:08might be terrified to exist.

2:22:11This goes on and on and on and on and

2:22:14on. Light years, eons

2:22:18over and over.

2:22:21Whispers of clarity,

2:22:24gasps of oxygen, and I'm tossed back out

2:22:28to sea.

2:22:30Bright white lights flicker above my

2:22:32head, buzzing in unison with a low,

2:22:35steady hum of engines and cooling units.

2:22:39Everything smells sharp like antiseptic.

2:22:42Nausea makes my head swim. I squeeze my

2:22:45eyes shut. The only command my body will

2:22:47obey. Me and Emiline at the zoo. Me and

2:22:51Emiline first trip on a plane. Me and

2:22:54Emiline learning to swim. Me and Emine

2:22:58getting our haircut.

2:23:01Images of Emiline fill my mind. Moments

2:23:04from the first years of our lives.

2:23:05Details of her face I never knew I could

2:23:08conjure. I don't understand it. I don't

2:23:11know where they're coming from. I can

2:23:13only imagine that Eevee put these images

2:23:16here. But why Eevee would want me to see

2:23:18this, I don't understand.

2:23:21Scenes play through my head like I might

2:23:23be flipping through a photo album. And

2:23:26they make me miss my sister. They make

2:23:29me remember Eevee as my mother. Make me

2:23:31remember I had a family.

2:23:34Maybe Eevee wants me to reminisce.

2:23:37My blood has hit the floor. I hear it.

2:23:41The familiar drip. The sound like a

2:23:43broken faucet. The slow tap tap of tepid

2:23:48fluid on tile.

2:23:52Emiline and I held hands everywhere we

2:23:54went, often wearing matching outfits. We

2:23:57had the same long brown hair, but her

2:23:59eyes were pure blue, and she was a few

2:24:02inches taller than me. We were only a

2:24:04year apart, but she looked so much

2:24:06older. Even then, there was something in

2:24:09her eyes that looked hard. Serious. She

2:24:12held my hand like she was trying to

2:24:14protect me, like maybe she knew more

2:24:16than I did. Where are you, I wonder?

2:24:20What did they do to you?

2:24:23I have no idea where I am. No idea what

2:24:26they've done to me. No idea of the hour

2:24:29or the day. And pain blisters

2:24:32everywhere. I feel like a live wire like

2:24:35my nerves have been stapled to the

2:24:37outside of my body. Sensitive to every

2:24:40minute change in environment.

2:24:42I exhale and it hurts. Twitch and it

2:24:45takes my breath away.

2:24:48And then in a flash of movement, my

2:24:51mother returns.

2:24:53The door opens and the motion forces a

2:24:56gentle rush of air into the room. A

2:24:58whisper of a breeze, gentle even as it

2:25:01grazes my skin. And somehow the

2:25:03sensation is so unbearable I'm certain

2:25:06I'll scream.

2:25:08I don't.

2:25:10Feeling better? She says. Eevee is

2:25:14holding a silver box. I tried to look

2:25:16more closely, but the pain is in my eyes

2:25:19now, searing.

2:25:21You must be wondering why you're here,"

2:25:23she says softly. I hear her working on

2:25:26something. Glass and metal touching

2:25:28together, coming apart, touching

2:25:30together, coming apart. "But you must be

2:25:33patient, little bird. You might not even

2:25:36get to stay."

2:25:38I close my eyes. I feel her cold,

2:25:40slender fingers on my face just seconds

2:25:43before she yanks my eyelids back.

2:25:46Swiftly she replaces her fingers with

2:25:48sharp steel clamps, and I muster only a

2:25:51low, guttural sound of agony. Keep your

2:25:54eyes open, Ella. Now's not the time to

2:25:57fall asleep.

2:25:59Even then, in that painful, terrifying

2:26:01moment, the words sound familiar.

2:26:04Strange and familiar. I can't figure out

2:26:07why.

2:26:08Before we make any concrete plans to

2:26:11keep you here, I need to make sure, she

2:26:14tugs on a pair of latex gloves, that

2:26:16you're still viable. See how you've held

2:26:19up after all these years.

2:26:21Her words send waves of dread

2:26:23courarssing through me. Nothing has

2:26:26changed. Nothing has changed. I'm still

2:26:29no more than a receptacle. My body

2:26:32exchanges hands. Exchanges hands in

2:26:34exchange for what? My mother has no love

2:26:38for me. What has she done to my sister?

2:26:42Where is Emmaine? I try to scream, but

2:26:44the words don't leave my mouth. They

2:26:46expand in my head, explosive and angry,

2:26:49pressing against the ridges of my mind,

2:26:51even as my lips refuse to obey me.

2:26:54Dying.

2:26:56The word occurs to me suddenly, as if it

2:26:59were something I've just remembered. The

2:27:01answer to a question I forgot existed.

2:27:04I don't comprehend it.

2:27:07Eevee is standing in front of me again.

2:27:09She touches my hair, sist through the

2:27:11short, coarse strands like she might be

2:27:13panning for gold. The physical contact

2:27:16is excruciating.

2:27:18Unacceptable, she says. This is

2:27:21unacceptable.

2:27:23She turns away, makes notes in a tablet

2:27:26she pulls out of her lab coat. Roughly,

2:27:29she takes my chin in her hand, lifts my

2:27:32face toward hers. Eevee counts my teeth,

2:27:36runs the tip of one finger along my

2:27:38gums. She examines the insides of my

2:27:41cheeks, the underside of my tongue.

2:27:44Satisfied, she rips off the gloves, the

2:27:46latex making harsh snapping sounds that

2:27:49collide and echo, shattering the air

2:27:52around me. A mechanical purr fills my

2:27:55ears, and I realize Eevee is adjusting

2:27:58my chair. I was previously in a

2:28:00reclining position. Now I'm flat on my

2:28:03back. She takes a pair of shears to my

2:28:06clothes, cutting straight through my

2:28:07pants, my shirt, my sleeves.

2:28:10Fear threatens to rip my chest open, but

2:28:13I only lie there, a perfect vegetable,

2:28:16as she strips me down. Finally, Eevee

2:28:19steps back.

2:28:21I can't see what's happening. The hum of

2:28:24an engine builds into a roar. Sounds

2:28:26like scissors slicing the air. And then

2:28:30sheets of glass materialize at the edges

2:28:32of my vision. Move toward me from all

2:28:34sides. They lock into place easily.

2:28:37Seams sealing shut with a cool click

2:28:40sound.

2:28:42I'm being burned alive.

2:28:44Heat like I've never known it. Fire. I

2:28:48can't see or stop. I don't know how it's

2:28:50happening, but I feel it. I smell it.

2:28:54The scent of charred flesh fills my

2:28:56nose. threatens to upend the contents of

2:28:58my stomach. The top layer of skin is

2:29:01being slowly singed off my body.

2:29:05Blood beads along my body like morning

2:29:08dew, and a fine mist follows the heat,

2:29:10cleansing and cooling. Steam fogs up the

2:29:14glass around me, and then just when I

2:29:16think I might die from the pain, the

2:29:19glass fissures open with a sudden gasp.

2:29:23I wish he would just kill me.

2:29:26Instead, Eevee is meticulous. She

2:29:30catalogs my every physical detail,

2:29:32making notes constantly in her pocket

2:29:34tablet. For the most part, she seems

2:29:37frustrated with her assessment. My arms

2:29:40and legs are too weak, she says. My

2:29:42shoulders too tense, my hair too short,

2:29:44my hands too scarred, my nails too

2:29:46chipped, my lips too chapped, my torso

2:29:49too long. We made you too beautiful, she

2:29:53says, shaking her head at my naked body.

2:29:56She prods at my hips, the balls of my

2:29:58feet. Beauty can be a terrifying weapon

2:30:01if you know how to wield it, but all

2:30:04this seems deeply unnecessary now. She

2:30:07makes another note. When she looks at me

2:30:10again, she looks thoughtful.

2:30:12I gave this to you, she says. Do you

2:30:15understand? This container you live in,

2:30:18I grew it, shaped it. You belong to me.

2:30:23Your life belongs to me. It's very

2:30:26important that you understand that.

2:30:29Rage, sharp and hot, sears through my

2:30:32chest. Carefully, Eevee cracks open the

2:30:36silver box. Inside are dozens of slim

2:30:39glass cylinders. "Do you know what these

2:30:42are?" she says, lifting a few vials of

2:30:44shimmering white liquid. Of course you

2:30:47don't. Eevee studies me a while. We did

2:30:52it wrong the first time. She finally

2:30:54says, "We didn't expect emotional health

2:30:57to supersede the physical in such

2:30:59dramatic fashion. We expected stronger

2:31:02minds from both of you, of course." He

2:31:06hesitates.

2:31:08"She was the superior specimen, your

2:31:10sister. Infinitely superior. You were

2:31:13always a bit deeeyed as a child, a

2:31:16little mooneyier than I'd have liked.

2:31:18Emiline, on the other hand, was pure

2:31:21fire. We never dreamed she'd deteriorate

2:31:25so quickly. Her failures have been a

2:31:28great personal disappointment.

2:31:31I inhale sharply and choke on something

2:31:33hot and wet in my throat. Blood.

2:31:37So much blood.

2:31:40But then, Eevee says with a sigh, "Such

2:31:43is the situation. We must be adaptable

2:31:46to the unexpected, amanable to change

2:31:49when necessary."

2:31:51Eevee hits a switch and something seizes

2:31:54inside of me. I feel my spine

2:31:56straighten, my jaw go slack. Blood is

2:31:59now bubbling up my throat in earnest,

2:32:02and I don't know whether to let it up or

2:32:04swallow it down. I cough violently and

2:32:07blood spatters across my face. My arms

2:32:11drips down my chest, my fresh pink skin.

2:32:15My mother drops into a crouch. She takes

2:32:18my chin in her hand and forces me to

2:32:20look at her. You are far too full of

2:32:22emotion, she says softly. You feel too

2:32:26much for this world. You call people

2:32:29your friends. You imagine yourself in

2:32:31love. She shakes her head slowly. That

2:32:35was never the plan for you, little bird.

2:32:38You were meant for a solitary existence.

2:32:42We put you in isolation on purpose. She

2:32:46blinks. Do you understand?

2:32:50I'm hardly breathing. My tongue feels

2:32:53rough and heavy, foreign in my mouth. I

2:32:57swallow my own blood, and it's

2:32:59revolting, thick and lukewarm,

2:33:02gelatinous with saliva.

2:33:06If Aaron were anyone else's son, she

2:33:08says, I would have had him executed.

2:33:12I'd have him executed right now if I

2:33:14could. Unfortunately, I alone do not

2:33:17have the authority.

2:33:19A force of feeling seizes my body. I'm

2:33:23half horror, half joy. I didn't know I

2:33:27had any hope left that Warner was alive

2:33:29until just this moment. The feeling is

2:33:32explosive. It takes root inside of me.

2:33:36Hope catches fire in my blood of feeling

2:33:39more powerful than these drugs, more

2:33:41powerful than myself. I cling to it with

2:33:44my whole heart, and suddenly I'm able to

2:33:47feel my hands. I don't know why or how,

2:33:50but I feel a quiet strength surge up my

2:33:53spine.

2:33:55Eveie doesn't notice.

2:33:57I regret our mistakes, she's saying. I

2:34:01regret the oversightes that seem so

2:34:03obvious now. We couldn't have known so

2:34:06many years ago that things would turn

2:34:07out like this. We didn't expect to be

2:34:10blindsided by something so flimsy as

2:34:12your emotions.

2:34:14We couldn't have known at the onset that

2:34:16things would escalate in this way.

2:34:20Paris, she says, had convinced everyone

2:34:23that bringing you on base in sector 45

2:34:26would be beneficial to us all, that he'd

2:34:29be able to monitor you in a new

2:34:30environment rife with experiences that

2:34:33would motivate your powers to evolve.

2:34:36Your father and I thought it was a

2:34:38stupid plan. Stupider still for placing

2:34:41you under the direct supervision of a

2:34:4319-year-old boy with whom your history

2:34:46was complicated.

2:34:49She looks away, shakes her head. But

2:34:52Anderson delivered results with Aaron.

2:34:56You made progress at a rate we'd only

2:34:58dreamed of, and we were forced to let it

2:35:01be. Still, she says, it backfired.

2:35:06Her eyes linger for a moment on my

2:35:08shaved head.

2:35:11There are few people, even in our inner

2:35:13circle, who really understand what we're

2:35:16doing here. Your father understands.

2:35:19Ibrahim understands. But Paris, for

2:35:22security reasons, was never told

2:35:24everything about you. He wasn't yet a

2:35:27Supreme Commander when we gave him the

2:35:29job. And we decided to keep him informed

2:35:32on a need to know basis. Another

2:35:35mistake, Eevee says, her voice both sad

2:35:39and terrifying.

2:35:41She presses the back of her hand to her

2:35:43forehead.

2:35:45six months and everything falls apart.

2:35:48You run away. You join some ridiculous

2:35:51gang. You drag Aaron into all of this.

2:35:54And Paris, the oblivious fool, tries to

2:35:56kill you twice. I nearly slit his throat

2:36:00for his idiocy. But my mercy may as well

2:36:03have been for nothing, what with your

2:36:05attempt to murder him. Oh, Ella, she

2:36:09says in size, you've caused me a great

2:36:12deal of trouble this year. The paperwork

2:36:15alone. She closes her eyes. I've had the

2:36:19same splitting headache for 6 months.

2:36:23She opens her eyes, looks at me for a

2:36:26long time.

2:36:29And now, she says, gesturing at me with

2:36:32the tablet in her hand. There's this

2:36:34Emma line needs to be replaced. and

2:36:37we're not even sure you're a suitable

2:36:39substitute. Your body is operating at

2:36:42maybe 65% efficiency and your mind is a

2:36:47complete disaster.

2:36:49She stops. A vein jumps in her forehead.

2:36:53Perhaps it's impossible for you to

2:36:55understand how I'm feeling right now.

2:36:58Perhaps you don't care to know the depth

2:37:00of my disappointments. But you and

2:37:03Emiline are my life's work. I was the

2:37:06one who found a way to isolate the gene

2:37:09that was causing widespread

2:37:10transformations in the population. I was

2:37:14the one who managed to recreate the

2:37:16transformation. I was the one who

2:37:19rewrote your genetic code.

2:37:22She frowns at me, looking for the first

2:37:25time like a real person. Her voice

2:37:27softens.

2:37:30I remade you, Ella. You and your sister

2:37:34were the greatest accomplishments of my

2:37:36career.

2:37:38Your failures, she whispers, touching

2:37:41the tips of her fingers to my face. Are

2:37:44my failures.

2:37:46I make a harsh, involuntary sound.

2:37:51She stands up. This is going to be

2:37:54uncomfortable for you. I won't pretend

2:37:56otherwise, but I'm afraid we have no

2:37:59choice. If this is going to work, I'll

2:38:02need you to have a healthy, unpolluted

2:38:04headsp space. We have to start fresh.

2:38:07When we're done, you won't remember

2:38:09anything but what I tell you to

2:38:11remember. Do you understand?

2:38:15My heart picks up and I hear its wild,

2:38:17erratic beats amplified on a nearby

2:38:20monitor. The sounds echo around the room

2:38:23like a siren. Your temperature is

2:38:26spiking, Eevee says sharply. There's no

2:38:29need to panic. This is the merciful

2:38:32option. Paris is still clamoring to have

2:38:35you killed after all. But Paris, she

2:38:38hesitates.

2:38:40Paris can be melodramatic.

2:38:42We've all known how much he's hated you

2:38:44for your effect on Aaron. He blames you.

2:38:47You know, Eevee tilts her head at me. He

2:38:52thinks you're part of the reason Aaron

2:38:53is so weak. Honestly, sometimes I wonder

2:38:57if he's right.

2:38:59My heart is beating too fast now. My

2:39:02lungs feel fit to burst. The bright

2:39:05lights above my head bleed into my eyes,

2:39:08into my brain. Now, I'm going to

2:39:12download this information. I hear her

2:39:15tap the silver box. Directly into your

2:39:18mind. It's a lot of data to process and

2:39:22your body will need some time to accept

2:39:24it all. A long pause.

2:39:28Your mind might try to reject this, but

2:39:31it's up to you to let things take their

2:39:33course. Do you understand? We don't want

2:39:36to risk splicing the past and present.

2:39:39It's only painful in the first few

2:39:41hours, but if you can survive those

2:39:43first hours, your pain receptors will

2:39:46begin to fail, and the rest of the data

2:39:48should upload without incident.

2:39:51I want to scream.

2:39:54Instead, I make a weak choking sound.

2:39:57Tears spill fast down my cheeks, and my

2:40:00mother stands there, her fingers small

2:40:02and foreign on my face, and I see but

2:40:05cannot feel the enormous needle going

2:40:08into the soft flesh at my temple. She

2:40:11empties and refills the syringe what

2:40:13feels like a thousand times. And each

2:40:16time, it's like being submerged

2:40:18underwater, like I'm slowly drowning,

2:40:21suffocating over and over again, and

2:40:24never allowed to die.

2:40:27I lie there helpless and mute, caught in

2:40:30an agony so excruciating I no longer

2:40:32breathe but rasp as she leans over me to

2:40:36watch.

2:40:37You're right, she says softly. Maybe

2:40:40this is cruel. Maybe it would have been

2:40:43kinder to simply let you die. But this

2:40:46isn't about you, Ella. This is about me.

2:40:50And right now, she says, stroking my

2:40:53hair. This is what I need,

2:41:00>> Kenji.

2:41:03The whole thing happens so quickly, it

2:41:05takes me a second to register exactly

2:41:06what went down. Delilu is dead. Delilu

2:41:11is dead and Anderson is alive. Anderson

2:41:14is back from the dead. I mean, right now

2:41:17he's flat on the ground, buried under

2:41:19the weight of every single piece of

2:41:20furniture in this room. Castle stares

2:41:23intently from across the space. And when

2:41:25I hear Anderson wheezing, I realize

2:41:28Castle isn't trying to kill him. He's

2:41:30only using the furniture to contain him.

2:41:33I inch closer to the crowd forming

2:41:35around Anderson's gasping figure. And

2:41:37then I notice with a start that Adam is

2:41:40pressed up against the wall like a

2:41:41statue, his face frozen in horror.

2:41:45My heart breaks for him. I'm so glad

2:41:48Adam dragged James off to bed hours ago.

2:41:51So glad that kid doesn't have to see any

2:41:53of this right now. Castle finally makes

2:41:56his way across the room. He's standing a

2:41:58few feet away from Anderson's prone

2:42:00figure when he asks the question we're

2:42:02all thinking.

2:42:04How are you still alive?

2:42:07Anderson attempts a smile. It comes out

2:42:09crooked, crazy. You know what's always

2:42:13been so great about you, Castle?

2:42:16He says Castle's name like it's funny,

2:42:18like he's saying it out loud for the

2:42:20first time. He takes a tight, uneven

2:42:23breath.

2:42:25You're so predictable. You like to

2:42:28collect strays. You love a good sobb

2:42:31story.

2:42:33Anderson cries out with a sudden rough

2:42:35exhalation, and I realize Castle

2:42:37probably turned up the pressure. When

2:42:39Anderson catches his breath, he says,

2:42:42"You're an idiot. You're an idiot for

2:42:45trusting so easily.

2:42:48Another harsh, painful gasp.

2:42:52Who do you think called me here? He

2:42:55says, struggling to speak now. Who do

2:42:57you think has been keeping me apprised?

2:43:00Another strained breath. Of every single

2:43:03thing you've been discussing.

2:43:07I freeze.

2:43:09A horrible sick feeling gathers in my

2:43:11chest. We all turn as a group to face

2:43:15Nazera.

2:43:17She's standing apart from everyone else.

2:43:20The personification of calm, collected

2:43:22intensity.

2:43:24She has no expression on her face. She

2:43:27looks at me like I might be a wall. For

2:43:30a split second, I feel so dizzy. I think

2:43:32I might actually pass out.

2:43:35Wishful thinking.

2:43:38That's it. That's the thing that does

2:43:41it. A room full of extremely powerful

2:43:44people. And yet, it's this moment. This

2:43:47brief, barely there, moment of shock

2:43:49that ruins us all. I feel the needle in

2:43:52my neck before I even register what's

2:43:54happening. And I have only a few seconds

2:43:56to scan the room, glimpsing the horror

2:43:58on my friend's faces before I fall.

2:44:05Warner.

2:44:08I'm sitting in my office listening to an

2:44:10old record when I get the call. I worry

2:44:13at first that it might be Lena begging

2:44:16me to come back to her. But my feeling

2:44:19of revulsion quickly transforms to hate

2:44:22when I hear the voice on the line. My

2:44:24father. He wants me downstairs.

2:44:28The mere sound of his voice fills me

2:44:30with a feeling so violent it takes me a

2:44:33minute to control myself.

2:44:36Two years away.

2:44:38Two years becoming the monster my father

2:44:41always wanted me to be. I glance in the

2:44:44mirror loathing myself with a new

2:44:47profound intensity I'd never before

2:44:49experienced. Every morning I wake up

2:44:51hoping only to die to be done with this

2:44:54life with these days.

2:44:57He knew when he made that deal what he

2:44:58was asking me to do. I didn't. I was 16,

2:45:03still young enough to believe in hope.

2:45:05And he took advantage of my naivee.

2:45:08He knew what it would do to me. He knew

2:45:10it would break me. And it was all he'd

2:45:13ever wanted.

2:45:15My soul.

2:45:17I sold my soul for a few years with my

2:45:20mother. And now after everything, I

2:45:22don't even know if it'll be worth it. I

2:45:24don't know if I'll be able to save her.

2:45:27I've been away too long. I've missed too

2:45:29much. My mother is doing so much worse

2:45:32now. And no doctor has been able to help

2:45:33her. Nothing has helped. My efforts have

2:45:36been worse than feudal.

2:45:38I gave up everything

2:45:41for nothing.

2:45:43I wish I'd known how those two years

2:45:45would change me. I wish I'd known how

2:45:48hard it would be to live with myself, to

2:45:50look in the mirror. No one warned me

2:45:53about the nightmares, the panic attacks,

2:45:56or the dark, destructive thoughts that

2:45:58would follow. No one explained to me how

2:46:01darkness works, how it feasts on itself,

2:46:04or how it fers.

2:46:06I hardly recognize myself these days,

2:46:09becoming an instrument of torture

2:46:10destroyed what was left of my mind.

2:46:14And now this,

2:46:17I feel empty all the time, hollowed out.

2:46:22beyond redemption.

2:46:25I didn't want to come back here. I

2:46:27wanted to walk directly into the ocean.

2:46:30I wanted to fade into the horizon. I

2:46:32wanted to disappear.

2:46:34Of course, he'd never let that happen.

2:46:37He dragged me back here and gave me a

2:46:39title. I was rewarded for being an

2:46:42animal, celebrated for my efforts as a

2:46:44monster. Never mind the fact that I wake

2:46:47up in the middle of every night

2:46:48strangled by irrational fears and a

2:46:51sudden violent urge to upend the

2:46:52contents of my stomach.

2:46:55Never mind that I can't get these images

2:46:57out of my head.

2:46:59I glance at the expensive bottle of

2:47:01bourbon my father left for me in my room

2:47:03and feel suddenly disgusted.

2:47:07I don't want to be like him. I don't

2:47:10want his opiate, his preferred form of

2:47:12oblivion.

2:47:14At least soon my father will be gone.

2:47:18Any day now he'll be gone and this

2:47:20sector will become my domain.

2:47:23I'll finally be on my own

2:47:26or something close to it.

2:47:29Reluctantly, I pull on my blazer and

2:47:31take the elevator down.

2:47:34When I finally arrive in his quarters,

2:47:37as he requested, he spares me only the

2:47:39briefest look. Good, he says. You've

2:47:43come. I say nothing. He smiles. Where

2:47:48are your manners? You're not going to

2:47:51greet our guest.

2:47:53Confused, I follow his line of sight.

2:47:56There's a young woman sitting on a chair

2:47:58in the far corner of the room. And at

2:48:01first, I don't recognize her.

2:48:05When I do, the blood drains from my

2:48:07face.

2:48:09My father laughs. You kids remember each

2:48:12other, right?

2:48:14She was sitting so quietly, so still and

2:48:17small that I almost hadn't noticed her

2:48:19at all. My dead heart jumps at the sight

2:48:23of her slight frame, a spark of life

2:48:25trying desperately to ignite.

2:48:28Juliet, I whisper.

2:48:32My last memory of her was from 2 years

2:48:34ago, just before I left home for my

2:48:37father's sick sadistic assignment. He

2:48:39ripped her away from me. Literally

2:48:42ripped her out of my arms. I'd never

2:48:44seen that kind of rage in his eyes. Not

2:48:47like that. Not over something so

2:48:49innocent.

2:48:51But he was wild.

2:48:53Out of his mind.

2:48:55She and I hadn't done anything more than

2:48:57talk to each other. I'd started stealing

2:49:00down to her room whenever I could get

2:49:01away, and I'd trick the camera's feeds

2:49:04to give us privacy. We'd talk, sometimes

2:49:07for hours. She'd become my friend.

2:49:11I never touched her.

2:49:15She said that after what happened with

2:49:16the little boy, she was afraid to touch

2:49:18anyone. She said she didn't understand

2:49:21what was happening to her and didn't

2:49:22trust herself anymore. I asked her if

2:49:25she wanted to touch me to test it out

2:49:28and see if anything would happen. And

2:49:30she looked scared and I told her not to

2:49:32worry. I promised it'd be okay. And when

2:49:36I took her hand tentatively waiting for

2:49:39disaster,

2:49:41nothing happened.

2:49:43Nothing happened except that she burst

2:49:45into tears. She threw herself into my

2:49:48arms and wept and told me she'd been

2:49:50terrified that there was something wrong

2:49:52with her, that she'd turned into a

2:49:54monster.

2:49:56We only had a month altogether.

2:49:59But there was something about her that

2:50:01felt right to me from the very

2:50:03beginning. I trusted her. She felt

2:50:07familiar, like I'd always known her. But

2:50:10I also knew it seemed a dramatic sort of

2:50:12thought, so I kept it to myself.

2:50:16She told me about her life, her horrible

2:50:19parents. She'd shared her fears with me,

2:50:22so I shared mine. I told her about my

2:50:25mom, how I didn't know what was

2:50:27happening to her, how worried I was that

2:50:29she was going to die.

2:50:32Juliet cared about me, listened to me

2:50:35the way no one else did.

2:50:38It was the most innocent relationship

2:50:40I'd ever had.

2:50:42But it meant more to me than anything.

2:50:45For the first time in years, I felt less

2:50:47alone.

2:50:50The day I found out she was finally

2:50:52being transferred, I pulled her close. I

2:50:54pressed my face into her hair and

2:50:56breathed her in, and she cried. She told

2:50:59me she was scared. And I promised I'd

2:51:02try to do something. I promised to talk

2:51:04to my dad, even though I knew he

2:51:05wouldn't care.

2:51:07And then suddenly, he was there. He

2:51:10ripped her out of my arms. And I noticed

2:51:12then that he was wearing gloves. "What

2:51:15the hell are you doing?" he cried. "Have

2:51:18you lost your mind? Have you lost

2:51:19yourself entirely?" "Dad," I said,

2:51:23panicking. "Nothing happened. I was just

2:51:24saying goodbye to her." His eyes widened

2:51:27round with shock. And when he spoke, his

2:51:30words were whispers.

2:51:32"You were just

2:51:34You were saying goodbye to her." "She's

2:51:38leaving," I said stupidly.

2:51:42"You think I don't know that?" I

2:51:45swallowed hard. "Jesus,"

2:51:48he said, running a hand across his

2:51:50mouth. "How long have you been doing

2:51:53this? How long have you been coming down

2:51:56here?"

2:51:58My heart was racing. Fear pulsed through

2:52:00me. I was shaking my head, unable to

2:52:02speak. What did you do? My dad demanded,

2:52:06his eyes flashing.

2:52:08Did you touch her? No. Anger surged

2:52:12through me, giving me back my voice,

2:52:14even as my face flushed with

2:52:15embarrassment. No, of course not. Are

2:52:18you sure, Dad? Why are you? I shook my

2:52:21head, confused. I don't understand why

2:52:23you're so upset. You've been pushing me

2:52:25and Lena together for months, even

2:52:27though I've told you a hundred times

2:52:28that I don't like her. But now, when I

2:52:30actually I hesitated, looking at Juliet,

2:52:34her face half hidden behind my dad. I

2:52:37was just getting to know her. That's

2:52:39all.

2:52:41You were just getting to know her? He

2:52:44stared at me disgusted.

2:52:47Of all the girls in the world, you fall

2:52:50for this one. The child murderer bound

2:52:53for prison. The likely insane test tube

2:52:57experiment.

2:52:59What is wrong with you?

2:53:02Dad, please. Nothing happened. We're

2:53:05just friends. We just talk sometimes.

2:53:09Just friends, he said and laughed. The

2:53:13sound was demented.

2:53:16You know what? I'll let you take this

2:53:19with you. I'll let you keep this one

2:53:21while you're gone. Let it sit with you.

2:53:23Let it teach you a lesson.

2:53:26What? Take what with me?

2:53:29A warning. He leveled me with a lethal

2:53:33look.

2:53:34Try something like this again, he said.

2:53:38And I'll kill her, and I'll make sure

2:53:41you get to watch.

2:53:44I stared at him, my heart beating out of

2:53:46my chest. This was insane. We hadn't

2:53:50even done anything. I'd known that my

2:53:52dad would probably be angry, but I never

2:53:54thought he'd threaten to kill her. If

2:53:56I'd known, I'd never would have risked

2:53:58it. And now

2:54:00my head was spinning. I didn't

2:54:02understand. He was dragging her down the

2:54:04hall, and I didn't understand.

2:54:08Suddenly, she screamed.

2:54:11She screamed.

2:54:13And I stood there helpless as he dragged

2:54:16her away.

2:54:17She called my name, cried out for me,

2:54:21and he shook her, told her to shut up.

2:54:25And I felt something inside of me die.

2:54:28I felt it as it happened.

2:54:31Felt something break apart inside of me

2:54:33as I watched her go.

2:54:36I'd never hated myself so much.

2:54:39I'd never been more of a coward.

2:54:43And now here we are.

2:54:46That day feels like a lifetime ago.

2:54:50I never thought I'd see her again.

2:54:53Juliet looks up at me now and she looks

2:54:56different. Her eyes are glassy with

2:54:58tears. Her skin has lost its pour. Her

2:55:02hair has lost its sheen.

2:55:04She looks thinner. She reminds me of

2:55:07myself.

2:55:09Hollow.

2:55:12Hi, I whisper.

2:55:15Tears spill silently down her cheeks.

2:55:19I have to force myself to remain calm.

2:55:23I have to force myself not to lose my

2:55:25head. My mother warned me years ago to

2:55:29hide my heart from my father. And every

2:55:31time I slipped, every time I let myself

2:55:34hope he might not be a monster,

2:55:38he punished me mercilessly.

2:55:41I wasn't going to let him do that to me

2:55:43again. I didn't want him to know how

2:55:45much it hurt to see her like this. How

2:55:47painful it was to sit beside her and say

2:55:49nothing, do nothing.

2:55:53"What is she doing here?" I ask, hardly

2:55:56recognizing my own voice. "She's here,"

2:56:00he says. "Because I had her collected

2:56:03for us." "Collected for what? You said I

2:56:08know what I said." He shrugs.

2:56:11But I wanted to see this moment, your

2:56:14reunion. I'm always interested in your

2:56:17reunions. I find the dynamics of your

2:56:20relationship fascinating.

2:56:23I look at him, feel my chest explode

2:56:27with rage, and somehow fight it back.

2:56:31You brought her back here just to

2:56:33torture me. You flatter yourself, son.

2:56:37Then what?

2:56:39I have your first task for you, he says,

2:56:42pushing a stack of files across his

2:56:44desk. Your first real mission as chief

2:56:47commander and regent of this sector.

2:56:50My lips part, surprised.

2:56:53What does that have to do with her? My

2:56:56father's eyes light up.

2:56:58Everything.

2:57:01I say nothing.

2:57:03I have a plan, he says. one that will

2:57:06require your assistance. In these files,

2:57:10he nods at the stack in front of me. Is

2:57:13everything you need to know about her

2:57:15illness, every medical report, every

2:57:17paper trail. I want you to reform the

2:57:20girl, rehabilitate her, and then I want

2:57:25you to weaponize her abilities for our

2:57:27own use.

2:57:29I meet his eyes, failing to conceal my

2:57:32horror at the suggestion.

2:57:35Why?

2:57:36Why would you come to me with this? Why

2:57:39would you ask me to do something like

2:57:40this when you know our history? You are

2:57:43uniquely suited to the job. It seems

2:57:46silly to waste my time explaining this

2:57:48to you now as you won't remember most of

2:57:50this conversation tomorrow. What? I

2:57:53frown. Why wouldn't I? The two of you

2:57:56seem to have some kind of immutable

2:57:58connection. one that might, I hope,

2:58:01inspire her abilities to develop more

2:58:03fully, more quickly. That doesn't make

2:58:07any sense.

2:58:09He ignores me, glances at Juliet. Her

2:58:12eyes are closed, her head resting

2:58:14against the wall behind her. She seems

2:58:17almost asleep, except for the tears

2:58:20still streaking softly down her face.

2:58:23It kills me just to look at her.

2:58:26As you can see, my father says she's a

2:58:30bit out of her mind right now. Heavily

2:58:33sedated. She's been through a great deal

2:58:35these last two years. We had no choice

2:58:37but to turn her into a sort of guinea

2:58:39pig. I'm sure you can imagine how that

2:58:42goes.

2:58:43He stares at me with a slight smile on

2:58:46his face. I know he's waiting for

2:58:48something, a reaction. My anger.

2:58:53I refuse to give it to him. His smile

2:58:57widens.

2:58:58Anyhow, he says happily. I'm going to

2:59:02put her back in isolation for the next 6

2:59:04months, maybe a year, depending on how

2:59:07things develop. You can use that

2:59:09opportunity to prepare, to observe her.

2:59:13But I'm still fighting back my anger. I

2:59:16can't bring myself to speak.

2:59:19Is there a problem? He says,

2:59:23"No, you remember, of course, the

2:59:26warning I gave you the last time she was

2:59:29here."

2:59:31"Of course," I say, my voice flat. Dead.

2:59:36And then, as if out of nowhere, "How is

2:59:39Lena, by the way? I hope she's well." "I

2:59:42wouldn't know."

2:59:44It's barely there. But I catch the

2:59:47sudden shift in his voice, the anger

2:59:50when he says, "And why is that?" I broke

2:59:55things off with her last week. And you

2:59:58didn't think to tell me. Finally, I meet

3:00:01his eyes. I never understood why you

3:00:04wanted us to be together. She's not

3:00:06right for me. She never was. You don't

3:00:09love her. You mean? I can't imagine how

3:00:11anyone would.

3:00:13That, he says, is exactly why she's

3:00:18perfect for you.

3:00:20I blink at him, caught off guard.

3:00:24For a moment, it almost sounded like my

3:00:26father cared about me, like he was

3:00:29trying to protect me in some perverse,

3:00:32idiotic way.

3:00:34Eventually, he sigh.

3:00:37He picks up a pen and a pad of paper and

3:00:40begins writing something down.

3:00:42I'll see what I can do about repairing

3:00:44the damage you've done. Lena's mother

3:00:46must be hysterical.

3:00:48Until then, get to work. He nods at the

3:00:51stack of files he set before me.

3:00:54Reluctantly, I pick a folder off the

3:00:56top. I glance through the documents,

3:01:00scanning the general outline of the

3:01:01mission, and then I look up at him,

3:01:04stunned.

3:01:06Why does the paperwork make it sound

3:01:07like this was my idea?

3:01:10He hesitates,

3:01:12puts down his pen.

3:01:14Because you don't trust me. I stare at

3:01:18him, struggling to understand. He tilts

3:01:20his head. If you knew this was my idea,

3:01:24you'd never trust it, would you? You'd

3:01:26look too closely for holes,

3:01:28conspiracies.

