Full transcript
0:01[music]
0:09[music]
0:10Harper Collins and Harper Audio present
0:13Defy Me by Tahara Muffy. [music]
0:16Performed by Kate Simses, James Fuhei,
0:20and Vikas [music]
0:21Adam.
0:28>> [music]
0:38>> Kenji.
0:41She's screaming.
0:43She's just screaming words. I think
0:46they're just words. But she's screaming.
0:50Screaming at the top of her lungs with
0:52an agony that seems almost an
0:54exaggeration. and it's causing
0:55devastation I never knew possible. It's
0:58like she just imploded.
1:02It doesn't seem real.
1:05I mean, I knew Juliet was strong, and I
1:08knew we hadn't discovered the depth of
1:10her powers, but I never imagined she'd
1:13be capable of this.
1:16Of this.
1:18The ceiling is splitting open. Seismic
1:20currents are thundering up the walls,
1:22across the floors, chattering my teeth.
1:25The ground is rumbling under my feet.
1:28People are frozen in place even as they
1:30shake. The room vibrating around them.
1:33The chandeliers swing too fast and the
1:35lights flicker ominously. And then with
1:39one last vibration, three of the massive
1:41chandeliers rip free from the ceiling
1:43and shatter as they hit the floor.
1:45Crystal flies everywhere. The room loses
1:47half its light, bathing the cavernous
1:50space in a freakish glow. And it's
1:52suddenly hard to see what's happening. I
1:54look at Juliet and see her staring,
1:57slack jawed, frozen at the sight of the
1:59devastation. And I realize she must have
2:02stopped screaming a minute ago.
2:05She can't stop this. She already put the
2:08energy into the world, and now it has to
2:11go somewhere.
2:13The shutters ripple with renewed fervor
2:16across the floorboards, ripping through
2:17walls and seats and people.
2:21I don't actually believe it until I see
2:23the blood. It seems fake for a second.
2:27All the limp bodies in seats with their
2:29chests butterfied open. It seems staged,
2:33like a bad joke, like a bad theater
2:36production.
2:38But when I see the blood thick and heavy
2:41seeping through clothes and upholstery,
2:44dripping down frozen hands,
2:47I know we'll never recover from this.
2:50Juliet just murdered 600 people at once.
2:54There's no recovering from this.
2:58I shove my way through the quiet,
3:00stunned, still breathing bodies of my
3:02friends. I hear Winston's soft,
3:05insistent whimpers and Brendan's steady,
3:07reassuring response that the wound isn't
3:09as bad as it looks, that he's going to
3:11be okay, that he's been through worse
3:13than this and survived it. And I know my
3:15priority right now needs to be Juliet.
3:19When I reach her, I pull her into my
3:20arms, and her cold, unresponsive body
3:23reminds me of the time I found her
3:25standing over Anderson, a gun aimed at
3:27his chest. She was so terrified, so
3:31surprised by what she'd done that she
3:33could hardly speak. She looked like
3:36she'd disappeared into herself
3:37somewhere, like she'd found a small room
3:39in her brain and had locked herself
3:41inside.
3:43It took a minute to coax her back out
3:44again. She hadn't even killed anyone
3:47that time. I tried to warm some sense
3:50into her, begging her now to return to
3:52herself, to hurry back to her mind, to
3:55the present moment.
3:57I know everything is crazy right now,
3:59but I need you to snap out of this. Jay,
4:01wake up. Get out of your head. We have
4:03to get out of here. She doesn't blink.
4:07Princess, please, I say, shaking her a
4:10little. We have to go now. And when she
4:14still doesn't move, I figure I have no
4:16choice but to move her myself. I start
4:19hauling her backward. Her limp body is
4:22heavier than I expect, and she makes a
4:24small wheezing sound that's almost like
4:26a sob. Fear sparks in my nerves. I nod
4:30at Castle and the others to go to move
4:32on without me. But when I glance around
4:35looking for Warner, I realize I can't
4:38find him anywhere.
4:39What happens next knocks the wind from
4:41my lungs. The room tilts. My vision
4:45blackens, clears, and then darkens only
4:47at the edges in a dizzying moment that
4:49lasts hardly a second. I feel off
4:52center. I stumble and then all at once.
4:59Juliet is gone.
5:02Not figuratively.
5:05She's literally gone. Disappeared.
5:09One second she's in my arms and the next
5:11I'm grasping at air. I blink and spin
5:14around, convinced I'm losing my mind.
5:16But when I scan the room, I see the
5:18audience members begin to stir. Their
5:21shirts are torn and their faces are
5:23scratched, but no one appears to be
5:24dead. Instead, they begin to stand,
5:28confused, and as soon as they start
5:31shuffling around, someone shoves me
5:33hard. I look up to see Ian swearing at
5:36me, telling me to get moving while we
5:38still have a chance. And I try to push
5:39back, try to tell him that we lost
5:41Juliet, that I haven't seen Warner, and
5:43he doesn't hear me. He just forces me
5:46forward offstage. And when the murmur of
5:49the crowd grows into a roar, I know I
5:52have no choice. I have to go.
5:59Warner,
6:02I'm going to kill him, she says, her
6:05small hands forming fists. I'm going to
6:08kill him. Ella, don't be silly, I say,
6:11and walk away. One day, she says,
6:14chasing after me, her eyes bright with
6:16tears. If he doesn't stop hurting you, I
6:19swear I'll do it. You'll see. I laugh.
6:22It's not funny. She cries. I turn to
6:27face her. No one can kill my dad. He's
6:30unkillable.
6:32No one is unkillable, she says. I ignore
6:36her.
6:37Why doesn't your mom do anything? She
6:40says and she grabs my arm. When I meet
6:43her eyes, she looks different. Scared.
6:47Why doesn't anyone stop him?
6:50The wounds on my back are no longer
6:52fresh, but somehow they still hurt. Ella
6:56is the only person who knows about these
6:58scars, knows what my dad started doing
7:01to me on my birthday 2 years ago.
7:05Last year when all the families came to
7:07visit us in California, Ella had barged
7:10into my room wanting to know where
7:12Emiline and Nazera had gone off to. And
7:15she'd caught me staring at my back in
7:17the mirror. I begged her not to say
7:20anything, not to tell anyone what she
7:22saw. And she started crying and said
7:24that we had to tell someone, that she
7:27was going to tell her mom. And I said,
7:29"If you tell your mom, I'll only get
7:31into more trouble. Please don't say
7:34anything, okay? He won't do it again.
7:38But he did do it again.
7:41And this time he was angrier. He told me
7:44I was 7 years old now and that I was too
7:47old to cry.
7:49"We have to do something," she says, and
7:53her voice shakes a little. Another tear
7:56steals down the side of her face, and
7:58quickly she wipes it away. "We have to
8:01tell someone. Stop. I say. I don't want
8:04to talk about it anymore. But Ella,
8:08please. No, we have to. Ella, I say,
8:12cutting her off. I think there's
8:14something wrong with my mom. Her face
8:17falls. Her anger fades.
8:21What?
8:23I'd been terrified for weeks to say the
8:25words out loud.
8:27To make my fears real. Even now, I feel
8:30my heart pick up. "What do you mean?"
8:34she says. "What's wrong with her?"
8:36"She's
8:39sick."
8:41Ella blinks at me, confused. "If she's
8:44sick, we can fix her. My mom and dad can
8:46fix her. They're so smart. They can fix
8:48anything. I'm sure they can fix your
8:50mom, too." I'm shaking my head, my heart
8:53racing now, pounding in my ears. No,
8:56Ellie, you don't understand. I think
8:59what? She takes my hand, squeezes. What
9:03is it?
9:05I think my dad is killing her.
9:10Kenji,
9:13we're all running. Base isn't far from
9:16here, and our best option is to go on
9:18foot. But the minute we hit the open
9:20air, the group of us, myself, Castle,
9:23Winston, injured Brendan, Ian, and
9:25Aaliyah, go invisible. Someone shouts a
9:28breathless thanks in my direction, but
9:30I'm not the one doing this. My fists
9:33clench.
9:35Nazer.
9:37These last couple of days with her have
9:39been making my head spin. I never should
9:42have trusted her. First, she hates me,
9:44then she hates me even more, and then
9:46suddenly she decides I'm not an
9:48and wants to be my friend. I can't
9:51believe I fell for it. I can't believe
9:53I'm such an idiot. She's been playing me
9:56this whole time. This girl just shows up
9:59out of nowhere, magically mimics my
10:01exact supernatural ability, and then
10:03right when she pretends to be best
10:04friends with Juliet, we're ambushed at
10:06the symposium, and Juliet sort of
10:08murders 600 people. No way. I call
10:11No way. This was all some big
10:14coincidence.
10:15Juliet attended that symposium because
10:17Nazer encouraged her to go. Nazera
10:20convinced Juliet it was the right thing
10:22to do. And then 5 seconds before Brendan
10:25gets shot, Nazera tells me to run. Tells
10:28me we have the same powers.
10:32I can't believe I let myself be
10:34distracted by a pretty face. I should
10:36have trusted Warner when he told me she
10:38was hiding something.
10:40Warner.
10:42God,
10:44I don't even know what happened to him.
10:48The minute we get back to base, our
10:50invisibility is lifted. I can't know for
10:53sure if that means Nazera went her own
10:55way, but we can't slow down long enough
10:57to find out. Quickly, I project a new
10:59layer of invisibility over our team.
11:02I'll have to keep it up just long enough
11:03to get us all to a safe space, and just
11:05being back on base isn't assurance
11:07enough. The soldiers are going to ask
11:09questions and right now I don't have the
11:12answers they need. They're going to be
11:14pissed. We make our way as a group to
11:18the 15th floor to our home on base in
11:20sector 45.
11:22Warner only just finished having this
11:24thing built for us. He cleared out this
11:26entire top floor for our new
11:28headquarters. We'd hardly even settled
11:30in and things have already gone to
11:33I can't even allow myself to think about
11:35it now. Not yet.
11:38It makes me feel sick to my stomach.
11:41Once we're gathered in our largest
11:43common room, I do a headcount. All
11:46original remaining Omega point members
11:48are present. Adam and James show up to
11:50find out what happened, and Sonia and
11:53Sarah stick around just long enough to
11:54gather intel before carting Brendan over
11:56to the medical wing. Winston disappears
11:58down the hall behind them. Juliet and
12:01Warner never show. Quickly, we share our
12:05own versions of what we saw. It doesn't
12:07take long to confirm we all witnessed
12:09basically the same thing. Blood, mayhem,
12:12murdered bodies, and then a slightly
12:15less bloody version of the same thing.
12:17No one seems as surprised by the twisted
12:20turn of events as I was because
12:22according to Ian, weird supernatural
12:24happens around here all the time.
12:26It's not that weird. But more important,
12:30no one saw what happened to Warner and
12:32Juliet.
12:34No one but me.
12:36For a few seconds, we all stare at each
12:38other. My heart pounds hard and heavy in
12:42my chest. I feel like I might be on
12:44fire, burning with indignation.
12:47Denial.
12:49Aaliyah is the first to speak. You don't
12:52think they're dead, do you? Ian says,
12:55"Probably." And I jump to my feet. Stop.
12:59They're not dead. How can you be sure?
13:03Adam says. I would know if they were
13:05dead. What? How would I would just know?
13:08Okay. I cut him off. I would know. And
13:12they're not dead. I take a deep,
13:15steadying breath. We're not going to
13:18freak out, I say as calmly as possible.
13:21There has to be a logical explanation.
13:24People don't just disappear, right?
13:27Everyone stares at me. You know what I
13:29mean? I snap, irritated. We all know
13:32that Juliet and Warner wouldn't like run
13:35away together. They weren't even on
13:37speaking terms before the symposium, so
13:39it makes the most sense that they would
13:40be kidnapped. I pause, look around
13:43again. Right. Or dead. Ian says, "If you
13:49keep talking like that, Sanchez, I can
13:51guarantee that at least one person will
13:52be dead tonight." Ian sigh hard.
13:57Listen, I'm not trying to be an
14:00I know you were close with them, but
14:02let's be real, they weren't close with
14:04the rest of us. And maybe that makes me
14:06less invested in all this, but it also
14:08makes me more level-headed. He waits,
14:11gives me a chance to respond.
14:13I don't. Ian size again.
14:17I'm just saying that maybe you're
14:19letting emotion cloud your better
14:20judgment right now. I know you don't
14:22want them to be dead, but the
14:24possibility that they are dead is like
14:26really high. Warner was a traitor to the
14:29reestablishment. I'm surprised they
14:31didn't try to kill him sooner. And
14:33Juliet, I mean, that's obvious, right?
14:36She murdered Anderson and declared
14:38herself ruler of North America. He
14:40raises his eyebrows in a knowing
14:42gesture. Those two have had targets on
14:44their backs for months. My jaw clenches,
14:48unclenches, clenches again.
14:52So, Ian says quietly, "We have to be
14:56smart about this. If they're dead, we
14:58need to be thinking about our next
15:00moves. Where do we go?
15:04Wait, what do you mean? Adam says,
15:07sitting forward. What next moves? You
15:10think we have to leave
15:13>> without Warner and Juliet? I don't think
15:15we're safe here.
15:17>> Lily takes Ian's hand in a show of
15:19emotional support that makes me feel
15:21violent.
15:23The soldiers paid their allegiance to
15:24the two of them, to Juliet in
15:26particular. Without her, I'm not sure
15:29they'd follow the rest of us anywhere.
15:32And if the reestablishment had Juliet
15:34murdered, Ian adds, they're obviously
15:37just getting started. They'll be coming
15:38to reclaim sector 45 any second now. Our
15:42best chance of survival is to first
15:44consider what's best for our team. Since
15:46we're the obvious next targets, I think
15:48we should bail soon. A pause.
15:52Maybe even tonight. Bro, are you insane?
15:56I drop down into my chair too hard,
15:58feeling like I might scream. We can't
16:01just bail. We need to look for them. We
16:04need to be planning a rescue mission
16:05right now.
16:07Everyone just stares at me like I'm the
16:10one who's lost his mind.
16:12Castle, sir, I say, trying and failing
16:15to keep the sharp edge out of my voice.
16:17Do you want to chime in here?
16:20But Castle has sunk down in his chair.
16:23He's staring up at the ceiling at
16:26nothing. He looks dazed.
16:30I don't have the chance to dwell on it.
16:33Kenji, Aaliyah says quietly.
16:37I'm sorry, but Ian's right. I don't
16:41think we're safe here anymore.
16:44We're not leaving, Adam. And I say at
16:46exactly the same time. I spin around,
16:49surprised.
16:51Hope shoots through me fast and strong.
16:54Maybe Adam feels more for Juliet than he
16:56lets on. Maybe Adam will surprise us
16:59all. Maybe he'll finally stop hiding,
17:02stop cowering in the background. Maybe.
17:04I think
17:06Adam is back.
17:09Thank you, I say and point at him in a
17:12gesture that says to everyone, "See,
17:15this is loyalty."
17:17"James and I aren't running anymore,"
17:19Adam says, his eyes going cold as he
17:22speaks. "I understand if the rest of you
17:24have to leave, but James and I will stay
17:26here. I was a sector 45 soldier. I lived
17:29on this base. Maybe they'll give me
17:31immunity."
17:33I frown. But James and I aren't leaving
17:37anymore. Adam says loudly, definitively.
17:43You can make your plans without us. We
17:45have to take off for the night anyway.
17:47Adam stands, turns to his brother. It's
17:50time to get ready for bed.
17:52James stares at the floor.
17:55James, Adam says, a gentle warning in
17:58his voice.
18:00I want to stay and listen, James says,
18:04crossing his arms.
18:06You can go to bed without me,
18:08James. But I have a theory, the
18:1210-year-old says. He says the word
18:14theory like it's brand new to him, like
18:17it's an interesting sound in his mouth.
18:20And I want to share it with Kenji.
18:24Adam looks so tense that the strain in
18:26his shoulders is stressing me out. I
18:29think I haven't been paying close enough
18:30attention to him because I didn't
18:32realize until right now that Adam looks
18:34worse than tired. He looks ragged, like
18:38he could collapse, crack in half at any
18:41moment.
18:43James catches my eye from across the
18:44room, his own eyes round and eager. I
18:48sigh. What's your theory, little man?
18:51James's face lights up.
18:54I was just thinking maybe all the fake
18:57killing thing was like a distraction.
19:01I raise an eyebrow. Like if someone
19:03wanted to kidnap Warner and Juliet,
19:06James says, "You know, like you said
19:08earlier, causing a scene like that would
19:11be the perfect distraction, right?"
19:14Well, yeah, I say and frown. I guess,
19:20but why would the reestablishment need a
19:22distraction? When have they ever been
19:24secretive about what they want? If a
19:27Supreme Commander wanted to take Juliet
19:28or Warner, for example, wouldn't they
19:30just show up with a ton of soldiers
19:32and take what they wanted? Language,
19:35Adam says, outraged. "My bad. Strike the
19:38word from the record." Adam shakes
19:41his head. He looks like he might
19:42throttle me, but James is smiling, which
19:45is really all that matters.
19:48No, I don't think they'd rush in like
19:50that. Not with so many soldiers, James
19:53says, his blue eyes bright. Not if they
19:56had something to hide.
19:58"You think they'd have something to
20:00hide?" Lily pipes up from us. "I don't
20:04know," James says. "Sometimes people
20:08hide things." He steals a split-second
20:10glance at Adam as he says it. a glance
20:13that sets my pulse racing with fear, and
20:15I'm about to respond when Lily beats me
20:17to it. I mean, it's possible, she says.
20:23But the reestablishment doesn't have a
20:24long history of caring about pretenses.
20:27They stopped pretending to care about
20:28the opinion of the public a long time
20:30ago. They mow people down in the street
20:33just because they feel like it. I don't
20:35think they're worried about hiding
20:36things from us.
20:38Castle laughs out loud and we all spin
20:41around to stare at him. I'm relieved to
20:44finally see him react, but he still
20:46seems lost in his head somewhere. He
20:49looks angry. I've never really seen
20:52Castle get angry. They hide a great deal
20:55from us, he says sharply.
20:58And from each other.
21:01After a long deep breath, he finally
21:03gets to his feet, smiles wearily at the
21:0710-year-old in the room. "James,
21:10you are wise indeed." "Thank you," James
21:14says, blinking up at him. "Castle, sir,"
21:18I say, my voice coming out harder than
21:20I'd intended. "Will you please tell us
21:22what the hell is going on? Do you know
21:24something?" Castle size, rubs the
21:28stubble on his chin with the flat of his
21:30palm.
21:32"All right, Nazer," he says, turning
21:35toward nothing, like he's speaking to a
21:37ghost. "Go ahead."
21:40When Nazer appears as if out of thin
21:43air, I'm not the only one who's pissed.
21:47Okay, maybe I'm the only one who's
21:49pissed,
21:51but everyone else looks surprised. At
21:52least they're staring at her, at each
21:56other, and then all of them, all of them
22:00turn to look at me.
22:02Bro, did you know about this? Ian asks.
22:05I scowl.
22:08Invisibility is my thing. My thing,
22:12godamn it. No one ever said I had to
22:14share that with anyone. Especially not
22:17with someone like Nazera, a lying,
22:19manipulative,
22:21gorgeous,
22:23gorgeous human being.
22:28I turn, stare at the wall. I can't be
22:32distracted by her anymore. She knows I'm
22:35into her. My infatuation is apparently
22:37obvious to everyone within a 10-mi
22:39radius, according to Castle. And she's
22:41clearly been using my idiocy to her best
22:43advantage.
22:45smart. I respect the tactic,
22:48but that also means I have to keep my
22:50guard up when she's around. No more
22:53staring. No more daydreaming about her.
22:56No more thinking about how she looked at
22:57me when she smiled or the way she
23:00laughed like she meant it the same night
23:02she yelled at me for asking reasonable
23:04questions. Which, by the way, I don't
23:07think I was crazy for wondering out loud
23:09how the daughter of a Supreme Commander
23:10could get away with wearing an illegal
23:11headscarf. She told me later that she
23:13wears the scarf symbolically every once
23:15in a while, that she can't get away with
23:17wearing it all the time because it's
23:18illegal. But when I pointed this out to
23:20her, she gave me hell. And then she gave
23:23me for being confused.
23:26I'm still confused.
23:28She's not covering her hair now either,
23:30but no one else seems to have registered
23:32this fact.
23:34Maybe they'd already seen her like this.
23:36Maybe everyone but me already had that
23:38conversation with her. Already heard her
23:40story about wearing it symbolically
23:42occasionally
23:44illegally when her dad wasn't watching.
23:47Kenji, she says, and her voice is so
23:50sharp I look up, stare at her despite my
23:53own very explicit orders to keep my eyes
23:55on the wall. All it takes is two seconds
23:58of eye contact and my heart hits itself.
24:02That mouth. Those eyes.
24:06Yeah. I crossed my arms.
24:09She looks surprised like she wasn't
24:11expecting me to be upset and I don't
24:13care. She should know that I'm pissed. I
24:17want her to know that invisibility is my
24:19thing. That I know I'm petty and I don't
24:21care. Plus, I don't trust her. Also,
24:25what is up with these kids of the
24:26Supreme Commanders all being super
24:28good-looking? It's almost like they did
24:30it on purpose. like they made these kids
24:32in test tubes or some I shake my
24:34head to clear it carefully. Nazer says,
24:38"I really think you should sit down for
24:40this." "I'm good," she frowns. For a
24:45second, she looks almost hurt, but
24:47before I have a chance to feel bad about
24:49it, she shrugs, turns away,
24:53and what she says next nearly splits me
24:56in half.
25:00Juliet.
25:03I'm sitting on an orange chair in the
25:05hallway of a dimly lit building. The
25:08chair is made of cheap plastic, its
25:10edges coarse and unfinished. The floor
25:13is a shiny lenolium that occasionally
25:15sticks to the soles of my shoes. I know
25:17I've been breathing too loudly, but I
25:19can't help it. I sit on my hands and
25:21swing my legs under my seat. Just then,
25:25a boy comes into view. His movements are
25:28so quiet, I only notice him when he
25:30stops directly in front of me. He leans
25:32against the wall opposite me, his eyes
25:35focused on a point in the distance. I
25:37study him for a moment. He seems about
25:40my age, but he's wearing a suit. There's
25:43something strange about him. He's so
25:45pale and stiff, he seems close to dead.
25:48Hi, I say and try to smile. Do you want
25:51to sit down?
25:53He doesn't return my smile. He won't
25:55even look at me. I'd prefer to stand, he
25:58says quietly. Okay.
26:01We're both silent a while. Finally, he
26:04says, "You're nervous."
26:07I nod. My eyes must be a little red from
26:10crying, but I'd been hoping no one would
26:12notice. Are you here to get a new
26:14family, too?
26:16No. Oh. I look away, stop swinging my
26:20feet. I feel my bottom lip tremble, and
26:23I bite it hard. Then why are you here?
26:26He shrugs. I see him glance briefly at
26:29the three empty chairs next to me, but
26:31he makes no effort to sit down. My
26:34father made me come.
26:36He made you come here? Yes. Why? He
26:41stares at his shoes and frowns. I don't
26:44know. Shouldn't you be in school? And
26:47then instead of answering me, he says,
26:50where are you from? What do you mean? He
26:54looks up then meets my eyes for the
26:56first time. He has such unusual eyes.
26:59They're light, clear green. You have an
27:02accent, he says. Oh, I say. Yeah. I look
27:07at the floor. I was born in New Zealand.
27:10That's where I lived until my mom and
27:12dad died. I'm sorry to hear that. I nod,
27:16swing my legs again. I'm about to ask
27:19him another question when the door down
27:20the hall finally opens. A tall man in a
27:23navy suit walks out. He's carrying a
27:26briefcase.
27:27It's Mr. Anderson, my social worker. He
27:30beams at me. You're all set. Your new
27:33family is dying to meet you. We have a
27:36couple more things to do before you can
27:37go, but it won't take too long. I can't
27:39hold it in anymore. I start sobbing
27:42right there, all over the new dress he
27:44bought me. Sobs rack my body, tears
27:47hitting the orange chair, the sticky
27:49floor. Mr. Anderson sets down his
27:52briefcase and laughs.
27:54>> Sweetheart, there's nothing to cry
27:55about. This is a great day. You should
27:58be happy. But I can't speak. I feel
28:02stuck. Stuck to the seat. Like my lungs
28:05have been stuck together. I managed to
28:08calm the sobs, but I'm suddenly
28:09hiccuping, tears spilling quietly down
28:12my cheeks. I want I want to go home.
28:15[snorts]
28:17You are going home, he says, still
28:20smiling.
28:21>> That's the whole point. And then, Dad.
28:26I look up at the sound of his voice, so
28:28quiet and serious. It's the boy with the
28:31green eyes. Mr. Anderson, I realize, is
28:34his father. She's scared, the boy says.
28:38And even though he's talking to his dad,
28:40he's looking at me. She's really scared.
28:44Scared? Mr. Anderson looks from me to
28:46his son, then back again. "What's there
28:49to be scared of?" I scrub at my face,
28:52try and fail to stop the tears. "What's
28:55her name?" the boy asks. He's still
28:58staring at me. And this time, I stare
29:00back. There's something in his eyes,
29:03something that makes me feel safe. "This
29:07is Juliet," Mr. Anderson says and looks
29:10me over. Tragic, he says, just like her
29:15namesake.
29:19>> Kenji.
29:22>> Nazer was right. I should have sat down.
29:27I'm looking at my hands, watching a
29:29tremor work its way across my fingers. I
29:32nearly lose my grip on the stack of
29:34photos I'm clutching.
29:37The photos.
29:38The photos Nazera passed around after
29:40telling us that Juliet is not who we
29:42think she is.
29:44I can't stop staring at the pictures.
29:48A little brown girl and a little white
29:50girl running in a field. Both of them
29:52smiling tiny tooththed smiles. Long hair
29:55flying in the wind. Small baskets full
29:57of strawberries swinging from their
29:58elbows.
30:00Nazera and Emiline at the strawberry
30:03patch. It read on the back.
30:06Little Nazera being hugged on either
30:08side by two little white girls. All
30:10three of them laughing so hard they look
30:12like they're about to fall over. Ella
30:14and Emiline and Nazera. It read
30:18a close-up of a little girl smiling
30:20right into the camera. Her eyes huge and
30:23blue green lengths of soft brown hair
30:26framing her face.
30:28Ella on Christmas morning. It read.
30:32Ella Summers. Nazera says. She says her
30:36real name is Ella Summers, sister to
30:38Emiline Summers, daughter of Maxmillian
30:40and Eevee Summers.
30:43Something is wrong. Nazera says
30:46something is happening. She says she
30:49says she woke up 6 weeks ago remembering
30:52Juliet. Sorry, Ella. Remembering her.
30:56I was remembering her, which means I'd
31:00forgotten her. And when I remembered
31:02Ella, she says, I remembered Emiline,
31:06too. I remembered how we'd all grown up
31:09together. How our parents used to be
31:11friends. I remembered, but I didn't
31:14understand. Not right away. I thought
31:17maybe I was confusing dreams with
31:19memory. Actually, the memories came back
31:22to me so slowly. I thought for a while
31:25that I might have been hallucinating.
31:27She says the hallucinations, as she
31:30called them, were impossible to shake.
31:32So she started digging, started looking
31:34for information. I learned the same
31:37thing you did. That two girls named Ella
31:40and Emiline were donated to the
31:42reestablishment and that only Ella was
31:45taken out of their custody. So Ella was
31:47given an alias, relocated, adopted.
31:51But what you didn't know was that the
31:53parents who gave up their daughters were
31:55also members of the reestablishment.
31:58They were doctors and scientists.
32:00You didn't know that Ella, the girl you
32:03know to be Juliet, is the daughter of
32:06Eevee Summers, the current Supreme
32:08Commander of Oceania. She and I grew up
32:11together. She, like the rest of us kids,
32:15was built to serve the reestablishment.
32:19Ian swears loudly and Adam is so stunned
32:22he doesn't complain.
32:25That can't be possible. Adam says,
32:28"Juliet, the girl I went to school with,
32:31she was." He shakes his head. "I knew
32:34Juliet for years. She wasn't made like
32:37you or Warner. She was this quiet,
32:40timid, sweet girl. She was always so
32:43nice. She never wanted to hurt anyone.
32:46All she ever wanted was to like connect
32:49with people.
32:51She was trying to help that little boy
32:53in the grocery store, but then it just
32:56everything ended so badly and she got
32:58sucked into this whole mess. And I
33:00tried, he says, looking suddenly
33:02distraught.
33:05I tried to help her. I tried to keep her
33:08safe. I wanted to protect her from this.
33:10I wanted to He cuts himself off, pulls
33:13himself together.
33:16She wasn't like this, he says. And he's
33:19staring at the ground now.
33:22Not until she started spending all that
33:24time with Warner. After she met him, she
33:27just
33:29I don't know what happened.
33:31She lost herself little by little.
33:35Eventually, she became someone else.
33:38He looks up.
33:41But she wasn't made to be this way. Not
33:44like you. Not like Warner. There's no
33:47way she's the daughter of a Supreme
33:48Commander. She's not a born murderer.
33:51Besides, he says, taking a sharp breath.
33:55If she were from Oceania, she would have
33:58an accent.
34:01Nazer tilts her head at
34:04the girl you knew had undergone severe
34:06physical and emotional trauma. She says
34:09she'd had her native memories forcibly
34:11removed. She was shipped across the
34:14globe as a specimen and convinced to
34:15live with abusive adoptive parents who
34:17beat the life out of her. Nazera shakes
34:20her head slowly. The reestablishment and
34:23Anderson in particular made sure that
34:26Ella could never remember why she was
34:28suffering. But just because she couldn't
34:30remember what had happened to her didn't
34:32change the fact that it happened. Her
34:34body was repeatedly used and abused by a
34:37rotating cast of monsters.
34:40And that leaves its mark.
34:42Nazera looks Adam straight in the eye.
34:45"Maybe you don't understand," she says.
34:48"I read all the reports. I hacked into
34:51all my father's files. I found
34:54everything. What they did to Ella over
34:57the course of 12 years is unspeakable."
35:00So, yes, I'm sure you remember a very
35:03different person, but I don't think she
35:06became someone she wasn't. My guess is
35:08she finally gathered the strength to
35:10remember who she'd always been. And if
35:13you don't get that, I'm glad things
35:16didn't work out between the two of you.
35:20In an instant, the tension in the room
35:22is nearly suffocating.
35:24Adam looks like he might be on fire,
35:27like fire might literally come out of
35:29his eyeballs, like it might be his new
35:32superpower.
35:34I clear my throat. I force myself to say
35:36something. anything to break the
35:38silence.
35:41So, you guys uh you all knew about Adam
35:44and Juliet, too, huh? I didn't realize
35:47you knew about that, huh? Interesting.
35:51Nazer takes her time turning in her seat
35:53to look me in the eye. Are you kidding?
35:57She says, staring at me like I'm worse
35:59than an idiot. I figure it's best not to
36:02press the issue.
36:05Where did you get these photos? Aaliyah
36:07asks, changing the subject more deafly
36:09than I did. How can we trust that
36:11they're real? At first, Nazera only
36:14looks at her, and she seems resigned
36:16when she says, "I don't know how to
36:19convince you that the photos are real. I
36:22can only tell you that they are."
36:25The room goes silent.
36:28"Why do you even care?" Lily says, "Why
36:31are we supposed to believe you care
36:33about this? About Juliet? About Ella?
36:37What do you have to gain from helping
36:38us? Why would you betray your parents?"
36:42Nazir sits back in her seat.
36:45"I know you all think the children of
36:47the Supreme Commanders are a bunch of
36:49carefree, immoral psychopaths, happy to
36:51be the military robots our parents
36:53wanted us to be. But nothing is ever
36:56that straightforward. Our parents are
36:59homicidal maniacs intent on ruling the
37:01world. That part is true.
37:05But the thing no one seems to understand
37:07is that our parents chose to be
37:10homicidal maniacs. We, on the other
37:12hand, were forced to be. And just
37:15because we've been trained to be
37:17mercenaries doesn't mean we like it.
37:20None of us got to choose this life. None
37:23of us enjoyed being taught to torture
37:25before we could even drive. And it's not
37:27insane to imagine that sometimes even
37:30horrible people are searching for a way
37:32out of their own darkness.
37:34Nazer's eyes flash with feeling as she
37:37speaks and her words puncture the life
37:39vest around my heart. Emotion drowns me
37:43again.
37:47Is it really so crazy to think I might
37:50care about the girls I once loved as my
37:52own sisters? she's saying. Or about the
37:54lies my parents forced me to swallow, or
37:57the innocent people I watched them
37:58murder.
38:00Or maybe even something simpler than
38:02that.
38:04That I might have opened my eyes one day
38:06and realized that I was part and parcel
38:09of a system that was not only ravaging
38:11the world, but also slaughtering
38:13everyone in it.
38:19I can feel it. can feel my heart filling
38:22out, filling up. My chest feels tight,
38:27like it's swollen, like my lungs don't
38:29fit anymore.
38:31I don't want to care about Nazera. Don't
38:34want to feel her pain or feel connected
38:36to her or feel anything. I just want to
38:39keep a level head, be cool.
38:43I forced myself to think about a joke
38:44James told me the other day. A stupid
38:46pun. Something to do with muffins. a
38:49joke that was so lame I nearly cried. I
38:52focus on the memory, the way James
38:54laughed at his own lameness, snorting so
38:56hard a little food fell out of his
38:57mouth. I smile and glance at James, who
39:00looks like he might be falling asleep in
39:02his seat.
39:03Soon, the tightness in my chest begins
39:06to abate. Now I'm really smiling,
39:09wondering if it's weird that I love bad
39:11jokes even more than good ones. When I
39:13hear Ian say, "It's not that you seem
39:15heartless. It's just that these photos
39:18seem so convenient. You had them ready
39:21to share. He stares down at the single
39:24photo he's holding.
39:26These kids could be anyone.
39:29Look closely, Nazera says, standing up
39:32to get a better look at the picture in
39:34his hands. Who do you think that is? I
39:37lean over. Ian isn't far from me, and
39:39peer over his shoulder. There's really
39:42no point denying it anymore. The
39:45resemblance is insane.
39:48Juliet,
39:50Ella,
39:52she's just a kid, maybe four or 5 years
39:54old, standing in front of the camera,
39:56smiling.
39:58She's holding a bouquet of dandelions up
40:00to the cameraman as if to offer him one.
40:02And then, just off to the side, there's
40:05another figure, a little blonde boy, so
40:09blonde his hair is white.
40:12He's staring intensely at a single
40:15dandelion in his hands. I nearly fall
40:19out of my chair. Juliet is one thing,
40:21but this is that Warner, I say. Adam
40:26looks up sharply. He glances from me to
40:28Nazera, then stalks over to look at the
40:30photo. His eyebrows fly up his head.
40:33No way, he says. Nazera shrugs. No way,
40:39Adam says again. No way. That's
40:42impossible. There's no way they knew
40:44each other this long. Warner had no idea
40:46who Juliet was before she came here.
40:49When Nazer seems unmoved, Adam says,
40:52"I'm serious. I know you think I'm full
40:54of but I'm not wrong about this. I
40:57was there. Warner literally interviewed
40:59me for the job of being her cellmate in
41:01the asylum. He didn't know who she was.
41:03He'd never met her. Never seen her face.
41:05Not up close, anyway. Half the reason he
41:08chose me to be her roommate was because
41:09she and I had history. because he found
41:11that useful. He'd groom me for hours
41:13about her. Nazera sighed slowly like
41:17she's surrounded by idiots.
41:20"When I found these photos," she says to
41:22Adam, "I couldn't understand how I came
41:26across them so easily. I didn't
41:28understand why anyone would keep
41:30evidence like this right under my nose
41:32or make it so easy to find. But I know
41:35now that my parents never expected me to
41:38look. They got lazy. They figured that
41:42even if I found these photos, I'd never
41:45know what I was looking at. Two months
41:48ago, I could have seen these pictures
41:49and assumed that this girl, she plucks a
41:52photo of herself, what appears to be a
41:54young hyther and a thin brown-haired
41:56girl with bright blue eyes out of a
41:58pile, was a neighbor kid, someone I used
42:01to know but can't be bothered to
42:03remember.
42:05But I do remember, she says.
42:09I remember all of it. I remember the day
42:12our parents told us that Ella and
42:13Emiline had drowned. I remember crying
42:16myself to sleep every night. I remember
42:19the day they took us to a place I
42:20thought was a hospital. I remember my
42:23mother telling me I'd feel better soon.
42:26And then
42:28I remember remembering nothing.
42:31Like time in my brain just folded in on
42:34itself.
42:36She raises her eyebrows.
42:38Do you get what I'm trying to say to
42:40you, Kent? He glares at her. I get that
42:44you think I'm an idiot. She smiles. Yes,
42:48I get what you're saying, he says,
42:50obviously irritated. You're saying you
42:52all had your memories wiped. You're
42:54saying Warner doesn't even know that
42:55they knew each other. She holds up a
42:57finger. Didn't know, she says. He didn't
43:01know until just before the symposium. I
43:04tried to warn him and Castle, she says,
43:08glancing at Castle, who's looking at the
43:09wall. I tried to warn them both that
43:12something was wrong, that something big
43:13was happening, and I didn't really
43:15understand what or why. Warner didn't
43:18believe me, of course. I'm not sure
43:20Castle did either, but I didn't have
43:22time to give them proof.
43:25Wait, what? I say, my eyebrows
43:27furrowing.
43:29You told Warner and Castle before the
43:32symposium?
43:33You told them all of this?
43:36I tried, she says.
43:39Why wouldn't you just tell Juliet? Lily
43:42asks. You mean Ella? Lily rolls her
43:46eyes.
43:47>> Sure, Ella. Whatever. Why not warn her
43:49directly? Why tell everyone else?
43:53I didn't know how she'd take the news.
43:56Nazer says, "I'd been trying to take her
44:00temperature from the moment I got here,
44:02and I could never figure out how she
44:04felt about me.
44:06I didn't think she really trusted me.
44:09And then after everything that
44:10happened," she hesitates.
44:13"It never seemed like the right time.
44:16She got shot. She was in recovery. And
44:18then she and Warner broke up, and she
44:20just, I don't know, spiraled.
44:25She wasn't in a healthy headsp space.
44:28She'd already had to stomach a bunch of
44:30revelations, and she didn't seem to be
44:32handling them well. I wasn't sure she
44:35could take much more, to be honest. And
44:38I was worried what she might do. Murder
44:40600 people, maybe? Ian mutters under his
44:43breath. Hey, I snap. She didn't murder
44:47anyone, okay? That was some kind of
44:48magic trick. It was a distraction,
44:52Nazera says firmly. James was the only
44:55one who saw this for what it was. She
44:58sigh.
45:00I think this whole thing was staged to
45:02make Ella appear volatile and unhinged.
45:05That scene at the symposium will no
45:07doubt undermine her position here at
45:09sector 45 by instilling fear in the
45:12soldiers who pledged their allegiance to
45:13her. She'll be described as unstable,
45:17irrational,
45:19weak, and then easily captured.
45:24I knew the reestablishment wanted Ella
45:26gone, but I thought they'd just burn the
45:28whole sector to the ground.
45:31I was wrong.
45:33This was a far more efficient tactic.
45:36They didn't need to kill off a regiment
45:38of perfectly good soldiers and a
45:40population of obedient workers. Nazera
45:42says
45:44all they needed to do was to discredit
45:47Ella as their leader.
45:50So, what happens now? Lily says. Nazer
45:54hesitates. And then carefully, she says,
45:59"Once they've punished the citizens and
46:02thoroughly quashed any hope for
46:03rebellion, the reestablishment will turn
46:05everyone against you, put bounties on
46:08your heads, or worse, threaten to murder
46:11loved ones if civilians and soldiers
46:12don't turn you in." "You were right,"
46:16she says to Lily. The soldiers and
46:18citizens paid allegiance to Ella, and
46:20with both her and Warner gone, they'll
46:23feel abandoned. They have no reason to
46:25trust the rest of you. A pause. I'd say
46:29you have about 24 hours before they come
46:31for your heads.
46:33Silence falls over the room. For a
46:36moment, I think everyone actually stops
46:38breathing.
46:41Ian says, dropping his head in his
46:44hands.
46:46Immediate relocation is your best course
46:47of action, Nazera says briskly. But I
46:50don't know that I can be much help in
46:52that department. Where you go will be up
46:54to your discretion.
46:56Then what are you even doing here? I say
46:59irritated.
47:00I understand her a little better now. I
47:03know that she's been trying to help, but
47:05that doesn't change the fact that I
47:06still feel like or that I still
47:09don't know how to feel about her.
47:11You showed up just to tell us we're all
47:13going to die and that's it. I shake my
47:15head. So helpful. Thanks,
47:19Genji. Castle says, finally breaking his
47:23silence.
47:24There's no need to attack our guest. His
47:28voice is a calm, steadying sound. I've
47:31missed it.
47:33She really did try to talk to me, to
47:36warn me while she was here.
47:40As for a contingency plan, he says,
47:42speaking to the room.
47:45Give me a little time. I have friends.
47:49We're not alone, as you well know, in
47:51our resistance.
47:52There's no need to panic. Not yet.
47:56Not yet, Ian says incredulous.
48:00Not yet, Castle says. Then
48:05Nazera, what of your brother? Were you
48:08able to convince him?
48:11Nazer takes a steadying breath, losing
48:13some of the tension in her shoulders.
48:16Hyther knows, she explains to the rest
48:18of us. He's been remembering things
48:21about Ella, too. But his memories of her
48:24aren't as strong as mine, and he didn't
48:26understand what was happening to him
48:28until last night when I decided to tell
48:30him what I discovered.
48:32Whoa, wait. Ian says, "You trust him?"
48:37I trust him enough, she says. Besides, I
48:42figured he had the right to know. He
48:44knew Ella and Emiline, too. But he
48:47wasn't entirely convinced. I don't know
48:49what he'll decide to do. Not yet. But he
48:51definitely seemed shaken up about it,
48:54which I think is a good sign. I asked
48:57him to do some digging to find out if
48:59any of the other kids were beginning to
49:00remember things, too. And he said he
49:02would. right now. That's all I've got.
49:07>> Where are the other kids? Winston asks,
49:10frowning. Do they know you're still
49:12here? Nazer's expression grows grim.
49:16All the kids were supposed to report
49:18back as soon as the symposium was over.
49:21Hydra should be on his way back to Asia
49:22by now. I tried to convince my parents I
49:26was staying behind to do more
49:27reconnaissance, but I don't think they
49:29bought it. I'm sure I'll hear from them
49:31soon. I'll handle it as it comes.
49:34So, wait. I glance from her to castle.
49:38You're staying with us? That wasn't
49:41really my plan. Oh, I say. Good. That's
49:45good. She raises an eyebrow at me. You
49:48know what I mean. I don't think I do,
49:52she says, and she looks suddenly
49:54irritated.
49:55Anyway, even though it wasn't my plan to
49:58stay, I think I might have to.
50:01My eyes widen.
50:03What? Why?
50:05Because, she says, "My parents have been
50:08lying to me since I was a kid, stealing
50:11my memories and rewriting my history,
50:13and I want to know why. Besides," she
50:17takes a deep breath.
50:20I think I know where Ella and Warner
50:22are, and I want to help.
50:28Warner.
50:31God damn it.
50:34I hear the barely restrained anger in my
50:36father's voice just before something
50:38slams hard into something else. He
50:41swears again. I hesitate outside his
50:44door. And then impatiently, "What do you
50:48want?"
50:50His voice is practically a growl. I
50:52fight the impulse to be intimidated. I
50:55make my face a mask. neutralize my
50:58emotions. And then carefully, I step
51:02into his office.
51:04My father is sitting at his desk, but I
51:07see only the back of his chair and the
51:09unfinished glass of scotch clutched in
51:11his left hand. His papers are in
51:13disarray. I notice the paper weight on
51:16the floor, the damage to the wall.
51:20Something has gone wrong. You wanted to
51:23see me, I say. What? My father turns in
51:27his chair to face me. See you for what?
51:31I say nothing. I've learned by now never
51:34to remind him when he's forgotten
51:36something.
51:38Finally, he sigh. Says, "Right." Yes.
51:43And then we'll have to discuss it later.
51:48Later.
51:49This time I struggle to hide my
51:51feelings. You said you'd give me an
51:54answer today. Something's come up.
51:57Anger wells in my chest. I forget
52:00myself. Something more important than
52:03your dying wife.
52:05My father won't be baited. Instead, he
52:07picks up a stack of papers on his desk
52:09and says, "Go away."
52:12I don't move.
52:14I need to know what's going to happen, I
52:17say. I don't want to go to the capital
52:19with you. I want to stay here with mom.
52:22Jesus," he says, slamming his glass down
52:25on the desk. "Do you hear yourself?" He
52:29looks at me, disgusted. "This behavior
52:32is unhealthy. It's disturbing. I've
52:34never known a 16-year-old boy to be so
52:36obsessed with his mother."
52:39Heat creeps up my neck, and I hate
52:41myself for it. Hate him for making me
52:44hate myself when I say quietly,
52:47"I'm not obsessed with her."
52:50Anderson shakes his head. You're
52:52pathetic.
52:55I take the emotional hit and bury it.
52:58With some effort, I manage to sound
53:00indifferent when I say, "I just want to
53:03know what's going to happen."
53:06Anderson stands up, shoves his hands in
53:08his pockets. He looks out the massive
53:11window in his office at the city just
53:13beyond.
53:15The view is bleak.
53:17Freeways have become open air museums
53:19for the skeletons of forgotten vehicles.
53:22Mountains of trash form ranges along the
53:24terrain. Dead birds litter the streets.
53:28Carcasses still occasionally falling out
53:30of the sky. Untamed fires rage in the
53:34distance. Heavy winds stoking their
53:37flames.
53:38A thick layer of smog has permanently
53:41settled over the city and the remaining
53:44clouds are gray, heavy with rain. We've
53:48already begun the process of regulating
53:50what passes for livable and unlivable
53:52turf and entire sections of the city
53:55have since been shut down. Most of the
53:58coastal areas, for example, have been
54:00evacuated. The streets and homes
54:03flooded, roofs slowly collapsing.
54:07By comparison,
54:09the inside of my father's office is a
54:12veritable paradise.
54:14Everything is still new in here. The
54:17wood still smells like wood. Every
54:20surface shines.
54:22The reestablishment was voted into power
54:24just 4 months ago, and my father is
54:27currently the commander and regent of
54:29one of our brand new sectors.
54:32Number 45.
54:34A sudden gust of wind hits the window
54:37and I feel the shutter reverberate
54:39through the room. The lights flicker. He
54:43doesn't flinch. The world may be falling
54:46apart, but the reestablishment has been
54:48doing better than ever. Their plans fell
54:51into place more swiftly than they'd
54:52expected. And even though my father is
54:55already being considered for a huge
54:56promotion to supreme commander of North
54:59America,
55:01no amount of success seems to soothe
55:03him. Lately, he's been more volatile
55:05than usual.
55:07Finally, he says, "I have no idea what's
55:11going to happen. I don't even know if
55:13they'll be considering me for the
55:15promotion anymore.
55:17I'm unable to mask my surprise.
55:20Why not?"
55:22Anderson smiles unhappily at the window.
55:26A babysitting job gone arry. I don't
55:30understand. I don't expect you to. So,
55:35we're not moving anymore. We won't be
55:37going to the capital.
55:39Anderson turns back around. Don't sound
55:42so excited. I said I don't know yet.
55:46First, I have to figure out how to deal
55:48with the problem. Quietly, I say.
55:52What's the problem?
55:54Anderson laughs. His eyes crinkle and he
55:58looks for a moment. Human.
56:01Suffice it to say that your girlfriend
56:03is ruining my goddamn day as usual.
56:07My what? I frown. Dad, Lena isn't my
56:12girlfriend. I don't care what she's
56:13telling any different girlfriend.
56:17Anderson says and sigh.
56:20He won't meet my eyes now. He snatches a
56:23file folder from his desk, flips it
56:25open, and scans the contents. I don't
56:28have a chance to ask another question.
56:31There's a sudden sharp knock at the
56:33door. At my dad's signal, Daloo steps
56:37inside. He seems more than a little
56:40surprised to see me and for a moment
56:43says nothing.
56:45Well, my dad seems impatient.
56:49Is she here?
56:51Yes, sir. Daloo clears his throat. His
56:55eyes flit to me again. Should I bring
56:57her up or would you prefer to meet
57:00elsewhere? Bring her up? Daloo
57:04hesitates.
57:06Are you quite certain, sir?
57:09I look from my dad to Dalu.
57:11Something is wrong. My father meets my
57:14eyes when he says, "I said bring her up.
57:19Dalu nods and disappears.
57:25My head is a stone,
57:27heavy and useless.
57:30My eyes cemented to my skull.
57:33I maintain consciousness for only
57:35seconds at a time. I smell metal, taste
57:39metal.
57:41An ancient roaring noise grows loud,
57:43then soft, then loud again.
57:47boots heavy near my head.
57:50Voices, but the sounds are muffled.
57:52Light years away. I can't move. I feel
57:56as though I've been buried, left to rot.
58:00A weak orange light flickers behind my
58:02eyes. And for just a second, just a
58:05second.
58:07No,
58:09nothing.
58:11Days seem to pass.
58:14Centuries.
58:16I'm only aware enough to know I've been
58:18heavily sedated.
58:20Constantly sedated. I'm parched,
58:23dehydrated to the point of pain. I'd
58:26kill for water. Kill for it. When they
58:30move me, I feel heavy, far into myself.
58:33I land hard on a cold floor. The pain
58:36ricocheting up my body as if from a
58:38distance. I know that too soon this pain
58:41will catch up to me. Too soon the
58:43sedative will wear off and I'll be alone
58:45with my bones and this dust in my mouth.
58:49A swift hard kick to the gut and my eyes
58:51fly open. Blackness devouring my open
58:54gasping mouth, seeping into the sockets
58:56of my eyes. I feel blind and suffocated
59:00at once. And when the shock finally
59:02subsides, my limbs give out. Limp.
59:07The spark dies.
59:12Kenji,
59:15do you want to tell me what the hell is
59:16going on? I stop, frozen in place at the
59:20sound of Nazer's voice. I was heading
59:23back to my room to close my eyes for a
59:25minute to try to do something about the
59:27massive headache ringing through my
59:28skull. We finally finally took a break.
59:34A brief recess after hours of
59:35exhausting, stressful conversations
59:37about next steps and blueprints and
59:40something about stealing a plane. It's
59:42too much. Even Nazera with all her intel
59:45couldn't give me any real assurance that
59:46Juliet, sorry, Ella and Warner were
59:49still alive. And just the chance that
59:51someone out there might be torturing
59:53them to death is like more than my mind
59:55can handle right now. Today has been a
59:57storm of a tornado of I
1:00:01can't take it anymore. I don't know
1:00:03whether to sit down and cry or set
1:00:05something on fire.
1:00:07Castle said he'd brave his way down to
1:00:09the kitchens to see about scrging up
1:00:10some food for us. And that was the best
1:00:12news I'd heard all day. He also said
1:00:15he'd do his best to plate the soldiers
1:00:16for just a little longer. Just long
1:00:18enough for us to figure out exactly what
1:00:20we're going to do next. But I'm not sure
1:00:22how much he can do. It was bad enough
1:00:24when Jay got shot. The hours she spent
1:00:27in the medical wing were stressful for
1:00:29the rest of us, too.
1:00:31I really thought the soldiers would
1:00:32revolt right then. They kept stopping me
1:00:35in the halls, yelling about how they
1:00:37thought she was supposed to be
1:00:38invincible, that this wasn't the plan,
1:00:40that they didn't decide to risk their
1:00:41lives for a regular teenage girl who
1:00:43couldn't take a bullet, and god damn it,
1:00:45she was supposed to be some supernatural
1:00:46phenomenon, something more than human.
1:00:49It took forever to calm them down.