3:01:30You'd never follow through the way I'd

3:01:32want you to. Besides, he says, picking

3:01:35up his pen again. Two birds, one stone.

3:01:40It's time to finally break the cycle.

3:01:43I replace the folder on the pile. I'm

3:01:46careful to temper the tone of my voice

3:01:48when I say I have no idea what you're

3:01:52talking about.

3:01:54I'm talking about your new experiment,

3:01:56he says coolly. Your little tragedy.

3:01:59This, he says, gesturing between me and

3:02:02Juliet. This needs to end. And she is

3:02:05unlikely to return your affections when

3:02:07she wakes up to discover you are not her

3:02:09friend, but her oppressor, isn't she?

3:02:14And I can no longer keep the fury or the

3:02:16hysteria out of my voice when I say,

3:02:18"Why are you doing this to me? Why are

3:02:22you purposely torturing me? Is it so

3:02:25crazy to imagine that I might be trying

3:02:27to do you a favor?"

3:02:30My father smiles.

3:02:33Look more closely at those files, son.

3:02:36If you've ever wanted a chance at saving

3:02:38your mother, this might be it.

3:02:43I've become obsessed with time.

3:02:47Still, I can only guess at how long I've

3:02:50been here, staring at these walls

3:02:53without reprieve.

3:02:55No voices,

3:02:58only the occasional warped sounds of

3:03:00faraway speech. No faces,

3:03:03not a single person to tell me where I

3:03:05am or what awaits me. I've watched the

3:03:08shadows chase the light in and out of my

3:03:10cell for weeks. Their motions through

3:03:13the small window my only hope for

3:03:15marking the days. A slim rectangular

3:03:18slot in my door opens with sudden

3:03:20startling force. The aperture shot

3:03:23through with what appears to be

3:03:24artificial light on the other side. I

3:03:27make a mental note.

3:03:29A single steaming bun. No tray, no foil,

3:03:32no utensils. You shove through the slot

3:03:36and my reflexes are still fast enough to

3:03:38catch the bread before it touches the

3:03:40filthy floor. I have enough sense to

3:03:43understand that the little food I'm

3:03:44given every day is poisoned.

3:03:48Not enough to kill me, just enough to

3:03:51slow me down.

3:03:53Slight tremors rock my body, but I force

3:03:56my eyes to stay open as I turn the soft

3:03:58bun around in my hand, searching its

3:04:01flaky skin for information.

3:04:04It's unmarked,

3:04:05unextraordinary.

3:04:08It could mean nothing.

3:04:10There's no way to be sure.

3:04:13This ritual happens exactly twice a day.

3:04:16I am fed an insignificant, tasteless

3:04:20portion of food twice a day. For hours

3:04:23at a time, my thoughts slur, my mind

3:04:26swims and hallucinates. I am slow,

3:04:30sluggish.

3:04:33Most days I fast

3:04:36to clear my head, to cleanse my body of

3:04:39the poison, and to collect information.

3:04:43I have to find my way out of here before

3:04:45it's too late.

3:04:47Some nights when I'm at my weakest, my

3:04:51imagination runs wild. My mind is

3:04:55plagued by horrible visions of what

3:04:57might have happened to her.

3:04:59It's torture not knowing what they've

3:05:00done with her, not knowing where she is,

3:05:03not knowing how she is, not knowing if

3:05:05someone is hurting her.

3:05:08But the nightmares are perhaps the most

3:05:11disconcerting.

3:05:13At least I think they're nightmares.

3:05:15It's hard to separate fact from fiction,

3:05:17dreams from reality. I spent too much

3:05:20time with poison running through my

3:05:21veins. But Nazera's words to me before

3:05:24the symposium.

3:05:26Her warning that Juliet was someone

3:05:28else, that Max and Eevee are her true

3:05:31biological parents.

3:05:34I didn't want to believe it then. It

3:05:37seemed a possibility too perverse to be

3:05:39real. Even my father had lines he

3:05:41wouldn't cross, I told myself.

3:05:44Even the reestablishment had some sense

3:05:47of invented morality, I told myself.

3:05:51But I saw them as I was carried away. I

3:05:54saw the familiar faces of Eevee and

3:05:56Maximleian Summers, the Supreme

3:05:59Commander of Oceanania and her husband.

3:06:02And I've been thinking of them ever

3:06:04since. They were the key scientists of

3:06:07our group, the quiet brains of the

3:06:09reestablishment. They were military,

3:06:12yes, but they were medical. The pair

3:06:15often kept to themselves. I had few

3:06:18memories of them until very recently

3:06:21until Ella appeared in my mind.

3:06:26But I don't know how to be sure that

3:06:28what I'm seeing is real. I have no way

3:06:31of knowing that this isn't simply

3:06:32another part of the torture. It's

3:06:35impossible to know. It's agony boring a

3:06:39hole through me. I feel like I'm being

3:06:41assaulted on both sides, mental and

3:06:44physical, and I don't know where or how

3:06:46to begin fighting back. I've begun

3:06:49clenching my teeth so hard it's causing

3:06:51me migraines.

3:06:53Exhaustion feasts slowly on my mind. I'm

3:06:57fairly certain I've got at least two

3:06:58fractured ribs, and my only hours of

3:07:01rest are achieved standing up. The

3:07:03single position that eases the pain in

3:07:05my torso. It would be easy to give up,

3:07:09give in, but I can't lose myself to

3:07:12these mind games.

3:07:14I won't.

3:07:17So, I compile data.

3:07:20I spent my whole life preparing for

3:07:21moments like these by people like this,

3:07:25and they will take full advantage of

3:07:26that knowledge. I know they'll expect me

3:07:29to prove that I deserve to survive. and

3:07:33unexpectedly.

3:07:35Knowing this brings me a much needed

3:07:37sense of calm.

3:07:39I feel none of my usual anxiety here

3:07:43being carefully poisoned to death.

3:07:46Instead, I feel at home,

3:07:49familiar,

3:07:51fortified by adrenaline.

3:07:54Under any other circumstances, I'd

3:07:56assume my meals were offered once in the

3:07:58morning and once at night. But I know

3:08:01better than to assume anything anymore.

3:08:03I've been charting the shadows long

3:08:04enough to know that I'm never fed at

3:08:06regular hours and that the erratic

3:08:08schedule is intentional.

3:08:11There must be a message here, a sequence

3:08:13of numbers, a pattern of information,

3:08:16something I'm not grasping because I

3:08:18know that this, like everything else, is

3:08:22a test.

3:08:25I am in the custody of a supreme

3:08:27commander.

3:08:29There can be no accidents.

3:08:32I force myself to eat the warm,

3:08:34flavorless bun, hating the way the

3:08:36gummy, overly processed bread sticks to

3:08:39the roof of my mouth. It makes me wish

3:08:41for a toothbrush. They've given me my

3:08:44own sink and toilet, but I have little

3:08:46else to keep my standards of hygiene

3:08:47intact, which is possibly the greatest

3:08:49indignity here. I fight a wave of nausea

3:08:53as I swallow the last bite of bread and

3:08:56a sudden prickling heat floods my body.

3:08:58Beads of sweat roll down my back and I

3:09:00clench my fists to keep from succumbing

3:09:02too quickly to the drugs.

3:09:05I need a little more time.

3:09:08There's a message here somewhere, but I

3:09:10haven't yet decided where. Maybe it's in

3:09:13the movements of the shadows, or in the

3:09:15number of times the slot opens and

3:09:17closes. It might be in the names of the

3:09:19foods I'm forced to eat, or in the exact

3:09:21number of footsteps I hear every day. Or

3:09:25perhaps it's in the occasional jarring

3:09:27knock at my door that accompanies

3:09:29silence.

3:09:32There's something here. Something

3:09:34they're trying to tell me. Something I'm

3:09:36supposed to decipher. I gasp, reach out

3:09:40blindly as a shock of pain shoots

3:09:41through my gut. I can figure this out, I

3:09:45think. Even as the drug drags me down, I

3:09:49fall backward onto my elbows. My eyes

3:09:52flutter open and closed, and my mind

3:09:54drowns even as I count the sounds

3:09:56outside my door,

3:09:58one hard step,

3:10:01two dragging steps, one hard step.

3:10:06And there's something there, something

3:10:09deliberate in the movement that speaks

3:10:11to me. I know this. I know this

3:10:14language. I know its name. It's right

3:10:16there at the tip of my tongue, but I

3:10:18can't seem to grasp it.

3:10:20I've already forgotten what I was trying

3:10:22to do.

3:10:24My arms give out. My head hits the floor

3:10:27with a dull thud. My thoughts melt into

3:10:30darkness.

3:10:32The nightmares take me by the throat.

3:10:38>> Kenji.

3:10:41I thought I'd spent time in some pretty

3:10:43rough places in my life, but this

3:10:46is like nothing else. Perfect darkness.

3:10:50No sounds but the distant tortured

3:10:52screams of other prisoners.

3:10:54Food is disgusting slop shoved through a

3:10:56slot in the door. No bathrooms except

3:10:59that they open the doors once a day,

3:11:01just long enough for you to kill

3:11:02yourself trying to find the disgusting

3:11:04showers and toilets.

3:11:06I know what this is.

3:11:08I remember when Juliet Ella

3:11:12Ella

3:11:14Ella used to tell me about this place.

3:11:18Some nights we'd stay up for hours

3:11:19talking about it. I wanted to know. I

3:11:23wanted to know everything.

3:11:25And those conversations are the only

3:11:27reason I knew what the open door means.

3:11:30I don't really know how long I've been

3:11:32here. A week, maybe two.

3:11:35I don't understand why they won't just

3:11:37kill me. I try to tell myself every

3:11:40minute of every damn day that they're

3:11:42just doing this to mess with our heads.

3:11:44That the tortured mind is a worse fate

3:11:46than a bullet in the brain. But I can't

3:11:48lie. This place is starting to get to

3:11:51me. I feel myself starting to go weird.

3:11:55I'm starting to hear things, see things.

3:11:58I'm beginning to freak myself out about

3:12:00what might have happened to my friends

3:12:01or whether I'll ever get out of here.

3:12:04I try not to think about Nazera.

3:12:07When I think about Nazera, I want to

3:12:09punch myself in the face. I want to

3:12:11shoot myself in the throat.

3:12:14When I think about Nazera, I feel a rage

3:12:16so acute, I'm actually convinced for a

3:12:18minute that I might be able to break out

3:12:20of these neon handcuffs with nothing but

3:12:22brute force.

3:12:24But it never happens.

3:12:26These things are unbreakable, even as

3:12:28they strip me of my powers. and they

3:12:31emit a soft, pulsing blue glow, the only

3:12:34light I ever see.

3:12:37Jay told me her cell had a window.

3:12:40Mine doesn't.

3:12:43A harsh buzzing sound fills my cell. I

3:12:46hear a smooth click in the heavy metal

3:12:47door. I jump to my feet. The door swings

3:12:51open. I feel my way down the dripping

3:12:54corridor. The dim pulsing light of my

3:12:56cuffs doing little to guide my way.

3:12:59The shower is quick and cold, awful in

3:13:02every way. There are no towels in this

3:13:05hole, so I'm always freezing until

3:13:07I can get back to my room and wrap

3:13:08myself in the threadbear blanket.

3:13:11I'm thinking about that blanket now,

3:13:14trying to keep my thoughts focused and

3:13:16my teeth from chattering as I wend my

3:13:18way down the dark tunnels.

3:13:20I don't see what happens next.

3:13:22Someone comes up on me from behind and

3:13:24puts me in a chokeold, suffocating me

3:13:26with a technique so perfect I don't even

3:13:28know if it's worth a struggle.

3:13:31I'm definitely about to die.

3:13:34Super weird way to go, but this is it.

3:13:38I'm done.

3:13:45>> Ella,

3:13:48Mr. Anderson says I can have lunch at

3:13:50his house before I meet my new family.

3:13:53It wasn't his idea, but when Aaron, his

3:13:55son, that was the boy's name, suggested

3:13:58it, Mr. Anderson seemed okay with it.

3:14:01I'm grateful. I'm not ready to go live

3:14:04with a bunch of strangers yet. I'm

3:14:06scared and nervous and worried about so

3:14:08many things. I don't even know where to

3:14:10start. Mostly, I feel angry. I'm angry

3:14:15with my parents for dying. angry with

3:14:17them for leaving me behind.

3:14:20I'm an orphan now.

3:14:23But maybe I have a new friend. Aaron

3:14:25said that he was 8 years old, about 2

3:14:28years older than me, so there isn't any

3:14:30chance we'd be in the same grade. But

3:14:32when I said that we'd probably be going

3:14:34to the same school anyway, he said no,

3:14:36we wouldn't. He said he didn't go to

3:14:39public school. He said his father was

3:14:42very particular about these kinds of

3:14:43things and that he'd been homeschooled

3:14:46by private tutors his whole life.

3:14:49We're sitting next to each other in the

3:14:51car ride back to his house when he says

3:14:53quietly, "My dad never lets me invite

3:14:56people over to our house." "He must like

3:14:58you." I smile, secretly relieved, "I

3:15:03really hope that this means I'll have a

3:15:05new friend. I've been so scared to move

3:15:08here, so scared to be somewhere new and

3:15:11to be all alone. But now, sitting next

3:15:14to this strange blonde boy with the

3:15:16light green eyes, I'm beginning to feel

3:15:18like things might be okay.

3:15:21At least now, even if I don't like my

3:15:24new parents, I'll know I'm not

3:15:26completely alone. The thought makes me

3:15:29both happy and sad.

3:15:32I look over at Aaron and smile. He

3:15:35smiles back. When we get to his house, I

3:15:38take a moment to admire it from the

3:15:39outside. It's a big, beautiful old house

3:15:43painted the prettiest blue. It has big

3:15:46white shutters on the windows and a

3:15:47white fence around the front yard. Pink

3:15:50roses are growing around the edges,

3:15:52peeking through the wooden slats of the

3:15:54fence, and the whole thing looks so

3:15:56peaceful and lovely that I feel

3:15:58immediately at home. My worries vanish.

3:16:02I'm so grateful for Mr. Anderson's help.

3:16:05So grateful to have met his son. I

3:16:08realized then that Mr. Anderson might

3:16:10have brought his son to my meeting today

3:16:12just to introduce me to someone my own

3:16:14age. Maybe he was trying to make me feel

3:16:17at home.

3:16:19A beautiful blonde lady answers the

3:16:21front door. She smiles at me, bright and

3:16:24kind, and doesn't even say hello to me

3:16:26before she pulls me into her arms. She

3:16:29hugs me like she's known me forever. And

3:16:32there's something so comfortable about

3:16:34her arms around me that I embarrass

3:16:36everyone by bursting into tears.

3:16:40I can't even look at anyone after I pull

3:16:43away from her. She told me her name was

3:16:46Mrs. Anderson, but that I could call her

3:16:48Laya if I wanted. And I wipe at my

3:16:52tears, ashamed of my overreaction.

3:16:55Mrs. Anderson tells Aaron to take me

3:16:58upstairs to his room while she makes us

3:17:00some snacks before lunch. Still

3:17:02sniffling, I follow him up the stairs.

3:17:06His room is nice. I sit on his bed and

3:17:09look at his things. Mostly it's pretty

3:17:11clean, except that there's a baseball

3:17:13mitt on his nightstand and there are two

3:17:15dirty baseballs on the floor. Aaron

3:17:18catches me staring and scoops them up

3:17:20right away. He seems embarrassed as he

3:17:22tucks them in his closet, and I don't

3:17:24understand why. I was never very tidy.

3:17:28My room was always I hesitate.

3:17:32I try to remember what my old bedroom

3:17:34looked like, but for some reason, I

3:17:37can't. I frown. Try again.

3:17:42Nothing.

3:17:43And then I realize I can't remember my

3:17:46parents' faces.

3:17:48Terror barrels through me. What's wrong?

3:17:53Aaron's voice is so sharp, so intense

3:17:56that I look up, startled. He's staring

3:17:59at me from across the room, the fear on

3:18:01his face reflected in the mirrors on his

3:18:03closet doors. "What's wrong?" he says

3:18:06again. "Are you okay?" "I I don't I

3:18:12falter, feeling my eyes refill with

3:18:13tears. I hate that I keep crying. Hate

3:18:17that I can't stop crying. I can't

3:18:19remember my parents. I say, "Is that

3:18:22normal?"

3:18:24Aaron walks over, sits next to me on his

3:18:27bed. "I don't know," he says.

3:18:31We're both quiet for a while. "Somehow

3:18:34it helps. Somehow just sitting next to

3:18:37him makes me feel less alone, less

3:18:40terrified.

3:18:41Eventually, my heart stops racing.

3:18:46After I've wiped away my tears, I say,

3:18:48"Don't you get lonely being homeschooled

3:18:51all the time?" He nods. "Why won't your

3:18:55dad let you go to normal school?" "I

3:18:58don't know." "What about birthday

3:19:00parties?" I ask. "Who do you invite to

3:19:03your birthday parties?"

3:19:05Aaron shrugs. He's staring into his

3:19:08hands when he says, "I've never had a

3:19:10birthday party." "What?

3:19:14Really?" I turn to face him more fully,

3:19:17but birthday parties are so fun. I used

3:19:20to. I blink, cutting myself off.

3:19:25I can't remember what I was about to

3:19:27say.

3:19:29I frown, trying to remember something,

3:19:32something about my old life. But when

3:19:34the memories don't materialize, I shake

3:19:36my head to clear it.

3:19:38Maybe I'll remember later.

3:19:41Anyway, I say, taking a quick breath.

3:19:45You have to have a birthday party.

3:19:46Everyone has birthday parties. When is

3:19:49your birthday?

3:19:51Slowly, Aaron looks up at me, his face

3:19:54is blank, even as he says.

3:19:56April 24th.

3:19:59April 24th,

3:20:01I say, smiling. That's great. We can

3:20:04have cake.

3:20:07The days pass in a stifled panic, an

3:20:10excruciating crescendo toward madness.

3:20:14The hands of the clock seem to close

3:20:16around my throat, and still I say

3:20:18nothing. Do nothing.

3:20:21I wait.

3:20:23Pretend.

3:20:25I've been paralyzed here for 2 weeks,

3:20:27stuck in the prison of this ruse, this

3:20:30compound.

3:20:31Eevee doesn't know that her plot to

3:20:33bleach my mind failed. She treats me

3:20:37like a foreign object, distant but not

3:20:40unkind.

3:20:41She instructed me to call her Eevee,

3:20:44told me she was my doctor, and then

3:20:46proceeded to lie in great detail about

3:20:49how I'd been in a terrible accident,

3:20:51that I'm suffering from amnesia, that I

3:20:54need to stay in bed in order to recover.

3:20:58She doesn't know that my body won't stop

3:21:00shaking, that my skin is slick with

3:21:02sweat every morning, that my throat

3:21:05burns from the constant return of bile.

3:21:08She doesn't know what's happening to me.

3:21:11She could never understand the sickness

3:21:13plaguing my heart. She couldn't possibly

3:21:17understand this agony.

3:21:20Remembering

3:21:22the attacks are relentless.

3:21:25Memories assault me while I sleep,

3:21:27jolting me upright. My chest seizing in

3:21:30panic over and over and over until

3:21:33finally I meet dawn on the bathroom

3:21:35floor. The smell of vomit clinging to my

3:21:38hair, the inside of my mouth. I can only

3:21:42drag myself back to bed every morning

3:21:44and force my face to smile when Eevee

3:21:47checks on me at sunrise.

3:21:50Everything feels wrong.

3:21:52The world feels strange. Smells confuse

3:21:56me. Words don't feel right in my mouth

3:21:58anymore. The sound of my own name feels

3:22:01at once familiar and foreign. My

3:22:04memories of people and places seem

3:22:06warped. Fraying threads coming together

3:22:08to form a ragged tapestry.

3:22:11But Eevee,

3:22:13my mother,

3:22:15I remember her.

3:22:19Eevee. I pop my head out of the

3:22:22bathroom, clutching a robe to my wet

3:22:24body. I search my room for her face.

3:22:27Eevee, are you there?

3:22:30Yes. I hear her voice just seconds

3:22:32before she's suddenly standing before

3:22:34me, holding a set of fresh sheets in her

3:22:36hands. She's stripping my bed again. Did

3:22:40you need something? We're out of towels.

3:22:44Oh, easily rectified, she says, and

3:22:47hurries out the door. Not seconds later,

3:22:50she's back, pressing a warm, fresh towel

3:22:53into my hands. She smiles faintly.

3:22:57"Thanks," I say, forcing my own smile to

3:23:00stretch to spark life in my eyes. And

3:23:03then I disappear into the bathroom.

3:23:06The room is steaming, the mirrors

3:23:08fogged, persspiring.

3:23:10I grip the towel with one hand, watching

3:23:13as beads of water race down my bare

3:23:15skin. Condensation wears me like a suit.

3:23:19I wipe at the damp metal cuffs locked

3:23:21around my wrists and ankles, their

3:23:24glowing blue light, my constant reminder

3:23:26that I am in hell.

3:23:29I collapse with a heavy breath onto the

3:23:32floor. I'm too hot to put on clothes,

3:23:35but I'm not ready to leave the privacy

3:23:37of the bathroom yet. So, I sit here

3:23:40wearing nothing but these manacles and

3:23:42drop my head into my hands.

3:23:46My hair is long again. I discovered it

3:23:49like this long, heavy, dark one morning,

3:23:52and when I asked her about it, I nearly

3:23:55ruined everything.

3:23:57"What do you mean?" Eveie said,

3:24:00narrowing her eyes at me. "Your hair has

3:24:02always been long."

3:24:05I blinked at her, remembering to play

3:24:07dumb. "I know."

3:24:10She stared at me a while longer before

3:24:12she finally let it go. But I'm still

3:24:15worried I'll pay for that slip.

3:24:17Sometimes it's hard to remember how to

3:24:19act. My mind is being attacked,

3:24:21assaulted every day by emotion I never

3:24:24knew existed. My memories were supposed

3:24:27to be erased. Instead, they're being

3:24:30replenished.

3:24:32I'm remembering everything.

3:24:35My mother's laugh, her slender wrists,

3:24:38the smell of her shampoo, and the

3:24:40familiarity of her arms around me.

3:24:43The more I remember, the less this place

3:24:45feels foreign to me. The less these

3:24:48sounds and smells, these mountains in

3:24:50the distance, feel unknown.

3:24:53It's as if the desperate parts of my

3:24:55most desperate self are stitching back

3:24:58together, as if the gaping holes in my

3:25:00heart and head are healing, filling

3:25:02slowly with sensation.

3:25:05This compound was my home. These people,

3:25:09my family. I woke up this morning

3:25:12remembering my mother's favorite shade

3:25:13of lipstick, blood red.

3:25:17I remember watching her paint her lips

3:25:19some evenings. I remember the day I

3:25:22snuck into her room and stole the glossy

3:25:24metal tube. I remember when she found

3:25:26me, my hands and mouth smeared in red,

3:25:30my face a grotesque reimagining of

3:25:32herself.

3:25:34The more I remember my parents, the more

3:25:36I begin to finally make sense of myself.

3:25:39My many fears and insecurities, the

3:25:41myriad ways in which I've often felt

3:25:44lost, searching for something I could

3:25:46not name.

3:25:48It's devastating.

3:25:50And yet, in this new turbulent reality,

3:25:54the one person I recognize anymore is

3:25:57him. My memories of him, memories of us,

3:26:01have done something to me.

3:26:03I've changed somewhere deep inside. I

3:26:06feel different, heavier, like my feet

3:26:09have been more firmly planted, liberated

3:26:11by certainty, free to grow roots here in

3:26:14my own self, free to trust unequivocally

3:26:17in the strength and steadiness of my own

3:26:19heart. It's an empowering discovery to

3:26:23find that I can trust myself even when

3:26:26I'm not myself. to make the right

3:26:29choices, to know for certain now that

3:26:31there was at least one mistake I never

3:26:34made.

3:26:36Aaron Warner Anderson is the only

3:26:39emotional throughine in my life that

3:26:41ever made sense. He's the only constant,

3:26:44the only steady, reliable heartbeat I've

3:26:47ever had. Aaron, Aaron, Aaron, Aaron.

3:26:54I had no idea how much we'd lost. no

3:26:57idea how much of him I'd longed for. I

3:27:00had no idea how desperately we'd been

3:27:02fighting, how many years we'd fought for

3:27:04moments, minutes to be together. It

3:27:08fills me with a painful kind of joy. But

3:27:11when I remember how I left things

3:27:13between us, I want to scream.

3:27:17I have no idea if I'll ever see him

3:27:19again.

3:27:21Still, I'm holding on to the hope that

3:27:23he's alive out there somewhere. Eevee

3:27:26said she couldn't kill him. She said

3:27:28that she alone didn't have the authority

3:27:30to have him executed. And if Aaron is

3:27:33still alive, I will find a way to get to

3:27:36him. But I have to be careful. Breaking

3:27:39out of this new prison won't be easy. As

3:27:42it is, Eevee almost never lets me out of

3:27:45my room. Worse, she sedates me during

3:27:48the day, allowing me only a couple of

3:27:50lucid hours. There's never enough time

3:27:53to think, much less to plan an escape,

3:27:56to assess my surroundings, or to wander

3:27:59the halls outside my door. Only once did

3:28:02she let me go outside. Sort of.

3:28:07She let me onto a balcony overlooking

3:28:09the backyard. It wasn't much, but even

3:28:12that small step helped me understand a

3:28:14bit about where we were and what the

3:28:16layout of the building might look like.

3:28:19The assessment was chilling.

3:28:22We appeared to be in the center of a

3:28:24settlement, a small city in the middle

3:28:27of nowhere. I leaned over the edge of

3:28:30the balcony, craning my neck to take in

3:28:32the breadth of it. But the view was so

3:28:34vast I couldn't see all the way around.

3:28:37From where I stood, I saw at least 20

3:28:40different buildings, all connected by

3:28:42roads and navigated by people in

3:28:45miniature electric cars. There were

3:28:47loading and unloading docks, massive

3:28:50trucks filing in and out, and there was

3:28:52a landing strip in the distance, a row

3:28:55of jets parked neatly in a concrete lot.

3:28:58I understood then that I was living in

3:29:01the middle of a massive operation,

3:29:04something so much more terrifying than

3:29:06sector 45.

3:29:08This is an international base. This has

3:29:12to be one of the capitals. Whatever this

3:29:15is, whatever they do here, it makes

3:29:18sector 45 look like a joke.

3:29:21Here, where the hills are somehow still

3:29:23green and beautiful, where the air is

3:29:26fresh and cool and everything seems

3:29:28alive. My accounting is probably off,

3:29:31but I think we're nearing the end of

3:29:33April. And the sights outside my window

3:29:35are unlike anything I've ever seen in

3:29:38sector 45. Vast snowcapped mountain

3:29:41ranges, rolling hills thick with

3:29:44vegetation, trees heavy with bright

3:29:46changing leaves, and a massive

3:29:49glittering lake that looks close enough

3:29:50to run to. This land looks healthy,

3:29:54vibrant.

3:29:56I thought we'd lost a world like this a

3:29:58long time ago.

3:30:01Eevee's begun to sedate me less these

3:30:03days, but some days my vision seems to

3:30:05fray at the edges, like a satellite

3:30:07image, glitching, waiting for data to

3:30:10load. I wonder sometimes if she's

3:30:13poisoning me. I'm wondering this now,

3:30:17remembering the bowl of soup she sent to

3:30:19my room for breakfast. I can still feel

3:30:22the gluey residue as it coated my

3:30:24tongue, the roof of my mouth. Unness my

3:30:28stomach.

3:30:29I haul myself up off the bathroom floor,

3:30:32my limbs slow and heavy. It takes me a

3:30:36moment to stabilize. The effects of this

3:30:38experiment have left me hollow,

3:30:41angry,

3:30:43as if out of nowhere, my mind conjures

3:30:46an image of Eve's face. I remember her

3:30:49eyes, deep dark brown, bottomless, the

3:30:54same color as her hair. She has a short,

3:30:56sharp bob, a heavy curtain constantly

3:30:59whipping against her chin. She's a

3:31:02beautiful woman, more beautiful at 50

3:31:04than she was at 20.

3:31:07Coming.

3:31:09The word occurs to me suddenly, and a

3:31:11bolt of panic shoots up my spine. Not a

3:31:14second later, there's a sharp knock at

3:31:16my bathroom door.

3:31:18Yes, Ella. You've been in the bathroom

3:31:22for almost half an hour, and you know

3:31:23how I feel about wasting time. Eevee, I

3:31:28force myself to laugh. I'm almost done,

3:31:30I say. I'll be right out.

3:31:35A pause. The silence stretches the

3:31:38seconds into a lifetime. My heart jumps

3:31:41up into my throat, beats in my mouth.

3:31:45All right, she says slowly. Five more

3:31:48minutes.

3:31:50I close my eyes as I exhale, pressing

3:31:53the towel to the racing pulse at my

3:31:55neck. I dry off quickly before ringing

3:31:58the remaining water from my hair and

3:32:01slipping back into my robe.

3:32:03Finally, I open the bathroom door and

3:32:05welcome the cool morning temperature

3:32:07against my feverish skin. But I hardly

3:32:10have a chance to take a breath before

3:32:12she's in my face again.

3:32:15wear this," she says, forcing a dress

3:32:18into my arms. She's smiling, but it

3:32:20doesn't suit her. She looks deranged.

3:32:23"You love wearing yellow."

3:32:26I blink as I take the dress from her,

3:32:29feeling a sudden disorienting wave of

3:32:31deja vu.

3:32:33Of course, I say. I love wearing yellow.

3:32:38Her smile grows thinner, threatens to

3:32:40turn her face inside out. Could

3:32:44I just make an abstract gesture toward

3:32:47my body? Oh, she says startled. Right.

3:32:51She shoots me another smile and says,

3:32:54"I'll be outside."

3:32:56My own smile is brittle.

3:32:59She watches me. She always watches me,

3:33:03studies my reactions, the timing of my

3:33:05responses. She's scanning me constantly

3:33:08for information.

3:33:10She wants confirmation that I've been

3:33:12properly hollowed out, remade. I smile

3:33:16wider.

3:33:18Finally, she takes a step back. "Good

3:33:21girl," she says softly. I stand in the

3:33:25middle of my room and watch her leave,

3:33:27the yellow dress still pressed against

3:33:29my chest. There was another time when

3:33:32I'd felt trapped, just like this. I was

3:33:36held against my will and given beautiful

3:33:38clothes and three square meals and

3:33:40demanded to be something I wasn't. And I

3:33:43fought it. Fought it with everything I

3:33:46had.

3:33:48It didn't do me any good. I swore that

3:33:51if I could do it again, I'd do it

3:33:53differently. I said if I could do it

3:33:55over, I'd wear the clothes and eat the

3:33:58food and play along until I could figure

3:34:00out where I was and how to break free.

3:34:03So, here's my chance. This time, I've

3:34:07decided to play along.

3:34:12>> Kenji,

3:34:15I wake up, bound and gagged, a roaring

3:34:19sound in my ears.

3:34:21I blink to clear my vision. I'm bound so

3:34:25tightly I can't move. So, it takes me a

3:34:27second to realize I can't see my legs.

3:34:31No legs, no arms either.

3:34:35The revelation that I'm invisible hits

3:34:37me with full horrifying force.

3:34:40I'm not doing this. I didn't bring

3:34:43myself here, bind and gag myself, and

3:34:45make myself invisible.

3:34:48There's only one other person who would.

3:34:51I look around desperately, trying to

3:34:53gauge where I am and what my chances

3:34:55might be for escape. But when I finally

3:34:57managed to heave my body to one side

3:34:59just long enough to crane my neck, I

3:35:01realize with a terrifying jolt that I'm

3:35:04on a plane and then voices.

3:35:09It's Anderson and Nazera.

3:35:11I hear them discussing something about

3:35:13how we'll be landing soon. And then

3:35:15minutes later, I feel it when we touch

3:35:18ground. The plane taxis for a while and

3:35:21it seems to take forever before the

3:35:23engines finally turn off.

3:35:25I hear Anderson leave. Nazera hangs

3:35:28back, saying something about needing to

3:35:30clean up. She shuts down the plane and

3:35:32its cameras. Doesn't acknowledge me.

3:35:36Finally, I hear her footsteps getting

3:35:39closer to my head. She uses one foot to

3:35:42roll me onto my back. And then, just

3:35:44like that, my invisibility is gone.

3:35:48She stares at me for a little while

3:35:50longer, says nothing.

3:35:53Finally, she smiles.

3:35:57"Hi," she says, removing the gag from my

3:36:00mouth. "How are you holding up?"

3:36:04And I decide right then that I'm going

3:36:06to have to kill her.

3:36:09Okay. She says, "I know you're probably

3:36:13upset." "Upset? You think I'm upset?" I

3:36:18jerk violently against the ties. Jesus

3:36:20Christ, woman, get me out of these

3:36:22goddamn restraints. I'll get you out of

3:36:24the restraints when you calm down. How

3:36:26can you expect me to be calm? I'm trying

3:36:28to save your life right now. So,

3:36:30actually, I expect a lot of things from

3:36:32you. I'm breathing hard. Wait, what?

3:36:37She crosses her arms, stares down at me.

3:36:42I've been trying to explain to you that

3:36:43there was really no other way to do

3:36:45this. And don't worry, she says your

3:36:48friends are okay. We should be able to

3:36:50get them out of the asylum before any

3:36:52permanent damage is done.

3:36:54What? What do you mean permanent damage?

3:36:58Nazer size. Anyway, this was the only

3:37:02way I could think of stealing a plane

3:37:04without attracting notice. I needed to

3:37:06track Anderson.

3:37:09So, you knew he was alive that whole

3:37:11time, and you said nothing about it. She

3:37:14raises her eyebrows.

3:37:16Honestly, I thought you knew. How the

3:37:20hell was I supposed to know? I shout.

3:37:23How was I supposed to know anything?

3:37:26Stop shouting, she says. I went to all

3:37:29this trouble to save your life, but I

3:37:30swear to God I will kill you if you

3:37:32don't stop shouting right now.

3:37:35Where? I say the hell. I say, are we?

3:37:41And instead of killing me, she laughs.

3:37:45Where do you think we are? She shakes

3:37:48her head.

3:37:49>> We're in Oceania.

3:37:52We're here to find Ella.

3:37:57Warner,

3:38:00we can live in the lake, she says

3:38:03simply.

3:38:05What? I almost laugh. What are you

3:38:08talking about? I'm serious, she says. I

3:38:13heard my mom talking about how to make

3:38:14it so people can live underwater and I'm

3:38:17going to ask her to tell me and then we

3:38:18can live in the lake. I sigh. We can't

3:38:22live in the lake, Ella. Why not? She

3:38:26turns and looks at me, her eyes wide,

3:38:29startlingly bright, blue, green, like

3:38:32the globe. I think like the whole world.

3:38:37Why can't we live in the lake? My mom

3:38:39says that. Stop it, Ella. Stop.

3:38:44I wake suddenly, jerking upward as my

3:38:46eyes fly open, my lungs desperate for

3:38:48air. I breathe in too fast and cough,

3:38:52choking on the overcorrection of oxygen.

3:38:55My body bows forward, chest heaving, my

3:38:57hands braced against the cold concrete

3:39:00floor.

3:39:02Ella.

3:39:04Ella.

3:39:06Pain spears me through the chest. I

3:39:09stopped eating the poisoned food two

3:39:11days ago, but the visions linger even

3:39:12when I'm lucid. There's something hyper

3:39:15real about this one in particular. The

3:39:18memory barreling into me over and over,

3:39:20shooting swift, sharp pains through my

3:39:22gut. It's breathtaking, this

3:39:24disorienting rush of emotion.

3:39:27For the first time, I'm beginning to

3:39:29believe.

3:39:30I thought nightmares,

3:39:33hallucinations even.

3:39:35But now I know. Now it seems impossible

3:39:38to deny.

3:39:40I heard my mom talking about how to make

3:39:42it so people can live underwater.

3:39:45I didn't understand right away why Max

3:39:48and Eevee were keeping me captive here.

3:39:50But they must blame me for something.

3:39:53Maybe something my father is responsible

3:39:54for. Something I unknowingly took part

3:39:57in.

3:39:59Maybe something like torturing their

3:40:01daughter Emiline.

3:40:03When I was sent away for 2 years, I was

3:40:05never told where I was going. The

3:40:07details of my location were never

3:40:09disclosed. And during that time period,

3:40:12I lived in a veritable prison of my own,

3:40:14never allowed to step outside, never

3:40:16allowed to know more than was absolutely

3:40:18necessary about the task at hand. The

3:40:21breaks I was given were closely guarded,

3:40:23and I was required to wear a blindfold

3:40:25as I was ushered on and off the jet,

3:40:28which always made me think I must have

3:40:30been working somewhere easily

3:40:31identifiable.

3:40:33But those two years also comprised some

3:40:35of the darkest, saddest days of my life.

3:40:39All I knew was my desperate need for

3:40:41oblivion. I was so buried in

3:40:43self-loathing that it seemed only right

3:40:45to find solace in the arms of someone

3:40:46who meant nothing to me. I hated myself

3:40:49every day. Being with Lena was both

3:40:52relief and torture.

3:40:55Even so, I felt numb all the time.

3:40:59After 2 weeks here, I'm beginning to

3:41:02wonder if this prison isn't one I've

3:41:04known before. If this isn't the same

3:41:07place I spent those two horrible years

3:41:09of my life. It's hard to explain the

3:41:12intangible, irrational reasons why the

3:41:14view outside my window is beginning to

3:41:16feel familiar to me. But 2 years is a

3:41:20long time to grow familiar with the

3:41:22rhythms of a land, even one you don't

3:41:24understand.

3:41:26I wonder if Emiline is here somewhere.

3:41:29It makes sense that she'd be here close

3:41:31to home, close to her parents, whose

3:41:34medical and scientific advances are the

3:41:36only reason she's even alive, or

3:41:39something close to alive. Anyway,

3:41:42it makes sense that they'd bring Juliet.

3:41:45Ella, I remind myself, back here to her

3:41:48home. The question is,

3:41:52why bring her here? What are they hoping

3:41:55to do with her?

3:41:57But then, if her mother is anything like

3:41:59my father, I think I can imagine what

3:42:02they might have in mind. I push myself

3:42:05off the floor and take a studying

3:42:07breath. My body is running on mere

3:42:09adrenaline, so starved for sleep and

3:42:11sustenance that I have to pain.

3:42:15It's swift and sudden, and I gasp even

3:42:17as I recognize the familiar sting. I

3:42:20have no idea how long it'll take for my

3:42:22ribs to fully heal.

3:42:24Until then, I clench my teeth as I

3:42:27stand, feeling blindly for purchase

3:42:29against the rough stone. My hands shake

3:42:32as I steady myself, and I'm breathing

3:42:33too hard again, eyes darting around the

3:42:36familiar cell. I turn on the sink and

3:42:39splash ice cold water on my face. The

3:42:42effect is immediate, focusing.

3:42:45Carefully, I strip down to nothing. I

3:42:48soak my undershirt under the running

3:42:49water and use it to scrub my face, my

3:42:51neck, the rest of my body. I wash my

3:42:55hair, rinse my mouth, clean my teeth,

3:42:58and then I do what little I can for the

3:43:00rest of my clothes, washing them by hand

3:43:03and ringing them dry. I slip back into

3:43:06my underwear, even though the cotton is

3:43:07still slightly damp, and I fight back a

3:43:10shiver in the darkness. Hungry and cold

3:43:12is at least better than drugged and

3:43:14delirious.

3:43:16This is the end of my second week in

3:43:18confinement and my third day this week

3:43:21without food. It feels good to have a

3:43:24clear head, even as my body slowly

3:43:26starves. I'd already been leaner than

3:43:29usual, but now the lines of my body feel

3:43:31unusually sharp, even to myself. All

3:43:34necessary softness gone from my limbs.

3:43:36It's only a matter of time before my

3:43:38muscles atrophy and I do irreparable

3:43:40damage to my organs. But right now, I

3:43:44have no choice.

3:43:46I need access to my mind

3:43:49to think.

3:43:51And something about my sentencing feels

3:43:53off.

3:43:55The more I think about it, the less

3:43:57sense it makes that Max and Eevee would

3:43:59want me to suffer for what I did to

3:44:00Emiline. They were the ones who donated

3:44:03their daughters to the reestablishment

3:44:04in the first place. My work overseeing

3:44:07Emiline was assigned to me. In fact, it

3:44:10was likely a job they'd approved. It

3:44:13would make more sense that I were here

3:44:15for treason. Max and Eevee, like any

3:44:18other commanders, would want me to

3:44:20suffer for turning my back on the

3:44:21reestablishment.

3:44:23But even this theory feels wrong.

3:44:26Inongruous.

3:44:28The punishment for treason has always

3:44:30been public execution. Quick, efficient.

3:44:34I should be murdered with only a little

3:44:35fanfare in front of my own soldiers. But

3:44:38this locking people up like this, slowly

3:44:42starving them while stripping them of

3:44:43their sanity and dignity. This is

3:44:46univilized.

3:44:48It's what the reestablishment does to

3:44:50others, not to its own.

3:44:53It's what they did to Ella. They

3:44:55tortured her, ran tests on her. She

3:44:58wasn't locked up to inspire penitence.

3:45:01She was in isolation because she was

3:45:03part of an ongoing experiment.

3:45:06And I am in the unique position to know

3:45:08that such a prisoner requires constant

3:45:10maintenance.

3:45:13I figured I'd be kept here for a few

3:45:15days, maybe a week, but locking me up

3:45:18for what seems to be an indeterminate

3:45:20amount of time.

3:45:23This must be difficult for them.

3:45:26For 2 weeks, they've managed to remain

3:45:28just slightly ahead of me, a feat they

3:45:31accomplished by poisoning my food. In

3:45:34training, I'd never needed more than a

3:45:35week to break my way out of highsecurity

3:45:37prisons. And they must have known this.

3:45:40By forcing me to choose between

3:45:42sustenance and clarity every day,

3:45:44they've given themselves an advantage.

3:45:47Still, I'm unconcerned.

3:45:50The longer I'm here, the more leverage I

3:45:52gain. If they know what I'm capable of,

3:45:55they must also know that this is

3:45:57unsustainable.

3:45:59They can't use shock and poison to

3:46:00destabilize me indefinitely. I've now

3:46:03been here long enough to have taken

3:46:05stock of my surroundings, and I've been

3:46:06filing away information for nearly 2

3:46:09weeks. The movements of the sun, the

3:46:11phases of the moon, the manufacturer of

3:46:14the locks, the sink, the unusual hinges

3:46:18on the door. I suspected, but now know

3:46:21for certain that I'm in the southern

3:46:23hemisphere. Not only because I know Max

3:46:26and Eevee hail from Oceanania, but

3:46:28because the northern constellations

3:46:30outside my window are upside down.

3:46:34I must be on their base.

3:46:36Logically, I know I must have been here

3:46:38a few times in my life, but the memories

3:46:40are dim. The night skies are clearer

3:46:43here than they were in sector 45. The

3:46:46stars brighter. The lack of light

3:46:48pollution means we are far from

3:46:50civilization.

3:46:51And the view out the window proves that

3:46:53we are surrounded on all sides by the

3:46:56wild landscape of this territory.

3:46:59There's a massive glittering lake not

3:47:01far in the distance, which

3:47:04something jolts to life in my mind. The

3:47:07memory from earlier expanded.

3:47:11She shrugs and throws a rock in the

3:47:14lake. It lands with a dull splash. Well,

3:47:17we'll just run away, she says. We can't

3:47:21run away, I say. Stop saying that. We

3:47:25can, too. There's nowhere to go. There

3:47:28are plenty of places to go. I shake my

3:47:31head. You know what I mean? They'd find

3:47:34us wherever we went. They watch us all

3:47:36the time. We can live in the lake, she

3:47:39says simply. What? I almost laugh. What

3:47:43are you talking about? I'm serious, she

3:47:46says. I heard my mom talking about how

3:47:48to make it so people can live underwater

3:47:50and I'm going to ask her to tell me and

3:47:52then we can live in the lake. I sigh. We

3:47:55can't live in the lake, Ella. Why not?

3:47:59She turns and looks at me, her eyes

3:48:02wide, startlingly bright, blue, green,

3:48:06like the globe. I think like the whole

3:48:09world.

3:48:11Why can't we live in the lake? My mom

3:48:13says, "Stop it, Ella. Stop.

3:48:18A cold sweat breaks out on my forehead.

3:48:21Goosebumps rise along my skin.

3:48:24Ella.

3:48:25Ella. Ella. Ella.

3:48:28Over and over again. Everything about

3:48:30the name is beginning to sound familiar.

3:48:32The movement of my tongue as I form the

3:48:35word familiar. It's as if the memory is

3:48:37in my muscle. As if my mouth has made

3:48:39this shape a thousand times.

3:48:42I force myself to take a steadying

3:48:44breath. I need to find her. I have to

3:48:48find her.

3:48:50Here is what I know. It takes just under

3:48:5230 seconds for the footsteps to

3:48:54disappear down the hall. And they're

3:48:55always the same. Same stride, same

3:48:58cadence, which means there's only one

3:49:00person attending to me. The paces are

3:49:02long and heavy, which means my attendant

3:49:04is tall, possibly male. Maybe Max

3:49:07himself if they've deemed me a high

3:49:09priority prisoner. Still, they've left

3:49:11me unshackled and unharmed.

3:49:14Why?

3:49:15And though I've been given neither bed

3:49:17nor blanket, I have access to water from

3:49:19the sink. There's no electricity in

3:49:22here, no outlets, no wires. But there

3:49:24must be cameras hidden somewhere

3:49:26watching my every move. There are two

3:49:29drains, one in the sink and one

3:49:31underneath the toilet. There's one

3:49:34square foot of window, likely

3:49:35bulletproof glass, maybe 8 to 10 cm

3:49:38thick, and a single small air vent in

3:49:41the floor. The vent has no visible

3:49:44screws, which means it must be bolted

3:49:45from inside, and the slats are too

3:49:48narrow for my fingers. The steel blades

3:49:50visibly welded in place. Still, it's

3:49:53only an average level of security for a

3:49:55prison vent. A little more time and

3:49:58clarity, and I'll find a way to remove

3:49:59the screen and repurpose the parts.

3:50:02Eventually, I'll find a way to dismantle

3:50:04everything in this room. I'll take apart

3:50:06the metal toilet, the flimsy metal sink.

3:50:08I'll make my own tools and weapons and

3:50:10find a way to slowly, carefully

3:50:12disassemble the locks and hinges. Or

3:50:15perhaps I'll damage the pipes and flood

3:50:17the room into its adjoining hallway,

3:50:19forcing someone to come to the door. The

3:50:22sooner they send someone to my room, the

3:50:24better. If they've left me alone in my

3:50:26cell this long, it's been for their own

3:50:27protection, not my suffering. I excel at

3:50:30hand-to-hand combat. I know myself. I

3:50:35know my capacity to withstand

3:50:36complicated physical and mental torture.

3:50:39If I wanted to, I could give myself two,

3:50:42maybe 3 weeks to forgo the poisoned

3:50:45meals and survive on water alone before

3:50:47I lost my mind or mobility.

3:50:50I know how resourceful I can be given

3:50:52the opportunity, and this this effort to

3:50:55contain me must be exhausting.

3:50:59Great care went into selecting these

3:51:00sounds and meals and rituals and even

3:51:03this vigilant lack of communication.

3:51:06It doesn't make sense that they'd go to

3:51:08all this trouble for treason.

3:51:11No,

3:51:12I must be in purgatory for something

3:51:14else.

3:51:16I rack my brain for a motive, but my

3:51:18memories are surprisingly thin when it

3:51:20comes to Max and Eevee still forming.

3:51:24With some difficulty, I'm able to

3:51:26conjure up flickers of images,

3:51:29a brief handshake with my father, a

3:51:32burst of laughter, a cheerful swell of

3:51:35holiday music, a laboratory and my

3:51:38mother.

3:51:39I stiffen.

3:51:42A laboratory and my mother.

3:51:45I focus my thoughts, honing in on the

3:51:47memory. bright lights, muffled

3:51:50footsteps, the sound of my own voice

3:51:52asking my father a question, and then

3:51:56painfully

3:51:59my mind goes blank.

3:52:01I frown, stare into my hands.

3:52:05Nothing.

3:52:08I know a great deal about the other

3:52:10commanders and their families. It's been

3:52:12my business to know, but there's an

3:52:14unusual der of information where

3:52:16Oceanania is concerned.

3:52:18And for the first time, it sends a shock

3:52:20of fear through me. There are two

3:52:24timelines merging in my mind. A life

3:52:27with Ella and a life without her. And

3:52:31I'm still learning to sift through the

3:52:32information for something real.

3:52:35Still, thinking about Max and Eevee now

3:52:38seems to strain something in my brain.

3:52:40It's as if there's something there,

3:52:42something just out of reach. And the

3:52:44more I force my mind to recall them,

3:52:47their faces, their voices, the more it

3:52:50hurts,

3:52:52why all this trouble to imprison me? Why

3:52:55not simply have me killed?

3:52:58I have so many questions. It's making my

3:53:00head spin. Just then, the door rattles.

3:53:04The sound of metal on metal is sharp and

3:53:06abrasive. The sounds like sandpaper

3:53:08against my nerves. I hear the bolt

3:53:11unlock and feel unusually calm.

3:53:15I was built to handle this life, its

3:53:18blows, its sick, sadistic ways.

3:53:23Death has never scared me.

3:53:26But when the door swings open, I realize

3:53:28my mistake.

3:53:30I imagined a thousand different

3:53:33scenarios.

3:53:34I prepared for a myriad of opponents.

3:53:38But I had not prepared for this.

3:53:41"Hi, birthday boy," he says, laughing as

3:53:45he steps into the light. "Did you miss

3:53:48me?"

3:53:50And I'm suddenly unable to move.

3:53:57Ella,

3:54:00stop. Stop it. Oh my god, that's

3:54:03disgusting. Emiline cries. Stop it. Stop

3:54:08touching each other. You guys are so

3:54:10gross. Dad pinches mom's butt right in

3:54:13front of us. Emiline screams, "Oh my

3:54:16god, I said stop."

3:54:19It's Saturday morning and Saturday

3:54:21morning is when we make pancakes, but

3:54:23mom and dad don't really get around to

3:54:25cooking anything because they won't stop

3:54:27kissing each other. Emiline hates it. I

3:54:30think it's nice. I sit at the counter

3:54:33and prop my face in my hands, watching.

3:54:36I prefer watching. Emiline keeps trying

3:54:39to make me work, but I don't want to. I

3:54:41like sitting better than working. No one

3:54:44is making pancakes. Emiline cries and

3:54:47she spins around so angrily she knocks a

3:54:49bowl of batter to the ground. Why am I

3:54:52doing all the work? Dad laughs.

3:54:56Sweetheart, we're all together, he says,

3:54:58scooping up the fallen bowl. He grabs a

3:55:01bunch of paper towels and says, "Isn't

3:55:03that more important than pancakes?

3:55:06No, Emiline says angrily. We're supposed

3:55:10to make pancakes. It's Saturday, which

3:55:12means we're supposed to make pancakes.

3:55:13And you and mom are just kissing and

3:55:15Ella is being lazy. Hey, I say and stand

3:55:19up. And no one is doing what they're

3:55:22supposed to be doing, and instead I'm

3:55:24doing it all by myself.

3:55:27Mom and dad are both laughing now. It's

3:55:29not funny. Emiline cries and now she's

3:55:33shouting, tears streaking down her face.

3:55:35It's not funny and I don't like it when

3:55:38no one listens to me and I don't.

3:55:42Two weeks ago, I was lying on an

3:55:44operating table, limp, naked, and

3:55:47leaking blood through an aperture in my

3:55:49temple the size of a gunshot wound. My

3:55:52vision was blurred. I couldn't hear much

3:55:54more than the sound of my own breathing,

3:55:56hot and heavy and everywhere building in

3:55:59and around me. Suddenly,

3:56:03Eevee came into view. She was staring at

3:56:06me. She seemed frustrated. She'd been

3:56:09trying to complete the process of

3:56:11physical recalibration, as she called

3:56:13it. For some reason, she couldn't finish

3:56:16the job.

3:56:17She'd already emptied the contents of 16

3:56:20syringes into my brain, and she'd made

3:56:22several small incisions in my abdomen,

3:56:25my arms, and my thighs. I couldn't see

3:56:28exactly what she did next, but she spoke

3:56:31occasionally as she worked, and she

3:56:34claimed that the simple surgical

3:56:35procedures she was performing would

3:56:37strengthen my joints and reinforce my

3:56:40muscles. She wanted me to be stronger,

3:56:43to be more resilient on a cellular

3:56:45level.

3:56:47It was a preventative measure. She said

3:56:50she was worried my build was too slight,

3:56:52that my muscles might degenerate

3:56:54prematurely in the face of intense

3:56:56physical challenges.

3:56:58She didn't say it, but I felt it. She

3:57:01wanted me to be stronger than my sister.

3:57:05Emiline, I whispered.

3:57:08It was lucky that I was too exhausted,

3:57:11too broken, too sedated to speak

3:57:13clearly. It was lucky that I only lay

3:57:16there, eyes fluttering open and closed,

3:57:19my chapped lips making it impossible to

3:57:21do more than mutter the name. It was

3:57:24lucky that I couldn't understand right

3:57:26away that I was still me, that I still

3:57:29remembered everything despite Eevee's

3:57:32promises to dissolve what was left of my

3:57:34mind. Still, I'd said the wrong thing.

3:57:39Eveie stopped what she was doing. She

3:57:42leaned over my face and studied me nose

3:57:44to nose. I blinked.

3:57:48Don't.

3:57:50The words appeared in my head as if

3:57:52they'd been planted there long ago, like

3:57:54I was remembering. Remembering. Eevee

3:57:58jerked backward and immediately started

3:58:00speaking into a device clenched in her

3:58:02fist. Her voice was low and rough, and I

3:58:05couldn't make out what she was saying. I

3:58:07blinked again, confused. I parted my

3:58:11lips to say something when don't.

3:58:14The thought came through more sharply

3:58:16this time. A moment later, Eevee was in

3:58:19my face again. This time drilling me

3:58:22with questions.

3:58:24Who are you? Where are you? What is your

3:58:27name? Where were you born? How old are

3:58:29you? Who are your parents? Where do you

3:58:31live?

3:58:34I was suddenly aware enough to

3:58:35understand that Eevee was checking her

3:58:37work. She wanted to make sure my brain

3:58:40had been wiped clean. I wasn't sure what

3:58:43I was supposed to say or do, so I said

3:58:45nothing. Instead, I blinked. Blinked a

3:58:49lot. Eevee finally reluctantly stepped

3:58:53away, but she didn't seem entirely

3:58:55convinced of my stupidity.

3:58:58And then, when I thought she might

3:58:59murder me just to be safe, she stopped,

3:59:02stared at the wall,

3:59:04and then she left.

3:59:07I was trembling on the operating table

3:59:09for 20 minutes before the room was

3:59:11swarmed by a team of people. They

3:59:14unstrapped my body, washed and wrapped

3:59:16my open wounds. I think I was screaming.

3:59:20Eventually, the combination of pain,

3:59:22exhaustion, and the slow drip of opiates

3:59:24caught up with me, and I passed out. I

3:59:27never understood what happened that day.

3:59:30I couldn't ask. Eevee never explained

3:59:33and the strange sharp voice in my head

3:59:35never returned.

3:59:37But then Eevee sedated me so much in my

3:59:40first weeks on this compound that it's

3:59:42possible there was never even a chance.

3:59:45Today, for the first time since that

3:59:47day, I hear it again.

3:59:51I'm standing in the middle of my room,

3:59:53this gauzy yellow dress still bunched in

3:59:55my arms. When the voice assaults me, it

3:59:58knocks the wind out of me. Ella.

4:00:02I spin around, my breasts coming in

4:00:04fast. The voice is louder than it's ever

4:00:06been, frightening in its intensity.

4:00:09Maybe I was wrong about Eevee's

4:00:11experiment. Maybe this is part of it.

4:00:14Maybe hallucinating and hearing voices

4:00:16is a precursor to oblivion. No.

4:00:20Who are you? I say, the dress dropping

4:00:23to the floor.

4:00:25It occurs to me as if from a distance

4:00:27that I'm standing in my underwear,

4:00:29screaming at an empty room, and a

4:00:31violent shutter goes through my body.

4:00:33Roughly, I yank the yellow dress over my

4:00:36head. It's light, breezy layers like

4:00:38silk against my skin. In a different

4:00:41lifetime, I would have loved this dress.

4:00:43It's both beautiful and comfortable, the

4:00:45perfect saratoral combination, but

4:00:48there's no time for that kind of

4:00:49frivolity anymore. Today, this dress is

4:00:52just a part of the role I must play. The

4:00:55voice in my head has gone quiet, but my

4:00:58heart is still racing.

4:01:00I feel propelled into motion by instinct

4:01:03alone. And quickly, I slip into a pair

4:01:06of simple white tennis shoes, tying the

4:01:08laces tightly. I don't know why, but

4:01:11today, right now, for some reason, I

4:01:14feel like I might need to run.

4:01:17Yes.

4:01:19My spine straightens. Adrenaline courses

4:01:22through my veins and my muscles feel

4:01:24tight, burning with an intensity that

4:01:26feels brand new to me. It's the first

4:01:29time I felt any positive effects of

4:01:31Eevee's procedures. This strength feels

4:01:34like it's been grafted to my bones, like

4:01:36I could launch myself into the air, like

4:01:38I could scale a wall with one hand.

4:01:42I've known super strength before, but

4:01:44that strength always felt like it was

4:01:46coming from elsewhere, like it was

4:01:48something I had to harness and release.

4:01:51Without my supernatural abilities, when

4:01:54I turned off my powers, I was left with

4:01:56an unimpressive, flimsy body. I'd been

4:01:59undernourished for years, forced to

4:02:02endure extreme physical and mental

4:02:04conditions, and my body suffered for it.

4:02:07I had only begun to learn proper forms

4:02:09of exercise and conditioning in the last

4:02:12couple of months. And while the progress

4:02:14I made was helpful, it was only the

4:02:16first step in the right direction.

4:02:19But this, whatever Eevee did to me, this

4:02:23is different.

4:02:25Two weeks ago, I was in so much pain I

4:02:27could hardly move. The next morning,

4:02:30when I could finally stand on my own, I

4:02:32saw no discernable difference in my body

4:02:34except that I was seven shades of purple

4:02:37from top to bottom.

4:02:39Everything was bruised. I was walking

4:02:42agony.

4:02:44Eevee told me as my doctor that she kept

4:02:47me sedated so that I'd be forced to

4:02:50remain still in order to heal more

4:02:51quickly. But I had no reason to believe

4:02:54her. I still don't. But this is the

4:02:58first time in two weeks that I feel

4:03:00almost normal. The bruises have nearly

4:03:03faded. Only the incision sites, the most

4:03:06painful entry points, still look a

4:03:08little yellow. Not bad. I flex my fists

4:03:12and feel powerful. Truly powerful. Even

4:03:16with the glowing manicles clamped around

4:03:18my wrists and ankles, I've desperately

4:03:20missed my powers. missed them more than

4:03:23I ever thought I could miss something

4:03:25I'd spent so many years hating about

4:03:27myself. But for the first time in weeks,

4:03:30I feel strong. I know Eevee did this to

4:03:34me, did this to my muscles, and I know I

4:03:37should distrust it, but it feels so good

4:03:39to feel good that I almost can't help

4:03:42but revel in it. And right now, I feel

4:03:46like I could run.

4:03:49I go still.

4:03:51Run.

4:03:53What? I whisper, turning to scan the

4:03:55walls, the ceiling. Run where? Out.

4:04:01The word thunders through me.

4:04:02Reverberates along my rib cage. Out. As

4:04:07if it were that simple. As if I could

4:04:09turn the door knob and be rid of this

4:04:11nightmare. If it were that easy to leave

4:04:13this room, I would have done it already.

4:04:16But Eevee reinforces the locks on my

4:04:18door with multiple layers of security. I

4:04:21only saw the mechanics of it once when

4:04:23she returned me to my room after

4:04:24allowing me to look outside for a few

4:04:26minutes. In addition to the discrete

4:04:29cameras and retina displays, there's a

4:04:32biometric scanner that reads Eevee's

4:04:34fingerprints to allow her access to the

4:04:37room. I've spent hours trying to get my

4:04:40bedroom door open to no avail.

4:04:43Out

4:04:44again. And that word loud and harsh

4:04:47inside my head. There's something

4:04:49terrifying about the hope that snakes

4:04:51through me at the thought of escape. It

4:04:54clings and tugs and tempts me to be

4:04:56crazy enough to listen to the absurd

4:04:58hallucinations attacking my mind. This

4:05:02could be a trap. I think this could all

4:05:05be Eevee's doing. I could be playing

4:05:07directly into her hand.

4:05:10Still,

4:05:12I can't help myself. I cross the room in

4:05:15a few quick strides. I hesitate, my hand

4:05:18hovering over the handle, and with a

4:05:21final exhalation, I give in. The door

4:05:24swings open easily. I stand in the open

4:05:28doorway, my heart racing harder. A heady

4:05:31rush of feeling surges through me, and I

4:05:33look around desperately, studying the

4:05:35many hallways stretching out before me.

4:05:38This seems impossible.

4:05:41I have no idea where to go. no idea if

4:05:44I'm crazy for listening to a

4:05:45manipulative voice in my head after my

4:05:48psychotic mother spent hours injecting

4:05:50things into my mind. It's only when I

4:05:53remember that I first heard this voice

4:05:55the night I arrived, just moments before

4:05:58Eevee began torturing me, that I begin

4:06:01to doubt my doubt.

4:06:04Dying.

4:06:06That was what the voice said to me that

4:06:08first night. Dying.

4:06:11I was lying on an operating table,

4:06:13unable to move or speak. I could only

4:06:16shout inside my head, and I wanted to

4:06:18know where Emiline was. I tried to

4:06:20scream it. Dying, the voice had said. A

4:06:25cold, paralyzing fear fills my blood.

4:06:29Emiline, I whisper.

4:06:33Is that you?

4:06:35Help.

4:06:37I take a certain step forward.

4:06:42Warner,

4:06:45"I'm a little early." He says, "I know

4:06:48your birthday is tomorrow, but I just

4:06:50couldn't wait any longer."

4:06:53I stare at my father as though he might

4:06:55be a ghost. Worse, a poltergeist.

4:06:58I can't bring myself to speak, and for

4:07:00some reason, he doesn't seem to mind my

4:07:02silence. Then

4:07:06he smiles.

4:07:09It's a true smile, one that softens his

4:07:12features and brightens his eyes.

4:07:16We're in something that looks like a

4:07:17sitting room, a bright open space with

4:07:20plush couches, chairs, a round table,

4:07:23and a small writing desk in the corner.

4:07:26There's a thick carpet underfoot. The

4:07:28walls are a pleasant pale yellow sun

4:07:31pouring in through large windows. My

4:07:34father's figure is backlit.

4:07:37He looks ethereal, glowing like he might

4:07:40be an angel.

4:07:42This world has a sick sense of humor.

4:07:46He tossed me a robe when he walked into

4:07:48my cell, but he hasn't offered me

4:07:50anything else. I haven't been given a

4:07:52chance to change. I haven't been offered

4:07:55food or water. I feel underdressed,

4:07:59vulnerable, sitting across from him in

4:08:01nothing but cold underwear and a thin

4:08:02robe. I don't even have socks, slippers,

4:08:06something.

4:08:08And I can only imagine what I must look

4:08:10like right now, considering it's been a

4:08:13couple of weeks since I've had a shave

4:08:14or a haircut. I managed to keep myself

4:08:17clean in prison, but my hair is a bit

4:08:19longer now. Not like it used to be, but

4:08:22it's getting there. And my face. I touch

4:08:26my face almost without thinking.

4:08:29Touching my face has become a bit of a

4:08:31habit these last couple of weeks. I have

4:08:34a beard. It's not much of a beard, but

4:08:37it's enough to surprise me every time. I

4:08:39have no idea how I must look right now.

4:08:43Untamed, perhaps.

4:08:46Finally, I say, "You're supposed to be

4:08:49dead." "Surprise,"

4:08:52he says and smiles.

4:08:55I only stare at him. My father leans

4:08:58against the table and stuffs his hands

4:09:00into his pants pockets in a way that

4:09:01makes him look boyish. Charming. It

4:09:05makes me feel ill. I look away, scanning

4:09:08the room for help. Details. Something to

4:09:11root me. Something to explain him.

4:09:14Something to arm me against what might

4:09:16be coming. I come up short. He laughs.

4:09:21You know, you could stand to show a bit

4:09:22more emotion. I actually thought you

4:09:24might be happy to see me.

4:09:27That gets my attention. You thought

4:09:29wrong? I say. I was happy to hear you

4:09:32were dead. Are you sure? He tilts his

4:09:36head. You're sure you didn't shed a

4:09:39single tear for me? Didn't miss me even

4:09:42the tiniest bit.

4:09:44All it takes is a moment of hesitation.

4:09:47the half-second delay during which I

4:09:49remember the weeks I spent caught in a

4:09:51prison of half grief, hating myself for

4:09:54mourning him and hating that I ever

4:09:56cared at all.

4:09:58I open my mouth to speak and he cuts me

4:10:00off, his smile triumphant. I know this

4:10:04must be a bit unsettling, and I know

4:10:06you're going to pretend you don't care,

4:10:08but we both know that your bleeding

4:10:10heart has always been the source of all

4:10:11our problems, and there's no point

4:10:13trying to deny that now. So, I'll be

4:10:17generous and offer to overlook your

4:10:18treasonous behavior.

4:10:21My spine stiffens.

4:10:23You didn't think I'd just forget, did

4:10:25you? My father is no longer smiling. You

4:10:29try to overthrow me, my government, my

4:10:32continent, and then you stand aside like

4:10:35a perfect pathetic piece of garbage as

4:10:37your girlfriend attempts to murder me.

4:10:40And you thought I'd never mention it.

4:10:43I can't look at him anymore. I can't

4:10:45stand the sight of his face so like my

4:10:47own. His skin is still perfect,

4:10:49unscarred, as if he'd never been

4:10:51injured. Never taken a bullet to the

4:10:54forehead. I don't understand it. No, you

4:10:59still won't be inspired to respond, he

4:11:01says. In that case, you might be smarter

4:11:03than I gave you credit for.

4:11:06There, that feels more like him. But the

4:11:10fact remains that we are at an important

4:11:12crossroads right now. I had to call in a

4:11:15number of favors to have you transported

4:11:17here unharmed. The council was going to

4:11:19vote to have you executed for treason

4:11:21and I was able to convince them

4:11:23otherwise.

4:11:24Why would you even bother? His eyes

4:11:27narrow as he appraises me. I save your

4:11:31life, he says. And this is your

4:11:34reaction. Insolence in gratitude. This,

4:11:38I say sharply, is your idea of saving my

4:11:41life, throwing me in prison and having

4:11:43me poisoned to death. That should have

4:11:46been a picnic.

4:11:48His gaze grows cold. You really would be

4:11:52better off dead if those circumstances

4:11:53were enough to break you.

4:11:56I say nothing. Besides, we had to punish

4:12:00you somehow. Your actions couldn't go

4:12:02unchecked.

4:12:04My father looks away.

4:12:06We've had a lot of messes to clean up,

4:12:09he says finally. Where do you think I've

4:12:11been all this time? As I said, I thought

4:12:14you were dead. Close, but not quite.

4:12:17Actually, he says, taking a breath. I

4:12:20spent a great deal of time convolesing

4:12:24here.

4:12:25I was airlifted back here where the

4:12:28summers have been reviving me.

4:12:31He pulls up the hem of his pants and I

4:12:34glimpse the silver gleam of metal where

4:12:36his ankle should be. I've got new feet,

4:12:40he says and laughs. Can you believe it?

4:12:45I can't. I can't believe it. I'm

4:12:49stunned. He smiles, obviously satisfied

4:12:52with my reaction.

4:12:54We let you and your friends think you'd

4:12:56had a victory just long enough to give

4:12:57me time to recover. We sent the rest of

4:13:00the kids down to distract you, to make

4:13:02it seem like the reestablishment might

4:13:04actually accept its new self-appointed

4:13:06commander. He shakes his head. A

4:13:0917-year-old child declaring herself the

4:13:12ruler of North America, he says almost

4:13:15to himself. And then looking up, "That

4:13:18girl really was a piece of work, wasn't

4:13:20she?"

4:13:22Panic gathers in my chest. "What did you

4:13:25do to her? Where is she?

4:13:29No. My father's smile disappears.

4:13:33Absolutely not. What does that mean? It

4:13:37means absolutely not. That girl is done.

4:13:40She's gone. No more afternoon specials

4:13:42with your buddies from Omega Point. No

4:13:44more running around naked with your

4:13:46little girlfriend. No more sex in the

4:13:47afternoon when you should be working.

4:13:50I feel both ill and enraged. Don't you

4:13:54dare. Don't ever talk about her like

4:13:56that. You have no right. He sigh long

4:14:01and loud, mutters something foul. When

4:14:04are you going to stop this? When will

4:14:07you grow out of this?

4:14:10It takes everything I've got to bite

4:14:11back my anger.

4:14:13To sit here calmly and say nothing.

4:14:18Somehow my silence makes things worse.

4:14:20"Damn it, Aaron," he says, getting to

4:14:23his feet. I keep waiting for you to move

4:14:25on, to get over her, to evolve,

4:14:29he says, practically shouting at me now.

4:14:32It's been over a decade of the same

4:14:37Over a decade?

4:14:39A slip?

4:14:41What do you mean? I say, studying him

4:14:44carefully.

4:14:46Over a decade?

4:14:49I'm exaggerating, he says, biting off

4:14:51the words. exaggerating to make a point.

4:14:54Liar.

4:14:56For the first time, something uncertain

4:14:58flashes through my father's eyes.

4:15:01Will you admit it? I say quietly.

4:15:04Will you admit to me what I already

4:15:06know?

4:15:08He sets his jaw, says nothing.

4:15:12Admit it, I say. Juliet was an alias.

4:15:17Juliet Ferrar is actually Ella Summers,

4:15:20the daughter of Eevee and Maximleian S.

4:15:23How?

4:15:25My father catches himself. He looks away

4:15:29and then too soon he looks back. He

4:15:33seems to be deciding something.

4:15:36Finally,

4:15:37slowly he nods.

4:15:41You know what? It's better this way.

4:15:44Better for you to know, he says quietly.

4:15:48Better for you to understand exactly why

4:15:49you're never going to see her again.

4:15:52That's not up to you. Not up to me. Rage

4:15:56flashes in and out of his eyes, his cool

4:15:58mask quickly crumbling. That girl has

4:16:01been the bane of my existence for 12

4:16:04years, he says. She's caused me more

4:16:07problems than you can even begin to

4:16:08understand. Not the least of which has

4:16:10been to distract my idiot son for the

4:16:12better part of the last decade. Despite

4:16:14my every effort to break you apart, to

4:16:16remove this cancer from our lives,

4:16:18you've insisted over and over again on

4:16:22falling in love with her. He looks me in

4:16:25the eye, his own eyes wild with fury.

4:16:28She was never meant for you. She was

4:16:32never meant for any of this. That girl

4:16:34was sentenced to death, he says

4:16:37viciously. The moment I named her

4:16:40Juliet,

4:16:42my heart is beating so hard it feels as

4:16:44though I'm dreaming. This must be a

4:16:46nightmare. I have to force myself to

4:16:48speak to say,

4:16:51"What are you talking about?"