1:00:53But now,
1:00:55I can only imagine how they'll react
1:00:56when they hear what happened at the
1:00:58symposium.
1:01:00It'll be mutiny most likely.
1:01:03I sigh hard.
1:01:07So, you're just going to ignore me?
1:01:09Nazer is standing inches away from me. I
1:01:13can feel her hovering, waiting.
1:01:17I still haven't said anything. Still
1:01:19haven't turned around. It's not that I
1:01:22don't want to talk. I think I might sort
1:01:24of want to talk. Maybe some other day.
1:01:28But right now, I'm out of gas. I'm out
1:01:31of James' jokes. I'm fresh out of fake
1:01:33smiles. Right now, I'm nothing but pain
1:01:36and exhaustion and raw emotion. And I
1:01:38don't have the bandwidth for another
1:01:39serious conversation. I really don't
1:01:41want to do this right now. I'd nearly
1:01:44made my escape, too. I'm right here,
1:01:48right in front of my door. My hand is on
1:01:51the handle.
1:01:53I could just walk away. I think I could
1:01:57be that kind of guy. A Warner kind of
1:02:00guy. A jackass kind of guy. Just walk
1:02:04away without a word. Too tired. No thank
1:02:07you. Don't want to talk.
1:02:09Leave me alone.
1:02:12Instead, I slump forward, rest my hands
1:02:14and forehead against the closed bedroom
1:02:16door.
1:02:18I'm tired, Nazera. I can't believe
1:02:21you're upset with me.
1:02:23My eyes close. My nose bumps against the
1:02:26wood.
1:02:28I'm not upset with you. I'm half asleep.
1:02:33You were mad. You were mad at me for
1:02:36having the same ability as you. Weren't
1:02:39you? I groan.
1:02:43Weren't you? She says again, this time
1:02:46angrily.
1:02:48I say nothing.
1:02:50Unbelievable.
1:02:52That is the most petty, ridiculous,
1:02:54immature. Yeah, well, do you know how
1:02:57hard it was for me to tell you that? Do
1:02:59you have any idea? I hear her sharp,
1:03:01angry huff. Will you at least look at me
1:03:03when I'm talking to you? Can't? What?
1:03:07She sounds startled.
1:03:10What do you mean you can't?
1:03:13Can't look at you.
1:03:16She hesitates.
1:03:18Why not?
1:03:20Too pretty.
1:03:22She laughs, but angrily, like she might
1:03:26punch me in the face.
1:03:29Kenji, I'm trying to be serious with
1:03:31you. This is important to me. This is
1:03:35the first time in my whole life I've
1:03:37ever shown other people what I can do.
1:03:39It's the first time I've ever interacted
1:03:41with other people like me. Besides, she
1:03:45says, I thought we decided we were going
1:03:48to be friends.
1:03:49Maybe that's not a big deal to you, but
1:03:51it's a big deal to me because I don't
1:03:54make friends easily, and right now
1:03:57you're making me doubt my own judgment.
1:04:00I sigh so hard I nearly hurt myself.
1:04:04I push off the door, stare at the wall.
1:04:09Listen, I say, swallowing hard.
1:04:13I'm sorry I hurt your feelings. I just
1:04:16there was a minute back there before you
1:04:18really started talking when I thought
1:04:20you just like lied about things. I
1:04:24didn't understand what was happening. I
1:04:26thought maybe you'd set us up. A bunch
1:04:29of stuff seemed too crazy to be a
1:04:30coincidence. But we've been talking for
1:04:33hours now and I don't feel that way
1:04:34anymore. I'm not mad anymore. I'm sorry.
1:04:39Can I go now?
1:04:41Of course, she says. I just She trails
1:04:45off like she's confused and then she
1:04:48touches my arm. No, she doesn't just
1:04:52touch my arm. She takes my arm. She
1:04:56wraps her hand around my bare forearm
1:04:58and tugs gently.
1:05:01The contact is hot and immediate. Her
1:05:04skin is soft. My brain feels dim, dizzy.
1:05:10Stop, I say. She drops her hand.
1:05:15"Why won't you look at me?" she says. "I
1:05:19already told you why I won't look at
1:05:20you, and you laughed at me." She's quiet
1:05:24for so long. I wonder if she's walked
1:05:25away. Finally, she says, "I thought you
1:05:29were joking." "Well, I wasn't."
1:05:33More silence.
1:05:36Then,
1:05:38do you always say exactly what you're
1:05:40thinking?
1:05:41Most of the time. Yeah.
1:05:44Gently, I bang my head against the door.
1:05:47I don't understand why this girl won't
1:05:49let me wallow in peace.
1:05:53What are you thinking right now? She
1:05:55asks.
1:05:57Jesus Christ. I look up at the ceiling,
1:06:00hoping for a wormhole or a bolt of
1:06:02lightning or maybe even an alien
1:06:04abduction. Anything to get me out of
1:06:06here. This moment, this relentless,
1:06:08exhausting conversation.
1:06:10In the absence of miracles, my
1:06:12frustration spikes.
1:06:15I'm thinking I want to go to sleep, I
1:06:17say angrily. I'm thinking I want to be
1:06:19left alone. I'm thinking I've already
1:06:21told you this a thousand times and you
1:06:23won't let me go, even though I apologize
1:06:24for hurting your feelings. So, I guess
1:06:26what I'm really thinking is I don't
1:06:28understand what you're doing here. Why
1:06:30do you care so much about what I think?
1:06:33What? She says, startled. I don't.
1:06:37Finally, I turn around. I feel a little
1:06:39unhinged, like my brain is flooded.
1:06:42There's too much happening, too much to
1:06:44feel. Grief, fear, exhaustion,
1:06:47desire.
1:06:49Nazera takes a step back when she sees
1:06:51my face.
1:06:53She's perfect.
1:06:55Perfect. Everything.
1:06:57Long legs and curves. Her face is
1:07:00insane. Faces shouldn't look like that.
1:07:04Bright honeyccoled eyes and skin-like
1:07:06dusk. Her hair is so brown it's nearly
1:07:09black, thick, heavy, straight.
1:07:14She reminds me of something, of a
1:07:16feeling I don't even know how to
1:07:17describe. And there's something about
1:07:19her that's made me stupid, drunk, like I
1:07:23could just stare at her and be happy,
1:07:25float forever in this feeling.
1:07:28And then I realize with a start that I'm
1:07:32staring at her mouth again.
1:07:34I never mean to. It just happens.
1:07:38She's always touching her mouth, tapping
1:07:40that damn diamond piercing under her
1:07:42lip. And I'm just dumb. My eyes
1:07:44following her every move. She's standing
1:07:47in front of me with her arms crossed,
1:07:49running her thumb absently against the
1:07:51edge of her bottom lip. And I can't stop
1:07:54staring.
1:07:55She startles suddenly when she realizes
1:07:58I'm looking, drops her hands to her
1:08:00sides, and blinks at me.
1:08:04I have no idea what she's thinking.
1:08:08I asked you a question, I say, but this
1:08:12time my voice comes out a little rough,
1:08:14a little too intense. I knew I should
1:08:16have kept my eyes on the wall. Still,
1:08:20she only stares at me.
1:08:23All right, forget it, I say. You keep
1:08:26begging me to talk, but the minute I ask
1:08:28you a question, you say nothing. That's
1:08:30just great. I turn away again, reach for
1:08:33the door handle, and then still facing
1:08:36the door, I say,
1:08:38"You know, I'm aware that I haven't done
1:08:41a good job being smooth about this, and
1:08:43maybe I'll never be that kind of guy,
1:08:45but I don't think you should treat me
1:08:47like this, like I'm some idiot nothing
1:08:49just because I don't know how to be a
1:08:50douchebag." "What,
1:08:53Kenji? I don't." "Stop," I say, jerking
1:08:56away from her. She keeps touching my
1:08:59arm, touching me like she doesn't even
1:09:00know she's doing it. It's driving me
1:09:03crazy. Don't do that. Don't do what?
1:09:08Finally, angrily, I spin around. I'm
1:09:11breathing hard, my chest rising and
1:09:13falling too fast.
1:09:15Stop messing with me, I say. You don't
1:09:19know me. You don't know anything about
1:09:21me. You say you want to be my friend,
1:09:24but you talk to me like I'm an idiot.
1:09:26You touch me constantly like I'm a
1:09:28child, like you're trying to comfort me,
1:09:30like you have no idea that I'm a grown
1:09:32ass man who might feel something when
1:09:33you put your hands on me like that. She
1:09:35tries to speak and I cut her off. I
1:09:37don't care what you think you know about
1:09:38me or how stupid you think I am. But
1:09:41right now, I'm exhausted. Okay, I'm
1:09:43done. So, if you want nice Kenji, maybe
1:09:45you should check back in the morning
1:09:46because right now all I've got is Jack
1:09:48in the way of pleasantries.
1:09:51Nazer looks frozen, stunned. She stares
1:09:54at me, her lips slightly parted, and I'm
1:09:58thinking, "This is it. This is how I
1:10:01die. She's going to pull out a knife and
1:10:03cut me open, rearrange my organs, put on
1:10:06a puppet show with my intestines.
1:10:08What a way to go."
1:10:11But when she finally speaks, she doesn't
1:10:14sound angry.
1:10:16She sounds a little out of breath,
1:10:18nervous.
1:10:21I don't think you're a child," she says.
1:10:26I have no idea what to say to that. She
1:10:29takes a step forward, presses her hands
1:10:31flat against my torso, and I turn into a
1:10:34statue.
1:10:35Her hands seem to sear into my body,
1:10:38heat pressing between us, even through
1:10:40my shirt.
1:10:42I feel like I might be dreaming.
1:10:45She runs her hands up my chest, and that
1:10:48simple motion feels so good. Good. I'm
1:10:50suddenly terrified. I feel magnetized to
1:10:53her, frozen in place, afraid to wake up.
1:10:59"What are you doing?" I whisper.
1:11:03She's still staring at my chest when she
1:11:04says again.
1:11:08"I don't think you're a child."
1:11:11"Nera." She lifts her head to meet my
1:11:13eyes, and a flash of feeling, hot and
1:11:16painful, shoots down my spine.
1:11:19And I don't think you're stupid, she
1:11:22says.
1:11:24Wrong.
1:11:26I'm definitely stupid.
1:11:28So stupid.
1:11:30I can't even think right now. Okay, I
1:11:34say stupidly. I don't know what to do
1:11:36with my hands. I mean, I know what to do
1:11:39with my hands. I'm just worried that if
1:11:40I touch her, she might laugh and then
1:11:42probably kill me. She smiles then. Smile
1:11:46so big I feel my heart explode. Make a
1:11:48mess inside my chest.
1:11:52"So, you're not going to make a move?"
1:11:55she says, still smiling. "I thought you
1:11:59liked me. I thought that's what this
1:12:01whole thing was all about."
1:12:04"Like you?" I blink at her. "I don't
1:12:08even know you." Uh," she says, and her
1:12:13smile disappears. She begins to pull
1:12:15away, and she can't meet my eyes. And
1:12:17then, I don't know what comes over me. I
1:12:21grab her hand, open my bedroom door, and
1:12:23lock us both inside.
1:12:27She kisses me first. I have an out-of-
1:12:30body moment like I can't believe this is
1:12:32actually happening to me. I can't
1:12:34understand what I did to make this
1:12:36possible because according to my
1:12:37calculations, I messed this up on a
1:12:39hundred different levels. And in fact, I
1:12:41was pretty sure she was pissed at me up
1:12:42until like 5 minutes ago. And then I
1:12:45tell myself to shut up.
1:12:48Her kiss is soft. Her hands tentative
1:12:51against my chest, but I wrap my arms
1:12:54around her waist and kiss her. Really
1:12:57kiss her. And then somehow we're against
1:12:59the wall and her hands are around my
1:13:02neck and she parts her lips for me, size
1:13:04in my mouth. And that small sound of
1:13:07pleasure drives me crazy. Floods my body
1:13:10with heat and desire so intense I can
1:13:13hardly stand.
1:13:15We break apart, breathing hard, and I
1:13:19stare at her like an idiot. My brain
1:13:21still too numb to figure out exactly how
1:13:23I got here. Then again, who cares how I
1:13:27got here? I kiss her again and it nearly
1:13:31kills me. She feels so good. So soft.
1:13:38Perfect.
1:13:39She's perfect. Fits perfectly in my
1:13:42arms. Like we were made for this. Like
1:13:45we've done this a thousand times before.
1:13:48And she smells like shampoo. Like
1:13:50something sweet. Perfume. Maybe. I don't
1:13:54know.
1:13:55Whatever it is, it's in my head now,
1:13:59killing brain cells.
1:14:01When we break apart, she looks
1:14:04different, her eyes darker, deeper.
1:14:08She turns away, and when she turns back
1:14:10again, she's smiling at me. And for a
1:14:12second, I think we might both be
1:14:15thinking the same thing.
1:14:18But I'm wrong, of course. so wrong
1:14:20because I was thinking about how I'm
1:14:22like the luckiest guy on the planet and
1:14:24she
1:14:26she puts her hand on my chest and says
1:14:28softly,
1:14:30"You're really not my type."
1:14:34That knocks the wind out of me. I drop
1:14:37my arms from around her waist and take a
1:14:39sudden uncertain step backward. She
1:14:42cringes, covers her face with both
1:14:44hands. "I don't Wow. I don't mean you're
1:14:48not my type." She shakes her head hard.
1:14:50I just mean I don't normally I don't
1:14:53usually do this.
1:14:56Do what? I say still wounded.
1:15:00This she says and gestures between us. I
1:15:04don't I don't like just go around
1:15:08kissing guys I barely know.
1:15:11Okay. I frown.
1:15:14Do you want to leave? No. Her eyes
1:15:17widen. Then what do you want?
1:15:22I don't know, she says, and her eyes go
1:15:25soft again.
1:15:28I kind of just want to look at you for a
1:15:30minute. I meant what I said about your
1:15:33face, she says, and smiles.
1:15:37You have a great face.
1:15:40I go suddenly weak in the knees. I
1:15:42literally have to sit down. I walk over
1:15:45to my bed and collapse backward, my head
1:15:48hitting the pillow.
1:15:50It feels too good to be horizontal. If
1:15:53there weren't a gorgeous woman in my
1:15:54room right now, I'd be asleep already.
1:15:58Just so you know, this is not a move, I
1:16:00say mostly to the ceiling. I'm not
1:16:03trying to get you to sleep with me. I
1:16:05just literally had to lie down.
1:16:07Thank you for appreciating my face. I've
1:16:10always thought I had an underappreciated
1:16:12face. She laughs hard and sits next to
1:16:15me, teetering on the edge of the bed
1:16:17near my arm.
1:16:20You're really not what I was expecting,
1:16:22she says. I peer at her.
1:16:27What were you expecting?
1:16:29I don't know. She shakes her head,
1:16:32smiles at me.
1:16:34I guess I wasn't expecting to like you
1:16:37so much. My chest goes tight. Too tight.
1:16:42I force myself to sit up to meet her
1:16:44eyes.
1:16:47Come here, I say.
1:16:49You're too far away.
1:16:52She kicks off her boots and shifts
1:16:54closer, folding her legs up underneath
1:16:56her. She doesn't say a word, just stares
1:17:00at me. And then carefully, she touches
1:17:05my face, the line of my jaw.
1:17:08My eyes close, my mind swimming with
1:17:11nonsense.
1:17:13I lean back, rest my head against the
1:17:15wall behind us. I know it doesn't say
1:17:18much for my self-confidence that I'm so
1:17:20surprised this is happening, but I can't
1:17:22help it. I never thought I'd get this
1:17:25lucky.
1:17:27Kenji, she says softly.
1:17:30I open my eyes.
1:17:33I can't be your girlfriend.
1:17:36I blink. Sit up a little.
1:17:40Oh, I say. It hadn't occurred to me
1:17:43until exactly this moment that I might
1:17:45even want something like that. But now
1:17:47that I'm thinking about it, I know that
1:17:49I do. A girlfriend is exactly what I
1:17:52want. I want a relationship. I want
1:17:55something real.
1:17:58It would never work, you know. She tilts
1:18:01her head, looks at me like it's obvious,
1:18:03like I know as well as she does why
1:18:05things would never work out between us.
1:18:07We're not. She motions between our
1:18:09bodies to indicate something I don't
1:18:11understand.
1:18:13We're so different, right? Plus, I don't
1:18:17even live here.
1:18:20Right? I say, but my mouth feels
1:18:23suddenly numb. My whole face feels numb.
1:18:27You don't even live here.
1:18:30And then just as I'm trying to figure
1:18:32out how to pick up the pieces of my
1:18:33obliterated hopes and dreams, she climbs
1:18:36into my lap. 0 to 60. My body
1:18:39malfunctions, overheats.
1:18:42She presses her face into my cheek and
1:18:44kisses me softly just underneath my jaw.
1:18:47And I feel myself melt into the wall,
1:18:50into the air.
1:18:52I don't understand what's happening
1:18:53anymore. She likes me, but she doesn't
1:18:56want to be with me. She's not going to
1:18:58be with me, but she's going to sit on my
1:18:59lap and kiss me into oblivion.
1:19:02Sure. Okay.
1:19:05I let her touch me the way she wants to.
1:19:07Let her put her hands on my body and
1:19:09kiss me wherever, however she wants. She
1:19:12touches me in a proprietary way, like I
1:19:15already belong to her. And I don't mind.
1:19:19I kind of love it. And I let her take
1:19:21the lead for as long as I can bear it.
1:19:24She's pulling up my shirt, running her
1:19:26hands across my bare skin, and telling
1:19:28me how much she likes my body. And I
1:19:30really feel like like I can't breathe.
1:19:34I feel too hot, delirious, but sharp,
1:19:38aware of this moment in an almost primal
1:19:40way.
1:19:42She helps me pull off my shirt, and then
1:19:44she just looks at me, first at my face,
1:19:47and then at my chest, and she runs her
1:19:49hands across my shoulders, down my arms.
1:19:54Wow, she says softly. You're so
1:19:57gorgeous.
1:19:59That's it for me. I pick her up off my
1:20:02lap and lay her down on her back and she
1:20:05gasps, stares at me like she's
1:20:07surprised. And then deep. Her eyes go
1:20:12deep and dark and she's looking at my
1:20:14mouth, but I decide to kiss her neck,
1:20:16the curve of her shoulder.
1:20:18Nazera, I whisper, hardly recognizing
1:20:22the sound of my own voice.
1:20:25I want you so badly it might kill me.
1:20:29Suddenly, someone is banging on my door.
1:20:31Bro, where the hell did you go? Ian
1:20:34shouts. Castle brought dinner up like 10
1:20:36minutes ago. I sit up too fast. I nearly
1:20:40pull a muscle. Nazer laughs out loud and
1:20:43even though she claps a hand over her
1:20:44mouth to muffle the sound, she's not
1:20:46quick enough.
1:20:48Uh, hello. Ian again.
1:20:52Genji.
1:20:54I'll be right there. I shout back. I
1:20:57hear him hesitate, his footsteps
1:21:00uncertain. And then he's gone. I drop my
1:21:04head into my hands. Suddenly, everything
1:21:07comes rushing back to me. For a few
1:21:09minutes, this moment with Nazera felt
1:21:11like the whole world. A welcome reprieve
1:21:14from all the war and death and struggle.
1:21:16But now, with a little oxygen in my
1:21:19brain, I feel stupid.
1:21:22I don't know what I was thinking.
1:21:25Juliet might be dead.
1:21:27I get to my feet. I pull my shirt on
1:21:30quickly, careful not to meet her eyes.
1:21:32For some reason, I can't bring myself to
1:21:35look at Nazera. I have no regrets about
1:21:38kissing her. It's just that I also feel
1:21:40suddenly guilty, like I was doing
1:21:42something wrong, something selfish and
1:21:45inappropriate.
1:21:48I'm sorry, I say. I don't know what got
1:21:51into me. Nazer is tugging on her boots.
1:21:54She looks up surprised.
1:21:57What do you mean?
1:22:00What? We just I sigh hard.
1:22:04I don't know.
1:22:06I forgot for a moment everything we have
1:22:08to do. The fact that Juliet might be out
1:22:10there somewhere being tortured to death.
1:22:13Warner might be dead. We'll have to pack
1:22:15up and run. Leave this place behind.
1:22:18God, there's so much happening and I
1:22:19just My head was in the wrong place. I'm
1:22:23sorry. Nazer is standing up now. She
1:22:26looks upset.
1:22:28Why do you keep apologizing to me? Stop
1:22:31apologizing to me. You're right. I'm
1:22:34sorry. I wse. I mean, you know what I
1:22:38mean. Anyway, we should go. Kenji,
1:22:42listen. You said you didn't want a
1:22:43relationship, right? You didn't want to
1:22:45be my girlfriend. You don't think that
1:22:47this I mimic what she did earlier,
1:22:49motioning between us could ever work?
1:22:52Well, then I take a breath, run a hand
1:22:55through my hair. This is what not being
1:22:58my girlfriend looks like. Okay. There
1:23:01are only a few people in my life who
1:23:03actually care about me. And right now,
1:23:04my best friend is probably being
1:23:06murdered by a bunch of psychopaths, and
1:23:07I should be out there doing something. I
1:23:10didn't realize you and Warner were so
1:23:12close, she says quietly.
1:23:16What? I frown.
1:23:18No, I'm talking about Juliet, I say.
1:23:21Ella, whatever. Nazer's eyebrows go
1:23:24high. Anyway, I'm sorry. We should
1:23:29probably just keep this professional,
1:23:30right? You're not looking for anything
1:23:32serious and I don't know how to have
1:23:34casual relationships anyway. I always
1:23:36end up caring too much to be honest, so
1:23:38this probably wasn't a good idea.
1:23:42Oh,
1:23:44right. I look at her, hoping suddenly
1:23:48that there was something I missed,
1:23:49something more than the cool distance in
1:23:51her eyes.
1:23:53Didn't you just tell me that we're too
1:23:55different? That you don't even live
1:23:57here? She turns away.
1:24:01Yes.
1:24:02And have you changed your mind in the
1:24:04last 30 seconds about being my
1:24:07girlfriend?
1:24:09She's still staring at the wall when she
1:24:10says no.
1:24:13Pain shoots up my spine, gathers in my
1:24:16chest.
1:24:18Okay then, I say and nod.
1:24:22Thanks for your honesty. I have to go.
1:24:25She cuts past me, walks out the door.
1:24:29I'm coming to
1:24:33>> Juliet.
1:24:36>> I've been sitting in the back of a
1:24:38police car for over an hour. I haven't
1:24:40been able to cry. Not yet. And I don't
1:24:43know what I'm waiting for. But I know
1:24:45what I did. And I'm pretty sure I know
1:24:47what happens next. I killed a little
1:24:49boy.
1:24:51I don't know how I did it. I don't know
1:24:53why it happened. I just know that it was
1:24:56me. My hands. me. I did that. Me.
1:25:01I wonder if my parents will show up.
1:25:04Instead, three men in military uniforms
1:25:07march up to my window. One of them
1:25:09flings open the door and aims a machine
1:25:11gun at my chest. Get out, he barks. Out
1:25:14with your hands up. My heart is racing.
1:25:17Terror propelling me out of the car so
1:25:20fast I stumble, slamming my knee into
1:25:22the ground. I don't need to check to
1:25:24know that I'm bleeding. The pain of the
1:25:26fresh wound is already searing. I bite
1:25:29my lip to keep from crying out. Force
1:25:31the tears back. No one helps me up. I
1:25:35want to tell them that I'm only 14. That
1:25:38I don't know a lot about a lot of
1:25:39things, but that I know enough. I've
1:25:41watched TV shows about this sort of
1:25:43thing. I know they can't charge me as an
1:25:46adult. I know that they shouldn't be
1:25:48treating me like this.
1:25:50But then I remember that the world is
1:25:52different now. We have a new government
1:25:54now. one that doesn't care how we used
1:25:56to do things. Maybe none of that matters
1:25:59anymore. My heart beats faster. I'm
1:26:03shoved into the back seat of a black car
1:26:05and before I know it, I'm deposited
1:26:07somewhere new. Somewhere that looks like
1:26:09an ordinary office building. It's tall,
1:26:12steel, gray. It seems old and decrepit.
1:26:16Some of its windows are cracked, and the
1:26:18whole thing looks sad.
1:26:21But when I walk inside, I'm stunned to
1:26:24discover a blinding, gleaming interior.
1:26:27I look around, taking in the marble
1:26:29floors, the rich carpets and
1:26:31furnishings. The ceilings are high, the
1:26:34architecture modern but elegant. It's
1:26:37all glass and marble and stainless
1:26:39steel. I've never been anywhere so
1:26:42beautiful.
1:26:44and I haven't even had a moment to take
1:26:46it all in before I'm greeted by a thin
1:26:48older man with even thinner brown hair.
1:26:52The soldier flanking me steps back as he
1:26:54steps forward. Miss Verars, he says.
1:26:57Yes, you are to come with me. I
1:27:00hesitate. Who are you? He studies me a
1:27:04moment and then seems to make a
1:27:06decision. You may call me Dealu.
1:27:10Okay, I say the word disappearing into a
1:27:13whisper. I follow Daloo into a glass
1:27:16elevator and watch him use a key card to
1:27:18authorize the lift. Once we're in
1:27:20motion, I find the courage to speak.
1:27:24Where am I? I ask. What's happening? His
1:27:28answer comes automatically.
1:27:30You are in sector 45 headquarters.
1:27:32You're here to have a meeting with the
1:27:34chief commander and regent of sector 45.
1:27:37He doesn't look at me when he speaks,
1:27:39but there's nothing in his tone that
1:27:41feels threatening. So, I ask another
1:27:43question.
1:27:45Why? The elevator doors ping as they
1:27:48open. Dau finally turns to look at me.
1:27:52You'll find out in just a moment. I
1:27:55follow Dale Leu down a hall and wait
1:27:58quietly outside a door while he knocks.
1:28:01He peaks his head inside when the door
1:28:03opens, announces his presence, and then
1:28:06motions for me to follow him in. When I
1:28:08do, I'm surprised.
1:28:11There's a beautiful man in military
1:28:13uniform. I'm assuming he's the commander
1:28:16standing in front of a large wooden
1:28:17desk, his arms crossed against his
1:28:20chest. He's staring me straight in the
1:28:22eye, and I'm suddenly so overwhelmed, I
1:28:25feel myself blush. I've never seen
1:28:27anyone so handsome before.
1:28:31I look down, embarrassed, and study the
1:28:34laces of my tennis shoes. I'm grateful
1:28:37for my long hair. It serves as a dark,
1:28:40heavy curtain, shielding my face from
1:28:42view. Look at me.
1:28:45>> The command is sharp and clear. I look
1:28:48up nervously to meet his eyes. He has
1:28:51thick, dark brown hair, eyes like a
1:28:54storm. He looks at me for so long I feel
1:28:57goosebumps rise along my skin. He won't
1:29:00look away, and I feel more terrified by
1:29:02the moment. This man's eyes are full of
1:29:05anger, darkness. There's something
1:29:08genuinely frightening about him, and my
1:29:10heart begins to hammer. "You're growing
1:29:13up quickly,"
1:29:15>> he says. I stare at him, confused, but
1:29:19he's still studying my face. "14 years
1:29:22old," he says quietly. "Such a
1:29:25complicated age for a young girl."
1:29:28Finally, he sigh, looks away.
1:29:32It always breaks my heart to break
1:29:34beautiful things.
1:29:36>> I don't I don't understand, I say,
1:29:40feeling suddenly ill. He looks up again.
1:29:44You're aware of what you did today.
1:29:47I freeze. Words pile up in my throat,
1:29:50die in my mouth.
1:29:52>> Yes or no? He demands.
1:29:56Yes, I say quickly. Yes. And do you know
1:30:00why you did it? Do you know how you did
1:30:03it? I shake my head, my eyes filling
1:30:07fast with tears.
1:30:09It was an accident, I whisper. I didn't
1:30:12know. I I didn't know that this Does
1:30:15anyone else know about your sickness?
1:30:20>> No. I stare at him, my eyes wide, even
1:30:23as tears blur my vision. I mean, not not
1:30:27really. just my parents. But no one
1:30:29really understands what's wrong with me.
1:30:31I don't even understand. You mean you
1:30:33didn't plan this? It wasn't your
1:30:35intention to murder the little boy. No,
1:30:39I cry out and then clap both hands over
1:30:42my mouth. No, I say quietly now. I was
1:30:46trying to help him. He'd fallen to the
1:30:49floor and I I didn't know. I swear I
1:30:52didn't know.
1:30:54Liar. I'm still shaking my head, wiping
1:30:57away tears with shaking hands. It was an
1:31:00accident. I swear I didn't mean to. I I
1:31:03didn't. Sir, it's Daloo. His voice. I
1:31:08didn't realize he was still in the room.
1:31:11I sniff hard, wiping quickly at my face,
1:31:14but my hands are still shaking. I try
1:31:17again to swallow back the tears to pull
1:31:19myself together. Sir, Daloo says more
1:31:23firmly. Perhaps we should conduct this
1:31:25interview elsewhere.
1:31:27I don't see why that's necessary.
1:31:30I don't mean to seem impertinent, sir,
1:31:32but I really feel that you might be
1:31:34better served conducting this interview
1:31:36privately. I dare to turn to look up at
1:31:39him, and that's when I notice the third
1:31:42person in the room, a boy.
1:31:46My breath catches in my throat with an
1:31:49almost audible gasp. A single tear
1:31:52escapes down my cheek and I brush it
1:31:54away. Even as I stare at him, I can't
1:31:57help it. I can't look away. He has the
1:32:01kind of face that I've never seen in
1:32:02real life. He's more handsome than the
1:32:05commander, more beautiful. Still,
1:32:08there's something unnerving about him,
1:32:10something cold and alien about his face
1:32:12that makes him difficult to look at.
1:32:15He's almost too perfect. He has a sharp
1:32:18jawline and sharp cheekbones and a sharp
1:32:21straight nose. Everything about him
1:32:23reminds me of a blade. His face is pale.
1:32:27His eyes are a stunning clear green and
1:32:30he has rich golden hair. And he's
1:32:32staring at me. His eyes wide with an
1:32:35emotion I can't decipher.
1:32:39A throat clears. The spell is broken.
1:32:43Heat floods my face. and I avert my
1:32:45eyes, mortified I didn't look away
1:32:47sooner, I hear the commander mutter
1:32:50angrily under his breath.
1:32:51>> "Unbelievable,"
1:32:53>> he says. "Always the same."
1:32:56>> I look up.
1:32:57>> "Aaron,"
1:32:58>> he says sharply. "Get out."
1:33:01>> The boy, his name must be Aaron,
1:33:05startles. He stares at the commander for
1:33:08a second and then glances at the door,
1:33:10but he doesn't move.
1:33:14Dealu, please escort my son from the
1:33:16room as he seems presently unable to
1:33:19remember how to move his legs.
1:33:22His son.
1:33:23Wow, that explains the face. Yes, sir.
1:33:27Of course, sir. Aaron's expression is
1:33:30impossible to read. I catch him looking
1:33:32at me just once more, and when he finds
1:33:35me staring, he frowns. It's not an
1:33:38unkind look. Still, I turn away. He and
1:33:42Da Leu move past me as they exit, and I
1:33:45pretend not to notice when I hear him
1:33:46whisper, "Who is she?" as they walk
1:33:49away.
1:33:52"Ella, are you all right?" I blink
1:33:56slowly, clearing the webbing of
1:33:57blackness, obscuring my vision. Stars
1:34:00explode and fade behind my eyes. And I
1:34:02try to stand, the carpet pressing
1:34:04popcorn impressions into my palms, metal
1:34:07digging into my flesh. I'm wearing
1:34:10manicles, glowing cuffs that emit a soft
1:34:13blue light that leeches the life from my
1:34:16skin. Makes my own hands seem sinister.
1:34:19The woman at my door is staring at me.
1:34:21She smiles. Your father and I thought
1:34:24you might be hungry, she says. We made
1:34:27you dinner.
1:34:29I can't move. My feet seem bolted in
1:34:32place. The pinks and purples of the
1:34:34walls and floors assaulting me from
1:34:36every corner. I'm standing in the middle
1:34:38of the bizarre museum of what was likely
1:34:41my childhood bedroom, staring at what
1:34:43might be my biological mother, and I
1:34:46feel like I might throw up. The lights
1:34:49are suddenly too bright, the voices too
1:34:51loud. Someone walks toward me, and the
1:34:54movement feels exaggerated, the
1:34:56footsteps thuing hard and fast in my
1:34:59ears. My vision goes in and out, and the
1:35:02walls seem to shake. The floor shifts,
1:35:05tilts backward.
1:35:07I fall hard onto the floor.
1:35:11For a minute, I hear nothing but my
1:35:13heartbeat. Loud. So loud pressing in on
1:35:16me, assaulting me with a cacophony of
1:35:18sounds so disturbing. I double over,
1:35:21press my face into the carpet, and
1:35:23scream.
1:35:25I'm hysterical, my bones shaking in my
1:35:28skin, and the woman picks me up, reels
1:35:30me in, and I tear away, still screaming.
1:35:33Where is everyone? I scream. What's
1:35:35happening to me? I scream. Where am I?
1:35:38Where's Warner and Kenji? And oh my god.
1:35:41Oh my god. All those people. All those
1:35:44people I killed. Vomit inches up my
1:35:48throat, choking me. And I try and fail
1:35:50to suppress the images. The horrible,
1:35:53terrifying images of bodies cleaved
1:35:56open. Blood snaking down ridges of
1:35:58poorly torn flesh. And something pierces
1:36:01my mind. Something sharp and blinding.
1:36:03And suddenly I'm on my knees heaving the
1:36:06meager contents of my stomach into a
1:36:08pink basket.
1:36:10I can hardly breathe. My lungs are
1:36:12overworked. My stomach still threatening
1:36:15to betray me. And I'm gasping, my hands
1:36:18shaking hard as I try to stand. I spin
1:36:21around, the room moving more quickly
1:36:23than I do. And I see only flashes of
1:36:26pink, flashes of purple. I sway.
1:36:30Someone catches me again. this time, new
1:36:32arms. And the man who calls me his
1:36:34daughter holds me like I'm his child.
1:36:36And he says, "Honey, you don't have to
1:36:38think about them anymore. You're safe
1:36:41now." "Safe?"
1:36:43I rear back, eyes wild. "Who are you?"
1:36:48The woman takes my hand, squeezes my
1:36:50fingers even as I wrench free from her
1:36:52grip. "I'm your mother," she says, and
1:36:55I've decided it's time for you to come
1:36:57home. "What?" I grab two fistfuls of her
1:37:01shirt. Have you done with my friends? I
1:37:05scream. And then I shake her. Shake her
1:37:08so hard she actually looks scared for a
1:37:10second. And then I try to pick her up
1:37:12and throw her into the wall, but
1:37:14remember with a start that my powers
1:37:16have been cut off, that I have to rely
1:37:18on mere anger and adrenaline. And I turn
1:37:21around suddenly furious, feeling more
1:37:24certain by the second that I've begun to
1:37:25hallucinate. hallucinate when
1:37:28unexpectedly she slaps me in the face
1:37:32hard.
1:37:34I blink, stunned, but managed to stay
1:37:37upright. "Ella Summers," she says
1:37:41sharply. "You will pull yourself
1:37:43together."
1:37:45Her eyes flash as she appraises me.
1:37:47"What is this ridiculous dramatic
1:37:49behavior? Worried about your friends?
1:37:52Those people are not your friends?"
1:37:56My cheek burns and half my mouth feels
1:37:58numb. But I say, "Yes, yes, they're my
1:38:02She slaps me again."
1:38:06My eyes close, reopen. I feel suddenly
1:38:10dizzy. "We are your parents," she says
1:38:13in a harsh whisper. "Your father and I
1:38:16have brought you home. You should be
1:38:18grateful."
1:38:20I taste blood.
1:38:22I reach up, touch my lip, my fingers
1:38:25come away red.
1:38:28Where's Emiline?
1:38:30Blood is pooling in my mouth, and I spit
1:38:33it out onto the floor. Have you
1:38:35kidnapped her, too? Does she know what
1:38:38you've done? That you donated us to the
1:38:41reestablishment, sold our bodies to the
1:38:43world? A third swift slap.
1:38:48I feel it ring in my skull.
1:38:51How dare you? My mother's face flushes
1:38:55crimson.
1:38:56How dare you? You have no idea what
1:38:59we've built all these years. The
1:39:02sacrifices we made for our future.
1:39:06Now, Eevee, my dad says, and places a
1:39:08calming hand on her shoulder. Everything
1:39:11is going to be okay. Ella just needs a
1:39:14little time to settle in, that's all. He
1:39:17glances at me. Isn't that right, Ella?
1:39:21It hits me then in that moment.
1:39:24Everything
1:39:26it hits me all at once with a
1:39:29frightening destabilizing force.
1:39:33I've been kidnapped by a pair of crazy
1:39:35people and I might never see my friends
1:39:37again. In fact, my friends might be
1:39:40dead. My parents might have killed them.
1:39:45All of them.
1:39:47The realization is like suffocation.
1:39:50Tears fill my throat, my mouth, my eyes.
1:39:55Where? I say, my chest heaving is
1:39:57Warner. What did you do to him?
1:40:01Eve's expression goes suddenly
1:40:03murderous.
1:40:05You and that damn boy. If I have to hear
1:40:08his name one more time, where's Warner?
1:40:13I'm screaming again. Where is he?
1:40:15Where's Kenji? What did you do with
1:40:17them?
1:40:19Eevee looks suddenly exhausted. She
1:40:22pinches the bridge of her nose between
1:40:24her thumb and index finger.
1:40:27Darling, she says, but she isn't looking
1:40:29at me. She's looking at my father. Will
1:40:32you handle this, please? I have a
1:40:34terrible headache and several urgent
1:40:36phone calls to return.
1:40:39Of course, my love. and he pulls a
1:40:42syringe from his pocket and stabs it
1:40:44swiftly into my neck.
1:40:49>> Kenji,
1:40:52the common room is really growing on me.
1:40:55I used to walk by all the time and
1:40:58wonder why Warner ever thought we'd need
1:40:59a common room this big. There's tons of
1:41:01seating and a lot of room to spread out,
1:41:03but I always thought it was a waste of
1:41:05space. I secretly wished Warner had used
1:41:08the square footage for our bedrooms.
1:41:10Now I get it. When Nazir and I walk in
1:41:1310 minutes late to the impromptu pizza
1:41:15party, everyone is here. Brendan is
1:41:18here. He's sitting in a corner being
1:41:21fussed over by Castle and Aaliyah. And I
1:41:23nearly tackle him. I don't, of course,
1:41:26because it's obvious he's still in
1:41:27recovery, but I'm relieved to find that
1:41:29he looks okay. Mostly he looks rung out,
1:41:32but he's not wearing a sling or
1:41:34anything, so I'm guessing the girls
1:41:35didn't run into any problems when they
1:41:37were patching him up. That's a great
1:41:39sign.
1:41:40I spot Winston walking across the room
1:41:42and I catch up to him, clap him on the
1:41:44back. Hey, I say when he turns around.
1:41:48You okay? He's balancing a couple of
1:41:51paper plates, both of which are already
1:41:53sagging under the weight of too much
1:41:54pizza. And he smiles with his whole face
1:41:56when he says, "I hate today. Today is a
1:42:00garbage fire. I hate everything about
1:42:02today except for the fact that Brendan
1:42:04is okay and we have pizza. Other than
1:42:07that, did Aken go straight to hell?
1:42:10Yeah, I feel that so much. And then
1:42:14after a pause, I say quietly,
1:42:17"So, I'm guessing you never had that
1:42:19conversation with Brendan, huh?"
1:42:22Winston goes suddenly pink, "I said I
1:42:25was waiting for the right time. Does
1:42:27this seem like the right time to you?"
1:42:29"Good point," I sigh. "I guess I was
1:42:33just hoping you had some good news. We
1:42:35could all use some good news right now.
1:42:37Winston shoots me a sympathetic look. No
1:42:40word on Juliet. I shake my head. Feel
1:42:44suddenly sick.
1:42:46Has anyone told you her real name is
1:42:47Ella? I heard. Winston says, raising his
1:42:51eyebrows. That whole story is batshit.
1:42:55Yeah, I say. Today is the worst.
1:42:59today. Winston says. Don't forget about
1:43:02tomorrow. I say. Tomorrow's going to
1:43:04suck, too. What? Why? The paper plates
1:43:08in Winston's hands are going translucent
1:43:10from pizza grease. What's happening
1:43:12tomorrow?
1:43:14Last I heard, we were jumping ship. I
1:43:16say, running for our lives. I'm assuming
1:43:19it's going to suck. Winston nearly
1:43:23drops his plates. Seriously, Brendan
1:43:26needs more time to rest. Then after a
1:43:29beat, "Where are we going to go?" "The
1:43:32other side of the continent,
1:43:33apparently," Ian says as he walks over.
1:43:36He hands me a plate of pizza. I murmur a
1:43:39quick thanks and stare at the pizza,
1:43:40wondering whether I'd be able to shove
1:43:42the whole thing in my mouth at once.
1:43:44"Probably not."
1:43:47"Do you know something we don't?"
1:43:49Winston says to Ian, his glasses
1:43:51slipping down the bridge of his nose.
1:43:53Winston tries unsuccessfully to shove
1:43:56them back up with his forearm, and Ian
1:43:58steps up to do it for him.
1:44:00"I know a lot of things you don't know,"
1:44:03Ian says. "The first of which is that
1:44:06Kenji was definitely hooking up with
1:44:07Nazera like 5 seconds ago. My mouth
1:44:10nearly falls open before I remember
1:44:12there's food in it." I swallow too
1:44:15quickly and choke. I'm still coughing as
1:44:18I look around, panicking that Nazera
1:44:20might be within earshot. Only when I
1:44:22spot her across the room speaking with
1:44:24Sonia and Sarah do I finally relax. I
1:44:27glare at Ian.
1:44:29What the hell is wrong with you? Winston
1:44:32at least has the decency to whisper yell
1:44:34when he says you were hooking up with
1:44:36Nazera. We were only gone a few hours. I
1:44:39did not hook up with Nazera. I lie. Ian
1:44:42takes a bite of pizza. Whatever, bro. No
1:44:44judgment. The world's on fire. Have some
1:44:47fun. We didn't. I sigh. look away. It
1:44:52wasn't like that. It's not even
1:44:53anything. We were just like I make some
1:44:56random gesture with my hand that means
1:44:58exactly nothing. Ian raises his
1:45:01eyebrows.
1:45:03Okay, Winston says, shooting me a look.
1:45:06We'll talk about the Nazer thing later.
1:45:08He turns to Ian. What's happening
1:45:11tomorrow? We bail, Ian says. Be ready to
1:45:14go at dawn. Right, I heard that part.
1:45:17Winston says, "But where are we going?"
1:45:20Ian shrugs. "Castle has the news," he
1:45:24says. "That's all I heard. He was
1:45:26waiting for Kenji and Nazer to put their
1:45:28clothes back on before he told everyone
1:45:30the details." I tilt my head at Ian,
1:45:32threatening him with a single look.
1:45:35"Nothing is going on with me and
1:45:37Nazera," I say. "Drop it." "All right,"
1:45:42he says, picking at his pizza. "Makes
1:45:44sense. I mean, she's not even that
1:45:47pretty. My plate falls out of my hand.
1:45:50Pizza hits the floor. I feel a sudden
1:45:53unwelcome need to punch Ian in the face.
1:45:56Are you Are you out of your mind? Not
1:46:00even She's like the most beautiful woman
1:46:03I've ever seen in my life, and you're
1:46:05out here saying she's not even that
1:46:07pretty. Have you see what I'm saying?
1:46:09Ian cuts me off. He's looking at
1:46:11Winston. Wow. Winston says, staring
1:46:15solemnly at the pizza on the ground.
1:46:18Yeah. Kenji is definitely full of
1:46:21I drag a hand across my face.
1:46:24I hate you guys.
1:46:26Anyway, Ian says, I heard Castle's news
1:46:29has something to do with Nura. My head
1:46:32snaps back up. Nura, I nearly forgot.
1:46:37This morning, just before the symposium,
1:46:40the twins told me they'd uncovered
1:46:42something. something to do with the
1:46:43poison and the bullets Juliet had been
1:46:45shot with that led them back to Nura.
1:46:48But so much happened today that I never
1:46:50had the chance to follow up.
1:46:53Find out what happened.
1:46:55Did you hear about that? Ian asks me,
1:46:58raising an eyebrow. She sent a message
1:47:00apparently. That's what the girls are
1:47:02saying.
1:47:04Yeah, I say and frown. I heard.
1:47:08I honestly have no idea how this might
1:47:10shake out. It's been at least 10 years
1:47:13since the last time Castle saw his
1:47:15daughter, Naria. Darren and Jabari, his
1:47:18two boys, were murdered by police
1:47:19officers when they refused to let the
1:47:21men into their house without a warrant.
1:47:23This was before the reestablishment took
1:47:25over. Castle wasn't home that day, but
1:47:28Nura was. She watched it happen. Castle
1:47:32said he felt like he'd lost three
1:47:34children that day. Nuria never
1:47:36recovered. Instead, she grew detached,
1:47:39listless. She stopped coming home at
1:47:42normal hours and then one day she
1:47:45disappeared. The reestablishment was
1:47:47always picking kids up off the street
1:47:49and shipping them wherever they felt
1:47:51there was a need to fill. Nuria was
1:47:53collected against her will, picked up
1:47:56and packaged for another sector. Castle
1:47:59knew for certain that it happened
1:48:00because the reestablishment sent him a
1:48:02receipt for his child. A
1:48:05receipt. Everyone from Point knew
1:48:07Castle's story. He always made an effort
1:48:10to be honest, to share the hardest, most
1:48:12painful memories from his life so that
1:48:14the rest of us didn't feel like we were
1:48:15suffering alone.
1:48:18Castle thought he'd never see Nura
1:48:19again.
1:48:21So if she's reaching out now, just then,
1:48:25Castle catches my eye. He glances at me,
1:48:28then at Nazera. A hint of a smile
1:48:31touches his lips and then it's gone, his
1:48:33spine straight as he addresses the room.
1:48:36He looks good. I realize
1:48:39he looks bright, alive, like I haven't
1:48:42seen him in years. His locks are pulled
1:48:44back, tied neatly at the base of his
1:48:46neck. His faded blue blazer still fits
1:48:49him perfectly, even after all these
1:48:51years.
1:48:54I have news, he says. But I'm pretty
1:48:57sure I know what's coming next. Nura
1:49:00lives in sector 241, thousands of miles
1:49:03away. And cross- sector communication is
1:49:05nearly unheard of. Only rebel groups are
1:49:07brave enough to risk sending coded
1:49:09messages across the continent. Ian and
1:49:11Winston know this. I know this. Everyone
1:49:14knows this. Which means Castle is
1:49:17probably here to tell us that Nura has
1:49:19gone rogue.
1:49:21Huh?
1:49:22Like father, like daughter.
1:49:27>> Warner.
1:49:30Hi," I say.
1:49:34She turns at the sound of my voice and
1:49:36startles when she sees my face. Her eyes
1:49:40widen and I feel it right away when her
1:49:43emotions change.
1:49:45She's attracted to me.
1:49:48She's attracted to me and the revelation
1:49:50makes me happy. I don't know why. It's
1:49:54not new. I learned long ago that lots of
1:49:57people find me attractive. Men, women,
1:50:01especially older women, a phenomenon I
1:50:04still don't understand.
1:50:06But this,
1:50:08it makes me happy. She finds me
1:50:11attractive.
1:50:13Hi, she says, but she won't look at me.
1:50:17I realize she's blushing. I'm surprised.
1:50:21There's something sweet about her.
1:50:23Something gentle and sweet I wasn't
1:50:25really expecting.
1:50:27"Are you doing all right?" I ask. "It's
1:50:31a stupid question. The girl is clearly
1:50:34in an awful position. Right now, she's
1:50:37only in our custody for as long as it
1:50:38takes my father to decide what to do
1:50:40with her. She's currently in a fairly
1:50:43comfortable holding facility here on
1:50:44base, but she'll likely end up in a
1:50:46juvenile detention center. I'm not sure.
1:50:50I've heard my father talk about running
1:50:51more tests on her first. Her parents are
1:50:54apparently hysterical, desperate for us
1:50:57to take her in and deal with her, offer
1:50:59a diagnosis.
1:51:01They think she killed the little boy on
1:51:03purpose. They think their daughter is
1:51:05insane.
1:51:07I think she seems just fine.
1:51:10Better than fine. I can't stop looking
1:51:13at her. My eyes travel her face more
1:51:16than once, studying her features
1:51:17carefully. She seems so familiar to me,
1:51:22like I might have seen her before, maybe
1:51:25in a dream.
1:51:27I'm aware, even as I think it, that my
1:51:29thoughts are ridiculous.
1:51:32But I was drawn down here, magnetized to
1:51:35her by something beyond my control. I
1:51:38know I shouldn't have come. I have no
1:51:40business talking to her, and if my
1:51:42father found me in here, he'd likely
1:51:43murder me, but I've tried for days to
1:51:46forget her face, and I couldn't.
1:51:50I tried to sleep at night, and her
1:51:52likeness materializes in the blackness.
1:51:55I needed to see her again.
1:51:58I don't know how to defend it. Finally,
1:52:01she speaks, and I shake free from my
1:52:03revery. I remind myself that I've asked
1:52:06her a question.
1:52:08Yes, thank you. she says, her eyes on
1:52:10the floor. I'm doing fine.
1:52:14She's lying.
1:52:16I want her to look up to meet my eyes.
1:52:19She doesn't, and I find it frustrating.
1:52:22Will you look at me? I say. That works
1:52:25well enough.
1:52:27But when she looks me directly in the
1:52:29eye, I feel my heart go suddenly,
1:52:31terrifyingly still.
1:52:33A skipped beat, a moment of death, and
1:52:37then fast. My heart is racing too fast.
1:52:42I've never understood my ability to be
1:52:44so aware of others, but it's often
1:52:47served me well. In most cases, it offers
1:52:49me an advantage. In this case, it's
1:52:52nothing short of overwhelming.
1:52:54Right now, everything is hitting me
1:52:56twice as hard. I feel two sets of
1:52:58emotions, hers and mine, the both of
1:53:01them intertwined.
1:53:03We seem to be feeling the same things at
1:53:05the same time. It's disorienting, so
1:53:08heady I can hardly catch my breath. I
1:53:11feel a surprising desire to touch her. I
1:53:13want Why? She says. I blink. What? Why
1:53:21do you want me to look at you?
1:53:23I take a breath, clear my head, consider
1:53:26my options.
1:53:27I could tell the truth. I could tell a
1:53:30lie. I could be evasive, change the
1:53:33subject.
1:53:34Finally, I say,
1:53:37"Do I know you?"
1:53:39She laughs and looks away. "No," she
1:53:43says. "Definitely not."
1:53:46She bites her lip and I feel her sudden
1:53:49nervousness, hear the spike in her
1:53:51breathing. I draw closer to her almost
1:53:54without realizing it.
1:53:56She looks up at me then and I realize
1:53:59with a thrill how close we are. There's
1:54:02a palpable heat between our bodies and
1:54:05her eyes are big and beautiful blue
1:54:08green like the globe I think like the
1:54:12whole world.
1:54:14She's looking at me and I feel suddenly
1:54:17off balance.
1:54:19What's wrong? She says. I have to step
1:54:22away from her. I don't. I look at her
1:54:26again.
1:54:28Are you sure I don't know you?
1:54:31And she smiles.
1:54:33Smiles at me and my heart shatters.
1:54:37Trust me, she says
1:54:40I'd remember you.
1:54:45Keni.
1:54:48Delilu.
1:54:50I can't believe we forgot about Delilu.
1:54:53I thought Castle's news would be about
1:54:54Nura. I thought he was going to tell us
1:54:57that she reached out to say that she was
1:54:59some fancy resistance leader now, that
1:55:00we'd be welcome to crash at her place
1:55:02for a while. Instead, Castle's news was
1:55:07Delaloo.
1:55:10Homeboy came through.
1:55:13Castle steps aside and allows the
1:55:14lieutenant to enter the room. And even
1:55:16though he seems stiff and out of place,
1:55:19Delu looks genuinely upset.
1:55:22I feel it like a punch to the gut the
1:55:25moment I see his face.
1:55:27Grief.
1:55:29He clears his throat two or three times.
1:55:31When he finally speaks, his voice is
1:55:34steadier than I've ever heard it.
1:55:37I've come to reassure you, he says in
1:55:41person, that I'll make sure your group
1:55:44remains safe here for as long as I can
1:55:46manage.
1:55:48A pause. I don't know yet exactly what's
1:55:51happening right now, but I know it can't
1:55:53be good. I'm worried it won't end well
1:55:56if you stay, and I'm committed to
1:55:58helping you while you plan your escape.
1:56:01Everyone is quiet.
1:56:04Um,
1:56:06thank you, I say, breaking the silence.
1:56:09I look around the room when I say, we
1:56:12really appreciate that, but uh, how much
1:56:16time do we have?
1:56:18Deliloo shakes his head. I'm afraid I
1:56:22can't guarantee your safety for more
1:56:23than a week, but I'm hoping a few days
1:56:26reprieve will give you the necessary
1:56:28time to figure out your next steps, find
1:56:30a safe place to go. In the meantime,
1:56:33I'll provide whatever assistance I can.
1:56:38Okay, Ian says, but he looks skeptical.
1:56:42That's really
1:56:44generous.
1:56:46Delu clears his throat again.
1:56:48It must be hard to know whether you
1:56:50should trust me. I understand your
1:56:53concerns,
1:56:54but I fear I've stayed silent for too
1:56:57long," he says, his voice losing its
1:57:00steadiness. "And now, with
1:57:05with what's happened to Warner and to
1:57:07Miss Ferrar," he stops, his voice
1:57:10breaking on the last word. He looks up,
1:57:13looks me in the eye.
1:57:16I'm sure Warner told none of you that I
1:57:19am his grandfather.
1:57:22My jaw drops open.
1:57:24Actually drops open.
1:57:27Castle is the only person in the room
1:57:28who doesn't look shocked.
1:57:31You're Warner's grandfather. Adam says
1:57:34getting to his feet.
1:57:36The terrified look in his eyes breaks my
1:57:38heart.
1:57:41Yes, Deloo says quietly. On his mother's
1:57:45side, he meets Adam's eyes,
1:57:48acknowledging silently that he knows,
1:57:52knows that Adam is Anderson's
1:57:53illegitimate son, that he knows
1:57:56everything.
1:57:58Adam sits back down, relief apparent on
1:58:01his face.
1:58:03"I can only imagine what an unhappy life
1:58:06yours must have been," Brendan says. I
1:58:09turn to look at him, surprised to hear
1:58:11his voice.
1:58:12He's been so quiet all this time. But
1:58:15then, of course, Brendan would be
1:58:17compassionate. Even to someone like Delu
1:58:20who stepped aside and said nothing while
1:58:22Anderson set the world on fire.
1:58:26But I'm grateful. We're all grateful,
1:58:28Brendan says, for your help today. Delu
1:58:33manages a smile.
1:58:35It's the least I can do, he says, and
1:58:39turns to go. Did you know her? Lily
1:58:42says, her voice sharp. As Ella Delilu
1:58:46freezes in place, still half turned
1:58:48toward the exit.
1:58:50Because if you're Warner's grandfather,
1:58:52Lily says, "And you've been working
1:58:55under Anderson for this long, you must
1:58:58have known her." Slowly, very slowly,
1:59:02Delelu turns to face us.
1:59:05He seems tense, nervous, like I've never
1:59:08seen him. He says nothing, but the
1:59:11answer is written all over his face, the
1:59:14twitch in his hands.
1:59:17Jesus.
1:59:19How long? I say, anger building inside
1:59:22of me. How long did you know her? And
1:59:25say nothing. I don't I don't. How long?
1:59:31I say, my hand already reaching for the
1:59:34gun tucked in the waistband of my pants.
1:59:36Delu takes a jerky step backward.
1:59:39"Please don't," he says, his eyes wild.
1:59:43"Please don't ask this of me. I can give
1:59:45you aid. I can provide you with weapons
1:59:47and transportation, anything you need.
1:59:50But I can't. You don't understand."
1:59:54"Coward," Nazira says, standing up. "She
1:59:58looks stunning, tall and strong and
2:00:00steady. I love watching that girl move,
2:00:04talk, breathe, whatever.
2:00:08You watched and said nothing as Anderson
2:00:10tortured his own children. Didn't you?
2:00:14No, Deliloo says desperately, his face
2:00:16flushing with emotion I've never seen in
2:00:18him before. No, that's not, Castle picks
2:00:21up a chair with a single flick of his
2:00:23hand and drops it unceremoniously in
2:00:26front of Delu.
2:00:28Sit down, he says. A violent unguarded
2:00:31rage flashing in his eyes. Delilu obeys.
2:00:36How long? I say again. How long have you
2:00:40known her as Ella?
2:00:42I I've Delu hesitates, looks around.
2:00:48I've known Ella since
2:00:51she was a child, he says finally.
2:00:55I feel the blood leave my body.
2:00:58His clear, explicit confession is too
2:01:00much. It means too much. I sag under the
2:01:05weight of it, the lies, the
2:01:07conspiracies.
2:01:09I sink back into my chair and my heart
2:01:11splinters for Juliet. For all she's
2:01:14suffered at the hands of the people
2:01:15meant to protect her. I can't form the
2:01:18words I need to tell Deleu he's a
2:01:20spineless piece of It's Nazera who
2:01:23still has the presence of mind to spear
2:01:25him. Her voice is soft.
2:01:28lethal when she speaks.
2:01:31You've known Ella since she was a child.
2:01:34Nazera says
2:01:37you've been here working here helping
2:01:41Anderson since Ella was a child.
2:01:44That means you helped Anderson put her
2:01:46in the custody of abusive adoptive
2:01:48parents and you stood by as they
2:01:50tortured her. As Anderson tortured her
2:01:53over and over. No, Delilu cries out. I
2:01:57did didn't condone any of that. Ella was
2:02:00supposed to grow up in a normal home
2:02:02environment. She was supposed to be
2:02:04given nurturing parents and a stable
2:02:06upbringing. Those were the terms
2:02:08everyone agreed to. Nazera
2:02:10says, her eyes flashing.
2:02:13You know as well as I do that her
2:02:15adoptive parents were monsters.
2:02:18Paris changed the terms of the
2:02:20agreement. Delu shouts angrily. Nazer
2:02:23raises an eyebrow unmoved.
2:02:26But something seems to have loosened
2:02:28Delu's tongue. Something like fear or
2:02:31guilt or pent up rage because suddenly
2:02:34the words rush out of him. Paris went
2:02:37back on his word as soon as Ella was in
2:02:38his custody. He says he thought no one
2:02:41would find out. Back then he and I were
2:02:44about the same as far as rank went in
2:02:46the reestablishment. We often worked
2:02:48closely together because of our family
2:02:50ties, and I was, as a result, privy to
2:02:53the choices he made. Delu shakes his
2:02:56head.
2:02:58But I discovered too late that he
2:03:00purposely chose adoptive parents who
2:03:02exhibited abusive, dangerous behavior.
2:03:05When I confronted him about it, he
2:03:07argued that any abuse Ella suffered at
2:03:09the hands of her surrogate parents would
2:03:11only encourage her powers to manifest,
2:03:13and he had the statistics to support his
2:03:15claim. I tried to voice my concerns. I
2:03:19reported him. I told the council of
2:03:21commanders that he was hurting her,
2:03:23breaking her, but he made my concerns
2:03:26sound like the desperate histrionics of
2:03:27someone unwilling to do what was
2:03:29necessary for the cause.
2:03:31I can see the color creeping up Deloo's
2:03:34neck, his anger only barely contained. I
2:03:37was repeatedly overruled, demoted. I was
2:03:40punished for questioning his tactics.
2:03:45But I knew Paris was wrong, he says
2:03:47quietly.
2:03:49Ella withered.
2:03:51When I first met her, she was a strong
2:03:54girl with a joyful spirit.
2:03:57She was unfailingly kind and upbeat.
2:04:01He hesitates.
2:04:03It wasn't long before she grew cold and
2:04:06closed off. Withdrawn.
2:04:09Paris moved up in rank quickly and I was
2:04:12soon relegated to little more than his
2:04:14right hand.
2:04:16I was the one he sent to check on her at
2:04:19home at school.
2:04:21I was ordered to monitor her behavior,
2:04:24write the reports outlining her
2:04:26progress,
2:04:28but there were no results.
2:04:31Her spirit had been broken.
2:04:35I begged Paris to put her elsewhere, to
2:04:37at the very least return her to a
2:04:40regular facility, one that I might
2:04:43oversee personally. And still, he
2:04:45insisted over and over again, that the
2:04:49abuse she suffered would spur results.
2:04:52Delu was on his feet now, pacing. He was
2:04:55hoping to impress the council, hoping
2:04:57his efforts would be rewarded with yet
2:04:59another promotion. It soon became his
2:05:01single task to wait, to have me watch
2:05:04Ella closely for developments, for any
2:05:06sign that she'd changed, evolved.
2:05:10He stops in place, swallows hard,
2:05:16but Paris was careless.
2:05:20Delu drops his head into his hands. The
2:05:23room around us has gone so quiet, I can
2:05:25almost hear the seconds pass. We're all
2:05:28waiting for him to keep going, but he
2:05:30doesn't lift his head.
2:05:32I'm studying him. His shaking hands, the
2:05:36tremble in his legs, his general loss of
2:05:38composure, and my heart hammers in my
2:05:41chest. I feel like he's about to break,
2:05:45like he's close to telling us something
2:05:46important.
2:05:49What do you mean? I say quietly.
2:05:53Careless? How?
2:05:55Delilu looks up, his eyes redimmmed and
2:05:59wild. "I mean, IT WAS HIS ONE JOB," he
2:06:04says, slamming his fist against the
2:06:06wall. He hits it hard, his knuckles
2:06:09breaking through the plaster, and for a
2:06:11moment, "I'm genuinely stunned."
2:06:14"I didn't think Delu had it in him."
2:06:18"You don't understand," he says, losing
2:06:21the fire. He stumbles back, sags against
2:06:25the wall. "My greatest regret in life
2:06:29has been watching those kids suffer and
2:06:32doing nothing about it." "Wait," Winston
2:06:36says. "Which kids? Who are you talking
2:06:39about?" But Delilu doesn't seem to hear
2:06:42him. He only shakes his head.
2:06:46Paris never took Ella's assignment
2:06:47seriously. It was his fault she lost
2:06:50control. It was his fault she didn't
2:06:52know better. It was his fault she hadn't
2:06:55been prepared or trained or properly
2:06:57guarded.
2:06:58It was his fault she killed that little
2:07:02boy. He says now so broken his voice is
2:07:06shaking. What she did that day nearly
2:07:10destroyed her. Nearly ruined the entire
2:07:13operation. Nearly exposed us to the
2:07:16world.
2:07:17He closes his eyes, presses his fingers
2:07:20to his temples, and then he sinks back
2:07:23down into his chair. He looks unmed.
2:07:28Castle and I share a knowing glance from
2:07:29across the room. Something is happening.
2:07:34Something is about to happen.
2:07:37Delu is a resource we never realized we
2:07:39had. And for all his protests, he
2:07:42actually seems like he wants to talk.
2:07:45Maybe Delu is the key. Maybe he can tell
2:07:48us what we need to know about
2:07:51about everything. About Juliet, about
2:07:54Anderson, about the reestablishment.
2:07:57It's obvious a dam broke open in Delilu.
2:08:00I'm just hoping we can keep him talking.
2:08:03It's Adam who says,
2:08:05"If you hated Anderson so much, why
2:08:09didn't you stop him when you had the
2:08:11chance?"
2:08:13Don't you understand? Deliloo says, his
2:08:16eyes big and round and sad.
2:08:19I never had the chance. I didn't have
2:08:23the authority. And we'd only just been
2:08:26voted into power. Ila, my daughter, was
2:08:30sicker every day. [clears throat] And I
2:08:32was
2:08:33I wasn't myself.
2:08:36I was unraveling.
2:08:38I suspected foul play in her illness,
2:08:40but had no proof. I spent my work hours
2:08:44overseeing the crumbling mental and
2:08:46physical health of an innocent young
2:08:48woman, and I spent my free hours
2:08:50watching my daughter die.
2:08:54Those are excuses, Nazera says coldly.
2:08:58You were a coward, he looks up.
2:09:02Yes, he says. That's true. I was a
2:09:07coward.
2:09:09He shakes his head, turns away.
2:09:13I said nothing. Even when Paris spun
2:09:16Ella's tragedy into a victory, he told
2:09:19everyone that what Ella did to that boy
2:09:21was a blessing in disguise. That in
2:09:24fact, it was exactly what he'd been
2:09:26working toward. He argued that what she
2:09:29did that day, regardless of the
2:09:31consequences, was the exact
2:09:33manifestation of her powers he'd been
2:09:35hoping for all along.
2:09:38Delilu looks suddenly sick.
2:09:41He got away with everything.
2:09:45Everything he ever wanted, he was given.
2:09:49And he was always reckless. He did lazy
2:09:53work all the while using Ella as a pawn
2:09:56to fulfill his own sadistic desires.
2:10:00Please be more specific, Castle says
2:10:03coolly.
2:10:04Anderson had a great deal of sadistic
2:10:06desires. Which are you referring to?
2:10:10Delu goes pale. His voice is lower,
2:10:13weaker when he says,
2:10:17"Peris has always been perversely fond
2:10:20of destroying his own son.
2:10:23I never understood it. I never
2:10:26understood his need to break that boy."
2:10:29He tortured him a thousand different
2:10:32ways. But when Paris discovered the
2:10:34depth of Aaron's emotional connection to
2:10:36Ella,
2:10:38he used it to drive that boy near to
2:10:41madness.
2:10:44That's why he shot her, I say,
2:10:46remembering what Juliet Ella told me
2:10:48after Omega Point was bombed.
2:10:51Anderson wanted to kill her to teach
2:10:53Warner a lesson, right?
2:10:57But something changes in Deloo's face,
2:11:00transforms him, sags him down, and then
2:11:03he laughs. A sad, broken laugh.
2:11:08You don't understand. You don't
2:11:11understand. You don't understand.
2:11:15He cries, shaking his head. You think
2:11:18these recent events are everything. You
2:11:20think Aaron fell in love with your
2:11:22friend of several months, a rebel girl
2:11:24named Juliet.
2:11:26You don't know. You don't know. You
2:11:29don't know that Aaron has been in love
2:11:31with Ella for the better part of his
2:11:32entire life. They've known each other
2:11:35since childhood.
2:11:37Adam makes a sound, a stunned sound of
2:11:39disbelief.
2:11:41Okay, I have to be honest. I don't get
2:11:45it, Ian says. He steals a wary glance at
2:11:49Nazera before he says,
2:11:52"Nazer said Anderson has been wiping
2:11:54their memories. If that's true, then how
2:11:57could Warner be in love with her for so
2:11:59long? Why would Anderson wipe their
2:12:01memories, tell them all about how they
2:12:03know each other, and then wipe their
2:12:05memories again?" Delilu is shaking his
2:12:08head. A strange smile begins to form on
2:12:11his face. The kind of shaky, terrified
2:12:14smile that isn't a smile at all.
2:12:17No, no, you don't. He sigh, looks away.
2:12:24Paris has never told either of them
2:12:26about their shared history. The reason
2:12:29he had to keep wiping their memories was
2:12:31because it didn't matter how many times
2:12:33he reset the story or remade the
2:12:35introductions. Aaron always fell in love
2:12:39with her every time. In the beginning,
2:12:43Paris thought it was a fluke. He found
2:12:45it almost funny, entertaining, but the
2:12:48more it happened, the more it began to
2:12:50drive Paris insane. He thought there was
2:12:52something wrong with Aaron, that there
2:12:54was something wrong with him on a
2:12:55genetic level, that he'd been plagued by
2:12:57a sickness. He wanted to crush what he
2:13:00saw as a weakness.
2:13:03Wait, Adam says, holding up his hands.
2:13:07What do you mean the more it happened?
2:13:10How many times did it happen?
2:13:14at least several times.
2:13:16Adam looks shell shocked.
2:13:19They met and fell in love several times.
2:13:24Delilu takes a shaky breath.
2:13:27I don't know that they always fell in
2:13:29love exactly. Paris seldom let them
2:13:32spend that much time alone, but they
2:13:35were always drawn together. It was
2:13:38obvious. Every time he put them in the
2:13:40same room, they were like, Delu claps
2:13:43his hands.
2:13:45Magnets.
2:13:46Delilu shakes his head at Adam.
2:13:50I'm sorry to be the one to tell you all
2:13:53this. I'm sure it's painful to hear,
2:13:56especially considering your history with
2:13:58Ella. It's not fair that you were pulled
2:14:00into Paris's games. He never should have
2:14:03p Whoa. Whoa. Wait, what games? Adam
2:14:07says, stunned. What are you talking
2:14:10about? Delelu runs a hand across his
2:14:13sweaty forehead. He looks like he's
2:14:15melting, crumbling under pressure. Maybe
2:14:18someone should get him some water.
2:14:22There's too much, he says wearily.
2:14:25Too much to tell, too much to explain.
2:14:29He shakes his head. I'm sorry. I I need
2:14:34you to try, Adam says. his eyes
2:14:36flashing. "Are you saying our
2:14:39relationship was fake? That everything
2:14:41she said, everything she felt was fake?"
2:14:45"No," Delilu says quickly, even as he
2:14:48uses his shirt sleeve to wipe the sweat
2:14:50from his face. "No, as far as I'm aware,
2:14:53her feelings for you were as real as
2:14:56anything else. You came into her life at
2:14:58a particularly difficult time, and your
2:15:00kindness and affection, no doubt, meant
2:15:02a great deal to her." he sigh. I only
2:15:06mean that it wasn't coincidence that
2:15:08both of Paris's boys fell in love with
2:15:11the same girl. Paris liked toying with
2:15:14things. He liked cutting things open to
2:15:16study them. He liked experiments. And
2:15:20Paris pit you and Warner against each
2:15:23other on purpose. He planted the soldier
2:15:26at your lunch table who let slip that
2:15:28Warner was monitoring a girl with a
2:15:29lethal touch. He sent another to speak
2:15:32with you, to ask you about your history
2:15:34with her, to appeal to your protective
2:15:36nature by discussing Aaron's plans for
2:15:38her. Do you remember? You were persuaded
2:15:42from every angle to apply for the
2:15:44position. When you did, Paris pulled
2:15:47your application from the pile and
2:15:48encouraged Aaron to interview you. He
2:15:51then made it clear that you should be
2:15:53chosen as her cellmate. He let Aaron
2:15:56think he was making all his own
2:15:58decisions as CCR of sector 45, but Paris
2:16:01was always there manipulating
2:16:03everything. I watched it happen.
2:16:08Adam looks so stunned it takes him a
2:16:10moment to speak.
2:16:12So
2:16:14he knew.
2:16:16My dad always knew about me. Knew where
2:16:20I was, what I was doing.
2:16:24new. Delu frowns.
2:16:27Paris orchestrated your lives. That was
2:16:31the plan from the beginning. He looks at
2:16:34Nazera.
2:16:36All the children of the Supreme
2:16:38Commanders were to become case studies.
2:16:41You were engineered to be soldiers.
2:16:45You and James, he says to Adam, were
2:16:48unexpected, but he made plans for you,
2:16:51too.
2:16:53What?
2:16:54Adam goes white. What's his plan for me
2:16:57and James? This I honestly don't know.
2:17:02Adam sits back in his chair looking
2:17:04suddenly ill.
2:17:06Where is Ella now? Winston says sharply.
2:17:10Do you know where they're keeping her?
2:17:12Delu shakes his head. All I know is that
2:17:15she can't be dead.
2:17:18What do you mean she can't be dead? I
2:17:20ask. Why not?
2:17:23Ella's and Emiline's powers are critical
2:17:26to the regime, he says. Critical to the
2:17:29continuation of everything we've been
2:17:31working toward.
2:17:33The reestablishment was built with the
2:17:35promise of Ella and Emiline. Without
2:17:38them, Operation Synthesis means nothing.
2:17:41Castle bolts upright. His eyes are wide.
2:17:46Operation Synthesis, he says
2:17:48breathlessly. Has to do with Ella.
2:17:52The architect and the executioner,
2:17:55Delilu says. It Delu falls back with a
2:17:58small surprised gasp, his head hitting
2:18:00the back of his chair. Everything
2:18:03suddenly seems to slow down. I feel my
2:18:06heart rate slow. I feel the world slow.
2:18:09I feel formed from water, watching the
2:18:12scene unfold in slow motion, frame by
2:18:14frame.
2:18:16A bullet between his eyes, blood
2:18:18trickling down his forehead, a short
2:18:21sharp scream.
2:18:23"You traitorous son of a bitch." Someone
2:18:26says,
2:18:28"I'm seeing it, but I don't believe it.
2:18:32Anderson is here."
2:18:37>> Juliet,
2:18:40I'm given no explanations.
2:18:43My father doesn't invite me to dinner
2:18:45like Eevee promised. He doesn't sit me
2:18:48down to offer me long histories about my
2:18:50presence or his. He doesn't reveal
2:18:53groundbreaking information about my life
2:18:55or the other Supreme Commanders or even
2:18:57the nearly 600 people I just murdered.
2:19:01He and Eevee are acting like the horrors
2:19:04of the last 17 years never happened.
2:19:07Like nothing strange has ever happened.
2:19:10Like I never stopped being their
2:19:11daughter. Not in the ways that matter.
2:19:14Anyway, I don't know what was in that
2:19:16needle, but the effects are unlike
2:19:18anything I've experienced. I feel both
2:19:21awake and asleep, like I'm spinning in
2:19:23place, like there's too much grease
2:19:25turning the wheels in my brain, and I
2:19:27try to speak and realize my lips no
2:19:30longer move on command. My father
2:19:33carries my limp body into a blindingly
2:19:35silver room, props me up in a chair,
2:19:38straps me down, and panic pours into me,
2:19:41hot and terrifying, flooding my mind. I
2:19:45try to scream. Fail. My brain is slowly
2:19:49disconnecting from my body, like I'm
2:19:51being removed from myself. Only basic
2:19:54instinctual functions seem to work.
2:19:57Swallowing, breathing, crying.
2:20:01Tears fall quietly down my face, and my
2:20:03father whistles a tune. His movements
2:20:06light and easy, even as he sets up an IV
2:20:09drip. He moves with such startling
2:20:11efficiency, I don't even realize he's
2:20:14removed my manacles until I see the
2:20:15scalpel. A flash of silver.
2:20:19The blade is so sharp, he meets no
2:20:22resistance as he slices clean lines into
2:20:24my forearms, and blood. Blood, heavy and
2:20:28warm, spills down my wrists and into my
2:20:30open palms. And it doesn't seem real.
2:20:33Not even when he stabs several
2:20:35electrical wires into my exposed flesh.
2:20:39The pain arrives just seconds later.
2:20:43Pain.
2:20:44It begins at my feet, blooms up my legs,
2:20:48unfurls in my stomach, and works its way
2:20:50up my throat, only to explode behind my
2:20:54eyes, inside my brain. And I cry out,
2:20:58but only in my mind. My useless hands
2:21:00still limp on the armrests, and I'm so
2:21:03certain he's going to kill me.
2:21:05But then he smiles,
2:21:08and then he's gone.
2:21:12I lie in agony for what feels like
2:21:14hours. I watch through a delirious fog
2:21:18as blood drips off my fingertips. Each
2:21:21drop feeding the crimson pools growing
2:21:23in the folds of my pants. Visions
2:21:26assault me. Memories of a girl I might
2:21:29have been. Scenes with people I might
2:21:31have known. I want to believe their
2:21:34hallucinations, but I can't be certain
2:21:36of anything anymore.
2:21:38I don't know if Max and Eevee are
2:21:40planting things in my mind. I don't know
2:21:42that I can trust anything I might have
2:21:45once believed about myself.
2:21:47I can't stop thinking about Emiline.
2:21:51I'm a drift suspended in a pool of
2:21:54senselessness. But something about her
2:21:56keeps tugging, sparking my nerves.
2:21:58Errant currents pushing me to the
2:22:00surface of something. an emotional
2:22:02revelation that trembles into existence
2:22:05only to evaporate seconds later as if it
2:22:08might be terrified to exist.
2:22:11This goes on and on and on and on and
2:22:14on. Light years, eons
2:22:18over and over.
2:22:21Whispers of clarity,
2:22:24gasps of oxygen, and I'm tossed back out
2:22:28to sea.
2:22:30Bright white lights flicker above my
2:22:32head, buzzing in unison with a low,
2:22:35steady hum of engines and cooling units.
2:22:39Everything smells sharp like antiseptic.
2:22:42Nausea makes my head swim. I squeeze my
2:22:45eyes shut. The only command my body will
2:22:47obey. Me and Emiline at the zoo. Me and
2:22:51Emiline first trip on a plane. Me and
2:22:54Emiline learning to swim. Me and Emine
2:22:58getting our haircut.
2:23:01Images of Emiline fill my mind. Moments
2:23:04from the first years of our lives.
2:23:05Details of her face I never knew I could
2:23:08conjure. I don't understand it. I don't
2:23:11know where they're coming from. I can
2:23:13only imagine that Eevee put these images
2:23:16here. But why Eevee would want me to see
2:23:18this, I don't understand.
2:23:21Scenes play through my head like I might
2:23:23be flipping through a photo album. And
2:23:26they make me miss my sister. They make
2:23:29me remember Eevee as my mother. Make me
2:23:31remember I had a family.
2:23:34Maybe Eevee wants me to reminisce.
2:23:37My blood has hit the floor. I hear it.
2:23:41The familiar drip. The sound like a
2:23:43broken faucet. The slow tap tap of tepid
2:23:48fluid on tile.
2:23:52Emiline and I held hands everywhere we
2:23:54went, often wearing matching outfits. We
2:23:57had the same long brown hair, but her
2:23:59eyes were pure blue, and she was a few
2:24:02inches taller than me. We were only a
2:24:04year apart, but she looked so much
2:24:06older. Even then, there was something in
2:24:09her eyes that looked hard. Serious. She
2:24:12held my hand like she was trying to
2:24:14protect me, like maybe she knew more
2:24:16than I did. Where are you, I wonder?
2:24:20What did they do to you?
2:24:23I have no idea where I am. No idea what
2:24:26they've done to me. No idea of the hour
2:24:29or the day. And pain blisters
2:24:32everywhere. I feel like a live wire like
2:24:35my nerves have been stapled to the
2:24:37outside of my body. Sensitive to every
2:24:40minute change in environment.
2:24:42I exhale and it hurts. Twitch and it
2:24:45takes my breath away.
2:24:48And then in a flash of movement, my
2:24:51mother returns.
2:24:53The door opens and the motion forces a
2:24:56gentle rush of air into the room. A
2:24:58whisper of a breeze, gentle even as it
2:25:01grazes my skin. And somehow the
2:25:03sensation is so unbearable I'm certain
2:25:06I'll scream.
2:25:08I don't.
2:25:10Feeling better? She says. Eevee is
2:25:14holding a silver box. I tried to look
2:25:16more closely, but the pain is in my eyes
2:25:19now, searing.
2:25:21You must be wondering why you're here,"
2:25:23she says softly. I hear her working on
2:25:26something. Glass and metal touching
2:25:28together, coming apart, touching
2:25:30together, coming apart. "But you must be
2:25:33patient, little bird. You might not even
2:25:36get to stay."
2:25:38I close my eyes. I feel her cold,
2:25:40slender fingers on my face just seconds
2:25:43before she yanks my eyelids back.
2:25:46Swiftly she replaces her fingers with
2:25:48sharp steel clamps, and I muster only a
2:25:51low, guttural sound of agony. Keep your
2:25:54eyes open, Ella. Now's not the time to
2:25:57fall asleep.
2:25:59Even then, in that painful, terrifying
2:26:01moment, the words sound familiar.
2:26:04Strange and familiar. I can't figure out
2:26:07why.
2:26:08Before we make any concrete plans to
2:26:11keep you here, I need to make sure, she
2:26:14tugs on a pair of latex gloves, that
2:26:16you're still viable. See how you've held
2:26:19up after all these years.
2:26:21Her words send waves of dread
2:26:23courarssing through me. Nothing has
2:26:26changed. Nothing has changed. I'm still
2:26:29no more than a receptacle. My body
2:26:32exchanges hands. Exchanges hands in
2:26:34exchange for what? My mother has no love
2:26:38for me. What has she done to my sister?
2:26:42Where is Emmaine? I try to scream, but
2:26:44the words don't leave my mouth. They
2:26:46expand in my head, explosive and angry,
2:26:49pressing against the ridges of my mind,
2:26:51even as my lips refuse to obey me.
2:26:54Dying.
2:26:56The word occurs to me suddenly, as if it
2:26:59were something I've just remembered. The
2:27:01answer to a question I forgot existed.
2:27:04I don't comprehend it.
2:27:07Eevee is standing in front of me again.
2:27:09She touches my hair, sist through the
2:27:11short, coarse strands like she might be
2:27:13panning for gold. The physical contact
2:27:16is excruciating.
2:27:18Unacceptable, she says. This is
2:27:21unacceptable.
2:27:23She turns away, makes notes in a tablet
2:27:26she pulls out of her lab coat. Roughly,
2:27:29she takes my chin in her hand, lifts my
2:27:32face toward hers. Eevee counts my teeth,
2:27:36runs the tip of one finger along my
2:27:38gums. She examines the insides of my
2:27:41cheeks, the underside of my tongue.
2:27:44Satisfied, she rips off the gloves, the
2:27:46latex making harsh snapping sounds that
2:27:49collide and echo, shattering the air
2:27:52around me. A mechanical purr fills my
2:27:55ears, and I realize Eevee is adjusting
2:27:58my chair. I was previously in a
2:28:00reclining position. Now I'm flat on my
2:28:03back. She takes a pair of shears to my
2:28:06clothes, cutting straight through my
2:28:07pants, my shirt, my sleeves.
2:28:10Fear threatens to rip my chest open, but
2:28:13I only lie there, a perfect vegetable,
2:28:16as she strips me down. Finally, Eevee
2:28:19steps back.
2:28:21I can't see what's happening. The hum of
2:28:24an engine builds into a roar. Sounds
2:28:26like scissors slicing the air. And then
2:28:30sheets of glass materialize at the edges
2:28:32of my vision. Move toward me from all
2:28:34sides. They lock into place easily.
2:28:37Seams sealing shut with a cool click
2:28:40sound.
2:28:42I'm being burned alive.
2:28:44Heat like I've never known it. Fire. I
2:28:48can't see or stop. I don't know how it's
2:28:50happening, but I feel it. I smell it.
2:28:54The scent of charred flesh fills my
2:28:56nose. threatens to upend the contents of
2:28:58my stomach. The top layer of skin is
2:29:01being slowly singed off my body.
2:29:05Blood beads along my body like morning
2:29:08dew, and a fine mist follows the heat,
2:29:10cleansing and cooling. Steam fogs up the
2:29:14glass around me, and then just when I
2:29:16think I might die from the pain, the
2:29:19glass fissures open with a sudden gasp.
2:29:23I wish he would just kill me.
2:29:26Instead, Eevee is meticulous. She
2:29:30catalogs my every physical detail,
2:29:32making notes constantly in her pocket
2:29:34tablet. For the most part, she seems
2:29:37frustrated with her assessment. My arms
2:29:40and legs are too weak, she says. My
2:29:42shoulders too tense, my hair too short,
2:29:44my hands too scarred, my nails too
2:29:46chipped, my lips too chapped, my torso
2:29:49too long. We made you too beautiful, she
2:29:53says, shaking her head at my naked body.
2:29:56She prods at my hips, the balls of my
2:29:58feet. Beauty can be a terrifying weapon
2:30:01if you know how to wield it, but all
2:30:04this seems deeply unnecessary now. She
2:30:07makes another note. When she looks at me
2:30:10again, she looks thoughtful.
2:30:12I gave this to you, she says. Do you
2:30:15understand? This container you live in,
2:30:18I grew it, shaped it. You belong to me.
2:30:23Your life belongs to me. It's very
2:30:26important that you understand that.
2:30:29Rage, sharp and hot, sears through my
2:30:32chest. Carefully, Eevee cracks open the
2:30:36silver box. Inside are dozens of slim
2:30:39glass cylinders. "Do you know what these
2:30:42are?" she says, lifting a few vials of
2:30:44shimmering white liquid. Of course you
2:30:47don't. Eevee studies me a while. We did
2:30:52it wrong the first time. She finally
2:30:54says, "We didn't expect emotional health
2:30:57to supersede the physical in such
2:30:59dramatic fashion. We expected stronger
2:31:02minds from both of you, of course." He
2:31:06hesitates.
2:31:08"She was the superior specimen, your
2:31:10sister. Infinitely superior. You were
2:31:13always a bit deeeyed as a child, a
2:31:16little mooneyier than I'd have liked.
2:31:18Emiline, on the other hand, was pure
2:31:21fire. We never dreamed she'd deteriorate
2:31:25so quickly. Her failures have been a
2:31:28great personal disappointment.
2:31:31I inhale sharply and choke on something
2:31:33hot and wet in my throat. Blood.
2:31:37So much blood.
2:31:40But then, Eevee says with a sigh, "Such
2:31:43is the situation. We must be adaptable
2:31:46to the unexpected, amanable to change
2:31:49when necessary."
2:31:51Eevee hits a switch and something seizes
2:31:54inside of me. I feel my spine
2:31:56straighten, my jaw go slack. Blood is
2:31:59now bubbling up my throat in earnest,
2:32:02and I don't know whether to let it up or
2:32:04swallow it down. I cough violently and
2:32:07blood spatters across my face. My arms
2:32:11drips down my chest, my fresh pink skin.
2:32:15My mother drops into a crouch. She takes
2:32:18my chin in her hand and forces me to
2:32:20look at her. You are far too full of
2:32:22emotion, she says softly. You feel too
2:32:26much for this world. You call people
2:32:29your friends. You imagine yourself in
2:32:31love. She shakes her head slowly. That
2:32:35was never the plan for you, little bird.
2:32:38You were meant for a solitary existence.
2:32:42We put you in isolation on purpose. She
2:32:46blinks. Do you understand?
2:32:50I'm hardly breathing. My tongue feels
2:32:53rough and heavy, foreign in my mouth. I
2:32:57swallow my own blood, and it's
2:32:59revolting, thick and lukewarm,
2:33:02gelatinous with saliva.
2:33:06If Aaron were anyone else's son, she
2:33:08says, I would have had him executed.
2:33:12I'd have him executed right now if I
2:33:14could. Unfortunately, I alone do not
2:33:17have the authority.
2:33:19A force of feeling seizes my body. I'm
2:33:23half horror, half joy. I didn't know I
2:33:27had any hope left that Warner was alive
2:33:29until just this moment. The feeling is
2:33:32explosive. It takes root inside of me.
2:33:36Hope catches fire in my blood of feeling
2:33:39more powerful than these drugs, more
2:33:41powerful than myself. I cling to it with
2:33:44my whole heart, and suddenly I'm able to
2:33:47feel my hands. I don't know why or how,
2:33:50but I feel a quiet strength surge up my
2:33:53spine.
2:33:55Eveie doesn't notice.
2:33:57I regret our mistakes, she's saying. I
2:34:01regret the oversightes that seem so
2:34:03obvious now. We couldn't have known so
2:34:06many years ago that things would turn
2:34:07out like this. We didn't expect to be
2:34:10blindsided by something so flimsy as
2:34:12your emotions.
2:34:14We couldn't have known at the onset that
2:34:16things would escalate in this way.
2:34:20Paris, she says, had convinced everyone
2:34:23that bringing you on base in sector 45
2:34:26would be beneficial to us all, that he'd
2:34:29be able to monitor you in a new
2:34:30environment rife with experiences that
2:34:33would motivate your powers to evolve.
2:34:36Your father and I thought it was a
2:34:38stupid plan. Stupider still for placing
2:34:41you under the direct supervision of a
2:34:4319-year-old boy with whom your history
2:34:46was complicated.
2:34:49She looks away, shakes her head. But
2:34:52Anderson delivered results with Aaron.
2:34:56You made progress at a rate we'd only
2:34:58dreamed of, and we were forced to let it
2:35:01be. Still, she says, it backfired.
2:35:06Her eyes linger for a moment on my
2:35:08shaved head.
2:35:11There are few people, even in our inner
2:35:13circle, who really understand what we're
2:35:16doing here. Your father understands.
2:35:19Ibrahim understands. But Paris, for
2:35:22security reasons, was never told
2:35:24everything about you. He wasn't yet a
2:35:27Supreme Commander when we gave him the
2:35:29job. And we decided to keep him informed
2:35:32on a need to know basis. Another
2:35:35mistake, Eevee says, her voice both sad
2:35:39and terrifying.
2:35:41She presses the back of her hand to her
2:35:43forehead.
2:35:45six months and everything falls apart.
2:35:48You run away. You join some ridiculous
2:35:51gang. You drag Aaron into all of this.
2:35:54And Paris, the oblivious fool, tries to
2:35:56kill you twice. I nearly slit his throat
2:36:00for his idiocy. But my mercy may as well
2:36:03have been for nothing, what with your
2:36:05attempt to murder him. Oh, Ella, she
2:36:09says in size, you've caused me a great
2:36:12deal of trouble this year. The paperwork
2:36:15alone. She closes her eyes. I've had the
2:36:19same splitting headache for 6 months.
2:36:23She opens her eyes, looks at me for a
2:36:26long time.
2:36:29And now, she says, gesturing at me with
2:36:32the tablet in her hand. There's this
2:36:34Emma line needs to be replaced. and
2:36:37we're not even sure you're a suitable
2:36:39substitute. Your body is operating at
2:36:42maybe 65% efficiency and your mind is a
2:36:47complete disaster.
2:36:49She stops. A vein jumps in her forehead.
2:36:53Perhaps it's impossible for you to
2:36:55understand how I'm feeling right now.
2:36:58Perhaps you don't care to know the depth
2:37:00of my disappointments. But you and
2:37:03Emiline are my life's work. I was the
2:37:06one who found a way to isolate the gene
2:37:09that was causing widespread
2:37:10transformations in the population. I was
2:37:14the one who managed to recreate the
2:37:16transformation. I was the one who
2:37:19rewrote your genetic code.
2:37:22She frowns at me, looking for the first
2:37:25time like a real person. Her voice
2:37:27softens.
2:37:30I remade you, Ella. You and your sister
2:37:34were the greatest accomplishments of my
2:37:36career.
2:37:38Your failures, she whispers, touching
2:37:41the tips of her fingers to my face. Are
2:37:44my failures.
2:37:46I make a harsh, involuntary sound.
2:37:51She stands up. This is going to be
2:37:54uncomfortable for you. I won't pretend
2:37:56otherwise, but I'm afraid we have no
2:37:59choice. If this is going to work, I'll
2:38:02need you to have a healthy, unpolluted
2:38:04headsp space. We have to start fresh.
2:38:07When we're done, you won't remember
2:38:09anything but what I tell you to
2:38:11remember. Do you understand?
2:38:15My heart picks up and I hear its wild,
2:38:17erratic beats amplified on a nearby
2:38:20monitor. The sounds echo around the room
2:38:23like a siren. Your temperature is
2:38:26spiking, Eevee says sharply. There's no
2:38:29need to panic. This is the merciful
2:38:32option. Paris is still clamoring to have
2:38:35you killed after all. But Paris, she
2:38:38hesitates.
2:38:40Paris can be melodramatic.
2:38:42We've all known how much he's hated you
2:38:44for your effect on Aaron. He blames you.
2:38:47You know, Eevee tilts her head at me. He
2:38:52thinks you're part of the reason Aaron
2:38:53is so weak. Honestly, sometimes I wonder
2:38:57if he's right.
2:38:59My heart is beating too fast now. My
2:39:02lungs feel fit to burst. The bright
2:39:05lights above my head bleed into my eyes,
2:39:08into my brain. Now, I'm going to
2:39:12download this information. I hear her
2:39:15tap the silver box. Directly into your
2:39:18mind. It's a lot of data to process and
2:39:22your body will need some time to accept
2:39:24it all. A long pause.
2:39:28Your mind might try to reject this, but
2:39:31it's up to you to let things take their
2:39:33course. Do you understand? We don't want
2:39:36to risk splicing the past and present.
2:39:39It's only painful in the first few
2:39:41hours, but if you can survive those
2:39:43first hours, your pain receptors will
2:39:46begin to fail, and the rest of the data
2:39:48should upload without incident.
2:39:51I want to scream.
2:39:54Instead, I make a weak choking sound.
2:39:57Tears spill fast down my cheeks, and my
2:40:00mother stands there, her fingers small
2:40:02and foreign on my face, and I see but
2:40:05cannot feel the enormous needle going
2:40:08into the soft flesh at my temple. She
2:40:11empties and refills the syringe what
2:40:13feels like a thousand times. And each
2:40:16time, it's like being submerged
2:40:18underwater, like I'm slowly drowning,
2:40:21suffocating over and over again, and
2:40:24never allowed to die.
2:40:27I lie there helpless and mute, caught in
2:40:30an agony so excruciating I no longer
2:40:32breathe but rasp as she leans over me to
2:40:36watch.
2:40:37You're right, she says softly. Maybe
2:40:40this is cruel. Maybe it would have been
2:40:43kinder to simply let you die. But this
2:40:46isn't about you, Ella. This is about me.
2:40:50And right now, she says, stroking my
2:40:53hair. This is what I need,
2:41:00>> Kenji.
2:41:03The whole thing happens so quickly, it
2:41:05takes me a second to register exactly
2:41:06what went down. Delilu is dead. Delilu
2:41:11is dead and Anderson is alive. Anderson
2:41:14is back from the dead. I mean, right now
2:41:17he's flat on the ground, buried under
2:41:19the weight of every single piece of
2:41:20furniture in this room. Castle stares
2:41:23intently from across the space. And when
2:41:25I hear Anderson wheezing, I realize
2:41:28Castle isn't trying to kill him. He's
2:41:30only using the furniture to contain him.
2:41:33I inch closer to the crowd forming
2:41:35around Anderson's gasping figure. And
2:41:37then I notice with a start that Adam is
2:41:40pressed up against the wall like a
2:41:41statue, his face frozen in horror.
2:41:45My heart breaks for him. I'm so glad
2:41:48Adam dragged James off to bed hours ago.
2:41:51So glad that kid doesn't have to see any
2:41:53of this right now. Castle finally makes
2:41:56his way across the room. He's standing a
2:41:58few feet away from Anderson's prone
2:42:00figure when he asks the question we're
2:42:02all thinking.
2:42:04How are you still alive?
2:42:07Anderson attempts a smile. It comes out
2:42:09crooked, crazy. You know what's always
2:42:13been so great about you, Castle?
2:42:16He says Castle's name like it's funny,
2:42:18like he's saying it out loud for the
2:42:20first time. He takes a tight, uneven
2:42:23breath.
2:42:25You're so predictable. You like to
2:42:28collect strays. You love a good sobb
2:42:31story.
2:42:33Anderson cries out with a sudden rough
2:42:35exhalation, and I realize Castle
2:42:37probably turned up the pressure. When
2:42:39Anderson catches his breath, he says,
2:42:42"You're an idiot. You're an idiot for
2:42:45trusting so easily.
2:42:48Another harsh, painful gasp.
2:42:52Who do you think called me here? He
2:42:55says, struggling to speak now. Who do
2:42:57you think has been keeping me apprised?
2:43:00Another strained breath. Of every single
2:43:03thing you've been discussing.
2:43:07I freeze.
2:43:09A horrible sick feeling gathers in my
2:43:11chest. We all turn as a group to face
2:43:15Nazera.
2:43:17She's standing apart from everyone else.
2:43:20The personification of calm, collected
2:43:22intensity.
2:43:24She has no expression on her face. She
2:43:27looks at me like I might be a wall. For
2:43:30a split second, I feel so dizzy. I think
2:43:32I might actually pass out.
2:43:35Wishful thinking.
2:43:38That's it. That's the thing that does
2:43:41it. A room full of extremely powerful
2:43:44people. And yet, it's this moment. This
2:43:47brief, barely there, moment of shock
2:43:49that ruins us all. I feel the needle in
2:43:52my neck before I even register what's
2:43:54happening. And I have only a few seconds
2:43:56to scan the room, glimpsing the horror
2:43:58on my friend's faces before I fall.
2:44:05Warner.
2:44:08I'm sitting in my office listening to an
2:44:10old record when I get the call. I worry
2:44:13at first that it might be Lena begging
2:44:16me to come back to her. But my feeling
2:44:19of revulsion quickly transforms to hate
2:44:22when I hear the voice on the line. My
2:44:24father. He wants me downstairs.
2:44:28The mere sound of his voice fills me
2:44:30with a feeling so violent it takes me a
2:44:33minute to control myself.
2:44:36Two years away.
2:44:38Two years becoming the monster my father
2:44:41always wanted me to be. I glance in the
2:44:44mirror loathing myself with a new
2:44:47profound intensity I'd never before
2:44:49experienced. Every morning I wake up
2:44:51hoping only to die to be done with this
2:44:54life with these days.
2:44:57He knew when he made that deal what he
2:44:58was asking me to do. I didn't. I was 16,
2:45:03still young enough to believe in hope.
2:45:05And he took advantage of my naivee.
2:45:08He knew what it would do to me. He knew
2:45:10it would break me. And it was all he'd
2:45:13ever wanted.
2:45:15My soul.
2:45:17I sold my soul for a few years with my
2:45:20mother. And now after everything, I
2:45:22don't even know if it'll be worth it. I
2:45:24don't know if I'll be able to save her.
2:45:27I've been away too long. I've missed too
2:45:29much. My mother is doing so much worse
2:45:32now. And no doctor has been able to help
2:45:33her. Nothing has helped. My efforts have
2:45:36been worse than feudal.
2:45:38I gave up everything
2:45:41for nothing.
2:45:43I wish I'd known how those two years
2:45:45would change me. I wish I'd known how
2:45:48hard it would be to live with myself, to
2:45:50look in the mirror. No one warned me
2:45:53about the nightmares, the panic attacks,
2:45:56or the dark, destructive thoughts that
2:45:58would follow. No one explained to me how
2:46:01darkness works, how it feasts on itself,
2:46:04or how it fers.
2:46:06I hardly recognize myself these days,
2:46:09becoming an instrument of torture
2:46:10destroyed what was left of my mind.
2:46:14And now this,
2:46:17I feel empty all the time, hollowed out.
2:46:22beyond redemption.
2:46:25I didn't want to come back here. I
2:46:27wanted to walk directly into the ocean.
2:46:30I wanted to fade into the horizon. I
2:46:32wanted to disappear.
2:46:34Of course, he'd never let that happen.
2:46:37He dragged me back here and gave me a
2:46:39title. I was rewarded for being an
2:46:42animal, celebrated for my efforts as a
2:46:44monster. Never mind the fact that I wake
2:46:47up in the middle of every night
2:46:48strangled by irrational fears and a
2:46:51sudden violent urge to upend the
2:46:52contents of my stomach.
2:46:55Never mind that I can't get these images
2:46:57out of my head.
2:46:59I glance at the expensive bottle of
2:47:01bourbon my father left for me in my room
2:47:03and feel suddenly disgusted.
2:47:07I don't want to be like him. I don't
2:47:10want his opiate, his preferred form of
2:47:12oblivion.
2:47:14At least soon my father will be gone.
2:47:18Any day now he'll be gone and this
2:47:20sector will become my domain.
2:47:23I'll finally be on my own
2:47:26or something close to it.
2:47:29Reluctantly, I pull on my blazer and
2:47:31take the elevator down.
2:47:34When I finally arrive in his quarters,
2:47:37as he requested, he spares me only the
2:47:39briefest look. Good, he says. You've
2:47:43come. I say nothing. He smiles. Where
2:47:48are your manners? You're not going to
2:47:51greet our guest.
2:47:53Confused, I follow his line of sight.
2:47:56There's a young woman sitting on a chair
2:47:58in the far corner of the room. And at
2:48:01first, I don't recognize her.
2:48:05When I do, the blood drains from my
2:48:07face.
2:48:09My father laughs. You kids remember each
2:48:12other, right?
2:48:14She was sitting so quietly, so still and
2:48:17small that I almost hadn't noticed her
2:48:19at all. My dead heart jumps at the sight
2:48:23of her slight frame, a spark of life
2:48:25trying desperately to ignite.
2:48:28Juliet, I whisper.
2:48:32My last memory of her was from 2 years
2:48:34ago, just before I left home for my
2:48:37father's sick sadistic assignment. He
2:48:39ripped her away from me. Literally
2:48:42ripped her out of my arms. I'd never
2:48:44seen that kind of rage in his eyes. Not
2:48:47like that. Not over something so
2:48:49innocent.
2:48:51But he was wild.
2:48:53Out of his mind.
2:48:55She and I hadn't done anything more than
2:48:57talk to each other. I'd started stealing
2:49:00down to her room whenever I could get
2:49:01away, and I'd trick the camera's feeds
2:49:04to give us privacy. We'd talk, sometimes
2:49:07for hours. She'd become my friend.
2:49:11I never touched her.
2:49:15She said that after what happened with
2:49:16the little boy, she was afraid to touch
2:49:18anyone. She said she didn't understand
2:49:21what was happening to her and didn't
2:49:22trust herself anymore. I asked her if
2:49:25she wanted to touch me to test it out
2:49:28and see if anything would happen. And
2:49:30she looked scared and I told her not to
2:49:32worry. I promised it'd be okay. And when
2:49:36I took her hand tentatively waiting for
2:49:39disaster,
2:49:41nothing happened.
2:49:43Nothing happened except that she burst
2:49:45into tears. She threw herself into my
2:49:48arms and wept and told me she'd been
2:49:50terrified that there was something wrong
2:49:52with her, that she'd turned into a
2:49:54monster.
2:49:56We only had a month altogether.
2:49:59But there was something about her that
2:50:01felt right to me from the very
2:50:03beginning. I trusted her. She felt
2:50:07familiar, like I'd always known her. But
2:50:10I also knew it seemed a dramatic sort of
2:50:12thought, so I kept it to myself.
2:50:16She told me about her life, her horrible
2:50:19parents. She'd shared her fears with me,
2:50:22so I shared mine. I told her about my
2:50:25mom, how I didn't know what was
2:50:27happening to her, how worried I was that
2:50:29she was going to die.
2:50:32Juliet cared about me, listened to me
2:50:35the way no one else did.
2:50:38It was the most innocent relationship
2:50:40I'd ever had.
2:50:42But it meant more to me than anything.
2:50:45For the first time in years, I felt less
2:50:47alone.
2:50:50The day I found out she was finally
2:50:52being transferred, I pulled her close. I
2:50:54pressed my face into her hair and
2:50:56breathed her in, and she cried. She told
2:50:59me she was scared. And I promised I'd
2:51:02try to do something. I promised to talk
2:51:04to my dad, even though I knew he
2:51:05wouldn't care.
2:51:07And then suddenly, he was there. He
2:51:10ripped her out of my arms. And I noticed
2:51:12then that he was wearing gloves. "What
2:51:15the hell are you doing?" he cried. "Have
2:51:18you lost your mind? Have you lost
2:51:19yourself entirely?" "Dad," I said,
2:51:23panicking. "Nothing happened. I was just
2:51:24saying goodbye to her." His eyes widened
2:51:27round with shock. And when he spoke, his
2:51:30words were whispers.
2:51:32"You were just
2:51:34You were saying goodbye to her." "She's
2:51:38leaving," I said stupidly.