4:16:54My father's mouth twists into an

4:16:56imitation of a smile.

4:16:59"Ella,"

4:17:00he says, "was designed to become a tool

4:17:04for war. She and her sister both. Right

4:17:08from the beginning, decades before we

4:17:11took over, sicknesses were beginning to

4:17:13ravage the population. The government

4:17:15was trying to bury the information. But

4:17:17we knew. I saw the classified files. I

4:17:20tracked down one of the secret bunkers.

4:17:23People were malfunctioning,

4:17:24metamorphosing, so much so that it

4:17:27almost felt like the next phase of

4:17:28evolution.

4:17:30Only Eevee had the presence of mind to

4:17:32see the sickness as a tool. She was the

4:17:36one who first began studying the

4:17:37unnaturals. She was the reason we

4:17:40created the asylums. She wanted access

4:17:42to more varieties of the illness. And

4:17:45she was the one who learned how to

4:17:46isolate and reproduce the alien DNA.

4:17:50It was her idea to use the findings to

4:17:52help our cause.

4:17:54Ella and Emiline, he says angrily, were

4:17:59only ever meant to be Eevee science

4:18:01experiments. Ella was never meant for

4:18:03you. Never meant for anyone. He shouts.

4:18:07Get her out of your head.

4:18:10I feel frozen as the words settle around

4:18:12me within me. The revelation isn't

4:18:17entirely new. And yet

4:18:20the pain is fresh.

4:18:23Time seems to slow down, speed up, spin

4:18:26backward.

4:18:27My eyes fall closed. My memories collect

4:18:31and expand, exploding with renewed

4:18:33meaning as they assault me all at once.

4:18:37Ella through the ages,

4:18:40my childhood friend.

4:18:43Ella ripped away from me when I was 7

4:18:46years old.

4:18:47Ella and Emiline, who they'd said had

4:18:50drowned in the lake. They told me to

4:18:53forget, to forget the girls ever

4:18:55existed. And finally, tired of answering

4:18:58my questions,

4:19:00they told me they'd make things easier

4:19:01for me. I followed my father into a room

4:19:05where he promised he'd explain

4:19:06everything.

4:19:08And then

4:19:12I'm strapped to a chair, my head held in

4:19:15place with heavy metal clamps. Bright

4:19:18lights flash and buzz above me. I hear

4:19:21the monitors chirping, the muffled

4:19:23sounds of voices around me. The room

4:19:25feels large and cavernous, gleaming. I

4:19:29hear the loud, disconcerting sounds of

4:19:31my own breathing and the hard, heavy

4:19:33beats of my heart. I jump a little at

4:19:36the unwelcome feel of my father's hand

4:19:38on my arm, telling me I'll feel better

4:19:41soon.

4:19:44I look up at him as if emerging from a

4:19:47dream. "What is it?" he says. "What just

4:19:52happened?"

4:19:53I part my lips to speak. Wonder if it's

4:19:55safe to tell him the truth. I decide I'm

4:19:58tired of the lies.

4:20:01I've been remembering her, I say.

4:20:05My father's face goes unexpectedly

4:20:08blank, and it's the only reaction I need

4:20:11to understand the final missing piece.

4:20:15"You've been stealing my memories," I

4:20:18say to him, my voice unnaturally calm.

4:20:22All these years you've been tampering

4:20:25with my mind. It was you.

4:20:29He says nothing, but I see the tension

4:20:32in his jaw. The sudden jump of a vein

4:20:35under skin.

4:20:37What are you remembering?

4:20:40I shake my head, stunned as I stare at

4:20:42him. I should have known after

4:20:46everything you've done to me. I stop. My

4:20:49vision shifts unfocused for a moment. Of

4:20:53course, you wouldn't let me be master of

4:20:54my own mind.

4:20:57What exactly are you remembering? He

4:21:01says, hardly able to control the anger

4:21:03in his voice. Now, what else do you

4:21:06know?

4:21:09At first, I feel nothing.

4:21:12I've trained myself too well. Years of

4:21:15practice have taught me to bury my

4:21:17emotions as a reflex, especially in his

4:21:19presence. And it takes a few seconds for

4:21:22the feelings to emerge. They form

4:21:24slowly, infinite hands reaching up from

4:21:28infinite graves to fan the flames of an

4:21:30ancient rage I've never really allowed

4:21:32myself to touch.

4:21:35You stole my memories of her, I say

4:21:38quietly.

4:21:40Why?

4:21:41Always so focused on the girl. He glares

4:21:45at me. She's not the center of

4:21:48everything, Aaron. I stole your memories

4:21:51of lots of things.

4:21:54I'm shaking my head. I get to my feet

4:21:57slowly at once, out of my mind and

4:22:00perfectly calm. And I worry for a moment

4:22:03that I might actually expire from the

4:22:05full force of everything I feel for him.

4:22:08Hatred so deep it might boil me alive.

4:22:12Why would you do something like this

4:22:13except to torture me? You knew how I

4:22:16felt about her. You did it on purpose,

4:22:19pushing us together and pulling us

4:22:21apart. I stop suddenly. Realization dawn

4:22:25bright and piercing, and I look at him,

4:22:27unable to fathom the depth of his

4:22:29cruelty.

4:22:31You put Kent under my command on

4:22:32purpose, I say. My father meets my eyes

4:22:36with a vacant expression. He says

4:22:39nothing.

4:22:41I find it hard to believe you didn't

4:22:42know the whereabouts of your

4:22:44illegitimate children, I say to him. I

4:22:46don't believe for a second that you

4:22:48weren't having Kent's every move

4:22:49monitored. You must have known what he

4:22:51was doing with his life. You must have

4:22:53been notified the moment he enlisted.

4:22:56You could have sent him anywhere. I say

4:22:58you had the power to do that. Instead,

4:23:01you let him remain in sector 45 under my

4:23:04jurisdiction

4:23:05on purpose,

4:23:08didn't you? And when you had De Laoo

4:23:10show me those files, when he came to me

4:23:12convinced that Kent would be the perfect

4:23:14cellmate for Juliet, because here was

4:23:16proof that he'd known her, that they'd

4:23:17gone to school together.

4:23:20Suddenly, my father smiles.

4:23:23I've always tried to tell you, he says

4:23:26softly.

4:23:28I've tried to tell you to stop letting

4:23:30your emotions rule your mind. Over and

4:23:33over, I tried to teach you, and you

4:23:35never listened. You never learned. He

4:23:39shakes his hand.

4:23:42If you suffer now, it's because you

4:23:44brought it upon yourself.

4:23:47You made yourself an easy target.

4:23:51I'm stunned.

4:23:53Somehow, even after everything, he

4:23:55manages to shock me.

4:23:58I don't understand how you can stand

4:24:00there defending your actions after you

4:24:02spent 20 years torturing me.

4:24:06I've only ever been trying to teach you

4:24:09a lesson, Aaron. I didn't want you to

4:24:12end up like your mother. She was weak,

4:24:15just like you.

4:24:18I need to kill him. I picture it. What

4:24:22it would be like to pin him to the

4:24:23ground. To stab him repeatedly through

4:24:25the heart. To watch the light go out of

4:24:27his eyes. To feel his body go cold under

4:24:30my hands.

4:24:32I wait for fear.

4:24:34Revulsion,

4:24:36regret,

4:24:38they don't come.

4:24:40I have no idea how he survived the last

4:24:43attempt on his life, but I no longer

4:24:45care to know the answer. I want him

4:24:47dead. I want to watch his blood pool in

4:24:50my hands. I want to rip his throat out.

4:24:53I spy a letter opener on the writing

4:24:55desk nearby, and in the single second I

4:24:57take to swipe it, my father laughs.

4:25:00laughs out loud, doubled over, one hand

4:25:03holding his side. When he looks up,

4:25:06there are actual tears in his eyes.

4:25:09"Have you lost your mind?" he says.

4:25:12"Ararin, don't be ridiculous."

4:25:15I step forward, the letter opener

4:25:18clutched loosely in my fist, and I watch

4:25:21carefully for the moment he understands

4:25:24that I'm going to kill him. I want him

4:25:27to know that it's going to be me. I want

4:25:30him to know that he finally got what he

4:25:32wanted,

4:25:34that he finally broke me.

4:25:37"You made a mistake sparing my life," I

4:25:40say quietly. "You made a mistake showing

4:25:43your face. You made a mistake thinking

4:25:46you could ask me to come back after all

4:25:48you've done. You misunderstand me." He's

4:25:51standing straight again, the laughter

4:25:53gone from his face. "I'm not asking you

4:25:55to come back. You don't have a choice."

4:25:58"Good." That makes this easier, Aaron.

4:26:02He shakes his head. I'm not unarmed. I'm

4:26:06entirely willing to kill you if you step

4:26:08out of line. And though I can't claim

4:26:09that murdering my son is my favorite way

4:26:12to spend a morning, that doesn't mean I

4:26:14won't do it. So, you need to stop and

4:26:17think for just a moment before you step

4:26:19forward and commit suicide.

4:26:22I study him. My fingers flex around the

4:26:25weapon in my hand.

4:26:27Tell me where she is, I say, and I'll

4:26:31consider sparing your life. You fool.

4:26:35Have you not been listening to me? She's

4:26:38gone.

4:26:40I stiffen.

4:26:42Whatever he means by that, he's not

4:26:44lying. Gone where?

4:26:48Gone, he says angrily. Disappear. The

4:26:50girl you knew no longer exists.

4:26:53He pulls a remote out of his jacket

4:26:55pocket and points it at the wall. An

4:26:58image appears instantly, projected from

4:26:59elsewhere. And the sound that fills the

4:27:02room is so sudden, so jarring and

4:27:04unexpected,

4:27:06it nearly brings me to my knees.

4:27:09It's Ella.

4:27:11She's screaming.

4:27:14Blood drips down her open, screaming

4:27:16mouth. the agonizing sounds punctured

4:27:18only by the heaving sobs that pull

4:27:20ragged aching breaths from her body. Her

4:27:24eyes are halfopen, delirious, and I

4:27:26watch as she's unstrapped from a chair

4:27:28and dragged onto a stretcher. Her body

4:27:31spasms, her arms and legs jerking

4:27:33uncontrollably. She's in a white

4:27:35hospital gown, the insubstantial ties

4:27:37coming undone, the thin fabric damp with

4:27:40her own blood.

4:27:42My hands shake uncontrollably as I

4:27:44watch, her head whipping back and forth,

4:27:46her body straining against her

4:27:48restraints. She screams again, and a

4:27:50bolt of pain shoots through me so

4:27:52excruciating it nearly bends me in half.

4:27:55And then, quickly, as if out of nowhere,

4:27:57someone steps forward and stabs a needle

4:27:59in her neck. Ella goes still.

4:28:03Her body is frozen, her face captured in

4:28:06a single moment of agony before the drug

4:28:08kicks in, collapsing her. Her screams

4:28:11dissolve into smaller, steadier

4:28:13whimpers. She cries even as her eyes

4:28:17close.

4:28:19I feel violently ill.

4:28:23My hands are shaking so hard I can no

4:28:25longer form a fist. And I watch as if

4:28:27from afar as the letter opener falls to

4:28:30the floor. I hold still, forcing back

4:28:32the urge to vomit. But the action

4:28:34provokes a shudder so disorienting I

4:28:37almost lose my balance. Slowly, I turn

4:28:40to face my father, whose eyes are

4:28:42inscrable.

4:28:44It takes two tries before I'm able to

4:28:46form a single whispered word.

4:28:50What?

4:28:53He shakes his head. The picture of false

4:28:56sympathy.

4:28:58I'm trying to get you to understand

4:29:00this, he says, nodding at the screen.

4:29:04This is what she's destined for.

4:29:08forever. Stop imagining your life with

4:29:11her. Stop thinking of her as a person.

4:29:14This can't be real, I say, cutting him

4:29:17off. I feel wild, unhinged. This Tell me

4:29:20this isn't real. What are you doing to

4:29:22me? Is this Of course it's real, he

4:29:26says. Juliet is gone. Ella is gone.

4:29:29She's as good as dead. She had her mind

4:29:32wiped weeks ago. But you, he says, you

4:29:36still have a life to live. Are you

4:29:39listening to me? You have to pull

4:29:41yourself together.

4:29:44But I can't hear him over the sound of

4:29:46Ella sobbing.

4:29:48She's still weeping. The sounds softer,

4:29:51sadder, more desperate. She looks

4:29:54terrified, small and helpless as foreign

4:29:57hands bandage the open wounds on her

4:29:59arms, the backs of her legs. I watch as

4:30:02glowing metal cuffs are shackled to her

4:30:03wrists and ankles. She whimpers once

4:30:06more

4:30:08and I feel insane.

4:30:11I must be listening to her scream,

4:30:14watching her fight for her life,

4:30:16watching her choke on her own blood

4:30:18while I stand here powerless to help

4:30:20her. I'll never be able to forget the

4:30:23sound. No matter what happens, no matter

4:30:26where I run these screams, her screams

4:30:28will haunt me forever.

4:30:30You wanted me to watch this?

4:30:33I'm whispering now. I can hardly speak.

4:30:38Why would you want me to watch this?

4:30:41He says something to me, shouts

4:30:43something at me, but I feel suddenly

4:30:46deaf.

4:30:48The sounds of the world seem warped, far

4:30:51away, like my head has been submerged

4:30:54underwater.

4:30:55The fire in my brain has been snuffed

4:30:58out, replaced by a sudden absolute calm,

4:31:03a sense of certainty. I Close your eyes

4:31:07for a moment, let [music] your thoughts

4:31:08rest and allow the music to soften your

4:31:11day. Then continue the audio book in

4:31:13peace.

4:31:33>> [music]

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4:34:03[music]

4:34:14[music]

4:34:34>> know what I need to do now. And I know

4:34:37that there's nothing nothing I won't do

4:34:40to get to her. I feel it. feel my thin

4:34:44morals dissolving.

4:34:47I feel my flimsy motheaten skin of

4:34:50humanity begin to come apart and with it

4:34:54the veil keeping me from complete

4:34:55darkness.

4:34:57There are no lines I won't cross, no

4:35:01illusions of mercy.

4:35:04I wanted to be better for her, for her

4:35:07happiness,

4:35:08for her future.

4:35:11But if she's gone,

4:35:13what good is goodness?

4:35:16I take a deep studying breath. I feel

4:35:19oddly liberated. No longer shackled by

4:35:21an obligation to decency. And in one

4:35:24simple move, I pick up the letter opener

4:35:26I dropped on the floor. Aaron, he says,

4:35:29a warning in his voice. I don't want to

4:35:32hear you speak, I say. I don't want you

4:35:35to talk to me ever again. I throw the

4:35:38knife even before the words have left my

4:35:40mouth.

4:35:41It flies hard and fast, and I enjoy the

4:35:44second it soarses through the air. I

4:35:46enjoy the way the second expands,

4:35:48exploding in the strangeness of time. It

4:35:51all feels like slow motion. My father's

4:35:55eyes widen in a rare display of unmasked

4:35:57shock. And I smile at the sound of his

4:36:00gasp when the weapon finds its mark. I

4:36:03was aiming for his jugular, and it looks

4:36:06like my aim was true. He chokes, his

4:36:10eyes bulging as his hands move shakily

4:36:12to yank the letter opener from its home

4:36:14in his neck. He coughs suddenly, blood

4:36:17spattering everywhere, and with some

4:36:19effort, he's able to pull the thing

4:36:21free. Fresh blood gushes down his shirt,

4:36:24seeps from his mouth. He can't speak.

4:36:27The blade has penetrated his larynx.

4:36:30Instead, he gasps, still choking, his

4:36:33mouth opening and closing like a dying

4:36:36fish.

4:36:37He falls to his knees,

4:36:39his hands grasp at air, his veins

4:36:42jumping under his skin, and I step

4:36:44toward him. I watch him as he begs

4:36:48silently for something. And then I pat

4:36:50him down, pocketing the two guns I find

4:36:53concealed on his person.

4:36:56"Enjoy hell," I whisper before walking

4:36:59away.

4:37:00"Nothing matters anymore.

4:37:03I have to find her.

4:37:08Ella,

4:37:11left, right, straight,

4:37:15left.

4:37:17The commands keep my feet moving safely

4:37:19down the hall. This compound is vast,

4:37:22enormous. My bedroom was so ordinary

4:37:25that the truth of this facility is

4:37:27jarring. An open framework reveals many

4:37:30dozens of floors, hallways, and

4:37:33staircases intertwining like overpasses

4:37:36and freeways.

4:37:37The ceiling seems miles away, high and

4:37:41arched and intricate. Exposed steel

4:37:44beams meet clean white walkways centered

4:37:47around an open interior courtyard. I had

4:37:51no idea I was so high up, and somehow,

4:37:54for such a huge building, I haven't yet

4:37:56been spotted.

4:37:58Things are growing more eerie by the

4:38:00minute. I encounter no one as I go. I'm

4:38:04ordered to run, detour, or hide just in

4:38:06time to avoid passers by. It's uncanny.

4:38:10Still, I've been walking for at least 20

4:38:12minutes, and I don't seem to be getting

4:38:14closer to anything. I have no idea where

4:38:17I am in the scheme of things, and there

4:38:19are no windows nearby. The whole

4:38:22facility feels like a guilded prison.

4:38:26A long stretch of silence between myself

4:38:28and my imaginary friend starts making me

4:38:30nervous. I think this voice might be

4:38:33Emiline's, but she still hasn't

4:38:35confirmed it. And though I want to say

4:38:37something, I feel silly speaking out

4:38:39loud. So I speak only inside my mind

4:38:42when I say, "Emiline,

4:38:46are you there?"

4:38:48No response. My nervousness reaches its

4:38:51peak and I stop walking.

4:38:54Where are you taking me? This time the

4:38:56answer comes quickly. Escape.

4:39:00Are we getting closer? I ask. Yes.

4:39:04I take a deep breath and forge ahead.

4:39:06But I feel a creeping dread infiltrate

4:39:09my senses. The longer I walk down

4:39:12hallways and infinite staircases, the

4:39:14closer I seem to be getting to

4:39:16something. Something that fills me with

4:39:19fear. I can't explain it.

4:39:22It's clear I'm going underground.

4:39:25The lights are growing dimmer as I go.

4:39:28The halls are beginning to narrow. The

4:39:31windows and staircases are beginning to

4:39:33disappear. And I know I'm only getting

4:39:35closer to the bowels of the building

4:39:36when the walls change. Gone are the

4:39:40smooth finished white walls of the upper

4:39:42floors. Here, everything is unfinished

4:39:45cement. It smells cold and wet, earthy.

4:39:50The lights buzz and hum, occasionally

4:39:53snapping.

4:39:54Fear continues to pulse up my spine. I

4:39:58shuffle down a slight slope, my shoes

4:40:00slipping a little as I go. My lungs

4:40:03squeeze. My heartbeat feels loud. Too

4:40:06loud. And a strange sensation begins to

4:40:09fill my arms and legs. Feeling too much

4:40:13feeling. It makes my skin crawl. Makes

4:40:15my bones itch. I feel suddenly restless

4:40:18and anxious. And just as I'm about to

4:40:21lose hope in this crazy meandering

4:40:23escape route here,

4:40:26I stop.

4:40:28I'm standing in front of a massive stone

4:40:30door. My heart is racing in my throat. I

4:40:34hesitate, fear beginning to fissure my

4:40:37certainty.

4:40:38Open.

4:40:40Who are you? I ask again, this time

4:40:42speaking out loud. This doesn't look

4:40:44like an escape route. open.

4:40:48I squeeze my eyes shut, fill my lungs

4:40:51with air. I came all this way, I tell

4:40:55myself. I have no other options at the

4:40:57moment. I may as well see it through.

4:41:00But when I open the door, I realize it's

4:41:02only the first of several. Wherever I'm

4:41:05headed is protected by multiple layers

4:41:07of security. The mechanisms required to

4:41:10open each door are baffling. There are

4:41:13no knobs or handles, no traditional

4:41:16hinges, but all I have to do is touch

4:41:18the door for it to swing open. It's too

4:41:21easy.

4:41:23Finally, I'm standing in front of a

4:41:25steel wall. There's nothing here to

4:41:27indicate there might be a room beyond.

4:41:30Touch.

4:41:32Tentatively, I touch my fingers to the

4:41:34metal. More.

4:41:37I press my whole hand firmly against the

4:41:39door and within seconds the wall melts

4:41:42away. I look around nervously and step

4:41:45forward.

4:41:46Immediately I know I've been led astray.

4:41:50I feel sick as I look around. Sick and

4:41:53terrified.

4:41:55This place is so far from an escape. I

4:41:57almost can't believe I fell for it. I'm

4:42:00in a laboratory.

4:42:02Another laboratory.

4:42:05Panic collapses. Something inside me.

4:42:08Bones and organs knocking together.

4:42:10Blood rushing to my head. I run for the

4:42:13door and it seals shut. The steel wall

4:42:15forming easily as if from air. I pull in

4:42:18a few sharp breaths, begging myself to

4:42:20stay calm. Show yourself, I shout. Who

4:42:24are you? What do you want with me?

4:42:27Help.

4:42:29My heart shutters to a stop. I feel my

4:42:32fear expand and contract.

4:42:35dying.

4:42:37Goosebumps rise along my skin. My breath

4:42:40catches. My fists clench. I take a step

4:42:43farther into the room and then a few

4:42:45more. I'm still wary, worried this is

4:42:48all yet another part of the trick.

4:42:52Then I see it.

4:42:54A glass cylinder as tall and wide as the

4:42:58wall filled to the hilt with water.

4:43:01There's a creature floating inside of

4:43:03it. Something greater than fear is

4:43:05driving me forward. Greater than

4:43:07curiosity, greater than wonder.

4:43:10Feeling washes over me. Memories crash

4:43:14into me. A spindly arm reaches through

4:43:18the murky water. Shaky fingers forming a

4:43:20loose fist that pounds weakly against

4:43:23the glass.

4:43:25At first, all I see is her hand.

4:43:30But the closer I get, the more clearly

4:43:32I'm able to see what they've done to

4:43:34her.

4:43:35And I can't hide my horror.

4:43:39She inches closer to the glass and I

4:43:41catch sight of her face.

4:43:43She no longer has a face. Not really.

4:43:47Her mouth has been permanently sealed

4:43:48around a regulator. Skin spider webbing

4:43:51over silicone. Her hair is a couple feet

4:43:55long, dark and wild, and floating around

4:43:58her head like wispy tentacles.

4:44:01Her nose has melted backward into her

4:44:04skull, and her eyes are permanently

4:44:06closed. Long, dark lashes, the only

4:44:10indication they ever used to open.

4:44:13Her hands and feet are webbed. She has

4:44:16no fingernails. Her arms and legs are

4:44:20mostly bone and sagging wrinkled skin.

4:44:25Emiline, I whisper.

4:44:29Dying.

4:44:31The tears come hot and fast, hitting me

4:44:34without warning, breaking me from

4:44:36within.

4:44:38What did they do to you? I say, my voice

4:44:41ragged. How could they do this to you?

4:44:45a dull metallic sound twice.

4:44:49Emiline is floating closer.

4:44:52She presses her webbed fingers against

4:44:54the barrier between us and I reach up

4:44:56hastily wiping my eyes before I meet her

4:44:59there. I press my palm to the glass and

4:45:02somehow impossibly I feel her take my

4:45:05hand. Soft, warm, strong.

4:45:10And then with a gasp, feeling pulses

4:45:14through me. Wave after wave of feeling.

4:45:17Emotions as infinite as time. Memories,

4:45:21desires, long extinguished hopes and

4:45:23dreams. The force of everything sends my

4:45:27head spinning. I slump forward and grit

4:45:29my teeth, steadying myself by pressing

4:45:31my forehead against the barrier between

4:45:33us. Images fill my mind like stilted

4:45:36frames from an old movie. Emiline's

4:45:39life.

4:45:41She wants me to know. I feel like I'm

4:45:44being pulled into her, like she's

4:45:46reeling me into her own body, immersing

4:45:48me in her mind, her memories.

4:45:52I see her younger, much younger, eight

4:45:54or nine years old. She was spirited,

4:45:58furious, difficult to control. Her mind

4:46:01was stronger than she could handle, and

4:46:02she didn't know how to feel about her

4:46:04powers. She felt cursed, strangled by

4:46:07them. But unlike me, she was kept at

4:46:10home here in this exact laboratory,

4:46:13forced to undergo test after test,

4:46:16administered by her own parents. I feel

4:46:19her rage pierce through me.

4:46:22For the first time, I realize I had the

4:46:25luxury of forgetting.

4:46:29She didn't.

4:46:31Max and Eevee and even Anderson tried to

4:46:33wipe Emiline's memory multiple times,

4:46:36but each time Emiline's body prevailed.

4:46:39Her mind was so strong that she was able

4:46:41to convince her brain to reverse the

4:46:43chemistry meant to dissolve her

4:46:45memories.

4:46:46No matter what Max and Eevee tried,

4:46:49Emiline could never forget them.

4:46:52Instead, she watched as her own parents

4:46:55turned on her, turned her inside out.

4:46:58Emiline is telling me everything without

4:47:01saying a word. She can't speak. She's

4:47:04lost four of her five senses. She went

4:47:07blind first.

4:47:09She lost her sense of smell and

4:47:11sensation a year later, both at the same

4:47:14time. Finally, she lost the ability to

4:47:17speak. Her tongue and teeth

4:47:19disintegrated.

4:47:21Her vocal cords eroded. Her mouth sealed

4:47:24permanently shut. She can only hear now,

4:47:28but poorly.

4:47:30I see the scenes change, see her grow a

4:47:33little older, a little more broken.

4:47:37I see the fire go out of her eyes. And

4:47:40then when she realizes what they have

4:47:42planned for her, the entire reason they

4:47:45wanted her so desperately,

4:47:48violent horror takes my breath away.

4:47:52I fall, kneecaps knocking the floor. The

4:47:54force of her feelings rips me open. Sobs

4:47:58break my back, shatter through my bones.

4:48:01I feel everything. Her pain, her endless

4:48:04pain. Her inability to end her own

4:48:07suffering. She wants this to end.

4:48:12And she says, the word sharp and

4:48:15explosive.

4:48:17With some effort, I managed to lift my

4:48:19head to look at her. Was it you this

4:48:23whole time? I whisper. Did you give me

4:48:25back my memories?

4:48:28Yes.

4:48:29How? Why?

4:48:32She shows me.

4:48:35I feel my spine straighten as the vision

4:48:37moves through me. I see Eevee and Max

4:48:40hear their warped conversations from

4:48:42inside the glass prison. They've been

4:48:45trying to make Emiline stronger over the

4:48:47years, trying to find ways to enhance

4:48:49Emiline's telekinetic abilities. They

4:48:52wanted her skills to evolve. They wanted

4:48:55her to be able to perform mind control.

4:48:58Mind control of the masses.

4:49:01It backfired.

4:49:04The more they experimented on her, the

4:49:06further they pushed her, the stronger

4:49:08and weaker she became. Her mind was able

4:49:11to handle the physical manipulations,

4:49:14but her heart couldn't take it. Even as

4:49:16they built her up, they were breaking

4:49:18her down.

4:49:20She'd lost the will to live, to fight.

4:49:24She no longer had complete control over

4:49:26her own body. Even her powers were now

4:49:29regulated through Max and Eevee. She'd

4:49:31become a puppet. And the more listless

4:49:34she became, the more they misunderstood.

4:49:37Max and Eevee thought Emiline was

4:49:39growing compliant. Instead, she was

4:49:42deteriorating.

4:49:44And then

4:49:46another scene. Emiline hears an

4:49:49argument. Max and Eevee are discussing

4:49:52me. Emiline hasn't heard them mention me

4:49:55in years. She had no idea I was still

4:49:58alive. She hears that I've been fighting

4:50:00back, that I've been resisting, that I

4:50:03tried to kill a Supreme Commander.

4:50:06Emiline feels hope for the first time in

4:50:10years.

4:50:12I clap my hands over my mouth, take a

4:50:14step back.

4:50:16Emiline has no eyes, but I feel her

4:50:19staring at me, watching me for a

4:50:21reaction. I feel unsteady, alert, but

4:50:25overcome.

4:50:27I finally understand.

4:50:29Emiline has been using her last gasp of

4:50:32strength to contact me. and not just me,

4:50:35but all the other children of the

4:50:37Supreme Commanders. She shows me inside

4:50:40my own mind how she's taken advantage of

4:50:43Max and Eve's latest effort to expand

4:50:45her capabilities.

4:50:47She'd never been able to reach out to

4:50:50people individually before, but Max and

4:50:52Eevee got greedy. In Emiline, they laid

4:50:56the foundation for their own demise.

4:50:59Emiline thinks we're the last hope for

4:51:01the world. She wants us to stand up,

4:51:04fight, save humanity. She's been slowly

4:51:08returning our minds to us, giving back

4:51:10what our parents once stole. She wants

4:51:13us to see the truth.

4:51:16Help, she says.

4:51:19I will, I whisper. I promise I will. But

4:51:22first, I'm going to get you out of here.

4:51:25Rage, hot and violent, sends me reeling.

4:51:29Emiline's anger is sharp and terrifying

4:51:31and a resounding no fills my brain.

4:51:37I go still confused.

4:51:41"What do you mean?" I say, "I have to

4:51:43help you get out of here. We'll escape

4:51:45together. I have friends, healers who

4:51:48can restore your No."

4:51:51And then in a flash, she fills my mind

4:51:54with an image so dark I think I might be

4:51:57sick.

4:51:59No, I say, my voice shaking. I won't do

4:52:03it. I'm not going to kill you.

4:52:07Anger. Hot, ferocious anger attacks my

4:52:10mind. Image after image assaults me. Her

4:52:14failed suicide attempts. Her inability

4:52:17to turn her own powers against herself.

4:52:19The infinite fail safes Max and Eevee

4:52:22put in place to make sure Emiline

4:52:24couldn't take her own life and that she

4:52:26couldn't harm theirs.

4:52:28Emiline, please help.

4:52:32There has to be another way, I say

4:52:34desperately. This can't be it. You don't

4:52:37have to die. We can get through this

4:52:39together.

4:52:40She bangs her open palm against the

4:52:43glass. Tremors rock her emaciated body.

4:52:48Already

4:52:50dying.

4:52:52I step forward, press my hands to her

4:52:54prison.

4:52:57It wasn't

4:52:59supposed to end like this, I say, the

4:53:02words broken.

4:53:04There has to be another way. Please, I

4:53:08want my sister back. I want you to live.

4:53:12More anger, hot and wild, begins to

4:53:15bloom in my mind. And then

4:53:18a spike of fear.

4:53:21Emiline goes rigid in her tank. Coming.

4:53:26I look around, stealing myself,

4:53:28adrenaline spikes in my veins. Wait.

4:53:33Emiline has wrapped her arms around her

4:53:34body, her face pinched in concentration.

4:53:38I can still feel her with an immediacy

4:53:40so intimate it feels almost like her

4:53:42thoughts are my own. And then,

4:53:45unexpectedly,

4:53:46my shackles pop open.

4:53:49I spin around as they fall to the floor

4:53:51with a rich clatter. I rub at my aching

4:53:55wrists. my ankles. How did you coming?

4:54:00I nod.

4:54:02Whatever happens today, I whisper. I'm

4:54:06coming back for you. This isn't over. Do

4:54:08you hear me, Emiline? I won't let you

4:54:11die here.

4:54:13For the first time, Emiline seems to

4:54:16relax.

4:54:18Something warm and sweet fills my head.

4:54:20Affection so unexpected it pricks my

4:54:23eyes.

4:54:24I fight back the emotion

4:54:27footsteps.

4:54:29Fear has fled my body. I feel unusually

4:54:33calm. I'm stronger than I've ever been.

4:54:36There's strength in my bones, strength

4:54:38in my mind. And now that the cuffs are

4:54:41off, my powers are back on and a

4:54:43familiar feeling is surging through me.

4:54:45It's like being joined by an old friend.

4:54:48I meet Eeve's eyes as she walks through

4:54:51the door. She's already pointing a gun

4:54:54at me. Not a gun, something that looks

4:54:57like a gun. I don't know what's in it.

4:55:00"What are you doing here?" she says, her

4:55:03voice only slightly hysterical. "What

4:55:05have you done?"

4:55:08I shake my head. I can't look at her

4:55:11face anymore without feeling blind rage.

4:55:14I can't even think her name without

4:55:16feeling a violent, potent, anim

4:55:18animalistic need to murder her with my

4:55:20bare hands. Eevee Summers is the worst

4:55:23kind of human being. A traitor to

4:55:26humanity, an unadulterated sociopath.

4:55:31"What have you done?" she says again,

4:55:34this time betraying her fear, her panic.

4:55:36The gun trembles in her fist. Her eyes

4:55:39are wide, crazed, darting from me to

4:55:42Emiline, still trapped in the tank

4:55:44behind me. And then I see it.

4:55:49I see the moment she realizes I'm not

4:55:51wearing my manicles.

4:55:53Eveie goes pale.

4:55:56I haven't done anything. I say softly.

4:56:00Not yet.

4:56:02Her gun falls with a clatter to the

4:56:04floor.

4:56:07Unlike Paris, my mother isn't stupid.

4:56:10She knows there's no point trying to

4:56:12shoot me. She created me. She knows what

4:56:16I'm capable of. And she knows. I can see

4:56:19it in her eyes. She knows I'm about to

4:56:22kill her. And she knows there's nothing

4:56:24she can do to stop it.

4:56:27Still, she tries.

4:56:30Ella, she says, her voice unsteady.

4:56:34Everything we did, everything we've ever

4:56:38done was to try to help you. We were

4:56:42trying to save the world. You have to

4:56:43understand. I take a step forward.

4:56:47I do understand.

4:56:50I just wanted to make the world a better

4:56:53place, she says. Don't you want to make

4:56:56the world a better place?

4:56:58Yes, I say. I do.

4:57:02She almost smiles. A small broken breath

4:57:06escapes her body. Relief.

4:57:10I take two swift running steps and punch

4:57:13her through the chest, ribs breaking

4:57:15under my knuckles. Her eyes widen and

4:57:18she chokes, staring at me in stunned,

4:57:21paralyzed silence.

4:57:23She coughs and blood spatters hot and

4:57:26thick across my face. I turn away,

4:57:31spitting her blood out of my mouth. And

4:57:33by the time I look back, she's dead.

4:57:38With one last tug, I rip her heart out

4:57:41of her body.

4:57:44Eevee falls to the floor with a heavy

4:57:46thud, her eyes cold and glassy.

4:57:49I'm still holding my mother's heart,

4:57:51watching it die in my hands when a

4:57:54familiar voice calls out to me.

4:57:57Thank you. Thank you.

4:58:01Thank you,

4:58:06>> Warner.

4:58:08I realize upon quitting the crime scene

4:58:11that I have no idea where I am. I stand

4:58:14in the middle of the hallway outside the

4:58:16room within which I just murdered my

4:58:18father and try to figure out my next

4:58:21moves. I'm nearly naked, no socks,

4:58:24completely barefoot, far from ideal.

4:58:28Still, I need to keep moving.

4:58:32If only.

4:58:34I don't make it 5 ft before I feel the

4:58:36familiar pinch of a needle. I feel it

4:58:39even as I try to fight it. I feel it as

4:58:41a foreign chemical enters my body. It's

4:58:44only a matter of time before it pulls me

4:58:46under. My vision blurs. I try to beat

4:58:50it, try to remain standing, but my body

4:58:53is weak. After 2 weeks of near

4:58:56starvation, constant poisoning, and

4:58:58violent exhaustion,

4:59:00I've run out of reserves. The last dregs

4:59:03of my adrenaline have left me.

4:59:06This is it.

4:59:08I fall to the floor, and the memories

4:59:11consume me.