2:51:42"You think I don't know that?" I
2:51:45swallowed hard. "Jesus,"
2:51:48he said, running a hand across his
2:51:50mouth. "How long have you been doing
2:51:53this? How long have you been coming down
2:51:56here?"
2:51:58My heart was racing. Fear pulsed through
2:52:00me. I was shaking my head, unable to
2:52:02speak. What did you do? My dad demanded,
2:52:06his eyes flashing.
2:52:08Did you touch her? No. Anger surged
2:52:12through me, giving me back my voice,
2:52:14even as my face flushed with
2:52:15embarrassment. No, of course not. Are
2:52:18you sure, Dad? Why are you? I shook my
2:52:21head, confused. I don't understand why
2:52:23you're so upset. You've been pushing me
2:52:25and Lena together for months, even
2:52:27though I've told you a hundred times
2:52:28that I don't like her. But now, when I
2:52:30actually I hesitated, looking at Juliet,
2:52:34her face half hidden behind my dad. I
2:52:37was just getting to know her. That's
2:52:39all.
2:52:41You were just getting to know her? He
2:52:44stared at me disgusted.
2:52:47Of all the girls in the world, you fall
2:52:50for this one. The child murderer bound
2:52:53for prison. The likely insane test tube
2:52:57experiment.
2:52:59What is wrong with you?
2:53:02Dad, please. Nothing happened. We're
2:53:05just friends. We just talk sometimes.
2:53:09Just friends, he said and laughed. The
2:53:13sound was demented.
2:53:16You know what? I'll let you take this
2:53:19with you. I'll let you keep this one
2:53:21while you're gone. Let it sit with you.
2:53:23Let it teach you a lesson.
2:53:26What? Take what with me?
2:53:29A warning. He leveled me with a lethal
2:53:33look.
2:53:34Try something like this again, he said.
2:53:38And I'll kill her, and I'll make sure
2:53:41you get to watch.
2:53:44I stared at him, my heart beating out of
2:53:46my chest. This was insane. We hadn't
2:53:50even done anything. I'd known that my
2:53:52dad would probably be angry, but I never
2:53:54thought he'd threaten to kill her. If
2:53:56I'd known, I'd never would have risked
2:53:58it. And now
2:54:00my head was spinning. I didn't
2:54:02understand. He was dragging her down the
2:54:04hall, and I didn't understand.
2:54:08Suddenly, she screamed.
2:54:11She screamed.
2:54:13And I stood there helpless as he dragged
2:54:16her away.
2:54:17She called my name, cried out for me,
2:54:21and he shook her, told her to shut up.
2:54:25And I felt something inside of me die.
2:54:28I felt it as it happened.
2:54:31Felt something break apart inside of me
2:54:33as I watched her go.
2:54:36I'd never hated myself so much.
2:54:39I'd never been more of a coward.
2:54:43And now here we are.
2:54:46That day feels like a lifetime ago.
2:54:50I never thought I'd see her again.
2:54:53Juliet looks up at me now and she looks
2:54:56different. Her eyes are glassy with
2:54:58tears. Her skin has lost its pour. Her
2:55:02hair has lost its sheen.
2:55:04She looks thinner. She reminds me of
2:55:07myself.
2:55:09Hollow.
2:55:12Hi, I whisper.
2:55:15Tears spill silently down her cheeks.
2:55:19I have to force myself to remain calm.
2:55:23I have to force myself not to lose my
2:55:25head. My mother warned me years ago to
2:55:29hide my heart from my father. And every
2:55:31time I slipped, every time I let myself
2:55:34hope he might not be a monster,
2:55:38he punished me mercilessly.
2:55:41I wasn't going to let him do that to me
2:55:43again. I didn't want him to know how
2:55:45much it hurt to see her like this. How
2:55:47painful it was to sit beside her and say
2:55:49nothing, do nothing.
2:55:53"What is she doing here?" I ask, hardly
2:55:56recognizing my own voice. "She's here,"
2:56:00he says. "Because I had her collected
2:56:03for us." "Collected for what? You said I
2:56:08know what I said." He shrugs.
2:56:11But I wanted to see this moment, your
2:56:14reunion. I'm always interested in your
2:56:17reunions. I find the dynamics of your
2:56:20relationship fascinating.
2:56:23I look at him, feel my chest explode
2:56:27with rage, and somehow fight it back.
2:56:31You brought her back here just to
2:56:33torture me. You flatter yourself, son.
2:56:37Then what?
2:56:39I have your first task for you, he says,
2:56:42pushing a stack of files across his
2:56:44desk. Your first real mission as chief
2:56:47commander and regent of this sector.
2:56:50My lips part, surprised.
2:56:53What does that have to do with her? My
2:56:56father's eyes light up.
2:56:58Everything.
2:57:01I say nothing.
2:57:03I have a plan, he says. one that will
2:57:06require your assistance. In these files,
2:57:10he nods at the stack in front of me. Is
2:57:13everything you need to know about her
2:57:15illness, every medical report, every
2:57:17paper trail. I want you to reform the
2:57:20girl, rehabilitate her, and then I want
2:57:25you to weaponize her abilities for our
2:57:27own use.
2:57:29I meet his eyes, failing to conceal my
2:57:32horror at the suggestion.
2:57:35Why?
2:57:36Why would you come to me with this? Why
2:57:39would you ask me to do something like
2:57:40this when you know our history? You are
2:57:43uniquely suited to the job. It seems
2:57:46silly to waste my time explaining this
2:57:48to you now as you won't remember most of
2:57:50this conversation tomorrow. What? I
2:57:53frown. Why wouldn't I? The two of you
2:57:56seem to have some kind of immutable
2:57:58connection. one that might, I hope,
2:58:01inspire her abilities to develop more
2:58:03fully, more quickly. That doesn't make
2:58:07any sense.
2:58:09He ignores me, glances at Juliet. Her
2:58:12eyes are closed, her head resting
2:58:14against the wall behind her. She seems
2:58:17almost asleep, except for the tears
2:58:20still streaking softly down her face.
2:58:23It kills me just to look at her.
2:58:26As you can see, my father says she's a
2:58:30bit out of her mind right now. Heavily
2:58:33sedated. She's been through a great deal
2:58:35these last two years. We had no choice
2:58:37but to turn her into a sort of guinea
2:58:39pig. I'm sure you can imagine how that
2:58:42goes.
2:58:43He stares at me with a slight smile on
2:58:46his face. I know he's waiting for
2:58:48something, a reaction. My anger.
2:58:53I refuse to give it to him. His smile
2:58:57widens.
2:58:58Anyhow, he says happily. I'm going to
2:59:02put her back in isolation for the next 6
2:59:04months, maybe a year, depending on how
2:59:07things develop. You can use that
2:59:09opportunity to prepare, to observe her.
2:59:13But I'm still fighting back my anger. I
2:59:16can't bring myself to speak.
2:59:19Is there a problem? He says,
2:59:23"No, you remember, of course, the
2:59:26warning I gave you the last time she was
2:59:29here."
2:59:31"Of course," I say, my voice flat. Dead.
2:59:36And then, as if out of nowhere, "How is
2:59:39Lena, by the way? I hope she's well." "I
2:59:42wouldn't know."
2:59:44It's barely there. But I catch the
2:59:47sudden shift in his voice, the anger
2:59:50when he says, "And why is that?" I broke
2:59:55things off with her last week. And you
2:59:58didn't think to tell me. Finally, I meet
3:00:01his eyes. I never understood why you
3:00:04wanted us to be together. She's not
3:00:06right for me. She never was. You don't
3:00:09love her. You mean? I can't imagine how
3:00:11anyone would.
3:00:13That, he says, is exactly why she's
3:00:18perfect for you.
3:00:20I blink at him, caught off guard.
3:00:24For a moment, it almost sounded like my
3:00:26father cared about me, like he was
3:00:29trying to protect me in some perverse,
3:00:32idiotic way.
3:00:34Eventually, he sigh.
3:00:37He picks up a pen and a pad of paper and
3:00:40begins writing something down.
3:00:42I'll see what I can do about repairing
3:00:44the damage you've done. Lena's mother
3:00:46must be hysterical.
3:00:48Until then, get to work. He nods at the
3:00:51stack of files he set before me.
3:00:54Reluctantly, I pick a folder off the
3:00:56top. I glance through the documents,
3:01:00scanning the general outline of the
3:01:01mission, and then I look up at him,
3:01:04stunned.
3:01:06Why does the paperwork make it sound
3:01:07like this was my idea?
3:01:10He hesitates,
3:01:12puts down his pen.
3:01:14Because you don't trust me. I stare at
3:01:18him, struggling to understand. He tilts
3:01:20his head. If you knew this was my idea,
3:01:24you'd never trust it, would you? You'd
3:01:26look too closely for holes,
3:01:28conspiracies.
3:01:30You'd never follow through the way I'd
3:01:32want you to. Besides, he says, picking
3:01:35up his pen again. Two birds, one stone.
3:01:40It's time to finally break the cycle.
3:01:43I replace the folder on the pile. I'm
3:01:46careful to temper the tone of my voice
3:01:48when I say I have no idea what you're
3:01:52talking about.
3:01:54I'm talking about your new experiment,
3:01:56he says coolly. Your little tragedy.
3:01:59This, he says, gesturing between me and
3:02:02Juliet. This needs to end. And she is
3:02:05unlikely to return your affections when
3:02:07she wakes up to discover you are not her
3:02:09friend, but her oppressor, isn't she?
3:02:14And I can no longer keep the fury or the
3:02:16hysteria out of my voice when I say,
3:02:18"Why are you doing this to me? Why are
3:02:22you purposely torturing me? Is it so
3:02:25crazy to imagine that I might be trying
3:02:27to do you a favor?"
3:02:30My father smiles.
3:02:33Look more closely at those files, son.
3:02:36If you've ever wanted a chance at saving
3:02:38your mother, this might be it.
3:02:43I've become obsessed with time.
3:02:47Still, I can only guess at how long I've
3:02:50been here, staring at these walls
3:02:53without reprieve.
3:02:55No voices,
3:02:58only the occasional warped sounds of
3:03:00faraway speech. No faces,
3:03:03not a single person to tell me where I
3:03:05am or what awaits me. I've watched the
3:03:08shadows chase the light in and out of my
3:03:10cell for weeks. Their motions through
3:03:13the small window my only hope for
3:03:15marking the days. A slim rectangular
3:03:18slot in my door opens with sudden
3:03:20startling force. The aperture shot
3:03:23through with what appears to be
3:03:24artificial light on the other side. I
3:03:27make a mental note.
3:03:29A single steaming bun. No tray, no foil,
3:03:32no utensils. You shove through the slot
3:03:36and my reflexes are still fast enough to
3:03:38catch the bread before it touches the
3:03:40filthy floor. I have enough sense to
3:03:43understand that the little food I'm
3:03:44given every day is poisoned.
3:03:48Not enough to kill me, just enough to
3:03:51slow me down.
3:03:53Slight tremors rock my body, but I force
3:03:56my eyes to stay open as I turn the soft
3:03:58bun around in my hand, searching its
3:04:01flaky skin for information.
3:04:04It's unmarked,
3:04:05unextraordinary.
3:04:08It could mean nothing.
3:04:10There's no way to be sure.
3:04:13This ritual happens exactly twice a day.
3:04:16I am fed an insignificant, tasteless
3:04:20portion of food twice a day. For hours
3:04:23at a time, my thoughts slur, my mind
3:04:26swims and hallucinates. I am slow,
3:04:30sluggish.
3:04:33Most days I fast
3:04:36to clear my head, to cleanse my body of
3:04:39the poison, and to collect information.
3:04:43I have to find my way out of here before
3:04:45it's too late.
3:04:47Some nights when I'm at my weakest, my
3:04:51imagination runs wild. My mind is
3:04:55plagued by horrible visions of what
3:04:57might have happened to her.
3:04:59It's torture not knowing what they've
3:05:00done with her, not knowing where she is,
3:05:03not knowing how she is, not knowing if
3:05:05someone is hurting her.
3:05:08But the nightmares are perhaps the most
3:05:11disconcerting.
3:05:13At least I think they're nightmares.
3:05:15It's hard to separate fact from fiction,
3:05:17dreams from reality. I spent too much
3:05:20time with poison running through my
3:05:21veins. But Nazera's words to me before
3:05:24the symposium.
3:05:26Her warning that Juliet was someone
3:05:28else, that Max and Eevee are her true
3:05:31biological parents.
3:05:34I didn't want to believe it then. It
3:05:37seemed a possibility too perverse to be
3:05:39real. Even my father had lines he
3:05:41wouldn't cross, I told myself.
3:05:44Even the reestablishment had some sense
3:05:47of invented morality, I told myself.
3:05:51But I saw them as I was carried away. I
3:05:54saw the familiar faces of Eevee and
3:05:56Maximleian Summers, the Supreme
3:05:59Commander of Oceanania and her husband.
3:06:02And I've been thinking of them ever
3:06:04since. They were the key scientists of
3:06:07our group, the quiet brains of the
3:06:09reestablishment. They were military,
3:06:12yes, but they were medical. The pair
3:06:15often kept to themselves. I had few
3:06:18memories of them until very recently
3:06:21until Ella appeared in my mind.
3:06:26But I don't know how to be sure that
3:06:28what I'm seeing is real. I have no way
3:06:31of knowing that this isn't simply
3:06:32another part of the torture. It's
3:06:35impossible to know. It's agony boring a
3:06:39hole through me. I feel like I'm being
3:06:41assaulted on both sides, mental and
3:06:44physical, and I don't know where or how
3:06:46to begin fighting back. I've begun
3:06:49clenching my teeth so hard it's causing
3:06:51me migraines.
3:06:53Exhaustion feasts slowly on my mind. I'm
3:06:57fairly certain I've got at least two
3:06:58fractured ribs, and my only hours of
3:07:01rest are achieved standing up. The
3:07:03single position that eases the pain in
3:07:05my torso. It would be easy to give up,
3:07:09give in, but I can't lose myself to
3:07:12these mind games.
3:07:14I won't.
3:07:17So, I compile data.
3:07:20I spent my whole life preparing for
3:07:21moments like these by people like this,
3:07:25and they will take full advantage of
3:07:26that knowledge. I know they'll expect me
3:07:29to prove that I deserve to survive. and
3:07:33unexpectedly.
3:07:35Knowing this brings me a much needed
3:07:37sense of calm.
3:07:39I feel none of my usual anxiety here
3:07:43being carefully poisoned to death.
3:07:46Instead, I feel at home,
3:07:49familiar,
3:07:51fortified by adrenaline.
3:07:54Under any other circumstances, I'd
3:07:56assume my meals were offered once in the
3:07:58morning and once at night. But I know
3:08:01better than to assume anything anymore.
3:08:03I've been charting the shadows long
3:08:04enough to know that I'm never fed at
3:08:06regular hours and that the erratic
3:08:08schedule is intentional.
3:08:11There must be a message here, a sequence
3:08:13of numbers, a pattern of information,
3:08:16something I'm not grasping because I
3:08:18know that this, like everything else, is
3:08:22a test.
3:08:25I am in the custody of a supreme
3:08:27commander.
3:08:29There can be no accidents.
3:08:32I force myself to eat the warm,
3:08:34flavorless bun, hating the way the
3:08:36gummy, overly processed bread sticks to
3:08:39the roof of my mouth. It makes me wish
3:08:41for a toothbrush. They've given me my
3:08:44own sink and toilet, but I have little
3:08:46else to keep my standards of hygiene
3:08:47intact, which is possibly the greatest
3:08:49indignity here. I fight a wave of nausea
3:08:53as I swallow the last bite of bread and
3:08:56a sudden prickling heat floods my body.
3:08:58Beads of sweat roll down my back and I
3:09:00clench my fists to keep from succumbing
3:09:02too quickly to the drugs.
3:09:05I need a little more time.
3:09:08There's a message here somewhere, but I
3:09:10haven't yet decided where. Maybe it's in
3:09:13the movements of the shadows, or in the
3:09:15number of times the slot opens and
3:09:17closes. It might be in the names of the
3:09:19foods I'm forced to eat, or in the exact
3:09:21number of footsteps I hear every day. Or
3:09:25perhaps it's in the occasional jarring
3:09:27knock at my door that accompanies
3:09:29silence.
3:09:32There's something here. Something
3:09:34they're trying to tell me. Something I'm
3:09:36supposed to decipher. I gasp, reach out
3:09:40blindly as a shock of pain shoots
3:09:41through my gut. I can figure this out, I
3:09:45think. Even as the drug drags me down, I
3:09:49fall backward onto my elbows. My eyes
3:09:52flutter open and closed, and my mind
3:09:54drowns even as I count the sounds
3:09:56outside my door,
3:09:58one hard step,
3:10:01two dragging steps, one hard step.
3:10:06And there's something there, something
3:10:09deliberate in the movement that speaks
3:10:11to me. I know this. I know this
3:10:14language. I know its name. It's right
3:10:16there at the tip of my tongue, but I
3:10:18can't seem to grasp it.
3:10:20I've already forgotten what I was trying
3:10:22to do.
3:10:24My arms give out. My head hits the floor
3:10:27with a dull thud. My thoughts melt into
3:10:30darkness.
3:10:32The nightmares take me by the throat.
3:10:38>> Kenji.
3:10:41I thought I'd spent time in some pretty
3:10:43rough places in my life, but this
3:10:46is like nothing else. Perfect darkness.
3:10:50No sounds but the distant tortured
3:10:52screams of other prisoners.
3:10:54Food is disgusting slop shoved through a
3:10:56slot in the door. No bathrooms except
3:10:59that they open the doors once a day,
3:11:01just long enough for you to kill
3:11:02yourself trying to find the disgusting
3:11:04showers and toilets.
3:11:06I know what this is.
3:11:08I remember when Juliet Ella
3:11:12Ella
3:11:14Ella used to tell me about this place.
3:11:18Some nights we'd stay up for hours
3:11:19talking about it. I wanted to know. I
3:11:23wanted to know everything.
3:11:25And those conversations are the only
3:11:27reason I knew what the open door means.
3:11:30I don't really know how long I've been
3:11:32here. A week, maybe two.
3:11:35I don't understand why they won't just
3:11:37kill me. I try to tell myself every
3:11:40minute of every damn day that they're
3:11:42just doing this to mess with our heads.
3:11:44That the tortured mind is a worse fate
3:11:46than a bullet in the brain. But I can't
3:11:48lie. This place is starting to get to
3:11:51me. I feel myself starting to go weird.
3:11:55I'm starting to hear things, see things.
3:11:58I'm beginning to freak myself out about
3:12:00what might have happened to my friends
3:12:01or whether I'll ever get out of here.
3:12:04I try not to think about Nazera.
3:12:07When I think about Nazera, I want to
3:12:09punch myself in the face. I want to
3:12:11shoot myself in the throat.
3:12:14When I think about Nazera, I feel a rage
3:12:16so acute, I'm actually convinced for a
3:12:18minute that I might be able to break out
3:12:20of these neon handcuffs with nothing but
3:12:22brute force.
3:12:24But it never happens.
3:12:26These things are unbreakable, even as
3:12:28they strip me of my powers. and they
3:12:31emit a soft, pulsing blue glow, the only
3:12:34light I ever see.
3:12:37Jay told me her cell had a window.
3:12:40Mine doesn't.
3:12:43A harsh buzzing sound fills my cell. I
3:12:46hear a smooth click in the heavy metal
3:12:47door. I jump to my feet. The door swings
3:12:51open. I feel my way down the dripping
3:12:54corridor. The dim pulsing light of my
3:12:56cuffs doing little to guide my way.
3:12:59The shower is quick and cold, awful in
3:13:02every way. There are no towels in this
3:13:05hole, so I'm always freezing until
3:13:07I can get back to my room and wrap
3:13:08myself in the threadbear blanket.
3:13:11I'm thinking about that blanket now,
3:13:14trying to keep my thoughts focused and
3:13:16my teeth from chattering as I wend my
3:13:18way down the dark tunnels.
3:13:20I don't see what happens next.
3:13:22Someone comes up on me from behind and
3:13:24puts me in a chokeold, suffocating me
3:13:26with a technique so perfect I don't even
3:13:28know if it's worth a struggle.
3:13:31I'm definitely about to die.
3:13:34Super weird way to go, but this is it.
3:13:38I'm done.
3:13:45>> Ella,
3:13:48Mr. Anderson says I can have lunch at
3:13:50his house before I meet my new family.
3:13:53It wasn't his idea, but when Aaron, his
3:13:55son, that was the boy's name, suggested
3:13:58it, Mr. Anderson seemed okay with it.
3:14:01I'm grateful. I'm not ready to go live
3:14:04with a bunch of strangers yet. I'm
3:14:06scared and nervous and worried about so
3:14:08many things. I don't even know where to
3:14:10start. Mostly, I feel angry. I'm angry
3:14:15with my parents for dying. angry with
3:14:17them for leaving me behind.
3:14:20I'm an orphan now.
3:14:23But maybe I have a new friend. Aaron
3:14:25said that he was 8 years old, about 2
3:14:28years older than me, so there isn't any
3:14:30chance we'd be in the same grade. But
3:14:32when I said that we'd probably be going
3:14:34to the same school anyway, he said no,
3:14:36we wouldn't. He said he didn't go to
3:14:39public school. He said his father was
3:14:42very particular about these kinds of
3:14:43things and that he'd been homeschooled
3:14:46by private tutors his whole life.
3:14:49We're sitting next to each other in the
3:14:51car ride back to his house when he says
3:14:53quietly, "My dad never lets me invite
3:14:56people over to our house." "He must like
3:14:58you." I smile, secretly relieved, "I
3:15:03really hope that this means I'll have a
3:15:05new friend. I've been so scared to move
3:15:08here, so scared to be somewhere new and
3:15:11to be all alone. But now, sitting next
3:15:14to this strange blonde boy with the
3:15:16light green eyes, I'm beginning to feel
3:15:18like things might be okay.
3:15:21At least now, even if I don't like my
3:15:24new parents, I'll know I'm not
3:15:26completely alone. The thought makes me
3:15:29both happy and sad.
3:15:32I look over at Aaron and smile. He
3:15:35smiles back. When we get to his house, I
3:15:38take a moment to admire it from the
3:15:39outside. It's a big, beautiful old house
3:15:43painted the prettiest blue. It has big
3:15:46white shutters on the windows and a
3:15:47white fence around the front yard. Pink
3:15:50roses are growing around the edges,
3:15:52peeking through the wooden slats of the
3:15:54fence, and the whole thing looks so
3:15:56peaceful and lovely that I feel
3:15:58immediately at home. My worries vanish.
3:16:02I'm so grateful for Mr. Anderson's help.
3:16:05So grateful to have met his son. I
3:16:08realized then that Mr. Anderson might
3:16:10have brought his son to my meeting today
3:16:12just to introduce me to someone my own
3:16:14age. Maybe he was trying to make me feel
3:16:17at home.
3:16:19A beautiful blonde lady answers the
3:16:21front door. She smiles at me, bright and
3:16:24kind, and doesn't even say hello to me
3:16:26before she pulls me into her arms. She
3:16:29hugs me like she's known me forever. And
3:16:32there's something so comfortable about
3:16:34her arms around me that I embarrass
3:16:36everyone by bursting into tears.
3:16:40I can't even look at anyone after I pull
3:16:43away from her. She told me her name was
3:16:46Mrs. Anderson, but that I could call her
3:16:48Laya if I wanted. And I wipe at my
3:16:52tears, ashamed of my overreaction.
3:16:55Mrs. Anderson tells Aaron to take me
3:16:58upstairs to his room while she makes us
3:17:00some snacks before lunch. Still
3:17:02sniffling, I follow him up the stairs.
3:17:06His room is nice. I sit on his bed and
3:17:09look at his things. Mostly it's pretty
3:17:11clean, except that there's a baseball
3:17:13mitt on his nightstand and there are two
3:17:15dirty baseballs on the floor. Aaron
3:17:18catches me staring and scoops them up
3:17:20right away. He seems embarrassed as he
3:17:22tucks them in his closet, and I don't
3:17:24understand why. I was never very tidy.
3:17:28My room was always I hesitate.
3:17:32I try to remember what my old bedroom
3:17:34looked like, but for some reason, I
3:17:37can't. I frown. Try again.
3:17:42Nothing.
3:17:43And then I realize I can't remember my
3:17:46parents' faces.
3:17:48Terror barrels through me. What's wrong?
3:17:53Aaron's voice is so sharp, so intense
3:17:56that I look up, startled. He's staring
3:17:59at me from across the room, the fear on
3:18:01his face reflected in the mirrors on his
3:18:03closet doors. "What's wrong?" he says
3:18:06again. "Are you okay?" "I I don't I
3:18:12falter, feeling my eyes refill with
3:18:13tears. I hate that I keep crying. Hate
3:18:17that I can't stop crying. I can't
3:18:19remember my parents. I say, "Is that
3:18:22normal?"
3:18:24Aaron walks over, sits next to me on his
3:18:27bed. "I don't know," he says.
3:18:31We're both quiet for a while. "Somehow
3:18:34it helps. Somehow just sitting next to
3:18:37him makes me feel less alone, less
3:18:40terrified.
3:18:41Eventually, my heart stops racing.
3:18:46After I've wiped away my tears, I say,
3:18:48"Don't you get lonely being homeschooled
3:18:51all the time?" He nods. "Why won't your
3:18:55dad let you go to normal school?" "I
3:18:58don't know." "What about birthday
3:19:00parties?" I ask. "Who do you invite to
3:19:03your birthday parties?"
3:19:05Aaron shrugs. He's staring into his
3:19:08hands when he says, "I've never had a
3:19:10birthday party." "What?
3:19:14Really?" I turn to face him more fully,
3:19:17but birthday parties are so fun. I used
3:19:20to. I blink, cutting myself off.
3:19:25I can't remember what I was about to
3:19:27say.
3:19:29I frown, trying to remember something,
3:19:32something about my old life. But when
3:19:34the memories don't materialize, I shake
3:19:36my head to clear it.
3:19:38Maybe I'll remember later.
3:19:41Anyway, I say, taking a quick breath.
3:19:45You have to have a birthday party.
3:19:46Everyone has birthday parties. When is
3:19:49your birthday?
3:19:51Slowly, Aaron looks up at me, his face
3:19:54is blank, even as he says.
3:19:56April 24th.
3:19:59April 24th,
3:20:01I say, smiling. That's great. We can
3:20:04have cake.
3:20:07The days pass in a stifled panic, an
3:20:10excruciating crescendo toward madness.
3:20:14The hands of the clock seem to close
3:20:16around my throat, and still I say
3:20:18nothing. Do nothing.
3:20:21I wait.
3:20:23Pretend.
3:20:25I've been paralyzed here for 2 weeks,
3:20:27stuck in the prison of this ruse, this
3:20:30compound.
3:20:31Eevee doesn't know that her plot to
3:20:33bleach my mind failed. She treats me
3:20:37like a foreign object, distant but not
3:20:40unkind.
3:20:41She instructed me to call her Eevee,
3:20:44told me she was my doctor, and then
3:20:46proceeded to lie in great detail about
3:20:49how I'd been in a terrible accident,
3:20:51that I'm suffering from amnesia, that I
3:20:54need to stay in bed in order to recover.
3:20:58She doesn't know that my body won't stop
3:21:00shaking, that my skin is slick with
3:21:02sweat every morning, that my throat
3:21:05burns from the constant return of bile.
3:21:08She doesn't know what's happening to me.
3:21:11She could never understand the sickness
3:21:13plaguing my heart. She couldn't possibly
3:21:17understand this agony.
3:21:20Remembering
3:21:22the attacks are relentless.
3:21:25Memories assault me while I sleep,
3:21:27jolting me upright. My chest seizing in
3:21:30panic over and over and over until
3:21:33finally I meet dawn on the bathroom
3:21:35floor. The smell of vomit clinging to my
3:21:38hair, the inside of my mouth. I can only
3:21:42drag myself back to bed every morning
3:21:44and force my face to smile when Eevee
3:21:47checks on me at sunrise.
3:21:50Everything feels wrong.
3:21:52The world feels strange. Smells confuse
3:21:56me. Words don't feel right in my mouth
3:21:58anymore. The sound of my own name feels
3:22:01at once familiar and foreign. My
3:22:04memories of people and places seem
3:22:06warped. Fraying threads coming together
3:22:08to form a ragged tapestry.
3:22:11But Eevee,
3:22:13my mother,
3:22:15I remember her.
3:22:19Eevee. I pop my head out of the
3:22:22bathroom, clutching a robe to my wet
3:22:24body. I search my room for her face.
3:22:27Eevee, are you there?
3:22:30Yes. I hear her voice just seconds
3:22:32before she's suddenly standing before
3:22:34me, holding a set of fresh sheets in her
3:22:36hands. She's stripping my bed again. Did
3:22:40you need something? We're out of towels.
3:22:44Oh, easily rectified, she says, and
3:22:47hurries out the door. Not seconds later,
3:22:50she's back, pressing a warm, fresh towel
3:22:53into my hands. She smiles faintly.
3:22:57"Thanks," I say, forcing my own smile to
3:23:00stretch to spark life in my eyes. And
3:23:03then I disappear into the bathroom.
3:23:06The room is steaming, the mirrors
3:23:08fogged, persspiring.
3:23:10I grip the towel with one hand, watching
3:23:13as beads of water race down my bare
3:23:15skin. Condensation wears me like a suit.
3:23:19I wipe at the damp metal cuffs locked
3:23:21around my wrists and ankles, their
3:23:24glowing blue light, my constant reminder
3:23:26that I am in hell.
3:23:29I collapse with a heavy breath onto the
3:23:32floor. I'm too hot to put on clothes,
3:23:35but I'm not ready to leave the privacy
3:23:37of the bathroom yet. So, I sit here
3:23:40wearing nothing but these manacles and
3:23:42drop my head into my hands.
3:23:46My hair is long again. I discovered it
3:23:49like this long, heavy, dark one morning,
3:23:52and when I asked her about it, I nearly
3:23:55ruined everything.
3:23:57"What do you mean?" Eveie said,
3:24:00narrowing her eyes at me. "Your hair has
3:24:02always been long."
3:24:05I blinked at her, remembering to play
3:24:07dumb. "I know."
3:24:10She stared at me a while longer before
3:24:12she finally let it go. But I'm still
3:24:15worried I'll pay for that slip.
3:24:17Sometimes it's hard to remember how to
3:24:19act. My mind is being attacked,
3:24:21assaulted every day by emotion I never
3:24:24knew existed. My memories were supposed
3:24:27to be erased. Instead, they're being
3:24:30replenished.
3:24:32I'm remembering everything.
3:24:35My mother's laugh, her slender wrists,
3:24:38the smell of her shampoo, and the
3:24:40familiarity of her arms around me.
3:24:43The more I remember, the less this place
3:24:45feels foreign to me. The less these
3:24:48sounds and smells, these mountains in
3:24:50the distance, feel unknown.
3:24:53It's as if the desperate parts of my
3:24:55most desperate self are stitching back
3:24:58together, as if the gaping holes in my
3:25:00heart and head are healing, filling
3:25:02slowly with sensation.
3:25:05This compound was my home. These people,
3:25:09my family. I woke up this morning
3:25:12remembering my mother's favorite shade
3:25:13of lipstick, blood red.
3:25:17I remember watching her paint her lips
3:25:19some evenings. I remember the day I
3:25:22snuck into her room and stole the glossy
3:25:24metal tube. I remember when she found
3:25:26me, my hands and mouth smeared in red,
3:25:30my face a grotesque reimagining of
3:25:32herself.
3:25:34The more I remember my parents, the more
3:25:36I begin to finally make sense of myself.
3:25:39My many fears and insecurities, the
3:25:41myriad ways in which I've often felt
3:25:44lost, searching for something I could
3:25:46not name.
3:25:48It's devastating.
3:25:50And yet, in this new turbulent reality,
3:25:54the one person I recognize anymore is
3:25:57him. My memories of him, memories of us,
3:26:01have done something to me.
3:26:03I've changed somewhere deep inside. I
3:26:06feel different, heavier, like my feet
3:26:09have been more firmly planted, liberated
3:26:11by certainty, free to grow roots here in
3:26:14my own self, free to trust unequivocally
3:26:17in the strength and steadiness of my own
3:26:19heart. It's an empowering discovery to
3:26:23find that I can trust myself even when
3:26:26I'm not myself. to make the right
3:26:29choices, to know for certain now that
3:26:31there was at least one mistake I never
3:26:34made.
3:26:36Aaron Warner Anderson is the only
3:26:39emotional throughine in my life that
3:26:41ever made sense. He's the only constant,
3:26:44the only steady, reliable heartbeat I've
3:26:47ever had. Aaron, Aaron, Aaron, Aaron.
3:26:54I had no idea how much we'd lost. no
3:26:57idea how much of him I'd longed for. I
3:27:00had no idea how desperately we'd been
3:27:02fighting, how many years we'd fought for
3:27:04moments, minutes to be together. It
3:27:08fills me with a painful kind of joy. But
3:27:11when I remember how I left things
3:27:13between us, I want to scream.
3:27:17I have no idea if I'll ever see him
3:27:19again.
3:27:21Still, I'm holding on to the hope that
3:27:23he's alive out there somewhere. Eevee
3:27:26said she couldn't kill him. She said
3:27:28that she alone didn't have the authority
3:27:30to have him executed. And if Aaron is
3:27:33still alive, I will find a way to get to
3:27:36him. But I have to be careful. Breaking
3:27:39out of this new prison won't be easy. As
3:27:42it is, Eevee almost never lets me out of
3:27:45my room. Worse, she sedates me during
3:27:48the day, allowing me only a couple of
3:27:50lucid hours. There's never enough time
3:27:53to think, much less to plan an escape,
3:27:56to assess my surroundings, or to wander
3:27:59the halls outside my door. Only once did
3:28:02she let me go outside. Sort of.
3:28:07She let me onto a balcony overlooking
3:28:09the backyard. It wasn't much, but even
3:28:12that small step helped me understand a
3:28:14bit about where we were and what the
3:28:16layout of the building might look like.
3:28:19The assessment was chilling.
3:28:22We appeared to be in the center of a
3:28:24settlement, a small city in the middle
3:28:27of nowhere. I leaned over the edge of
3:28:30the balcony, craning my neck to take in
3:28:32the breadth of it. But the view was so
3:28:34vast I couldn't see all the way around.
3:28:37From where I stood, I saw at least 20
3:28:40different buildings, all connected by
3:28:42roads and navigated by people in
3:28:45miniature electric cars. There were
3:28:47loading and unloading docks, massive
3:28:50trucks filing in and out, and there was
3:28:52a landing strip in the distance, a row
3:28:55of jets parked neatly in a concrete lot.
3:28:58I understood then that I was living in
3:29:01the middle of a massive operation,
3:29:04something so much more terrifying than
3:29:06sector 45.
3:29:08This is an international base. This has
3:29:12to be one of the capitals. Whatever this
3:29:15is, whatever they do here, it makes
3:29:18sector 45 look like a joke.
3:29:21Here, where the hills are somehow still
3:29:23green and beautiful, where the air is
3:29:26fresh and cool and everything seems
3:29:28alive. My accounting is probably off,
3:29:31but I think we're nearing the end of
3:29:33April. And the sights outside my window
3:29:35are unlike anything I've ever seen in
3:29:38sector 45. Vast snowcapped mountain
3:29:41ranges, rolling hills thick with
3:29:44vegetation, trees heavy with bright
3:29:46changing leaves, and a massive
3:29:49glittering lake that looks close enough
3:29:50to run to. This land looks healthy,
3:29:54vibrant.
3:29:56I thought we'd lost a world like this a
3:29:58long time ago.
3:30:01Eevee's begun to sedate me less these
3:30:03days, but some days my vision seems to
3:30:05fray at the edges, like a satellite
3:30:07image, glitching, waiting for data to
3:30:10load. I wonder sometimes if she's
3:30:13poisoning me. I'm wondering this now,
3:30:17remembering the bowl of soup she sent to
3:30:19my room for breakfast. I can still feel
3:30:22the gluey residue as it coated my
3:30:24tongue, the roof of my mouth. Unness my
3:30:28stomach.
3:30:29I haul myself up off the bathroom floor,
3:30:32my limbs slow and heavy. It takes me a
3:30:36moment to stabilize. The effects of this
3:30:38experiment have left me hollow,
3:30:41angry,
3:30:43as if out of nowhere, my mind conjures
3:30:46an image of Eve's face. I remember her
3:30:49eyes, deep dark brown, bottomless, the
3:30:54same color as her hair. She has a short,
3:30:56sharp bob, a heavy curtain constantly
3:30:59whipping against her chin. She's a
3:31:02beautiful woman, more beautiful at 50
3:31:04than she was at 20.
3:31:07Coming.
3:31:09The word occurs to me suddenly, and a
3:31:11bolt of panic shoots up my spine. Not a
3:31:14second later, there's a sharp knock at
3:31:16my bathroom door.
3:31:18Yes, Ella. You've been in the bathroom
3:31:22for almost half an hour, and you know
3:31:23how I feel about wasting time. Eevee, I
3:31:28force myself to laugh. I'm almost done,
3:31:30I say. I'll be right out.
3:31:35A pause. The silence stretches the
3:31:38seconds into a lifetime. My heart jumps
3:31:41up into my throat, beats in my mouth.
3:31:45All right, she says slowly. Five more
3:31:48minutes.
3:31:50I close my eyes as I exhale, pressing
3:31:53the towel to the racing pulse at my
3:31:55neck. I dry off quickly before ringing
3:31:58the remaining water from my hair and
3:32:01slipping back into my robe.
3:32:03Finally, I open the bathroom door and
3:32:05welcome the cool morning temperature
3:32:07against my feverish skin. But I hardly
3:32:10have a chance to take a breath before
3:32:12she's in my face again.
3:32:15wear this," she says, forcing a dress
3:32:18into my arms. She's smiling, but it
3:32:20doesn't suit her. She looks deranged.
3:32:23"You love wearing yellow."
3:32:26I blink as I take the dress from her,
3:32:29feeling a sudden disorienting wave of
3:32:31deja vu.
3:32:33Of course, I say. I love wearing yellow.
3:32:38Her smile grows thinner, threatens to
3:32:40turn her face inside out. Could
3:32:44I just make an abstract gesture toward
3:32:47my body? Oh, she says startled. Right.
3:32:51She shoots me another smile and says,
3:32:54"I'll be outside."
3:32:56My own smile is brittle.
3:32:59She watches me. She always watches me,
3:33:03studies my reactions, the timing of my
3:33:05responses. She's scanning me constantly
3:33:08for information.
3:33:10She wants confirmation that I've been
3:33:12properly hollowed out, remade. I smile
3:33:16wider.
3:33:18Finally, she takes a step back. "Good
3:33:21girl," she says softly. I stand in the
3:33:25middle of my room and watch her leave,
3:33:27the yellow dress still pressed against
3:33:29my chest. There was another time when
3:33:32I'd felt trapped, just like this. I was
3:33:36held against my will and given beautiful
3:33:38clothes and three square meals and
3:33:40demanded to be something I wasn't. And I
3:33:43fought it. Fought it with everything I
3:33:46had.
3:33:48It didn't do me any good. I swore that
3:33:51if I could do it again, I'd do it
3:33:53differently. I said if I could do it
3:33:55over, I'd wear the clothes and eat the
3:33:58food and play along until I could figure
3:34:00out where I was and how to break free.
3:34:03So, here's my chance. This time, I've
3:34:07decided to play along.
3:34:12>> Kenji,
3:34:15I wake up, bound and gagged, a roaring
3:34:19sound in my ears.
3:34:21I blink to clear my vision. I'm bound so
3:34:25tightly I can't move. So, it takes me a
3:34:27second to realize I can't see my legs.
3:34:31No legs, no arms either.
3:34:35The revelation that I'm invisible hits
3:34:37me with full horrifying force.
3:34:40I'm not doing this. I didn't bring
3:34:43myself here, bind and gag myself, and
3:34:45make myself invisible.
3:34:48There's only one other person who would.
3:34:51I look around desperately, trying to
3:34:53gauge where I am and what my chances
3:34:55might be for escape. But when I finally
3:34:57managed to heave my body to one side
3:34:59just long enough to crane my neck, I
3:35:01realize with a terrifying jolt that I'm
3:35:04on a plane and then voices.
3:35:09It's Anderson and Nazera.
3:35:11I hear them discussing something about
3:35:13how we'll be landing soon. And then
3:35:15minutes later, I feel it when we touch
3:35:18ground. The plane taxis for a while and
3:35:21it seems to take forever before the
3:35:23engines finally turn off.
3:35:25I hear Anderson leave. Nazera hangs
3:35:28back, saying something about needing to
3:35:30clean up. She shuts down the plane and
3:35:32its cameras. Doesn't acknowledge me.
3:35:36Finally, I hear her footsteps getting
3:35:39closer to my head. She uses one foot to
3:35:42roll me onto my back. And then, just
3:35:44like that, my invisibility is gone.
3:35:48She stares at me for a little while
3:35:50longer, says nothing.
3:35:53Finally, she smiles.
3:35:57"Hi," she says, removing the gag from my
3:36:00mouth. "How are you holding up?"
3:36:04And I decide right then that I'm going
3:36:06to have to kill her.
3:36:09Okay. She says, "I know you're probably
3:36:13upset." "Upset? You think I'm upset?" I
3:36:18jerk violently against the ties. Jesus
3:36:20Christ, woman, get me out of these
3:36:22goddamn restraints. I'll get you out of
3:36:24the restraints when you calm down. How
3:36:26can you expect me to be calm? I'm trying
3:36:28to save your life right now. So,
3:36:30actually, I expect a lot of things from
3:36:32you. I'm breathing hard. Wait, what?
3:36:37She crosses her arms, stares down at me.
3:36:42I've been trying to explain to you that
3:36:43there was really no other way to do
3:36:45this. And don't worry, she says your
3:36:48friends are okay. We should be able to
3:36:50get them out of the asylum before any
3:36:52permanent damage is done.
3:36:54What? What do you mean permanent damage?
3:36:58Nazer size. Anyway, this was the only
3:37:02way I could think of stealing a plane
3:37:04without attracting notice. I needed to
3:37:06track Anderson.
3:37:09So, you knew he was alive that whole
3:37:11time, and you said nothing about it. She
3:37:14raises her eyebrows.
3:37:16Honestly, I thought you knew. How the
3:37:20hell was I supposed to know? I shout.
3:37:23How was I supposed to know anything?
3:37:26Stop shouting, she says. I went to all
3:37:29this trouble to save your life, but I
3:37:30swear to God I will kill you if you
3:37:32don't stop shouting right now.
3:37:35Where? I say the hell. I say, are we?
3:37:41And instead of killing me, she laughs.
3:37:45Where do you think we are? She shakes
3:37:48her head.
3:37:49>> We're in Oceania.
3:37:52We're here to find Ella.
3:37:57Warner,
3:38:00we can live in the lake, she says
3:38:03simply.
3:38:05What? I almost laugh. What are you
3:38:08talking about? I'm serious, she says. I
3:38:13heard my mom talking about how to make
3:38:14it so people can live underwater and I'm
3:38:17going to ask her to tell me and then we
3:38:18can live in the lake. I sigh. We can't
3:38:22live in the lake, Ella. Why not? She
3:38:26turns and looks at me, her eyes wide,
3:38:29startlingly bright, blue, green, like
3:38:32the globe. I think like the whole world.
3:38:37Why can't we live in the lake? My mom
3:38:39says that. Stop it, Ella. Stop.
3:38:44I wake suddenly, jerking upward as my
3:38:46eyes fly open, my lungs desperate for
3:38:48air. I breathe in too fast and cough,
3:38:52choking on the overcorrection of oxygen.
3:38:55My body bows forward, chest heaving, my
3:38:57hands braced against the cold concrete
3:39:00floor.
3:39:02Ella.
3:39:04Ella.
3:39:06Pain spears me through the chest. I
3:39:09stopped eating the poisoned food two
3:39:11days ago, but the visions linger even
3:39:12when I'm lucid. There's something hyper
3:39:15real about this one in particular. The
3:39:18memory barreling into me over and over,
3:39:20shooting swift, sharp pains through my
3:39:22gut. It's breathtaking, this
3:39:24disorienting rush of emotion.
3:39:27For the first time, I'm beginning to
3:39:29believe.
3:39:30I thought nightmares,
3:39:33hallucinations even.
3:39:35But now I know. Now it seems impossible
3:39:38to deny.
3:39:40I heard my mom talking about how to make
3:39:42it so people can live underwater.
3:39:45I didn't understand right away why Max
3:39:48and Eevee were keeping me captive here.
3:39:50But they must blame me for something.
3:39:53Maybe something my father is responsible
3:39:54for. Something I unknowingly took part
3:39:57in.
3:39:59Maybe something like torturing their
3:40:01daughter Emiline.
3:40:03When I was sent away for 2 years, I was
3:40:05never told where I was going. The
3:40:07details of my location were never
3:40:09disclosed. And during that time period,
3:40:12I lived in a veritable prison of my own,
3:40:14never allowed to step outside, never
3:40:16allowed to know more than was absolutely
3:40:18necessary about the task at hand. The
3:40:21breaks I was given were closely guarded,
3:40:23and I was required to wear a blindfold
3:40:25as I was ushered on and off the jet,
3:40:28which always made me think I must have
3:40:30been working somewhere easily
3:40:31identifiable.
3:40:33But those two years also comprised some
3:40:35of the darkest, saddest days of my life.
3:40:39All I knew was my desperate need for
3:40:41oblivion. I was so buried in
3:40:43self-loathing that it seemed only right
3:40:45to find solace in the arms of someone
3:40:46who meant nothing to me. I hated myself
3:40:49every day. Being with Lena was both
3:40:52relief and torture.
3:40:55Even so, I felt numb all the time.
3:40:59After 2 weeks here, I'm beginning to
3:41:02wonder if this prison isn't one I've
3:41:04known before. If this isn't the same
3:41:07place I spent those two horrible years
3:41:09of my life. It's hard to explain the
3:41:12intangible, irrational reasons why the
3:41:14view outside my window is beginning to
3:41:16feel familiar to me. But 2 years is a
3:41:20long time to grow familiar with the
3:41:22rhythms of a land, even one you don't
3:41:24understand.
3:41:26I wonder if Emiline is here somewhere.
3:41:29It makes sense that she'd be here close
3:41:31to home, close to her parents, whose
3:41:34medical and scientific advances are the
3:41:36only reason she's even alive, or
3:41:39something close to alive. Anyway,
3:41:42it makes sense that they'd bring Juliet.
3:41:45Ella, I remind myself, back here to her
3:41:48home. The question is,
3:41:52why bring her here? What are they hoping
3:41:55to do with her?
3:41:57But then, if her mother is anything like
3:41:59my father, I think I can imagine what
3:42:02they might have in mind. I push myself
3:42:05off the floor and take a studying
3:42:07breath. My body is running on mere
3:42:09adrenaline, so starved for sleep and
3:42:11sustenance that I have to pain.
3:42:15It's swift and sudden, and I gasp even
3:42:17as I recognize the familiar sting. I
3:42:20have no idea how long it'll take for my
3:42:22ribs to fully heal.
3:42:24Until then, I clench my teeth as I
3:42:27stand, feeling blindly for purchase
3:42:29against the rough stone. My hands shake
3:42:32as I steady myself, and I'm breathing
3:42:33too hard again, eyes darting around the
3:42:36familiar cell. I turn on the sink and
3:42:39splash ice cold water on my face. The
3:42:42effect is immediate, focusing.
3:42:45Carefully, I strip down to nothing. I
3:42:48soak my undershirt under the running
3:42:49water and use it to scrub my face, my
3:42:51neck, the rest of my body. I wash my
3:42:55hair, rinse my mouth, clean my teeth,
3:42:58and then I do what little I can for the
3:43:00rest of my clothes, washing them by hand
3:43:03and ringing them dry. I slip back into
3:43:06my underwear, even though the cotton is
3:43:07still slightly damp, and I fight back a
3:43:10shiver in the darkness. Hungry and cold
3:43:12is at least better than drugged and
3:43:14delirious.
3:43:16This is the end of my second week in
3:43:18confinement and my third day this week
3:43:21without food. It feels good to have a
3:43:24clear head, even as my body slowly
3:43:26starves. I'd already been leaner than
3:43:29usual, but now the lines of my body feel
3:43:31unusually sharp, even to myself. All
3:43:34necessary softness gone from my limbs.
3:43:36It's only a matter of time before my
3:43:38muscles atrophy and I do irreparable
3:43:40damage to my organs. But right now, I
3:43:44have no choice.
3:43:46I need access to my mind
3:43:49to think.
3:43:51And something about my sentencing feels
3:43:53off.
3:43:55The more I think about it, the less
3:43:57sense it makes that Max and Eevee would
3:43:59want me to suffer for what I did to
3:44:00Emiline. They were the ones who donated
3:44:03their daughters to the reestablishment
3:44:04in the first place. My work overseeing
3:44:07Emiline was assigned to me. In fact, it
3:44:10was likely a job they'd approved. It
3:44:13would make more sense that I were here
3:44:15for treason. Max and Eevee, like any
3:44:18other commanders, would want me to
3:44:20suffer for turning my back on the
3:44:21reestablishment.
3:44:23But even this theory feels wrong.
3:44:26Inongruous.
3:44:28The punishment for treason has always
3:44:30been public execution. Quick, efficient.
3:44:34I should be murdered with only a little
3:44:35fanfare in front of my own soldiers. But
3:44:38this locking people up like this, slowly
3:44:42starving them while stripping them of
3:44:43their sanity and dignity. This is
3:44:46univilized.
3:44:48It's what the reestablishment does to
3:44:50others, not to its own.
3:44:53It's what they did to Ella. They
3:44:55tortured her, ran tests on her. She
3:44:58wasn't locked up to inspire penitence.
3:45:01She was in isolation because she was
3:45:03part of an ongoing experiment.
3:45:06And I am in the unique position to know
3:45:08that such a prisoner requires constant
3:45:10maintenance.
3:45:13I figured I'd be kept here for a few
3:45:15days, maybe a week, but locking me up
3:45:18for what seems to be an indeterminate
3:45:20amount of time.
3:45:23This must be difficult for them.
3:45:26For 2 weeks, they've managed to remain
3:45:28just slightly ahead of me, a feat they
3:45:31accomplished by poisoning my food. In
3:45:34training, I'd never needed more than a
3:45:35week to break my way out of highsecurity
3:45:37prisons. And they must have known this.
3:45:40By forcing me to choose between
3:45:42sustenance and clarity every day,
3:45:44they've given themselves an advantage.
3:45:47Still, I'm unconcerned.
3:45:50The longer I'm here, the more leverage I
3:45:52gain. If they know what I'm capable of,
3:45:55they must also know that this is
3:45:57unsustainable.
3:45:59They can't use shock and poison to
3:46:00destabilize me indefinitely. I've now
3:46:03been here long enough to have taken
3:46:05stock of my surroundings, and I've been
3:46:06filing away information for nearly 2
3:46:09weeks. The movements of the sun, the
3:46:11phases of the moon, the manufacturer of
3:46:14the locks, the sink, the unusual hinges
3:46:18on the door. I suspected, but now know
3:46:21for certain that I'm in the southern
3:46:23hemisphere. Not only because I know Max
3:46:26and Eevee hail from Oceanania, but
3:46:28because the northern constellations
3:46:30outside my window are upside down.
3:46:34I must be on their base.
3:46:36Logically, I know I must have been here
3:46:38a few times in my life, but the memories
3:46:40are dim. The night skies are clearer
3:46:43here than they were in sector 45. The
3:46:46stars brighter. The lack of light
3:46:48pollution means we are far from
3:46:50civilization.
3:46:51And the view out the window proves that
3:46:53we are surrounded on all sides by the
3:46:56wild landscape of this territory.
3:46:59There's a massive glittering lake not
3:47:01far in the distance, which
3:47:04something jolts to life in my mind. The
3:47:07memory from earlier expanded.
3:47:11She shrugs and throws a rock in the
3:47:14lake. It lands with a dull splash. Well,
3:47:17we'll just run away, she says. We can't
3:47:21run away, I say. Stop saying that. We
3:47:25can, too. There's nowhere to go. There
3:47:28are plenty of places to go. I shake my
3:47:31head. You know what I mean? They'd find
3:47:34us wherever we went. They watch us all
3:47:36the time. We can live in the lake, she
3:47:39says simply. What? I almost laugh. What
3:47:43are you talking about? I'm serious, she
3:47:46says. I heard my mom talking about how
3:47:48to make it so people can live underwater
3:47:50and I'm going to ask her to tell me and
3:47:52then we can live in the lake. I sigh. We
3:47:55can't live in the lake, Ella. Why not?
3:47:59She turns and looks at me, her eyes
3:48:02wide, startlingly bright, blue, green,
3:48:06like the globe. I think like the whole
3:48:09world.
3:48:11Why can't we live in the lake? My mom
3:48:13says, "Stop it, Ella. Stop.
3:48:18A cold sweat breaks out on my forehead.
3:48:21Goosebumps rise along my skin.
3:48:24Ella.
3:48:25Ella. Ella. Ella.
3:48:28Over and over again. Everything about
3:48:30the name is beginning to sound familiar.
3:48:32The movement of my tongue as I form the
3:48:35word familiar. It's as if the memory is
3:48:37in my muscle. As if my mouth has made
3:48:39this shape a thousand times.
3:48:42I force myself to take a steadying
3:48:44breath. I need to find her. I have to
3:48:48find her.
3:48:50Here is what I know. It takes just under
3:48:5230 seconds for the footsteps to
3:48:54disappear down the hall. And they're
3:48:55always the same. Same stride, same
3:48:58cadence, which means there's only one
3:49:00person attending to me. The paces are
3:49:02long and heavy, which means my attendant
3:49:04is tall, possibly male. Maybe Max
3:49:07himself if they've deemed me a high
3:49:09priority prisoner. Still, they've left
3:49:11me unshackled and unharmed.
3:49:14Why?
3:49:15And though I've been given neither bed
3:49:17nor blanket, I have access to water from
3:49:19the sink. There's no electricity in
3:49:22here, no outlets, no wires. But there
3:49:24must be cameras hidden somewhere
3:49:26watching my every move. There are two
3:49:29drains, one in the sink and one
3:49:31underneath the toilet. There's one
3:49:34square foot of window, likely
3:49:35bulletproof glass, maybe 8 to 10 cm
3:49:38thick, and a single small air vent in
3:49:41the floor. The vent has no visible
3:49:44screws, which means it must be bolted
3:49:45from inside, and the slats are too
3:49:48narrow for my fingers. The steel blades
3:49:50visibly welded in place. Still, it's
3:49:53only an average level of security for a
3:49:55prison vent. A little more time and
3:49:58clarity, and I'll find a way to remove
3:49:59the screen and repurpose the parts.
3:50:02Eventually, I'll find a way to dismantle
3:50:04everything in this room. I'll take apart
3:50:06the metal toilet, the flimsy metal sink.
3:50:08I'll make my own tools and weapons and
3:50:10find a way to slowly, carefully
3:50:12disassemble the locks and hinges. Or
3:50:15perhaps I'll damage the pipes and flood
3:50:17the room into its adjoining hallway,
3:50:19forcing someone to come to the door. The
3:50:22sooner they send someone to my room, the
3:50:24better. If they've left me alone in my
3:50:26cell this long, it's been for their own
3:50:27protection, not my suffering. I excel at
3:50:30hand-to-hand combat. I know myself. I
3:50:35know my capacity to withstand
3:50:36complicated physical and mental torture.
3:50:39If I wanted to, I could give myself two,
3:50:42maybe 3 weeks to forgo the poisoned
3:50:45meals and survive on water alone before
3:50:47I lost my mind or mobility.
3:50:50I know how resourceful I can be given
3:50:52the opportunity, and this this effort to
3:50:55contain me must be exhausting.
3:50:59Great care went into selecting these
3:51:00sounds and meals and rituals and even
3:51:03this vigilant lack of communication.
3:51:06It doesn't make sense that they'd go to
3:51:08all this trouble for treason.
3:51:11No,
3:51:12I must be in purgatory for something
3:51:14else.
3:51:16I rack my brain for a motive, but my
3:51:18memories are surprisingly thin when it
3:51:20comes to Max and Eevee still forming.
3:51:24With some difficulty, I'm able to
3:51:26conjure up flickers of images,
3:51:29a brief handshake with my father, a
3:51:32burst of laughter, a cheerful swell of
3:51:35holiday music, a laboratory and my
3:51:38mother.
3:51:39I stiffen.
3:51:42A laboratory and my mother.
3:51:45I focus my thoughts, honing in on the
3:51:47memory. bright lights, muffled
3:51:50footsteps, the sound of my own voice
3:51:52asking my father a question, and then
3:51:56painfully
3:51:59my mind goes blank.
3:52:01I frown, stare into my hands.
3:52:05Nothing.
3:52:08I know a great deal about the other
3:52:10commanders and their families. It's been
3:52:12my business to know, but there's an
3:52:14unusual der of information where
3:52:16Oceanania is concerned.
3:52:18And for the first time, it sends a shock
3:52:20of fear through me. There are two
3:52:24timelines merging in my mind. A life
3:52:27with Ella and a life without her. And
3:52:31I'm still learning to sift through the
3:52:32information for something real.
3:52:35Still, thinking about Max and Eevee now
3:52:38seems to strain something in my brain.
3:52:40It's as if there's something there,
3:52:42something just out of reach. And the
3:52:44more I force my mind to recall them,
3:52:47their faces, their voices, the more it
3:52:50hurts,
3:52:52why all this trouble to imprison me? Why
3:52:55not simply have me killed?
3:52:58I have so many questions. It's making my
3:53:00head spin. Just then, the door rattles.
3:53:04The sound of metal on metal is sharp and
3:53:06abrasive. The sounds like sandpaper
3:53:08against my nerves. I hear the bolt
3:53:11unlock and feel unusually calm.
3:53:15I was built to handle this life, its
3:53:18blows, its sick, sadistic ways.
3:53:23Death has never scared me.
3:53:26But when the door swings open, I realize
3:53:28my mistake.
3:53:30I imagined a thousand different
3:53:33scenarios.
3:53:34I prepared for a myriad of opponents.
3:53:38But I had not prepared for this.
3:53:41"Hi, birthday boy," he says, laughing as
3:53:45he steps into the light. "Did you miss
3:53:48me?"
3:53:50And I'm suddenly unable to move.
3:53:57Ella,
3:54:00stop. Stop it. Oh my god, that's
3:54:03disgusting. Emiline cries. Stop it. Stop
3:54:08touching each other. You guys are so
3:54:10gross. Dad pinches mom's butt right in
3:54:13front of us. Emiline screams, "Oh my
3:54:16god, I said stop."
3:54:19It's Saturday morning and Saturday
3:54:21morning is when we make pancakes, but
3:54:23mom and dad don't really get around to
3:54:25cooking anything because they won't stop
3:54:27kissing each other. Emiline hates it. I
3:54:30think it's nice. I sit at the counter
3:54:33and prop my face in my hands, watching.
3:54:36I prefer watching. Emiline keeps trying
3:54:39to make me work, but I don't want to. I
3:54:41like sitting better than working. No one
3:54:44is making pancakes. Emiline cries and
3:54:47she spins around so angrily she knocks a
3:54:49bowl of batter to the ground. Why am I
3:54:52doing all the work? Dad laughs.
3:54:56Sweetheart, we're all together, he says,
3:54:58scooping up the fallen bowl. He grabs a
3:55:01bunch of paper towels and says, "Isn't
3:55:03that more important than pancakes?
3:55:06No, Emiline says angrily. We're supposed
3:55:10to make pancakes. It's Saturday, which
3:55:12means we're supposed to make pancakes.
3:55:13And you and mom are just kissing and
3:55:15Ella is being lazy. Hey, I say and stand
3:55:19up. And no one is doing what they're
3:55:22supposed to be doing, and instead I'm
3:55:24doing it all by myself.
3:55:27Mom and dad are both laughing now. It's
3:55:29not funny. Emiline cries and now she's
3:55:33shouting, tears streaking down her face.
3:55:35It's not funny and I don't like it when
3:55:38no one listens to me and I don't.
3:55:42Two weeks ago, I was lying on an
3:55:44operating table, limp, naked, and
3:55:47leaking blood through an aperture in my
3:55:49temple the size of a gunshot wound. My
3:55:52vision was blurred. I couldn't hear much
3:55:54more than the sound of my own breathing,
3:55:56hot and heavy and everywhere building in
3:55:59and around me. Suddenly,
3:56:03Eevee came into view. She was staring at
3:56:06me. She seemed frustrated. She'd been
3:56:09trying to complete the process of
3:56:11physical recalibration, as she called
3:56:13it. For some reason, she couldn't finish
3:56:16the job.
3:56:17She'd already emptied the contents of 16
3:56:20syringes into my brain, and she'd made
3:56:22several small incisions in my abdomen,
3:56:25my arms, and my thighs. I couldn't see
3:56:28exactly what she did next, but she spoke
3:56:31occasionally as she worked, and she
3:56:34claimed that the simple surgical
3:56:35procedures she was performing would
3:56:37strengthen my joints and reinforce my
3:56:40muscles. She wanted me to be stronger,
3:56:43to be more resilient on a cellular
3:56:45level.
3:56:47It was a preventative measure. She said
3:56:50she was worried my build was too slight,
3:56:52that my muscles might degenerate
3:56:54prematurely in the face of intense
3:56:56physical challenges.
3:56:58She didn't say it, but I felt it. She
3:57:01wanted me to be stronger than my sister.
3:57:05Emiline, I whispered.
3:57:08It was lucky that I was too exhausted,
3:57:11too broken, too sedated to speak
3:57:13clearly. It was lucky that I only lay
3:57:16there, eyes fluttering open and closed,
3:57:19my chapped lips making it impossible to
3:57:21do more than mutter the name. It was
3:57:24lucky that I couldn't understand right
3:57:26away that I was still me, that I still
3:57:29remembered everything despite Eevee's
3:57:32promises to dissolve what was left of my
3:57:34mind. Still, I'd said the wrong thing.
3:57:39Eveie stopped what she was doing. She
3:57:42leaned over my face and studied me nose
3:57:44to nose. I blinked.
3:57:48Don't.
3:57:50The words appeared in my head as if
3:57:52they'd been planted there long ago, like
3:57:54I was remembering. Remembering. Eevee
3:57:58jerked backward and immediately started
3:58:00speaking into a device clenched in her
3:58:02fist. Her voice was low and rough, and I
3:58:05couldn't make out what she was saying. I
3:58:07blinked again, confused. I parted my
3:58:11lips to say something when don't.
3:58:14The thought came through more sharply
3:58:16this time. A moment later, Eevee was in
3:58:19my face again. This time drilling me
3:58:22with questions.
3:58:24Who are you? Where are you? What is your
3:58:27name? Where were you born? How old are
3:58:29you? Who are your parents? Where do you
3:58:31live?
3:58:34I was suddenly aware enough to
3:58:35understand that Eevee was checking her
3:58:37work. She wanted to make sure my brain
3:58:40had been wiped clean. I wasn't sure what
3:58:43I was supposed to say or do, so I said
3:58:45nothing. Instead, I blinked. Blinked a
3:58:49lot. Eevee finally reluctantly stepped
3:58:53away, but she didn't seem entirely
3:58:55convinced of my stupidity.
3:58:58And then, when I thought she might
3:58:59murder me just to be safe, she stopped,
3:59:02stared at the wall,
3:59:04and then she left.
3:59:07I was trembling on the operating table
3:59:09for 20 minutes before the room was
3:59:11swarmed by a team of people. They
3:59:14unstrapped my body, washed and wrapped
3:59:16my open wounds. I think I was screaming.
3:59:20Eventually, the combination of pain,
3:59:22exhaustion, and the slow drip of opiates
3:59:24caught up with me, and I passed out. I
3:59:27never understood what happened that day.
3:59:30I couldn't ask. Eevee never explained
3:59:33and the strange sharp voice in my head
3:59:35never returned.
3:59:37But then Eevee sedated me so much in my
3:59:40first weeks on this compound that it's
3:59:42possible there was never even a chance.
3:59:45Today, for the first time since that
3:59:47day, I hear it again.
3:59:51I'm standing in the middle of my room,
3:59:53this gauzy yellow dress still bunched in
3:59:55my arms. When the voice assaults me, it
3:59:58knocks the wind out of me. Ella.
4:00:02I spin around, my breasts coming in
4:00:04fast. The voice is louder than it's ever
4:00:06been, frightening in its intensity.
4:00:09Maybe I was wrong about Eevee's
4:00:11experiment. Maybe this is part of it.
4:00:14Maybe hallucinating and hearing voices
4:00:16is a precursor to oblivion. No.
4:00:20Who are you? I say, the dress dropping
4:00:23to the floor.
4:00:25It occurs to me as if from a distance
4:00:27that I'm standing in my underwear,
4:00:29screaming at an empty room, and a
4:00:31violent shutter goes through my body.
4:00:33Roughly, I yank the yellow dress over my
4:00:36head. It's light, breezy layers like
4:00:38silk against my skin. In a different
4:00:41lifetime, I would have loved this dress.
4:00:43It's both beautiful and comfortable, the
4:00:45perfect saratoral combination, but
4:00:48there's no time for that kind of
4:00:49frivolity anymore. Today, this dress is
4:00:52just a part of the role I must play. The
4:00:55voice in my head has gone quiet, but my
4:00:58heart is still racing.
4:01:00I feel propelled into motion by instinct
4:01:03alone. And quickly, I slip into a pair
4:01:06of simple white tennis shoes, tying the
4:01:08laces tightly. I don't know why, but
4:01:11today, right now, for some reason, I
4:01:14feel like I might need to run.
4:01:17Yes.
4:01:19My spine straightens. Adrenaline courses
4:01:22through my veins and my muscles feel
4:01:24tight, burning with an intensity that
4:01:26feels brand new to me. It's the first
4:01:29time I felt any positive effects of
4:01:31Eevee's procedures. This strength feels
4:01:34like it's been grafted to my bones, like
4:01:36I could launch myself into the air, like
4:01:38I could scale a wall with one hand.
4:01:42I've known super strength before, but
4:01:44that strength always felt like it was
4:01:46coming from elsewhere, like it was
4:01:48something I had to harness and release.
4:01:51Without my supernatural abilities, when
4:01:54I turned off my powers, I was left with
4:01:56an unimpressive, flimsy body. I'd been
4:01:59undernourished for years, forced to
4:02:02endure extreme physical and mental
4:02:04conditions, and my body suffered for it.
4:02:07I had only begun to learn proper forms
4:02:09of exercise and conditioning in the last
4:02:12couple of months. And while the progress
4:02:14I made was helpful, it was only the
4:02:16first step in the right direction.
4:02:19But this, whatever Eevee did to me, this
4:02:23is different.
4:02:25Two weeks ago, I was in so much pain I
4:02:27could hardly move. The next morning,
4:02:30when I could finally stand on my own, I
4:02:32saw no discernable difference in my body
4:02:34except that I was seven shades of purple
4:02:37from top to bottom.
4:02:39Everything was bruised. I was walking
4:02:42agony.
4:02:44Eevee told me as my doctor that she kept
4:02:47me sedated so that I'd be forced to
4:02:50remain still in order to heal more
4:02:51quickly. But I had no reason to believe
4:02:54her. I still don't. But this is the
4:02:58first time in two weeks that I feel
4:03:00almost normal. The bruises have nearly
4:03:03faded. Only the incision sites, the most
4:03:06painful entry points, still look a
4:03:08little yellow. Not bad. I flex my fists
4:03:12and feel powerful. Truly powerful. Even
4:03:16with the glowing manicles clamped around
4:03:18my wrists and ankles, I've desperately
4:03:20missed my powers. missed them more than
4:03:23I ever thought I could miss something
4:03:25I'd spent so many years hating about
4:03:27myself. But for the first time in weeks,
4:03:30I feel strong. I know Eevee did this to
4:03:34me, did this to my muscles, and I know I
4:03:37should distrust it, but it feels so good
4:03:39to feel good that I almost can't help
4:03:42but revel in it. And right now, I feel
4:03:46like I could run.
4:03:49I go still.
4:03:51Run.
4:03:53What? I whisper, turning to scan the
4:03:55walls, the ceiling. Run where? Out.
4:04:01The word thunders through me.
4:04:02Reverberates along my rib cage. Out. As
4:04:07if it were that simple. As if I could
4:04:09turn the door knob and be rid of this
4:04:11nightmare. If it were that easy to leave
4:04:13this room, I would have done it already.
4:04:16But Eevee reinforces the locks on my
4:04:18door with multiple layers of security. I
4:04:21only saw the mechanics of it once when
4:04:23she returned me to my room after
4:04:24allowing me to look outside for a few
4:04:26minutes. In addition to the discrete
4:04:29cameras and retina displays, there's a
4:04:32biometric scanner that reads Eevee's
4:04:34fingerprints to allow her access to the
4:04:37room. I've spent hours trying to get my
4:04:40bedroom door open to no avail.
4:04:43Out
4:04:44again. And that word loud and harsh
4:04:47inside my head. There's something
4:04:49terrifying about the hope that snakes
4:04:51through me at the thought of escape. It
4:04:54clings and tugs and tempts me to be
4:04:56crazy enough to listen to the absurd
4:04:58hallucinations attacking my mind. This
4:05:02could be a trap. I think this could all
4:05:05be Eevee's doing. I could be playing
4:05:07directly into her hand.
4:05:10Still,
4:05:12I can't help myself. I cross the room in
4:05:15a few quick strides. I hesitate, my hand
4:05:18hovering over the handle, and with a
4:05:21final exhalation, I give in. The door
4:05:24swings open easily. I stand in the open
4:05:28doorway, my heart racing harder. A heady
4:05:31rush of feeling surges through me, and I
4:05:33look around desperately, studying the
4:05:35many hallways stretching out before me.
4:05:38This seems impossible.
4:05:41I have no idea where to go. no idea if
4:05:44I'm crazy for listening to a
4:05:45manipulative voice in my head after my
4:05:48psychotic mother spent hours injecting
4:05:50things into my mind. It's only when I
4:05:53remember that I first heard this voice
4:05:55the night I arrived, just moments before
4:05:58Eevee began torturing me, that I begin
4:06:01to doubt my doubt.
4:06:04Dying.
4:06:06That was what the voice said to me that
4:06:08first night. Dying.
4:06:11I was lying on an operating table,
4:06:13unable to move or speak. I could only
4:06:16shout inside my head, and I wanted to
4:06:18know where Emiline was. I tried to
4:06:20scream it. Dying, the voice had said. A
4:06:25cold, paralyzing fear fills my blood.
4:06:29Emiline, I whisper.
4:06:33Is that you?
4:06:35Help.
4:06:37I take a certain step forward.
4:06:42Warner,
4:06:45"I'm a little early." He says, "I know
4:06:48your birthday is tomorrow, but I just
4:06:50couldn't wait any longer."
4:06:53I stare at my father as though he might
4:06:55be a ghost. Worse, a poltergeist.
4:06:58I can't bring myself to speak, and for
4:07:00some reason, he doesn't seem to mind my
4:07:02silence. Then
4:07:06he smiles.
4:07:09It's a true smile, one that softens his
4:07:12features and brightens his eyes.
4:07:16We're in something that looks like a
4:07:17sitting room, a bright open space with
4:07:20plush couches, chairs, a round table,
4:07:23and a small writing desk in the corner.
4:07:26There's a thick carpet underfoot. The
4:07:28walls are a pleasant pale yellow sun
4:07:31pouring in through large windows. My
4:07:34father's figure is backlit.
4:07:37He looks ethereal, glowing like he might
4:07:40be an angel.
4:07:42This world has a sick sense of humor.
4:07:46He tossed me a robe when he walked into
4:07:48my cell, but he hasn't offered me
4:07:50anything else. I haven't been given a
4:07:52chance to change. I haven't been offered
4:07:55food or water. I feel underdressed,
4:07:59vulnerable, sitting across from him in
4:08:01nothing but cold underwear and a thin
4:08:02robe. I don't even have socks, slippers,
4:08:06something.
4:08:08And I can only imagine what I must look
4:08:10like right now, considering it's been a
4:08:13couple of weeks since I've had a shave
4:08:14or a haircut. I managed to keep myself
4:08:17clean in prison, but my hair is a bit
4:08:19longer now. Not like it used to be, but
4:08:22it's getting there. And my face. I touch
4:08:26my face almost without thinking.
4:08:29Touching my face has become a bit of a
4:08:31habit these last couple of weeks. I have
4:08:34a beard. It's not much of a beard, but
4:08:37it's enough to surprise me every time. I
4:08:39have no idea how I must look right now.
4:08:43Untamed, perhaps.
4:08:46Finally, I say, "You're supposed to be
4:08:49dead." "Surprise,"
4:08:52he says and smiles.
4:08:55I only stare at him. My father leans
4:08:58against the table and stuffs his hands
4:09:00into his pants pockets in a way that
4:09:01makes him look boyish. Charming. It
4:09:05makes me feel ill. I look away, scanning
4:09:08the room for help. Details. Something to
4:09:11root me. Something to explain him.
4:09:14Something to arm me against what might
4:09:16be coming. I come up short. He laughs.
4:09:21You know, you could stand to show a bit
4:09:22more emotion. I actually thought you
4:09:24might be happy to see me.
4:09:27That gets my attention. You thought
4:09:29wrong? I say. I was happy to hear you
4:09:32were dead. Are you sure? He tilts his
4:09:36head. You're sure you didn't shed a
4:09:39single tear for me? Didn't miss me even
4:09:42the tiniest bit.
4:09:44All it takes is a moment of hesitation.
4:09:47the half-second delay during which I
4:09:49remember the weeks I spent caught in a
4:09:51prison of half grief, hating myself for
4:09:54mourning him and hating that I ever
4:09:56cared at all.
4:09:58I open my mouth to speak and he cuts me
4:10:00off, his smile triumphant. I know this
4:10:04must be a bit unsettling, and I know
4:10:06you're going to pretend you don't care,
4:10:08but we both know that your bleeding
4:10:10heart has always been the source of all
4:10:11our problems, and there's no point
4:10:13trying to deny that now. So, I'll be
4:10:17generous and offer to overlook your
4:10:18treasonous behavior.
4:10:21My spine stiffens.
4:10:23You didn't think I'd just forget, did
4:10:25you? My father is no longer smiling. You
4:10:29try to overthrow me, my government, my
4:10:32continent, and then you stand aside like
4:10:35a perfect pathetic piece of garbage as
4:10:37your girlfriend attempts to murder me.
4:10:40And you thought I'd never mention it.
4:10:43I can't look at him anymore. I can't
4:10:45stand the sight of his face so like my
4:10:47own. His skin is still perfect,
4:10:49unscarred, as if he'd never been
4:10:51injured. Never taken a bullet to the
4:10:54forehead. I don't understand it. No, you
4:10:59still won't be inspired to respond, he
4:11:01says. In that case, you might be smarter
4:11:03than I gave you credit for.
4:11:06There, that feels more like him. But the
4:11:10fact remains that we are at an important
4:11:12crossroads right now. I had to call in a
4:11:15number of favors to have you transported
4:11:17here unharmed. The council was going to
4:11:19vote to have you executed for treason
4:11:21and I was able to convince them
4:11:23otherwise.
4:11:24Why would you even bother? His eyes
4:11:27narrow as he appraises me. I save your
4:11:31life, he says. And this is your
4:11:34reaction. Insolence in gratitude. This,
4:11:38I say sharply, is your idea of saving my
4:11:41life, throwing me in prison and having
4:11:43me poisoned to death. That should have
4:11:46been a picnic.
4:11:48His gaze grows cold. You really would be
4:11:52better off dead if those circumstances
4:11:53were enough to break you.
4:11:56I say nothing. Besides, we had to punish
4:12:00you somehow. Your actions couldn't go
4:12:02unchecked.
4:12:04My father looks away.
4:12:06We've had a lot of messes to clean up,
4:12:09he says finally. Where do you think I've
4:12:11been all this time? As I said, I thought
4:12:14you were dead. Close, but not quite.
4:12:17Actually, he says, taking a breath. I
4:12:20spent a great deal of time convolesing
4:12:24here.
4:12:25I was airlifted back here where the
4:12:28summers have been reviving me.
4:12:31He pulls up the hem of his pants and I
4:12:34glimpse the silver gleam of metal where
4:12:36his ankle should be. I've got new feet,
4:12:40he says and laughs. Can you believe it?
4:12:45I can't. I can't believe it. I'm
4:12:49stunned. He smiles, obviously satisfied
4:12:52with my reaction.
4:12:54We let you and your friends think you'd
4:12:56had a victory just long enough to give
4:12:57me time to recover. We sent the rest of
4:13:00the kids down to distract you, to make
4:13:02it seem like the reestablishment might
4:13:04actually accept its new self-appointed
4:13:06commander. He shakes his head. A
4:13:0917-year-old child declaring herself the
4:13:12ruler of North America, he says almost
4:13:15to himself. And then looking up, "That
4:13:18girl really was a piece of work, wasn't
4:13:20she?"
4:13:22Panic gathers in my chest. "What did you
4:13:25do to her? Where is she?
4:13:29No. My father's smile disappears.
4:13:33Absolutely not. What does that mean? It
4:13:37means absolutely not. That girl is done.
4:13:40She's gone. No more afternoon specials
4:13:42with your buddies from Omega Point. No
4:13:44more running around naked with your
4:13:46little girlfriend. No more sex in the
4:13:47afternoon when you should be working.
4:13:50I feel both ill and enraged. Don't you
4:13:54dare. Don't ever talk about her like
4:13:56that. You have no right. He sigh long
4:14:01and loud, mutters something foul. When
4:14:04are you going to stop this? When will
4:14:07you grow out of this?
4:14:10It takes everything I've got to bite
4:14:11back my anger.
4:14:13To sit here calmly and say nothing.
4:14:18Somehow my silence makes things worse.
4:14:20"Damn it, Aaron," he says, getting to
4:14:23his feet. I keep waiting for you to move
4:14:25on, to get over her, to evolve,
4:14:29he says, practically shouting at me now.
4:14:32It's been over a decade of the same
4:14:37Over a decade?
4:14:39A slip?
4:14:41What do you mean? I say, studying him
4:14:44carefully.
4:14:46Over a decade?
4:14:49I'm exaggerating, he says, biting off
4:14:51the words. exaggerating to make a point.
4:14:54Liar.
4:14:56For the first time, something uncertain
4:14:58flashes through my father's eyes.
4:15:01Will you admit it? I say quietly.
4:15:04Will you admit to me what I already
4:15:06know?
4:15:08He sets his jaw, says nothing.
4:15:12Admit it, I say. Juliet was an alias.
4:15:17Juliet Ferrar is actually Ella Summers,
4:15:20the daughter of Eevee and Maximleian S.
4:15:23How?
4:15:25My father catches himself. He looks away
4:15:29and then too soon he looks back. He
4:15:33seems to be deciding something.
4:15:36Finally,
4:15:37slowly he nods.
4:15:41You know what? It's better this way.
4:15:44Better for you to know, he says quietly.
4:15:48Better for you to understand exactly why
4:15:49you're never going to see her again.
4:15:52That's not up to you. Not up to me. Rage
4:15:56flashes in and out of his eyes, his cool
4:15:58mask quickly crumbling. That girl has
4:16:01been the bane of my existence for 12
4:16:04years, he says. She's caused me more
4:16:07problems than you can even begin to
4:16:08understand. Not the least of which has
4:16:10been to distract my idiot son for the
4:16:12better part of the last decade. Despite
4:16:14my every effort to break you apart, to
4:16:16remove this cancer from our lives,
4:16:18you've insisted over and over again on
4:16:22falling in love with her. He looks me in
4:16:25the eye, his own eyes wild with fury.
4:16:28She was never meant for you. She was
4:16:32never meant for any of this. That girl
4:16:34was sentenced to death, he says
4:16:37viciously. The moment I named her
4:16:40Juliet,
4:16:42my heart is beating so hard it feels as
4:16:44though I'm dreaming. This must be a
4:16:46nightmare. I have to force myself to
4:16:48speak to say,
4:16:51"What are you talking about?"
4:16:54My father's mouth twists into an
4:16:56imitation of a smile.
4:16:59"Ella,"
4:17:00he says, "was designed to become a tool
4:17:04for war. She and her sister both. Right
4:17:08from the beginning, decades before we
4:17:11took over, sicknesses were beginning to
4:17:13ravage the population. The government
4:17:15was trying to bury the information. But
4:17:17we knew. I saw the classified files. I
4:17:20tracked down one of the secret bunkers.
4:17:23People were malfunctioning,
4:17:24metamorphosing, so much so that it
4:17:27almost felt like the next phase of
4:17:28evolution.
4:17:30Only Eevee had the presence of mind to
4:17:32see the sickness as a tool. She was the
4:17:36one who first began studying the
4:17:37unnaturals. She was the reason we
4:17:40created the asylums. She wanted access
4:17:42to more varieties of the illness. And
4:17:45she was the one who learned how to
4:17:46isolate and reproduce the alien DNA.
4:17:50It was her idea to use the findings to
4:17:52help our cause.
4:17:54Ella and Emiline, he says angrily, were
4:17:59only ever meant to be Eevee science
4:18:01experiments. Ella was never meant for
4:18:03you. Never meant for anyone. He shouts.
4:18:07Get her out of your head.
4:18:10I feel frozen as the words settle around
4:18:12me within me. The revelation isn't
4:18:17entirely new. And yet
4:18:20the pain is fresh.
4:18:23Time seems to slow down, speed up, spin
4:18:26backward.
4:18:27My eyes fall closed. My memories collect
4:18:31and expand, exploding with renewed
4:18:33meaning as they assault me all at once.
4:18:37Ella through the ages,
4:18:40my childhood friend.
4:18:43Ella ripped away from me when I was 7
4:18:46years old.
4:18:47Ella and Emiline, who they'd said had
4:18:50drowned in the lake. They told me to
4:18:53forget, to forget the girls ever
4:18:55existed. And finally, tired of answering
4:18:58my questions,
4:19:00they told me they'd make things easier
4:19:01for me. I followed my father into a room
4:19:05where he promised he'd explain
4:19:06everything.
4:19:08And then
4:19:12I'm strapped to a chair, my head held in
4:19:15place with heavy metal clamps. Bright
4:19:18lights flash and buzz above me. I hear
4:19:21the monitors chirping, the muffled
4:19:23sounds of voices around me. The room
4:19:25feels large and cavernous, gleaming. I
4:19:29hear the loud, disconcerting sounds of
4:19:31my own breathing and the hard, heavy
4:19:33beats of my heart. I jump a little at
4:19:36the unwelcome feel of my father's hand
4:19:38on my arm, telling me I'll feel better
4:19:41soon.
4:19:44I look up at him as if emerging from a
4:19:47dream. "What is it?" he says. "What just
4:19:52happened?"
4:19:53I part my lips to speak. Wonder if it's
4:19:55safe to tell him the truth. I decide I'm
4:19:58tired of the lies.
4:20:01I've been remembering her, I say.
4:20:05My father's face goes unexpectedly
4:20:08blank, and it's the only reaction I need
4:20:11to understand the final missing piece.
4:20:15"You've been stealing my memories," I
4:20:18say to him, my voice unnaturally calm.
4:20:22All these years you've been tampering
4:20:25with my mind. It was you.
4:20:29He says nothing, but I see the tension
4:20:32in his jaw. The sudden jump of a vein
4:20:35under skin.
4:20:37What are you remembering?
4:20:40I shake my head, stunned as I stare at
4:20:42him. I should have known after
4:20:46everything you've done to me. I stop. My
4:20:49vision shifts unfocused for a moment. Of
4:20:53course, you wouldn't let me be master of
4:20:54my own mind.
4:20:57What exactly are you remembering? He
4:21:01says, hardly able to control the anger
4:21:03in his voice. Now, what else do you
4:21:06know?
4:21:09At first, I feel nothing.
4:21:12I've trained myself too well. Years of
4:21:15practice have taught me to bury my
4:21:17emotions as a reflex, especially in his
4:21:19presence. And it takes a few seconds for
4:21:22the feelings to emerge. They form
4:21:24slowly, infinite hands reaching up from
4:21:28infinite graves to fan the flames of an
4:21:30ancient rage I've never really allowed
4:21:32myself to touch.
4:21:35You stole my memories of her, I say
4:21:38quietly.
4:21:40Why?
4:21:41Always so focused on the girl. He glares
4:21:45at me. She's not the center of
4:21:48everything, Aaron. I stole your memories
4:21:51of lots of things.
4:21:54I'm shaking my head. I get to my feet
4:21:57slowly at once, out of my mind and
4:22:00perfectly calm. And I worry for a moment
4:22:03that I might actually expire from the
4:22:05full force of everything I feel for him.
4:22:08Hatred so deep it might boil me alive.
4:22:12Why would you do something like this
4:22:13except to torture me? You knew how I
4:22:16felt about her. You did it on purpose,
4:22:19pushing us together and pulling us
4:22:21apart. I stop suddenly. Realization dawn
4:22:25bright and piercing, and I look at him,
4:22:27unable to fathom the depth of his
4:22:29cruelty.
4:22:31You put Kent under my command on
4:22:32purpose, I say. My father meets my eyes
4:22:36with a vacant expression. He says
4:22:39nothing.
4:22:41I find it hard to believe you didn't
4:22:42know the whereabouts of your
4:22:44illegitimate children, I say to him. I
4:22:46don't believe for a second that you
4:22:48weren't having Kent's every move
4:22:49monitored. You must have known what he
4:22:51was doing with his life. You must have
4:22:53been notified the moment he enlisted.
4:22:56You could have sent him anywhere. I say
4:22:58you had the power to do that. Instead,
4:23:01you let him remain in sector 45 under my
4:23:04jurisdiction
4:23:05on purpose,
4:23:08didn't you? And when you had De Laoo
4:23:10show me those files, when he came to me
4:23:12convinced that Kent would be the perfect
4:23:14cellmate for Juliet, because here was
4:23:16proof that he'd known her, that they'd
4:23:17gone to school together.
4:23:20Suddenly, my father smiles.
4:23:23I've always tried to tell you, he says
4:23:26softly.
4:23:28I've tried to tell you to stop letting
4:23:30your emotions rule your mind. Over and
4:23:33over, I tried to teach you, and you
4:23:35never listened. You never learned. He
4:23:39shakes his hand.
4:23:42If you suffer now, it's because you
4:23:44brought it upon yourself.
4:23:47You made yourself an easy target.
4:23:51I'm stunned.
4:23:53Somehow, even after everything, he
4:23:55manages to shock me.
4:23:58I don't understand how you can stand
4:24:00there defending your actions after you
4:24:02spent 20 years torturing me.
4:24:06I've only ever been trying to teach you
4:24:09a lesson, Aaron. I didn't want you to
4:24:12end up like your mother. She was weak,
4:24:15just like you.
4:24:18I need to kill him. I picture it. What
4:24:22it would be like to pin him to the
4:24:23ground. To stab him repeatedly through
4:24:25the heart. To watch the light go out of
4:24:27his eyes. To feel his body go cold under
4:24:30my hands.
4:24:32I wait for fear.
4:24:34Revulsion,
4:24:36regret,
4:24:38they don't come.
4:24:40I have no idea how he survived the last
4:24:43attempt on his life, but I no longer
4:24:45care to know the answer. I want him
4:24:47dead. I want to watch his blood pool in
4:24:50my hands. I want to rip his throat out.
4:24:53I spy a letter opener on the writing
4:24:55desk nearby, and in the single second I
4:24:57take to swipe it, my father laughs.
4:25:00laughs out loud, doubled over, one hand
4:25:03holding his side. When he looks up,
4:25:06there are actual tears in his eyes.
4:25:09"Have you lost your mind?" he says.
4:25:12"Ararin, don't be ridiculous."
4:25:15I step forward, the letter opener
4:25:18clutched loosely in my fist, and I watch
4:25:21carefully for the moment he understands
4:25:24that I'm going to kill him. I want him
4:25:27to know that it's going to be me. I want
4:25:30him to know that he finally got what he
4:25:32wanted,
4:25:34that he finally broke me.
4:25:37"You made a mistake sparing my life," I
4:25:40say quietly. "You made a mistake showing
4:25:43your face. You made a mistake thinking
4:25:46you could ask me to come back after all
4:25:48you've done. You misunderstand me." He's
4:25:51standing straight again, the laughter
4:25:53gone from his face. "I'm not asking you
4:25:55to come back. You don't have a choice."
4:25:58"Good." That makes this easier, Aaron.
4:26:02He shakes his head. I'm not unarmed. I'm
4:26:06entirely willing to kill you if you step
4:26:08out of line. And though I can't claim
4:26:09that murdering my son is my favorite way
4:26:12to spend a morning, that doesn't mean I
4:26:14won't do it. So, you need to stop and
4:26:17think for just a moment before you step
4:26:19forward and commit suicide.
4:26:22I study him. My fingers flex around the
4:26:25weapon in my hand.
4:26:27Tell me where she is, I say, and I'll
4:26:31consider sparing your life. You fool.
4:26:35Have you not been listening to me? She's
4:26:38gone.
4:26:40I stiffen.
4:26:42Whatever he means by that, he's not
4:26:44lying. Gone where?
4:26:48Gone, he says angrily. Disappear. The
4:26:50girl you knew no longer exists.
4:26:53He pulls a remote out of his jacket
4:26:55pocket and points it at the wall. An
4:26:58image appears instantly, projected from
4:26:59elsewhere. And the sound that fills the
4:27:02room is so sudden, so jarring and
4:27:04unexpected,
4:27:06it nearly brings me to my knees.
4:27:09It's Ella.
4:27:11She's screaming.
4:27:14Blood drips down her open, screaming
4:27:16mouth. the agonizing sounds punctured
4:27:18only by the heaving sobs that pull
4:27:20ragged aching breaths from her body. Her
4:27:24eyes are halfopen, delirious, and I
4:27:26watch as she's unstrapped from a chair
4:27:28and dragged onto a stretcher. Her body
4:27:31spasms, her arms and legs jerking
4:27:33uncontrollably. She's in a white
4:27:35hospital gown, the insubstantial ties
4:27:37coming undone, the thin fabric damp with
4:27:40her own blood.
4:27:42My hands shake uncontrollably as I
4:27:44watch, her head whipping back and forth,
4:27:46her body straining against her
4:27:48restraints. She screams again, and a
4:27:50bolt of pain shoots through me so
4:27:52excruciating it nearly bends me in half.
4:27:55And then, quickly, as if out of nowhere,
4:27:57someone steps forward and stabs a needle
4:27:59in her neck. Ella goes still.
4:28:03Her body is frozen, her face captured in
4:28:06a single moment of agony before the drug
4:28:08kicks in, collapsing her. Her screams
4:28:11dissolve into smaller, steadier
4:28:13whimpers. She cries even as her eyes
4:28:17close.
4:28:19I feel violently ill.
4:28:23My hands are shaking so hard I can no
4:28:25longer form a fist. And I watch as if
4:28:27from afar as the letter opener falls to
4:28:30the floor. I hold still, forcing back
4:28:32the urge to vomit. But the action
4:28:34provokes a shudder so disorienting I
4:28:37almost lose my balance. Slowly, I turn
4:28:40to face my father, whose eyes are
4:28:42inscrable.
4:28:44It takes two tries before I'm able to
4:28:46form a single whispered word.
4:28:50What?
4:28:53He shakes his head. The picture of false
4:28:56sympathy.
4:28:58I'm trying to get you to understand
4:29:00this, he says, nodding at the screen.
4:29:04This is what she's destined for.
4:29:08forever. Stop imagining your life with
4:29:11her. Stop thinking of her as a person.
4:29:14This can't be real, I say, cutting him
4:29:17off. I feel wild, unhinged. This Tell me
4:29:20this isn't real. What are you doing to
4:29:22me? Is this Of course it's real, he
4:29:26says. Juliet is gone. Ella is gone.
4:29:29She's as good as dead. She had her mind
4:29:32wiped weeks ago. But you, he says, you
4:29:36still have a life to live. Are you
4:29:39listening to me? You have to pull
4:29:41yourself together.
4:29:44But I can't hear him over the sound of
4:29:46Ella sobbing.
4:29:48She's still weeping. The sounds softer,
4:29:51sadder, more desperate. She looks
4:29:54terrified, small and helpless as foreign
4:29:57hands bandage the open wounds on her
4:29:59arms, the backs of her legs. I watch as
4:30:02glowing metal cuffs are shackled to her
4:30:03wrists and ankles. She whimpers once
4:30:06more
4:30:08and I feel insane.
4:30:11I must be listening to her scream,
4:30:14watching her fight for her life,
4:30:16watching her choke on her own blood
4:30:18while I stand here powerless to help
4:30:20her. I'll never be able to forget the
4:30:23sound. No matter what happens, no matter
4:30:26where I run these screams, her screams
4:30:28will haunt me forever.
4:30:30You wanted me to watch this?
4:30:33I'm whispering now. I can hardly speak.
4:30:38Why would you want me to watch this?
4:30:41He says something to me, shouts
4:30:43something at me, but I feel suddenly
4:30:46deaf.
4:30:48The sounds of the world seem warped, far
4:30:51away, like my head has been submerged
4:30:54underwater.
4:30:55The fire in my brain has been snuffed
4:30:58out, replaced by a sudden absolute calm,
4:31:03a sense of certainty. I Close your eyes
4:31:07for a moment, let [music] your thoughts
4:31:08rest and allow the music to soften your
4:31:11day. Then continue the audio book in
4:31:13peace.
4:31:33>> [music]
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4:33:32[music]
4:33:38[music]
4:34:03[music]
4:34:14[music]
4:34:34>> know what I need to do now. And I know
4:34:37that there's nothing nothing I won't do
4:34:40to get to her. I feel it. feel my thin
4:34:44morals dissolving.
4:34:47I feel my flimsy motheaten skin of
4:34:50humanity begin to come apart and with it
4:34:54the veil keeping me from complete
4:34:55darkness.
4:34:57There are no lines I won't cross, no
4:35:01illusions of mercy.
4:35:04I wanted to be better for her, for her
4:35:07happiness,
4:35:08for her future.
4:35:11But if she's gone,
4:35:13what good is goodness?
4:35:16I take a deep studying breath. I feel
4:35:19oddly liberated. No longer shackled by
4:35:21an obligation to decency. And in one
4:35:24simple move, I pick up the letter opener
4:35:26I dropped on the floor. Aaron, he says,
4:35:29a warning in his voice. I don't want to
4:35:32hear you speak, I say. I don't want you
4:35:35to talk to me ever again. I throw the
4:35:38knife even before the words have left my
4:35:40mouth.
4:35:41It flies hard and fast, and I enjoy the
4:35:44second it soarses through the air. I
4:35:46enjoy the way the second expands,
4:35:48exploding in the strangeness of time. It
4:35:51all feels like slow motion. My father's
4:35:55eyes widen in a rare display of unmasked
4:35:57shock. And I smile at the sound of his
4:36:00gasp when the weapon finds its mark. I
4:36:03was aiming for his jugular, and it looks
4:36:06like my aim was true. He chokes, his
4:36:10eyes bulging as his hands move shakily
4:36:12to yank the letter opener from its home
4:36:14in his neck. He coughs suddenly, blood
4:36:17spattering everywhere, and with some
4:36:19effort, he's able to pull the thing
4:36:21free. Fresh blood gushes down his shirt,
4:36:24seeps from his mouth. He can't speak.
4:36:27The blade has penetrated his larynx.
4:36:30Instead, he gasps, still choking, his
4:36:33mouth opening and closing like a dying
4:36:36fish.
4:36:37He falls to his knees,
4:36:39his hands grasp at air, his veins
4:36:42jumping under his skin, and I step
4:36:44toward him. I watch him as he begs
4:36:48silently for something. And then I pat
4:36:50him down, pocketing the two guns I find
4:36:53concealed on his person.
4:36:56"Enjoy hell," I whisper before walking
4:36:59away.
4:37:00"Nothing matters anymore.
4:37:03I have to find her.
4:37:08Ella,
4:37:11left, right, straight,
4:37:15left.
4:37:17The commands keep my feet moving safely
4:37:19down the hall. This compound is vast,
4:37:22enormous. My bedroom was so ordinary
4:37:25that the truth of this facility is
4:37:27jarring. An open framework reveals many
4:37:30dozens of floors, hallways, and
4:37:33staircases intertwining like overpasses
4:37:36and freeways.
4:37:37The ceiling seems miles away, high and
4:37:41arched and intricate. Exposed steel
4:37:44beams meet clean white walkways centered
4:37:47around an open interior courtyard. I had
4:37:51no idea I was so high up, and somehow,
4:37:54for such a huge building, I haven't yet
4:37:56been spotted.
4:37:58Things are growing more eerie by the
4:38:00minute. I encounter no one as I go. I'm
4:38:04ordered to run, detour, or hide just in
4:38:06time to avoid passers by. It's uncanny.
4:38:10Still, I've been walking for at least 20
4:38:12minutes, and I don't seem to be getting
4:38:14closer to anything. I have no idea where
4:38:17I am in the scheme of things, and there
4:38:19are no windows nearby. The whole
4:38:22facility feels like a guilded prison.
4:38:26A long stretch of silence between myself
4:38:28and my imaginary friend starts making me
4:38:30nervous. I think this voice might be
4:38:33Emiline's, but she still hasn't
4:38:35confirmed it. And though I want to say
4:38:37something, I feel silly speaking out
4:38:39loud. So I speak only inside my mind
4:38:42when I say, "Emiline,
4:38:46are you there?"
4:38:48No response. My nervousness reaches its
4:38:51peak and I stop walking.
4:38:54Where are you taking me? This time the
4:38:56answer comes quickly. Escape.
4:39:00Are we getting closer? I ask. Yes.
4:39:04I take a deep breath and forge ahead.
4:39:06But I feel a creeping dread infiltrate
4:39:09my senses. The longer I walk down
4:39:12hallways and infinite staircases, the
4:39:14closer I seem to be getting to
4:39:16something. Something that fills me with
4:39:19fear. I can't explain it.
4:39:22It's clear I'm going underground.
4:39:25The lights are growing dimmer as I go.
4:39:28The halls are beginning to narrow. The
4:39:31windows and staircases are beginning to
4:39:33disappear. And I know I'm only getting
4:39:35closer to the bowels of the building
4:39:36when the walls change. Gone are the
4:39:40smooth finished white walls of the upper
4:39:42floors. Here, everything is unfinished
4:39:45cement. It smells cold and wet, earthy.
4:39:50The lights buzz and hum, occasionally
4:39:53snapping.
4:39:54Fear continues to pulse up my spine. I
4:39:58shuffle down a slight slope, my shoes
4:40:00slipping a little as I go. My lungs
4:40:03squeeze. My heartbeat feels loud. Too
4:40:06loud. And a strange sensation begins to
4:40:09fill my arms and legs. Feeling too much
4:40:13feeling. It makes my skin crawl. Makes
4:40:15my bones itch. I feel suddenly restless
4:40:18and anxious. And just as I'm about to
4:40:21lose hope in this crazy meandering
4:40:23escape route here,
4:40:26I stop.
4:40:28I'm standing in front of a massive stone
4:40:30door. My heart is racing in my throat. I
4:40:34hesitate, fear beginning to fissure my
4:40:37certainty.
4:40:38Open.
4:40:40Who are you? I ask again, this time
4:40:42speaking out loud. This doesn't look
4:40:44like an escape route. open.
4:40:48I squeeze my eyes shut, fill my lungs
4:40:51with air. I came all this way, I tell
4:40:55myself. I have no other options at the
4:40:57moment. I may as well see it through.
4:41:00But when I open the door, I realize it's
4:41:02only the first of several. Wherever I'm
4:41:05headed is protected by multiple layers
4:41:07of security. The mechanisms required to
4:41:10open each door are baffling. There are
4:41:13no knobs or handles, no traditional
4:41:16hinges, but all I have to do is touch
4:41:18the door for it to swing open. It's too
4:41:21easy.
4:41:23Finally, I'm standing in front of a
4:41:25steel wall. There's nothing here to
4:41:27indicate there might be a room beyond.
4:41:30Touch.
4:41:32Tentatively, I touch my fingers to the
4:41:34metal. More.
4:41:37I press my whole hand firmly against the
4:41:39door and within seconds the wall melts
4:41:42away. I look around nervously and step
4:41:45forward.
4:41:46Immediately I know I've been led astray.
4:41:50I feel sick as I look around. Sick and
4:41:53terrified.
4:41:55This place is so far from an escape. I
4:41:57almost can't believe I fell for it. I'm
4:42:00in a laboratory.
4:42:02Another laboratory.
4:42:05Panic collapses. Something inside me.
4:42:08Bones and organs knocking together.
4:42:10Blood rushing to my head. I run for the
4:42:13door and it seals shut. The steel wall
4:42:15forming easily as if from air. I pull in
4:42:18a few sharp breaths, begging myself to
4:42:20stay calm. Show yourself, I shout. Who
4:42:24are you? What do you want with me?
4:42:27Help.
4:42:29My heart shutters to a stop. I feel my
4:42:32fear expand and contract.
4:42:35dying.
4:42:37Goosebumps rise along my skin. My breath
4:42:40catches. My fists clench. I take a step
4:42:43farther into the room and then a few
4:42:45more. I'm still wary, worried this is
4:42:48all yet another part of the trick.
4:42:52Then I see it.
4:42:54A glass cylinder as tall and wide as the
4:42:58wall filled to the hilt with water.
4:43:01There's a creature floating inside of
4:43:03it. Something greater than fear is
4:43:05driving me forward. Greater than
4:43:07curiosity, greater than wonder.
4:43:10Feeling washes over me. Memories crash
4:43:14into me. A spindly arm reaches through
4:43:18the murky water. Shaky fingers forming a
4:43:20loose fist that pounds weakly against
4:43:23the glass.
4:43:25At first, all I see is her hand.
4:43:30But the closer I get, the more clearly
4:43:32I'm able to see what they've done to
4:43:34her.
4:43:35And I can't hide my horror.
4:43:39She inches closer to the glass and I
4:43:41catch sight of her face.
4:43:43She no longer has a face. Not really.
4:43:47Her mouth has been permanently sealed
4:43:48around a regulator. Skin spider webbing
4:43:51over silicone. Her hair is a couple feet
4:43:55long, dark and wild, and floating around
4:43:58her head like wispy tentacles.
4:44:01Her nose has melted backward into her
4:44:04skull, and her eyes are permanently
4:44:06closed. Long, dark lashes, the only
4:44:10indication they ever used to open.
4:44:13Her hands and feet are webbed. She has
4:44:16no fingernails. Her arms and legs are
4:44:20mostly bone and sagging wrinkled skin.
4:44:25Emiline, I whisper.
4:44:29Dying.
4:44:31The tears come hot and fast, hitting me
4:44:34without warning, breaking me from
4:44:36within.
4:44:38What did they do to you? I say, my voice
4:44:41ragged. How could they do this to you?
4:44:45a dull metallic sound twice.
4:44:49Emiline is floating closer.
4:44:52She presses her webbed fingers against
4:44:54the barrier between us and I reach up
4:44:56hastily wiping my eyes before I meet her
4:44:59there. I press my palm to the glass and
4:45:02somehow impossibly I feel her take my
4:45:05hand. Soft, warm, strong.
4:45:10And then with a gasp, feeling pulses
4:45:14through me. Wave after wave of feeling.
4:45:17Emotions as infinite as time. Memories,
4:45:21desires, long extinguished hopes and
4:45:23dreams. The force of everything sends my
4:45:27head spinning. I slump forward and grit
4:45:29my teeth, steadying myself by pressing
4:45:31my forehead against the barrier between
4:45:33us. Images fill my mind like stilted
4:45:36frames from an old movie. Emiline's
4:45:39life.