4:59:14I gasp as I'm returned to consciousness,

4:59:17taking in great lungfuls of air as I sit

4:59:19up too fast, my head spinning. There are

4:59:23wires taped to my temples, my limbs, the

4:59:25plastic ends pinching the soft hinges of

4:59:27my arms and legs, pulling at the skin on

4:59:29my bare chest. I ripped them off,

4:59:32causing great distress to the monitors

4:59:34nearby. I yank the needle out of my arm

4:59:36and toss it to the floor, applying

4:59:38pressure to the wound for a few seconds

4:59:40before deciding to let it bleed. I get

4:59:43to my feet, spinning around to assess my

4:59:45surroundings, but still feel offbalance.

4:59:48I can only guess at who must have shot

4:59:49me with a tranquilizer. Even so, I feel

4:59:53no urgency to panic. Killing my father

4:59:57has instilled in me an extraordinary

5:00:00serenity.

5:00:02It's a perverse, horrible thing to

5:00:05celebrate.

5:00:06But to murder my father was to vanquish

5:00:09my greatest fear. With him dead,

5:00:13anything seems possible.

5:00:16I feel free.

5:00:19Still, I need to focus on where I am, on

5:00:22what's happening. I need to be forming a

5:00:24plan of attack, a plan of escape, a plan

5:00:27to rescue Ella. But my mind is being

5:00:30pulled in what feels like a hundred

5:00:31different directions. The memories are

5:00:34growing more intense by the minute. I

5:00:37don't know how much more of this I can

5:00:38take. I don't know how long this barrage

5:00:41will last or how much more will be

5:00:42uncovered, but the emotional revelations

5:00:44are beginning to take their toll on me.

5:00:47A few months ago, I knew I loved Ella. I

5:00:51knew I felt for her what I'd never felt

5:00:53before for anyone. It felt new and

5:00:56precious and tender,

5:00:59important.

5:01:01But every day, every minute of the last

5:01:04couple of weeks, I've been bombarded by

5:01:06memories of her I never even knew I had.

5:01:09Moments with her from years ago. The

5:01:11sound of her laughter, the smell of her

5:01:13hair, the look in her eyes when she

5:01:15smiled at me for the first time.

5:01:17the way it felt to hold her hand when

5:01:19everything was new and unknown.

5:01:233 years ago.

5:01:26How could it be possible that I touched

5:01:28her like that 3 years ago? How could we

5:01:30have known then without actually knowing

5:01:32why that we could be together? That she

5:01:35could touch me without hurting me? How

5:01:37could any of these moments have been

5:01:39ripped from my mind? I had no idea I'd

5:01:42lost so much of her. But then I had no

5:01:45idea there had been so much to lose.

5:01:49A profound painful ache is rooted inside

5:01:52of me. Carrying with it the weight of

5:01:55years being apart from Juliet,

5:01:58Ella

5:02:00has always been hard. But now it seems

5:02:03unservivable.

5:02:05I'm being slowly decimated by emotion.

5:02:09I need to see her, to hold her, to bind

5:02:12her to me somehow. I won't believe a

5:02:14word my father said until I see her and

5:02:17speak with her in person. I can't give

5:02:19up. Not yet. To hell with what happened

5:02:22between us back on base. Those events

5:02:25feel like they happened lifetimes ago,

5:02:27like they happened to different people.

5:02:29Once I find her and get her to safety, I

5:02:31will find a way to make things right

5:02:32between us. It feels like something long

5:02:36dead inside of me is being slowly

5:02:38returned to life. Like my hopes and

5:02:40dreams are being resuscitated. Like the

5:02:42holes in my heart are being slowly

5:02:45carefully mended.

5:02:47I will find her. And when I do, I will

5:02:51find a way to move forward with her by

5:02:53my side forever.

5:02:56I take a deep breath.

5:02:59And then I get to my feet. I brace

5:03:02myself, expecting the familiar sting of

5:03:04my broken ribs. But the pain in my side

5:03:07is gone.

5:03:08Gingerly, I touch my torso. The bruising

5:03:11has disappeared. I touch my face and I'm

5:03:15surprised to discover that my skin is

5:03:17smooth, clean shaven. I touch my hair

5:03:20and find it's been returned to its

5:03:22original length, exactly as it was

5:03:25before I had to cut it all off.

5:03:29Strange.

5:03:31Still, I feel more like myself than I

5:03:34have in a long time, and I'm quietly

5:03:37grateful. The only thing bothering me is

5:03:40that I'm wearing nothing but a dressing

5:03:42gown under which I'm completely naked.

5:03:45I'm sick of being naked. I want my

5:03:48clothes. I want a proper pair of pants.

5:03:50I want

5:03:52And then, as if someone has read my

5:03:54mind, I notice a fresh set of clothes on

5:03:57a nearby table. clothes that look

5:04:00exactly my size. I pick up the sweater,

5:04:04examine it.

5:04:06These are my actual clothes. I know

5:04:09these pieces, recognize them, and if

5:04:12that wasn't enough, my initials, AWA,

5:04:17are monogrammed on the cuff of the

5:04:18sweater. This was no accident. Someone

5:04:21brought my clothes here from my own

5:04:24closet.

5:04:26They were expecting me.

5:04:29I dress quickly, grateful for the clean

5:04:30outfit, regardless of the circumstances.

5:04:33And I'm nearly done with the straps on

5:04:35my boots when someone walks in. "Max," I

5:04:39say without lifting my head. Carefully,

5:04:42I step on the needle I'd tossed earlier

5:04:45to the floor. "How are you?" He laughs

5:04:49out loud. "How did you know it was me? I

5:04:52recognize the rhythm of your footfalls."

5:04:55He goes quiet.

5:04:57Don't bother trying to deny it, I say,

5:04:59hiding the syringe in my hand. As I set

5:05:01up, I meet his eyes and smile. I've been

5:05:05listening to your heavy, uneven gate for

5:05:07the last 2 weeks.

5:05:10Max's eyes widen. I'm impressed.

5:05:14And I appreciate the clean shave, I say,

5:05:16touching my face. He laughs again more

5:05:19softly this time. You were pretty close

5:05:22to dead when I brought you in here.

5:05:24Imagine my surprise to find you nearly

5:05:26naked, severely dehydrated, half

5:05:29starved, vitamin deficient. You had

5:05:32three broken ribs. Your father's blood

5:05:35all over your hands.

5:05:37Three broken ribs. I thought it was two.

5:05:40Three broken ribs, Max says and nods.

5:05:44And still you managed to sever Paris's

5:05:47corateed artery. Nicely done.

5:05:51I meet his eyes.

5:05:53Max thinks this is funny.

5:05:56And then I understand.

5:05:59He's still alive, isn't he? I say. Max

5:06:03smiles wider. Quite alive. Yes. Despite

5:06:07your best efforts to murder him.

5:06:10That seems impossible.

5:06:12You sound irritated, Max says. I am

5:06:16irritated that he survived as an insult

5:06:18to my skill set. Max fights back another

5:06:22laugh. I don't remember you being so

5:06:24funny. I'm not trying to be funny. But

5:06:28Max can't wipe the smile off his face.

5:06:31So, you're not going to tell me how he

5:06:33survived? I say you're just going to

5:06:36bait me? I'm waiting for my wife, he

5:06:39says. I understand. Does she help you

5:06:42sound out the big words? Max's eyebrows

5:06:45jump up his forehead. Watch yourself,

5:06:48Aaron. Apologies. Please step out of my

5:06:51way. As I said, I'm waiting for my wife.

5:06:54She has something she wants to say to

5:06:56you.

5:06:58I study him, looking closely at his face

5:07:01in a way I can't remember ever having

5:07:03done. He has dark brown hair, light

5:07:06brown skin, and bright blue green eyes.

5:07:10He's aged well. On a different day, I

5:07:13might have even described his face as

5:07:14warm, friendly.

5:07:16But knowing now that he's Ella's father,

5:07:19I almost can't believe I didn't notice

5:07:21sooner.

5:07:23She has his eyes.

5:07:25I hear a second set of footsteps drawing

5:07:27nearer to the door. I expect to see

5:07:30Eevee Supreme Summers. And instead,

5:07:34Max, how long do you think it'll take?

5:07:37My father,

5:07:39his voice.

5:07:41I can hardly believe it. He stops just

5:07:44inside the doorway when he sees my face.

5:07:47He's holding a bloodied towel to his

5:07:49throat. "You idiot," he says to me. I

5:07:54don't have a chance to respond. A sharp

5:07:56alarm sounds and Max goes suddenly

5:07:58rigid. He glances at a monitor on the

5:08:00wall before looking back at my father.

5:08:02"Go," Anderson says. "I can handle him."

5:08:06Max glances at me just once before he

5:08:08disappears.

5:08:10So, I say, nodding at my father's face,

5:08:13his healing wound. Are you going to

5:08:16explain?

5:08:17He merely stares at me. I watch quietly

5:08:21as he uses his free hand to pull a

5:08:24handkerchief from his pocket. He wipes

5:08:26the remaining blood from his lips,

5:08:29refolds the handkerchief, and tucks it

5:08:31back inside his pocket.

5:08:34Something between us has changed.

5:08:38I can feel it.

5:08:40can feel the shift in his attitude

5:08:42toward me. It takes a minute to piece

5:08:45together the various emotional cues long

5:08:47enough to understand,

5:08:49but when it finally hits me, it hits me

5:08:52hard.

5:08:54Respect.

5:08:57For the first time in my life, my father

5:08:59is staring at me with something like

5:09:01respect.

5:09:02I tried to kill him. And instead of

5:09:05being angry with me, he seems pleased,

5:09:09maybe even impressed.

5:09:11You did good work back there, he says

5:09:14quietly. It was a strong throw. Solid.

5:09:19It feels strange to accept his

5:09:20compliment, so I don't. My father size.

5:09:25Part of the reason I wanted custody of

5:09:28those healer twins, he says finally, was

5:09:31because I wanted Eevee to study them. I

5:09:33wanted her to replicate their DNA and

5:09:35braid it into my own. Healing powers, I

5:09:39realized, were extremely useful.

5:09:42A sharp chill goes up my spine. But I

5:09:45didn't have them under my control for as

5:09:47long as I wanted. He says, I was only

5:09:50able to extract a few blood samples.

5:09:52Eevee did the best she could with the

5:09:54time we had. I blink, try to control the

5:09:58expression on my face. "So, you have

5:10:01healing powers now." "We're still

5:10:03working on it," he says, his jaw tight.

5:10:06"It's not yet perfect, but it was enough

5:10:09that I was able to survive the wounds to

5:10:10the head just long enough to be shipped

5:10:12to safety." He smiles a bitter smile. My

5:10:16feet, on the other hand, didn't make it.

5:10:18How unfortunate. I lie. I test the

5:10:22weight of the syringe in my hand. I

5:10:24wonder how much damage it could do. It's

5:10:27not substantial enough to do much more

5:10:29than stun, but a carefully angled attack

5:10:31could result in a temporary nerve pain

5:10:33that would buy me a sizable amount of

5:10:35time. But then, so might a single

5:10:39precise stab in the eye.

5:10:42Operation synthesis, my father says

5:10:45sharply. I look up, surprised.

5:10:49You're ready, Aaron. His gaze is steady.

5:10:53You're ready for a real challenge.

5:10:56You've got the necessary fire, the

5:10:58drive. I'm seeing it in your eyes for

5:11:01the first time.

5:11:04I'm too afraid to speak.

5:11:07Finally, after all these years, my

5:11:09father is giving me praise. He's telling

5:11:11me I'm capable. As a child, it was

5:11:15everything I'd ever wanted.

5:11:18But I'm not a child anymore. You've seen

5:11:21Emiline, my father says, but you haven't

5:11:24seen her recently. You don't know what

5:11:26state she's in. I wait.

5:11:29She's dying. He says her body isn't

5:11:33strong enough to survive her mind or her

5:11:35environment. And despite Max and Eve's

5:11:38every effort, they don't know if there's

5:11:40anything else they can do to help her.

5:11:43They've been working for years to

5:11:44prolong her life as much as possible.

5:11:46But they've reached the end of the line.

5:11:48There's nothing left to do. She's

5:11:51deteriorating at a rate they can no

5:11:53longer control.

5:11:55Still, I say nothing.

5:11:58Do you understand?

5:12:00My father says to me, "Do you understand

5:12:03the importance of what I'm saying to

5:12:05you?" Emiline is not only a

5:12:08psychoinetic, but a telepath, he says.

5:12:11As her body deteriorates, her mind grows

5:12:14wilder. She's too strong, too explosive.

5:12:18And lately, without a strong enough body

5:12:20to contain her, she's become volatile.

5:12:22If she's not given an don't you dare, a

5:12:25voice barks loudly into the room. Don't

5:12:28you dare say another word, you

5:12:29thick-headed fool. I spin around,

5:12:33surprise catching in my throat. Supreme

5:12:36Commander Ibrahim.

5:12:38He seems taller than I remember him.

5:12:40Dark skin, dark hair, angry. It's okay,

5:12:46my father says unbothered. Eevee is

5:12:48taken care of. Eevee is dead, Ibrahim

5:12:51says angrily. We need to initiate the

5:12:54transfer immediately.

5:12:56What? My father goes pale. I've never

5:12:59seen him pale. I've never seen him

5:13:02terrified. But do you mean she's dead?

5:13:06Ibrahim's eyes flash. I mean, we have a

5:13:08serious problem. He glances at me. This

5:13:12boy needs to be put back in isolation.

5:13:14And we can't trust any of them right

5:13:15now. We don't know what she might have

5:13:17done. And just as I'm trying to decide

5:13:20my next move, I hear a whisper at my

5:13:23ear.

5:13:24Don't scream, she says.

5:13:28Nazer.

5:13:32Ella,

5:13:35I'm running for my life. Bolting down

5:13:37hallways and up staircases. A low,

5:13:40insistent alarm has gone off. its high

5:13:42piercing sound sending shocks of fear

5:13:45through me. Even as my feet pound the

5:13:47floor, I feel strong, steady, but I'm

5:13:51increasingly aware of my inability to

5:13:53navigate these snaking paths. I could

5:13:56see, could feel Emiline growing weaker

5:13:59as I left. And now, the farther I get

5:14:01from her, the dimmer our connection

5:14:03becomes. She showed me in her memories

5:14:06how Max and Eevee slowly stripped her of

5:14:09control. Emiline is more powerful than

5:14:12anyone, but now she can only use her

5:14:14powers on command. It took all her

5:14:17strength to push past the fail safes

5:14:19long enough to use her strength at will.

5:14:21And now that her voice has retreated

5:14:23from my mind, I know she won't be back.

5:14:26Not anytime soon. I have to figure out

5:14:29my own way out of here. I will. My power

5:14:34is back on. I can get through anything

5:14:36from here. I have to. And when I hear

5:14:39someone shout, I spin around, ready to

5:14:42fight.

5:14:44But the face in the distance is so

5:14:45familiar, I stop, stunned in my tracks.

5:14:50Kenji barrels into me.

5:14:53Kenji.

5:14:56Kenji is hugging me. Kenji is hugging me

5:14:59and he's uninjured.

5:15:01He's perfect.

5:15:03And just as I begin to return his

5:15:05embrace, he swears violently and

5:15:07launches himself backward. Jesus, woman,

5:15:10are you trying to kill me? You can't

5:15:12turn that off for a second. You

5:15:14have to go and ruin our dramatic reunion

5:15:16by nearly murdering me after I've gone

5:15:18to all the trouble of I launch myself

5:15:21into his arms again, and he stiffens.

5:15:24Relaxing only when he realizes I pulled

5:15:26my power back. I forgot for a second how

5:15:30much of my skin was exposed in this

5:15:32dress. Kenji, I breathe. You're alive.

5:15:37You're okay. Oh my god.

5:15:40Hey, he says. Hey. He pulls back, looks

5:15:45me in the eye. I'm okay. You okay?

5:15:50I don't really know how to answer the

5:15:51question. Finally, I say I'm not sure.

5:15:56He studies my face for a second. He

5:15:59looks concerned. And then, the knot of

5:16:02fear growing only more painful in my

5:16:04throat, I ask the question killing me

5:16:07most.

5:16:09"Where's Warner?"

5:16:12Kenji shakes his head. I feel myself

5:16:15begin to unravel.

5:16:18"I don't know yet," Kenji says quietly.

5:16:21"But we're going to find him, okay?

5:16:23Don't worry."

5:16:25I nod.

5:16:27My bottom lip trembles and I bite it

5:16:29down. But the tremble won't be killed.

5:16:32It grows, multiplies, evolves into a

5:16:35tremor that shakes me from stem to

5:16:37sternum.

5:16:39Hey, Kenji says. I look up. You want to

5:16:44tell me where all the blood came from? I

5:16:47blink. What blood? He raises his

5:16:50eyebrows at me. The blood? he says,

5:16:54gesturing generally at my body. On your

5:16:57face, your dress, all over your hands.

5:17:01Oh, I say, startled. I look at my hands

5:17:05as if seeing them for the first time.

5:17:07The blood.

5:17:09Kenji sigh, squints at something over my

5:17:12shoulder. He pulls a pair of gloves out

5:17:15of his back pocket, and tugs them on.

5:17:18All right, princess. Turn your power

5:17:20back on. We have to move.

5:17:23We break apart. Kenji pulls his

5:17:25invisibility over us both. Follow me, he

5:17:29says, taking my hand. Where are we

5:17:31going? I say. What do you mean where are

5:17:34we going? We're getting the hell out of

5:17:36here. But what about Warner? Nazir is

5:17:40looking for him as we speak.

5:17:43I stop so suddenly I nearly stumble.

5:17:46Nazer is here. Uh, yeah. So, it's a

5:17:51really long story, but the short answer

5:17:53is yes.

5:17:55So, that's how you got in here, I say,

5:17:58beginning to understand. Nazer

5:18:02Kenji makes a sound of disbelief. Wow.

5:18:05Right off the bat, you give me no

5:18:07credit, huh? Come on, Jay. You know I

5:18:09love a good rescue mission. I know some

5:18:12things. I can figure things out, too.

5:18:15For the first time in weeks, I feel a

5:18:16smile tug at my lips. A laugh builds and

5:18:19breaks inside my body. I've missed this

5:18:22so much. I've missed my friends so much.

5:18:26Emotion wells in my throat, surprising

5:18:29me. I missed you, Kenji, I say. I'm so

5:18:33happy you're here. Hey, Kenji says

5:18:36sharply. Don't you dare start crying. If

5:18:39you start crying, I'll start crying. And

5:18:41we do not have time to cry right now. We

5:18:44have too much to do. Okay, we can

5:18:46cry later at a more convenient time.

5:18:48Okay.

5:18:50When I say nothing, he squeezes my hand.

5:18:53Okay, he says again.

5:18:56Okay, I say. I hear him sigh. Damn, he

5:19:01says. They really messed you up in here,

5:19:04didn't they? Yeah.

5:19:07I'm so sorry, he says. Can we cry about

5:19:10it later? I'll tell you everything. Hell

5:19:14yeah, we can cry about it later. Kenji

5:19:16tugs gently on my hand to get us moving

5:19:18again. I have so much to cry about,

5:19:22Jay. So much. We should make like a

5:19:25list. Good idea, I say. But my heart is

5:19:29in my throat again. Hey, don't worry,

5:19:32Kenji says, reading my thoughts.

5:19:34Seriously, we'll find Warner. Nazer

5:19:38knows what she's doing. But I don't

5:19:41think I can just wait while Nazera goes

5:19:43searching for him. I can't just stand

5:19:45around. I need to do something. I need

5:19:48to look for him myself. Uh-uh. No way.

5:19:51Nazer and I split up on purpose. My

5:19:54mission is to get you on the plane. Her

5:19:57mission is to get Warner on the plane.

5:20:00That's how math works. Wait, you have a

5:20:03plane? How else do you think we got

5:20:05here? I have no idea. Well, that's

5:20:09another long story and I'll fill you in

5:20:10later. But the highlights are that

5:20:12Nazera is very confusing but helpful.

5:20:15And according to her calculations, we

5:20:17need to be getting the hell out of here

5:20:19yesterday. We're running out of time.

5:20:22But wait, Kenji, what happened to

5:20:25everyone? Last time I saw you, you were

5:20:27bleeding. Brendan had been shot. Castle

5:20:30was down. I thought everyone was dead.

5:20:33Kenji doesn't answer me at first.

5:20:36You really have no idea what happened,

5:20:39huh? He says finally. I only know that I

5:20:42didn't actually kill all those people at

5:20:44the symposium. Oh, yeah. He sounds

5:20:47surprised. Who told you? Emiline.

5:20:52Your sister.

5:20:54Yeah, I say sighing heavily.

5:20:57There's so much I have to tell you. But

5:21:00first, please tell me everyone is still

5:21:03alive.

5:21:05Kenji hesitates.

5:21:08I mean, I think so. Honestly, I don't

5:21:11know. Nazer says they're alive. She's

5:21:14promising to come through on getting

5:21:16them to safety, so I'm still holding my

5:21:18breath. But get this. He stops walking,

5:21:22puts an invisible hand on my shoulder.

5:21:25You're never going to believe this.

5:21:28Let me guess, I say. Anderson is alive.

5:21:33I hear Kenji's sharp intake of breath.

5:21:36How did you know?

5:21:38Eevee told me. So, you know about how he

5:21:42came back to sector 45? What? I say no.

5:21:47Well, what I was about to tell you right

5:21:50now was that Anderson came back to base.

5:21:53He's resumed his position as Supreme

5:21:55Commander of North America. He was there

5:21:57right before we left. Nazer told me he

5:22:00made up this whole story about how he'd

5:22:02been ill and how our team had spread

5:22:04false rumors while he was recovering and

5:22:06that you'd been executed for your

5:22:08deception. What? I say stunned. That's

5:22:12insane.

5:22:14This is what I'm saying. So, what are we

5:22:18going to do when we get back to sector

5:22:1945? I say, "Where do we go? Where do we

5:22:23stay?" If I know, Kenji says,

5:22:26"Right now, I'm just hoping we can get

5:22:29out of here alive."

5:22:32Finally, we reach the exit. Kenji has a

5:22:35security card that grants him access to

5:22:37the door, and it opens easily. From

5:22:40there, it's almost too simple. Our

5:22:43invisibility keeps us undetected. And

5:22:45once we're on the plane, Kenji checks

5:22:47his watch.

5:22:49We've only got 30 minutes, just so you

5:22:51know. That was the rule. 30 minutes. And

5:22:54if Nazer doesn't show up with Warner, we

5:22:56have to go.

5:22:58My heart drops into my stomach.

5:23:04Warner.

5:23:07I have no time to register my shock or

5:23:09to ask Nazer when on earth she was going

5:23:11to tell me she had the power to turn

5:23:13herself invisible. So, I do the only

5:23:15thing I can in the moment. I nod, the

5:23:19movement almost imperceptible.

5:23:21Kenji is getting Ella onto a plane. I'm

5:23:24going to wait for you just outside the

5:23:25store. She says, "Do you think you can

5:23:28make it? If you go invisible in front of

5:23:31everyone, they'll be on to us. And it'

5:23:33be better if they think you're just

5:23:35trying to run again." I nod. "All right,

5:23:39then. I'll see you out there."

5:23:42I wait a second or two and then I head

5:23:45for the door. Hey, Ibrahim bellows. I

5:23:49hesitate, turning back slightly on my

5:23:51heel. Yes. Where do you think you're

5:23:54going? He says. He pulls a gun from the

5:23:57inside of his jacket and points it at

5:23:59me. I have to use the bathroom. Ibrahim

5:24:02doesn't laugh. You're going to wait here

5:24:04until Max gets back and then we decide

5:24:07what we're going to do with you. I tilt

5:24:09my head at him. The gun he's pointing at

5:24:12me looks suspiciously like one of the

5:24:14guns I stole from my father earlier. Not

5:24:16that it matters. I take a quick breath.

5:24:20I'm afraid that's not how this is going

5:24:21to work, I say, attempting a smile.

5:24:24Though, I'm sure we'll all be seeing

5:24:25each other soon, so I wouldn't worry

5:24:27about missing me too much. And then,

5:24:30before anyone has a chance to protest, I

5:24:32run for the door, but not before I fires

5:24:35his weapon. Three times in close range.

5:24:40I fight back the urge to cry out as one

5:24:42of the bullets shoots clean through my

5:24:44calf, even as the pain nearly takes my

5:24:46breath away. Once I'm on the other side

5:24:48of the door, Nazer pulls her

5:24:49invisibility over me. I don't make it

5:24:52far before I take a sharp breath,

5:24:53slumping against the wall. she

5:24:56says. Did you get shot? Obviously. I

5:24:59bite out, trying to keep my breathing

5:25:00even. Damn it, Warner. What the hell is

5:25:03wrong with you? We have to get back to

5:25:04the plane in the next 15 minutes or

5:25:06they're going to leave without us. What?

5:25:09Why would Because I told them to. We

5:25:11have to get Ella out of here no matter

5:25:13what. I can't have them waiting around

5:25:14for us and risk getting killed in the

5:25:16process. Your sympathy is truly

5:25:18heartwarming. Thank you. She sigh. Where

5:25:22did you get shot? In my leg. Can you

5:25:24walk? I should be able to in just a

5:25:26minute. I hear her hesitate. What does

5:25:29that mean? If I manage to live long

5:25:32enough, maybe I'll tell you. She's

5:25:34unamused. Can you really start running

5:25:36in just a minute? Oh, now it's running.

5:25:39A moment ago, you were asking if I could

5:25:41walk. running would be better. I offer

5:25:44her a bitter laugh. It's hard from this

5:25:46distance, but I've been drawing on my

5:25:48father's new ability, harnessing it as

5:25:50best I can from where I am. I feel the

5:25:53wound healing, slowly regenerating

5:25:56nerves and veins and even a bit of bone.

5:25:59But it's taking longer than I'd like.

5:26:01"How long is the flight back?" I say, "I

5:26:04can't remember. We've got the jet, so it

5:26:06should only take about 8 hours." I nod

5:26:09even though she can't see me. I don't

5:26:12think I can survive 8 hours with an open

5:26:14wound. Well, it's a good thing I don't

5:26:16give a I'm giving you two more

5:26:18minutes before I carry you out of here

5:26:19myself. I grunt in response, focusing

5:26:23all of my energy on drawing up the

5:26:24healing powers into my body. I've never

5:26:26tried to do something like this while

5:26:28wounded, and I didn't realize how

5:26:30demanding it was, both emotionally and

5:26:32physically. I feel drained. My head is

5:26:35throbbing, my jaw aching from the

5:26:37intense pressure I've used to bite back

5:26:39the pain, and my leg feels like it's on

5:26:41fire. There's nothing pleasant about the

5:26:44healing process. I have to imagine that

5:26:46my father is on the move, probably

5:26:48searching for me with Ibrahim, because

5:26:50harnessing his power is harder than any

5:26:52of the others I've tried to take. "We're

5:26:54leaving in 30 seconds," Nazera says, a

5:26:57warning in her voice. I grit my teeth.

5:27:00"15

5:27:02Did you just swear? Nazir says

5:27:05stunned. I'm in an extraordinary amount

5:27:08of pain. All right, that's it. We're out

5:27:11of time. And before I manage to get a

5:27:13word in, she picks me up off the ground

5:27:16and we're in the air.

5:27:21>> Ella

5:27:24Kenji and I have been staring at each

5:27:26other in nervous silence for the last

5:27:28minute. I spent the first 10 minutes

5:27:30telling him a little about Emiline,

5:27:32which was its own stressful distraction,

5:27:35and then Kenji helped me wash the blood

5:27:37off my hands and face with the few

5:27:39supplies we have on board. Now we're

5:27:41both staring into the silence, our

5:27:44combined terror filling the plane.

5:27:47It's a nice plane, I think. I'm not

5:27:49sure. I haven't actually had the

5:27:51presence of mind to look around or to

5:27:53ask him who exactly among us even knows

5:27:56how to fly a plane. But none of that

5:27:59will matter, of course, if Nazera and

5:28:00Warner don't get back here soon. It

5:28:03won't matter because I won't be leaving

5:28:05without him.

5:28:07And my thoughts must be easy to read

5:28:10because suddenly Kenji frowns. Listen,

5:28:13he says, I'm just as worried about them

5:28:15as you are. I don't want to leave Nazi

5:28:18behind, and I sure as hell don't want to

5:28:20imagine anything bad happening to her

5:28:21while she's out there. But we have to

5:28:24get you out of here. Kenji, we don't

5:28:27have a choice, Jay, he says, cutting me

5:28:29off. We have to get you out of here,

5:28:31whether you like it or not. The

5:28:33reestablishment is up to some shady

5:28:35and you're right in the center of

5:28:37it. We have to keep you safe right now.

5:28:40Keeping you safe is my entire mission.

5:28:44I drop my face in my hands and then just

5:28:47as quickly look up again. This is all my

5:28:50fault, you know. I could have prevented

5:28:53this. What are you talking about? I look

5:28:56him straight in the eye. I should have

5:28:59done more research on the

5:29:00reestablishment. I should have read up

5:29:02on its history and my history within it.

5:29:06I should have learned more about the

5:29:08Supreme Commanders. I should have been

5:29:09better prepared. Hell, I should have

5:29:11demanded we search the water for

5:29:13Anderson's dead body instead of just

5:29:15assuming he'd sunk with the ship. I

5:29:18shake my head hard. I wasn't ready to be

5:29:22Supreme Commander Kenji. You knew it.

5:29:25Castle knew it. I put everyone's lives

5:29:27in danger. Hey, he says sharply. I never

5:29:32said you weren't. Only Warner ever tried

5:29:34to convince me I was good enough, but I

5:29:37don't think I ever really believed it.

5:29:39Jay, listen to me. I never said you

5:29:42weren't. And now he's gone. Warner is

5:29:45gone. Everyone from Omega Point might be

5:29:48dead. Everything we built, everything we

5:29:51worked toward. I feel myself break, snap

5:29:54open from the inside. I can't lose him,

5:29:57Kenji. My voice is shaking. My hands are

5:30:00shaking. I can't. You don't know. You

5:30:03don't. Kenji looks at me with actual

5:30:06pain in his eyes. Stop it, Jay. You're

5:30:09breaking my heart. I can't hear this.

5:30:13And I realize as I swallow back the lump

5:30:16in my throat how much I'd needed to have

5:30:18this conversation. These feelings had

5:30:21been building inside of me for weeks.

5:30:23And I desperately needed someone to talk

5:30:25to. I needed my friend.

5:30:30I thought I'd been through some hard

5:30:31things, I say, my eyes now filling with

5:30:34tears. I thought I'd lived through my

5:30:36share of awful experiences, but this

5:30:40I honestly think these have been the

5:30:42worst days of my life.

5:30:45Kenji's eyes are deep, serious.

5:30:49You want to tell me about it?

5:30:52I shake my head, wiping furiously at my

5:30:55cheeks.

5:30:57I don't think I'll be able to talk about

5:30:59any of it until I know Warner is okay.

5:31:02I'm so sorry, Jay. I really am. I sniff

5:31:06hard.

5:31:08You know my name is Ella, right?

5:31:11Right. He says, his eyebrows pulling

5:31:14together. Yeah, Ella. That's wild. I

5:31:18like it, I say. I like it better than

5:31:21Juliet. I don't know. I think both names

5:31:24are nice. Yeah, I say turning away. But

5:31:29Juliet was the name Anderson picked out

5:31:31for me.

5:31:33And Ella is the name you were born with,

5:31:36Kenji says, shooting me a look. I get

5:31:39it. Yeah,

5:31:42listen, he says with a sigh. I know this

5:31:45has been a rough couple of weeks for

5:31:47you. I heard about the memory thing. I

5:31:50heard about lots of things, and I can't

5:31:52pretend to imagine I have any idea what

5:31:54you must be going through right now. But

5:31:57you can't blame yourself for any of

5:31:59this. It's not your fault. None of it is

5:32:02your fault. You've been a pawn at the

5:32:05center of this conspiracy your entire

5:32:07life. The last month wasn't going to

5:32:10change that. Okay. You have to be kinder

5:32:13to yourself. You've already been through

5:32:16so much.

5:32:18I offer Kenji a weak smile.

5:32:21I'll try, I say quietly.

5:32:24Feeling any better now?

5:32:26No.

5:32:28and thinking about leaving here without

5:32:30Warner, not knowing if he'll even make

5:32:33it onto this plane. It's killing me,

5:32:35Kenji. It's boring a hole through my

5:32:38body.

5:32:40Kenji sigh, looks away. I get it, he

5:32:44says. I do. You're worried you won't

5:32:48have a chance to make things right with

5:32:49him. I nod.

5:32:52I won't do it. I can't do it,

5:32:56Kenji. I understand where you're coming

5:32:59from, kid. I swear. But we can't afford

5:33:02to do this. If they're not back here in

5:33:045 minutes, we have to go. Then you'll

5:33:07have to leave without me. No way. Not an

5:33:10option, he says, getting to his feet. I

5:33:13don't want to do this any more than you

5:33:15do, but I know Nazer well enough to know

5:33:17that she can handle herself out there.

5:33:20And if she's not back yet, it's probably

5:33:22because she's waiting for a safer

5:33:24moment. She'll find her way. And you

5:33:27have to trust that she'll bring Warner

5:33:29back with her. Okay.

5:33:32No. Come on, Kenji. Stop. I get to my

5:33:37feet, too. Anger and heartbreak

5:33:39colliding. Don't do this, he says,

5:33:42shaking his head. Don't force me to do

5:33:45something I don't want to do. Because if

5:33:47I have to, I will tackle you to the

5:33:49floor, Jay. I swear. You wouldn't do

5:33:51that, I say quietly. The fight leaves my

5:33:55body. I feel suddenly exhausted,

5:33:58hollowed out by heartache.

5:34:01I know you wouldn't. You wouldn't make

5:34:03me leave him behind.

5:34:06Ella.

5:34:08I turn around.

5:34:11A bolt of feeling leaving me breathless.

5:34:15Just the sound of his voice has my heart

5:34:17racing in a way that feels dangerous.

5:34:20The jarring shift from fear to joy has

5:34:22my head pounding, delirious with

5:34:24feeling. I'd been so worried all this

5:34:28time. And to know now

5:34:31he's unharmed.

5:34:32His face unmarked, his body intact. He's

5:34:37perfect and beautiful. And he's here. I

5:34:41don't know how, but he's here.

5:34:44I clap my hands over my mouth. I'm

5:34:47shaking my head and searching

5:34:48desperately for the right words, but

5:34:50find I can't speak. I can only stare at

5:34:53him as he steps forward, his eyes bright

5:34:55and burning. He pulls me into his arms.

5:35:00Sobs break my body, the culmination of a

5:35:03thousand fears and worries I hadn't

5:35:05allowed myself to process. I press my

5:35:08face into his neck and try but fail to

5:35:11pull myself together.

5:35:13I'm sorry, I say, gasping the words,

5:35:16tears streaming fast down my face.

5:35:19Aaron, I'm so sorry. I'm so so sorry.

5:35:24I feel him stiffen.

5:35:26He pulls away, staring at me with

5:35:28strange, scared eyes.

5:35:32>> Why would you say that?

5:35:34>> He looks around wildly, glances at

5:35:36Kenji, who only shakes his head.

5:35:39>> What happened, love?

5:35:41He pushes the hair out of my eyes, takes

5:35:43my face in his hands. What are you sorry

5:35:46for?

5:35:48>> Nazer pushes past us. She nods at me

5:35:51just once before heading to the cockpit.

5:35:54Moments later, I hear the roar of the

5:35:56engine, the electric sounds of equipment

5:35:59coming online. I hear her voice in the

5:36:01speakers overhead, her crisp certain

5:36:04commands filling the plane. She tells us

5:36:07to take our seats and get strapped in.

5:36:08And I stare at Warner just once more,

5:36:11promising myself that we'll have a

5:36:13chance to talk, promising myself that

5:36:15I'll make this right. When we take off,

5:36:19he's holding my hand.

5:36:23We've been climbing higher for several

5:36:25minutes now, and Kenji and Nazer were

5:36:27generous enough to give us some illusion

5:36:29of privacy. They both shot me separate

5:36:32but similar looks of encouragement just

5:36:34before they slipped off into the

5:36:36cockpit. It finally feels safe to keep

5:36:39talking.