4:45:41She wants me to know. I feel like I'm
4:45:44being pulled into her, like she's
4:45:46reeling me into her own body, immersing
4:45:48me in her mind, her memories.
4:45:52I see her younger, much younger, eight
4:45:54or nine years old. She was spirited,
4:45:58furious, difficult to control. Her mind
4:46:01was stronger than she could handle, and
4:46:02she didn't know how to feel about her
4:46:04powers. She felt cursed, strangled by
4:46:07them. But unlike me, she was kept at
4:46:10home here in this exact laboratory,
4:46:13forced to undergo test after test,
4:46:16administered by her own parents. I feel
4:46:19her rage pierce through me.
4:46:22For the first time, I realize I had the
4:46:25luxury of forgetting.
4:46:29She didn't.
4:46:31Max and Eevee and even Anderson tried to
4:46:33wipe Emiline's memory multiple times,
4:46:36but each time Emiline's body prevailed.
4:46:39Her mind was so strong that she was able
4:46:41to convince her brain to reverse the
4:46:43chemistry meant to dissolve her
4:46:45memories.
4:46:46No matter what Max and Eevee tried,
4:46:49Emiline could never forget them.
4:46:52Instead, she watched as her own parents
4:46:55turned on her, turned her inside out.
4:46:58Emiline is telling me everything without
4:47:01saying a word. She can't speak. She's
4:47:04lost four of her five senses. She went
4:47:07blind first.
4:47:09She lost her sense of smell and
4:47:11sensation a year later, both at the same
4:47:14time. Finally, she lost the ability to
4:47:17speak. Her tongue and teeth
4:47:19disintegrated.
4:47:21Her vocal cords eroded. Her mouth sealed
4:47:24permanently shut. She can only hear now,
4:47:28but poorly.
4:47:30I see the scenes change, see her grow a
4:47:33little older, a little more broken.
4:47:37I see the fire go out of her eyes. And
4:47:40then when she realizes what they have
4:47:42planned for her, the entire reason they
4:47:45wanted her so desperately,
4:47:48violent horror takes my breath away.
4:47:52I fall, kneecaps knocking the floor. The
4:47:54force of her feelings rips me open. Sobs
4:47:58break my back, shatter through my bones.
4:48:01I feel everything. Her pain, her endless
4:48:04pain. Her inability to end her own
4:48:07suffering. She wants this to end.
4:48:12And she says, the word sharp and
4:48:15explosive.
4:48:17With some effort, I managed to lift my
4:48:19head to look at her. Was it you this
4:48:23whole time? I whisper. Did you give me
4:48:25back my memories?
4:48:28Yes.
4:48:29How? Why?
4:48:32She shows me.
4:48:35I feel my spine straighten as the vision
4:48:37moves through me. I see Eevee and Max
4:48:40hear their warped conversations from
4:48:42inside the glass prison. They've been
4:48:45trying to make Emiline stronger over the
4:48:47years, trying to find ways to enhance
4:48:49Emiline's telekinetic abilities. They
4:48:52wanted her skills to evolve. They wanted
4:48:55her to be able to perform mind control.
4:48:58Mind control of the masses.
4:49:01It backfired.
4:49:04The more they experimented on her, the
4:49:06further they pushed her, the stronger
4:49:08and weaker she became. Her mind was able
4:49:11to handle the physical manipulations,
4:49:14but her heart couldn't take it. Even as
4:49:16they built her up, they were breaking
4:49:18her down.
4:49:20She'd lost the will to live, to fight.
4:49:24She no longer had complete control over
4:49:26her own body. Even her powers were now
4:49:29regulated through Max and Eevee. She'd
4:49:31become a puppet. And the more listless
4:49:34she became, the more they misunderstood.
4:49:37Max and Eevee thought Emiline was
4:49:39growing compliant. Instead, she was
4:49:42deteriorating.
4:49:44And then
4:49:46another scene. Emiline hears an
4:49:49argument. Max and Eevee are discussing
4:49:52me. Emiline hasn't heard them mention me
4:49:55in years. She had no idea I was still
4:49:58alive. She hears that I've been fighting
4:50:00back, that I've been resisting, that I
4:50:03tried to kill a Supreme Commander.
4:50:06Emiline feels hope for the first time in
4:50:10years.
4:50:12I clap my hands over my mouth, take a
4:50:14step back.
4:50:16Emiline has no eyes, but I feel her
4:50:19staring at me, watching me for a
4:50:21reaction. I feel unsteady, alert, but
4:50:25overcome.
4:50:27I finally understand.
4:50:29Emiline has been using her last gasp of
4:50:32strength to contact me. and not just me,
4:50:35but all the other children of the
4:50:37Supreme Commanders. She shows me inside
4:50:40my own mind how she's taken advantage of
4:50:43Max and Eve's latest effort to expand
4:50:45her capabilities.
4:50:47She'd never been able to reach out to
4:50:50people individually before, but Max and
4:50:52Eevee got greedy. In Emiline, they laid
4:50:56the foundation for their own demise.
4:50:59Emiline thinks we're the last hope for
4:51:01the world. She wants us to stand up,
4:51:04fight, save humanity. She's been slowly
4:51:08returning our minds to us, giving back
4:51:10what our parents once stole. She wants
4:51:13us to see the truth.
4:51:16Help, she says.
4:51:19I will, I whisper. I promise I will. But
4:51:22first, I'm going to get you out of here.
4:51:25Rage, hot and violent, sends me reeling.
4:51:29Emiline's anger is sharp and terrifying
4:51:31and a resounding no fills my brain.
4:51:37I go still confused.
4:51:41"What do you mean?" I say, "I have to
4:51:43help you get out of here. We'll escape
4:51:45together. I have friends, healers who
4:51:48can restore your No."
4:51:51And then in a flash, she fills my mind
4:51:54with an image so dark I think I might be
4:51:57sick.
4:51:59No, I say, my voice shaking. I won't do
4:52:03it. I'm not going to kill you.
4:52:07Anger. Hot, ferocious anger attacks my
4:52:10mind. Image after image assaults me. Her
4:52:14failed suicide attempts. Her inability
4:52:17to turn her own powers against herself.
4:52:19The infinite fail safes Max and Eevee
4:52:22put in place to make sure Emiline
4:52:24couldn't take her own life and that she
4:52:26couldn't harm theirs.
4:52:28Emiline, please help.
4:52:32There has to be another way, I say
4:52:34desperately. This can't be it. You don't
4:52:37have to die. We can get through this
4:52:39together.
4:52:40She bangs her open palm against the
4:52:43glass. Tremors rock her emaciated body.
4:52:48Already
4:52:50dying.
4:52:52I step forward, press my hands to her
4:52:54prison.
4:52:57It wasn't
4:52:59supposed to end like this, I say, the
4:53:02words broken.
4:53:04There has to be another way. Please, I
4:53:08want my sister back. I want you to live.
4:53:12More anger, hot and wild, begins to
4:53:15bloom in my mind. And then
4:53:18a spike of fear.
4:53:21Emiline goes rigid in her tank. Coming.
4:53:26I look around, stealing myself,
4:53:28adrenaline spikes in my veins. Wait.
4:53:33Emiline has wrapped her arms around her
4:53:34body, her face pinched in concentration.
4:53:38I can still feel her with an immediacy
4:53:40so intimate it feels almost like her
4:53:42thoughts are my own. And then,
4:53:45unexpectedly,
4:53:46my shackles pop open.
4:53:49I spin around as they fall to the floor
4:53:51with a rich clatter. I rub at my aching
4:53:55wrists. my ankles. How did you coming?
4:54:00I nod.
4:54:02Whatever happens today, I whisper. I'm
4:54:06coming back for you. This isn't over. Do
4:54:08you hear me, Emiline? I won't let you
4:54:11die here.
4:54:13For the first time, Emiline seems to
4:54:16relax.
4:54:18Something warm and sweet fills my head.
4:54:20Affection so unexpected it pricks my
4:54:23eyes.
4:54:24I fight back the emotion
4:54:27footsteps.
4:54:29Fear has fled my body. I feel unusually
4:54:33calm. I'm stronger than I've ever been.
4:54:36There's strength in my bones, strength
4:54:38in my mind. And now that the cuffs are
4:54:41off, my powers are back on and a
4:54:43familiar feeling is surging through me.
4:54:45It's like being joined by an old friend.
4:54:48I meet Eeve's eyes as she walks through
4:54:51the door. She's already pointing a gun
4:54:54at me. Not a gun, something that looks
4:54:57like a gun. I don't know what's in it.
4:55:00"What are you doing here?" she says, her
4:55:03voice only slightly hysterical. "What
4:55:05have you done?"
4:55:08I shake my head. I can't look at her
4:55:11face anymore without feeling blind rage.
4:55:14I can't even think her name without
4:55:16feeling a violent, potent, anim
4:55:18animalistic need to murder her with my
4:55:20bare hands. Eevee Summers is the worst
4:55:23kind of human being. A traitor to
4:55:26humanity, an unadulterated sociopath.
4:55:31"What have you done?" she says again,
4:55:34this time betraying her fear, her panic.
4:55:36The gun trembles in her fist. Her eyes
4:55:39are wide, crazed, darting from me to
4:55:42Emiline, still trapped in the tank
4:55:44behind me. And then I see it.
4:55:49I see the moment she realizes I'm not
4:55:51wearing my manicles.
4:55:53Eveie goes pale.
4:55:56I haven't done anything. I say softly.
4:56:00Not yet.
4:56:02Her gun falls with a clatter to the
4:56:04floor.
4:56:07Unlike Paris, my mother isn't stupid.
4:56:10She knows there's no point trying to
4:56:12shoot me. She created me. She knows what
4:56:16I'm capable of. And she knows. I can see
4:56:19it in her eyes. She knows I'm about to
4:56:22kill her. And she knows there's nothing
4:56:24she can do to stop it.
4:56:27Still, she tries.
4:56:30Ella, she says, her voice unsteady.
4:56:34Everything we did, everything we've ever
4:56:38done was to try to help you. We were
4:56:42trying to save the world. You have to
4:56:43understand. I take a step forward.
4:56:47I do understand.
4:56:50I just wanted to make the world a better
4:56:53place, she says. Don't you want to make
4:56:56the world a better place?
4:56:58Yes, I say. I do.
4:57:02She almost smiles. A small broken breath
4:57:06escapes her body. Relief.
4:57:10I take two swift running steps and punch
4:57:13her through the chest, ribs breaking
4:57:15under my knuckles. Her eyes widen and
4:57:18she chokes, staring at me in stunned,
4:57:21paralyzed silence.
4:57:23She coughs and blood spatters hot and
4:57:26thick across my face. I turn away,
4:57:31spitting her blood out of my mouth. And
4:57:33by the time I look back, she's dead.
4:57:38With one last tug, I rip her heart out
4:57:41of her body.
4:57:44Eevee falls to the floor with a heavy
4:57:46thud, her eyes cold and glassy.
4:57:49I'm still holding my mother's heart,
4:57:51watching it die in my hands when a
4:57:54familiar voice calls out to me.
4:57:57Thank you. Thank you.
4:58:01Thank you,
4:58:06>> Warner.
4:58:08I realize upon quitting the crime scene
4:58:11that I have no idea where I am. I stand
4:58:14in the middle of the hallway outside the
4:58:16room within which I just murdered my
4:58:18father and try to figure out my next
4:58:21moves. I'm nearly naked, no socks,
4:58:24completely barefoot, far from ideal.
4:58:28Still, I need to keep moving.
4:58:32If only.
4:58:34I don't make it 5 ft before I feel the
4:58:36familiar pinch of a needle. I feel it
4:58:39even as I try to fight it. I feel it as
4:58:41a foreign chemical enters my body. It's
4:58:44only a matter of time before it pulls me
4:58:46under. My vision blurs. I try to beat
4:58:50it, try to remain standing, but my body
4:58:53is weak. After 2 weeks of near
4:58:56starvation, constant poisoning, and
4:58:58violent exhaustion,
4:59:00I've run out of reserves. The last dregs
4:59:03of my adrenaline have left me.
4:59:06This is it.
4:59:08I fall to the floor, and the memories
4:59:11consume me.
4:59:14I gasp as I'm returned to consciousness,
4:59:17taking in great lungfuls of air as I sit
4:59:19up too fast, my head spinning. There are
4:59:23wires taped to my temples, my limbs, the
4:59:25plastic ends pinching the soft hinges of
4:59:27my arms and legs, pulling at the skin on
4:59:29my bare chest. I ripped them off,
4:59:32causing great distress to the monitors
4:59:34nearby. I yank the needle out of my arm
4:59:36and toss it to the floor, applying
4:59:38pressure to the wound for a few seconds
4:59:40before deciding to let it bleed. I get
4:59:43to my feet, spinning around to assess my
4:59:45surroundings, but still feel offbalance.
4:59:48I can only guess at who must have shot
4:59:49me with a tranquilizer. Even so, I feel
4:59:53no urgency to panic. Killing my father
4:59:57has instilled in me an extraordinary
5:00:00serenity.
5:00:02It's a perverse, horrible thing to
5:00:05celebrate.
5:00:06But to murder my father was to vanquish
5:00:09my greatest fear. With him dead,
5:00:13anything seems possible.
5:00:16I feel free.
5:00:19Still, I need to focus on where I am, on
5:00:22what's happening. I need to be forming a
5:00:24plan of attack, a plan of escape, a plan
5:00:27to rescue Ella. But my mind is being
5:00:30pulled in what feels like a hundred
5:00:31different directions. The memories are
5:00:34growing more intense by the minute. I
5:00:37don't know how much more of this I can
5:00:38take. I don't know how long this barrage
5:00:41will last or how much more will be
5:00:42uncovered, but the emotional revelations
5:00:44are beginning to take their toll on me.
5:00:47A few months ago, I knew I loved Ella. I
5:00:51knew I felt for her what I'd never felt
5:00:53before for anyone. It felt new and
5:00:56precious and tender,
5:00:59important.
5:01:01But every day, every minute of the last
5:01:04couple of weeks, I've been bombarded by
5:01:06memories of her I never even knew I had.
5:01:09Moments with her from years ago. The
5:01:11sound of her laughter, the smell of her
5:01:13hair, the look in her eyes when she
5:01:15smiled at me for the first time.
5:01:17the way it felt to hold her hand when
5:01:19everything was new and unknown.
5:01:233 years ago.
5:01:26How could it be possible that I touched
5:01:28her like that 3 years ago? How could we
5:01:30have known then without actually knowing
5:01:32why that we could be together? That she
5:01:35could touch me without hurting me? How
5:01:37could any of these moments have been
5:01:39ripped from my mind? I had no idea I'd
5:01:42lost so much of her. But then I had no
5:01:45idea there had been so much to lose.
5:01:49A profound painful ache is rooted inside
5:01:52of me. Carrying with it the weight of
5:01:55years being apart from Juliet,
5:01:58Ella
5:02:00has always been hard. But now it seems
5:02:03unservivable.
5:02:05I'm being slowly decimated by emotion.
5:02:09I need to see her, to hold her, to bind
5:02:12her to me somehow. I won't believe a
5:02:14word my father said until I see her and
5:02:17speak with her in person. I can't give
5:02:19up. Not yet. To hell with what happened
5:02:22between us back on base. Those events
5:02:25feel like they happened lifetimes ago,
5:02:27like they happened to different people.
5:02:29Once I find her and get her to safety, I
5:02:31will find a way to make things right
5:02:32between us. It feels like something long
5:02:36dead inside of me is being slowly
5:02:38returned to life. Like my hopes and
5:02:40dreams are being resuscitated. Like the
5:02:42holes in my heart are being slowly
5:02:45carefully mended.
5:02:47I will find her. And when I do, I will
5:02:51find a way to move forward with her by
5:02:53my side forever.
5:02:56I take a deep breath.
5:02:59And then I get to my feet. I brace
5:03:02myself, expecting the familiar sting of
5:03:04my broken ribs. But the pain in my side
5:03:07is gone.
5:03:08Gingerly, I touch my torso. The bruising
5:03:11has disappeared. I touch my face and I'm
5:03:15surprised to discover that my skin is
5:03:17smooth, clean shaven. I touch my hair
5:03:20and find it's been returned to its
5:03:22original length, exactly as it was
5:03:25before I had to cut it all off.
5:03:29Strange.
5:03:31Still, I feel more like myself than I
5:03:34have in a long time, and I'm quietly
5:03:37grateful. The only thing bothering me is
5:03:40that I'm wearing nothing but a dressing
5:03:42gown under which I'm completely naked.
5:03:45I'm sick of being naked. I want my
5:03:48clothes. I want a proper pair of pants.
5:03:50I want
5:03:52And then, as if someone has read my
5:03:54mind, I notice a fresh set of clothes on
5:03:57a nearby table. clothes that look
5:04:00exactly my size. I pick up the sweater,
5:04:04examine it.
5:04:06These are my actual clothes. I know
5:04:09these pieces, recognize them, and if
5:04:12that wasn't enough, my initials, AWA,
5:04:17are monogrammed on the cuff of the
5:04:18sweater. This was no accident. Someone
5:04:21brought my clothes here from my own
5:04:24closet.
5:04:26They were expecting me.
5:04:29I dress quickly, grateful for the clean
5:04:30outfit, regardless of the circumstances.
5:04:33And I'm nearly done with the straps on
5:04:35my boots when someone walks in. "Max," I
5:04:39say without lifting my head. Carefully,
5:04:42I step on the needle I'd tossed earlier
5:04:45to the floor. "How are you?" He laughs
5:04:49out loud. "How did you know it was me? I
5:04:52recognize the rhythm of your footfalls."
5:04:55He goes quiet.
5:04:57Don't bother trying to deny it, I say,
5:04:59hiding the syringe in my hand. As I set
5:05:01up, I meet his eyes and smile. I've been
5:05:05listening to your heavy, uneven gate for
5:05:07the last 2 weeks.
5:05:10Max's eyes widen. I'm impressed.
5:05:14And I appreciate the clean shave, I say,
5:05:16touching my face. He laughs again more
5:05:19softly this time. You were pretty close
5:05:22to dead when I brought you in here.
5:05:24Imagine my surprise to find you nearly
5:05:26naked, severely dehydrated, half
5:05:29starved, vitamin deficient. You had
5:05:32three broken ribs. Your father's blood
5:05:35all over your hands.
5:05:37Three broken ribs. I thought it was two.
5:05:40Three broken ribs, Max says and nods.
5:05:44And still you managed to sever Paris's
5:05:47corateed artery. Nicely done.
5:05:51I meet his eyes.
5:05:53Max thinks this is funny.
5:05:56And then I understand.
5:05:59He's still alive, isn't he? I say. Max
5:06:03smiles wider. Quite alive. Yes. Despite
5:06:07your best efforts to murder him.
5:06:10That seems impossible.
5:06:12You sound irritated, Max says. I am
5:06:16irritated that he survived as an insult
5:06:18to my skill set. Max fights back another
5:06:22laugh. I don't remember you being so
5:06:24funny. I'm not trying to be funny. But
5:06:28Max can't wipe the smile off his face.
5:06:31So, you're not going to tell me how he
5:06:33survived? I say you're just going to
5:06:36bait me? I'm waiting for my wife, he
5:06:39says. I understand. Does she help you
5:06:42sound out the big words? Max's eyebrows
5:06:45jump up his forehead. Watch yourself,
5:06:48Aaron. Apologies. Please step out of my
5:06:51way. As I said, I'm waiting for my wife.
5:06:54She has something she wants to say to
5:06:56you.
5:06:58I study him, looking closely at his face
5:07:01in a way I can't remember ever having
5:07:03done. He has dark brown hair, light
5:07:06brown skin, and bright blue green eyes.
5:07:10He's aged well. On a different day, I
5:07:13might have even described his face as
5:07:14warm, friendly.
5:07:16But knowing now that he's Ella's father,
5:07:19I almost can't believe I didn't notice
5:07:21sooner.
5:07:23She has his eyes.
5:07:25I hear a second set of footsteps drawing
5:07:27nearer to the door. I expect to see
5:07:30Eevee Supreme Summers. And instead,
5:07:34Max, how long do you think it'll take?
5:07:37My father,
5:07:39his voice.
5:07:41I can hardly believe it. He stops just
5:07:44inside the doorway when he sees my face.
5:07:47He's holding a bloodied towel to his
5:07:49throat. "You idiot," he says to me. I
5:07:54don't have a chance to respond. A sharp
5:07:56alarm sounds and Max goes suddenly
5:07:58rigid. He glances at a monitor on the
5:08:00wall before looking back at my father.
5:08:02"Go," Anderson says. "I can handle him."
5:08:06Max glances at me just once before he
5:08:08disappears.
5:08:10So, I say, nodding at my father's face,
5:08:13his healing wound. Are you going to
5:08:16explain?
5:08:17He merely stares at me. I watch quietly
5:08:21as he uses his free hand to pull a
5:08:24handkerchief from his pocket. He wipes
5:08:26the remaining blood from his lips,
5:08:29refolds the handkerchief, and tucks it
5:08:31back inside his pocket.
5:08:34Something between us has changed.
5:08:38I can feel it.
5:08:40can feel the shift in his attitude
5:08:42toward me. It takes a minute to piece
5:08:45together the various emotional cues long
5:08:47enough to understand,
5:08:49but when it finally hits me, it hits me
5:08:52hard.
5:08:54Respect.
5:08:57For the first time in my life, my father
5:08:59is staring at me with something like
5:09:01respect.
5:09:02I tried to kill him. And instead of
5:09:05being angry with me, he seems pleased,
5:09:09maybe even impressed.
5:09:11You did good work back there, he says
5:09:14quietly. It was a strong throw. Solid.
5:09:19It feels strange to accept his
5:09:20compliment, so I don't. My father size.
5:09:25Part of the reason I wanted custody of
5:09:28those healer twins, he says finally, was
5:09:31because I wanted Eevee to study them. I
5:09:33wanted her to replicate their DNA and
5:09:35braid it into my own. Healing powers, I
5:09:39realized, were extremely useful.
5:09:42A sharp chill goes up my spine. But I
5:09:45didn't have them under my control for as
5:09:47long as I wanted. He says, I was only
5:09:50able to extract a few blood samples.
5:09:52Eevee did the best she could with the
5:09:54time we had. I blink, try to control the
5:09:58expression on my face. "So, you have
5:10:01healing powers now." "We're still
5:10:03working on it," he says, his jaw tight.
5:10:06"It's not yet perfect, but it was enough
5:10:09that I was able to survive the wounds to
5:10:10the head just long enough to be shipped
5:10:12to safety." He smiles a bitter smile. My
5:10:16feet, on the other hand, didn't make it.
5:10:18How unfortunate. I lie. I test the
5:10:22weight of the syringe in my hand. I
5:10:24wonder how much damage it could do. It's
5:10:27not substantial enough to do much more
5:10:29than stun, but a carefully angled attack
5:10:31could result in a temporary nerve pain
5:10:33that would buy me a sizable amount of
5:10:35time. But then, so might a single
5:10:39precise stab in the eye.
5:10:42Operation synthesis, my father says
5:10:45sharply. I look up, surprised.
5:10:49You're ready, Aaron. His gaze is steady.
5:10:53You're ready for a real challenge.
5:10:56You've got the necessary fire, the
5:10:58drive. I'm seeing it in your eyes for
5:11:01the first time.
5:11:04I'm too afraid to speak.
5:11:07Finally, after all these years, my
5:11:09father is giving me praise. He's telling
5:11:11me I'm capable. As a child, it was
5:11:15everything I'd ever wanted.
5:11:18But I'm not a child anymore. You've seen
5:11:21Emiline, my father says, but you haven't
5:11:24seen her recently. You don't know what
5:11:26state she's in. I wait.
5:11:29She's dying. He says her body isn't
5:11:33strong enough to survive her mind or her
5:11:35environment. And despite Max and Eve's
5:11:38every effort, they don't know if there's
5:11:40anything else they can do to help her.
5:11:43They've been working for years to
5:11:44prolong her life as much as possible.
5:11:46But they've reached the end of the line.
5:11:48There's nothing left to do. She's
5:11:51deteriorating at a rate they can no
5:11:53longer control.
5:11:55Still, I say nothing.
5:11:58Do you understand?
5:12:00My father says to me, "Do you understand
5:12:03the importance of what I'm saying to
5:12:05you?" Emiline is not only a
5:12:08psychoinetic, but a telepath, he says.
5:12:11As her body deteriorates, her mind grows
5:12:14wilder. She's too strong, too explosive.
5:12:18And lately, without a strong enough body
5:12:20to contain her, she's become volatile.
5:12:22If she's not given an don't you dare, a
5:12:25voice barks loudly into the room. Don't
5:12:28you dare say another word, you
5:12:29thick-headed fool. I spin around,
5:12:33surprise catching in my throat. Supreme
5:12:36Commander Ibrahim.
5:12:38He seems taller than I remember him.
5:12:40Dark skin, dark hair, angry. It's okay,
5:12:46my father says unbothered. Eevee is
5:12:48taken care of. Eevee is dead, Ibrahim
5:12:51says angrily. We need to initiate the
5:12:54transfer immediately.
5:12:56What? My father goes pale. I've never
5:12:59seen him pale. I've never seen him
5:13:02terrified. But do you mean she's dead?
5:13:06Ibrahim's eyes flash. I mean, we have a
5:13:08serious problem. He glances at me. This
5:13:12boy needs to be put back in isolation.
5:13:14And we can't trust any of them right
5:13:15now. We don't know what she might have
5:13:17done. And just as I'm trying to decide
5:13:20my next move, I hear a whisper at my
5:13:23ear.
5:13:24Don't scream, she says.
5:13:28Nazer.
5:13:32Ella,
5:13:35I'm running for my life. Bolting down
5:13:37hallways and up staircases. A low,
5:13:40insistent alarm has gone off. its high
5:13:42piercing sound sending shocks of fear
5:13:45through me. Even as my feet pound the
5:13:47floor, I feel strong, steady, but I'm
5:13:51increasingly aware of my inability to
5:13:53navigate these snaking paths. I could
5:13:56see, could feel Emiline growing weaker
5:13:59as I left. And now, the farther I get
5:14:01from her, the dimmer our connection
5:14:03becomes. She showed me in her memories
5:14:06how Max and Eevee slowly stripped her of
5:14:09control. Emiline is more powerful than
5:14:12anyone, but now she can only use her
5:14:14powers on command. It took all her
5:14:17strength to push past the fail safes
5:14:19long enough to use her strength at will.
5:14:21And now that her voice has retreated
5:14:23from my mind, I know she won't be back.
5:14:26Not anytime soon. I have to figure out
5:14:29my own way out of here. I will. My power
5:14:34is back on. I can get through anything
5:14:36from here. I have to. And when I hear
5:14:39someone shout, I spin around, ready to
5:14:42fight.
5:14:44But the face in the distance is so
5:14:45familiar, I stop, stunned in my tracks.
5:14:50Kenji barrels into me.
5:14:53Kenji.
5:14:56Kenji is hugging me. Kenji is hugging me
5:14:59and he's uninjured.
5:15:01He's perfect.
5:15:03And just as I begin to return his
5:15:05embrace, he swears violently and
5:15:07launches himself backward. Jesus, woman,
5:15:10are you trying to kill me? You can't
5:15:12turn that off for a second. You
5:15:14have to go and ruin our dramatic reunion
5:15:16by nearly murdering me after I've gone
5:15:18to all the trouble of I launch myself
5:15:21into his arms again, and he stiffens.
5:15:24Relaxing only when he realizes I pulled
5:15:26my power back. I forgot for a second how
5:15:30much of my skin was exposed in this
5:15:32dress. Kenji, I breathe. You're alive.
5:15:37You're okay. Oh my god.
5:15:40Hey, he says. Hey. He pulls back, looks
5:15:45me in the eye. I'm okay. You okay?
5:15:50I don't really know how to answer the
5:15:51question. Finally, I say I'm not sure.
5:15:56He studies my face for a second. He
5:15:59looks concerned. And then, the knot of
5:16:02fear growing only more painful in my
5:16:04throat, I ask the question killing me
5:16:07most.
5:16:09"Where's Warner?"
5:16:12Kenji shakes his head. I feel myself
5:16:15begin to unravel.
5:16:18"I don't know yet," Kenji says quietly.
5:16:21"But we're going to find him, okay?
5:16:23Don't worry."
5:16:25I nod.
5:16:27My bottom lip trembles and I bite it
5:16:29down. But the tremble won't be killed.
5:16:32It grows, multiplies, evolves into a
5:16:35tremor that shakes me from stem to
5:16:37sternum.
5:16:39Hey, Kenji says. I look up. You want to
5:16:44tell me where all the blood came from? I
5:16:47blink. What blood? He raises his
5:16:50eyebrows at me. The blood? he says,
5:16:54gesturing generally at my body. On your
5:16:57face, your dress, all over your hands.
5:17:01Oh, I say, startled. I look at my hands
5:17:05as if seeing them for the first time.
5:17:07The blood.
5:17:09Kenji sigh, squints at something over my
5:17:12shoulder. He pulls a pair of gloves out
5:17:15of his back pocket, and tugs them on.
5:17:18All right, princess. Turn your power
5:17:20back on. We have to move.
5:17:23We break apart. Kenji pulls his
5:17:25invisibility over us both. Follow me, he
5:17:29says, taking my hand. Where are we
5:17:31going? I say. What do you mean where are
5:17:34we going? We're getting the hell out of
5:17:36here. But what about Warner? Nazir is
5:17:40looking for him as we speak.
5:17:43I stop so suddenly I nearly stumble.
5:17:46Nazer is here. Uh, yeah. So, it's a
5:17:51really long story, but the short answer
5:17:53is yes.
5:17:55So, that's how you got in here, I say,
5:17:58beginning to understand. Nazer
5:18:02Kenji makes a sound of disbelief. Wow.
5:18:05Right off the bat, you give me no
5:18:07credit, huh? Come on, Jay. You know I
5:18:09love a good rescue mission. I know some
5:18:12things. I can figure things out, too.
5:18:15For the first time in weeks, I feel a
5:18:16smile tug at my lips. A laugh builds and
5:18:19breaks inside my body. I've missed this
5:18:22so much. I've missed my friends so much.
5:18:26Emotion wells in my throat, surprising
5:18:29me. I missed you, Kenji, I say. I'm so
5:18:33happy you're here. Hey, Kenji says
5:18:36sharply. Don't you dare start crying. If
5:18:39you start crying, I'll start crying. And
5:18:41we do not have time to cry right now. We
5:18:44have too much to do. Okay, we can
5:18:46cry later at a more convenient time.
5:18:48Okay.
5:18:50When I say nothing, he squeezes my hand.
5:18:53Okay, he says again.
5:18:56Okay, I say. I hear him sigh. Damn, he
5:19:01says. They really messed you up in here,
5:19:04didn't they? Yeah.
5:19:07I'm so sorry, he says. Can we cry about
5:19:10it later? I'll tell you everything. Hell
5:19:14yeah, we can cry about it later. Kenji
5:19:16tugs gently on my hand to get us moving
5:19:18again. I have so much to cry about,
5:19:22Jay. So much. We should make like a
5:19:25list. Good idea, I say. But my heart is
5:19:29in my throat again. Hey, don't worry,
5:19:32Kenji says, reading my thoughts.
5:19:34Seriously, we'll find Warner. Nazer
5:19:38knows what she's doing. But I don't
5:19:41think I can just wait while Nazera goes
5:19:43searching for him. I can't just stand
5:19:45around. I need to do something. I need
5:19:48to look for him myself. Uh-uh. No way.
5:19:51Nazer and I split up on purpose. My
5:19:54mission is to get you on the plane. Her
5:19:57mission is to get Warner on the plane.
5:20:00That's how math works. Wait, you have a
5:20:03plane? How else do you think we got
5:20:05here? I have no idea. Well, that's
5:20:09another long story and I'll fill you in
5:20:10later. But the highlights are that
5:20:12Nazera is very confusing but helpful.
5:20:15And according to her calculations, we
5:20:17need to be getting the hell out of here
5:20:19yesterday. We're running out of time.
5:20:22But wait, Kenji, what happened to
5:20:25everyone? Last time I saw you, you were
5:20:27bleeding. Brendan had been shot. Castle
5:20:30was down. I thought everyone was dead.
5:20:33Kenji doesn't answer me at first.
5:20:36You really have no idea what happened,
5:20:39huh? He says finally. I only know that I
5:20:42didn't actually kill all those people at
5:20:44the symposium. Oh, yeah. He sounds
5:20:47surprised. Who told you? Emiline.
5:20:52Your sister.
5:20:54Yeah, I say sighing heavily.
5:20:57There's so much I have to tell you. But
5:21:00first, please tell me everyone is still
5:21:03alive.
5:21:05Kenji hesitates.
5:21:08I mean, I think so. Honestly, I don't
5:21:11know. Nazer says they're alive. She's
5:21:14promising to come through on getting
5:21:16them to safety, so I'm still holding my
5:21:18breath. But get this. He stops walking,
5:21:22puts an invisible hand on my shoulder.
5:21:25You're never going to believe this.
5:21:28Let me guess, I say. Anderson is alive.
5:21:33I hear Kenji's sharp intake of breath.
5:21:36How did you know?
5:21:38Eevee told me. So, you know about how he
5:21:42came back to sector 45? What? I say no.
5:21:47Well, what I was about to tell you right
5:21:50now was that Anderson came back to base.
5:21:53He's resumed his position as Supreme
5:21:55Commander of North America. He was there
5:21:57right before we left. Nazer told me he
5:22:00made up this whole story about how he'd
5:22:02been ill and how our team had spread
5:22:04false rumors while he was recovering and
5:22:06that you'd been executed for your
5:22:08deception. What? I say stunned. That's
5:22:12insane.
5:22:14This is what I'm saying. So, what are we
5:22:18going to do when we get back to sector
5:22:1945? I say, "Where do we go? Where do we
5:22:23stay?" If I know, Kenji says,
5:22:26"Right now, I'm just hoping we can get
5:22:29out of here alive."
5:22:32Finally, we reach the exit. Kenji has a
5:22:35security card that grants him access to
5:22:37the door, and it opens easily. From
5:22:40there, it's almost too simple. Our
5:22:43invisibility keeps us undetected. And
5:22:45once we're on the plane, Kenji checks
5:22:47his watch.
5:22:49We've only got 30 minutes, just so you
5:22:51know. That was the rule. 30 minutes. And
5:22:54if Nazer doesn't show up with Warner, we
5:22:56have to go.
5:22:58My heart drops into my stomach.
5:23:04Warner.
5:23:07I have no time to register my shock or
5:23:09to ask Nazer when on earth she was going
5:23:11to tell me she had the power to turn
5:23:13herself invisible. So, I do the only
5:23:15thing I can in the moment. I nod, the
5:23:19movement almost imperceptible.
5:23:21Kenji is getting Ella onto a plane. I'm
5:23:24going to wait for you just outside the
5:23:25store. She says, "Do you think you can
5:23:28make it? If you go invisible in front of
5:23:31everyone, they'll be on to us. And it'
5:23:33be better if they think you're just
5:23:35trying to run again." I nod. "All right,
5:23:39then. I'll see you out there."
5:23:42I wait a second or two and then I head
5:23:45for the door. Hey, Ibrahim bellows. I
5:23:49hesitate, turning back slightly on my
5:23:51heel. Yes. Where do you think you're
5:23:54going? He says. He pulls a gun from the
5:23:57inside of his jacket and points it at
5:23:59me. I have to use the bathroom. Ibrahim
5:24:02doesn't laugh. You're going to wait here
5:24:04until Max gets back and then we decide
5:24:07what we're going to do with you. I tilt
5:24:09my head at him. The gun he's pointing at
5:24:12me looks suspiciously like one of the
5:24:14guns I stole from my father earlier. Not
5:24:16that it matters. I take a quick breath.
5:24:20I'm afraid that's not how this is going
5:24:21to work, I say, attempting a smile.
5:24:24Though, I'm sure we'll all be seeing
5:24:25each other soon, so I wouldn't worry
5:24:27about missing me too much. And then,
5:24:30before anyone has a chance to protest, I
5:24:32run for the door, but not before I fires
5:24:35his weapon. Three times in close range.
5:24:40I fight back the urge to cry out as one
5:24:42of the bullets shoots clean through my
5:24:44calf, even as the pain nearly takes my
5:24:46breath away. Once I'm on the other side
5:24:48of the door, Nazer pulls her
5:24:49invisibility over me. I don't make it
5:24:52far before I take a sharp breath,
5:24:53slumping against the wall. she
5:24:56says. Did you get shot? Obviously. I
5:24:59bite out, trying to keep my breathing
5:25:00even. Damn it, Warner. What the hell is
5:25:03wrong with you? We have to get back to
5:25:04the plane in the next 15 minutes or
5:25:06they're going to leave without us. What?
5:25:09Why would Because I told them to. We
5:25:11have to get Ella out of here no matter
5:25:13what. I can't have them waiting around
5:25:14for us and risk getting killed in the
5:25:16process. Your sympathy is truly
5:25:18heartwarming. Thank you. She sigh. Where
5:25:22did you get shot? In my leg. Can you
5:25:24walk? I should be able to in just a
5:25:26minute. I hear her hesitate. What does
5:25:29that mean? If I manage to live long
5:25:32enough, maybe I'll tell you. She's
5:25:34unamused. Can you really start running
5:25:36in just a minute? Oh, now it's running.
5:25:39A moment ago, you were asking if I could
5:25:41walk. running would be better. I offer
5:25:44her a bitter laugh. It's hard from this
5:25:46distance, but I've been drawing on my
5:25:48father's new ability, harnessing it as
5:25:50best I can from where I am. I feel the
5:25:53wound healing, slowly regenerating
5:25:56nerves and veins and even a bit of bone.
5:25:59But it's taking longer than I'd like.
5:26:01"How long is the flight back?" I say, "I
5:26:04can't remember. We've got the jet, so it
5:26:06should only take about 8 hours." I nod
5:26:09even though she can't see me. I don't
5:26:12think I can survive 8 hours with an open
5:26:14wound. Well, it's a good thing I don't
5:26:16give a I'm giving you two more
5:26:18minutes before I carry you out of here
5:26:19myself. I grunt in response, focusing
5:26:23all of my energy on drawing up the
5:26:24healing powers into my body. I've never
5:26:26tried to do something like this while
5:26:28wounded, and I didn't realize how
5:26:30demanding it was, both emotionally and
5:26:32physically. I feel drained. My head is
5:26:35throbbing, my jaw aching from the
5:26:37intense pressure I've used to bite back
5:26:39the pain, and my leg feels like it's on
5:26:41fire. There's nothing pleasant about the
5:26:44healing process. I have to imagine that
5:26:46my father is on the move, probably
5:26:48searching for me with Ibrahim, because
5:26:50harnessing his power is harder than any
5:26:52of the others I've tried to take. "We're
5:26:54leaving in 30 seconds," Nazera says, a
5:26:57warning in her voice. I grit my teeth.
5:27:00"15
5:27:02Did you just swear? Nazir says
5:27:05stunned. I'm in an extraordinary amount
5:27:08of pain. All right, that's it. We're out
5:27:11of time. And before I manage to get a
5:27:13word in, she picks me up off the ground
5:27:16and we're in the air.
5:27:21>> Ella
5:27:24Kenji and I have been staring at each
5:27:26other in nervous silence for the last
5:27:28minute. I spent the first 10 minutes
5:27:30telling him a little about Emiline,
5:27:32which was its own stressful distraction,
5:27:35and then Kenji helped me wash the blood
5:27:37off my hands and face with the few
5:27:39supplies we have on board. Now we're
5:27:41both staring into the silence, our
5:27:44combined terror filling the plane.
5:27:47It's a nice plane, I think. I'm not
5:27:49sure. I haven't actually had the
5:27:51presence of mind to look around or to
5:27:53ask him who exactly among us even knows
5:27:56how to fly a plane. But none of that
5:27:59will matter, of course, if Nazera and
5:28:00Warner don't get back here soon. It
5:28:03won't matter because I won't be leaving
5:28:05without him.
5:28:07And my thoughts must be easy to read
5:28:10because suddenly Kenji frowns. Listen,
5:28:13he says, I'm just as worried about them
5:28:15as you are. I don't want to leave Nazi
5:28:18behind, and I sure as hell don't want to
5:28:20imagine anything bad happening to her
5:28:21while she's out there. But we have to
5:28:24get you out of here. Kenji, we don't
5:28:27have a choice, Jay, he says, cutting me
5:28:29off. We have to get you out of here,
5:28:31whether you like it or not. The
5:28:33reestablishment is up to some shady
5:28:35and you're right in the center of
5:28:37it. We have to keep you safe right now.
5:28:40Keeping you safe is my entire mission.
5:28:44I drop my face in my hands and then just
5:28:47as quickly look up again. This is all my
5:28:50fault, you know. I could have prevented
5:28:53this. What are you talking about? I look
5:28:56him straight in the eye. I should have
5:28:59done more research on the
5:29:00reestablishment. I should have read up
5:29:02on its history and my history within it.
5:29:06I should have learned more about the
5:29:08Supreme Commanders. I should have been
5:29:09better prepared. Hell, I should have
5:29:11demanded we search the water for
5:29:13Anderson's dead body instead of just
5:29:15assuming he'd sunk with the ship. I
5:29:18shake my head hard. I wasn't ready to be
5:29:22Supreme Commander Kenji. You knew it.
5:29:25Castle knew it. I put everyone's lives
5:29:27in danger. Hey, he says sharply. I never
5:29:32said you weren't. Only Warner ever tried
5:29:34to convince me I was good enough, but I
5:29:37don't think I ever really believed it.
5:29:39Jay, listen to me. I never said you
5:29:42weren't. And now he's gone. Warner is
5:29:45gone. Everyone from Omega Point might be
5:29:48dead. Everything we built, everything we
5:29:51worked toward. I feel myself break, snap
5:29:54open from the inside. I can't lose him,
5:29:57Kenji. My voice is shaking. My hands are
5:30:00shaking. I can't. You don't know. You
5:30:03don't. Kenji looks at me with actual
5:30:06pain in his eyes. Stop it, Jay. You're
5:30:09breaking my heart. I can't hear this.
5:30:13And I realize as I swallow back the lump
5:30:16in my throat how much I'd needed to have
5:30:18this conversation. These feelings had
5:30:21been building inside of me for weeks.
5:30:23And I desperately needed someone to talk
5:30:25to. I needed my friend.
5:30:30I thought I'd been through some hard
5:30:31things, I say, my eyes now filling with
5:30:34tears. I thought I'd lived through my
5:30:36share of awful experiences, but this
5:30:40I honestly think these have been the
5:30:42worst days of my life.
5:30:45Kenji's eyes are deep, serious.
5:30:49You want to tell me about it?
5:30:52I shake my head, wiping furiously at my
5:30:55cheeks.
5:30:57I don't think I'll be able to talk about
5:30:59any of it until I know Warner is okay.
5:31:02I'm so sorry, Jay. I really am. I sniff
5:31:06hard.
5:31:08You know my name is Ella, right?
5:31:11Right. He says, his eyebrows pulling
5:31:14together. Yeah, Ella. That's wild. I
5:31:18like it, I say. I like it better than
5:31:21Juliet. I don't know. I think both names
5:31:24are nice. Yeah, I say turning away. But
5:31:29Juliet was the name Anderson picked out
5:31:31for me.
5:31:33And Ella is the name you were born with,
5:31:36Kenji says, shooting me a look. I get
5:31:39it. Yeah,
5:31:42listen, he says with a sigh. I know this
5:31:45has been a rough couple of weeks for
5:31:47you. I heard about the memory thing. I
5:31:50heard about lots of things, and I can't
5:31:52pretend to imagine I have any idea what
5:31:54you must be going through right now. But
5:31:57you can't blame yourself for any of
5:31:59this. It's not your fault. None of it is
5:32:02your fault. You've been a pawn at the
5:32:05center of this conspiracy your entire
5:32:07life. The last month wasn't going to
5:32:10change that. Okay. You have to be kinder
5:32:13to yourself. You've already been through
5:32:16so much.
5:32:18I offer Kenji a weak smile.
5:32:21I'll try, I say quietly.
5:32:24Feeling any better now?
5:32:26No.
5:32:28and thinking about leaving here without
5:32:30Warner, not knowing if he'll even make
5:32:33it onto this plane. It's killing me,
5:32:35Kenji. It's boring a hole through my
5:32:38body.
5:32:40Kenji sigh, looks away. I get it, he
5:32:44says. I do. You're worried you won't
5:32:48have a chance to make things right with
5:32:49him. I nod.
5:32:52I won't do it. I can't do it,
5:32:56Kenji. I understand where you're coming
5:32:59from, kid. I swear. But we can't afford
5:33:02to do this. If they're not back here in
5:33:045 minutes, we have to go. Then you'll
5:33:07have to leave without me. No way. Not an
5:33:10option, he says, getting to his feet. I
5:33:13don't want to do this any more than you
5:33:15do, but I know Nazer well enough to know
5:33:17that she can handle herself out there.
5:33:20And if she's not back yet, it's probably
5:33:22because she's waiting for a safer
5:33:24moment. She'll find her way. And you
5:33:27have to trust that she'll bring Warner
5:33:29back with her. Okay.
5:33:32No. Come on, Kenji. Stop. I get to my
5:33:37feet, too. Anger and heartbreak
5:33:39colliding. Don't do this, he says,
5:33:42shaking his head. Don't force me to do
5:33:45something I don't want to do. Because if
5:33:47I have to, I will tackle you to the
5:33:49floor, Jay. I swear. You wouldn't do
5:33:51that, I say quietly. The fight leaves my
5:33:55body. I feel suddenly exhausted,
5:33:58hollowed out by heartache.
5:34:01I know you wouldn't. You wouldn't make
5:34:03me leave him behind.
5:34:06Ella.
5:34:08I turn around.
5:34:11A bolt of feeling leaving me breathless.
5:34:15Just the sound of his voice has my heart
5:34:17racing in a way that feels dangerous.
5:34:20The jarring shift from fear to joy has
5:34:22my head pounding, delirious with
5:34:24feeling. I'd been so worried all this
5:34:28time. And to know now
5:34:31he's unharmed.
5:34:32His face unmarked, his body intact. He's
5:34:37perfect and beautiful. And he's here. I
5:34:41don't know how, but he's here.
5:34:44I clap my hands over my mouth. I'm
5:34:47shaking my head and searching
5:34:48desperately for the right words, but
5:34:50find I can't speak. I can only stare at
5:34:53him as he steps forward, his eyes bright
5:34:55and burning. He pulls me into his arms.
5:35:00Sobs break my body, the culmination of a
5:35:03thousand fears and worries I hadn't
5:35:05allowed myself to process. I press my
5:35:08face into his neck and try but fail to
5:35:11pull myself together.
5:35:13I'm sorry, I say, gasping the words,
5:35:16tears streaming fast down my face.
5:35:19Aaron, I'm so sorry. I'm so so sorry.
5:35:24I feel him stiffen.
5:35:26He pulls away, staring at me with
5:35:28strange, scared eyes.
5:35:32>> Why would you say that?
5:35:34>> He looks around wildly, glances at
5:35:36Kenji, who only shakes his head.
5:35:39>> What happened, love?
5:35:41He pushes the hair out of my eyes, takes
5:35:43my face in his hands. What are you sorry
5:35:46for?
5:35:48>> Nazer pushes past us. She nods at me
5:35:51just once before heading to the cockpit.
5:35:54Moments later, I hear the roar of the
5:35:56engine, the electric sounds of equipment
5:35:59coming online. I hear her voice in the
5:36:01speakers overhead, her crisp certain
5:36:04commands filling the plane. She tells us
5:36:07to take our seats and get strapped in.
5:36:08And I stare at Warner just once more,
5:36:11promising myself that we'll have a
5:36:13chance to talk, promising myself that
5:36:15I'll make this right. When we take off,
5:36:19he's holding my hand.
5:36:23We've been climbing higher for several
5:36:25minutes now, and Kenji and Nazer were
5:36:27generous enough to give us some illusion
5:36:29of privacy. They both shot me separate
5:36:32but similar looks of encouragement just
5:36:34before they slipped off into the
5:36:36cockpit. It finally feels safe to keep
5:36:39talking.
5:36:40But emotion is like a fist in my chest,
5:36:44hard and heavy.
5:36:46There's too much to say, too much to
5:36:48discuss. I almost don't even know where
5:36:51to start. I don't know what happened to
5:36:53him, what he learned, or what he
5:36:55remembers.
5:36:57I don't know if he's feeling the same
5:36:59things I'm feeling anymore. And all the
5:37:01unknowns are starting to scare me.
5:37:04>> What's wrong? He says.
5:37:07He's turned in his seat to face me. He
5:37:10reaches up, touches my face, and the
5:37:13feeling of his skin against mine is
5:37:15overwhelming.
5:37:16So powerful it leaves me breathless.
5:37:20Feeling shoots up my spine, sparks in my
5:37:22nerves.
5:37:25You're afraid, love. Why are you afraid?
5:37:29Do you remember me? I whisper. I have to
5:37:33force myself to remain steady, to fight
5:37:35back the tears that refuse to die. Do
5:37:38you remember me the way I remember you?
5:37:42Something changes in his expression. His
5:37:45eyes change, pulled together in pain.
5:37:49He nods.
5:37:51Because I remember you, I say, my voice
5:37:55breaking on the last word. I remember
5:37:58you, Aaron. I remember everything. And
5:38:02you have to know. You have to know how
5:38:04sorry I am for the way I left things
5:38:07between us. I'm crying again.
5:38:11I'm sorry for everything I said, for
5:38:14everything I put you through.
5:38:16sweetheart," he says gently, the
5:38:19question in his eyes resolving to a
5:38:21measure of understanding.
5:38:23"None of that matters anymore."
5:38:26That fight feels like it happened in
5:38:28another lifetime to different people.
5:38:32I wipe away my tears. I know, I say, but
5:38:36being here, all of this, I thought I
5:38:40might never see you again. And it killed
5:38:42me to remember how I'd left things
5:38:44between us.
5:38:46When I look up again, Warner is staring
5:38:49at me, his own eyes bright, shining. I
5:38:53watch the movement in his throat as he
5:38:55swallows hard.
5:38:58Forgive me, I whisper.
5:39:01I know it all seems stupid now, but I
5:39:03don't want to take anything for granted
5:39:05anymore. Forgive me for hurting you.
5:39:09Forgive me for not trusting you.
5:39:12I took my pain out on you and I'm so
5:39:14sorry. I was selfish and I hurt you and
5:39:18I'm so sorry.
5:39:22He's silent for so long I almost can't
5:39:24bear it. When he finally speaks, his
5:39:28voice is rough with emotion.
5:39:31Love, he says.
5:39:34There's nothing to forgive.
5:39:39Warner.
5:39:42Ella is asleep in my arms.
5:39:46Ella,
5:39:48I can't really think of her as Juliet
5:39:50anymore.
5:39:52We've been in the air for an hour now,
5:39:54and Ella cried until her tears ran dry.
5:39:57Cried for so long, I thought it might
5:39:59kill me. I didn't know what to say. I
5:40:02was so stunned, I didn't know how to soo
5:40:04her. And only when the exhaustion
5:40:07overcame the tears did she finally go
5:40:09still, collapsing fully and completely
5:40:13into my arms.
5:40:15I've been holding her against my chest
5:40:17for at least half an hour, marveling at
5:40:20what it does to me to just be this close
5:40:23to her. Every once in a while, it feels
5:40:26like a dream.
5:40:28Her face is pressed against my neck.
5:40:31She's clinging to me like she might
5:40:33never let go. And it does something to
5:40:36me, something heady to know that she
5:40:38could possibly want me or need me like
5:40:42this.
5:40:44It makes me want to protect her even if
5:40:46she doesn't need protecting.
5:40:49It makes me want to carry her away, lose
5:40:51track of time.