5:36:40But emotion is like a fist in my chest,

5:36:44hard and heavy.

5:36:46There's too much to say, too much to

5:36:48discuss. I almost don't even know where

5:36:51to start. I don't know what happened to

5:36:53him, what he learned, or what he

5:36:55remembers.

5:36:57I don't know if he's feeling the same

5:36:59things I'm feeling anymore. And all the

5:37:01unknowns are starting to scare me.

5:37:04>> What's wrong? He says.

5:37:07He's turned in his seat to face me. He

5:37:10reaches up, touches my face, and the

5:37:13feeling of his skin against mine is

5:37:15overwhelming.

5:37:16So powerful it leaves me breathless.

5:37:20Feeling shoots up my spine, sparks in my

5:37:22nerves.

5:37:25You're afraid, love. Why are you afraid?

5:37:29Do you remember me? I whisper. I have to

5:37:33force myself to remain steady, to fight

5:37:35back the tears that refuse to die. Do

5:37:38you remember me the way I remember you?

5:37:42Something changes in his expression. His

5:37:45eyes change, pulled together in pain.

5:37:49He nods.

5:37:51Because I remember you, I say, my voice

5:37:55breaking on the last word. I remember

5:37:58you, Aaron. I remember everything. And

5:38:02you have to know. You have to know how

5:38:04sorry I am for the way I left things

5:38:07between us. I'm crying again.

5:38:11I'm sorry for everything I said, for

5:38:14everything I put you through.

5:38:16sweetheart," he says gently, the

5:38:19question in his eyes resolving to a

5:38:21measure of understanding.

5:38:23"None of that matters anymore."

5:38:26That fight feels like it happened in

5:38:28another lifetime to different people.

5:38:32I wipe away my tears. I know, I say, but

5:38:36being here, all of this, I thought I

5:38:40might never see you again. And it killed

5:38:42me to remember how I'd left things

5:38:44between us.

5:38:46When I look up again, Warner is staring

5:38:49at me, his own eyes bright, shining. I

5:38:53watch the movement in his throat as he

5:38:55swallows hard.

5:38:58Forgive me, I whisper.

5:39:01I know it all seems stupid now, but I

5:39:03don't want to take anything for granted

5:39:05anymore. Forgive me for hurting you.

5:39:09Forgive me for not trusting you.

5:39:12I took my pain out on you and I'm so

5:39:14sorry. I was selfish and I hurt you and

5:39:18I'm so sorry.

5:39:22He's silent for so long I almost can't

5:39:24bear it. When he finally speaks, his

5:39:28voice is rough with emotion.

5:39:31Love, he says.

5:39:34There's nothing to forgive.

5:39:39Warner.

5:39:42Ella is asleep in my arms.

5:39:46Ella,

5:39:48I can't really think of her as Juliet

5:39:50anymore.

5:39:52We've been in the air for an hour now,

5:39:54and Ella cried until her tears ran dry.

5:39:57Cried for so long, I thought it might

5:39:59kill me. I didn't know what to say. I

5:40:02was so stunned, I didn't know how to soo

5:40:04her. And only when the exhaustion

5:40:07overcame the tears did she finally go

5:40:09still, collapsing fully and completely

5:40:13into my arms.

5:40:15I've been holding her against my chest

5:40:17for at least half an hour, marveling at

5:40:20what it does to me to just be this close

5:40:23to her. Every once in a while, it feels

5:40:26like a dream.

5:40:28Her face is pressed against my neck.

5:40:31She's clinging to me like she might

5:40:33never let go. And it does something to

5:40:36me, something heady to know that she

5:40:38could possibly want me or need me like

5:40:42this.

5:40:44It makes me want to protect her even if

5:40:46she doesn't need protecting.

5:40:49It makes me want to carry her away, lose

5:40:51track of time.

5:40:54Gently, I stroke her hair, press my lips

5:40:57to her forehead. She stirs, but only

5:41:00slightly.

5:41:02I had not been expecting this.

5:41:06Of all the things I thought might happen

5:41:08when I finally saw her, I could never

5:41:11have dreamed a scenario such as this.

5:41:14No one has ever apologized to me before.

5:41:18Not like this. I've had men fall to

5:41:21their knees before me, begging me to

5:41:23spare their lives. But I can't remember

5:41:26a single time in my life when someone

5:41:29apologized to me for hurting my

5:41:30feelings. No one has ever cared about my

5:41:33feelings long enough to apologize for

5:41:35hurting them. In my experience, I'm

5:41:38usually the monster. I'm the one

5:41:41expected to make amends.

5:41:43And now

5:41:46I'm stunned.

5:41:48Stunned by the experience, by how

5:41:49strange it feels. All this time, I'd

5:41:52been preparing to win her back, to try

5:41:55to convince her somehow to see past my

5:41:57demons. And up until just this moment, I

5:42:01don't think I was ever truly convinced

5:42:03anyone would see me as human enough to

5:42:05forgive my sins,

5:42:07to give me a second chance.

5:42:10But now she knows everything.

5:42:13Every dark corner of my life, every

5:42:15awful thing I ever tried to hide, she

5:42:18knows. And she still loves me.

5:42:22God.

5:42:24I run a tired hand across my face. She

5:42:27asked me to forgive her.

5:42:30I almost don't know what to do with

5:42:32myself. I feel joy and terror. My heart

5:42:36is heavy with something I don't even

5:42:37know how to describe.

5:42:40Gratitude perhaps.

5:42:44The ache in my chest has grown stronger,

5:42:46more painful.

5:42:48Being near her is somehow both a relief

5:42:50and a new kind of agony. There's so much

5:42:53ahead of us. So much we still need to

5:42:55face together.

5:42:57But right now, I don't want to think

5:42:58about any of it. Right now, I just want

5:43:01to enjoy her proximity. I want to watch

5:43:03the gentle motions of her breathing. I

5:43:05want to inhale the soft scent of her

5:43:07hair and lean into the steadying warmth

5:43:10of her body.

5:43:12Carefully, I touch my fingers to her

5:43:14cheek.

5:43:16Her face is smooth, free from pain and

5:43:18tension. She looks peaceful.

5:43:22She looks beautiful.

5:43:25My love,

5:43:27my beautiful love.

5:43:30Her eyes flutter open and I worry for a

5:43:32moment that I might have spoken out

5:43:34loud, but then she looks up at me, her

5:43:37eyes still soft with sleep, and I bring

5:43:40my hand to her face, this time trailing

5:43:42my fingers lightly along her jaw. She

5:43:46closes her eyes again, smiles.

5:43:49I love you, she whispers.

5:43:53A shock of feeling swells inside of me,

5:43:56makes it hard for me to breathe. I can

5:43:58only look at her, studying her face, the

5:44:00lines and angles I've somehow always

5:44:03known.

5:44:05Slowly, she sits up. She leans back,

5:44:09stretching out her sore, stiff muscles.

5:44:11When she catches me watching her, she

5:44:14offers me a shy smile.

5:44:16She leans in, takes my face in her

5:44:18hands.

5:44:20"Hi," she says, her words soft, her

5:44:24hands gentle as she tilts my chin down

5:44:26toward her mouth. She kisses me once,

5:44:30her lips full and sweet. "It's a tender

5:44:34kiss, but feeling strikes through me

5:44:36with a sharp, desperate need." I missed

5:44:39you so much, she says. I still can't

5:44:43believe you're here. She kisses me

5:44:46again, this time deeper, hungrier, and

5:44:49my heart beats so fast it roars in my

5:44:52ears. I can hardly hear anything else. I

5:44:55can't bring myself to speak.

5:44:58I feel stunned.

5:45:00When we break apart, her eyes are

5:45:02worried.

5:45:04Aaron, she says, "Is everything okay?

5:45:10And I realized then in a moment that

5:45:13terrifies me that I want this

5:45:16forever.

5:45:18I want to spend the rest of my life with

5:45:21her. I want to build a future with her.

5:45:24I want to grow old with her.

5:45:28I want to marry her.

5:45:33>> Ella.

5:45:36>> Aaron. I say again, this time softly.

5:45:40Are you all right?

5:45:42He blinks startled.

5:45:45>> "Yes," he says, drawing in a sharp

5:45:47breath. "Yes, yes, I'm perfect."

5:45:51>> I manage a small smile. "I'm glad you

5:45:54finally agree with me." He frowns,

5:45:57confused, and then, as realization hits,

5:46:01he blushes.

5:46:03Then for the first time in weeks, a full

5:46:06genuine grin spreads across my face. It

5:46:09feels good, human.

5:46:12But Aaron shakes his head, clearly

5:46:15mortified. He can't meet my eyes. His

5:46:18voice is careful, quiet when he says.

5:46:21>> That's not at all what I meant.

5:46:24>> Hey, I say, my smile fading. I take his

5:46:28hands and mine squeeze.

5:46:31Look at me. He does. And I forget what I

5:46:35was going to say. He has that kind of

5:46:38face. The kind of face that makes you

5:46:41forget where you are, who you are, what

5:46:43you might have been about to do or say.

5:46:46I've missed him so much. Missed his

5:46:49eyes. It's only been a couple of weeks,

5:46:51but it feels like forever since the last

5:46:53time I saw him. A lifetime full of

5:46:56horrible revelations that threatened to

5:46:58break us both.

5:47:00I can't believe he's here. That we found

5:47:03each other and made things right. It's

5:47:06no small thing.

5:47:08Even with everything else, with all the

5:47:10other horrors we've yet to contend with,

5:47:13being here with him feels like a huge

5:47:15victory. Everything feels new. My mind

5:47:19feels new. My memor is new. Even Aaron's

5:47:21face is new in its own way. He looks a

5:47:24little different to me now. familiar

5:47:28like he's always been here, always lived

5:47:30in my heart. His hair, thick and golden

5:47:34and beautiful, is how I remember it

5:47:36best. Eevee must have done something to

5:47:39his hair, too, somehow. And even though

5:47:42he looks more exhausted than I'd like,

5:47:44his face is still striking. Beautiful

5:47:47sharp lines, piercing green eyes so

5:47:50light and bright they're almost painful

5:47:51to look at. Everything about him is

5:47:54finely crafted. his nose, his chin, his

5:47:58ears and eyebrows. He has a beautiful

5:48:01mouth. I linger too long there, my eyes

5:48:05betraying my mind. And Aaron smiles.

5:48:08Aaron.

5:48:09Calling him Warner doesn't feel right

5:48:11anymore.

5:48:13What are you doing, love?

5:48:15>> Just enjoying the view, I say, still

5:48:18staring at his mouth. I reach up, touch

5:48:21two fingers to his bottom lip. Memories

5:48:24flood through me in a sudden breathless

5:48:26rush. Long nights, early mornings, his

5:48:30mouth on me, everywhere, over and over

5:48:33again.

5:48:35I hear him exhale suddenly, and I glance

5:48:38up at him.

5:48:40His eyes are darker, heavy with feeling.

5:48:43>> What are you thinking?

5:48:46>> I shake my head, feeling suddenly shy.

5:48:49It's strange considering how close we've

5:48:52been that I'd feel shy around him now,

5:48:55but he feels at once old and new to me,

5:48:57like we're still learning about each

5:48:59other, still discovering what our

5:49:01relationship means and what we mean to

5:49:03each other. Things feel deeper,

5:49:06desperate, more important.

5:49:10I take his hands again. How are you? I

5:49:14whisper. He's staring at our hands

5:49:16entwined when he says, "My father is

5:49:19still alive."

5:49:21I heard, "I'm so sorry." He nods, looks

5:49:25away. "Did you see him?" Another nod. I

5:49:29tried to kill him.

5:49:32I go, "Still.

5:49:34I know how hard it's been for Aaron to

5:49:36face his father. Anderson has always

5:49:39been his most formidable opponent. Aaron

5:49:42has never been able to fight him head

5:49:44on. He's never been able to bring

5:49:46himself to actually follow through with

5:49:48his threats to kill his father. It's

5:49:51astonishing he even came close.

5:49:54And then Aaron tells me how his father

5:49:56has semifunctional healing powers. How

5:49:59Eevee tried to recreate the twins DNA

5:50:02for him.

5:50:04So your dad is basically invincible.

5:50:07Aaron laughs quietly, shakes his head. I

5:50:10don't think so. It makes him harder to

5:50:13kill, but I definitely think there's a

5:50:15to be found in his armor. He sigh.

5:50:19Believe it or not, the strangest part of

5:50:22the whole thing was that afterward, my

5:50:25father was proud of me. Proud of me for

5:50:28trying to kill him. Aaron looks up,

5:50:32looks me in the eye. Can you imagine?

5:50:36Yes, I whisper. again.

5:50:40Aaron's eyes go deep with emotion. He

5:50:43pulls me close.

5:50:45>> I'm so sorry, love. I'm so sorry for

5:50:48everything they did to you, for

5:50:50everything they've put you through. It

5:50:53kills me to know that you were suffering

5:50:55that I couldn't be there for you.

5:50:58I don't want to think about it right

5:51:00now. I shake my head. Right now, all I

5:51:03want is this. I just want to be here

5:51:06with you. Whatever comes next, we'll

5:51:09face it together.

5:51:12Ella, he says softly. A wave of feeling

5:51:16washes over me. Hearing him say my name,

5:51:20my real name, makes everything feel

5:51:22real. Makes us feel real. I meet his

5:51:26eyes.

5:51:28He smiles.

5:51:30You know, I feel everything when you

5:51:32touch me, love. I can feel your

5:51:34excitement, your nervousness, your

5:51:37pleasure, and I love it. He says

5:51:39quietly. I love the way you respond to

5:51:43me. I love the way you want me. I feel

5:51:46it when you lose yourself, the way you

5:51:49trust me when we're together. And I feel

5:51:52your love for me, he whispers.

5:51:55I feel it in my bones.

5:51:58He turns away.

5:52:01I have loved you my entire life.

5:52:04>> He looks up, looks at me with so much

5:52:06feeling, it nearly breaks my heart.

5:52:10And after everything we've been through,

5:52:12after all the lies and the secrets and

5:52:14the misunderstandings, I feel like we've

5:52:17been given a chance to start fresh. I

5:52:20want to start over. He says, "I never

5:52:24want to lie to you again. I want us to

5:52:26trust each other and be true partners in

5:52:29everything.

5:52:31No more misunderstandings,

5:52:33he says. No more secrets. I want us to

5:52:36begin again here in this moment.

5:52:40I nod, pulling back so I can see his

5:52:44face more clearly. Emotions well in my

5:52:47throat threaten to overcome me. I want

5:52:51that, too. I want that so much.

5:52:55Ella,"

5:52:56>> he says, his voice rough with feeling.

5:53:00"I want to spend the rest of my life

5:53:02with you."

5:53:04>> My heart stops.

5:53:06I stare at him, uncertain thoughts

5:53:10pinwheeling in my head. I touch his

5:53:13cheek and he looks away, takes a sudden

5:53:15shaky breath.

5:53:17"What are you saying?" I whisper. "I

5:53:21love you, Ella. I love you more than

5:53:25Wow, you two seriously couldn't wait

5:53:27until we got back to base, huh? You

5:53:29couldn't spare my eyes.

5:53:31The sound of Kenji's voice pulls me

5:53:33suddenly, abruptly out of my head. I

5:53:36turn too quickly, awkwardly disengaging

5:53:39from Aaron's body. Aaron, on the other

5:53:42hand, goes suddenly white. Kenji throws

5:53:46a thin airplane pillow at him.

5:53:48>> "You're welcome," he says.

5:53:51Aaron checks the pillow back without a

5:53:53word, his eyes burning in Kenji's

5:53:55direction. He seems both shocked and

5:53:58angry, and he leans forward in his seat,

5:54:00his elbows balanced on his knees, the

5:54:02heels of his hands pressed against his

5:54:04eyes. You're a plague upon my life,

5:54:07Kishimoto.

5:54:09I said you're welcome. Aaron sigh

5:54:12heavily.

5:54:14What I would give to snap your neck

5:54:16right now, you have no idea. Hey, you

5:54:20have no idea what I just did for you,

5:54:22Kenji says. So, I'm going to repeat

5:54:25myself one more time. You are welcome. I

5:54:30never asked for your help. Kenji crosses

5:54:33his arms. When he speaks, he

5:54:35overannunciates each word like he might

5:54:37be talking to an idiot. I don't think

5:54:40you're thinking clearly. I'm thinking

5:54:43clearer than I ever have. You really

5:54:46thought that would be a good idea? Kenji

5:54:49says, shaking his head. Here now.

5:54:53Aaron's jaw clenches. He looks mutinous.

5:54:57Bro, this is not the moment. And when

5:55:00exactly did you become an expert on this

5:55:02sort of thing? I look between the two of

5:55:05them. What is going on? I say, "What are

5:55:09you guys talking about?"

5:55:11"Nothing," they say at the same time.

5:55:15"Um, okay." I stare at them, still

5:55:18confused, and I'm about to ask another

5:55:19question when Kenji says suddenly, "Who

5:55:22wants lunch?" My eyebrows shoot up my

5:55:25forehead. "We have lunch?" "It's pretty

5:55:28awful," Kenji says. "But Nazer and I

5:55:31have a picnic basket we brought with

5:55:33us." "Yeah."

5:55:35"I guess I'm up for trying the contents

5:55:37of the mystery basket." I smile at

5:55:39Aaron. Are you hungry? But Aaron says

5:55:42nothing. He's still staring at the

5:55:45floor. I touch his hand and finally he

5:55:48sigh.

5:55:50"I'm not hungry," he says. "Not an

5:55:53option," Kenji says sharply. "I'm pretty

5:55:56sure you haven't eaten a damn thing

5:55:58since you got out of fake prison." Aaron

5:56:01frowns, and when he looks up, he says,

5:56:03"It wasn't fake prison. It was a very

5:56:06real prison. They poisoned me for

5:56:09weeks." "What?" My eyes widen. You never

5:56:13took Kenji cuts me off with the wave of

5:56:15his hand. They gave you food, water, and

5:56:19let you keep the clothes on your back,

5:56:20didn't they? Yes, but he shrugs. Sounds

5:56:24like you had a little vacation.

5:56:27Aaron sigh. He looks both annoyed and

5:56:30exhausted as he runs a hand down the

5:56:32length of his face. I don't like it.

5:56:36Hey, why are you giving him such a hard

5:56:38time? I say frowning at Kenji. Just

5:56:42before he and Nazer showed up, you were

5:56:44going on and on about how wonderful he

5:56:46is. And Kenji swears suddenly under his

5:56:49breath. Jesus, Jay. He shoots me a dark

5:56:52look. What did I say to you about

5:56:54repeating that conversation out loud?

5:56:57Aaron sits up, the frustration in his

5:57:00eyes slowly giving way to surprise.

5:57:03You think I'm wonderful? he says, one

5:57:06hand pressed against his chest in mock

5:57:09affection. That's so sweet. I never said

5:57:13you were wonderful. Aaron tilts his

5:57:16head. Then what exactly did you say?

5:57:20Kenji turns away, says nothing. I'm

5:57:23grinning at Kenji's back when I say he

5:57:26said you looked good in everything and

5:57:29that you were good at everything.

5:57:32Aaron's smile deepens. Aaron almost

5:57:35never smiles widely enough for me to see

5:57:37his dimples, but when he does, they

5:57:39transform his face. His eyes light up.

5:57:42His cheeks go pink with feeling. He

5:57:45looks suddenly sweet, adorable.

5:57:48It takes my breath away.

5:57:51But he's not looking at me. He's looking

5:57:53at Kenji. His eyes full of laughter when

5:57:56he says, "Please tell me she's not

5:57:59serious." Kenji flips us both off. Aaron

5:58:03laughs and then leaning in.

5:58:06>> You really think I look good and

5:58:08everything?

5:58:09>> Shut up, Aaron laughs again.

5:58:12Stop having fun without me. Nazera

5:58:15shouts from the cockpit. No more making

5:58:18jokes until I put this thing on cruise

5:58:20control. I stiffen. Do planes have

5:58:24cruise control? Um. Kenji scratches his

5:58:27head. I don't actually know.

5:58:31But then Nazera saunters over to us,

5:58:34tall and beautiful and unbothered. She's

5:58:37not covering her hair today, which I

5:58:39suppose makes sense considering it's

5:58:41generally illegal. But I feel a faint

5:58:44panic spread through my body when I

5:58:46realize she's in no hurry to return to

5:58:48the cockpit.

5:58:50"Wait, no one is flying the plane," I

5:58:53say. "Shouldn't someone be flying the

5:58:55plane?"

5:58:57She waves me down. "It's fine. These

5:59:00things are practically automatic now

5:59:02anyway. I don't have to do any more than

5:59:05input coordinates and make sure

5:59:07everything is operating smoothly. But

5:59:10everything is fine, she says, shooting

5:59:14me a sharp look. We're fine, but someone

5:59:17needs to tell me what's going on.

5:59:20Are you sure we're fine? I ask once more

5:59:23quietly. She levels me with a dark look.

5:59:27I sigh.

5:59:29Well, in that case, I say, you should

5:59:32know that Kenji was just admiring

5:59:34Aaron's sense of style.

5:59:36Nazer turns to Kenji, raises a single

5:59:39eyebrow. Kenji shakes his head, visibly

5:59:42irritated. I wasn't. Damn it, Jay. You

5:59:45have no loyalty. I have plenty of

5:59:48loyalty, I say, slightly wounded. But

5:59:51when you guys fight like this, it

5:59:53stresses me out. I just want Aaron to

5:59:55know that secretly you care about him. I

5:59:59love you both and I want the two of you

6:00:00to be friend.

6:00:02>> Wait. Aaron frowns. What do you mean you

6:00:05love us both?

6:00:07I glance between him and Kenji,

6:00:09surprised. I mean, I care about both of

6:00:12you. I love you both. Right? Aaron says,

6:00:17hesitating. But you don't actually love

6:00:20us both. That's just a figure of speech,

6:00:23isn't it? It's my turn to frown.

6:00:26Kenji is my best friend, I say. I love

6:00:29him like a brother. But I love you, too,

6:00:33princess. Kenji says a little too

6:00:35loudly. And I appreciate you saying

6:00:37that. Aaron mutters something under his

6:00:40breath that sounds suspiciously like,

6:00:42"Unwashed, idiot." "What did you say to

6:00:46me?" Kenji's eyes widen. "I'll have you

6:00:49know I wash all the time."

6:00:53Nazer places a calming hand on Kenji's

6:00:55arm and he startles at her touch. He

6:00:59looks up at her, blinking.

6:01:01"We have another 5 hours ahead of us on

6:01:04this flight," she says, and her voice is

6:01:07firm but kind. So, I recommend we put

6:01:10this conversation to bed. I think it's

6:01:13clear to everyone that you and Warner

6:01:15secretly enjoy each other's friendship,

6:01:18and it's not doing anyone any good to

6:01:20pretend otherwise.

6:01:22Kenji Blanches.

6:01:24>> Does that sound like a reasonable plan?

6:01:27She looks around at all of us. Can we

6:01:30all agree that we're on the same team?

6:01:33Yes, I say enthusiastically. I do. I

6:01:36agree. Aaron says, "Fine." "Great,"

6:01:41Nazira says. Kenji, "You okay?" He nods

6:01:45and mumbles something under his breath.

6:01:48"Perfect. Now, here's the plan, she says

6:01:50briskly. We're going to eat and then

6:01:53take turns trying to get some sleep.

6:01:55We'll have a ton of things to deal with

6:01:57when we land, and it's best if we hit

6:01:59the ground running when we do. She

6:02:02tosses a few vacuum-sealed bags at each

6:02:04of us. That's your lunch. There are

6:02:06water bottles in the fridge up front.

6:02:08Kenji and I will take the first shift.

6:02:11No way, Kenji says, crossing his arms.

6:02:14You've been up for 24 hours straight.

6:02:16I'll take the first shift. But Warner

6:02:20and I will take the first shift

6:02:21together. Actually, Kenji shoots Warner

6:02:24a look. Isn't that right? Yes, of

6:02:27course, Aaron says. He's already on his

6:02:30feet. I'd be happy to. Great. Kenji

6:02:34says. Nazera is already stifling a yawn,

6:02:38pulling a bunch of thin blankets and

6:02:40pillows from a storage closet. All

6:02:42right, then. Just wake us up in a couple

6:02:45of hours, okay?

6:02:47Kenji raises an eyebrow at her. Sure,

6:02:50I'm serious. Yep, got it. Kenji offers

6:02:54her a mock salute. Aaron offers me a

6:02:57quick smile and the two of them

6:02:58disappear into the cockpit. Kenji closes

6:03:01the door behind them. I'm staring at the

6:03:04closed door, wondering what on earth is

6:03:06going on between the two of them when

6:03:08Nazer says, "I had no idea you two were

6:03:11so intense."

6:03:13I look up, surprised. Who? Me and Aaron.

6:03:17>> No, she says, smiling. You and Kenji.

6:03:22Oh, I frown. I don't think we're

6:03:25intense.

6:03:27She shoots me a funny look. I'm serious.

6:03:30I say, I think we have a pretty normal

6:03:33friendship.

6:03:34Instead of answering me, she says, "Did

6:03:37you two ever?" She waves a hand at

6:03:40nothing. Date? What? My eyes widen. A

6:03:45traitorous heat floods my body. No.

6:03:48Never, she says, her smile slow. Never.

6:03:52I swear. Not even close. Okay.

6:03:56Not that there's anything wrong with

6:03:58him. I hurried to add. Kenji is

6:04:00wonderful. The right person would be

6:04:02lucky to be with him. Nazer laughs

6:04:05softly. She carries the stack of pillows

6:04:08and blankets over to the row of airplane

6:04:10seats and begins reclining the backs. I

6:04:13watch her as she works. There's

6:04:15something so smooth and refined about

6:04:17her movements. Something intelligent in

6:04:19her eyes at all times. It makes me

6:04:22wonder what she's thinking, what she's

6:04:24planning, why she's here at all.

6:04:27Suddenly, she sigh. She's not looking at

6:04:30me when she says, "Do you remember me

6:04:32yet?"

6:04:34I raise my eyebrows, surprised.

6:04:37"Of course," I say quietly. She nods.

6:04:41She says, "I've been waiting a while for

6:04:44you to catch up." And sits down,

6:04:47inviting me to join her by patting the

6:04:49seat next to her. I do. Wordlessly, she

6:04:53hands me a couple of blankets and

6:04:55pillows. And then, when we're both

6:04:57settled in and I'm staring suspiciously

6:05:00at the vacuum-sealed package of food she

6:05:03threw at me, I say, "So, you remember

6:05:06me, too?"

6:05:08Nazer tears open her vacuum-sealed

6:05:10package, peers inside to study the

6:05:13contents. Emiline guided me to you, she

6:05:17says quietly. The memories, the

6:05:19messages, it was her.

6:05:23I know, I say. She's trying to unify us.

6:05:26She wants us to band together.

6:05:30Nazer shakes out the contents of the bag

6:05:32into her hand, picks through the bits of

6:05:34freeze-dried fruit. She glances at me.

6:05:38"You were five when you disappeared,"

6:05:40she says. Emiline was six. "I'm 6 months

6:05:44older than you and 6 months younger than

6:05:46Emiline."

6:05:48I nod. "The three of us used to be best

6:05:50friends."

6:05:53Nazer looks away, looks sad. "I really

6:05:56loved Emiline," she says. "We were

6:06:00inseparable. We did everything

6:06:02together."

6:06:03She shrugs even as a flash of pain

6:06:05crosses her face. That was all we got.

6:06:09Whatever we might have been was stolen

6:06:11from us.

6:06:13She picks out two pieces of fruit and

6:06:15pops them into her mouth. I watch as she

6:06:18chews thoughtfully and wait for more.

6:06:20But the seconds pass and she says

6:06:22nothing, and I figure I should fill the

6:06:24silence.

6:06:26So, I say, "We're not actually getting

6:06:29any sleep, are we?" That gets her to

6:06:31smile. Still, she doesn't look at me.

6:06:34Finally, she says, "I know you and

6:06:37Warner got the absolute worst of it." I

6:06:40do. But if it makes you feel any better,

6:06:43they wiped all of our memories in the

6:06:45beginning. I know. Emiline told me they

6:06:49didn't want us to remember you. She says

6:06:51they didn't want us to remember a lot of

6:06:53things. Did Emiline tell you she's

6:06:56reached out to all of us? You, me,

6:06:58Warner, my brother, all the kids.

6:07:02She told me a little bit. Yeah. Have you

6:07:04talked to any of the others about it?

6:07:06Nazer nods, pops another piece of fruit

6:07:09in her mouth. And she tilts her head.

6:07:14We'll see.

6:07:15My eyes widen. What does that mean? I'll

6:07:20know more when we land. That's all.

6:07:23So, how did you even know? I say,

6:07:26frowning a little. If you'd only ever

6:07:28had memories of me and Emiline as

6:07:30children, how did you tie it all back to

6:07:32the present? How did you know that I was

6:07:35Ella from our childhood?

6:07:37You know, I wasn't 100% positive I was

6:07:41right about everything until I saw you

6:07:42at dinner that first night on base. You

6:07:46recognized me? I say from when I was

6:07:48five.

6:07:50No, she says and nods at my right hand.

6:07:53From the scar on the back of your wrist.

6:07:56this," I say, lifting my hand. And then

6:08:00I frown, remembering that Eevee repaired

6:08:03my skin. I used to have faded scars all

6:08:06over my body. The ones on my hands were

6:08:08the worst. My adoptive mom put my hands

6:08:11in the fire once, and I hurt myself a

6:08:14lot while I was locked up. Lots of

6:08:16burns, lots of poorly healed wounds. I

6:08:19shake my head at Nazer when I say I used

6:08:23to have scars on my hand from my time in

6:08:25the asylum. Eevee got rid of them.

6:08:29Nazer takes my hand, flips it over so my

6:08:32palm is up open. Carefully she traces a

6:08:36line from my wrist to my forearm.

6:08:39Do you remember the one that was here?

6:08:42Yes. I raised my eyebrows.

6:08:45My dad has a really extensive sword

6:08:48collection, she says, dropping my hand.

6:08:52Really gorgeous blades, gilded,

6:08:54handmade, ancient, ornate stuff. Anyway,

6:08:58she says, tapping the invisible scar on

6:09:00my wrist. I did that to you. I broke

6:09:03into my dad's sword room and thought

6:09:06it'd be fun for us to practice a little

6:09:08hand-to-h hand combat, but I sliced you

6:09:11up pretty bad. and my mom just about

6:09:14beat the crap out of me. She laughs. I

6:09:17will never forget that.

6:09:20I frown at her at where my scar used to

6:09:23be. Didn't you say that we were friends

6:09:25when we were five? She nods. We were

6:09:29five and we thought it would be fun to

6:09:31play with real swords. She laughs, looks

6:09:35confused. I never said we had a normal

6:09:38childhood. Our lives were so messed up,

6:09:42she says and laughs again. I never

6:09:44trusted my parents. I always knew they

6:09:47were kneedeep in some dark I

6:09:50always tried to learn more. I'd been

6:09:53trying for years to hack into Baba's

6:09:55electronic files, she says. And for a

6:09:57long time, I only ever accessed basic

6:10:00information. I learned about the

6:10:03asylums, the unnaturals.

6:10:06That's why you hid your abilities from

6:10:08them, I say, finally understanding.

6:10:12She nods.

6:10:14But I wanted to know more. I knew I was

6:10:17only scratching the surface of something

6:10:19big, but the levels of security built

6:10:22into my dad's account are unlike

6:10:23anything I'd ever seen before. I was

6:10:26able to get through the first few levels

6:10:28of security, which is how I learned of

6:10:30yours and Emiline's existence a few

6:10:33years back. Baba had tons of records,

6:10:36reports on your daily habits and

6:10:38activities, a log with the time and date

6:10:41of every memory they stole from you, and

6:10:44they were all from recent years and

6:10:45months.

6:10:47I gasp.

6:10:49Nazer shoots me a sympathetic look.

6:10:53There were brief mentions of a sister in

6:10:55your files, she says, but nothing

6:10:58substantial. mostly just a note that you

6:11:01were both powerful and had been donated

6:11:03to the cause by your parents. But I

6:11:06couldn't find anything on the unknown

6:11:08sister, which made me think that her

6:11:10files were more protected. I spent the

6:11:13last couple of years trying to break

6:11:15into the deeper levels of Baba's account

6:11:17and never had any success. So, I let it

6:11:21go for a while. She pops another piece

6:11:24of dried fruit in her mouth. It wasn't

6:11:26until my dad started losing his mind

6:11:29after you almost killed Anderson that I

6:11:32started getting suspicious.

6:11:34That was when I began to wonder if the

6:11:36Juliet Ferrars he kept screaming about

6:11:39wasn't someone important.

6:11:41She studies me out of the corner of her

6:11:43eye.

6:11:45I knew you couldn't have been some

6:11:46random unnatural. I just knew it. Baba

6:11:50went ballistic. So, I started hacking

6:11:53again.

6:11:55Wow, I say. Yeah, she says, nodding.

6:11:59Right. Anyway, all I'm trying to say is

6:12:02that I've been trying to sniff out the

6:12:04in this situation for a few

6:12:06years, and now with Emiline in my head,

6:12:09I'm finally getting close to figuring it

6:12:12all out. I glance up at her. The only

6:12:16thing I still don't know is why Emiline

6:12:19is locked up. I don't know what they're

6:12:21doing with her, and I don't understand

6:12:24why it's such a secret.

6:12:27I do, I say.

6:12:30Her head snaps up. She looks at me

6:12:32wideeyed.

6:12:34Way to be the lead, Ella.

6:12:37I laugh,

6:12:39but the sound is sad.

6:12:44Warner.

6:12:47As soon as we take our seats, Kenji

6:12:49turns on me. "You want to tell me what

6:12:51the hell is going on?" he says. "No."

6:12:55Kenji rolls his eyes. He rips open his

6:12:58little snack bag and doesn't even

6:13:00inspect the contents before he tips the

6:13:02bag directly into his mouth. He closes

6:13:05his eyes as he chews, makes little

6:13:07satisfied noises. I managed to fight the

6:13:10impulse to cringe, but I can't stop

6:13:12myself from saying, "You eat like a

6:13:14caveman." "No, I don't," he says

6:13:17angrily. And then a moment later, "Do

6:13:20I?"

6:13:22I hesitate, feeling his sudden wave of

6:13:25embarrassment. "Of all the emotions I

6:13:28hate experiencing, secondhand

6:13:30embarrassment might be the worst. It

6:13:32hits me right in the gut. Makes me want

6:13:34to turn my skin inside out. And it's by

6:13:37far the easiest way to make me

6:13:39capitulate.

6:13:41No, I say heavily. You don't eat like a

6:13:43caveman. That was unfair.

6:13:46Kenji glances at me. There's too much

6:13:49hope in his eyes. I've just never seen

6:13:52anyone eat food with as much enthusiasm

6:13:54as you do. Kenji raises an eyebrow. I'm

6:13:58not enthusiastic. I'm hungry.

6:14:01Carefully, I tear open my own package,

6:14:03shake out a few bits of the fruit into

6:14:05my open hand. They look like desiccated

6:14:08worms. I return the fruit to the bag,

6:14:11dust off my hands, and offer my portion

6:14:13to Kenji. "You sure?" he says, even as

6:14:16he takes it from me. I nod. He thanks

6:14:19me. We both say nothing for a while.

6:14:23So, Kenji says finally, still chewing.

6:14:27You were going to propose to her? Wow.

6:14:32I exhale a long, heavy breath. How you

6:14:36could have even known something like

6:14:38that? Because I'm not deaf. I raise my

6:14:41eyebrows. It echoes in here. It

6:14:44certainly does not echo in here. Stop

6:14:46changing the subject, he says, shaking

6:14:48more fruit into his mouth. The point is,

6:14:51you were going to propose. Do you deny

6:14:53it?