5:40:54Gently, I stroke her hair, press my lips
5:40:57to her forehead. She stirs, but only
5:41:00slightly.
5:41:02I had not been expecting this.
5:41:06Of all the things I thought might happen
5:41:08when I finally saw her, I could never
5:41:11have dreamed a scenario such as this.
5:41:14No one has ever apologized to me before.
5:41:18Not like this. I've had men fall to
5:41:21their knees before me, begging me to
5:41:23spare their lives. But I can't remember
5:41:26a single time in my life when someone
5:41:29apologized to me for hurting my
5:41:30feelings. No one has ever cared about my
5:41:33feelings long enough to apologize for
5:41:35hurting them. In my experience, I'm
5:41:38usually the monster. I'm the one
5:41:41expected to make amends.
5:41:43And now
5:41:46I'm stunned.
5:41:48Stunned by the experience, by how
5:41:49strange it feels. All this time, I'd
5:41:52been preparing to win her back, to try
5:41:55to convince her somehow to see past my
5:41:57demons. And up until just this moment, I
5:42:01don't think I was ever truly convinced
5:42:03anyone would see me as human enough to
5:42:05forgive my sins,
5:42:07to give me a second chance.
5:42:10But now she knows everything.
5:42:13Every dark corner of my life, every
5:42:15awful thing I ever tried to hide, she
5:42:18knows. And she still loves me.
5:42:22God.
5:42:24I run a tired hand across my face. She
5:42:27asked me to forgive her.
5:42:30I almost don't know what to do with
5:42:32myself. I feel joy and terror. My heart
5:42:36is heavy with something I don't even
5:42:37know how to describe.
5:42:40Gratitude perhaps.
5:42:44The ache in my chest has grown stronger,
5:42:46more painful.
5:42:48Being near her is somehow both a relief
5:42:50and a new kind of agony. There's so much
5:42:53ahead of us. So much we still need to
5:42:55face together.
5:42:57But right now, I don't want to think
5:42:58about any of it. Right now, I just want
5:43:01to enjoy her proximity. I want to watch
5:43:03the gentle motions of her breathing. I
5:43:05want to inhale the soft scent of her
5:43:07hair and lean into the steadying warmth
5:43:10of her body.
5:43:12Carefully, I touch my fingers to her
5:43:14cheek.
5:43:16Her face is smooth, free from pain and
5:43:18tension. She looks peaceful.
5:43:22She looks beautiful.
5:43:25My love,
5:43:27my beautiful love.
5:43:30Her eyes flutter open and I worry for a
5:43:32moment that I might have spoken out
5:43:34loud, but then she looks up at me, her
5:43:37eyes still soft with sleep, and I bring
5:43:40my hand to her face, this time trailing
5:43:42my fingers lightly along her jaw. She
5:43:46closes her eyes again, smiles.
5:43:49I love you, she whispers.
5:43:53A shock of feeling swells inside of me,
5:43:56makes it hard for me to breathe. I can
5:43:58only look at her, studying her face, the
5:44:00lines and angles I've somehow always
5:44:03known.
5:44:05Slowly, she sits up. She leans back,
5:44:09stretching out her sore, stiff muscles.
5:44:11When she catches me watching her, she
5:44:14offers me a shy smile.
5:44:16She leans in, takes my face in her
5:44:18hands.
5:44:20"Hi," she says, her words soft, her
5:44:24hands gentle as she tilts my chin down
5:44:26toward her mouth. She kisses me once,
5:44:30her lips full and sweet. "It's a tender
5:44:34kiss, but feeling strikes through me
5:44:36with a sharp, desperate need." I missed
5:44:39you so much, she says. I still can't
5:44:43believe you're here. She kisses me
5:44:46again, this time deeper, hungrier, and
5:44:49my heart beats so fast it roars in my
5:44:52ears. I can hardly hear anything else. I
5:44:55can't bring myself to speak.
5:44:58I feel stunned.
5:45:00When we break apart, her eyes are
5:45:02worried.
5:45:04Aaron, she says, "Is everything okay?
5:45:10And I realized then in a moment that
5:45:13terrifies me that I want this
5:45:16forever.
5:45:18I want to spend the rest of my life with
5:45:21her. I want to build a future with her.
5:45:24I want to grow old with her.
5:45:28I want to marry her.
5:45:33>> Ella.
5:45:36>> Aaron. I say again, this time softly.
5:45:40Are you all right?
5:45:42He blinks startled.
5:45:45>> "Yes," he says, drawing in a sharp
5:45:47breath. "Yes, yes, I'm perfect."
5:45:51>> I manage a small smile. "I'm glad you
5:45:54finally agree with me." He frowns,
5:45:57confused, and then, as realization hits,
5:46:01he blushes.
5:46:03Then for the first time in weeks, a full
5:46:06genuine grin spreads across my face. It
5:46:09feels good, human.
5:46:12But Aaron shakes his head, clearly
5:46:15mortified. He can't meet my eyes. His
5:46:18voice is careful, quiet when he says.
5:46:21>> That's not at all what I meant.
5:46:24>> Hey, I say, my smile fading. I take his
5:46:28hands and mine squeeze.
5:46:31Look at me. He does. And I forget what I
5:46:35was going to say. He has that kind of
5:46:38face. The kind of face that makes you
5:46:41forget where you are, who you are, what
5:46:43you might have been about to do or say.
5:46:46I've missed him so much. Missed his
5:46:49eyes. It's only been a couple of weeks,
5:46:51but it feels like forever since the last
5:46:53time I saw him. A lifetime full of
5:46:56horrible revelations that threatened to
5:46:58break us both.
5:47:00I can't believe he's here. That we found
5:47:03each other and made things right. It's
5:47:06no small thing.
5:47:08Even with everything else, with all the
5:47:10other horrors we've yet to contend with,
5:47:13being here with him feels like a huge
5:47:15victory. Everything feels new. My mind
5:47:19feels new. My memor is new. Even Aaron's
5:47:21face is new in its own way. He looks a
5:47:24little different to me now. familiar
5:47:28like he's always been here, always lived
5:47:30in my heart. His hair, thick and golden
5:47:34and beautiful, is how I remember it
5:47:36best. Eevee must have done something to
5:47:39his hair, too, somehow. And even though
5:47:42he looks more exhausted than I'd like,
5:47:44his face is still striking. Beautiful
5:47:47sharp lines, piercing green eyes so
5:47:50light and bright they're almost painful
5:47:51to look at. Everything about him is
5:47:54finely crafted. his nose, his chin, his
5:47:58ears and eyebrows. He has a beautiful
5:48:01mouth. I linger too long there, my eyes
5:48:05betraying my mind. And Aaron smiles.
5:48:08Aaron.
5:48:09Calling him Warner doesn't feel right
5:48:11anymore.
5:48:13What are you doing, love?
5:48:15>> Just enjoying the view, I say, still
5:48:18staring at his mouth. I reach up, touch
5:48:21two fingers to his bottom lip. Memories
5:48:24flood through me in a sudden breathless
5:48:26rush. Long nights, early mornings, his
5:48:30mouth on me, everywhere, over and over
5:48:33again.
5:48:35I hear him exhale suddenly, and I glance
5:48:38up at him.
5:48:40His eyes are darker, heavy with feeling.
5:48:43>> What are you thinking?
5:48:46>> I shake my head, feeling suddenly shy.
5:48:49It's strange considering how close we've
5:48:52been that I'd feel shy around him now,
5:48:55but he feels at once old and new to me,
5:48:57like we're still learning about each
5:48:59other, still discovering what our
5:49:01relationship means and what we mean to
5:49:03each other. Things feel deeper,
5:49:06desperate, more important.
5:49:10I take his hands again. How are you? I
5:49:14whisper. He's staring at our hands
5:49:16entwined when he says, "My father is
5:49:19still alive."
5:49:21I heard, "I'm so sorry." He nods, looks
5:49:25away. "Did you see him?" Another nod. I
5:49:29tried to kill him.
5:49:32I go, "Still.
5:49:34I know how hard it's been for Aaron to
5:49:36face his father. Anderson has always
5:49:39been his most formidable opponent. Aaron
5:49:42has never been able to fight him head
5:49:44on. He's never been able to bring
5:49:46himself to actually follow through with
5:49:48his threats to kill his father. It's
5:49:51astonishing he even came close.
5:49:54And then Aaron tells me how his father
5:49:56has semifunctional healing powers. How
5:49:59Eevee tried to recreate the twins DNA
5:50:02for him.
5:50:04So your dad is basically invincible.
5:50:07Aaron laughs quietly, shakes his head. I
5:50:10don't think so. It makes him harder to
5:50:13kill, but I definitely think there's a
5:50:15to be found in his armor. He sigh.
5:50:19Believe it or not, the strangest part of
5:50:22the whole thing was that afterward, my
5:50:25father was proud of me. Proud of me for
5:50:28trying to kill him. Aaron looks up,
5:50:32looks me in the eye. Can you imagine?
5:50:36Yes, I whisper. again.
5:50:40Aaron's eyes go deep with emotion. He
5:50:43pulls me close.
5:50:45>> I'm so sorry, love. I'm so sorry for
5:50:48everything they did to you, for
5:50:50everything they've put you through. It
5:50:53kills me to know that you were suffering
5:50:55that I couldn't be there for you.
5:50:58I don't want to think about it right
5:51:00now. I shake my head. Right now, all I
5:51:03want is this. I just want to be here
5:51:06with you. Whatever comes next, we'll
5:51:09face it together.
5:51:12Ella, he says softly. A wave of feeling
5:51:16washes over me. Hearing him say my name,
5:51:20my real name, makes everything feel
5:51:22real. Makes us feel real. I meet his
5:51:26eyes.
5:51:28He smiles.
5:51:30You know, I feel everything when you
5:51:32touch me, love. I can feel your
5:51:34excitement, your nervousness, your
5:51:37pleasure, and I love it. He says
5:51:39quietly. I love the way you respond to
5:51:43me. I love the way you want me. I feel
5:51:46it when you lose yourself, the way you
5:51:49trust me when we're together. And I feel
5:51:52your love for me, he whispers.
5:51:55I feel it in my bones.
5:51:58He turns away.
5:52:01I have loved you my entire life.
5:52:04>> He looks up, looks at me with so much
5:52:06feeling, it nearly breaks my heart.
5:52:10And after everything we've been through,
5:52:12after all the lies and the secrets and
5:52:14the misunderstandings, I feel like we've
5:52:17been given a chance to start fresh. I
5:52:20want to start over. He says, "I never
5:52:24want to lie to you again. I want us to
5:52:26trust each other and be true partners in
5:52:29everything.
5:52:31No more misunderstandings,
5:52:33he says. No more secrets. I want us to
5:52:36begin again here in this moment.
5:52:40I nod, pulling back so I can see his
5:52:44face more clearly. Emotions well in my
5:52:47throat threaten to overcome me. I want
5:52:51that, too. I want that so much.
5:52:55Ella,"
5:52:56>> he says, his voice rough with feeling.
5:53:00"I want to spend the rest of my life
5:53:02with you."
5:53:04>> My heart stops.
5:53:06I stare at him, uncertain thoughts
5:53:10pinwheeling in my head. I touch his
5:53:13cheek and he looks away, takes a sudden
5:53:15shaky breath.
5:53:17"What are you saying?" I whisper. "I
5:53:21love you, Ella. I love you more than
5:53:25Wow, you two seriously couldn't wait
5:53:27until we got back to base, huh? You
5:53:29couldn't spare my eyes.
5:53:31The sound of Kenji's voice pulls me
5:53:33suddenly, abruptly out of my head. I
5:53:36turn too quickly, awkwardly disengaging
5:53:39from Aaron's body. Aaron, on the other
5:53:42hand, goes suddenly white. Kenji throws
5:53:46a thin airplane pillow at him.
5:53:48>> "You're welcome," he says.
5:53:51Aaron checks the pillow back without a
5:53:53word, his eyes burning in Kenji's
5:53:55direction. He seems both shocked and
5:53:58angry, and he leans forward in his seat,
5:54:00his elbows balanced on his knees, the
5:54:02heels of his hands pressed against his
5:54:04eyes. You're a plague upon my life,
5:54:07Kishimoto.
5:54:09I said you're welcome. Aaron sigh
5:54:12heavily.
5:54:14What I would give to snap your neck
5:54:16right now, you have no idea. Hey, you
5:54:20have no idea what I just did for you,
5:54:22Kenji says. So, I'm going to repeat
5:54:25myself one more time. You are welcome. I
5:54:30never asked for your help. Kenji crosses
5:54:33his arms. When he speaks, he
5:54:35overannunciates each word like he might
5:54:37be talking to an idiot. I don't think
5:54:40you're thinking clearly. I'm thinking
5:54:43clearer than I ever have. You really
5:54:46thought that would be a good idea? Kenji
5:54:49says, shaking his head. Here now.
5:54:53Aaron's jaw clenches. He looks mutinous.
5:54:57Bro, this is not the moment. And when
5:55:00exactly did you become an expert on this
5:55:02sort of thing? I look between the two of
5:55:05them. What is going on? I say, "What are
5:55:09you guys talking about?"
5:55:11"Nothing," they say at the same time.
5:55:15"Um, okay." I stare at them, still
5:55:18confused, and I'm about to ask another
5:55:19question when Kenji says suddenly, "Who
5:55:22wants lunch?" My eyebrows shoot up my
5:55:25forehead. "We have lunch?" "It's pretty
5:55:28awful," Kenji says. "But Nazer and I
5:55:31have a picnic basket we brought with
5:55:33us." "Yeah."
5:55:35"I guess I'm up for trying the contents
5:55:37of the mystery basket." I smile at
5:55:39Aaron. Are you hungry? But Aaron says
5:55:42nothing. He's still staring at the
5:55:45floor. I touch his hand and finally he
5:55:48sigh.
5:55:50"I'm not hungry," he says. "Not an
5:55:53option," Kenji says sharply. "I'm pretty
5:55:56sure you haven't eaten a damn thing
5:55:58since you got out of fake prison." Aaron
5:56:01frowns, and when he looks up, he says,
5:56:03"It wasn't fake prison. It was a very
5:56:06real prison. They poisoned me for
5:56:09weeks." "What?" My eyes widen. You never
5:56:13took Kenji cuts me off with the wave of
5:56:15his hand. They gave you food, water, and
5:56:19let you keep the clothes on your back,
5:56:20didn't they? Yes, but he shrugs. Sounds
5:56:24like you had a little vacation.
5:56:27Aaron sigh. He looks both annoyed and
5:56:30exhausted as he runs a hand down the
5:56:32length of his face. I don't like it.
5:56:36Hey, why are you giving him such a hard
5:56:38time? I say frowning at Kenji. Just
5:56:42before he and Nazer showed up, you were
5:56:44going on and on about how wonderful he
5:56:46is. And Kenji swears suddenly under his
5:56:49breath. Jesus, Jay. He shoots me a dark
5:56:52look. What did I say to you about
5:56:54repeating that conversation out loud?
5:56:57Aaron sits up, the frustration in his
5:57:00eyes slowly giving way to surprise.
5:57:03You think I'm wonderful? he says, one
5:57:06hand pressed against his chest in mock
5:57:09affection. That's so sweet. I never said
5:57:13you were wonderful. Aaron tilts his
5:57:16head. Then what exactly did you say?
5:57:20Kenji turns away, says nothing. I'm
5:57:23grinning at Kenji's back when I say he
5:57:26said you looked good in everything and
5:57:29that you were good at everything.
5:57:32Aaron's smile deepens. Aaron almost
5:57:35never smiles widely enough for me to see
5:57:37his dimples, but when he does, they
5:57:39transform his face. His eyes light up.
5:57:42His cheeks go pink with feeling. He
5:57:45looks suddenly sweet, adorable.
5:57:48It takes my breath away.
5:57:51But he's not looking at me. He's looking
5:57:53at Kenji. His eyes full of laughter when
5:57:56he says, "Please tell me she's not
5:57:59serious." Kenji flips us both off. Aaron
5:58:03laughs and then leaning in.
5:58:06>> You really think I look good and
5:58:08everything?
5:58:09>> Shut up, Aaron laughs again.
5:58:12Stop having fun without me. Nazera
5:58:15shouts from the cockpit. No more making
5:58:18jokes until I put this thing on cruise
5:58:20control. I stiffen. Do planes have
5:58:24cruise control? Um. Kenji scratches his
5:58:27head. I don't actually know.
5:58:31But then Nazera saunters over to us,
5:58:34tall and beautiful and unbothered. She's
5:58:37not covering her hair today, which I
5:58:39suppose makes sense considering it's
5:58:41generally illegal. But I feel a faint
5:58:44panic spread through my body when I
5:58:46realize she's in no hurry to return to
5:58:48the cockpit.
5:58:50"Wait, no one is flying the plane," I
5:58:53say. "Shouldn't someone be flying the
5:58:55plane?"
5:58:57She waves me down. "It's fine. These
5:59:00things are practically automatic now
5:59:02anyway. I don't have to do any more than
5:59:05input coordinates and make sure
5:59:07everything is operating smoothly. But
5:59:10everything is fine, she says, shooting
5:59:14me a sharp look. We're fine, but someone
5:59:17needs to tell me what's going on.
5:59:20Are you sure we're fine? I ask once more
5:59:23quietly. She levels me with a dark look.
5:59:27I sigh.
5:59:29Well, in that case, I say, you should
5:59:32know that Kenji was just admiring
5:59:34Aaron's sense of style.
5:59:36Nazer turns to Kenji, raises a single
5:59:39eyebrow. Kenji shakes his head, visibly
5:59:42irritated. I wasn't. Damn it, Jay. You
5:59:45have no loyalty. I have plenty of
5:59:48loyalty, I say, slightly wounded. But
5:59:51when you guys fight like this, it
5:59:53stresses me out. I just want Aaron to
5:59:55know that secretly you care about him. I
5:59:59love you both and I want the two of you
6:00:00to be friend.
6:00:02>> Wait. Aaron frowns. What do you mean you
6:00:05love us both?
6:00:07I glance between him and Kenji,
6:00:09surprised. I mean, I care about both of
6:00:12you. I love you both. Right? Aaron says,
6:00:17hesitating. But you don't actually love
6:00:20us both. That's just a figure of speech,
6:00:23isn't it? It's my turn to frown.
6:00:26Kenji is my best friend, I say. I love
6:00:29him like a brother. But I love you, too,
6:00:33princess. Kenji says a little too
6:00:35loudly. And I appreciate you saying
6:00:37that. Aaron mutters something under his
6:00:40breath that sounds suspiciously like,
6:00:42"Unwashed, idiot." "What did you say to
6:00:46me?" Kenji's eyes widen. "I'll have you
6:00:49know I wash all the time."
6:00:53Nazer places a calming hand on Kenji's
6:00:55arm and he startles at her touch. He
6:00:59looks up at her, blinking.
6:01:01"We have another 5 hours ahead of us on
6:01:04this flight," she says, and her voice is
6:01:07firm but kind. So, I recommend we put
6:01:10this conversation to bed. I think it's
6:01:13clear to everyone that you and Warner
6:01:15secretly enjoy each other's friendship,
6:01:18and it's not doing anyone any good to
6:01:20pretend otherwise.
6:01:22Kenji Blanches.
6:01:24>> Does that sound like a reasonable plan?
6:01:27She looks around at all of us. Can we
6:01:30all agree that we're on the same team?
6:01:33Yes, I say enthusiastically. I do. I
6:01:36agree. Aaron says, "Fine." "Great,"
6:01:41Nazira says. Kenji, "You okay?" He nods
6:01:45and mumbles something under his breath.
6:01:48"Perfect. Now, here's the plan, she says
6:01:50briskly. We're going to eat and then
6:01:53take turns trying to get some sleep.
6:01:55We'll have a ton of things to deal with
6:01:57when we land, and it's best if we hit
6:01:59the ground running when we do. She
6:02:02tosses a few vacuum-sealed bags at each
6:02:04of us. That's your lunch. There are
6:02:06water bottles in the fridge up front.
6:02:08Kenji and I will take the first shift.
6:02:11No way, Kenji says, crossing his arms.
6:02:14You've been up for 24 hours straight.
6:02:16I'll take the first shift. But Warner
6:02:20and I will take the first shift
6:02:21together. Actually, Kenji shoots Warner
6:02:24a look. Isn't that right? Yes, of
6:02:27course, Aaron says. He's already on his
6:02:30feet. I'd be happy to. Great. Kenji
6:02:34says. Nazera is already stifling a yawn,
6:02:38pulling a bunch of thin blankets and
6:02:40pillows from a storage closet. All
6:02:42right, then. Just wake us up in a couple
6:02:45of hours, okay?
6:02:47Kenji raises an eyebrow at her. Sure,
6:02:50I'm serious. Yep, got it. Kenji offers
6:02:54her a mock salute. Aaron offers me a
6:02:57quick smile and the two of them
6:02:58disappear into the cockpit. Kenji closes
6:03:01the door behind them. I'm staring at the
6:03:04closed door, wondering what on earth is
6:03:06going on between the two of them when
6:03:08Nazer says, "I had no idea you two were
6:03:11so intense."
6:03:13I look up, surprised. Who? Me and Aaron.
6:03:17>> No, she says, smiling. You and Kenji.
6:03:22Oh, I frown. I don't think we're
6:03:25intense.
6:03:27She shoots me a funny look. I'm serious.
6:03:30I say, I think we have a pretty normal
6:03:33friendship.
6:03:34Instead of answering me, she says, "Did
6:03:37you two ever?" She waves a hand at
6:03:40nothing. Date? What? My eyes widen. A
6:03:45traitorous heat floods my body. No.
6:03:48Never, she says, her smile slow. Never.
6:03:52I swear. Not even close. Okay.
6:03:56Not that there's anything wrong with
6:03:58him. I hurried to add. Kenji is
6:04:00wonderful. The right person would be
6:04:02lucky to be with him. Nazer laughs
6:04:05softly. She carries the stack of pillows
6:04:08and blankets over to the row of airplane
6:04:10seats and begins reclining the backs. I
6:04:13watch her as she works. There's
6:04:15something so smooth and refined about
6:04:17her movements. Something intelligent in
6:04:19her eyes at all times. It makes me
6:04:22wonder what she's thinking, what she's
6:04:24planning, why she's here at all.
6:04:27Suddenly, she sigh. She's not looking at
6:04:30me when she says, "Do you remember me
6:04:32yet?"
6:04:34I raise my eyebrows, surprised.
6:04:37"Of course," I say quietly. She nods.
6:04:41She says, "I've been waiting a while for
6:04:44you to catch up." And sits down,
6:04:47inviting me to join her by patting the
6:04:49seat next to her. I do. Wordlessly, she
6:04:53hands me a couple of blankets and
6:04:55pillows. And then, when we're both
6:04:57settled in and I'm staring suspiciously
6:05:00at the vacuum-sealed package of food she
6:05:03threw at me, I say, "So, you remember
6:05:06me, too?"
6:05:08Nazer tears open her vacuum-sealed
6:05:10package, peers inside to study the
6:05:13contents. Emiline guided me to you, she
6:05:17says quietly. The memories, the
6:05:19messages, it was her.
6:05:23I know, I say. She's trying to unify us.
6:05:26She wants us to band together.
6:05:30Nazer shakes out the contents of the bag
6:05:32into her hand, picks through the bits of
6:05:34freeze-dried fruit. She glances at me.
6:05:38"You were five when you disappeared,"
6:05:40she says. Emiline was six. "I'm 6 months
6:05:44older than you and 6 months younger than
6:05:46Emiline."
6:05:48I nod. "The three of us used to be best
6:05:50friends."
6:05:53Nazer looks away, looks sad. "I really
6:05:56loved Emiline," she says. "We were
6:06:00inseparable. We did everything
6:06:02together."
6:06:03She shrugs even as a flash of pain
6:06:05crosses her face. That was all we got.
6:06:09Whatever we might have been was stolen
6:06:11from us.
6:06:13She picks out two pieces of fruit and
6:06:15pops them into her mouth. I watch as she
6:06:18chews thoughtfully and wait for more.
6:06:20But the seconds pass and she says
6:06:22nothing, and I figure I should fill the
6:06:24silence.
6:06:26So, I say, "We're not actually getting
6:06:29any sleep, are we?" That gets her to
6:06:31smile. Still, she doesn't look at me.
6:06:34Finally, she says, "I know you and
6:06:37Warner got the absolute worst of it." I
6:06:40do. But if it makes you feel any better,
6:06:43they wiped all of our memories in the
6:06:45beginning. I know. Emiline told me they
6:06:49didn't want us to remember you. She says
6:06:51they didn't want us to remember a lot of
6:06:53things. Did Emiline tell you she's
6:06:56reached out to all of us? You, me,
6:06:58Warner, my brother, all the kids.
6:07:02She told me a little bit. Yeah. Have you
6:07:04talked to any of the others about it?
6:07:06Nazer nods, pops another piece of fruit
6:07:09in her mouth. And she tilts her head.
6:07:14We'll see.
6:07:15My eyes widen. What does that mean? I'll
6:07:20know more when we land. That's all.
6:07:23So, how did you even know? I say,
6:07:26frowning a little. If you'd only ever
6:07:28had memories of me and Emiline as
6:07:30children, how did you tie it all back to
6:07:32the present? How did you know that I was
6:07:35Ella from our childhood?
6:07:37You know, I wasn't 100% positive I was
6:07:41right about everything until I saw you
6:07:42at dinner that first night on base. You
6:07:46recognized me? I say from when I was
6:07:48five.
6:07:50No, she says and nods at my right hand.
6:07:53From the scar on the back of your wrist.
6:07:56this," I say, lifting my hand. And then
6:08:00I frown, remembering that Eevee repaired
6:08:03my skin. I used to have faded scars all
6:08:06over my body. The ones on my hands were
6:08:08the worst. My adoptive mom put my hands
6:08:11in the fire once, and I hurt myself a
6:08:14lot while I was locked up. Lots of
6:08:16burns, lots of poorly healed wounds. I
6:08:19shake my head at Nazer when I say I used
6:08:23to have scars on my hand from my time in
6:08:25the asylum. Eevee got rid of them.
6:08:29Nazer takes my hand, flips it over so my
6:08:32palm is up open. Carefully she traces a
6:08:36line from my wrist to my forearm.
6:08:39Do you remember the one that was here?
6:08:42Yes. I raised my eyebrows.
6:08:45My dad has a really extensive sword
6:08:48collection, she says, dropping my hand.
6:08:52Really gorgeous blades, gilded,
6:08:54handmade, ancient, ornate stuff. Anyway,
6:08:58she says, tapping the invisible scar on
6:09:00my wrist. I did that to you. I broke
6:09:03into my dad's sword room and thought
6:09:06it'd be fun for us to practice a little
6:09:08hand-to-h hand combat, but I sliced you
6:09:11up pretty bad. and my mom just about
6:09:14beat the crap out of me. She laughs. I
6:09:17will never forget that.
6:09:20I frown at her at where my scar used to
6:09:23be. Didn't you say that we were friends
6:09:25when we were five? She nods. We were
6:09:29five and we thought it would be fun to
6:09:31play with real swords. She laughs, looks
6:09:35confused. I never said we had a normal
6:09:38childhood. Our lives were so messed up,
6:09:42she says and laughs again. I never
6:09:44trusted my parents. I always knew they
6:09:47were kneedeep in some dark I
6:09:50always tried to learn more. I'd been
6:09:53trying for years to hack into Baba's
6:09:55electronic files, she says. And for a
6:09:57long time, I only ever accessed basic
6:10:00information. I learned about the
6:10:03asylums, the unnaturals.
6:10:06That's why you hid your abilities from
6:10:08them, I say, finally understanding.
6:10:12She nods.
6:10:14But I wanted to know more. I knew I was
6:10:17only scratching the surface of something
6:10:19big, but the levels of security built
6:10:22into my dad's account are unlike
6:10:23anything I'd ever seen before. I was
6:10:26able to get through the first few levels
6:10:28of security, which is how I learned of
6:10:30yours and Emiline's existence a few
6:10:33years back. Baba had tons of records,
6:10:36reports on your daily habits and
6:10:38activities, a log with the time and date
6:10:41of every memory they stole from you, and
6:10:44they were all from recent years and
6:10:45months.
6:10:47I gasp.
6:10:49Nazer shoots me a sympathetic look.
6:10:53There were brief mentions of a sister in
6:10:55your files, she says, but nothing
6:10:58substantial. mostly just a note that you
6:11:01were both powerful and had been donated
6:11:03to the cause by your parents. But I
6:11:06couldn't find anything on the unknown
6:11:08sister, which made me think that her
6:11:10files were more protected. I spent the
6:11:13last couple of years trying to break
6:11:15into the deeper levels of Baba's account
6:11:17and never had any success. So, I let it
6:11:21go for a while. She pops another piece
6:11:24of dried fruit in her mouth. It wasn't
6:11:26until my dad started losing his mind
6:11:29after you almost killed Anderson that I
6:11:32started getting suspicious.
6:11:34That was when I began to wonder if the
6:11:36Juliet Ferrars he kept screaming about
6:11:39wasn't someone important.
6:11:41She studies me out of the corner of her
6:11:43eye.
6:11:45I knew you couldn't have been some
6:11:46random unnatural. I just knew it. Baba
6:11:50went ballistic. So, I started hacking
6:11:53again.
6:11:55Wow, I say. Yeah, she says, nodding.
6:11:59Right. Anyway, all I'm trying to say is
6:12:02that I've been trying to sniff out the
6:12:04in this situation for a few
6:12:06years, and now with Emiline in my head,
6:12:09I'm finally getting close to figuring it
6:12:12all out. I glance up at her. The only
6:12:16thing I still don't know is why Emiline
6:12:19is locked up. I don't know what they're
6:12:21doing with her, and I don't understand
6:12:24why it's such a secret.
6:12:27I do, I say.
6:12:30Her head snaps up. She looks at me
6:12:32wideeyed.
6:12:34Way to be the lead, Ella.
6:12:37I laugh,
6:12:39but the sound is sad.
6:12:44Warner.
6:12:47As soon as we take our seats, Kenji
6:12:49turns on me. "You want to tell me what
6:12:51the hell is going on?" he says. "No."
6:12:55Kenji rolls his eyes. He rips open his
6:12:58little snack bag and doesn't even
6:13:00inspect the contents before he tips the
6:13:02bag directly into his mouth. He closes
6:13:05his eyes as he chews, makes little
6:13:07satisfied noises. I managed to fight the
6:13:10impulse to cringe, but I can't stop
6:13:12myself from saying, "You eat like a
6:13:14caveman." "No, I don't," he says
6:13:17angrily. And then a moment later, "Do
6:13:20I?"
6:13:22I hesitate, feeling his sudden wave of
6:13:25embarrassment. "Of all the emotions I
6:13:28hate experiencing, secondhand
6:13:30embarrassment might be the worst. It
6:13:32hits me right in the gut. Makes me want
6:13:34to turn my skin inside out. And it's by
6:13:37far the easiest way to make me
6:13:39capitulate.
6:13:41No, I say heavily. You don't eat like a
6:13:43caveman. That was unfair.
6:13:46Kenji glances at me. There's too much
6:13:49hope in his eyes. I've just never seen
6:13:52anyone eat food with as much enthusiasm
6:13:54as you do. Kenji raises an eyebrow. I'm
6:13:58not enthusiastic. I'm hungry.
6:14:01Carefully, I tear open my own package,
6:14:03shake out a few bits of the fruit into
6:14:05my open hand. They look like desiccated
6:14:08worms. I return the fruit to the bag,
6:14:11dust off my hands, and offer my portion
6:14:13to Kenji. "You sure?" he says, even as
6:14:16he takes it from me. I nod. He thanks
6:14:19me. We both say nothing for a while.
6:14:23So, Kenji says finally, still chewing.
6:14:27You were going to propose to her? Wow.
6:14:32I exhale a long, heavy breath. How you
6:14:36could have even known something like
6:14:38that? Because I'm not deaf. I raise my
6:14:41eyebrows. It echoes in here. It
6:14:44certainly does not echo in here. Stop
6:14:46changing the subject, he says, shaking
6:14:48more fruit into his mouth. The point is,
6:14:51you were going to propose. Do you deny
6:14:53it?
6:14:54I look away when a hand along the side
6:14:57of my neck massaging the sore muscles.
6:15:00I do not deny it, I say. Then
6:15:03congratulations and yes, I'd be happy to
6:15:06be your best man at the wedding. I look
6:15:08up, surprised. I have no interest in
6:15:10addressing the latter part of what you
6:15:12just said, but why offer
6:15:14congratulations? I thought you were
6:15:16vehemently opposed to the idea. Kenji
6:15:19frowns. What? I'm not opposed to the
6:15:22idea. Then why were you so angry? I
6:15:25thought you were stupid for doing it
6:15:26here, he says. Right now? I didn't want
6:15:30you to do something you would regret.
6:15:32That you'd both regret.
6:15:34Why would I regret proposing right now?
6:15:36This seems as good a time as any. Kenji
6:15:39laughs, but somehow manages to keep his
6:15:42mouth closed. He swallows another bite
6:15:44of food and says, "Don't you want to
6:15:46like, I don't know, buy her some roses,
6:15:49light a candle, maybe hand her a box of
6:15:52chocolates or some Or hell, I
6:15:54don't know. Maybe you'd want to get her
6:15:57a ring first." I don't understand. Come
6:16:01on, bro. Have you never seen like a
6:16:04movie? No. Genji stares at me
6:16:08dumbfounded.
6:16:09You're me, he says. Please tell
6:16:12me you're me. I bristle. I was
6:16:16never allowed to watch movies growing
6:16:17up, so I never picked up the habit. And
6:16:19after the reestablishment took over,
6:16:21that sort of thing was outlawed anyway.
6:16:23Besides, I don't enjoy sitting still in
6:16:24the dark for that long. And I don't
6:16:26enjoy the emotional manipulations of
6:16:28cinema. Kenji brings his hands to his
6:16:30face, his eyes wide with something like
6:16:32horror. You have got to be kidding me.
6:16:36Why would I don't understand why that's
6:16:38strange. I was homeschooled. My father
6:16:40was very There are so many things about
6:16:43you that never made sense to me, Kenji
6:16:45says, staring flabbergasted at the wall
6:16:47behind me. Like everything about you is
6:16:50weird, you know. No, I say sharply. I
6:16:54don't think I'm weird. But now it all
6:16:56makes sense, he shakes his head. It all
6:17:00makes so much sense.
6:17:02Wow, who knew? What makes sense? Genji
6:17:07doesn't seem to hear me. Instead, he
6:17:09says, "Hey, is there anything else
6:17:11you've never done? Like, I don't know.
6:17:14Have you ever gone swimming?" Or like
6:17:16blown out candles on a birthday cake.
6:17:18"Of course I've been swimming," I say,
6:17:20irritated. Swimming was an important
6:17:22part of my tactical training, but I've
6:17:24never, I clear my throat. "No, I'd never
6:17:28had my own birthday cake." "Jesus,
6:17:31what is wrong with you?" "Hey," Kenji
6:17:35says suddenly.
6:17:37Do you even know who Bruce Lee is?
6:17:40I hesitate.
6:17:42There's a challenge in his voice, but
6:17:44Kenji isn't generating much more in the
6:17:46way of emotional cues, so I don't
6:17:49understand the importance of the
6:17:50question. Finally, I say Bruce Lee was
6:17:54an actor, though he's also considered to
6:17:57be one of the greatest martial artists
6:17:58of our time. He founded a system of
6:18:00martial arts called Jet Kundo, a type of
6:18:03Chinese kung fu that issues patterns and
6:18:05form. His Chinese name is Liun.
6:18:09Well, Kenji says. He sits back in
6:18:12his chair, staring at me like I might be
6:18:14an alien. Okay, I wasn't expecting that.
6:18:19What does Bruce Lee have to do with
6:18:21anything? First of all, he says, holding
6:18:24up a finger. Bruce Lee has everything to
6:18:27do with everything. And second of all,
6:18:30can you just like do that? He snaps his
6:18:33fingers in the direction of my head. Can
6:18:35you just like remember like that?
6:18:37Random facts? They're not random facts.
6:18:40It's information. Information about our
6:18:42world, its fears, histories,
6:18:44fascinations, and pleasures. It's my job
6:18:46to know this sort of thing. But you've
6:18:49never seen a single movie? I didn't have
6:18:51to. I know enough about pop culture to
6:18:53know which films mattered or made a
6:18:55difference. Kenji shakes his head, looks
6:18:58at me with something like awe. But you
6:19:01don't know anything about the best
6:19:03films. You never saw the really good
6:19:05stuff. Hell, you've probably never even
6:19:08heard of the good stuff. Try me. Have
6:19:10you ever heard of Blue Streak? I blink
6:19:13at him. That's the name of a movie.
6:19:16Romeo Almost Die, Bad Boys, Rush Hour,
6:19:19Rush Hour 2, Rush Hour 3. Actually, Rush
6:19:22Hour 3 wasn't that great. Tangled. That
6:19:25last one, I believe, is a cartoon about
6:19:27a girl with very long hair inspired by
6:19:29the German fairy tale Rapunzel.
6:19:32Kenji looks like he might be choking. "A
6:19:35cartoon?" he says, outraged. "Tangled is
6:19:38not a cartoon. Tangled is one of the
6:19:41greatest movies of all time. It's about
6:19:43fighting for freedom and true love."
6:19:45"Please," I say, running a tired hand
6:19:48across my face. "I really don't care
6:19:50what kinds of cartoons you like to watch
6:19:51in your free time. I only want to know
6:19:53why you're so certain I was making a
6:19:55mistake today.
6:19:58Genji sigh so deeply, his shoulders sag.
6:20:01He slumps down in his chair. I can't
6:20:04believe you've never seen men in black
6:20:06or Independence Day. He looks up at me,
6:20:09his eyes bright. you'd love
6:20:11Independence Day. Will Smith punches an
6:20:14alien in the face for God's sake. It's
6:20:16so good. I stare blankly at him. My dad
6:20:20and I used to watch movies all the time,
6:20:23he says quietly. My dad loved movies.
6:20:27Kenji only allows himself to feel his
6:20:29grief for a moment, but when he does, it
6:20:33hits me in a wild, desperate wave.
6:20:37I'm so sorry for your loss, I say
6:20:40quietly.
6:20:41Yeah, well. Kenji runs a hand over his
6:20:44face, rubs at his eyes, and sigh.
6:20:47Anyway, [snorts] do whatever you want. I
6:20:49just think you should buy her a ring or
6:20:51something before you get down on one
6:20:52knee. I wasn't planning on getting down
6:20:54on one knee. What? He frowns. Why not?
6:20:59That seems illogical. Kenji laughs,
6:21:02rolls his eyes. Listen, just trust me,
6:21:04and at least pick out a ring first. Let
6:21:07her know you actually thought about it.
6:21:10Think it through for a beat. You know, I
6:21:12did think it through for what, 5
6:21:15seconds? Or did you mean that you were
6:21:17planning this proposal while you were
6:21:18being poisoned in prison? Kenji laughs.
6:21:21Bro, you literally saw her for the first
6:21:24time today, like 2 hours ago, after 2
6:21:28weeks of being apart. And you think
6:21:29proposing to her is a rational,
6:21:31clear-headed move. Kenji shakes his
6:21:33head. Just take some time, think about
6:21:36it, make some plans.
6:21:39And then suddenly, his reaction makes
6:21:42sense to me.
6:21:44You don't think she's going to say yes?
6:21:47I sit back, stunned. Look at the wall.
6:21:51You think she'll refuse me? What? I
6:21:53never said that. But it's what you
6:21:55think, isn't it? Listen, he says, and
6:21:59sigh. I have no idea what she'll say. I
6:22:02really don't. I mean, I think it's more
6:22:04than obvious that she loves you. And I
6:22:06think if she's ready to call herself the
6:22:08Supreme Commander of North America,
6:22:09she's probably ready to handle something
6:22:11as big as this. But he rubs his chin,
6:22:14looks away. I mean, yeah, I think maybe
6:22:17you should like think about it for a
6:22:20minute. I stare at him, consider his
6:22:23words.
6:22:25Finally, I say,
6:22:27"You think I should get her a ring?"
6:22:30Kenji smiles at the floor. He seems to
6:22:33be fighting back a laugh. Uh, yeah, I
6:22:36do. I don't know anything about jewelry.
6:22:40He looks up, his eyes bright with humor.
6:22:42Don't worry, I'm sure the files in that
6:22:44thick head of yours have tons of
6:22:45information on this sort of thing. But
6:22:48the plane gives a sudden unexpected
6:22:50jolt, and I'm thrown backward in my
6:22:51seat. Kenji and I stare at each other
6:22:54for a protracted second. Caution giving
6:22:56way to fear. Fear building slowly into
6:22:58panic. The plane jolts again, this time
6:23:01harder. And then once more. That's not
6:23:04turbulence, I say. Kenji swears loudly
6:23:08and jumps to his feet. He scans the
6:23:10dashboard for a second before turning
6:23:12back, his head in a vicelike grip
6:23:13between his hands. I can't read these
6:23:15dials, he says. I have no idea how to
6:23:18read these goddamn dials. I shove the
6:23:20cockpit door open just as Nazer runs
6:23:22forward. She pushes her way past me to
6:23:24scan the dashboard. And when she pulls
6:23:26away, she looks suddenly terrified.
6:23:29We've lost one of our engines, she says,
6:23:32her words barely a whisper. Someone is
6:23:34shooting us out of the sky. What? How is
6:23:37that? But there's no time to discuss it.
6:23:40And Nazer and I hardly have a chance to
6:23:42try to figure out a way to fix it before
6:23:44the plane jolts once more. And this
6:23:46time, the emergency oxygen masks fall
6:23:48out of their overhead compartments.
6:23:50Sirens are wailing. Lights overhead
6:23:52blink rapidly, insistent. Sharp beeps
6:23:55warning us that the system is crashing.
6:23:57We have to try to land the plane, Zer is
6:23:59saying. We have to figure out she
6:24:02says. She covers her mouth with one
6:24:04hand. We just lost another engine. So,
6:24:08we're just going to fall out of the
6:24:09goddamn sky. This from Kenji. We can't
6:24:14land the plane, I say, my heart beating
6:24:16furiously, even as I try to keep a level
6:24:18head. Not like this. Not when we're
6:24:20missing two engines. Not while they're
6:24:22still shooting at us. So, what do we do?
6:24:25She says. It's Ella at the door who says
6:24:28quietly.
6:24:30We have to jump.
6:24:35Ella,
6:24:38what? The three of them turned to face
6:24:41me. What are you talking about? Kenji
6:24:44says, "Love, that's really not a good
6:24:46idea. We don't have any parachutes on
6:24:49this plane, and without them, no, she's
6:24:51right." Nazera says carefully. She's
6:24:54looking me in the eye. She seems to
6:24:56understand what I'm thinking. It'll
6:24:59work, I say. Don't you think? Honestly,
6:25:02I have no idea, she says. But it's
6:25:05definitely worth a shot. It might be our
6:25:07only shot.
6:25:09Kenji is beginning to pace. Okay,
6:25:12someone needs to tell me what the hell
6:25:13is going on. Aaron has gone pale. Love,
6:25:17he says again. What? Nazera can fly, I
6:25:21explain. If we all find a way to secure
6:25:24ourselves to one another, she can use
6:25:26her powers to bolster us. You can use
6:25:28your power to bolster her power. And
6:25:31because there's little chance either of
6:25:32you could use that much of your strength
6:25:35while still carrying our combined
6:25:36weight, we'll eventually slowly be
6:25:40dragged down to the ground.
6:25:43Nazer glances at the dash again. We're
6:25:468,000 ft in the air and losing altitude
6:25:48quickly. If we're going to do this, we
6:25:50should jump now while the plane is still
6:25:52relatively stable. Wait, where are we?
6:25:57Kenji says, "Where are we going to land?
6:26:01I'm not sure, she says, but it looks
6:26:03like we're somewhere over the general
6:26:05vicinity of sectors 200 through 300. She
6:26:09looks at Aaron. Do you have any friends
6:26:12in this region? Aaron shoots her a dark
6:26:15look. I have friends nowhere. Zero
6:26:19people skills, Kenji mutters. We're out
6:26:22of time, I say. Are we going to do this?
6:26:25I guess so. It's the only plan we've
6:26:28got, Kenji says.
6:26:31I think it's a solid plan, Aaron says
6:26:33and shoots me a hesitant but encouraging
6:26:36look. But I think we should find a way
6:26:39to strap ourselves together. Some kind
6:26:41of harness or something so we don't lose
6:26:44each other in the air. We don't have
6:26:46time for that. Nazera's calm is quickly
6:26:50giving way to panic. We'll just have to
6:26:52hold on tight.
6:26:54Kenji nods and with a sudden heave
6:26:57shoves open the airplane door. Air
6:27:00rushes in fast and hard, nearly knocking
6:27:02us off our feet. Quickly, we all link
6:27:05arms, Nazer and Aaron holding up the
6:27:08outer edges, and with a few reassuring
6:27:10shouts through the howling wind, we
6:27:13jump.
6:27:15It's a terrifying sensation.
6:27:19The wind pushes up fast and hard and
6:27:22then all at once stills. We seem to be
6:27:25frozen in time, worring in place, even
6:27:28as we watch the jet fall steadily into
6:27:31the distance. Nazer and Aaron appear to
6:27:34be doing their jobs almost too well.
6:27:36We're not falling fast enough, and not
6:27:38only is it freezing up here, oxygen is
6:27:41scarce. "I'm going to drop my hold on
6:27:44your power," Aaron calls out to Nazera.
6:27:47and she shouts back her agreement.
6:27:50Slowly, we begin to descend.
6:27:53I watch as the world blurs around us. We
6:27:56drift downward, unhurried, the wind
6:27:58pushing hard against our feet. And then,
6:28:01suddenly, the bottom seems to drop out
6:28:04from under us, and we go shooting down
6:28:06hard into the terrain below. I give out
6:28:09a single terrified scream. Or was that
6:28:12Kenji? before we pull to a sudden stop a
6:28:16foot above the ground. Aaron squeezes my
6:28:19arm and I look at him, grateful for the
6:28:21catch. And then we fall to the ground. I
6:28:26land badly on my ankle and wse, but I
6:28:28can put weight on my foot, so I know
6:28:30it's all right. I look around to assess
6:28:32the state of my friends, but realize too
6:28:35late that we're not alone. We're in a
6:28:38vast, wide open field. This was once
6:28:42upon a time almost certainly farmland,
6:28:44but it's now been reduced to little more
6:28:46than ash. In the distance appears a thin
6:28:49band of people quickly closing in on us.
6:28:52I harness my powers, ready to fight,
6:28:55ready to face whatever comes our way.
6:28:58Energy is thrumming inside me, sparking
6:29:00in my blood.
6:29:02I am not afraid.
6:29:05Aaron puts his arm around me, pulls me
6:29:07close. Together, he whispers. No matter
6:29:11what.
6:29:14Finally, after what feels like
6:29:16immeasurable minutes, two bodies
6:29:18separate from their group. Slowly, they
6:29:21walk up to us. My whole body is tense in
6:29:24preparation for an attack, but as they
6:29:26get closer, I'm able to discern their
6:29:29faces. They're two adults. One, a
6:29:32slender, stunning woman with closely
6:29:34cropped hair and skin so dark it gleams.
6:29:38She's luminous as she walks, her smile
6:29:40widening with every step. Beside her is
6:29:44another smiling face, but the familiar
6:29:46sight of his brown skin and long
6:29:48dreadlocks sends shock and panic and
6:29:51hope rushing through me. I feel dazed.
6:29:55Castle.
6:29:57His presence here could be either good
6:29:59or bad. A thousand questions run through
6:30:02my mind. Among them, what is he doing
6:30:05here? How did he get here? The last time
6:30:08I saw him, I didn't think he was on my
6:30:10side at all. Has he turned against us
6:30:13completely?
6:30:15The woman is the first to speak.
6:30:18I'm glad to see you're all right, she
6:30:20says. I'm afraid we had no choice but to
6:30:23shoot your plane out of the sky.
6:30:26What? What are you, Castle?
6:30:30Kenji's quiet, tentative voice reaches
6:30:32out from behind me. Castle steps forward
6:30:36just as Kenji moves toward him, and the
6:30:38two embrace, Castle pulling him in so
6:30:41tightly, I can practically feel the
6:30:43tension from where I'm standing. They're
6:30:46both visibly emotional, and the moment
6:30:48is so touching, it puts my fears at
6:30:50ease.
6:30:52You're okay, Kenji says. I thought.
6:30:56Hater and Stefan, the son of the Supreme
6:30:58Commander of Africa, step out of the
6:31:01crowd. Shock seizes my body at the sight
6:31:04of them. They nod at Nazera and the
6:31:07three of them separate to form a new
6:31:09group off to the side. They speak in
6:31:12low, hurried whispers.
6:31:14Castle takes a deep breath. We have a
6:31:18lot to talk about. And then to me he
6:31:21says, "Ella, I'd like you to meet my
6:31:24daughter, Noria."
6:31:27My eyebrows fly up my forehead. I glance
6:31:31at Aaron, who seems as stunned as I am,
6:31:34but Kenji lets out a sudden whoop and
6:31:36tackles Castle all over again. The two
6:31:39of them laugh. Kenji is saying, "No way.
6:31:43No way."
6:31:45Noria pointedly ignores them and smiles
6:31:48at me. We call our home the sanctuary,
6:31:51she says. My wife and I are the leaders
6:31:54of the resistance here. Welcome.
6:31:58Another woman separates from the crowd
6:31:59and steps forward. She's petite with
6:32:02long blonde hair. She shakes my hand.
6:32:06It's an honor to meet you, she says. My
6:32:09name is Samantha.
6:32:11I study both of them. Noria and Samantha
6:32:15standing side by side. Castle's
6:32:17happiness, the smile on Kenji's face,
6:32:20the cluster of Nazera, Hater, and Stefan
6:32:23off to the side, the larger group
6:32:25crowded in the distance.
6:32:28The honor is ours, I say and smile.
6:32:31Then, but are we safe out here out in
6:32:34the open like this? Noria nods.
6:32:38My powers allow me to manipulate light
6:32:41in unusual ways, she says. I've cast a
6:32:45protective shield around us right now so
6:32:47that if someone were to look in our
6:32:49direction, they'd see only a painful
6:32:51brightness that would force them to look
6:32:53away.
6:32:55Whoa. Kenji's eyes widen. That's cool.
6:32:59Thank you, Maria says. She's practically
6:33:03emanating light, her dark brown skin
6:33:05shimmering even as she stands still.
6:33:08There's something breathtaking about
6:33:10just being near her.
6:33:12Are those your people?
6:33:14>> I hear Aaron say, speaking for the first
6:33:17time. He's peering over her head at the
6:33:20small crowd in the distance. She nods.
6:33:23And are they here to make sure we don't
6:33:25hurt you? Noria smiles. They're here to
6:33:29make sure no one hurts you, she says.
6:33:33Your group is welcome here. You've more
6:33:36than proven yourselves worthy. And then
6:33:39we've heard all the stories about sector
6:33:4145.
6:33:43You have, I say, surprised. I thought
6:33:46the reestablishment buried everything.
6:33:49Noria shakes her head. Whispers travel
6:33:52faster than anyone can control. The
6:33:55continent is buzzing with the news of
6:33:57all you've been doing these past couple
6:33:59of months. It's truly a privilege to
6:34:01meet you. She says to me and holds out
6:34:04her hand. I've been so inspired by your
6:34:07work.
6:34:09I take her hand, feeling at once proud
6:34:11and embarrassed.
6:34:13Thank you, I say quietly. That's very
6:34:17kind of you.
6:34:19But then Ria's eyes grow somber. I am
6:34:23sorry we had to shoot you out of the
6:34:25sky, she says. That must have been
6:34:27terrifying. But Castle assured me that
6:34:30there were two among you who would be
6:34:31able to fly. Wait, what?