6:14:54I look away when a hand along the side

6:14:57of my neck massaging the sore muscles.

6:15:00I do not deny it, I say. Then

6:15:03congratulations and yes, I'd be happy to

6:15:06be your best man at the wedding. I look

6:15:08up, surprised. I have no interest in

6:15:10addressing the latter part of what you

6:15:12just said, but why offer

6:15:14congratulations? I thought you were

6:15:16vehemently opposed to the idea. Kenji

6:15:19frowns. What? I'm not opposed to the

6:15:22idea. Then why were you so angry? I

6:15:25thought you were stupid for doing it

6:15:26here, he says. Right now? I didn't want

6:15:30you to do something you would regret.

6:15:32That you'd both regret.

6:15:34Why would I regret proposing right now?

6:15:36This seems as good a time as any. Kenji

6:15:39laughs, but somehow manages to keep his

6:15:42mouth closed. He swallows another bite

6:15:44of food and says, "Don't you want to

6:15:46like, I don't know, buy her some roses,

6:15:49light a candle, maybe hand her a box of

6:15:52chocolates or some Or hell, I

6:15:54don't know. Maybe you'd want to get her

6:15:57a ring first." I don't understand. Come

6:16:01on, bro. Have you never seen like a

6:16:04movie? No. Genji stares at me

6:16:08dumbfounded.

6:16:09You're me, he says. Please tell

6:16:12me you're me. I bristle. I was

6:16:16never allowed to watch movies growing

6:16:17up, so I never picked up the habit. And

6:16:19after the reestablishment took over,

6:16:21that sort of thing was outlawed anyway.

6:16:23Besides, I don't enjoy sitting still in

6:16:24the dark for that long. And I don't

6:16:26enjoy the emotional manipulations of

6:16:28cinema. Kenji brings his hands to his

6:16:30face, his eyes wide with something like

6:16:32horror. You have got to be kidding me.

6:16:36Why would I don't understand why that's

6:16:38strange. I was homeschooled. My father

6:16:40was very There are so many things about

6:16:43you that never made sense to me, Kenji

6:16:45says, staring flabbergasted at the wall

6:16:47behind me. Like everything about you is

6:16:50weird, you know. No, I say sharply. I

6:16:54don't think I'm weird. But now it all

6:16:56makes sense, he shakes his head. It all

6:17:00makes so much sense.

6:17:02Wow, who knew? What makes sense? Genji

6:17:07doesn't seem to hear me. Instead, he

6:17:09says, "Hey, is there anything else

6:17:11you've never done? Like, I don't know.

6:17:14Have you ever gone swimming?" Or like

6:17:16blown out candles on a birthday cake.

6:17:18"Of course I've been swimming," I say,

6:17:20irritated. Swimming was an important

6:17:22part of my tactical training, but I've

6:17:24never, I clear my throat. "No, I'd never

6:17:28had my own birthday cake." "Jesus,

6:17:31what is wrong with you?" "Hey," Kenji

6:17:35says suddenly.

6:17:37Do you even know who Bruce Lee is?

6:17:40I hesitate.

6:17:42There's a challenge in his voice, but

6:17:44Kenji isn't generating much more in the

6:17:46way of emotional cues, so I don't

6:17:49understand the importance of the

6:17:50question. Finally, I say Bruce Lee was

6:17:54an actor, though he's also considered to

6:17:57be one of the greatest martial artists

6:17:58of our time. He founded a system of

6:18:00martial arts called Jet Kundo, a type of

6:18:03Chinese kung fu that issues patterns and

6:18:05form. His Chinese name is Liun.

6:18:09Well, Kenji says. He sits back in

6:18:12his chair, staring at me like I might be

6:18:14an alien. Okay, I wasn't expecting that.

6:18:19What does Bruce Lee have to do with

6:18:21anything? First of all, he says, holding

6:18:24up a finger. Bruce Lee has everything to

6:18:27do with everything. And second of all,

6:18:30can you just like do that? He snaps his

6:18:33fingers in the direction of my head. Can

6:18:35you just like remember like that?

6:18:37Random facts? They're not random facts.

6:18:40It's information. Information about our

6:18:42world, its fears, histories,

6:18:44fascinations, and pleasures. It's my job

6:18:46to know this sort of thing. But you've

6:18:49never seen a single movie? I didn't have

6:18:51to. I know enough about pop culture to

6:18:53know which films mattered or made a

6:18:55difference. Kenji shakes his head, looks

6:18:58at me with something like awe. But you

6:19:01don't know anything about the best

6:19:03films. You never saw the really good

6:19:05stuff. Hell, you've probably never even

6:19:08heard of the good stuff. Try me. Have

6:19:10you ever heard of Blue Streak? I blink

6:19:13at him. That's the name of a movie.

6:19:16Romeo Almost Die, Bad Boys, Rush Hour,

6:19:19Rush Hour 2, Rush Hour 3. Actually, Rush

6:19:22Hour 3 wasn't that great. Tangled. That

6:19:25last one, I believe, is a cartoon about

6:19:27a girl with very long hair inspired by

6:19:29the German fairy tale Rapunzel.

6:19:32Kenji looks like he might be choking. "A

6:19:35cartoon?" he says, outraged. "Tangled is

6:19:38not a cartoon. Tangled is one of the

6:19:41greatest movies of all time. It's about

6:19:43fighting for freedom and true love."

6:19:45"Please," I say, running a tired hand

6:19:48across my face. "I really don't care

6:19:50what kinds of cartoons you like to watch

6:19:51in your free time. I only want to know

6:19:53why you're so certain I was making a

6:19:55mistake today.

6:19:58Genji sigh so deeply, his shoulders sag.

6:20:01He slumps down in his chair. I can't

6:20:04believe you've never seen men in black

6:20:06or Independence Day. He looks up at me,

6:20:09his eyes bright. you'd love

6:20:11Independence Day. Will Smith punches an

6:20:14alien in the face for God's sake. It's

6:20:16so good. I stare blankly at him. My dad

6:20:20and I used to watch movies all the time,

6:20:23he says quietly. My dad loved movies.

6:20:27Kenji only allows himself to feel his

6:20:29grief for a moment, but when he does, it

6:20:33hits me in a wild, desperate wave.

6:20:37I'm so sorry for your loss, I say

6:20:40quietly.

6:20:41Yeah, well. Kenji runs a hand over his

6:20:44face, rubs at his eyes, and sigh.

6:20:47Anyway, [snorts] do whatever you want. I

6:20:49just think you should buy her a ring or

6:20:51something before you get down on one

6:20:52knee. I wasn't planning on getting down

6:20:54on one knee. What? He frowns. Why not?

6:20:59That seems illogical. Kenji laughs,

6:21:02rolls his eyes. Listen, just trust me,

6:21:04and at least pick out a ring first. Let

6:21:07her know you actually thought about it.

6:21:10Think it through for a beat. You know, I

6:21:12did think it through for what, 5

6:21:15seconds? Or did you mean that you were

6:21:17planning this proposal while you were

6:21:18being poisoned in prison? Kenji laughs.

6:21:21Bro, you literally saw her for the first

6:21:24time today, like 2 hours ago, after 2

6:21:28weeks of being apart. And you think

6:21:29proposing to her is a rational,

6:21:31clear-headed move. Kenji shakes his

6:21:33head. Just take some time, think about

6:21:36it, make some plans.

6:21:39And then suddenly, his reaction makes

6:21:42sense to me.

6:21:44You don't think she's going to say yes?

6:21:47I sit back, stunned. Look at the wall.

6:21:51You think she'll refuse me? What? I

6:21:53never said that. But it's what you

6:21:55think, isn't it? Listen, he says, and

6:21:59sigh. I have no idea what she'll say. I

6:22:02really don't. I mean, I think it's more

6:22:04than obvious that she loves you. And I

6:22:06think if she's ready to call herself the

6:22:08Supreme Commander of North America,

6:22:09she's probably ready to handle something

6:22:11as big as this. But he rubs his chin,

6:22:14looks away. I mean, yeah, I think maybe

6:22:17you should like think about it for a

6:22:20minute. I stare at him, consider his

6:22:23words.

6:22:25Finally, I say,

6:22:27"You think I should get her a ring?"

6:22:30Kenji smiles at the floor. He seems to

6:22:33be fighting back a laugh. Uh, yeah, I

6:22:36do. I don't know anything about jewelry.

6:22:40He looks up, his eyes bright with humor.

6:22:42Don't worry, I'm sure the files in that

6:22:44thick head of yours have tons of

6:22:45information on this sort of thing. But

6:22:48the plane gives a sudden unexpected

6:22:50jolt, and I'm thrown backward in my

6:22:51seat. Kenji and I stare at each other

6:22:54for a protracted second. Caution giving

6:22:56way to fear. Fear building slowly into

6:22:58panic. The plane jolts again, this time

6:23:01harder. And then once more. That's not

6:23:04turbulence, I say. Kenji swears loudly

6:23:08and jumps to his feet. He scans the

6:23:10dashboard for a second before turning

6:23:12back, his head in a vicelike grip

6:23:13between his hands. I can't read these

6:23:15dials, he says. I have no idea how to

6:23:18read these goddamn dials. I shove the

6:23:20cockpit door open just as Nazer runs

6:23:22forward. She pushes her way past me to

6:23:24scan the dashboard. And when she pulls

6:23:26away, she looks suddenly terrified.

6:23:29We've lost one of our engines, she says,

6:23:32her words barely a whisper. Someone is

6:23:34shooting us out of the sky. What? How is

6:23:37that? But there's no time to discuss it.

6:23:40And Nazer and I hardly have a chance to

6:23:42try to figure out a way to fix it before

6:23:44the plane jolts once more. And this

6:23:46time, the emergency oxygen masks fall

6:23:48out of their overhead compartments.

6:23:50Sirens are wailing. Lights overhead

6:23:52blink rapidly, insistent. Sharp beeps

6:23:55warning us that the system is crashing.

6:23:57We have to try to land the plane, Zer is

6:23:59saying. We have to figure out she

6:24:02says. She covers her mouth with one

6:24:04hand. We just lost another engine. So,

6:24:08we're just going to fall out of the

6:24:09goddamn sky. This from Kenji. We can't

6:24:14land the plane, I say, my heart beating

6:24:16furiously, even as I try to keep a level

6:24:18head. Not like this. Not when we're

6:24:20missing two engines. Not while they're

6:24:22still shooting at us. So, what do we do?

6:24:25She says. It's Ella at the door who says

6:24:28quietly.

6:24:30We have to jump.

6:24:35Ella,

6:24:38what? The three of them turned to face

6:24:41me. What are you talking about? Kenji

6:24:44says, "Love, that's really not a good

6:24:46idea. We don't have any parachutes on

6:24:49this plane, and without them, no, she's

6:24:51right." Nazera says carefully. She's

6:24:54looking me in the eye. She seems to

6:24:56understand what I'm thinking. It'll

6:24:59work, I say. Don't you think? Honestly,

6:25:02I have no idea, she says. But it's

6:25:05definitely worth a shot. It might be our

6:25:07only shot.

6:25:09Kenji is beginning to pace. Okay,

6:25:12someone needs to tell me what the hell

6:25:13is going on. Aaron has gone pale. Love,

6:25:17he says again. What? Nazera can fly, I

6:25:21explain. If we all find a way to secure

6:25:24ourselves to one another, she can use

6:25:26her powers to bolster us. You can use

6:25:28your power to bolster her power. And

6:25:31because there's little chance either of

6:25:32you could use that much of your strength

6:25:35while still carrying our combined

6:25:36weight, we'll eventually slowly be

6:25:40dragged down to the ground.

6:25:43Nazer glances at the dash again. We're

6:25:468,000 ft in the air and losing altitude

6:25:48quickly. If we're going to do this, we

6:25:50should jump now while the plane is still

6:25:52relatively stable. Wait, where are we?

6:25:57Kenji says, "Where are we going to land?

6:26:01I'm not sure, she says, but it looks

6:26:03like we're somewhere over the general

6:26:05vicinity of sectors 200 through 300. She

6:26:09looks at Aaron. Do you have any friends

6:26:12in this region? Aaron shoots her a dark

6:26:15look. I have friends nowhere. Zero

6:26:19people skills, Kenji mutters. We're out

6:26:22of time, I say. Are we going to do this?

6:26:25I guess so. It's the only plan we've

6:26:28got, Kenji says.

6:26:31I think it's a solid plan, Aaron says

6:26:33and shoots me a hesitant but encouraging

6:26:36look. But I think we should find a way

6:26:39to strap ourselves together. Some kind

6:26:41of harness or something so we don't lose

6:26:44each other in the air. We don't have

6:26:46time for that. Nazera's calm is quickly

6:26:50giving way to panic. We'll just have to

6:26:52hold on tight.

6:26:54Kenji nods and with a sudden heave

6:26:57shoves open the airplane door. Air

6:27:00rushes in fast and hard, nearly knocking

6:27:02us off our feet. Quickly, we all link

6:27:05arms, Nazer and Aaron holding up the

6:27:08outer edges, and with a few reassuring

6:27:10shouts through the howling wind, we

6:27:13jump.

6:27:15It's a terrifying sensation.

6:27:19The wind pushes up fast and hard and

6:27:22then all at once stills. We seem to be

6:27:25frozen in time, worring in place, even

6:27:28as we watch the jet fall steadily into

6:27:31the distance. Nazer and Aaron appear to

6:27:34be doing their jobs almost too well.

6:27:36We're not falling fast enough, and not

6:27:38only is it freezing up here, oxygen is

6:27:41scarce. "I'm going to drop my hold on

6:27:44your power," Aaron calls out to Nazera.

6:27:47and she shouts back her agreement.

6:27:50Slowly, we begin to descend.

6:27:53I watch as the world blurs around us. We

6:27:56drift downward, unhurried, the wind

6:27:58pushing hard against our feet. And then,

6:28:01suddenly, the bottom seems to drop out

6:28:04from under us, and we go shooting down

6:28:06hard into the terrain below. I give out

6:28:09a single terrified scream. Or was that

6:28:12Kenji? before we pull to a sudden stop a

6:28:16foot above the ground. Aaron squeezes my

6:28:19arm and I look at him, grateful for the

6:28:21catch. And then we fall to the ground. I

6:28:26land badly on my ankle and wse, but I

6:28:28can put weight on my foot, so I know

6:28:30it's all right. I look around to assess

6:28:32the state of my friends, but realize too

6:28:35late that we're not alone. We're in a

6:28:38vast, wide open field. This was once

6:28:42upon a time almost certainly farmland,

6:28:44but it's now been reduced to little more

6:28:46than ash. In the distance appears a thin

6:28:49band of people quickly closing in on us.

6:28:52I harness my powers, ready to fight,

6:28:55ready to face whatever comes our way.

6:28:58Energy is thrumming inside me, sparking

6:29:00in my blood.

6:29:02I am not afraid.

6:29:05Aaron puts his arm around me, pulls me

6:29:07close. Together, he whispers. No matter

6:29:11what.

6:29:14Finally, after what feels like

6:29:16immeasurable minutes, two bodies

6:29:18separate from their group. Slowly, they

6:29:21walk up to us. My whole body is tense in

6:29:24preparation for an attack, but as they

6:29:26get closer, I'm able to discern their

6:29:29faces. They're two adults. One, a

6:29:32slender, stunning woman with closely

6:29:34cropped hair and skin so dark it gleams.

6:29:38She's luminous as she walks, her smile

6:29:40widening with every step. Beside her is

6:29:44another smiling face, but the familiar

6:29:46sight of his brown skin and long

6:29:48dreadlocks sends shock and panic and

6:29:51hope rushing through me. I feel dazed.

6:29:55Castle.

6:29:57His presence here could be either good

6:29:59or bad. A thousand questions run through

6:30:02my mind. Among them, what is he doing

6:30:05here? How did he get here? The last time

6:30:08I saw him, I didn't think he was on my

6:30:10side at all. Has he turned against us

6:30:13completely?

6:30:15The woman is the first to speak.

6:30:18I'm glad to see you're all right, she

6:30:20says. I'm afraid we had no choice but to

6:30:23shoot your plane out of the sky.

6:30:26What? What are you, Castle?

6:30:30Kenji's quiet, tentative voice reaches

6:30:32out from behind me. Castle steps forward

6:30:36just as Kenji moves toward him, and the

6:30:38two embrace, Castle pulling him in so

6:30:41tightly, I can practically feel the

6:30:43tension from where I'm standing. They're

6:30:46both visibly emotional, and the moment

6:30:48is so touching, it puts my fears at

6:30:50ease.

6:30:52You're okay, Kenji says. I thought.

6:30:56Hater and Stefan, the son of the Supreme

6:30:58Commander of Africa, step out of the

6:31:01crowd. Shock seizes my body at the sight

6:31:04of them. They nod at Nazera and the

6:31:07three of them separate to form a new

6:31:09group off to the side. They speak in

6:31:12low, hurried whispers.

6:31:14Castle takes a deep breath. We have a

6:31:18lot to talk about. And then to me he

6:31:21says, "Ella, I'd like you to meet my

6:31:24daughter, Noria."

6:31:27My eyebrows fly up my forehead. I glance

6:31:31at Aaron, who seems as stunned as I am,

6:31:34but Kenji lets out a sudden whoop and

6:31:36tackles Castle all over again. The two

6:31:39of them laugh. Kenji is saying, "No way.

6:31:43No way."

6:31:45Noria pointedly ignores them and smiles

6:31:48at me. We call our home the sanctuary,

6:31:51she says. My wife and I are the leaders

6:31:54of the resistance here. Welcome.

6:31:58Another woman separates from the crowd

6:31:59and steps forward. She's petite with

6:32:02long blonde hair. She shakes my hand.

6:32:06It's an honor to meet you, she says. My

6:32:09name is Samantha.

6:32:11I study both of them. Noria and Samantha

6:32:15standing side by side. Castle's

6:32:17happiness, the smile on Kenji's face,

6:32:20the cluster of Nazera, Hater, and Stefan

6:32:23off to the side, the larger group

6:32:25crowded in the distance.

6:32:28The honor is ours, I say and smile.

6:32:31Then, but are we safe out here out in

6:32:34the open like this? Noria nods.

6:32:38My powers allow me to manipulate light

6:32:41in unusual ways, she says. I've cast a

6:32:45protective shield around us right now so

6:32:47that if someone were to look in our

6:32:49direction, they'd see only a painful

6:32:51brightness that would force them to look

6:32:53away.

6:32:55Whoa. Kenji's eyes widen. That's cool.

6:32:59Thank you, Maria says. She's practically

6:33:03emanating light, her dark brown skin

6:33:05shimmering even as she stands still.

6:33:08There's something breathtaking about

6:33:10just being near her.

6:33:12Are those your people?

6:33:14>> I hear Aaron say, speaking for the first

6:33:17time. He's peering over her head at the

6:33:20small crowd in the distance. She nods.

6:33:23And are they here to make sure we don't

6:33:25hurt you? Noria smiles. They're here to

6:33:29make sure no one hurts you, she says.

6:33:33Your group is welcome here. You've more

6:33:36than proven yourselves worthy. And then

6:33:39we've heard all the stories about sector

6:33:4145.

6:33:43You have, I say, surprised. I thought

6:33:46the reestablishment buried everything.

6:33:49Noria shakes her head. Whispers travel

6:33:52faster than anyone can control. The

6:33:55continent is buzzing with the news of

6:33:57all you've been doing these past couple

6:33:59of months. It's truly a privilege to

6:34:01meet you. She says to me and holds out

6:34:04her hand. I've been so inspired by your

6:34:07work.

6:34:09I take her hand, feeling at once proud

6:34:11and embarrassed.

6:34:13Thank you, I say quietly. That's very

6:34:17kind of you.

6:34:19But then Ria's eyes grow somber. I am

6:34:23sorry we had to shoot you out of the

6:34:25sky, she says. That must have been

6:34:27terrifying. But Castle assured me that

6:34:30there were two among you who would be

6:34:31able to fly. Wait, what?

6:34:35Kenji hazards a look at Castle. You

6:34:37planned this? It was the only way, he

6:34:41says. Once we were able to get free of

6:34:43the asylum, he nods gratefully at

6:34:46Nazera. I knew the only place left for

6:34:49us was here with Noria.

6:34:52But we couldn't have radioed to tell you

6:34:54to land here. Our communication would

6:34:56have been intercepted, and we couldn't

6:34:58have you land at the air base for

6:35:00obvious reasons. So, we've been tracking

6:35:03your plane, waiting for the right

6:35:05moment. Shooting you out of the sky

6:35:07punts the problem straight back to the

6:35:09military. They'll think it was action

6:35:11from another unit, and by the time they

6:35:14begin to figure it out, we'll have

6:35:16destroyed all evidence of our being

6:35:18here.

6:35:20So, wait, I say, how did you and Noria

6:35:24coordinate this? How'd you find each

6:35:27other? And then, "Castle, if you've

6:35:30abandoned the citizens, won't Anderson

6:35:33just murder them all? Shouldn't you have

6:35:35stayed to protect them? Tried to fight

6:35:37back?" He shakes his head. We had no

6:35:41choice but to evacuate Omega point

6:35:43members from sector 45. After the two of

6:35:46you, he nods at me and Aaron were taken.

6:35:50Things fell into complete chaos. We were

6:35:53all taken hostage and thrown in prison.

6:35:56It was only because of Nazera who

6:35:58connected us with Hater and Stefon that

6:36:01we were able to make our way here.

6:36:03Sector 45 has since been returned to its

6:36:06original state as a prison.

6:36:09Castle takes a tight breath. There's a

6:36:12great deal we need to share with each

6:36:13other. So much has happened in the last

6:36:16two weeks. It'll be impossible to

6:36:18discuss it all quickly. But it is

6:36:21important that you know right now a

6:36:24little bit about Noria's role in all

6:36:25this. He turns to Noria and gives her a

6:36:29small nod. Noria looks me in the eye and

6:36:32says, "That day you were shot on the

6:36:35beach," she says quietly. "Do you

6:36:37remember?" I hesitate. "Of course."

6:36:43"I was the one who issued that order

6:36:45against you."

6:36:47I'm so stunned I visibly flinch.

6:36:51What? Aaron steps forward, outraged.

6:36:55Castle, are you insane? You ask us to

6:36:58take refuge in the home of a person who

6:37:00nearly murdered Ella. He turns back,

6:37:04stares at me with a wild look in his

6:37:05eyes. How could you, Castle? There's a

6:37:10warning in Kenji's voice. What is going

6:37:12on?

6:37:14But Noria and Castle are staring at each

6:37:16other and a heavy look passes between

6:37:19them. Finally, Castle sigh.

6:37:23Let's get settled before we keep

6:37:25talking. He says, "This is a long

6:37:28conversation, and it's an important one.

6:37:32Let's have it now." Aaron says. "Yes,"

6:37:36Kenji says angrily. "Now."

6:37:39"She tried to murder me," I say, finally

6:37:42finding my voice. Why would you bring me

6:37:44here? What are you trying to do? You've

6:37:47had a long, difficult journey. Castle

6:37:50says, "I want you to have a chance to

6:37:52get settled, take a shower, and eat some

6:37:55food, and then I promise we'll give you

6:37:58all the answers you want." But how can

6:38:01we trust that we'll be safe? I say, "How

6:38:03can we know Noria isn't trying to hurt

6:38:05us?" "Because," she says steadily, "I

6:38:10did what I did to help you." And how is

6:38:13that plausible? Aaron says sharply. It

6:38:17was the only way I knew how to get a

6:38:19message to you. Noria says, still

6:38:22staring at me. I was never trying to

6:38:25kill you, and I knew that your own

6:38:27defenses would help protect you from

6:38:29certain death. That was a dangerous bet

6:38:31to make. Believe me, she says quietly,

6:38:36it was a difficult decision to make. It

6:38:38came at great cost to us. We lost one of

6:38:41our own in the process.

6:38:44I feel myself tense, but otherwise

6:38:46betray no emotion.

6:38:48I remember the day Nazer saved me, the

6:38:51day she killed my asalent.

6:38:53But I had to reach you, Noria says, her

6:38:57dark brown eyes deep with feeling. It

6:39:00was the only way I could do it without

6:39:02rousing suspicion.

6:39:05My curiosity beats out my skepticism for

6:39:08the moment.

6:39:10So why? Why did you do it? I ask. Why

6:39:14poison me?

6:39:17Unexpectedly, Noria smiles. I needed you

6:39:20to see what I saw. And according to

6:39:23Castle, it worked.

6:39:26What worked,

6:39:28Ella? She hesitates. May I call you by

6:39:31your real name? I blink. Stare at

6:39:34Castle. You told her about me. He didn't

6:39:38have to. Things don't stay secret for

6:39:41very long around here. Noria says, "No

6:39:44matter what the reestablishment has, you

6:39:47believe, we're all finding ways to pass

6:39:50messages to each other. All the

6:39:52resistance groups across the globe know

6:39:54the truth about you by now, and they

6:39:57love you more for it."

6:39:59"I don't know what to say."

6:40:02"Ella," she says softly. I was able to

6:40:06figure out why your parents have kept

6:40:08your sister a secret for so long and I

6:40:11just wanted to. I already know. I'd say

6:40:15the words coming out quietly.

6:40:18I haven't talked to anyone about this

6:40:20yet. Haven't told a soul.

6:40:23There's been no time to discuss

6:40:24something this big. No time to have a

6:40:26long conversation.

6:40:28But I guess we're going to have it now.

6:40:31Noria is staring at me, stunned.

6:40:35You know,

6:40:37Emiline told me everything.

6:40:40A hush falls over the crowd. Everyone

6:40:42turns to look at me. Even hater, Stefon,

6:40:45and Nazer finally stopped talking

6:40:47amongst themselves long enough to stare.

6:40:50She's kept in captivity, I say. She

6:40:52lives in a holding tank where she exists

6:40:54almost permanently underwater. Her brain

6:40:57waves are connected to tidal turbines

6:40:59that convert the kinetic energy of her

6:41:01mind into electricity. Eevee, my mother,

6:41:05found a way to harness that electricity

6:41:07and project it outward all over the

6:41:09world. I take a deep breath.

6:41:13Emiline is stronger than I've ever been

6:41:16or ever will be. She has the power to

6:41:19bend the minds of the people. She can

6:41:21warp and distort realities here,

6:41:24everywhere.

6:41:27Kenji's face is a perfect encapsulation

6:41:30of horror and his expression is

6:41:32reflected on dozens of other faces

6:41:34around me. Nazira, on the other hand,

6:41:37looks stricken.

6:41:39What you see here, I say, around us, the

6:41:43decay of society, the broken atmosphere,

6:41:45the birds gone from the sky, it's all an

6:41:48illusion. It's true that our climate has

6:41:51changed. Yes, we've done serious damage

6:41:53to the atmosphere, to the animals, to

6:41:56the planet as a whole. But that damage

6:41:58is not irreparable.

6:42:01Scientists were hopeful that with a

6:42:03careful, concerted effort, we could fix

6:42:06our Earth, save the future. But the

6:42:09reestablishment didn't like that angle.

6:42:11He says they didn't want the people to

6:42:14hope. They wanted people to think that

6:42:16our earth was beyond salvation. And with

6:42:19Emiline, they were able to do just that.

6:42:22Why? Kenji says stunned. Why would they

6:42:26do that? What do they gain? Desperate,

6:42:30terrified people, Noria says solemnly,

6:42:33are much easier to control. They used

6:42:36Ella's sister to create the illusion of

6:42:39irreversible devastation. And then they

6:42:42prayed upon the weak and the hopeless

6:42:44and convinced them to turn to the

6:42:46reestablishment for support.

6:42:48Emiline and I were designed for

6:42:51something called operation synthesis.

6:42:54She was meant to be the architect of the

6:42:56world and I was to be the executioner.

6:42:59But Emiline is dying. They need another

6:43:02powerful weapon with which to control

6:43:05the people. A contingency, a backup

6:43:08plan. Aaron takes my hand.

6:43:12The reestablishment wanted me to replace

6:43:14my sister. I say

6:43:17for the first time Noria has gone still.

6:43:22No one knew this part. No one but me.

6:43:25How? She says you have such different

6:43:29abilities.

6:43:31It's Castle who says it's easy to

6:43:34imagine actually. But he looks

6:43:37terrified.

6:43:38If they were to magnify Ella's powers

6:43:41the way they did her sisters, she would

6:43:43become the equivalent of a human atom

6:43:46bomb. She could cause mass destruction,

6:43:50excruciating pain, death when they

6:43:53please across tremendous distances.

6:43:57We have no choice. Nazer's voice rings

6:44:00out sharp and clear. We have to kill

6:44:03Eevee.

6:44:05And I'm looking out far into the

6:44:07distance when I say quietly,

6:44:10"I already did."

6:44:13A collective gasp goes through the

6:44:15crowd. Aaron goes still beside me.

6:44:20And now I say, I have to kill my sister.

6:44:24It's what she wants. It's the only way.

6:44:30>> Warner.

6:44:33Nura's headquarters are both strange and

6:44:36beautiful. They have no need to hide

6:44:39underground because she's found a way to

6:44:41imbue objects with her power. An

6:44:43evolution of our abilities even Castle

6:44:45hadn't foreseen. The sanctuary's

6:44:48campsite is protected by a series of

6:44:5020ft tall pole lights that border the

6:44:52edges of the clearing. Fused with Nura's

6:44:55power, the lights work together as a

6:44:57barrier that makes it impossible to look

6:44:59in the direction of their campsite. She

6:45:01says her abilities not only have the

6:45:03power to blind, but that she can also

6:45:06use light to warp sounds. So, they live

6:45:09here out in the open, their words and

6:45:12actions protected in plain sight. Only

6:45:15those who know the location can find

6:45:17their way here. Nura says that the

6:45:20illusion has kept them safe for years.

6:45:24The sun begins its descent as we make

6:45:26our way toward the campsite. The vast,

6:45:28unusually green field dotted with cream

6:45:31colored tents. And the scene is so

6:45:34breathtaking. I can't help but stop to

6:45:36appreciate the view. Fire streaks across

6:45:39the sky, golden light flooding the air

6:45:41and earth. It feels both beautiful and

6:45:44bleak. And I shiver as a gust of wind

6:45:47wraps around my body.

6:45:50Ella takes my hand. I look at her,

6:45:52surprised, and she smiles at me, the

6:45:55fading sun glinting in her eyes.

6:45:58I feel her fear, her hope, her love for

6:46:01me. But there's something else, too.

6:46:05Something like pride.

6:46:07It's faint, but it's there. And it makes

6:46:10me so happy to see her like this. She

6:46:13should be proud. I can speak for myself

6:46:15at least when I say that I've never been

6:46:17so proud of her. But then, I always knew

6:46:19she would go on to greatness. It doesn't

6:46:21surprise me at all that even after

6:46:23everything she's been through, after all

6:46:25the horrors she's had to face, she's

6:46:28still managed to inspire the world.

6:46:31She's one of the strongest people I've

6:46:32ever known. My father might be back from

6:46:35the dead, and Sector 45 might be out of

6:46:38our hands, but Ella's impact can't be

6:46:40ignored. Nura says that no one really

6:46:43believed that she was actually dead. But

6:46:45now that it's official, now that word

6:46:47has spread that Ella is still alive,

6:46:49she's become more notorious than ever.

6:46:51Nura says that the rumbles underground

6:46:53are already getting stronger. People are

6:46:55more desperate to act, to get involved,

6:46:57and to stand up to the reestablishment.

6:47:00Resistance groups are growing. The

6:47:02civilians are finding ways to get

6:47:03smarter, to get stronger together. And

6:47:06Ella has given them a figure to rally

6:47:08around. Everyone is talking about her.

6:47:12She's become a symbol of hope for so

6:47:14many. I squeeze Ella's hand, returning

6:47:17her smile. And when her cheeks flush

6:47:19with color, I have to fight back the

6:47:20urge to pull her into my arms. She

6:47:23amazes me more every day.

6:47:27My conversation with Kenji is still,

6:47:29despite everything, at the forefront of

6:47:31my mind. Things always feel so desperate

6:47:33these days that I feel a new nagging

6:47:35insistence that this window of calm

6:47:38might be my only chance at happiness.

6:47:40We're almost constantly at war, either

6:47:43fighting for our lives or on the run.

6:47:45And there's no guarantee of a future. No

6:47:47guarantee that I'll live to see another

6:47:49year. No promise to grow old. It makes

6:47:52me feel like I stop suddenly and Ella

6:47:55nearly stumbles. "Are you okay?" she

6:47:58says, squeezing my hand. I nod. I offer

6:48:02her a distracted smile and vague apology

6:48:04as we begin walking again, but I run the

6:48:07numbers once more. Finally, I say

6:48:10without looking up, "Does anyone happen

6:48:13to know what day it is?" And someone

6:48:16responds, a voice from the group I can't

6:48:18be bothered to identify, confirming what

6:48:20I already thought might be true.

6:48:23My father wasn't lying.

6:48:25Tomorrow is my birthday.

6:48:28I'll be 20 years old

6:48:31tomorrow.

6:48:33The revelation thunders through me. This

6:48:36birthday feels like more of a milestone

6:48:38than usual because my life exactly one

6:48:41year ago was nearly unrecognizable.

6:48:44Almost everything in my life is

6:48:46different now. One year ago, I was a

6:48:48different person. I was in an awful

6:48:50self-destructive relationship with a

6:48:52different person. One year ago, my

6:48:54anxiety was so crippling that 5 minutes

6:48:56alone with my own mind would leave me

6:48:58spiraling for days. I relied entirely

6:49:01upon my routines and schedules to keep

6:49:03me tethered to the endless horrors of my

6:49:05job and its demands. I was inflexible

6:49:08beyond reason. I was hanging on to

6:49:10humanity by a thread. I felt both wild

6:49:12and nearly out of my mind all the time.

6:49:16My private thoughts and fears were so

6:49:18dark that I spent nearly all my free

6:49:20hours either exercising in my shooting

6:49:23range or in the bowels of sector 45

6:49:26running training simulations that I'm

6:49:29not proud to admit.

6:49:31I designed specifically to experience

6:49:33killing myself over and over again.

6:49:38That was one year ago, less than a year

6:49:42ago. Somehow it feels like a lifetime

6:49:45ago. And when I think back on who I was

6:49:48and what that version of myself thought

6:49:50my life would be like today,

6:49:54I'm left deeply and profoundly humbled.

6:49:59Today is not forever. Happiness does not

6:50:03happen. Happiness must be uncovered,

6:50:06separated from the skin of pain. It must

6:50:09be claimed, kept close,

6:50:12protected.

6:50:14Would you prefer a chance to shower and

6:50:16change before reuniting with the others?

6:50:19Nura is saying. Her voice is sharp and

6:50:22clear, and it shakes me from my revery.

6:50:24Yes, I say quickly. I'd really

6:50:26appreciate the time to rest. No problem.

6:50:29We meet for dinner in the main tent in 2

6:50:31hours. I'll show you to your new

6:50:32residences. She hesitates. I hope you'll

6:50:35forgive me for being presumptuous, but I

6:50:37assumed the two of you. She looks at me

6:50:40and Ella would like to share a space.

6:50:42But of course, if that's not Yes, thank

6:50:44you, Ella says quickly. Her cheeks are

6:50:46already pink. We're grateful for your

6:50:48thoughtfulness. Nura nods. She seems

6:50:52pleased. And then she turns to Kenji and

6:50:54Nazer and says, "If you'd like, I can

6:50:56arrange to join your separate rooms so

6:50:58that you Kenji and Nazer respond at the

6:51:01same time." What? No. Absolutely not.

6:51:04Oh, I'm so sorry, Nuria says quickly. My

6:51:08apologies. I shouldn't have assumed.

6:51:10For the first time ever, Nazera looks

6:51:13flustered. She can hardly get out the

6:51:15words when she says, "Why would you

6:51:17think we'd want to share a room?" Nura

6:51:20shakes her head. She shares a quick,

6:51:22confused glance with Castle, but seems

6:51:24suddenly mortified. "I don't know. I'm

6:51:27sorry. You seemed separate rooms are

6:51:29perfect," Kenji says sharply. Great,

6:51:33Nura says a little too brightly. I'll

6:51:35lead the way. And I watch amused as

6:51:39Castle tries and fails to hide a smile.