6:34:35Kenji hazards a look at Castle. You
6:34:37planned this? It was the only way, he
6:34:41says. Once we were able to get free of
6:34:43the asylum, he nods gratefully at
6:34:46Nazera. I knew the only place left for
6:34:49us was here with Noria.
6:34:52But we couldn't have radioed to tell you
6:34:54to land here. Our communication would
6:34:56have been intercepted, and we couldn't
6:34:58have you land at the air base for
6:35:00obvious reasons. So, we've been tracking
6:35:03your plane, waiting for the right
6:35:05moment. Shooting you out of the sky
6:35:07punts the problem straight back to the
6:35:09military. They'll think it was action
6:35:11from another unit, and by the time they
6:35:14begin to figure it out, we'll have
6:35:16destroyed all evidence of our being
6:35:18here.
6:35:20So, wait, I say, how did you and Noria
6:35:24coordinate this? How'd you find each
6:35:27other? And then, "Castle, if you've
6:35:30abandoned the citizens, won't Anderson
6:35:33just murder them all? Shouldn't you have
6:35:35stayed to protect them? Tried to fight
6:35:37back?" He shakes his head. We had no
6:35:41choice but to evacuate Omega point
6:35:43members from sector 45. After the two of
6:35:46you, he nods at me and Aaron were taken.
6:35:50Things fell into complete chaos. We were
6:35:53all taken hostage and thrown in prison.
6:35:56It was only because of Nazera who
6:35:58connected us with Hater and Stefon that
6:36:01we were able to make our way here.
6:36:03Sector 45 has since been returned to its
6:36:06original state as a prison.
6:36:09Castle takes a tight breath. There's a
6:36:12great deal we need to share with each
6:36:13other. So much has happened in the last
6:36:16two weeks. It'll be impossible to
6:36:18discuss it all quickly. But it is
6:36:21important that you know right now a
6:36:24little bit about Noria's role in all
6:36:25this. He turns to Noria and gives her a
6:36:29small nod. Noria looks me in the eye and
6:36:32says, "That day you were shot on the
6:36:35beach," she says quietly. "Do you
6:36:37remember?" I hesitate. "Of course."
6:36:43"I was the one who issued that order
6:36:45against you."
6:36:47I'm so stunned I visibly flinch.
6:36:51What? Aaron steps forward, outraged.
6:36:55Castle, are you insane? You ask us to
6:36:58take refuge in the home of a person who
6:37:00nearly murdered Ella. He turns back,
6:37:04stares at me with a wild look in his
6:37:05eyes. How could you, Castle? There's a
6:37:10warning in Kenji's voice. What is going
6:37:12on?
6:37:14But Noria and Castle are staring at each
6:37:16other and a heavy look passes between
6:37:19them. Finally, Castle sigh.
6:37:23Let's get settled before we keep
6:37:25talking. He says, "This is a long
6:37:28conversation, and it's an important one.
6:37:32Let's have it now." Aaron says. "Yes,"
6:37:36Kenji says angrily. "Now."
6:37:39"She tried to murder me," I say, finally
6:37:42finding my voice. Why would you bring me
6:37:44here? What are you trying to do? You've
6:37:47had a long, difficult journey. Castle
6:37:50says, "I want you to have a chance to
6:37:52get settled, take a shower, and eat some
6:37:55food, and then I promise we'll give you
6:37:58all the answers you want." But how can
6:38:01we trust that we'll be safe? I say, "How
6:38:03can we know Noria isn't trying to hurt
6:38:05us?" "Because," she says steadily, "I
6:38:10did what I did to help you." And how is
6:38:13that plausible? Aaron says sharply. It
6:38:17was the only way I knew how to get a
6:38:19message to you. Noria says, still
6:38:22staring at me. I was never trying to
6:38:25kill you, and I knew that your own
6:38:27defenses would help protect you from
6:38:29certain death. That was a dangerous bet
6:38:31to make. Believe me, she says quietly,
6:38:36it was a difficult decision to make. It
6:38:38came at great cost to us. We lost one of
6:38:41our own in the process.
6:38:44I feel myself tense, but otherwise
6:38:46betray no emotion.
6:38:48I remember the day Nazer saved me, the
6:38:51day she killed my asalent.
6:38:53But I had to reach you, Noria says, her
6:38:57dark brown eyes deep with feeling. It
6:39:00was the only way I could do it without
6:39:02rousing suspicion.
6:39:05My curiosity beats out my skepticism for
6:39:08the moment.
6:39:10So why? Why did you do it? I ask. Why
6:39:14poison me?
6:39:17Unexpectedly, Noria smiles. I needed you
6:39:20to see what I saw. And according to
6:39:23Castle, it worked.
6:39:26What worked,
6:39:28Ella? She hesitates. May I call you by
6:39:31your real name? I blink. Stare at
6:39:34Castle. You told her about me. He didn't
6:39:38have to. Things don't stay secret for
6:39:41very long around here. Noria says, "No
6:39:44matter what the reestablishment has, you
6:39:47believe, we're all finding ways to pass
6:39:50messages to each other. All the
6:39:52resistance groups across the globe know
6:39:54the truth about you by now, and they
6:39:57love you more for it."
6:39:59"I don't know what to say."
6:40:02"Ella," she says softly. I was able to
6:40:06figure out why your parents have kept
6:40:08your sister a secret for so long and I
6:40:11just wanted to. I already know. I'd say
6:40:15the words coming out quietly.
6:40:18I haven't talked to anyone about this
6:40:20yet. Haven't told a soul.
6:40:23There's been no time to discuss
6:40:24something this big. No time to have a
6:40:26long conversation.
6:40:28But I guess we're going to have it now.
6:40:31Noria is staring at me, stunned.
6:40:35You know,
6:40:37Emiline told me everything.
6:40:40A hush falls over the crowd. Everyone
6:40:42turns to look at me. Even hater, Stefon,
6:40:45and Nazer finally stopped talking
6:40:47amongst themselves long enough to stare.
6:40:50She's kept in captivity, I say. She
6:40:52lives in a holding tank where she exists
6:40:54almost permanently underwater. Her brain
6:40:57waves are connected to tidal turbines
6:40:59that convert the kinetic energy of her
6:41:01mind into electricity. Eevee, my mother,
6:41:05found a way to harness that electricity
6:41:07and project it outward all over the
6:41:09world. I take a deep breath.
6:41:13Emiline is stronger than I've ever been
6:41:16or ever will be. She has the power to
6:41:19bend the minds of the people. She can
6:41:21warp and distort realities here,
6:41:24everywhere.
6:41:27Kenji's face is a perfect encapsulation
6:41:30of horror and his expression is
6:41:32reflected on dozens of other faces
6:41:34around me. Nazira, on the other hand,
6:41:37looks stricken.
6:41:39What you see here, I say, around us, the
6:41:43decay of society, the broken atmosphere,
6:41:45the birds gone from the sky, it's all an
6:41:48illusion. It's true that our climate has
6:41:51changed. Yes, we've done serious damage
6:41:53to the atmosphere, to the animals, to
6:41:56the planet as a whole. But that damage
6:41:58is not irreparable.
6:42:01Scientists were hopeful that with a
6:42:03careful, concerted effort, we could fix
6:42:06our Earth, save the future. But the
6:42:09reestablishment didn't like that angle.
6:42:11He says they didn't want the people to
6:42:14hope. They wanted people to think that
6:42:16our earth was beyond salvation. And with
6:42:19Emiline, they were able to do just that.
6:42:22Why? Kenji says stunned. Why would they
6:42:26do that? What do they gain? Desperate,
6:42:30terrified people, Noria says solemnly,
6:42:33are much easier to control. They used
6:42:36Ella's sister to create the illusion of
6:42:39irreversible devastation. And then they
6:42:42prayed upon the weak and the hopeless
6:42:44and convinced them to turn to the
6:42:46reestablishment for support.
6:42:48Emiline and I were designed for
6:42:51something called operation synthesis.
6:42:54She was meant to be the architect of the
6:42:56world and I was to be the executioner.
6:42:59But Emiline is dying. They need another
6:43:02powerful weapon with which to control
6:43:05the people. A contingency, a backup
6:43:08plan. Aaron takes my hand.
6:43:12The reestablishment wanted me to replace
6:43:14my sister. I say
6:43:17for the first time Noria has gone still.
6:43:22No one knew this part. No one but me.
6:43:25How? She says you have such different
6:43:29abilities.
6:43:31It's Castle who says it's easy to
6:43:34imagine actually. But he looks
6:43:37terrified.
6:43:38If they were to magnify Ella's powers
6:43:41the way they did her sisters, she would
6:43:43become the equivalent of a human atom
6:43:46bomb. She could cause mass destruction,
6:43:50excruciating pain, death when they
6:43:53please across tremendous distances.
6:43:57We have no choice. Nazer's voice rings
6:44:00out sharp and clear. We have to kill
6:44:03Eevee.
6:44:05And I'm looking out far into the
6:44:07distance when I say quietly,
6:44:10"I already did."
6:44:13A collective gasp goes through the
6:44:15crowd. Aaron goes still beside me.
6:44:20And now I say, I have to kill my sister.
6:44:24It's what she wants. It's the only way.
6:44:30>> Warner.
6:44:33Nura's headquarters are both strange and
6:44:36beautiful. They have no need to hide
6:44:39underground because she's found a way to
6:44:41imbue objects with her power. An
6:44:43evolution of our abilities even Castle
6:44:45hadn't foreseen. The sanctuary's
6:44:48campsite is protected by a series of
6:44:5020ft tall pole lights that border the
6:44:52edges of the clearing. Fused with Nura's
6:44:55power, the lights work together as a
6:44:57barrier that makes it impossible to look
6:44:59in the direction of their campsite. She
6:45:01says her abilities not only have the
6:45:03power to blind, but that she can also
6:45:06use light to warp sounds. So, they live
6:45:09here out in the open, their words and
6:45:12actions protected in plain sight. Only
6:45:15those who know the location can find
6:45:17their way here. Nura says that the
6:45:20illusion has kept them safe for years.
6:45:24The sun begins its descent as we make
6:45:26our way toward the campsite. The vast,
6:45:28unusually green field dotted with cream
6:45:31colored tents. And the scene is so
6:45:34breathtaking. I can't help but stop to
6:45:36appreciate the view. Fire streaks across
6:45:39the sky, golden light flooding the air
6:45:41and earth. It feels both beautiful and
6:45:44bleak. And I shiver as a gust of wind
6:45:47wraps around my body.
6:45:50Ella takes my hand. I look at her,
6:45:52surprised, and she smiles at me, the
6:45:55fading sun glinting in her eyes.
6:45:58I feel her fear, her hope, her love for
6:46:01me. But there's something else, too.
6:46:05Something like pride.
6:46:07It's faint, but it's there. And it makes
6:46:10me so happy to see her like this. She
6:46:13should be proud. I can speak for myself
6:46:15at least when I say that I've never been
6:46:17so proud of her. But then, I always knew
6:46:19she would go on to greatness. It doesn't
6:46:21surprise me at all that even after
6:46:23everything she's been through, after all
6:46:25the horrors she's had to face, she's
6:46:28still managed to inspire the world.
6:46:31She's one of the strongest people I've
6:46:32ever known. My father might be back from
6:46:35the dead, and Sector 45 might be out of
6:46:38our hands, but Ella's impact can't be
6:46:40ignored. Nura says that no one really
6:46:43believed that she was actually dead. But
6:46:45now that it's official, now that word
6:46:47has spread that Ella is still alive,
6:46:49she's become more notorious than ever.
6:46:51Nura says that the rumbles underground
6:46:53are already getting stronger. People are
6:46:55more desperate to act, to get involved,
6:46:57and to stand up to the reestablishment.
6:47:00Resistance groups are growing. The
6:47:02civilians are finding ways to get
6:47:03smarter, to get stronger together. And
6:47:06Ella has given them a figure to rally
6:47:08around. Everyone is talking about her.
6:47:12She's become a symbol of hope for so
6:47:14many. I squeeze Ella's hand, returning
6:47:17her smile. And when her cheeks flush
6:47:19with color, I have to fight back the
6:47:20urge to pull her into my arms. She
6:47:23amazes me more every day.
6:47:27My conversation with Kenji is still,
6:47:29despite everything, at the forefront of
6:47:31my mind. Things always feel so desperate
6:47:33these days that I feel a new nagging
6:47:35insistence that this window of calm
6:47:38might be my only chance at happiness.
6:47:40We're almost constantly at war, either
6:47:43fighting for our lives or on the run.
6:47:45And there's no guarantee of a future. No
6:47:47guarantee that I'll live to see another
6:47:49year. No promise to grow old. It makes
6:47:52me feel like I stop suddenly and Ella
6:47:55nearly stumbles. "Are you okay?" she
6:47:58says, squeezing my hand. I nod. I offer
6:48:02her a distracted smile and vague apology
6:48:04as we begin walking again, but I run the
6:48:07numbers once more. Finally, I say
6:48:10without looking up, "Does anyone happen
6:48:13to know what day it is?" And someone
6:48:16responds, a voice from the group I can't
6:48:18be bothered to identify, confirming what
6:48:20I already thought might be true.
6:48:23My father wasn't lying.
6:48:25Tomorrow is my birthday.
6:48:28I'll be 20 years old
6:48:31tomorrow.
6:48:33The revelation thunders through me. This
6:48:36birthday feels like more of a milestone
6:48:38than usual because my life exactly one
6:48:41year ago was nearly unrecognizable.
6:48:44Almost everything in my life is
6:48:46different now. One year ago, I was a
6:48:48different person. I was in an awful
6:48:50self-destructive relationship with a
6:48:52different person. One year ago, my
6:48:54anxiety was so crippling that 5 minutes
6:48:56alone with my own mind would leave me
6:48:58spiraling for days. I relied entirely
6:49:01upon my routines and schedules to keep
6:49:03me tethered to the endless horrors of my
6:49:05job and its demands. I was inflexible
6:49:08beyond reason. I was hanging on to
6:49:10humanity by a thread. I felt both wild
6:49:12and nearly out of my mind all the time.
6:49:16My private thoughts and fears were so
6:49:18dark that I spent nearly all my free
6:49:20hours either exercising in my shooting
6:49:23range or in the bowels of sector 45
6:49:26running training simulations that I'm
6:49:29not proud to admit.
6:49:31I designed specifically to experience
6:49:33killing myself over and over again.
6:49:38That was one year ago, less than a year
6:49:42ago. Somehow it feels like a lifetime
6:49:45ago. And when I think back on who I was
6:49:48and what that version of myself thought
6:49:50my life would be like today,
6:49:54I'm left deeply and profoundly humbled.
6:49:59Today is not forever. Happiness does not
6:50:03happen. Happiness must be uncovered,
6:50:06separated from the skin of pain. It must
6:50:09be claimed, kept close,
6:50:12protected.
6:50:14Would you prefer a chance to shower and
6:50:16change before reuniting with the others?
6:50:19Nura is saying. Her voice is sharp and
6:50:22clear, and it shakes me from my revery.
6:50:24Yes, I say quickly. I'd really
6:50:26appreciate the time to rest. No problem.
6:50:29We meet for dinner in the main tent in 2
6:50:31hours. I'll show you to your new
6:50:32residences. She hesitates. I hope you'll
6:50:35forgive me for being presumptuous, but I
6:50:37assumed the two of you. She looks at me
6:50:40and Ella would like to share a space.
6:50:42But of course, if that's not Yes, thank
6:50:44you, Ella says quickly. Her cheeks are
6:50:46already pink. We're grateful for your
6:50:48thoughtfulness. Nura nods. She seems
6:50:52pleased. And then she turns to Kenji and
6:50:54Nazer and says, "If you'd like, I can
6:50:56arrange to join your separate rooms so
6:50:58that you Kenji and Nazer respond at the
6:51:01same time." What? No. Absolutely not.
6:51:04Oh, I'm so sorry, Nuria says quickly. My
6:51:08apologies. I shouldn't have assumed.
6:51:10For the first time ever, Nazera looks
6:51:13flustered. She can hardly get out the
6:51:15words when she says, "Why would you
6:51:17think we'd want to share a room?" Nura
6:51:20shakes her head. She shares a quick,
6:51:22confused glance with Castle, but seems
6:51:24suddenly mortified. "I don't know. I'm
6:51:27sorry. You seemed separate rooms are
6:51:29perfect," Kenji says sharply. Great,
6:51:33Nura says a little too brightly. I'll
6:51:35lead the way. And I watch amused as
6:51:39Castle tries and fails to hide a smile.
6:51:44Our residence, as Nura called it, is
6:51:48more than I could have hoped for. I
6:51:50thought we'd be camping. Instead, inside
6:51:53of each tent is a miniature
6:51:54self-contained home. There's a bed, a
6:51:57small living area, a tiny kitchen, and a
6:52:00full bathroom. The furnishings are spare
6:52:02but bright, well-made and clean.
6:52:06And when Ella walks in, slips off her
6:52:09shoes, and throws herself backward onto
6:52:11the bed, I can almost imagine us
6:52:14together like this. Maybe someday
6:52:17in our own home.
6:52:19The thought sends a wave of disorienting
6:52:22euphoria through my body and then
6:52:26fear.
6:52:28It seems like tempting fate to even hope
6:52:31for a happiness like that. But there's
6:52:33another part of me, a small but
6:52:35insistent part of me that clings to that
6:52:38hope nonetheless. Ella and I overcame
6:52:41what I once thought impossible. I never
6:52:43dreamed she'd still love me once she
6:52:45knew everything about me. I never
6:52:47dreamed that the heartbreak and horrors
6:52:49of recent events would only bring us
6:52:51closer or that my love for her could
6:52:53somehow increase tenfold in two weeks.
6:52:57I grew up thinking that the joys of this
6:52:59world were for other people to enjoy. I
6:53:02was certain that I was faded to a bleak,
6:53:04solitary life, forever barred from the
6:53:07contentment offered by human connection.
6:53:10But now
6:53:13Ella yawns soundlessly, hugging a pillow
6:53:15to her chest as she curls up on her
6:53:17side. Her eyes close.
6:53:20A smile tugs at my mouth as I watch her.
6:53:24I'm still amazed at how just the sight
6:53:26of her could bring me so much peace. She
6:53:28shifts again, borrowing more deeply into
6:53:30the pillows, and I realize she must be
6:53:32exhausted. And as much as I'd love to
6:53:34pull her into my arms, I decide to give
6:53:37her space. I back away quietly and
6:53:40instead use the time to explore the rest
6:53:42of our new temporary home. I'm still
6:53:46surprised by how much I like it. We have
6:53:49more privacy here in these new
6:53:50headquarters than we ever did before.
6:53:52More freedom here. I'm a visitor,
6:53:55welcome to take my time showering and
6:53:57resting before dinner. No one expects me
6:54:00to run their world. I have no
6:54:02correspondence to attend to, no awful
6:54:04tasks to attend to, no civilians to
6:54:06oversee, no innocence to torture. I feel
6:54:10so much freer now that someone else has
6:54:12taken the reigns. It's both alien and
6:54:15wonderful.
6:54:17It feels so good to have space with
6:54:18Ella. literal and figurative space to be
6:54:22ourselves, to be together, to simply be
6:54:26and breathe. Ella and I shared my
6:54:28bedroom back on base, but it never felt
6:54:30like home there. Everything was cold,
6:54:33sterile. I hated that building, hated
6:54:36that room, hated every minute of my
6:54:38life. Those walls, my own personal
6:54:41rooms, were suffocating, infused with
6:54:44awful memories. But here, even though
6:54:46the room is small, the tight quarters
6:54:49manage to be cozy. This place feels
6:54:52fresh and new and serene.
6:54:55The future doesn't seem improbable here.
6:54:57Hope doesn't feel ridiculous.
6:55:00It feels like a chance to begin again.
6:55:03And it doesn't feel dangerous to dream
6:55:07that one day Ella might be mine in every
6:55:10way. my wife, my family, my future.
6:55:17I've never ever dared to think of it.
6:55:22But my hope is snuffed out just as
6:55:24quickly as it appeared. Kenji's warnings
6:55:27flash through my mind, and I feel
6:55:28suddenly agitated. Apparently, proposing
6:55:31to Ella is more complicated than I'd
6:55:33originally thought it might be.
6:55:35Apparently, I need some kind of plan. A
6:55:37ring, a moment on one knee. It all
6:55:40sounds ridiculous to me. I don't even
6:55:42know why it sounds ridiculous exactly,
6:55:44just that it doesn't feel like me. I
6:55:46don't know how to put on a performance.
6:55:48I don't want to make a scene. I'd find
6:55:50it excruciating to be so vulnerable in
6:55:52front of other people or in an
6:55:53unfamiliar setting. I wouldn't know what
6:55:55to do with myself.
6:55:57Still, these problems seem surmountable
6:56:00in the pursuit of forever with her. I
6:56:03would get on one knee if Ella wanted me
6:56:05to. I'd propose in a room filled with
6:56:07her closest friends if that was what she
6:56:08needed.
6:56:10No, my fear is something much greater
6:56:12than that.
6:56:14The thing Kenji said to me today that
6:56:16rattled me to my core
6:56:18was the possibility that Ella might say
6:56:20no.
6:56:22It's unconscionable that it never
6:56:24occurred to me that she might say no. Of
6:56:27course, she might say no. She could be
6:56:30uninterested for any number of reasons.
6:56:32She might not be ready, for example, or
6:56:35she might not be interested in the
6:56:36institution of marriage as a whole. or I
6:56:40think
6:56:42she simply might not want to tether
6:56:43herself to me in such a permanent way.
6:56:47The thought sends a chill through my
6:56:49body.
6:56:51I suppose I assumed she and I were on
6:56:54the same page emotionally, but my
6:56:56assumptions in this department have
6:56:58landed me in trouble more times than I'd
6:56:59like to admit. And the stakes are too
6:57:02high now not to take Kenji's concern
6:57:04seriously. I'm not prepared to
6:57:06acknowledge the damage it would do to my
6:57:08heart if she rejected my proposal.
6:57:11I take a deep sharp breath.
6:57:13Kenji said I need to get her a ring. So
6:57:16far, he's been right about most of the
6:57:18things I've done wrong in our
6:57:19relationship, so I'm inclined to believe
6:57:21he might have a point, but I have no
6:57:24idea where I'd be able to conjure up a
6:57:25ring in a place like this. Maybe if we
6:57:28were back home where I was familiar with
6:57:29the area and its artisans.
6:57:32But here, it's almost too much to think
6:57:35about right now. There's so much to
6:57:37think about, in fact, that I can't quite
6:57:39believe I'm even considering something
6:57:41like this at a time like this. I haven't
6:57:44even had a moment to reconcile the
6:57:46apparent regeneration of my father or
6:57:49literally any of the other new
6:57:50outrageous revelations our families have
6:57:52thrown at us. We're in the middle of a
6:57:54fight for our lives. We're fighting for
6:57:56the future of the world.
6:57:59I squeeze my eyes shut. Maybe I really
6:58:02am an idiot.
6:58:045 minutes ago, the end of the world
6:58:06seemed like the right reason to propose,
6:58:08to take everything I can in this
6:58:09transitory world and grieve nothing. But
6:58:13suddenly, it feels like this really
6:58:14might be an impulsive decision. Maybe
6:58:17this isn't the right time after all.
6:58:20Maybe Kenji was right. Maybe I'm not
6:58:21thinking clearly. Maybe losing Ella and
6:58:24regaining all these memories,
6:58:26maybe it's made me irrational.
6:58:29I push off the wall, trying to clear my
6:58:31head. I wander the rest of the small
6:58:33space, taking stock of everything in our
6:58:35tent, and peer into the bathroom. I'm
6:58:38relieved to discover that there's real
6:58:40plumbing. In fact, the more I look
6:58:42around, the more I realized that this
6:58:44isn't a tent at all. There are actual
6:58:47floors and walls and a single vated
6:58:50ceiling in this room, as if each unit is
6:58:52actually a small freestanding building.
6:58:55The tents seem to be draped over the
6:58:57entire structure.
6:58:58And I wonder if they serve a more
6:59:00practical purpose that's not immediately
6:59:02obvious.
6:59:04Several years, Nuria said.
6:59:08Several years they've lived here and
6:59:09made this their home. They really found
6:59:12a way to make something out of nothing.
6:59:15The bathroom is a nice size, spacious
6:59:17enough for two people to share, but not
6:59:19big enough for a bathtub. Still, when we
6:59:22first approached the clearing, I wasn't
6:59:24even sure they'd have proper facilities
6:59:26or running water. So, this is more than
6:59:28I could have hoped for. And the more I
6:59:31stare at the shower, the more I'm
6:59:33suddenly desperate to rinse these weeks
6:59:35from my skin. I always took pains to
6:59:38stay clean, even in prison. But it's
6:59:40been too long since I've had a hot
6:59:41shower with steady running water. And I
6:59:44can hardly resist the temptation now.
6:59:46And I've already stripped off most of my
6:59:49clothes when I hear Ella call my name.
6:59:52her still sleepy voice carrying over
6:59:54from what serves as our bedroom or bed
6:59:57space. It's not really a room as much as
7:00:00it is an area designated for a bed. Yes,
7:00:04I call back. Where do you go? She says,
7:00:08I thought I might take a shower. I try
7:00:10to say without shouting. I've just
7:00:12stepped out of my underwear and into the
7:00:14standing shower, but I turn the dials in
7:00:16the wrong direction and cold water
7:00:18sprays from the shower head. I jump
7:00:20backward even as I hurry to undo my
7:00:22mistake and nearly collide with Ella in
7:00:26the process.
7:00:28Ella, who's suddenly standing behind me.
7:00:32I don't know whether it's habit,
7:00:34instinct, or self-preservation. But I
7:00:36grab a towel from a nearby shelf and
7:00:38quickly press it against my exposed
7:00:40body. I don't even understand why I'm
7:00:42suddenly self-conscious. I never feel
7:00:44uncomfortable in my own skin. I like the
7:00:46way I look naked. But this moment wasn't
7:00:50one I'd anticipated, and I feel
7:00:52defenseless.
7:00:53"Hi, love," I say, taking a quick
7:00:56breath. "I remember to smile. I didn't
7:00:59see you standing there."
7:01:01Ella crosses her arms, pretending to
7:01:03look mad, but I can see the effort she's
7:01:05making to fight back a smile. "Aaron,"
7:01:09she says sternly. "You were going to
7:01:11take a shower without me?" My eyebrows
7:01:15fly up, surprised. For a moment, I don't
7:01:18know what to say. And then carefully,
7:01:22"Would you like to join me?" She steps
7:01:25forward, wraps her arms around my waist,
7:01:28and stares up at me with a sweet secret
7:01:31smile. The look in her eyes is enough to
7:01:34make me think about dropping the towel.
7:01:36I whisper her name, my heart heavy with
7:01:38emotion.
7:01:40She pulls me closer, gently touching her
7:01:42lips to my chest, and I go uncomfortably
7:01:45still. Her kisses grow more intent. Her
7:01:48lips leaving a trail of fire across my
7:01:51chest, down my torso, and feeling rushes
7:01:54through my veins, sets me on fire.
7:01:57Suddenly, I forget why I was ever
7:01:58holding a towel. I don't even know when
7:02:01it falls to the floor. I slip my arms
7:02:04around her, reel her in. She feels
7:02:07incredible, her body fitting against me
7:02:10perfectly. And I tilt her face up, my
7:02:13hand caught somewhere behind her neck
7:02:15and the base of her jaw. And I kiss her
7:02:19soft and slow, heat filling my blood
7:02:21with dangerous speed. I pull her
7:02:24tighter, and she gasps, stumbles, and
7:02:26takes an accidental step back. And I
7:02:28catch her, pressing her against the wall
7:02:31behind her. I bunch up the hem of her
7:02:33dress, and in one smooth motion, yank it
7:02:35upward. my hand slipping under the
7:02:37material to skim the smooth skin of her
7:02:39waist to grip her hip hard. I part her
7:02:43legs with my thigh and she makes a soft,
7:02:45desperate sound deep in her throat. And
7:02:48it does something to me to feel her like
7:02:51this, to hear her like this, to be
7:02:54assaulted by endless waves of her
7:02:56pleasure and desire.
7:02:58It drives me insane.
7:03:01I bury my face in her neck, my hands
7:03:03moving up under her dress to feel her
7:03:05skin, hot and soft and sensitive to my
7:03:08touch. I've missed her so much. I've
7:03:12missed her body under my hands. Missed
7:03:13the scent of her skin and the soft
7:03:16feather-like whisper of her hair against
7:03:18my body. I kiss her neck, trying to
7:03:21ignore the tension in my muscles or the
7:03:23hard, desperate pressure driving me
7:03:25toward her, toward madness. There's an
7:03:29ache expanding inside of me and
7:03:31demanding more. Demanding I flip her
7:03:33over and lose myself in her ear right
7:03:36now. And she whispers,
7:03:39"How [gasps]
7:03:41how do you always feel so good?"
7:03:44She's clinging to me, her eyes
7:03:47halflitted but bright with desire. Her
7:03:50face is flushed. Her words are heavy
7:03:53with feeling when she says, "How do you
7:03:56always do this to me?"
7:03:59I break away from her. I take two steps
7:04:02backward and I'm breathing hard, trying
7:04:04to regain control of myself, even as her
7:04:06eyes widen, her arms going suddenly
7:04:08still. "Aaron," she says. "What's Take
7:04:12off your dress," I say quietly.
7:04:16Understanding awakens in her eyes. She
7:04:19says nothing. She only looks at me
7:04:22carefully as I watch. Imprisoned in
7:04:26place by an acute form of agony. Her
7:04:29hands are trembling, but her eyes are
7:04:31willing and wanting and nervous. She
7:04:34shoves the material down past her
7:04:36shoulders and lets it fall to the floor.
7:04:38I drink her in as she steps out of the
7:04:40dress, my mind racing.
7:04:43Gorgeous, I think. So gorgeous.
7:04:48My pulse is wild. When I ask her to, she
7:04:52unhooks her bra. Moments later, her
7:04:54underwear joins her bra on the floor,
7:04:56and I can't look away from her. My mind
7:04:59unable to process the perfection of this
7:05:01happiness. She's so stunning, I can
7:05:04hardly breathe. I can hardly fathom that
7:05:06she's mine, that she wants me, that she
7:05:09would ever love me. I can't even hear
7:05:11myself think over the rush of blood in
7:05:14my ears. My heart beating so fast and
7:05:16hard, it seems to thud against my skull.
7:05:19The sight of her standing in front of
7:05:21me, vulnerable and flushed with desire,
7:05:23is doing wild, desperate things to my
7:05:26mind. God, the fantasies I've had about
7:05:29her, the places my mind has gone. I step
7:05:32forward and pick her up, and she gasps,
7:05:34surprised, clinging desperately to my
7:05:36neck as I hitch her legs around my
7:05:38waist, my arms settling under her
7:05:40thighs. I love feeling the weight of her
7:05:43soft curves. I love having her this
7:05:46close to me. I love her arms around my
7:05:48neck and the squeeze of her legs around
7:05:50my hips. I love how ready she is, her
7:05:52thighs already parted, every inch of her
7:05:55pressed against me. But then she runs
7:05:58her hands up my naked back and I have to
7:06:00resist the urge to flinch.
7:06:04I don't want to be self-conscious about
7:06:06the scars on my body. I don't want any
7:06:10part of me to be off limits to her. I
7:06:13want her to know me exactly as I am. And
7:06:16as hard as it is, I allow myself to ease
7:06:20into her touch, closing my eyes as she
7:06:23trails her hands up across my shoulders,
7:06:27down my arms.
7:06:30"You're so gorgeous," she says softly.
7:06:34"I'm always surprised.
7:06:36It doesn't matter how many times I see
7:06:38you without your clothes on. I'm always
7:06:41surprised.
7:06:43It doesn't seem fair that anyone should
7:06:45be this gorgeous.
7:06:48She looks at me, stares at me as if
7:06:51expecting an answer, but I can't speak.
7:06:54I fear I might unravel if I do.
7:06:58I want her with a desperate need I've
7:07:01never known before. A desperate, painful
7:07:04need so overwhelming it's threatening to
7:07:06consume me. I need her. Need this
7:07:12now.
7:07:14I take a deep unsteady breath and carry
7:07:16her into the shower.
7:07:18She screams. Hot water hits us fast and
7:07:21hard. And I press her against the shower
7:07:24wall, losing myself and her in a way I
7:07:27never have before. The kisses are
7:07:29deeper, more desperate, the heat more
7:07:33explosive.
7:07:35Everything between us feels wild and raw
7:07:38and vulnerable.
7:07:40I lose track of time.
7:07:43I don't know how long we've been here.
7:07:46I don't know how long I've lost myself
7:07:49in her. When she cries out, clutching my
7:07:52arms so tightly her fingernails dig into
7:07:54my skin, her screams muffled against my
7:07:57chest. I feel weak, unsteady as she
7:08:01collapses in my arms.
7:08:04I'm intoxicated by the pure, stunning
7:08:07power of her emotions. Endless waves of
7:08:11love and desire. Love and kindness. Love
7:08:14and joy. Love and tenderness.
7:08:19So much tenderness.
7:08:21It's almost too much.
7:08:25I step backward, bracing myself against
7:08:28the wall as she presses her cheek
7:08:30against my chest and holds me. Our
7:08:33bodies wet and heavy with feeling. our
7:08:36hearts pounding with something more
7:08:38powerful than I ever thought possible.
7:08:41I kiss the curve of her shoulder, the
7:08:44nape of her neck. I forget where we are
7:08:47and all we have left to do, and I just
7:08:51hold on. Hot water rushing down my arms,
7:08:55my limbs still slightly shaking,
7:08:58too terrified to let her go.
7:09:03Ella,
7:09:06I wake up with a start. After we got out
7:09:10of the shower, Aaron and I dried off,
7:09:12climbed into bed without a word, and
7:09:14promptly fell asleep. I have no idea
7:09:17what time it is. Aaron's body is curled
7:09:20around mine, one of his arms under my
7:09:22head, the other wrapped around my waist.
7:09:25His arms are heavy, and the weight of
7:09:28him feels so good. Makes me feel so
7:09:30safe.
7:09:31that on the one hand I don't ever want
7:09:34to move. On the other hand,
7:09:37I know we should probably get out of
7:09:39bed. I sigh, hating to wake him up. He
7:09:43seems so tired, and I turn around slowly
7:09:46in his arms. He only pulls me tighter.
7:09:51He shifts so that his chin rests on my
7:09:54head. My face is now pressed gently
7:09:57against his throat, and I breathe him
7:09:59in, running my hands along the strong,
7:10:02deep lines of muscle in his arms.
7:10:05Everything about him feels raw,
7:10:07powerful. There's something both wild
7:10:10and terrified about his heart, and
7:10:12somehow knowing this only makes me love
7:10:15him more. I trace the lines of his
7:10:18shoulder blades, the curve of his spine.
7:10:21He stirs, but only a little, and buries
7:10:24his face in my hair, breathing me in.
7:10:28>> "Don't go," he says quietly.
7:10:32I tilt my head, gently kiss the column
7:10:34of his throat. "Aaron," I whisper. "I'm
7:10:38not going anywhere."
7:10:41He sigh, says, "Good."
7:10:45I smile. But we should probably get out
7:10:48of bed. We have to go to dinner.
7:10:50Everyone will be waiting for us. He
7:10:53shakes his head barely, makes a
7:10:55disapproving sound in his throat.
7:10:58But
7:10:59>> no. [clears throat]
7:11:00>> And then deafly he helps me turn around.
7:11:04He hugs me close again, my back pressed
7:11:06against his chest, his voice is soft,
7:11:09husky with desire when he says,
7:11:12>> "Let me enjoy you, love. You feel so
7:11:14good."
7:11:16>> And I give in, melt back into his arms.
7:11:20The truth is, I love these moments most.
7:11:24The quiet contentment, the peace. I love
7:11:28the weight of him, the feel of him, his
7:11:30naked body wrapped around mine. I never
7:11:34feel closer to him than I do like this
7:11:36when there's nothing between us.
7:11:39Gently, he kisses my temple, pulls me
7:11:42somehow even tighter, and his lips are
7:11:45at my ear when he says, "Kenji said I
7:11:48was supposed to get you a ring."
7:11:51I stiffen, confused,
7:11:54try to turn around when I say, "What do
7:11:57you mean?"
7:11:59But Aaron eases my body back down. He
7:12:01rests his chin on my shoulder. His hands
7:12:04move down my arms, trace the curve of my
7:12:07hips. He kisses my neck once, twice, so
7:12:11softly.
7:12:12>> I know I'm doing this wrong, he says. I
7:12:15know I'm not good at this sort of thing,
7:12:18love, and I hope you'll forgive me for
7:12:21it, but I don't know how else to do it.
7:12:24A pause. And I'm starting to think it
7:12:27might kill me if I don't.
7:12:30My body is frozen, even as my heart
7:12:33pounds furiously in my chest. Aaron, I
7:12:37say, hardly daring to breathe. What are
7:12:40you talking about? He says nothing. I
7:12:44turn around again, and this time he
7:12:46doesn't stop me. His eyes flare with
7:12:48emotion, and I watch the gentle movement
7:12:51in his throat as he swallows. A muscle
7:12:54jumps in his jaw.
7:12:56>> "Marry me,"
7:12:57>> he whispers.
7:12:59I stare at him, disbelief and joy
7:13:03colliding. And it's the look in his
7:13:05eyes, the hopeful, terrified look in his
7:13:08eyes that nearly kills me.
7:13:11I'm suddenly crying. I clap my hands
7:13:14over my face. A sob escapes my mouth.
7:13:18Gently, he pries my hands away from my
7:13:20face. "Ella," he says, his words hardly
7:13:24a whisper. I'm still crying when I throw
7:13:27my arms around his neck. still crying
7:13:29when he says a little nervously.
7:13:32>> Sweetheart, I really need to know if
7:13:34this means yes or no.
7:13:37>> Yes. I cry slightly hysterical. Yes. Yes
7:13:41to everything with you. Yes to forever
7:13:44with you. Yes,
7:13:49Warner.
7:13:52Is this joy?
7:13:55I think it might kill me. Aaron. Yes,
7:13:59love. She takes my face in her hands and
7:14:02kisses me. Kisses me with a love so deep
7:14:05it releases my brain from its prison. My
7:14:08heart starts beating violently.
7:14:11Ella, I say,
7:14:14you're going to be my wife.
7:14:17She kisses me again, crying again. And
7:14:19suddenly, I don't recognize myself. I
7:14:23don't recognize my hands, my bones, my
7:14:25heart. I feel new, different. I love
7:14:30you, she whispers. I love you so much.
7:14:34That you could love me at all seems like
7:14:36some kind of miracle.
7:14:38She smiles even as she shakes her head.
7:14:41That's ridiculous. She says, "It's very,
7:14:45very easy to love you."
7:14:48And I don't know what to say. I don't
7:14:50know how to respond.
7:14:52She doesn't seem to mind. I reel her in,
7:14:55kiss her again, and lose myself in the
7:14:58taste and feel of her, in the fantasy of
7:15:00what we might have, what we might be.
7:15:03And then I pull her gently onto my lap,
7:15:05and she straddles my body, settling over
7:15:07me until we're pressed together, her
7:15:10cheek against my chest. I wrap my arms
7:15:13around her, spread my hands along her
7:15:15back. I feel her gentle breaths on my
7:15:17skin, her eyelashes tickling my chest as
7:15:20she blinks, and I decide I'm never ever
7:15:24leaving this bed.
7:15:26A happy, wonderful silence settles
7:15:29between us. "You ask me to marry you,"
7:15:33she says softly. "Yes."
7:15:37"Wow."
7:15:39I smile, my heart filled suddenly with
7:15:42inexpressable joy. I hardly recognize
7:15:45myself. I can't remember the last time I
7:15:47ever smiled this much. I can't recall
7:15:49ever feeling this kind of pure,
7:15:52unbburdened bliss, like my body might
7:15:55float away without me.
7:15:58I touch her hair gently, run my fingers
7:16:01through the soft, silky strands. When I
7:16:04finally sit up, she sits up too, and she
7:16:07blushes as I stare at her, mesmerized by
7:16:10the sight of her. Her eyes are wide and
7:16:13bright, her lips full and pink. She's
7:16:18perfect, perfect here, bare and
7:16:21beautiful in my arms.
7:16:24I press my forehead to the curve of her
7:16:26shoulder, my lips brushing against her
7:16:28skin.
7:16:30I love you, Ella, I whisper.
7:16:33I will love you for the rest of my life.
7:16:37My heart is yours.
7:16:39Please don't ever give it back to me.
7:16:43She says nothing for what feels like an
7:16:45eternity.
7:16:47Finally, I feel her move. Her hand
7:16:49touches my face. Aaron, she whispers.
7:16:54Look at me. I shake my head. Aaron.
7:16:59I look up slowly to meet her eyes.
7:17:03And her expression is at once sad and
7:17:06sweet and full of love.
7:17:09I feel something thaw inside of me as I
7:17:11stare at her. And just as she's about to
7:17:14say something,
7:17:16a complicated chime echoes through the
7:17:19room.
7:17:21I freeze.
7:17:23Ella frowns, looks around. That sounds
7:17:26like a doorbell, she says.
7:17:29I wish I could deny the possibility.
7:17:32I sit back, even though she's still
7:17:34sitting on my lap. I want this
7:17:36interruption to end. I want to go back
7:17:38to our conversation. I want to stick to
7:17:40my original plan to spend the rest of
7:17:42the night here in bed with my perfect
7:17:45naked fiance.
7:17:48The chime sounds again, and this time I
7:17:49say something decidedly ungentlemanly
7:17:52under my breath. Ella laughs, surprised.
7:17:55Did you just swear? No. A third chime.
7:17:59This time, I stare up at the ceiling and
7:18:01try to clear my head. Try to convince
7:18:03myself to move, to get dressed. This
7:18:05must be some kind of emergency or else.
7:18:08Suddenly, a voice. Listen, I didn't want
7:18:11to come, okay? I really didn't. I hate
7:18:14being this guy, but Castle sent me to
7:18:16come get you guys because you missed
7:18:18dinner. It's getting super late and
7:18:20everyone is a little worried and now
7:18:22you're not even answering the door. And
7:18:24Jesus Christ, open the goddamn door. I
7:18:27can't believe it. I can't believe he's
7:18:29here. He's always here ruining my life.
7:18:32I'm going to kill him. I nearly trip
7:18:35trying to pull on my pants and get to
7:18:36the door at the same time. But when I
7:18:38do, I rip the door open, practically
7:18:40tearing it off its hinges. Unless
7:18:42someone is dead, dying, or we are under
7:18:44attack, I want you gone before I've even
7:18:46finished this sentence.
7:18:49Kenji narrows his eyes at me and then
7:18:51pushes past me into the room, and I'm so
7:18:53stunned by his gall that it takes me a
7:18:55moment to realize I'm going to have to
7:18:57murder him. "Jay," he says, looking
7:19:00around as he walks in. you in here? Ella
7:19:04is holding the bed sheet up to her neck.
7:19:06Uh, hi, she says. She smiles nervously.
7:19:09What are you doing here? Hey, is it cool
7:19:12if I still call you Jay? He says, I know
7:19:14your name is Ella and everything, but I
7:19:16got so used to calling you Jay that it
7:19:17just feels right, you know. You can
7:19:19still call me Jay, she says. And then
7:19:22she frowns. Kenji, what's wrong? I
7:19:26groan. Get out. I snap at him. I don't
7:19:29know why you're here, and I don't care.
7:19:31We don't wish to be disturbed ever.
7:19:35Ella shoots me a sharp look. She ignores
7:19:37me when she says to Kenji, "It's okay. I
7:19:40care. Tell me what's wrong." "Nothing is
7:19:42wrong," Kenji says. "But I know your
7:19:44boyfriend won't listen to me, so I
7:19:46wanted to let you know that it's almost
7:19:48midnight, and we really need you guys to
7:19:51get down to the dining tent ASAP, okay?"
7:19:54He shoots Ella a loaded look, and her
7:19:57eyes widen. She nods. I feel a sudden
7:20:00rush of excitement move through her and
7:20:03it leaves me confused.
7:20:05"What's going on?" I say, but Kenji is
7:20:08already walking away. "Bro, you really
7:20:11need to like eat a pizza or something,"
7:20:13he says, slapping me on the shoulder as
7:20:15he leaves. "You have too many abs."
7:20:17"What?" My eyebrows pulled together.
7:20:20"That's not I'm joking," Kenji says,
7:20:23pausing in the doorway just before he
7:20:25leaves. "Joking," he says again. It was
7:20:28a joke. Jesus. And then he slams the
7:20:32door behind him. I turn around.
7:20:35What's going on? I say again, but she
7:20:38only smiles. We should get dressed.
7:20:42Ella, I promise I'll explain as soon as
7:20:44we get there. I shake my head. Did
7:20:47something happen? No, I'm just I'm
7:20:50really excited to see everyone from
7:20:51Omega Point again, and they're all
7:20:54waiting for us in the dining tent. She
7:20:56gets out of bed, still holding the bed
7:20:58sheet to her body, and I have to clench
7:21:00my fists to keep from pulling it away
7:21:02from her, from pinning her against the
7:21:04wall. And before I even have a chance to
7:21:07respond, she disappears into the
7:21:08bathroom, the sheet dragging on the
7:21:10floor as she goes. I follow her. She's
7:21:14looking for her clothes, oblivious to my
7:21:16presence, but her dress is on the floor
7:21:18in a corner she hasn't glimpsed yet, and
7:21:21I doubt she'd want to put that bloodied
7:21:22dress back on anyway. I should tell her
7:21:25that I found a drawer full of simple
7:21:27standard clothes we're probably allowed
7:21:28to borrow.
7:21:30Maybe later.
7:21:32For now, I step behind her, slip my
7:21:35hands around her waist. She startles,
7:21:38and the sheet falls to the floor. Ella,
7:21:41I say softly, tugging her body against
7:21:44mine. Sweetheart, you have to tell me
7:21:47what's going on.
7:21:49I turn her around slowly. She looks down
7:21:52at herself, surprised.
7:21:54always surprised by the sight of her
7:21:56naked body. "I don't have any clothes
7:21:59on," she whispers. "I know," I say,
7:22:03smiling as I run my hands down her back,
7:22:05appreciating her softness, her perfect
7:22:08curves. I wish I could store these
7:22:10moments. "I wish I could revisit them,
7:22:13relive them." She shivers in my arms and
7:22:16I pull her closer. "It's not fair," she
7:22:20says, wrapping her arms around me. It's
7:22:22not fair that you can sense emotions,
7:22:24that it's impossible to keep secrets
7:22:26from you. What's not fair, I say, is
7:22:30that you're about to put your clothes on
7:22:32and force me to leave this bedroom, and
7:22:34I don't know why.
7:22:36She stares at me, her eyes wide and
7:22:39nervous, even as she smiles. I can sense
7:22:41that she's torn, her heart in two places
7:22:43at once.
7:22:45"Aaron," she says softly. "Don't you
7:22:48like surprises?" I hate surprises.
7:22:52She laughs, shakes her head. I guess I
7:22:55should have known that.
7:22:57I stare at her, my eyebrows raised,
7:23:01still waiting for an explanation.
7:23:04They're going to kill me for telling
7:23:05you, she says, and then at the look in
7:23:08my eyes. Not I mean, not literally, but
7:23:11just Finally, she sigh. And she won't
7:23:15look at me when she says,
7:23:18"We're throwing you a birthday party."
7:23:21I'm certain I've heard her wrong.
7:23:27>> Ella,
7:23:30it took more work than I imagined to get
7:23:32him to believe me. He wanted to know how
7:23:35anyone even knew that tomorrow was his
7:23:37birthday, and how we could have possibly
7:23:39planned a party when we had no idea we
7:23:41were going to crash the plane here. and
7:23:43why would anyone throw him a party? And
7:23:45he wasn't even sure he liked parties.
7:23:47And on and on and on.
7:23:50And it wasn't until we literally walked
7:23:53through the doors of the dining tent and
7:23:55everyone screamed happy birthday at him
7:23:58that he finally believed me. It wasn't
7:24:01much, of course. We hadn't really had
7:24:03time to prepare. I knew his birthday was
7:24:06coming up because I'd been keeping track
7:24:08of it ever since the day he told me what
7:24:10his father used to do to him. every year
7:24:13on his birthday. I swore to myself I
7:24:16would do whatever I could to replace
7:24:18those memories with better ones. That
7:24:20forever and ever I would try to drown
7:24:22out the darkness that had inhaled his
7:24:25entire young life.
7:24:27I told Kenji when he found me that
7:24:30tomorrow was Aaron's birthday and I made
7:24:32him promise me that no matter what
7:24:34happened when we found him, we would
7:24:37find a way to celebrate in some small
7:24:39way. But this this was more than I could
7:24:43have hoped for. I thought maybe given
7:24:46our time constraints, we'd just get a
7:24:48group to sing him happy birthday or
7:24:50maybe eat dessert in his honor. But
7:24:52this, there's an actual cake. A cake
7:24:56with candles in it waiting to be lit.
7:24:59Everyone from Omega Point is here. The
7:25:01whole crew of familiar faces. Brendan
7:25:04and Winston, Sonia and Sarah, Aaliyah
7:25:07and Lily, and Ian and Castle.
7:25:11Only Adam and James are missing, but we
7:25:13have new friends, too. Hater is here. So
7:25:17is Stefan Nazer.
7:25:20And then there's the new resistance. The
7:25:22members of the sanctuary that we've yet
7:25:24to meet. All come forward, gathered
7:25:27around a single modest sheetcake. It
7:25:30reads, "Happy birthday, Warner." In red
7:25:34icing.
7:25:36The piping is a little sloppy. The icing
7:25:38is imperfect, but when someone dims the
7:25:41lamps and lights the candles, Aaron goes
7:25:43suddenly still beside me. I squeeze his
7:25:46hand as he looks at me, his eyes round
7:25:49with a new emotion.
7:25:51There's tragedy and beauty in his eyes,
7:25:54something stoic that refuses to be
7:25:56moved, and something childlike that
7:25:59can't help but feel joy. He looks, in
7:26:02short, like he's in pain.
7:26:06Aaron, I whisper. Is this okay?
7:26:10He takes a few seconds to respond, but
7:26:12when he finally does, he nods just once.
7:26:16But it's enough.
7:26:18>> Yes, he says softly.
7:26:21>> This is okay.
7:26:23>> And I feel myself relax.
7:26:26Tomorrow there will be pain and
7:26:28devastation to contend with. Tomorrow
7:26:31we'll dive into a whole new chapter of
7:26:33hardship. There's a world war brewing, a
7:26:36battle for our lives, for the whole
7:26:38world. Right now, little is certain.
7:26:43But tonight, I'm choosing to celebrate.
7:26:46We're going to celebrate the small and
7:26:48large joys, birthdays, and engagements.
7:26:52We're going to find time for happiness
7:26:54because how can we stand against tyranny
7:26:56if we ourselves are filled with hate or
7:26:59worse, nothing?
7:27:03I want to remember to celebrate more. I
7:27:06want to remember to experience more joy.
7:27:08I want to allow myself to be happy more
7:27:11frequently.
7:27:12I want to remember forever this look on
7:27:15Aaron's face as he's bullied into
7:27:18blowing out his birthday candles for the
7:27:20very first time.
7:27:22This is after all what we're fighting
7:27:24for, isn't it? A second chance at joy.
7:27:37>> [music]
7:27:42>> This is Kate Simses. We hope you have
7:27:45enjoyed this unabridged [music]
7:27:46production of Defy Me by Tahara Muffy
7:27:50presented by Harper [music] Collins and
7:27:52Harper Audio. This program was produced
7:27:55by John Marshall Media, executive
7:27:58producer Caitlyn Garing. Text copyright
7:28:00[music]
7:28:012019 by Tahara MafI. Production
7:28:05copyright [music] 2019 by Harper Collins
7:28:08Publishers. All rights reserved. Thank
7:28:11you for [music] listening.
7:28:18[music]
7:28:23[music]
7:28:28>> [music]