6:51:44Our residence, as Nura called it, is

6:51:48more than I could have hoped for. I

6:51:50thought we'd be camping. Instead, inside

6:51:53of each tent is a miniature

6:51:54self-contained home. There's a bed, a

6:51:57small living area, a tiny kitchen, and a

6:52:00full bathroom. The furnishings are spare

6:52:02but bright, well-made and clean.

6:52:06And when Ella walks in, slips off her

6:52:09shoes, and throws herself backward onto

6:52:11the bed, I can almost imagine us

6:52:14together like this. Maybe someday

6:52:17in our own home.

6:52:19The thought sends a wave of disorienting

6:52:22euphoria through my body and then

6:52:26fear.

6:52:28It seems like tempting fate to even hope

6:52:31for a happiness like that. But there's

6:52:33another part of me, a small but

6:52:35insistent part of me that clings to that

6:52:38hope nonetheless. Ella and I overcame

6:52:41what I once thought impossible. I never

6:52:43dreamed she'd still love me once she

6:52:45knew everything about me. I never

6:52:47dreamed that the heartbreak and horrors

6:52:49of recent events would only bring us

6:52:51closer or that my love for her could

6:52:53somehow increase tenfold in two weeks.

6:52:57I grew up thinking that the joys of this

6:52:59world were for other people to enjoy. I

6:53:02was certain that I was faded to a bleak,

6:53:04solitary life, forever barred from the

6:53:07contentment offered by human connection.

6:53:10But now

6:53:13Ella yawns soundlessly, hugging a pillow

6:53:15to her chest as she curls up on her

6:53:17side. Her eyes close.

6:53:20A smile tugs at my mouth as I watch her.

6:53:24I'm still amazed at how just the sight

6:53:26of her could bring me so much peace. She

6:53:28shifts again, borrowing more deeply into

6:53:30the pillows, and I realize she must be

6:53:32exhausted. And as much as I'd love to

6:53:34pull her into my arms, I decide to give

6:53:37her space. I back away quietly and

6:53:40instead use the time to explore the rest

6:53:42of our new temporary home. I'm still

6:53:46surprised by how much I like it. We have

6:53:49more privacy here in these new

6:53:50headquarters than we ever did before.

6:53:52More freedom here. I'm a visitor,

6:53:55welcome to take my time showering and

6:53:57resting before dinner. No one expects me

6:54:00to run their world. I have no

6:54:02correspondence to attend to, no awful

6:54:04tasks to attend to, no civilians to

6:54:06oversee, no innocence to torture. I feel

6:54:10so much freer now that someone else has

6:54:12taken the reigns. It's both alien and

6:54:15wonderful.

6:54:17It feels so good to have space with

6:54:18Ella. literal and figurative space to be

6:54:22ourselves, to be together, to simply be

6:54:26and breathe. Ella and I shared my

6:54:28bedroom back on base, but it never felt

6:54:30like home there. Everything was cold,

6:54:33sterile. I hated that building, hated

6:54:36that room, hated every minute of my

6:54:38life. Those walls, my own personal

6:54:41rooms, were suffocating, infused with

6:54:44awful memories. But here, even though

6:54:46the room is small, the tight quarters

6:54:49manage to be cozy. This place feels

6:54:52fresh and new and serene.

6:54:55The future doesn't seem improbable here.

6:54:57Hope doesn't feel ridiculous.

6:55:00It feels like a chance to begin again.

6:55:03And it doesn't feel dangerous to dream

6:55:07that one day Ella might be mine in every

6:55:10way. my wife, my family, my future.

6:55:17I've never ever dared to think of it.

6:55:22But my hope is snuffed out just as

6:55:24quickly as it appeared. Kenji's warnings

6:55:27flash through my mind, and I feel

6:55:28suddenly agitated. Apparently, proposing

6:55:31to Ella is more complicated than I'd

6:55:33originally thought it might be.

6:55:35Apparently, I need some kind of plan. A

6:55:37ring, a moment on one knee. It all

6:55:40sounds ridiculous to me. I don't even

6:55:42know why it sounds ridiculous exactly,

6:55:44just that it doesn't feel like me. I

6:55:46don't know how to put on a performance.

6:55:48I don't want to make a scene. I'd find

6:55:50it excruciating to be so vulnerable in

6:55:52front of other people or in an

6:55:53unfamiliar setting. I wouldn't know what

6:55:55to do with myself.

6:55:57Still, these problems seem surmountable

6:56:00in the pursuit of forever with her. I

6:56:03would get on one knee if Ella wanted me

6:56:05to. I'd propose in a room filled with

6:56:07her closest friends if that was what she

6:56:08needed.

6:56:10No, my fear is something much greater

6:56:12than that.

6:56:14The thing Kenji said to me today that

6:56:16rattled me to my core

6:56:18was the possibility that Ella might say

6:56:20no.

6:56:22It's unconscionable that it never

6:56:24occurred to me that she might say no. Of

6:56:27course, she might say no. She could be

6:56:30uninterested for any number of reasons.

6:56:32She might not be ready, for example, or

6:56:35she might not be interested in the

6:56:36institution of marriage as a whole. or I

6:56:40think

6:56:42she simply might not want to tether

6:56:43herself to me in such a permanent way.

6:56:47The thought sends a chill through my

6:56:49body.

6:56:51I suppose I assumed she and I were on

6:56:54the same page emotionally, but my

6:56:56assumptions in this department have

6:56:58landed me in trouble more times than I'd

6:56:59like to admit. And the stakes are too

6:57:02high now not to take Kenji's concern

6:57:04seriously. I'm not prepared to

6:57:06acknowledge the damage it would do to my

6:57:08heart if she rejected my proposal.

6:57:11I take a deep sharp breath.

6:57:13Kenji said I need to get her a ring. So

6:57:16far, he's been right about most of the

6:57:18things I've done wrong in our

6:57:19relationship, so I'm inclined to believe

6:57:21he might have a point, but I have no

6:57:24idea where I'd be able to conjure up a

6:57:25ring in a place like this. Maybe if we

6:57:28were back home where I was familiar with

6:57:29the area and its artisans.

6:57:32But here, it's almost too much to think

6:57:35about right now. There's so much to

6:57:37think about, in fact, that I can't quite

6:57:39believe I'm even considering something

6:57:41like this at a time like this. I haven't

6:57:44even had a moment to reconcile the

6:57:46apparent regeneration of my father or

6:57:49literally any of the other new

6:57:50outrageous revelations our families have

6:57:52thrown at us. We're in the middle of a

6:57:54fight for our lives. We're fighting for

6:57:56the future of the world.

6:57:59I squeeze my eyes shut. Maybe I really

6:58:02am an idiot.

6:58:045 minutes ago, the end of the world

6:58:06seemed like the right reason to propose,

6:58:08to take everything I can in this

6:58:09transitory world and grieve nothing. But

6:58:13suddenly, it feels like this really

6:58:14might be an impulsive decision. Maybe

6:58:17this isn't the right time after all.

6:58:20Maybe Kenji was right. Maybe I'm not

6:58:21thinking clearly. Maybe losing Ella and

6:58:24regaining all these memories,

6:58:26maybe it's made me irrational.

6:58:29I push off the wall, trying to clear my

6:58:31head. I wander the rest of the small

6:58:33space, taking stock of everything in our

6:58:35tent, and peer into the bathroom. I'm

6:58:38relieved to discover that there's real

6:58:40plumbing. In fact, the more I look

6:58:42around, the more I realized that this

6:58:44isn't a tent at all. There are actual

6:58:47floors and walls and a single vated

6:58:50ceiling in this room, as if each unit is

6:58:52actually a small freestanding building.

6:58:55The tents seem to be draped over the

6:58:57entire structure.

6:58:58And I wonder if they serve a more

6:59:00practical purpose that's not immediately

6:59:02obvious.

6:59:04Several years, Nuria said.

6:59:08Several years they've lived here and

6:59:09made this their home. They really found

6:59:12a way to make something out of nothing.

6:59:15The bathroom is a nice size, spacious

6:59:17enough for two people to share, but not

6:59:19big enough for a bathtub. Still, when we

6:59:22first approached the clearing, I wasn't

6:59:24even sure they'd have proper facilities

6:59:26or running water. So, this is more than

6:59:28I could have hoped for. And the more I

6:59:31stare at the shower, the more I'm

6:59:33suddenly desperate to rinse these weeks

6:59:35from my skin. I always took pains to

6:59:38stay clean, even in prison. But it's

6:59:40been too long since I've had a hot

6:59:41shower with steady running water. And I

6:59:44can hardly resist the temptation now.

6:59:46And I've already stripped off most of my

6:59:49clothes when I hear Ella call my name.

6:59:52her still sleepy voice carrying over

6:59:54from what serves as our bedroom or bed

6:59:57space. It's not really a room as much as

7:00:00it is an area designated for a bed. Yes,

7:00:04I call back. Where do you go? She says,

7:00:08I thought I might take a shower. I try

7:00:10to say without shouting. I've just

7:00:12stepped out of my underwear and into the

7:00:14standing shower, but I turn the dials in

7:00:16the wrong direction and cold water

7:00:18sprays from the shower head. I jump

7:00:20backward even as I hurry to undo my

7:00:22mistake and nearly collide with Ella in

7:00:26the process.

7:00:28Ella, who's suddenly standing behind me.

7:00:32I don't know whether it's habit,

7:00:34instinct, or self-preservation. But I

7:00:36grab a towel from a nearby shelf and

7:00:38quickly press it against my exposed

7:00:40body. I don't even understand why I'm

7:00:42suddenly self-conscious. I never feel

7:00:44uncomfortable in my own skin. I like the

7:00:46way I look naked. But this moment wasn't

7:00:50one I'd anticipated, and I feel

7:00:52defenseless.

7:00:53"Hi, love," I say, taking a quick

7:00:56breath. "I remember to smile. I didn't

7:00:59see you standing there."

7:01:01Ella crosses her arms, pretending to

7:01:03look mad, but I can see the effort she's

7:01:05making to fight back a smile. "Aaron,"

7:01:09she says sternly. "You were going to

7:01:11take a shower without me?" My eyebrows

7:01:15fly up, surprised. For a moment, I don't

7:01:18know what to say. And then carefully,

7:01:22"Would you like to join me?" She steps

7:01:25forward, wraps her arms around my waist,

7:01:28and stares up at me with a sweet secret

7:01:31smile. The look in her eyes is enough to

7:01:34make me think about dropping the towel.

7:01:36I whisper her name, my heart heavy with

7:01:38emotion.

7:01:40She pulls me closer, gently touching her

7:01:42lips to my chest, and I go uncomfortably

7:01:45still. Her kisses grow more intent. Her

7:01:48lips leaving a trail of fire across my

7:01:51chest, down my torso, and feeling rushes

7:01:54through my veins, sets me on fire.

7:01:57Suddenly, I forget why I was ever

7:01:58holding a towel. I don't even know when

7:02:01it falls to the floor. I slip my arms

7:02:04around her, reel her in. She feels

7:02:07incredible, her body fitting against me

7:02:10perfectly. And I tilt her face up, my

7:02:13hand caught somewhere behind her neck

7:02:15and the base of her jaw. And I kiss her

7:02:19soft and slow, heat filling my blood

7:02:21with dangerous speed. I pull her

7:02:24tighter, and she gasps, stumbles, and

7:02:26takes an accidental step back. And I

7:02:28catch her, pressing her against the wall

7:02:31behind her. I bunch up the hem of her

7:02:33dress, and in one smooth motion, yank it

7:02:35upward. my hand slipping under the

7:02:37material to skim the smooth skin of her

7:02:39waist to grip her hip hard. I part her

7:02:43legs with my thigh and she makes a soft,

7:02:45desperate sound deep in her throat. And

7:02:48it does something to me to feel her like

7:02:51this, to hear her like this, to be

7:02:54assaulted by endless waves of her

7:02:56pleasure and desire.

7:02:58It drives me insane.

7:03:01I bury my face in her neck, my hands

7:03:03moving up under her dress to feel her

7:03:05skin, hot and soft and sensitive to my

7:03:08touch. I've missed her so much. I've

7:03:12missed her body under my hands. Missed

7:03:13the scent of her skin and the soft

7:03:16feather-like whisper of her hair against

7:03:18my body. I kiss her neck, trying to

7:03:21ignore the tension in my muscles or the

7:03:23hard, desperate pressure driving me

7:03:25toward her, toward madness. There's an

7:03:29ache expanding inside of me and

7:03:31demanding more. Demanding I flip her

7:03:33over and lose myself in her ear right

7:03:36now. And she whispers,

7:03:39"How [gasps]

7:03:41how do you always feel so good?"

7:03:44She's clinging to me, her eyes

7:03:47halflitted but bright with desire. Her

7:03:50face is flushed. Her words are heavy

7:03:53with feeling when she says, "How do you

7:03:56always do this to me?"

7:03:59I break away from her. I take two steps

7:04:02backward and I'm breathing hard, trying

7:04:04to regain control of myself, even as her

7:04:06eyes widen, her arms going suddenly

7:04:08still. "Aaron," she says. "What's Take

7:04:12off your dress," I say quietly.

7:04:16Understanding awakens in her eyes. She

7:04:19says nothing. She only looks at me

7:04:22carefully as I watch. Imprisoned in

7:04:26place by an acute form of agony. Her

7:04:29hands are trembling, but her eyes are

7:04:31willing and wanting and nervous. She

7:04:34shoves the material down past her

7:04:36shoulders and lets it fall to the floor.

7:04:38I drink her in as she steps out of the

7:04:40dress, my mind racing.

7:04:43Gorgeous, I think. So gorgeous.

7:04:48My pulse is wild. When I ask her to, she

7:04:52unhooks her bra. Moments later, her

7:04:54underwear joins her bra on the floor,

7:04:56and I can't look away from her. My mind

7:04:59unable to process the perfection of this

7:05:01happiness. She's so stunning, I can

7:05:04hardly breathe. I can hardly fathom that

7:05:06she's mine, that she wants me, that she

7:05:09would ever love me. I can't even hear

7:05:11myself think over the rush of blood in

7:05:14my ears. My heart beating so fast and

7:05:16hard, it seems to thud against my skull.

7:05:19The sight of her standing in front of

7:05:21me, vulnerable and flushed with desire,

7:05:23is doing wild, desperate things to my

7:05:26mind. God, the fantasies I've had about

7:05:29her, the places my mind has gone. I step

7:05:32forward and pick her up, and she gasps,

7:05:34surprised, clinging desperately to my

7:05:36neck as I hitch her legs around my

7:05:38waist, my arms settling under her

7:05:40thighs. I love feeling the weight of her

7:05:43soft curves. I love having her this

7:05:46close to me. I love her arms around my

7:05:48neck and the squeeze of her legs around

7:05:50my hips. I love how ready she is, her

7:05:52thighs already parted, every inch of her

7:05:55pressed against me. But then she runs

7:05:58her hands up my naked back and I have to

7:06:00resist the urge to flinch.

7:06:04I don't want to be self-conscious about

7:06:06the scars on my body. I don't want any

7:06:10part of me to be off limits to her. I

7:06:13want her to know me exactly as I am. And

7:06:16as hard as it is, I allow myself to ease

7:06:20into her touch, closing my eyes as she

7:06:23trails her hands up across my shoulders,

7:06:27down my arms.

7:06:30"You're so gorgeous," she says softly.

7:06:34"I'm always surprised.

7:06:36It doesn't matter how many times I see

7:06:38you without your clothes on. I'm always

7:06:41surprised.

7:06:43It doesn't seem fair that anyone should

7:06:45be this gorgeous.

7:06:48She looks at me, stares at me as if

7:06:51expecting an answer, but I can't speak.

7:06:54I fear I might unravel if I do.

7:06:58I want her with a desperate need I've

7:07:01never known before. A desperate, painful

7:07:04need so overwhelming it's threatening to

7:07:06consume me. I need her. Need this

7:07:12now.

7:07:14I take a deep unsteady breath and carry

7:07:16her into the shower.

7:07:18She screams. Hot water hits us fast and

7:07:21hard. And I press her against the shower

7:07:24wall, losing myself and her in a way I

7:07:27never have before. The kisses are

7:07:29deeper, more desperate, the heat more

7:07:33explosive.

7:07:35Everything between us feels wild and raw

7:07:38and vulnerable.

7:07:40I lose track of time.

7:07:43I don't know how long we've been here.

7:07:46I don't know how long I've lost myself

7:07:49in her. When she cries out, clutching my

7:07:52arms so tightly her fingernails dig into

7:07:54my skin, her screams muffled against my

7:07:57chest. I feel weak, unsteady as she

7:08:01collapses in my arms.

7:08:04I'm intoxicated by the pure, stunning

7:08:07power of her emotions. Endless waves of

7:08:11love and desire. Love and kindness. Love

7:08:14and joy. Love and tenderness.

7:08:19So much tenderness.

7:08:21It's almost too much.

7:08:25I step backward, bracing myself against

7:08:28the wall as she presses her cheek

7:08:30against my chest and holds me. Our

7:08:33bodies wet and heavy with feeling. our

7:08:36hearts pounding with something more

7:08:38powerful than I ever thought possible.

7:08:41I kiss the curve of her shoulder, the

7:08:44nape of her neck. I forget where we are

7:08:47and all we have left to do, and I just

7:08:51hold on. Hot water rushing down my arms,

7:08:55my limbs still slightly shaking,

7:08:58too terrified to let her go.

7:09:03Ella,

7:09:06I wake up with a start. After we got out

7:09:10of the shower, Aaron and I dried off,

7:09:12climbed into bed without a word, and

7:09:14promptly fell asleep. I have no idea

7:09:17what time it is. Aaron's body is curled

7:09:20around mine, one of his arms under my

7:09:22head, the other wrapped around my waist.

7:09:25His arms are heavy, and the weight of

7:09:28him feels so good. Makes me feel so

7:09:30safe.

7:09:31that on the one hand I don't ever want

7:09:34to move. On the other hand,

7:09:37I know we should probably get out of

7:09:39bed. I sigh, hating to wake him up. He

7:09:43seems so tired, and I turn around slowly

7:09:46in his arms. He only pulls me tighter.

7:09:51He shifts so that his chin rests on my

7:09:54head. My face is now pressed gently

7:09:57against his throat, and I breathe him

7:09:59in, running my hands along the strong,

7:10:02deep lines of muscle in his arms.

7:10:05Everything about him feels raw,

7:10:07powerful. There's something both wild

7:10:10and terrified about his heart, and

7:10:12somehow knowing this only makes me love

7:10:15him more. I trace the lines of his

7:10:18shoulder blades, the curve of his spine.

7:10:21He stirs, but only a little, and buries

7:10:24his face in my hair, breathing me in.

7:10:28>> "Don't go," he says quietly.

7:10:32I tilt my head, gently kiss the column

7:10:34of his throat. "Aaron," I whisper. "I'm

7:10:38not going anywhere."

7:10:41He sigh, says, "Good."

7:10:45I smile. But we should probably get out

7:10:48of bed. We have to go to dinner.

7:10:50Everyone will be waiting for us. He

7:10:53shakes his head barely, makes a

7:10:55disapproving sound in his throat.

7:10:58But

7:10:59>> no. [clears throat]

7:11:00>> And then deafly he helps me turn around.

7:11:04He hugs me close again, my back pressed

7:11:06against his chest, his voice is soft,

7:11:09husky with desire when he says,

7:11:12>> "Let me enjoy you, love. You feel so

7:11:14good."

7:11:16>> And I give in, melt back into his arms.

7:11:20The truth is, I love these moments most.

7:11:24The quiet contentment, the peace. I love

7:11:28the weight of him, the feel of him, his

7:11:30naked body wrapped around mine. I never

7:11:34feel closer to him than I do like this

7:11:36when there's nothing between us.

7:11:39Gently, he kisses my temple, pulls me

7:11:42somehow even tighter, and his lips are

7:11:45at my ear when he says, "Kenji said I

7:11:48was supposed to get you a ring."

7:11:51I stiffen, confused,

7:11:54try to turn around when I say, "What do

7:11:57you mean?"

7:11:59But Aaron eases my body back down. He

7:12:01rests his chin on my shoulder. His hands

7:12:04move down my arms, trace the curve of my

7:12:07hips. He kisses my neck once, twice, so

7:12:11softly.

7:12:12>> I know I'm doing this wrong, he says. I

7:12:15know I'm not good at this sort of thing,

7:12:18love, and I hope you'll forgive me for

7:12:21it, but I don't know how else to do it.

7:12:24A pause. And I'm starting to think it

7:12:27might kill me if I don't.

7:12:30My body is frozen, even as my heart

7:12:33pounds furiously in my chest. Aaron, I

7:12:37say, hardly daring to breathe. What are

7:12:40you talking about? He says nothing. I

7:12:44turn around again, and this time he

7:12:46doesn't stop me. His eyes flare with

7:12:48emotion, and I watch the gentle movement

7:12:51in his throat as he swallows. A muscle

7:12:54jumps in his jaw.

7:12:56>> "Marry me,"

7:12:57>> he whispers.

7:12:59I stare at him, disbelief and joy

7:13:03colliding. And it's the look in his

7:13:05eyes, the hopeful, terrified look in his

7:13:08eyes that nearly kills me.

7:13:11I'm suddenly crying. I clap my hands

7:13:14over my face. A sob escapes my mouth.

7:13:18Gently, he pries my hands away from my

7:13:20face. "Ella," he says, his words hardly

7:13:24a whisper. I'm still crying when I throw

7:13:27my arms around his neck. still crying

7:13:29when he says a little nervously.

7:13:32>> Sweetheart, I really need to know if

7:13:34this means yes or no.

7:13:37>> Yes. I cry slightly hysterical. Yes. Yes

7:13:41to everything with you. Yes to forever

7:13:44with you. Yes,

7:13:49Warner.

7:13:52Is this joy?

7:13:55I think it might kill me. Aaron. Yes,

7:13:59love. She takes my face in her hands and

7:14:02kisses me. Kisses me with a love so deep

7:14:05it releases my brain from its prison. My

7:14:08heart starts beating violently.

7:14:11Ella, I say,

7:14:14you're going to be my wife.

7:14:17She kisses me again, crying again. And

7:14:19suddenly, I don't recognize myself. I

7:14:23don't recognize my hands, my bones, my

7:14:25heart. I feel new, different. I love

7:14:30you, she whispers. I love you so much.

7:14:34That you could love me at all seems like

7:14:36some kind of miracle.

7:14:38She smiles even as she shakes her head.

7:14:41That's ridiculous. She says, "It's very,

7:14:45very easy to love you."

7:14:48And I don't know what to say. I don't

7:14:50know how to respond.

7:14:52She doesn't seem to mind. I reel her in,

7:14:55kiss her again, and lose myself in the

7:14:58taste and feel of her, in the fantasy of

7:15:00what we might have, what we might be.

7:15:03And then I pull her gently onto my lap,

7:15:05and she straddles my body, settling over

7:15:07me until we're pressed together, her

7:15:10cheek against my chest. I wrap my arms

7:15:13around her, spread my hands along her

7:15:15back. I feel her gentle breaths on my

7:15:17skin, her eyelashes tickling my chest as

7:15:20she blinks, and I decide I'm never ever

7:15:24leaving this bed.

7:15:26A happy, wonderful silence settles

7:15:29between us. "You ask me to marry you,"

7:15:33she says softly. "Yes."

7:15:37"Wow."

7:15:39I smile, my heart filled suddenly with

7:15:42inexpressable joy. I hardly recognize

7:15:45myself. I can't remember the last time I

7:15:47ever smiled this much. I can't recall

7:15:49ever feeling this kind of pure,

7:15:52unbburdened bliss, like my body might

7:15:55float away without me.

7:15:58I touch her hair gently, run my fingers

7:16:01through the soft, silky strands. When I

7:16:04finally sit up, she sits up too, and she

7:16:07blushes as I stare at her, mesmerized by

7:16:10the sight of her. Her eyes are wide and

7:16:13bright, her lips full and pink. She's

7:16:18perfect, perfect here, bare and

7:16:21beautiful in my arms.

7:16:24I press my forehead to the curve of her

7:16:26shoulder, my lips brushing against her

7:16:28skin.

7:16:30I love you, Ella, I whisper.

7:16:33I will love you for the rest of my life.

7:16:37My heart is yours.

7:16:39Please don't ever give it back to me.

7:16:43She says nothing for what feels like an

7:16:45eternity.

7:16:47Finally, I feel her move. Her hand

7:16:49touches my face. Aaron, she whispers.

7:16:54Look at me. I shake my head. Aaron.

7:16:59I look up slowly to meet her eyes.

7:17:03And her expression is at once sad and

7:17:06sweet and full of love.

7:17:09I feel something thaw inside of me as I

7:17:11stare at her. And just as she's about to

7:17:14say something,

7:17:16a complicated chime echoes through the

7:17:19room.

7:17:21I freeze.

7:17:23Ella frowns, looks around. That sounds

7:17:26like a doorbell, she says.

7:17:29I wish I could deny the possibility.

7:17:32I sit back, even though she's still

7:17:34sitting on my lap. I want this

7:17:36interruption to end. I want to go back

7:17:38to our conversation. I want to stick to

7:17:40my original plan to spend the rest of

7:17:42the night here in bed with my perfect

7:17:45naked fiance.

7:17:48The chime sounds again, and this time I

7:17:49say something decidedly ungentlemanly

7:17:52under my breath. Ella laughs, surprised.

7:17:55Did you just swear? No. A third chime.

7:17:59This time, I stare up at the ceiling and

7:18:01try to clear my head. Try to convince

7:18:03myself to move, to get dressed. This

7:18:05must be some kind of emergency or else.

7:18:08Suddenly, a voice. Listen, I didn't want

7:18:11to come, okay? I really didn't. I hate

7:18:14being this guy, but Castle sent me to

7:18:16come get you guys because you missed

7:18:18dinner. It's getting super late and

7:18:20everyone is a little worried and now

7:18:22you're not even answering the door. And

7:18:24Jesus Christ, open the goddamn door. I

7:18:27can't believe it. I can't believe he's

7:18:29here. He's always here ruining my life.

7:18:32I'm going to kill him. I nearly trip

7:18:35trying to pull on my pants and get to

7:18:36the door at the same time. But when I

7:18:38do, I rip the door open, practically

7:18:40tearing it off its hinges. Unless

7:18:42someone is dead, dying, or we are under

7:18:44attack, I want you gone before I've even

7:18:46finished this sentence.

7:18:49Kenji narrows his eyes at me and then

7:18:51pushes past me into the room, and I'm so

7:18:53stunned by his gall that it takes me a

7:18:55moment to realize I'm going to have to

7:18:57murder him. "Jay," he says, looking

7:19:00around as he walks in. you in here? Ella

7:19:04is holding the bed sheet up to her neck.

7:19:06Uh, hi, she says. She smiles nervously.

7:19:09What are you doing here? Hey, is it cool

7:19:12if I still call you Jay? He says, I know

7:19:14your name is Ella and everything, but I

7:19:16got so used to calling you Jay that it

7:19:17just feels right, you know. You can

7:19:19still call me Jay, she says. And then

7:19:22she frowns. Kenji, what's wrong? I

7:19:26groan. Get out. I snap at him. I don't

7:19:29know why you're here, and I don't care.

7:19:31We don't wish to be disturbed ever.

7:19:35Ella shoots me a sharp look. She ignores

7:19:37me when she says to Kenji, "It's okay. I

7:19:40care. Tell me what's wrong." "Nothing is

7:19:42wrong," Kenji says. "But I know your

7:19:44boyfriend won't listen to me, so I

7:19:46wanted to let you know that it's almost

7:19:48midnight, and we really need you guys to

7:19:51get down to the dining tent ASAP, okay?"

7:19:54He shoots Ella a loaded look, and her

7:19:57eyes widen. She nods. I feel a sudden

7:20:00rush of excitement move through her and

7:20:03it leaves me confused.

7:20:05"What's going on?" I say, but Kenji is

7:20:08already walking away. "Bro, you really

7:20:11need to like eat a pizza or something,"

7:20:13he says, slapping me on the shoulder as

7:20:15he leaves. "You have too many abs."

7:20:17"What?" My eyebrows pulled together.

7:20:20"That's not I'm joking," Kenji says,

7:20:23pausing in the doorway just before he

7:20:25leaves. "Joking," he says again. It was

7:20:28a joke. Jesus. And then he slams the

7:20:32door behind him. I turn around.

7:20:35What's going on? I say again, but she

7:20:38only smiles. We should get dressed.

7:20:42Ella, I promise I'll explain as soon as

7:20:44we get there. I shake my head. Did

7:20:47something happen? No, I'm just I'm

7:20:50really excited to see everyone from

7:20:51Omega Point again, and they're all

7:20:54waiting for us in the dining tent. She

7:20:56gets out of bed, still holding the bed

7:20:58sheet to her body, and I have to clench

7:21:00my fists to keep from pulling it away

7:21:02from her, from pinning her against the

7:21:04wall. And before I even have a chance to

7:21:07respond, she disappears into the

7:21:08bathroom, the sheet dragging on the

7:21:10floor as she goes. I follow her. She's

7:21:14looking for her clothes, oblivious to my

7:21:16presence, but her dress is on the floor

7:21:18in a corner she hasn't glimpsed yet, and

7:21:21I doubt she'd want to put that bloodied

7:21:22dress back on anyway. I should tell her

7:21:25that I found a drawer full of simple

7:21:27standard clothes we're probably allowed

7:21:28to borrow.

7:21:30Maybe later.

7:21:32For now, I step behind her, slip my

7:21:35hands around her waist. She startles,

7:21:38and the sheet falls to the floor. Ella,

7:21:41I say softly, tugging her body against

7:21:44mine. Sweetheart, you have to tell me

7:21:47what's going on.

7:21:49I turn her around slowly. She looks down

7:21:52at herself, surprised.

7:21:54always surprised by the sight of her

7:21:56naked body. "I don't have any clothes

7:21:59on," she whispers. "I know," I say,

7:22:03smiling as I run my hands down her back,

7:22:05appreciating her softness, her perfect

7:22:08curves. I wish I could store these

7:22:10moments. "I wish I could revisit them,

7:22:13relive them." She shivers in my arms and

7:22:16I pull her closer. "It's not fair," she

7:22:20says, wrapping her arms around me. It's

7:22:22not fair that you can sense emotions,

7:22:24that it's impossible to keep secrets

7:22:26from you. What's not fair, I say, is

7:22:30that you're about to put your clothes on

7:22:32and force me to leave this bedroom, and

7:22:34I don't know why.

7:22:36She stares at me, her eyes wide and

7:22:39nervous, even as she smiles. I can sense

7:22:41that she's torn, her heart in two places

7:22:43at once.

7:22:45"Aaron," she says softly. "Don't you

7:22:48like surprises?" I hate surprises.

7:22:52She laughs, shakes her head. I guess I

7:22:55should have known that.

7:22:57I stare at her, my eyebrows raised,

7:23:01still waiting for an explanation.

7:23:04They're going to kill me for telling

7:23:05you, she says, and then at the look in

7:23:08my eyes. Not I mean, not literally, but

7:23:11just Finally, she sigh. And she won't

7:23:15look at me when she says,

7:23:18"We're throwing you a birthday party."

7:23:21I'm certain I've heard her wrong.

7:23:27>> Ella,

7:23:30it took more work than I imagined to get

7:23:32him to believe me. He wanted to know how

7:23:35anyone even knew that tomorrow was his

7:23:37birthday, and how we could have possibly

7:23:39planned a party when we had no idea we

7:23:41were going to crash the plane here. and

7:23:43why would anyone throw him a party? And

7:23:45he wasn't even sure he liked parties.

7:23:47And on and on and on.

7:23:50And it wasn't until we literally walked

7:23:53through the doors of the dining tent and

7:23:55everyone screamed happy birthday at him

7:23:58that he finally believed me. It wasn't

7:24:01much, of course. We hadn't really had

7:24:03time to prepare. I knew his birthday was

7:24:06coming up because I'd been keeping track

7:24:08of it ever since the day he told me what

7:24:10his father used to do to him. every year

7:24:13on his birthday. I swore to myself I

7:24:16would do whatever I could to replace

7:24:18those memories with better ones. That

7:24:20forever and ever I would try to drown

7:24:22out the darkness that had inhaled his

7:24:25entire young life.

7:24:27I told Kenji when he found me that

7:24:30tomorrow was Aaron's birthday and I made

7:24:32him promise me that no matter what

7:24:34happened when we found him, we would

7:24:37find a way to celebrate in some small

7:24:39way. But this this was more than I could

7:24:43have hoped for. I thought maybe given

7:24:46our time constraints, we'd just get a

7:24:48group to sing him happy birthday or

7:24:50maybe eat dessert in his honor. But

7:24:52this, there's an actual cake. A cake

7:24:56with candles in it waiting to be lit.

7:24:59Everyone from Omega Point is here. The

7:25:01whole crew of familiar faces. Brendan

7:25:04and Winston, Sonia and Sarah, Aaliyah

7:25:07and Lily, and Ian and Castle.

7:25:11Only Adam and James are missing, but we

7:25:13have new friends, too. Hater is here. So

7:25:17is Stefan Nazer.

7:25:20And then there's the new resistance. The

7:25:22members of the sanctuary that we've yet

7:25:24to meet. All come forward, gathered

7:25:27around a single modest sheetcake. It

7:25:30reads, "Happy birthday, Warner." In red

7:25:34icing.

7:25:36The piping is a little sloppy. The icing

7:25:38is imperfect, but when someone dims the

7:25:41lamps and lights the candles, Aaron goes

7:25:43suddenly still beside me. I squeeze his

7:25:46hand as he looks at me, his eyes round

7:25:49with a new emotion.

7:25:51There's tragedy and beauty in his eyes,

7:25:54something stoic that refuses to be

7:25:56moved, and something childlike that

7:25:59can't help but feel joy. He looks, in

7:26:02short, like he's in pain.

7:26:06Aaron, I whisper. Is this okay?

7:26:10He takes a few seconds to respond, but

7:26:12when he finally does, he nods just once.

7:26:16But it's enough.

7:26:18>> Yes, he says softly.

7:26:21>> This is okay.

7:26:23>> And I feel myself relax.

7:26:26Tomorrow there will be pain and

7:26:28devastation to contend with. Tomorrow

7:26:31we'll dive into a whole new chapter of

7:26:33hardship. There's a world war brewing, a

7:26:36battle for our lives, for the whole

7:26:38world. Right now, little is certain.

7:26:43But tonight, I'm choosing to celebrate.

7:26:46We're going to celebrate the small and

7:26:48large joys, birthdays, and engagements.

7:26:52We're going to find time for happiness

7:26:54because how can we stand against tyranny

7:26:56if we ourselves are filled with hate or

7:26:59worse, nothing?

7:27:03I want to remember to celebrate more. I

7:27:06want to remember to experience more joy.

7:27:08I want to allow myself to be happy more

7:27:11frequently.

7:27:12I want to remember forever this look on

7:27:15Aaron's face as he's bullied into

7:27:18blowing out his birthday candles for the

7:27:20very first time.

7:27:22This is after all what we're fighting

7:27:24for, isn't it? A second chance at joy.

7:27:37>> [music]

7:27:42>> This is Kate Simses. We hope you have

7:27:45enjoyed this unabridged [music]

7:27:46production of Defy Me by Tahara Muffy

7:27:50presented by Harper [music] Collins and

7:27:52Harper Audio. This program was produced

7:27:55by John Marshall Media, executive

7:27:58producer Caitlyn Garing. Text copyright

7:28:00[music]

7:28:012019 by Tahara MafI. Production

7:28:05copyright [music] 2019 by Harper Collins

7:28:08Publishers. All rights reserved. Thank

7:28:11you for [music] listening.

7:28:18[music]

7:28:23[music]

7:28:28>> [music]

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